Round The Twist Quotes

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So this is it," said Arthur, "We are going to die." "Yes," said Ford, "except... no! Wait a minute!" He suddenly lunged across the chamber at something behind Arthur's line of vision. "What's this switch?" he cried. "What? Where?" cried Arthur, twisting round. "No, I was only fooling," said Ford, "we are going to die after all.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
And finally I twist my heart round again, so that the bad is on the outside and the good is on the inside, and keep on trying to find a way of becoming what I would so like to be, and could be, if there weren't any other people living in the world.
Anne Frank
We could dig into some of the small stuff we hold back.” “Like what?” He started his hands, twisting the Cognate rings round and round before he transmitted, like all the stuff you tell Keefe and don’t tell me.
Shannon Messenger (Flashback (Keeper of the Lost Cities, #7))
It was all Mrs. Bumble. She would do it," urged Mr. Bumble; first looking round, to ascertain that his partner had left the room. That is no excuse," returned Mr. Brownlow. "You were present on the occasion of the destruction of these trinkets, and, indeed, are the more guilty of the two, in the eye of the law; for the law supposes that your wife acts under your direction." If the law supposes that," said Mr. Bumble, squeezing his hat emphatically in both hands, "the law is a ass — a idiot. If that's the eye of the law, the law is a bachelor; and the worst I wish the law is, that his eye may be opened by experience — by experience.
Charles Dickens (Oliver Twist)
Bleak, dark, and piercing cold, it was a night for the well-housed and fed to draw round the bright fire, and thank God they were at home; and for the homeless starving wretch to lay him down and die. Many hunger-worn outcasts close their eyes in our bare streets at such times, who, let their crimes have been what they may, can hardly open them in a more bitter world.
Charles Dickens (Oliver Twist)
There was once an invisible man, the monster continued, though Conor kept his eyes firmly on Harry, who had grown tired of being unseen. Conor set himself into a walk. A walk after Harry. It was not that he was actually invisible, the monster said, following Conor, the room volume dropping as they passed. It was that the people had become used to not seeing him. "Hey!" Conor called. Harry didn't turn around. Neither did Sully nor Anton, though thet were still sniggering as Conor picked up his pace. And if no one sees you, the monster said, picking up its pace, too, are you really there at all? "HEY!" Conor called loudly. The dining hall had fallen silent now, as Conor and the monster moved faster after Harry. Harry who had still not turned around. Conor reached him and grabbed him by the shoulder, twisting him round. Harry pretended to question what had happened, looking hard at Sully, acting like he was the one who'd done it. "Quit messing about," Harry said and turned away again. Turned away from Conor. And then one day the invisible man decided, the monster said, its voice ringing in Conor's ears, I will make them see me. "How?" Conor asked, breathing heavily again, not turning back to see the monster standing there, not looking at the reaction of the room to the huge monster now in the midst, though he was aware of nervous murmurs and a strange anticipation in the air. "How did the man do it?" Conor could feel the monster close behind him, knew that it was kneeling, knew that it was putting its face up to his ear to whisper into in, to tell him the rest of the story. He called, it said for a monster.
Patrick Ness (A Monster Calls)
Alternatively you can twist the cylinder round twice clockwise; that turns it into a hand grenade. Five-second fuse. I tested it on one of my assistants. Poor old Bennett... he should be out of hospital in a couple of months.
Anthony Horowitz
On the trees are only a few gnarled apples that the pickers have rejected. They look like the knuckles of Doctor Reefy's hands. One nibbles at them and they are delicious. Into a little round place at the side of the apple has been gathered all its sweetness. One runs from tree to tree over the frosted ground picking the gnarled, twisted apples and filling his pockets with them. Only the few know the sweetness of the twisted apples.
Sherwood Anderson (Winesburg, Ohio)
How then does light return to the world after the eclipse of the sun? Miraculously. Frailly. In thin stripes. It hangs like a glass cage. It is a hoop to be fractured by a tiny jar. There is a spark there. Next moment a flush of dun. Then a vapour as if earth were breathing in and out, once, twice, for the first time. Then under the dullness someone walks with a green light. Then off twists a white wraith. The woods throb blue and green, and gradually the fields drink in red, gold, brown. Suddenly a river snatches a blue light. The earth absorbs colour like a sponge slowly drinking water. It puts on weight; rounds itself; hangs pendent; settles and swings beneath our feet.
Virginia Woolf (The Waves)
I could never myself believe in God, if it were not for the cross. The only God I believe in is the One Nietzsche ridiculed as 'God on the cross.' In the real world of pain, how could one worship a God who was immune to it? I have entered many Buddhist temples in different Asian countries and stood respectfully before the statue of the Buddha, his legs crossed, arms folded, eyes closed, the ghost of a smile playing round his mouth, a remote look on his face, detached from the agonies of the world. But each time after a while I have had to turn away. And in imagination I have turned instead to that lonely, twisted, tortured figure on the cross, nails through hands and feet, back lacerated, limbs wrenched, brow bleeding from thorn-pricks, mouth dry and intolerably thirsty, plunged in Godforsaken darkness. That is the God for me! He laid aside his immunity to pain. He entered our world of flesh and blood, tears and death. He suffered for us. Our sufferings become more manageable in the light of his. There is still a question mark against human suffering, but over it we boldly stamp another mark, the cross that symbolizes divine suffering. 'The cross of Christ ... is God’s only self-justification in such a world” as ours....' 'The other gods were strong; but thou wast weak; they rode, but thou didst stumble to a throne; But to our wounds only God’s wounds can speak, And not a god has wounds, but thou alone.
John R.W. Stott (Cross)
Twas the night before Christmas, when all through the house Not a creature was stirring, not even a mouse; The stockings were hung by the chimney with care, In hopes that St. Nicholas soon would be there; The children were nestled all snug in their beds; While visions of sugar-plums danced in their heads; And mamma in her 'kerchief, and I in my cap, Had just settled our brains for a long winter's nap, When out on the lawn there arose such a clatter, I sprang from my bed to see what was the matter. Away to the window I flew like a flash, Tore open the shutters and threw up the sash. The moon on the breast of the new-fallen snow, Gave a lustre of midday to objects below, When what to my wondering eyes did appear, But a miniature sleigh and eight tiny rein-deer, With a little old driver so lively and quick, I knew in a moment he must be St. Nick. More rapid than eagles his coursers they came, And he whistled, and shouted, and called them by name: "Now, Dasher! now, Dancer! now Prancer and Vixen! On, Comet! on, Cupid! on, Donder and Blixen! To the top of the porch! to the top of the wall! Now dash away! dash away! dash away all!" As leaves that before the wild hurricane fly, When they meet with an obstacle, mount to the sky; So up to the housetop the coursers they flew With the sleigh full of toys, and St. Nicholas too— And then, in a twinkling, I heard on the roof The prancing and pawing of each little hoof. As I drew in my head, and was turning around, Down the chimney St. Nicholas came with a bound. He was dressed all in fur, from his head to his foot, And his clothes were all tarnished with ashes and soot; A bundle of toys he had flung on his back, And he looked like a pedler just opening his pack. His eyes—how they twinkled! his dimples, how merry! His cheeks were like roses, his nose like a cherry! His droll little mouth was drawn up like a bow, And the beard on his chin was as white as the snow; The stump of a pipe he held tight in his teeth, And the smoke, it encircled his head like a wreath; He had a broad face and a little round belly That shook when he laughed, like a bowl full of jelly. He was chubby and plump, a right jolly old elf, And I laughed when I saw him, in spite of myself; A wink of his eye and a twist of his head Soon gave me to know I had nothing to dread; He spoke not a word, but went straight to his work, And filled all the stockings; then turned with a jerk, And laying his finger aside of his nose, And giving a nod, up the chimney he rose; He sprang to his sleigh, to his team gave a whistle, And away they all flew like the down of a thistle. But I heard him exclaim, ere he drove out of sight— “Happy Christmas to all, and to all a good night!
Clement Clarke Moore (The Night Before Christmas)
Emboldened by the dark phase of the moon, the constellations twisted round in their infinite sky, slowly corkscrewing into the future, divining immutable futures for those still awake and gazing up.
Luanne G. Smith (The Vine Witch (The Vine Witch, #1))
That boy will be horribly deformed by the time he leaves this school." "He will?" said Cassie. "From being twisted round Katerina's little finger so often.
Gabriella Poole (Secret Lives (Darke Academy, #1))
I perceived that I was hungry, and prepared to clamber out of the hammock which, very politely anticipating my intention, twisted round and deposited me upon the floor.
H.G. Wells
The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. "Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. "Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. "Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. "I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. "I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. "None made," he said. "I'm not making a new pot just for you." "But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. "Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, "What was that?" "I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. "That's wonderful. I'll wait here.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
For a long time, Oliver remained motionless in this attitude. The candle was burning low in the socket when he rose to his feet. Having gazed cautiously round him, and listened intently, he gently undid the fastenings of the door, and looked abroad.
Charles Dickens (Oliver Twist)
And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! Then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come, And plink! A silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes:” they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains’ heart. Caves! The Caverns of Helm’s Deep! Happy was the chance that drove me there! It makes me weep to leave them.
J.R.R. Tolkien (The Lord of the Rings)
Tibb has admonished me to be careful which road I walked, but in truth no road was simple, straightforward, or, indeed, what it appeared to be at first glimpse. Every path was tricksy, full of turns and twists and blind corners with God-only-knew-what dangers lurching round the bend.
Mary Sharratt (Daughters of the Witching Hill)
All of a sudden we saw a high, round tower in the distance, on a little hill. Father instantly decided that we must explore it, though mother wasn't enthusiastic. It was difficult to find because the little roads twisted and woods and villages kept hiding it from us, but every few minutes we caught a glimpse of it.
Dodie Smith (I Capture the Castle)
Once we love, we cannot forget, though the flesh hardens around the wound that once bled, though it be buried in one hundred years of chains and twisted round with the cruel growing thorns of the choking forest. A door opened in the Dragon’s mind that the Dragon had been trying to keep closed for many long years so that he could carry out his Rebellion. When it finally opened, it did so with the same sudden force with which Hiccup’s memory had returned in the ruins of Grimbeard’s Castle. And now it had opened, even just a crack, it was impossible to shut it once again.
