Round Face Funny Quotes

We've searched our database for all the quotes and captions related to Round Face Funny. Here they are! All 26 of them:

As she came closer to him she noticed that there was a clean fresh scent of heather and grass and leaves about him, almost as if he were made of them. She liked it very much and when she looked into his funny face with the red cheeks and round blue eyes she forgot that she had felt shy.
Frances Hodgson Burnett (The Secret Garden)
Hey!" I yell. Everyone turns around and looks at us. I glance at Six and her eyes are wide. I inhale a deep breath, then turn back to the table. Specifically to Holder. "She fist bumped me,"I say, pointing at Six. "It's not my fault. She hates purses and she fist bumped me, then she made me push her on the damn merry-go-round. After that, she demanded to see where I had sex in the park, then she forced me to sneak into my own bedroom. She's weird and half the time I can't keep up with her, but she thinks I'm funny as hell. And Chunk asked me this morning if I wanted to love her someday, and I realized I've never hoped I could love someone more than I want to love her. So every single one of you who has an issue with us dating is going to have to get over it because..." I pause and turn toward Six. "Because you fist bumped me and I could care less who knows we're together. I'm not going anywhere and I don't want to go anywhere so stop thinking I'm into you because I'm not supposed to be into you." I lift my hands and tilt her face toward mine. "I'm into you because you're awesome. And because you let me accidentally touch your boob." She's smiling wider than I've ever seen her smile. "Daniel Wesley, where'd you learn those smooth moves?" I laugh. "Not moves, Six. Charisma.
Colleen Hoover (Finding Cinderella (Hopeless, #2.5))
Suit yourself.’ Sadie shouldered her pack, then helped Annabeth up. ‘You say Carter drew a hieroglyph on your boyfriend’s hand. All well and good, but I’d rather stay in touch with you directly.’ Annabeth smirked. ‘You’re right. Can’t trust boys to communicate.’ They exchanged cell-phone numbers. ‘Just don’t call unless it’s urgent,’ Annabeth warned. ‘Cell-phone activity attracts monsters.’ Sadie looked surprised. ‘Really? Never noticed. I suppose I shouldn’t send you any funny-face selfies on Instagram, then.’ ‘Probably not.’ ‘Well, until next time.’ Sadie threw her arms round Annabeth.
Rick Riordan (The Staff of Serapis (Demigods & Magicians, #2))
The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. "Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. "Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. "Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. "I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. "I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. "None made," he said. "I'm not making a new pot just for you." "But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. "Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, "What was that?" "I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. "That's wonderful. I'll wait here.
John Flanagan (Halt's Peril (Ranger's Apprentice, #9))
Have you never outright sinned, then?” “I disobeyed Patti when she told me to stay away from you.” “Right. I remember that one. So just once, then?” “There was this other time...” I thought about the two girls in the bathroom and stopped myself, blanching. “Yes? Go on,” he urged. He watched the road, but excitement underscored his tone. I rubbed my dampening palms down my shorts. “The night we met, I sort of...well, I flat-out told a lie. On purpose.” I thought he was trying not to smile. “To me?” he asked. “No. About you.” Now he unleashed that devastating smile of his, crinkling the corners of his eyes. My face was aflame. “Continue. Please.” “There were these girls in the bathroom talking about you, and for some reason, I don't know why, it upset me, and I told them...thatyouhadanSTD.” I covered my face in shame and he burst into laughter. I thought he might drive off the road. Well, it was kind of funny in an ironic way, because he couldn't keep a disease anyhow, even if he had gotten one. I found myself beginning to giggle, too, mostly out of relief that he wasn't offended. “I wondered if you were ever going to tell me!” he said through spurts of hilarity. Duh! Of course he'd been listening! My giggles increased, and it felt so nice that we kept going until we were cracking up. It was the good kind of laughter: the soul-cleansing, ab-crunching, lose-control-of-yourself kind. We started catching our breath again a few minutes later, only to break into another round of merriment. “Do you forgive me, then?” I asked when we finally settled down and I wiped my eyes. “Yes, yes. I've had worse said about me.