Cressida Cowell (How to Fight a Dragon’s Fury (How To Train Your Dragon, #12))
You say you can be honest with me?” Hadley asks after a moment, addressing Oliver’s rounded shoulders, and he twists to look at her. “Fine. Then talk to me. Be honest.” “About what?” “Anything you want. To her surprise, he kisses her then. Not like the kiss at the airport, which was soft and sweet and full of farewell. This kiss is something more urgent, something more desperate; he presses his lips hard against hers, and Hadley closes her eyes and leans in, kissing him back until, just as suddenly, he breaks away again, and they sit staring at each other. “That’s not what I meant,” Hadley says, and Oliver gives her a crooked smile. “You said to be honest. That was the most honest thing I’ve done all day.
Jennifer E. Smith (The Statistical Probability of Love at First Sight)
And I can practically feel it, taste it. The way our hearts and souls yield to one another, twisting round and round until we’re inextricably entangled, no beginning or ending to be found between us. Simply one being. A never-ending infinity of us.
R. Phillips (Entangled (A Twisted Tale #1))
those cries rose from among the twisted roots through which the spirits of the damned were slinking to hide from us. Therefore my Master said: 'If you break off a twig, what you will learn will drive what you are thinking from your head.' Puzzled, I raised my hand a bit and slowly broke off a branchlet from an enormous thorn: and the great trunk of it cried: 'Why do you break me?' And after blood had darkened all the bowl of the wound, it cried again: 'Why do you tear me? Is there no pity left in any soul? Men we were, and now we are changed to sticks; well might your hand have been more merciful were we no more than souls of lice and ticks.' As a green branch with one end all aflame will hiss and sputter sap out of the other as the air escapes- so from that trunk there came words and blood together, gout by gout. Startled, I dropped the branch that I was holding and stood transfixed by fear,...
Dante Alighieri (Inferno)
So, you care about me now,’ I said, meaning to make a joke of it, but it came out soft and low and full of something guttural that made me embarrassed. ‘Why?’ “Because I don’t know anybody like you. You’re like … a rare artefact. And it would be a shame if you got broken.’ Amusement spluttered from me in the most unattractive way. ‘Are you really comparing me to an antique right now? Oh my God, you nerd.” He started laughing, and the carefree melody of it swept me up until I was laughing too, and it was absurd because our families were being threatened and murdered and there we were squished together in a hundred-degree heat outside a maximum security prison, and we used to hate each other and now we were laughing so hard I had tears in my eyes. He composed himself first, but it took a while and I was left choking my laughter into silence. ‘What I meant was,’ his face twisted into a quiet smile that felt secret and deadly, ‘you’re a bright spark, Sophie. And I don’t want anyone to snuff you out.’ ‘Oh.’ Well I couldn’t make fun of that. Was I supposed to say something back? Wasn’t that how compliments worked? The silence was growing and suddenly his words felt heavy and important and he was so close to me and I was perspiring and panicking, and … and I said, ‘And you’re kind of like a snowflake.’ Oh, Jesus Christ. He masked his fleeting surprise with a quirked eyebrow. ‘Excuse me?’ ‘Nothing,’ I said quickly. ‘I didn’t say anything.’ ‘No, no,’ he said, rounding on me so his face was too close, his eyes too searing, his smile too irritating. ‘I’m a snowflake, am I?’ ‘Shut up. Seriously.’ I pulled wisps of loose hair around my cheeks. ‘Shut up.’ ‘I think you were trying to tell me I was special.’ ‘Icy,’ I said. ‘I meant you were icy.’ I could practically taste his glee. I was floundering, and he was relishing it. ‘And unique, in that you’re uniquely annoying,’ I added. ‘God, you’re annoying.
Catherine Doyle (Inferno (Blood for Blood, #2))
What’s this switch?” he cried. “What? Where?” cried Arthur, twisting round. “No, I was only fooling,” said Ford, “we are going to die after all.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
I volunteered to go kill men who I’d have had a drink with if I’d met them in a pub, and that wasn’t courage, just a twist in the head that went the other way round to shellshock. Calling it honour is putting ribbons on a pile of shit. It might look good, but it still stinks.
K.J. Charles (Slippery Creatures (The Will Darling Adventures #1))
The young man was sincerely but placidly in love. He delighted in the radiant good looks of his betrothed, in her health, her horsemanship, her grace and quickness at games, and the shy interest in books and ideas that she was beginning to develop under his guidance. She was straightforward, loyal, and brave; she had a sense of humour (chiefly proved by her laughing at his jokes); and he suspected, in the depths of her innocently-gazing soul, a glow of feeling that it would be a joy to waken. But when he had gone the brief round of her he returned discouraged by the thought that all this frankness and innocence were only an artificial product. Untrained human nature was not frank and innocent; it was full of the twists and defences of an instinctive guile. And he felt himself oppressed by this creation of factitious purity, so cunningly manufactured by a conspiracy of mothers and aunts and grandmothers and long-dead ancestresses, because it was supposed to be what he wanted, what he had a right to, in order that he might exercise his lordly pleasure in smashing it like an image made of snow.
Edith Wharton (The Age of Innocence)
In the meantime, prominent British pastor John R. W. Stott, who acknowledged that suffering is “the single greatest challenge to the Christian faith,” has reached his own conclusion: I could never myself believe in God, if it were not for the cross. . . . In the real world of pain, how could one worship a God who was immune to it? I have entered many Buddhist temples in different Asian countries and stood respectfully before the statue of Buddha, his legs crossed, arms folded, eyes closed, the ghost of a smile playing round his mouth, a remote look on his face, detached from the agonies of the world. But each time after a while I have had to turn away. And in imagination I have turned instead to that lonely, twisted, tortured figure on the cross, nails through hands and feet, back lacerated, limbs wrenched, brow bleeding from thorn-pricks, mouth dry and intolerably thirsty, plunged in God-forsaken darkness. That is the God for me! He laid aside his immunity to pain. He entered our world of flesh and blood, tears and death. He suffered for us. Our sufferings become more manageable in light of his. There is still a question mark against human suffering, but over it we boldly stamp another mark, the cross which symbolizes divine suffering. ‘The cross of Christ . . . is God’s only self-justification in such a world’ as ours.25
Lee Strobel (The Case for Faith: A Journalist Investigates the Toughest Objections to Christianity)
Snake's Lullaby Brother, sister, flick your tongue and taste the flakes of autumn sun. Use these last few hours of gold to travel, travel toward the cold. Before your coils grow stiff and dull, your heartbeat slows to winter's lull, seek the sink of sheltered stones that safely cradle sleeping bones. Brother, sister, find the ways back to the deep and tranquil bays, and 'round each other twist and fold to weave a heavy cloak of cold.
Joyce Sidman (Winter Bees & Other Poems of the Cold)
The boy squirmed, long skinny legs wrapped round each other, rib-cage twisted ninety degrees from his hips in what appeared to be an impossible configuration of limbs. His elbows jutted out abruptly from his sides like some sort of drafting error and (independently aware of their awkwardness) his arms wound themselves round his torso like vines.
Meg Rosoff (There Is No Dog)
The long drizzle had begun. Pedestrians had turned up collars and trousers at the bottom. Hands were hidden in the pockets of the umbrella-less - umbrellas were up. The street looked like a sea of round, black-cloth roofs, twisting, bobbing, moving. Trucks and vans were rattling in a noisy line, and everywhere men were shielding themselves as best they could.
Theodore Dreiser (Sister Carrie)
...And as for your hair!it's worse than ever.Can't you drench it in water to take those untidy twists and twirls out of it?' 'It only makes it curl more and more whey it gets dry,' said Molly, sudden tears coming into her eyes as a recollection came before her like a picture seen long ago and forgotten for years-a young mother washing and dressing her little girl; placing the half-naked darling on her knee, and twining the wet rings of dark hair fondly round her fingers, and then, in ecstasy of fondness, kissing the little curly head.
Elizabeth Gaskell (Wives and Daughters)
Just as the sun disappeared behind a large gray cloud, a white sedan crept slowly along the long twisted road. A wall of trees on either side of the road gave the appearance that the only way out was to forge ahead. The black pavement weaved, rounding bends, up and down small rolling hills. If someone were to look at the scene from above, it would appear similar to a white rat running through a large maze, no doubt on its way to find the cheese.
Jill Sanders (Finding Pride (Pride #1))
...kneel down, kneel down- kneel round her every one of you, and mark my words. I say she starved to death. I never knew how bad she was, till the fever came upon her, and then her bones were starting through the skin. There was neither fire nor candle; she died in the dark- in the dark. She couldn't even see her children's faces, though we heard her gasping out their names. I begged for her in the streets, and they sent me to prison. When I came back, she was dying; and all the blood in my heart has dried up, for they starved her to death. I swear it before the God that saw it,- they starved her!
Charles Dickens (Oliver Twist)
An old man emerged from the ditch, a creature Of mud and wild autumn winds capering Like a hare across a bouldered field, across And through the stillness of time unhinged That sprawls patient and unexpected in the Place where battle lies spent, unmoving and Never again moving bodies strewn and Death-twisted like lost languages tracking Contorted glyphs on a barrow door, and he read well the aftermath, the disarticulated script Rent and dissolute the pillars of self toppled Like termite towers all spilled out round his Dancing feet, and he shouted in gleeful Revelation the truth he'd found, in these Red-fleshed pronouncements - “There is peace!” He shrieked. “There is peace!” and it was No difficult thing, where I sat in the saddle Above salt-rimed horseflesh to lift my crossbow Aim and loose the quarrel, skewering the madman To his proclamation. “Now,” said I, in the Silence that followed, “Now, there is peace.
Steven Erikson (Midnight Tides (Malazan Book of the Fallen, #5))
There is something very strange and unaccountable about a tow-line. You roll it up with as much patience and care as you would take to fold up a new pair of trousers, and five minutes afterwards, when you pick it up, it is one ghastly, soul-revolting tangle. I do not wish to be insulting, but I firmly believe that if you took an average tow-line, and stretched it out straight across the middle of a field, and then turned your back on it for thirty seconds, that, when you looked round again, you would find that it had got itself altogether in a heap in the middle of the field, and had twisted itself up, and tied itself into knots, and lost its two ends, and become all loops; and it would take you a good half-hour, sitting down there on the grass and swearing all the while, to disentangle it again. That is my opinion of tow-lines in general. Of course, there may be honourable exceptions; I do not say that there are not. There may be tow-lines that are a credit to their profession—conscientious, respectable tow-lines—tow-lines that do not imagine they are crochet-work, and try to knit themselves up into antimacassars the instant they are left to themselves. I say there may be such tow-lines; I sincerely hope there are. But I have not met with them.
Jerome K. Jerome (Three Men in a Boat (Three Men, #1))
Let us educate the younger generation to be shy in and out of season: to edge behind the furniture: to say spasmodic and ill-digested things: to twist their feet round the protective feet of sofas and armchairs: to feel that their hands belong to someone else--that they are objects, which they long to put down on some table away from themselves. For shyness is the protective fluid within which our personalities are able to develop into natural shapes. Without this fluid the character becomes merely standardized or imitative: it is within the tender velvet sheath of shyness that the full flower of idiosyncrasy is nurtured: it is from this sheath alone that it can eventually unfold itself, coloured and undamaged. Let the shy understand, therefore, that their disability is not only an inconvenience, but also a privilege. Let them regard their shyness as a gift rather than as an affliction. Let them consider how intolerable are those of their contemporaries who are not also shy.
Harold Nicolson (Small Talk/Facsimile Edition)
each twist of the round spun deeper, because here, Bullet, here is where the world ends, every time.
Brian Turner
And finally I twist my heart round again so that the bad is on the outside and the good is on the inside, and keep on trying to find a way of becoming what I would so like to be...
Lola St. Vil (The Fallout (Guardians, #2))
The creature spun, tumbling, then twisted round to face its attacker, rage blazing in its skull.
Steven Erikson (Gardens of the Moon (The Malazan Book of the Fallen, #1))
Still, it is an error to argue in front of your data. You find yourself insensibly twisting them round to fit your theories.
Arthur Conan Doyle
Did you fall from heaven?” he asks, and I wait for a cheesy comment to follow. “Because so did Satan … and I think you might be him.” My mouth falls open. Not what I expected.
Charity Ferrell (Last Round (Twisted Fox, #5))
And before you interrupt me, Colin, you’re probably one of them. He had you twisted round his little finger.
Anthony Horowitz (A Line to Kill (Hawthorne & Horowitz #3))
It is an error to argue in front of your data. You find yourself insensibly twisting them round to fit your theories. - The Adventure of Wisteria Lodge
Arthur Conan Doyle
The dagger in my heart twists, round and round and round
Paula Hawkins
All except the Hooloovoo were resplendent in their multicolored ceremonial lab coats; the Hooloovoo had been temporarily refracted into a free-standing prism for the occasion. There was a mood of immense excitement thrilling through all of them. Together and between them they had gone to and beyond the furthest limits of physical laws, restructured the fundamental fabric of matter, strained, twisted and broken the laws of possibility and impossibility, but still the greatest excitement of all seemed to be to meet a man with an orange sash round his neck.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
Dorian winced and looked round at the grotesque things that lay in such fantastic postures on the ragged mattresses. The twisted limbs, the gaping mouths, the staring lustreless eyes, fascinated him.
Oscar Wilde (The Picture of Dorian Gray)
Molly was up now, sitting in the kitchen nursing the babies and instructing Mrs. Bienenstock on how to make biscuits. “Don’t pound the dough, Dody!” Molly was crying with laughter. “You want to end up crackin’ your teeth on ’em? Pat it gentle like it’s a baby. That’s better.” Robert had only ever seen his landlady make coffee and eggs, and he did not think she would take kindly to being taught. But Mrs. B. seemed willing; she was smoothing out the biscuit dough into a round on the table. Neither woman even glanced over at him as he moved between the yard and the wagon with the pails. “Now, take this cup,” Molly ordered, “and cut out some circles. Don’t twist it! Twistin’ seals the dough and it don’t rise so well. Jest press and bring the cup back out. There now, put that on your sheet for bakin’.” “We’re
Tracy Chevalier (At the Edge of the Orchard)
The eyes —the same two eyes —met his! The man concealed in the niche had also taken a step forward. For one second they stood face to face. Suddenly the prince caught the man by the shoulder and twisted him round towards the light, so that he might see his face more clearly. Rogojin’s eyes flashed, and a smile of insanity distorted his countenance. His right hand was raised, and something glittered in it.
Fyodor Dostoevsky (The Idiot)
Am I pushing or dying? the light up there, the immense round blazing white light is drinking me. It drinks me slowly, inspires me into space. If I do not close my eyes, it will drink all of me. I seep upward, in long icy threads, too light, and yet inside me there is a fire too, the nerves are twisted, there is no rest from this long tunnel dragging me, or am I pushing myself out of the tunnel, or is the child being pushed out of me, or is the light drinking me. Am I dying? The ice in the veins, the cracking of the bones, this pushing in darkness, with a small shaft of light in the eyes like the edge of the knife, the feeling of a knife cutting the flesh, the flesh somewhere is tearing as if it were burned through by a flame, somewhere my flesh is tearing and the blood is spilling out. I am pushing in the darkness, in utter darkness.
Anaïs Nin
I squinted at the western sky behind Thaddeus, a blood-red smear melting into blackness. Twisting my neck, I glanced the opposite direction. My teeth clenched at a magnified, round moon nearly as scarlet as the portending sunset, its luminous face half masked by hazy cloud cover. Hatred, vengeance, anger... such emotions coursed through my veins in a poisonous concoction that muddied my mind, impelling me to grip my sword tighter and fight with every ounce of strength I possessed against those who threatened my family - my kind. Currently, Thaddeus was behaving as such a threat, using his powers of persuasion to condone human sacrifice for some outrageously perceived good. He wanted an offering for the monsters; a desperate, futile offering of human flesh that would in no way protect the other villagers from being mauled as he promised.
Richelle E. Goodrich (The Tarishe Curse)
But she already partook of the pervading spirit of neglect which encompassed her. Her pretty face was wan and listless; her hair uncurled: some locks hanging lankly down, and some carelessly twisted round her head.
Emily Brontë (Wuthering Heights)
She rounded on him. “You wouldn’t, you giant ass.” To be honest, she didn’t understand, either. But that didn’t stop her from putting several days’ worth of fear and stress on the table. “I’m scared, okay? I’m lost. I don’t know where I am, and everyone here looks at me like they want to eat me or torture me. Maybe both. I want to go home, but then I don’t want to go home because everything I thought I knew is one big lie. The people I trusted have turned against me, and even my own brother is afraid to help me.” She paused to take a breath, fresh fuel for her tirade. “I should hate you, but instead, I’m attracted to you, which is beyond twisted, especially since I know that after I get Neriya back, I’m probably going to die.” She dashed away tears with the back of her hand. “So forgive me if I’m a little emotionally unstable right now.” She sniffed. “Ass.
Larissa Ione (Bound by Night (MoonBound Clan Vampire, #1))
Sherlock Holmes had opened his mouth to reply, when the door flew open, and Peterson, the commissionaire, rushed into the apartment with flushed cheeks and the face of a man who is dazed with astonishment. “The goose, Mr. Holmes! The goose, sir!” he gasped. “Eh? What of it, then? Has it returned to life and flapped off through the kitchen window?” Holmes twisted himself round upon the sofa to get a fairer view of the man’s excited face.
Arthur Conan Doyle (Sherlock Holmes: The Complete Novels and Stories: Volumes I and II)
I have nothing but admiration for myself as a youngster; I was a force to be reckoned with then, a much finer specimen than I am now. As kids, we had little meat on our bones; we were sticklike figures with big rounded bellies, the skin stretched so taut it was nearly transparent — you could just about see our intestines twist and coil on the other side. Our necks were so long and thin it was a miracle they could support our heavy heads.
Mo Yan (Shifu, You'll Do Anything for a Laugh: A Novel)
The woman moved in a blur, one elbow driving backwards into the assassin’s stomach. She twisted round and drove her knee into the man’s crotch. A shout burst from Kalam as he reeled back a step, then fell to the ground with a heavy thump.
Steven Erikson (Gardens of the Moon (The Malazan Book of the Fallen, #1))
I twist my heart round again, so that the bad is on the outside and the good is on the inside, and keep trying to find a way of becoming what I would so like to be, and what I could be, if…there weren’t any other people living in the world.
Francine Prose (Anne Frank)
The story of Doctor Reefy and his courtship of the tall dark girl who became his wife and left her money to him is a very curious story. It is delicious, like the twisted little apples that grow in the orchards of Winesburg. In the fall one walks in the orchards and the ground is hard with frost underfoot. The apples have been taken from the trees by the pickers. They have been put in barrels and shipped to the cities where they will be eaten in apartments that are filled with books, magazines, furniture, and people. On the trees are only a few gnarled apples that the pickers have rejected. They look like the knuckles of Doctor Reefy's hands. One nibbles at them and they are delicious. Into a little round place at the side of the apple has been gathered all of its sweetness. One runs from tree to tree over the frosted ground picking the gnarled, twisted apples and filling his pockets with them. Only the few know the sweetness of the twisted apples.
Sherwood Anderson (Winesburg, Ohio)
The glass shattered but the bullet hadn’t passed through and at the same time Bond was diving to one side, his left hand scrabbling for the gun. He grabbed it and now, protected by the lower half of the door, he twisted round and dived down.