Wendy Higgins (Sweet Evil (Sweet, #1))
The doorbell rang, making me and Roland jump. Nikolas opened the door to admit Chris whose good-natured smile did not falter even when he saw our grim faces. Then he saw Remy. I didn’t think I had ever seen someone’s eyes go that round before. Roland shoved a glass of Nate’s whiskey into Chris’s hand while Nikolas brought him up to speed on all he had missed.
Karen Lynch (Relentless (Relentless, #1))
Portia followed after, a smirk on her face, and Syc hissed as he passed. Donegan waited till they were gone, then swung round to Gracious. "He hissed at me." "He hissed at you." "Should I hiss back?" "It's a bit late." "He could still hear." "Not unless you run after him." "Do you think I should?" "Probably not." "I think I should." "It'd be a bit weird." "You might be right." Donegan pursed his lips, then shook his fist at the doorway. "That showed him," said Gracious. Donegan nodded. "He'll think twice about hissing at me again.
Derek Landy (Last Stand of Dead Men (Skulduggery Pleasant, #8))
This is my friend Veronica,” I told him. “And this is Kaidan.” “Oh, I've heard all about you.” Veronica gave him a big smile. His brow elevated, but he didn't take the bait. Instead, he stared at me funny. “Nice wart.” Leaning forward without touching me, he flicked the wart from the tip of my nose. Veronica let out a loud cackle, proving she should be the one in my costume. “I told you it was stupid!” She gloated. With my pointer finger, I moved the paint around my nose to fill in the blank spot. When I finished, he was still watching me. “Your hair's grown a lot,” I said to him. “So has your bottom.” My eyes rounded and blood rushed to my face. Veronica hooted with hilarity, bending at the waist. Even Jay let out a loud snicker, the traitor. I wished Kaidan weren't so perceptive, but it was true. The feminine curves that had always eluded me were finally making an appearance. Stupid tight dress. “Dude, you can get away with anything,” said the pirate to the straight-faced ape. “I meant it as a compliment.” “That was awesome.” Veronica grabbed Jay by the hand. “Come on. Let's go find me a drink.” She winked at me as they ambled away. I gave my attention to the dry, trampled grass and scattered cans for a moment before working up the nerve to say something. “My dad gave me a cell phone.” And a car. And a ton of money. Kaidan set the ape head on the ground and pulled his phone from a fuzzy pocket, blowing off brown lint. Then he held his furry thumbs above the buttons and nodded at me. I started to give him my number, but his brow creased in frustration with the big, costumed hands. “Here,” I said, taking his phone. Saving my number for him gave me a thrill.
Wendy Higgins (Sweet Evil (Sweet, #1))
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it. Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem. It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face. I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now. I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
Dodie Smith (I Capture the Castle)
would be funny if Mr. Piccolo resembled a piccolo, but he doesn’t. Actually, he’s quite round. More like a bass fiddle. He has a big pouch of a belly that stretches the oversized turtleneck sweaters he always wears. He has a round face, too. He’s mostly bald and his scalp shines like a bowling ball. He wears square eyeglasses, which are always sliding down
R.L. Stine (The 12 Screams of Christmas (Goosebumps Most Wanted Special Edition, #2))
NORA [looking earnestly and a little doubtfully at him]. Surely if you let one woman cry on you like that you'd never let another touch you. BROADBENT [conscientiously]. One should not. One OUGHT not, my dear girl. But the honest truth is, if a chap is at all a pleasant sort of chap, his chest becomes a fortification that has to stand many assaults: at least it is so in England. NORA [curtly, much disgusted]. Then you'd better marry an Englishwoman. BROADBENT [making a wry face]. No, no: the Englishwoman is too prosaic for my taste, too material, too much of the animated beefsteak about her. The ideal is what I like. Now Larry's taste is just the opposite: he likes em solid and bouncing and rather keen about him. It's a very convenient difference; for we've never been in love with the same woman. NORA. An d'ye mean to tell me to me face that you've ever been in love before? BROADBENT. Lord! yes. NORA. I'm not your first love? BROADBENT. First love is only a little foolishness and a lot of curiosity: no really self-respecting woman would take advantage of it. No, my dear Nora: I've done with all that long ago. Love affairs always end in rows. We're not going to have any rows: we're going to have a solid four-square home: man and wife: comfort and common sense--and plenty of affection, eh [he puts his arm round her with confident proprietorship]? NORA [coldly, trying to get away]. I don't want any other woman's leavings. BROADBENT [holding her]. Nobody asked you to, ma'am. I never asked any woman to marry me before. NORA [severely]. Then why didn't you if you're an honorable man? BROADBENT. Well, to tell you the truth, they were mostly married already. But never mind! there was nothing wrong. Come! Don't take a mean advantage of me. After all, you must have had a fancy or two yourself, eh?