Anthony Horowitz (Trigger Mortis)
GERTRUDE Gertrude Appleman, 1901-1976 God is all-knowing, all-present, and almighty. --A Catechism of Christian Doctrine I wish that all the people who peddle God could watch my mother die: could see the skin and gristle weighing only seventy-nine, every stubborn pound of flesh a small death. I wish the people who peddle God could see her young, lovely in gardens and beautiful in kitchens, and could watch the hand of God slowly twisting her knees and fingers till they gnarled and knotted, settling in for thirty years of pain. I wish the people who peddle God could see the lightning of His cancer stabbing her, that small frame tensing at every shock, her sweet contralto scratchy with the Lord’s infection: Philip, I want to die. I wish I had them gathered round, those preachers, popes, rabbis, imams, priests – every pious shill on God’s payroll – and I would pull the sheets from my mother’s brittle body, and they would fall on their knees at her bedside to be forgiven all their faith.
Philip Appleman
Time and time again I am astounded by the regularity and repetition of form in this valley and elsewhere in wild nature: basic patterns, sculpted by time and the land, appearing everywhere I look. The twisted branches in the forest that look so much like the forked antlers of the deer and elk. The way the glacier-polished hillside boulders look like the muscular, rounded bodies of the animals- deer, bear- that pass among these boulders like loving ghosts. The way the swirling deer hair is the exact shape and size of the larch and pine needles the deer hair lies upon one it is torn loose and comes to rest on the forest floor. As if everything up here is leaning in the same direction, shaped by the same hands, or the same mind; not always agreeing or in harmony, but attentive always to the same rules of logic and in the playing-out, again and again, of the infinite variations of specificity arising from that one shaping system of logic an incredible sense of community develops… Felt at night when you stand beneath the stars and see the shapes and designs of bears and hunters in the sky; felt deep in the cathedral of an old forest, when you stare up at the tops of the swaying giants; felt when you take off your boots and socks and wade across the river, sensing each polished, mossy stone with your bare feet. Felt when you stand at the edge of the marsh and listen to the choral uproar of the frogs, and surrender to their shouting, and allow yourself, too, like those pine needles and that deer hair, like those branches and those antlers, to be remade, refashioned into the shape and the pattern and the rhythm of the land. Surrounded, and then embraced, by a logic so much more powerful and overarching than anything that a man or woman could create or even imagine that all you can do is marvel and laugh at it, and feel compelled to give, in one form or another, thanks and celebration for it, without even really knowing why…
Rick Bass
From her handbag she takes a round gilt compact with violets on the cover. She opens it, unclosing her other self, and runs her fingertip around the corners of her mouth, left one, right one; then she unswivels a pink stick and dots her cheeks and blends them, changing her shape, performing the only magic left to her. Rump on a packsack, harem cushion, pink on the cheeks and black discreetly around the eyes, as red as blood as black as ebony, a seamed and folded imitation of a magazine picture that is itself an imitation of a woman who is also an imitation, the original nowhere, hairless lobed angel in the same heaven where God is a circle, captive princess in someone's head. She is locked in, she isn't allowed to eat or shit or cry or give birth, nothing goes in, nothing comes out. She takes her clothes off or puts them on, paper doll wardrobe, she copulates under strobe lights with the man's torso while his brain watches from its glassed-in control cubicle at the other end of the room, her face twists into poses of exultation and total abandonment, that is all. She is not bored, she has no other interests.
Margaret Atwood (Surfacing)
For the next eight or ten months, Oliver was the victim of a systematic course of treachery and deception. He was brought up by hand. The hungry and destitute situation of the infant orphan was duly reported by the workhouse authorities to the parish authorities. The parish authorities inquired with dignity of the workhouse authorities, whether there was no female then domiciled in 'the house' who was in a situation to impart to Oliver Twist, the consolation and nourishment of which he stood in need. The workhouse authorities replied with humility, that there was not. Upon this, the parish authorities magnanimously and humanely resolved, that Oliver should be 'farmed,' or, in other words, that he should be dispatched to a branch-workhouse some three miles off, where twenty or thirty other juvenile offenders against the poor-laws, rolled about the floor all day, without the inconvenience of too much food or too much clothing, under the parental superintendence of an elderly female, who received the culprits at and for the consideration of sevenpence-halfpenny per small head per week. Sevenpence-halfpenny's worth per week is a good round diet for a child; a great deal may be got for sevenpence-halfpenny, quite enough to overload its stomach, and make it uncomfortable. The elderly female was a woman of wisdom and experience; she knew what was good for children; and she had a very accurate perception of what was good for herself. So, she appropriated the greater part of the weekly stipend to her own use, and consigned the rising parochial generation to even a shorter allowance than was originally provided for them. Thereby finding in the lowest depth a deeper still; and proving herself a very great experimental philosopher.
Charles Dickens (Oliver Twist)
Sickening, the way the youngest de Vibrey girl, to humour the whim of her kinky old father, is actually riding side-saddle today. Twisted round like a blooming corkscrew. Hymen be blowed, think of what it's doing to her innards, poor wretch, think of the strain on her spine when she goes over the fences.
A.P. . (Sabine)
It’s much harder to twist the charitable arm of a lottery winner compared to that of a man at his lowest ebb. It sounds like the wrong way round at first, but when you really put your nut to it, people are more frightened of losing the big shit than of having fuck all to begin with and losing a bit of that.
Carla H. Krueger (The Social Worker)
Swords I know lying in Sigarsholm, Fifty there are save only four; One there is that is best of all, The shield-destroyer, with gold it shines. 9. “In the hilt is fame, in the haft is courage, In the point is fear, for its owner’s foes; On the blade there lies a blood-flecked snake, And a serpent’s tail round the flat is twisted.
Anonymous (The Poetic Edda: The Heroic Poems)
There was a great joke that was forever doing the rounds in the jail and it was probably funny not because it had a humorous punchline but because it was so very true at a deep psychological level. Put anyone in that jail and soon enough they'd actually become a cruel, twisted, sadistic and heartless thug. And some of the prisoners were just as bad.
H.M. Forester (The Dissidents)
Rounding a bend, they almost ran into a flock of sheep, tended by a boy in a coat that was far too big for him and belted at the waist with a twist of yellow binder twine. Reck stopped the van and the two men sat stranded amid a moving sea of dirty gray fleece. Strafford idly studied the milling animals, admiring their long aristocratic heads and the neat little hoofs, like carved nuggets of coal, on which they trotted so daintily. He was struck too by their protuberant and intelligent-seeming shiny black eyes, expressive of stoical resignation tinged with the incurable shame of their plight, avatars of an ancient race, being herded ignominiously along a country road by a snot-nosed brat with a stick.
John Banville (Snow (St. John Strafford, #2))
Whoa, big brother. Don’t get your boxers in a twist. Wait, do you wear boxers? Briefs? What about that sidekick of yours? His are always shoved straight up his tightly clenched ass cheeks. You might want to round up an underwear-retrieval operation for him. It’s probably damaging to his health, and most definitely damaging to his scrotum. Scrotum. What a weird word.
Meghan March (Dirty Love (Dirty Girl Duet, #2))
When I couldn’t take the hunger anymore, I called Taylor and told her everything. She screamed so loud, I had to hold the phone away from my ear. She came right over with a black-bean burrito and a strawberry-banana smoothie. She kept shaking her head and saying, “That Zeta Phi slut.” “It wasn’t just her, it was him, too,” I said, between bites of my burrito. “Oh, I know. Just you wait. I’m gonna drag my nails across his face when I see him. I’ll leave him so scarred, no girl will ever hook up with him again.” She inspected her manicured nails like they were artillery. “When I go to the salon tomorrow, I’m gonna tell Danielle to make them sharp.” My heart swelled. There are some things only a friend who’s known you your whole life can say, and instantly, I felt a little better. “You don’t have to scar him.” “But I want to.” She hooked her pinky finger with mine. “Are you okay?” I nodded. “Better, now that you’re here.” When I was sucking down the last of my smoothie, Taylor asked me, “Do you think you’ll take him back?” I was surprised and really relieved not to hear any judgement to her voice. “What would you do?” I asked her. “It’s up to you.” “I know, but…would you take him back?” “Under ordinary circumstances, no. If some guy cheated on me while we were on a break, if he so much as looked at another girl, no. He’d be donzo.” She chewed on her straw. “But Jeremy’s not some guy. You have a history together.” “What happened to all that talk about scarring him?” “Don’t get it twisted, I hate him to death right now. He effed up in a colossal way. But he’ll never be just some guy, not to you. That’s a fact.” I didn’t say anything. But I knew she was right. “I could still round up my sorority sisters and go slash his tires tonight.” Taylor bumped my shoulder. “Hmm? Whaddyathink?” She was trying to make me laugh. It worked. I laughed for the first time in what felt like a long time.
Jenny Han (We'll Always Have Summer (Summer #3))
Such a nasty bruise,” he says, staring straight into my eyes. I am stunned he can see it. Delicate to the touch and tender on every side, the bruise is deeper than days. My hand automatically moves to my chest. Science taught me with valid assurance that my heart was fixed in my rib cage, but life has since shown me otherwise. My heart in fact dangles from a tangle of strings. The ends are grasped tight by numerous people who yank and release, having caused many painful bruises over time. I cry because they are invisible to most. “Such a nasty bruise,” he repeats, tugging on my poor heart. His kind eyes fall away from mine as I feel a squeeze on my arm. He twists it enough to show me a small, round patch of purple surrounded by a sickly yellowish corona. “Oh. My elbow.” I let the air exhale from my lungs. Another bruise forms where my heart has hit the floor. It is jerked up again. “Can I do anything for you?” I see in his eyes the mirror image of a finger—his finger—wrapped in one of the dangling strings. He tugs and I feel it. “No,” I reply to his question. But it is a lie. There is something he could do, along with all who grasp a portion of the web entangling my heart. I wish they would mercifully let go.
Richelle E. Goodrich (Slaying Dragons: Quotes, Poetry, & a Few Short Stories for Every Day of the Year)
After we had loaded the last one, I backed the pickup around and drove down the twisting road to the big truck. As we rounded the final curve, we noticed there was a strange pickup parked near the U-Haul. Two men got out of it and looked around furtively, but did not see us. They tiptoed over to the truck, their curiosity piqued by an apparently abandoned U-Haul. They tried the sliding back door gingerly, and found it would open. They gave it a push. The loose bees inside rushed out toward the light and enveloped the two men in a furious buzzing cloud. The men were both heavy, with ample beer bellies, but they ran like jackrabbits to their pickup and drove off at top speed, careening from one side of the road to the other as they tried to brush bees from their heads. I’ll wager that is the last time either of them meddled with an abandoned truck.
Sue Hubbell (A Book of Bees)
You’ve got body armour on, haven’t you?’ Harry twisted round to check. ‘Have you or haven’t you?’ She tapped her chest with her knuckles by way of reply. ‘Lightweight?’ She nodded. ‘For fuck’s sake, Ellen! I gave the order for ballistic vests to be worn. Not those Mickey Mouse vests.’ ‘Do you know what the Secret Service guys use?’ ‘Let me guess. Lightweight vests?’ ‘That’s right.’ ‘Do you know what I don’t give a shit about?’ ‘Let me guess. The Secret Service?’ ‘That’s right.
Jo Nesbø (The Redbreast (Harry Hole))
And I came to a hill that I never saw before. I was in a dismal thicket full of black twisted boughs that tore me as I went through them, and I cried out because I was smarting all over, and then I found that I was climbing, and I went up and up a long way, till at last the thicket stopped and I came out crying just under the top of a big bare place, where there were ugly grey stones lying all about on the grass, and here and there a little, twisted stunted tree came out from under a stone, like a snake. And I went up, right to the top, a long way. I never saw such big ugly stones before; they came out of the earth some of them, and some looked as if they had been rolled to where they were, and they went on and on as far as I could see, a long, long way. I looked out from them and saw the country, but it was strange. It was winter time, and there were black terrible woods hanging from the hills all round; it was like seeing a large room hung with black curtains, and the shape of the trees seemed quite different from any I had ever seen before. I was afraid. Then beyond the woods there were other hills round in a great ring, but I had never seen any of them; it all looked black, and everything had a voor over it. It was all so still and silent, and the sky was heavy and grey and sad, like a wicked voorish dome in Deep Dendo. I went on into the dreadful rocks. There were hundreds and hundreds of them. Some were like horrid-grinning men; I could see their faces as if they would jump at me out of the stone, and catch hold of me, and drag me with them back into the rock, so that I should always be there. And there were other rocks that were like animals, creeping horrible animals, putting out their tongues, and others were like words I could not say, and others were like dead people lying on the grass. I went on among them, though they frightened me, and my heart was full of wicked songs that they put into it; and I wanted to make faces and twist myself about in the way they did, and I went on and on a long way till at last I liked the rocks, and they didn't frighten me any more. I sang the songs I thought of; songs full of words that must not be spoken or written down. Then I made faces like the faces on the rocks, and I twisted myself about like the twisted ones, and I lay down flat on the ground like the dead ones, and I went up to one that was grinning, and put my arms round him and hugged him.
Arthur Machen (The Great God Pan and Other Horror Stories)
How short?” Now or never. And Dara was tired of staying silent. Dara wet his lips. “When I was fifteen, I started getting drunk early. I’d open my first bottle around three in the afternoon. It meant I was wasted by the time he got home.” Leo’s gaze caught his in the mirror, his hands frozen with scissors still in grasp. Dara looked back at him. “Well. Eventually, he got sick of waiting for me to sober up. So one night he grabbed me by the hair”—Dara tugged at that lock twisted round his finger, tugged until it hurt—“and he dragged me into the bathroom, and he held my head under in a sink of cold water until I couldn’t breathe. Until I was choking. He only let go after I stopped fighting, that moment right before I would’ve passed out.” Dara lifted one shoulder, dropped it down. “But I guess it worked. I wasn’t drunk anymore.” Leo was still staring at him. He didn’t say anything. Dara’s lips curled in a bitter smile. “Cut it short enough he couldn’t do that again.
Victoria Lee (The Fever King (Feverwake, #1))
Anna? Anna,are you there? I've been waiting in the lobby for fifteen minutes." A scrambling noise,and St. Clair curses from the floorboards. "And I see your light's off.Brilliant. Could've mentioned you'd decided to go on without me." I explode out of bed. I overslept! I can't believe I overslept! How could this happen? St. Clair's boots clomp away,and his suitcase drags heavily behind him. I throw open my door. Even though they're dimmed this time of night,the crystal sconces in the hall make me blink and shade my eyes. St. Clair twists into focus.He's stunned. "Anna?" "Help," I gasp. "Help me." He drops his suitcase and runs to me. "Are you all right? What happened?" I pull him in and flick on my light. The room is illuminated in its disheveled entirety. My luggage with its zippers open and clothes piled on top like acrobats. Toiletries scattered around my sink. Bedsheets twined into ropes. And me. Belatedly, I remember that not only is my hair crazy and my face smeared with zit cream,but I'm also wearing matching flannel Batman pajamas. "No way." He's gleeful. "You slept in? I woke you up?" I fall to the floor and frantically squish clothes into my suitcase. "You haven't packed yet?" "I was gonna finish this morning! WOULD YOU FREAKING HELP ALREADY?" I tug on a zipper.It catches a yellow Bat symbol, and I scream in frustration. We're going to miss our flight. We're going to iss it,and it's my fault. And who knows when the next plane will leave, and we'll be stuck here all day, and I'll never make it in time for Bridge and Toph's show. And St. Clair's mom will cry when she has to go to the hospital without him for her first round of internal radiation, because he'll be stuck iin an airport on the other side of the world,and its ALL. MY FAULT. "Okay,okay." He takes the zipper and wiggles it from my pajama bottoms. I make a strange sound between a moan and a squeal. The suitcase finally lets go, and St. Clair rests his arms on my shoulders to steady them. "Get dressed. Wipe your face off.I'll takecare of the rest." Yes,one thing at a time.I can do this. I can do this. ARRRGH! He packs my clothes. Don't think about him touching your underwear. Do NOT think about him touching your underwear. I grab my travel outfit-thankfully laid out the night before-and freeze. "Um." St. Clair looks up and sees me holding my jeans. He sputters. "I'll, I'll step out-" "Turn around.Just turn around, there's not time!" He quickly turns,and his shoulders hunch low over my suitcase to prove by posture how hard he is Not Looking.
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
I don’t know if you’ve spent time in the Catskills. From a distance, say, the parking lot of the old Caldor’s (which became an Ames that became a Stop ‘N’ Shop) in Huguenot, they’ve always made me think of a herd of giant animals, all standing grazing on the horizon. Up close, when you’re driving among them with the early morning light breaking over their round peaks, they seem incredibly present, more real than real, these huge solid heaps of rock that wear their trees like mile-long scarves. You glance at them, trying to keep your eyes on the road, which is already pretty busy with people driving up for a weekend getaway, and somehow you wouldn’t be surprised if the mountain closest to you were to cast off its trees in one titanic shrug and start to lumber away, a vast, unimaginable beast. When you turn off onto whatever secondary road you need to take, and you’re following its twists and turns back into the mountains, and the ground is steep to either side of you, opening every now and then on a meadow, or an old house, you think, Here, there are secret places. Well,
John Langan (The Fisherman)
from her purse. “We have to follow that car!” “But not too close,” Nancy replied. “We’d make them suspicious.” The girls waited three minutes before backing out into the main highway and then turning into the adjacent road. Though the automobile ahead had disappeared, tire prints were plainly visible. The road twisted through a stretch of wood-land. When finally the tire prints turned off into a heavily wooded narrow lane, Nancy was sure they were not far from the cabin. She parked among some trees and they went forward on foot. “There it is!” whispered Nancy, recognizing the chimney. “Bess, I want you to take my car, drive to River Heights, and look up the name of the owner of the car we just saw. Here’s the license number. “After you’ve been to the Motor Vehicle Bureau, please phone Mrs. Putney’s house. If she answers, we’ll know it wasn’t she we saw in the car. Then get hold of Dad or Ned, and bring one of them here as fast as you can. We may need help. Got it straight?” “I—I—g-guess so,” Bess answered. “Hurry back! No telling what may happen while you’re away.” The two watched as Nancy’s car rounded a bend and was lost to view. Then Nancy and George walked swiftly through the woods toward the cabin. Approaching the building, Nancy and George were amazed to find that no car was parked on the road in front. “How do you figure it?” George whispered as the girls crouched behind bushes. “We certainly saw tire marks leading into this road!” “Yes, but the car that passed may have gone on without stopping. Possibly the driver saw us and changed her plans. Wait here, and watch the cabin while I check the tire marks out at the
Carolyn Keene (The Ghost of Blackwood Hall (Nancy Drew, #25))
To The Warmongers I'm back again from hell With loathsome thoughts to sell; secrets of death to tell; And horrors from the abyss. Young faces bleared with blood sucked down into the mud, You shall hear things like this, Till the tormented slain Crawl round and once again, With limbs that twist awry Moan out their brutish pain, As the fighters pass them by. For you our battles shine With triumph half-divine; And the glory of the dead Kindles in each proud eye. But a curse is on my head, That shall not be unsaid, And the wounds in my heart are red, For I have watched them die.
Siegfried Sassoon (The War Poems)
And then, so quickly that no one (unless they knew, as Peter did) could quite see how it happened, Edmund flashed his sword round with a peculiar twist, the Dwarf’s sword flew out of his grip, and Trumpkin was wringing his empty hand as you do after a “sting” from a cricket-bat. “Not hurt, I hope, my dear little friend?” said Edmund, panting a little and returning his own sword to its sheath. “I see the point,” said Trumpkin drily. “You know a trick I never learned.” “That’s quite true,” put in Peter. “The best swordsman in the world may be disarmed by a trick that’s new to him. I think it’s only fair to give Trumpkin a chance at something else. Will you have a shooting match with my sister? There are no tricks in archery, you know.” “Ah, you’re jokers, you are,” said the Dwarf. “I begin to see. As if I didn’t know how she can shoot, after what happened this morning. All the same, I’ll have a try.” He spoke gruffly, but his eyes brightened, for he was a famous bowman among his own people. All five of them came out into the courtyard. “What’s to be the target?” asked Peter. “I think that apple hanging over the wall on the branch there would do,” said Susan. “That’ll do nicely, lass,” said Trumpkin. “You mean the yellow one near the middle of the arch?” “No, not that,” said Susan. “The red one up above--over the battlement.” The Dwarf’s face fell. “Looks more like a cherry than an apple,” he muttered, but he said nothing out loud.