George Bernard Shaw (John Bull's Other Island)
O Tell Me The Truth About Love - Poem by WH Auden Some say love's a little boy, And some say it's a bird, Some say it makes the world go round, Some say that's absurd, And when I asked the man next door, Who looked as if he knew, His wife got very cross indeed, And said it wouldn't do. Does it look like a pair of pyjamas, Or the ham in a temperance hotel? Does its odour remind one of llamas, Or has it a comforting smell? Is it prickly to touch as a hedge is, Or soft as eiderdown fluff? Is it sharp or quite smooth at the edges? O tell me the truth about love. Our history books refer to it In cryptic little notes, It's quite a common topic on The Transatlantic boats; I've found the subject mentioned in Accounts of suicides, And even seen it scribbled on The backs of railway guides. Does it howl like a hungry Alsatian, Or boom like a military band? Could one give a first-rate imitation On a saw or a Steinway Grand? Is its singing at parties a riot? Does it only like Classical stuff? Will it stop when one wants to be quiet? O tell me the truth about love. I looked inside the summer-house; It wasn't even there; I tried the Thames at Maidenhead, And Brighton's bracing air. I don't know what the blackbird sang, Or what the tulip said; But it wasn't in the chicken-run, Or underneath the bed. Can it pull extraordinary faces? Is it usually sick on a swing? Does it spend all its time at the races, or fiddling with pieces of string? Has it views of its own about money? Does it think Patriotism enough? Are its stories vulgar but funny? O tell me the truth about love. When it comes, will it come without warning Just as I'm picking my nose? Will it knock on my door in the morning, Or tread in the bus on my toes? Will it come like a change in the weather? Will its greeting be courteous or rough? Will it alter my life altogether? O tell me the truth about love.
W.H. Auden
Good night, Grandma!” I called as I was skipping out of the kitchen with Adria on my heels. Grandma, who was at the sink rinsing dishes to stack in the dishwasher, stopped and looked at us. She had a funny expression on her face, which made Adria and me pause in the doorway and look back at her, waiting. Grandma wiped her hands on a dishtowel and said, “Simone, Adria, come here.” There was something different in her tone. I didn’t know what to expect “You know, girls,” she said as we stood in front of her, “we adopted you both today. So I’m your mother now, and he”—she pointed at my grandpa, who was wiping the table mats—“he’s your father.” Grandpa paused what he was doing, stood up straight, and smiled. I just glanced from one to the other, my eyes big and round. What had happened in court that day suddenly became clear. “Does that mean I can call you Mom and Dad?” I asked. “It’s up to you,” my grandma said, one hand cupping my cheek, the other one smoothing Adria’s hair. “Call us whatever you want to. Now go to bed.” The two of us scampered upstairs without another word. But when Adria went into the bathroom to brush her teeth, I stood in the middle of our bedroom, my hands pressed against my temples. I was hopping from one foot to the other and jumping up and down, so much excitement was flowing through me. Mom. Dad. Mom. Dad. I kept whispering the words, getting used to the sound of them. Finally, feeling as if I would burst, I ran back downstairs to the kitchen. “Mom?” I said, standing in the doorway. She looked across at me, her lips twitching like she was trying not to smile. “Yes, Simone?” I turned to where Grandpa was putting away the table mats. “Dad?” “What is it, Simone?” “Nothing!” I said, squealing and bouncing up and down gleefully. I had done it—I’d called them Mom and Dad! I turned without another word and raced back up the stairs. In my room, I flopped backward onto my bed and let out a happy sigh. Adria and I were finally and forever home.