C.S. Lewis (Prince Caspian (Chronicles of Narnia, #2))
God is alive; Magic is afoot God is alive; Magic is afoot God is afoot; Magic is alive Alive is afoot..... Magic never died. God never sickened; Many poor men lied Many sick men lied Magic never weakened Magic never hid Magic always ruled God is afoot God never died. God was ruler Though his funeral lengthened Though his mourners thickened Magic never fled Though his shrouds were hoisted The naked God did live Though his words were twisted The naked Magic thrived Though his death was published Round and round the world The heart did not believe Many hurt men wondered Many struck men bled Magic never faltered Magic always led. Many stones were rolled But God would not lie down Many wild men lied Many fat men listened Though they offered stones Magic still was fed Though they locked their coffers God was always served. Magic is afoot. God rules. Alive is afoot. Alive is in command. Many weak men hungered Many strong men thrived Though they boasted solitude God was at their side Nor the dreamer in his cell Nor the captain on the hill Magic is alive Though his death was pardoned Round and round the world The heart did not believe. Though laws were carved in marble They could not shelter men Though altars built in parliaments They could not order men Police arrested Magic And Magic went with them, For Magic loves the hungry. But Magic would not tarry It moves from arm to arm It would not stay with them Magic is afoot It cannot come to harm It rests in an empty palm It spawns in an empty mind But Magic is no instrument Magic is the end. Many men drove Magic But Magic stayed behind Many strong men lied They only passed through Magic And out the other side Many weak men lied They came to God in secret And though they left him nourished They would not say who healed Though mountains danced before them They said that God was dead Though his shrouds were hoisted The naked God did live This I mean to whisper to my mind This I mean to laugh with in my mind This I mean my mind to serve 'til Service is but Magic Moving through the world And mind itself is Magic Coursing through the flesh And flesh itself is Magic Dancing on a clock And time itself the magic length of God.
Leonard Cohen
And under the cicadas, deeper down that the longest taproot, between and beneath the rounded black rocks and slanting slabs of sandstone in the earth, ground water is creeping. Ground water seeps and slides, across and down, across and down, leaking from here to there, minutely at a rate of a mile a year. What a tug of waters goes on! There are flings and pulls in every direction at every moment. The world is a wild wrestle under the grass; earth shall be moved. What else is going on right this minute while ground water creeps under my feet? The galaxy is careening in a slow, muffled widening. If a million solar systems are born every hour, then surely hundreds burst into being as I shift my weight to the other elbow. The sun’s surface is now exploding; other stars implode and vanish, heavy and black, out of sight. Meteorites are arcing to earth invisibly all day long. On the planet, the winds are blowing: the polar easterlies, the westerlies, the northeast and southeast trades. Somewhere, someone under full sail is becalmed, in the horse latitudes, in the doldrums; in the northland, a trapper is maddened, crazed, by the eerie scent of the chinook, the sweater, a wind that can melt two feet of snow in a day. The pampero blows, and the tramontane, and the Boro, sirocco, levanter, mistral. Lick a finger; feel the now. Spring is seeping north, towards me and away from me, at sixteen miles a day. Along estuary banks of tidal rivers all over the world, snails in black clusters like currants are gliding up and down the stems of reed and sedge, migrating every moment with the dip and swing of tides. Behind me, Tinker Mountain is eroding one thousandth of an inch a year. The sharks I saw are roving up and down the coast. If the sharks cease roving, if they still their twist and rest for a moment, they die. They need new water pushed into their gills; they need dance. Somewhere east of me, on another continent, it is sunset, and starlings in breathtaking bands are winding high in the sky to their evening roost. The mantis egg cases are tied to the mock-orange hedge; within each case, within each egg, cells elongate, narrow, and split; cells bubble and curve inward, align, harden or hollow or stretch. And where are you now?
Annie Dillard (Pilgrim at Tinker Creek)
We rode for perhaps an hour with the snow tapping at our cheeks before we came to a little gully where the mountainside folded itself around a grove of misshapen willows. Even if the changeling hadn't directed us there, I would have taken it for a faerie door of some sort; though there are many sorts of doors, they all have a similar quality which can best---and quite inadequately---be described as unusual. A round ring of mushrooms is the obvious example, but one must additionally be on the lookout for large, hoary trees that dwarf their neighbors; for twisted trunks and gaping hollows; for wildflowers out of sync with the forest's floral denizens; for patterns of things; for mounds and depressions and inexplicable clearings. Anything that does not fit.
Heather Fawcett (Emily Wilde's Encyclopaedia of Faeries (Emily Wilde, #1))
In this country faith is absolute and universal. The choice, if there is a choice, is made at birth. Everyone believes. For these people, God is a near neighbour. I thought of Sundays at home when I was a child, buttoned up in an uncomfortable tweed jacket and forced to go to Sunday communion. I remember mouthing the hymns without really singing, peering between my fingers at the rest of the congregation when I was supposed to be praying, twisting in my seat during the sermon, aching with impatience for the whole boring ritual to be over. I can’t remember when I last went to church. I must have been since Mary and I were married but I can’t remember when. I don’t know anyone who does go to church now. It’s extraordinary, isn’t it? I know I live amongst scientists and civil servants, and Mary’s friends are all bankers or economists, so perhaps we are not typical. You still see people coming out of church on Sunday morning, chatting on the steps, shaking hands with the vicar, as you drive past on your way to get the Sunday papers, relieved you are too old now to be told to go. But no one I know goes any more. We never talk about it. We never think about it. I cannot easily remember the words of the Lord’s Prayer. We have moved on from religion. Instead of going to church, which would never occur to us, Mary and I go to Tesco together on Sundays. At least, that is what we did when she still lived in London. We never have time to shop during the week and Saturdays are too busy. But on Sunday our local Tesco is just quiet enough to get round without being hit in the ankles all the time by other people’s shopping carts. We take our time wheeling the shopping cart around the vast cavern, goggling at the flatscreen TVs we cannot afford, occasionally tossing some minor luxury into the trolley that we can afford but not justify. I suppose shopping in Tesco on Sunday morning is in itself a sort of meditative experience: in some way a shared moment with the hundreds of other shoppers all wheeling their shopping carts, and a shared moment with Mary, come to that. Most of the people I see shopping on Sunday morning have that peaceful, dreamy expression on their faces that I know is on ours. That is our Sunday ritual. Now, I am in a different country, with a different woman by my side. But I feel as if I am in more than just a different country; I am in another world, a world where faith and prayer are instinctive and universal, where not to pray, not to be able to pray, is an affliction worse than blindness, where disconnection from God is worse than losing a limb.
Paul Torday (Salmon Fishing in the Yemen)
We’re trapped now, aren’t we?” “Yes,” said Ford, “we’re trapped.” “Well, didn’t you think of anything? I thought you said you were going to think of something. Perhaps you thought of something and I didn’t notice.” “Oh yes, I thought of something,” panted Ford. Arthur looked up expectantly. “But unfortunately,” continued Ford, “it rather involved being on the other side of this airtight hatchway.” He kicked the hatch they’d just been thrown through. “But it was a good idea, was it?” “Oh yes, very neat.” “What was it?” “Well, I hadn’t worked out the details yet. Not much point now, is there?” “So … er, what happens next?” asked Arthur. “Oh, er, well, the hatchway in front of us will open automatically in a few moments and we will shoot out into deep space I expect and asphyxiate. If you take a lungful of air with you you can last for up to thirty seconds, of course …” said Ford. He stuck his hands behind his back, raised his eyebrows and started to hum an old Betelgeusian battle hymn. To Arthur’s eyes he suddenly looked very alien. “So this is it,” said Arthur, “we are going to die.” “Yes,” said Ford, “except … no! Wait a minute!” He suddenly lunged across the chamber at something behind Arthur’s line of vision. “What’s this switch?” he cried. “What? Where?” cried Arthur, twisting round. “No, I was only fooling,” said Ford, “we are going to die after all.” He slumped against the wall again and carried on the tune from where he left off. “You know,” said Arthur, “it’s at times like this, when I’m trapped in a Vogon airlock with a man from Betelgeuse, and about to die of asphyxiation in deep space, that I really wish I’d listened to what my mother told me when I was young.” “Why, what did she tell you?” “I don’t know, I didn’t listen.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
But when he had gone the brief round of her he returned discouraged by the thought that all this frankness and innocence were only an artificial product. Untrained human nature was not frank and innocent; it was full of the twists and defences of an instinctive guile. And he felt himself oppressed by this creation of factitious purity, so cunningly manufactured by a conspiracy of mothers and aunts and grandmothers and long-dead ancestresses, because it was supposed to be what he wanted, what he had a right to, in order that he might exercise his lordly pleasure in smashing it like an image made of snow..... He could not get away from the fact that if he had been brought up as she had they would have been no more fit to find their way about than the Babes in the Wood; nor could he, for all his anxious cogitations, see any honest reason (any, that is, unconnected with his own momentary pleasure, and the passion of masculine vanity) why his bride should not have been allowed the same freedom of experience as himself.
Edith Wharton (The Age of Innocence)
Observe yon tree in your neighbour's garden. Look how it grows up, crooked and distorted. Some wind scattered the germ from which it sprang, in the clefts of the rock; choked up and walled round by crags and buildings, by Nature and man, its life has been one struggle for the light,—light which makes to that life the necessity and the principle: you see how it has writhed and twisted; how, meeting the barrier in one spot, it has laboured and worked, stem and branches, towards the clear skies at last. What has preserved it through each disfavour of birth and circumstances,—why are its leaves as green and fair as those of the vine behind you, which, with all its arms, can embrace the open sunshine? My child, because of the very instinct that impelled the struggle,—because the labour for the light won to the light at length. So with a gallant heart, through every adverse accident of sorrow and of fate to turn to the sun, to strive for the heaven; this it is that gives knowledge to the strong and happiness to the weak.
Edward Bulwer-Lytton (Zanoni Book One: The Musician: The Magical Antiquarian Curiosity Shoppe, A Weiser Books Collection)
The members of the board were very sage, deep, philosophical men; and when they came to turn their attention to the workhouse, they found out at once, what ordinary folk would never have discovered - the poor people like it! It was a regular place of public entertainment for the poorer classes; a tavern where there was nothing to pay; a public breakfast, dinner, tea, and supper all year round; a brick and mortar elysium where it was all play and no work. "Oho!" said the board, looking very knowing; "we are the fellows to set this to rights; we'll stop it all in no time." So, they established the rule, that all poor people should have the alternative (for they would compel nobody, not they) of being starved by a gradual process in the house, or a quick one out of it. With this view, they contracted with the waterworks to lay on an unlimited supply of water; and with a corn-factor to supply periodically small quantities of oatmeal; and issued three meals of thin gruel per day, with an onion twice a week, and half a roll on Sundays. They made a great many other wise and humane regulations, having reference to the ladies, which it is not necessary to repeat; undertook to divorce poor married people, in consequence of the great expense of a suit in Doctor's Commons; and, instead of compelling a man to support his family, as they had theretofore done, took his family away from him, and made him a bachelor! There is no saying how many applicants for relief under these two heads, might have started up in all classes of society, if it had not been coupled with the workhouse; but the board were long-headed men, and had provided for this difficulty. The relief was inseparable from the workhouse and the gruel; and that frightened people. For the first six months after Oliver Twist was removed, the system was in full operation. It was rather expensive at first, in consequence to the increase in the undertaker's bill, and the necessity of taking in the clothes of all the paupers, which fluttered loosely on their wasted, shrunken forms, after a week or two's gruel.
Charles Dickens (Oliver Twist)
The Two Towers especially, and the first part of The Return of the King, have a structure reminiscent on a large scale of ‘The Council of Elrond’ on a small one. The word that describes the structure is ‘interlace’. Tolkien certainly knew the word, for it has become a commonplace of Beowulf-criticism, but he may not have liked it much: it is associated also with the structure of French prose romance, in which he took little interest. However, Tolkien certainly also knew that the Icelandic word for a short story is a Þáttr, literally a thread. One could say that several Þættir, or threads, twisted round each other, make up a saga; and Gandalf comes close to saying something like that when he says to Théoden, ‘There are children in your land who, out of the twisted threads of story, could pick the answer to your question’ (my emphasis). Tolkien may have felt that there had been all along a native version of the French technique of entrelacement, even if we no longer know the native word for it. But word, or no word, he was going to do it.
Tom Shippey (J.R.R. Tolkien: Author of the Century)
I lie flat, the damp air above me like a lid. Like earth. I wish it would rain. Better still, a thunderstorm, black clouds, lightning, car-splitting sound. The electricity might go off. I could go down to the kitchen then, say I'm afraid, sit with Rita and Cora around the kitchen table, they would permit my fear because it's one they share, they'd let me in. There would be candles burning, we would watch each other's faces come and go in the flickering, in the white flashes of jagged light from outside the windows. Oh Lord, Cora would say. Oh Lord save us. The air would be clear after that, and lighter. I look up at the ceiling, the round circle of plaster flowers. Draw a circle, step into it, it will protect you. From the center was the chandelier, and from the chandelier a twisted strip of sheet was hanging down. That's where she was swinging, just lightly, like a pendulum; the way you could swing as a child, hanging by your hands from a tree branch. She was safe then, protected altogether, by the time Cora opened the door. Sometimes I think she's still in here, with me. I feel buried.
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
I lie flat, the damp air above me like a lid. Like earth. I wish it would rain. Better still, a thunderstorm, black clouds, lightning, ear-splitting sound. The electricity might go off. I could go down to the kitchen then, say I’m afraid, sit with Rita and Cora around the kitchen table, they would permit my fear because it’s one they share, they’d let me in. There would be candles burning, we would watch each other’s faces come and go in the flickering, in the white flashes of jagged light from outside the windows. Oh Lord, Cora would say. Oh Lord save us. The air would be clear after that, and lighter. I look up at the ceiling, the round circle of plaster flowers. Draw a circle, step into it, it will protect you. From the center was the chandelier, and from the chandelier a twisted strip of sheet was hanging down. That’s where she was swinging, just lightly, like a pendulum; the way you could swing as a child, hanging by your hands from a tree branch. She was safe then, protected altogether, by the time Cora opened the door. Sometimes I think she’s still in here, with me. I feel buried.
Margaret Atwood (The Handmaid's Tale (The Handmaid's Tale, #1))
Arthur tried to gauge the speed at which they were traveling, but the blackness outside was absolute and he was denied any reference points. The sense of motion was so soft and slight he could almost believe they were hardly moving at all. Then a tiny glow of light appeared in the far distance and within seconds had grown so much in size that Arthur realized it was traveling toward them at a colossal speed, and he tried to make out what sort of craft it might be. He peered at it, but was unable to discern any clear shape, and suddenly gasped in alarm as the aircar dipped sharply and headed downward in what seemed certain to be a collision course. Their relative velocity seemed unbelievable, and Arthur had hardly time to draw breath before it was all over. The next thing he was aware of was an insane silver blur that seemed to surround him. He twisted his head sharply round and saw a small black point dwindling rapidly in the distance behind them, and it took him several seconds to realize what had happened. They had plunged into a tunnel in the ground. The colossal speed had been their own, relative to the glow of light which was a stationary hole in the ground, the mouth of the tunnel. The insane blur of silver was the circular wall of the tunnel down which they were shooting, apparently at several hundred miles an hour. He closed his eyes in terror. After a length of time which he made no attempt to judge, he sensed a slight subsidence in their speed and some while later became aware that they were gradually gliding to a gentle halt. He opened his eyes again. They were still in the silver tunnel, threading and weaving their way through what appeared to be a crisscross warren of converging tunnels. When they finally stopped it was in a small chamber of curved steel. Several tunnels also had their termini here, and at the farther end of the chamber Arthur could see a large circle of dim irritating light. It was irritating because it played tricks with the eyes, it was impossible to focus on it properly or tell how near or far it was. Arthur guessed (quite wrongly) that it might be ultraviolet. Slartibartfast turned and regarded Arthur with his solemn old eyes. “Earthman,” he said, “we are now deep in the heart of Magrathea.
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.
Cambria Hebert (#Hater (Hashtag, #2))
FUCK IT, I’M BORED.” “Here he comes.” Theo didn’t even look up when Miles rounded the corner and tossed his notebook onto the counter. “I don’t think cursing is going to help,” she told him. “Maybe it fucking will.” Miles seethed. “I hate everyone in that gym. Pick someone.” “No, I don’t want to play.” “It won’t take that long.” “That’s why I don’t want to play.” “Can I do one?” I raised my hand. “It might actually take you more than five questions, too.” Miles quirked his eyebrow. “Oh, you think so?” “If you get this in five, I’ll be thoroughly impressed.” He leaned over the counter, looking eager. Weirdly, weirdly eager. Not like he wanted to rub my face into the floor. Not like he knew he was going to beat me. Just . . . excited. “Okay,” he said. “Are you fictional?” Broad question. He didn’t know me as well as he knew Theo, so it was to be expected. “No,” I said. “Are you still alive?” “No.” “Are you a leader?” “Yes.” “Was your civilization conquered by a European nation?” “Yes.” “Are you . . . a leader of the Olmec?” “How’d you get there?” Theo blurted out, but Miles ignored her. “No,” I said, trying not to let him see how close he’d come. “And the Olmec weren’t conquered by the Europeans. They died out.” Miles frowned. “Mayan?” “No.” “Incan.” “No.” “Aztec.” “Yes.” The corners of his lips twisted up, but he said, “Shouldn’t have taken so many guesses for that one.” Then he said, “Did you found the Tlatocan?” “No.” “Did you reign after 1500?” “No.” Theo watched the conversation like a tennis match. “Are you Ahuitzotl?” “No.” I smiled. This kid knew his history. “Tizoc?” “No.” “Axayacatl?” “No.” “Moctezuma I?” “Nope.” “Itzcoatl?” “No.” “Chimalpopoca?” “No.” “Huitzilihuitl?” “What the hell are you saying?” Theo cried. He’d cut off a chunk of the Aztec emperors and whittled them down until there was only one remaining. But now he had three questions left—two he didn’t need. Why hadn’t he cut it down again? Surely he could have shortened his options and not guessed his way through all the emperors. Was this some kind of test? Or was . . . was he showing off? “You’re Acamapichtli.” There was a fanatical gleam in his eye, another smile playing on his lips. Both were gone as soon as I said, “Almost twenty. Not quite, but I almost had you.” “I’m never playing this game again,” said Theo, sighing and returning to her homework.