Simone Biles (Courage to Soar: A Body in Motion, a Life in Balance)
I like everything about you, Larry. I like the way you look and how you’re so clever, and I like it when we laugh together and watch TV together. I like going to art galleries with you and hearing you get all bitchy about some of the artists. I like watching you when you’re doing marking, ’cause you get these funny looks on your face. I like watching you sleep and hearing that snuffly noise you make. I like waking up with you at weekends and spending the day together, just doing stuff like walking round town and shopping and cooking and stuff.” I kind of ran out of breath after that. For a moment, I thought he was going to cry.“Is there anything you don’t like about me?
J.L. Merrow
Where are you going this hot day, Mis’ DeJong?” Selina sat up very straight. “To Bagdad, Mrs. Pool.” “To — Where’s that? What for?” “To sell my jewels, Mrs. Pool. And to see Aladdin, and Harun-al-Rashid and Ali Baba. And the Forty Thieves.” Mrs. Pool had left her rocker and had come down the steps. The wagon creaked on past her gate. She took a step or two down the path, and called after them. “I never heard of it. Bag — How do you get there?” Over her shoulder Selina called out from the wagon seat. “You just go until you come to a closed door. And you say ‘Open Sesame!’ and there you are.” Bewilderment shadowed Mrs. Pool’s placid face. As the wagon lurched on down the road it was Selina who was smiling and Mrs. Pool who was serious. The boy, round eyed, was looking up at his mother. “That’s out of Arabian Nights, what you said. Why did you say that?” Suddenly excitement tinged his voice. “That’s out of the book. Isn’t it? Isn’t it! We’re not really ——” She was a little contrite, but not very. “Well, not really, perhaps. But ’most any place is Bagdad if you don’t know what will happen in it. And this is an adventure, isn’t it, that we’re going on? People in disguise in the Haymarket. Caliphs, and princes, and slaves, and thieves, and good fairies, and witches.” “In the Haymarket! That Pop went to all the time! That is just dumb talk.
Edna Ferber (So Big)
Remember that time at Freddy’s when the merry-go-round got stuck, and Marla and that mean kid Billy had to keep riding it until their parents plucked them off?” Charlie said. John laughed, and the sound made her smile. “Their faces were bright red, crying like babies.” She covered her face, guilty that it was so funny to her. There was a brief, surprised silence, then Carlton started laughing. “Then Marla puked all over him!” “Sweet justice!” Charlie said. “Actually, I think it was nachos,” John added. Jessica wrinkled her nose. “So gross. I never rode it again, not after that.” “Oh, come on, Jessica, they cleaned it,” said Carlton. “I’m pretty sure kids puked all over that place; those wet floor signs weren’t there for nothing. Right, Charlie?” “Don’t look at me,” she said. “I never puked.
Scott Cawthon (The Silver Eyes: Five Nights at Freddy’s (Original Trilogy Book 1) (Five Nights At Freddy's))
Well, I hope that I don't fall in love with you Cause falling in love just makes me blue Well, the music plays and you display your heart for me to see I had a beer and now I hear you calling out for me And I hope that I don't fall in love with you Well, the room is crowded, people everywhere And I wonder, should I offer you a chair? Well, if you sit down with this old clown, I'll take that frown and break it Before the evening's gone away, I think that we can make it And I hope that I don't fall in love with you Well, the night does funny things inside a man These old tomcat feelings you don't understand Well, I turn around to look at you, you light a cigarette I wish I had the guts to bum one, but we've never met And I hope that I don't fall in love with you I can see that you are lonesome just like me And it being late, you'd like some company Well, I turn around to look at you, and you look back at me The guy you're with he's up and split, the chair next to you is free And I hope that you don't fall in love with me Now it's closing time, the music's fading out Last call for drinks, I'll have another stout Well, I turn around to look at you, you're nowhere to be found I search the place for your lost face, guess I'll have another round And I think that I just fell in love with you
Tom Waits