Francesca Zappia (Made You Up)
The man who reviews his own life, as I do mine, in going on here, from page to page, had need to have been a good man indeed, if he would be spared the sharp consciousness of many talents neglected, many opportunities wasted, many erratic and perverted feelings constantly at war within his breast, and defeating him. I do not hold one natural gift, I dare say, that I have not abused. My meaning simply is, that whatever I have tried to do in life, I have tried with all my heart to do well; that whatever I have devoted myself to, I have devoted myself to completely; that in great aims and in small, I have always been thoroughly in earnest. I have never believed it possible that any natural or improved ability can claim immunity from the companionship of the steady, plain, hard-working qualities, and hope to gain its end. There is no such thing as such fulfilment on this earth. Some happy talent, and some fortunate opportunity, may form the two sides of the ladder on which some men mount, but the rounds of that ladder must be made of stuff to stand wear and tear; and there is no substitute for thorough-going, ardent, and sincere earnestness. Never to put one hand to anything, on which I could throw my whole self; and never
Charles Dickens (Works of Charles Dickens (200+ Works) The Adventures of Oliver Twist, Great Expectations, A Christmas Carol, A Tale of Two Cities, Bleak House, David Copperfield & more (mobi))
Next morning, when Semyon woke up, the children were still asleep and his wife had gone over to the neighbour's to borrow some bread. Only the stranger was sitting on the bench, wearing the old trousers and shirt and looking up. His face was brighter than the evening before. Semyon said, 'Well, my friend. The belly needs food and the body clothes. We all have to earn a living, so what sort of work can you do?' 'I can't do anything.' Semyon was amazed and replied, 'If a man has the will he can learn anything.' 'Yes, men work for their living, so I'll work too.' 'What's your name?' 'Mikhail.' 'Well, Mikhail, if you don't want to tell us about yourself that's your affair. But we have to earn our living. If you do as I tell you I'll see you have enough to eat.' 'God bless you! I'll learn how to work, just tell me what to do.' Semyon took a piece of yarn, wound it round his fingers and twisted it. 'It's not hard, just watch...' Mikhail watched and right away he caught the knack, winding the yarn and twisting it just like Semyon. Then Semyon showed him how to wax it and Mikhail understood at once. Then he showed him how to draw it through and how to stitch. Again Mikhail immediately understood. Whatever Semyon showed him he mastered right away and within three days was working as if he had been making shoes all his life. He would work without any let-up and ate very little. Only when one job was finished would he stop for a moment and silently look up. He never went out, only spoke when he really had to, and he never joked or laughed.
Leo Tolstoy (How Much Land Does a Man Need?)
Pride in my father, thankfulness that he had been my father, and an ultimately grateful feeling of respect (grudging at first, it took a while to come) for the aching if imperfect love he never ceased to feel for Mom—these are the things I wanted to hold on to. It will soon be seven years since the night I bent down by his bed to press my ear against his chest and listen to his breathing as his life came to its end. But even now, and even after rounding out the story of his sometimes turbulent complexity, as I’ve felt obliged to do in order to keep faith with the reality of who he was, it is the reaffirming memories that crowd out all the rest. The sense that I was on a journey with my father—seventy-two years is a good big piece of anybody’s life—did not end abruptly on the day I buried him. On cold November nights when I’m in a thoughtful mood or worried about problems with my work, or personal missteps I may have made, and go out walking by myself along the country roads around my house, I like to imagine that he’s there beside me still, tapping that old cane of his, making his amusing comments on the unpredictable events and unexpected twists and turns in other people’s lives. Perhaps, over the next few years, that sense of his continuing companionship will fade. It probably will. But some part of the legacy my father and good mother gave me will, I know, remain with me even when their voices and their words and the expressions on their faces and the vivid details of their life’s adventure become attenuated in the course of time. Some of the blessings that our parents give us, I need to believe, outlive the death of memory.
Jonathan Kozol (The Theft of Memory: Losing My Father, One Day at a Time)
He strode forward, heedless of the murmuring that began among the women when they saw him. Then Sara turned, and her gaze met his. Instantly a guilty blush spread over her cheeks that told him all he needed to know about her intent. “Good afternoon, ladies,” he said in steely tones. “Class is over for today. Why don’t you all go up on deck and get a little fresh air?” When the women looked at Sara, she folded her hands primly in front of her and stared at him. “You have no right to dismiss my class, Captain Horn. Besides, we aren’t finished yet. I was telling them a story—” “I know. You were recounting Lysistrata.” Surprise flickered briefly in her eyes, but then turned smug and looked down her aristocratic little nose at him. “Yes, Lysistrata,” she said in a sweet voice that didn’t fool him for one minute. “Surely you have no objection to my educating the women on the great works of literature, Captain Horn.” “None at all.” He set his hands on his hips. “But I question your choice of material. Don’t you think Aristophanes is a bit beyond the abilities of your pupils?” He took great pleasure in the shock that passed over Sara’s face before she caught herself. Ignoring the rustle of whispers among the women, she stood a little straighter. “As if you know anything at all about Aristophanes.” “I don’t have to be an English lordling to know literature, Sara. I know all the blasted writers you English make so much of. Any one of them would have been a better choice for your charges than Aristophanes.” As she continued to glower at him unconvinced, he scoured his memory, searching through the hundreds of verse passages his English father had literally pounded into him. “You might have chosen Shakespeare’s The Taming of the Shrew, for example—‘fie, fie! Unknit that threatening unkind brow. / And dart not scornful glances from those eyes / to wound thy lord, thy king, thy governor.’” It had been a long time since he’d recited his father’s favorite passages of Shakespeare, but the words were as fresh as if he’d learned them only yesterday. And if anyone knew how to use literature as a weapon, he did. His father had delighted in tormenting him with quotes about unrepentant children. Sara gaped at him as the other women looked from him to her in confusion. “How . . . I mean . . . when could you possibly—” “Never mind that. The point us, you’re telling them the tale of Lysistrata when what you should be telling them is ‘thy husband is thy lord, thy life, thy keeper. /thy head, thy sovereign; one that cares for thee / and for thy maintenance commits his body / to painful labour by both sea and land.’” Her surprise at this knowledge of Shakespeare seemed to vanish as she recognized the passage he was quoting—the scene where Katherine accepts Petruchio as her lord and master before all her father’s guests. Sara’s eyes glittered as she stepped from among the women and came nearer to him. “We are not your wives yet. And Shakespeare also said ‘sigh no more, ladies, sigh no more / men were deceivers ever / one foot on sea and one on shore / to one thing constant never.’” “Ah, yes. Much Ado About Nothing. But even Beatrice changes her tune in the end, doesn’t she? I believe it’s Beatrice who says, ‘contempt, farewell! And maiden pride, adieu! / no glory lives behind the back of such./ and Benedick, love on, I will requite thee, / taming my wild heart to thy loving hand.’” “She was tricked into saying that! She was forced to acknowledge him as surely as you are forcing us!” “Forcing you?” he shouted. “You don’t know the meaning of force! I swear, if you—” He broke off when he realized that the women were staring at him with eyes round and fearful. Sara was twisting his words to make him sound like a monster. And succeeding, too, confound her.
Sabrina Jeffries (The Pirate Lord)
When we first started dating, my talent in the kitchen was a turn-on. The prospect of me in the kitchen, wearing a skimpy apron and holding a whisk in my hand- he thought that was sexy. And, as someone with little insight into how to work her own sex appeal, I pounced on the opportunity to make him want and need me. I spent four days preparing my first home-cooked meal for him, a dinner of wilted escarole salad with hot bacon dressing, osso bucco with risotto Milanese and gremolata, and a white-chocolate toasted-almond semifreddo for dessert. At the time, I lived with three other people in a Columbia Heights town house, so I told all of my housemates to make themselves scarce that Saturday night. When Adam showed up at my door, as the rich smell of braised veal shanks wafted through the house, I greeted him holding a platter of prosciutto-wrapped figs, wearing nothing but a slinky red apron. He grabbed me by the waist and pushed me into the kitchen, slowly untying the apron strings resting on my rounded hips, and moments later we were making love on the tiled kitchen floor. Admittedly, I worried the whole time about when I should start the risotto and whether he'd even want osso bucco once we were finished, but it was the first time I'd seduced someone like that, and it was lovely. Adam raved about that meal- the rich osso bucco, the zesty gremolata, the sweet-and-salty semifreddo- and that's when I knew cooking was my love language, my way of expressing passion and desire and overcoming all of my insecurities. I learned that I may not be comfortable strutting through a room in a tight-fitting dress, but I can cook one hell of a brisket, and I can do it in the comfort of my own home, wearing an apron and nothing else. Adam loved my food, and he loved watching me work in the kitchen even more, the way my cheeks would flush from the heat of the stove and my hair would twist into delicate red curls along my hairline. As the weeks went by, I continued to seduce him with pork ragu and roasted chicken, creamed spinach and carrot sformato, cannolis and brownies and chocolate-hazelnut cake.
Dana Bate (The Girls' Guide to Love and Supper Clubs)
I continued my explorations in a cobbled yard overlooked by broken doors and cracked windows. Pushing open a swollen door into a storeroom, I found a stream running across paving stones and a carpet of slippery green moss. My explorations took me beneath a gateway surmounted by a clock face, standing with hands fixed permanently at eleven o'clock. Beyond stood derelict stables; then the park opened up in an undulating vista, reaching all the way to a swathe of deep forest on the horizon. In the distance was the twinkle of the river that I realized must border my own land at Whitelow. The grass was knee-high and speckled with late buttercups, but I was transported by that first sight of the Delafosse estate. In its situation alone, the Croxons had chosen our new home well. I dreamed for a moment of myself and Michael making a great fortune, and no longer renting Delafosse Hall but owning every inch of it, my inheritance spinning gold from cotton. Turning back to view the Hall I took a sharp breath; it was as massive and ancient as a child's dream of a castle, the bulk of its walls carpeted in greenery, the diamond-leaded windows sparkling in picturesque stone mullions. True, the barley-twist chimneys leaned askew, and the roofs sagged beneath the weight of years, but the shell of it was magnificent. It cast a strange possessive mood upon me. I remembered Michael's irritation at the house the previous night, and his eagerness to leave. Somehow I had to entice Michael into this shared dream of a happy life here, beside me. Determined to explore the park, I followed the nearest path. After walking through a deep wood for a good while I emerged into the sunlight by a round hill surmounted by a two-story tower. A hunting lodge, Mrs. Croxon had called it, but I thought it more a folly. It had a fantastical quality, with four miniature turrets, each topped with a verdigris-tarnished dome. Above the doorway stood a sundial drawn upon a disc representing a blazing sun. It was embellished with a script I thought might be Latin: FERREA VIRGA EST, UMBRATILIS MOTUS. I wondered whether Michael might know the meaning, or Anne's husband perhaps. As for the sundial's accuracy, the morning light was too weak to cast a line of shadow.
Martine Bailey (A Taste for Nightshade)