Poirot asked: ‘Whatdo you see so plainly? The witnesses? The counsel? The judge? The accused standing in the dock?’ Fogg said quietly: ‘That’s the reason, of course! You’ve put your finger on it. I shall always seeher…Funny thing, romance. She had the quality of it. I don’t know if she was really beautiful…She wasn’t very young-tired looking-circles under her eyes. But it all centered round her. The interest-the drama. And yet, half the time,she wasn’t there. She’d gone away somewhere, quite far away-just left her body there, quiescent, attentive, with the little polite smile on her lips. She was all half tones, you know, lights and shades. And yet, with it all, she was more alive than the other-that girl with the perfect body, and the beautiful face, and the crude young strength. I admired Elsa Greer because she had guts, because she could fight, because she stood up to her tormentors and never quailed! But I admired Caroline Crale because she didn’t fight, because she retreated into her world of half lights and shadows. She was never defeated because she never gave battle.’ He paused: ‘I’m only sure of one thing. She loved the man she killed. Loved him so much that half of her died with him…’ Mr Fogg, K.C., paused and polished his glasses. ‘Dear me,’ he said. ‘I seem to be saying some very strange things! I was quite a young man at the time, you know. Just an ambitious youngster. These things make an impression. But all the same I’m sure that Caroline Crale was a very remarkable woman. I shall never forget her. No-I shall never forget her…
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
A strange structure untangled itself out of the background like a hallucination, not part of the natural landscape. It was a funny-shaped, almost spherical, green podlike thing woven from living branches of trees and vines. A trellis of vines hung down over the opening that served as a door. Wendy was so delighted tears sprang to her eyes. It was her Imaginary House! They all had them. Michael wanted his to be like a ship with views of the sea. John had wanted to live like a nomad on the steppes. And Wendy... Wendy had wanted something that was part of the natural world itself. She tentatively stepped forward, almost swooning at the heavy scent of the door flowers. Languorously lighting on them were a few scissorflies, silver and almost perfectly translucent in the glittery sunlight. Their sharp wings made little snickety noises as they fluttered off. Her shadow made a few half-hearted attempts to drag back, pointing to the jungle. But Wendy ignored her, stepping into the hut. She was immediately knocked over by a mad, barking thing that leapt at her from the darkness of the shelter. "Luna!" Wendy cried in joy. The wolf pup, which she had rescued in one of her earliest stories, stood triumphantly on her chest, drooling very visceral, very stinky dog spit onto her face. "Oh, Luna! You're real!" Wendy hugged the gray-and-white pup as tightly as she could, and it didn't let out a single protest yelp. Although... "You're a bit bigger than I imagined," Wendy said thoughtfully, sitting up. "I thought you were a puppy." Indeed, the wolf was approaching formidable size, although she was obviously not yet quite full-grown and still had large puppy paws. She was at least four stone and her coat was thick and fluffy. Yet she pranced back and forth like a child, not circling with the sly lope Wendy imagined adult wolves used. You're not a stupid little lapdog, are you?" Wendy whispered, nuzzling her face into the wolf's fur. Luna chuffed happily and gave her a big wet sloppy lick across the cheek. "Let's see what's inside the house!" As the cool interior embraced her, she felt a strange shudder of relief and... welcome was the only way she could describe it. She was home. The interior was small and cozy; plaited sweet-smelling rush mats softened the floor. The rounded walls made shelves difficult, so macramé ropes hung from the ceiling, cradling halved logs or flat stones that displayed pretty pebbles, several beautiful eggs, and what looked like a teacup made from a coconut. A lantern assembled from translucent pearly shells sat atop a real cherry writing desk, intricately carved and entirely out of place with the rest of the interior. Wendy picked up one of the pretty pebbles in wonder, turning it this way and that before putting it into her pocket. "This is... me..." she breathed. She had never been there before, but it felt so secure and so right that it couldn't have been anything but her home. Her real home. Here there was no slight tension on her back as she waited for footsteps to intrude, for reality to wake her from her dreams; there was nothing here to remind her of previous days, sad or happy ones. There were no windows looking out at the gray world of London. There was just peace, and the scent of the mats, and the quiet droning of insects and waves outside. "Never Land is a... mishmash of us. Of me," she said slowly. "It's what we imagine and dream of- including the dreams we can't quite remember.
Liz Braswell (Straight On Till Morning)
she had dark chestnut hair, a heart-shaped face, large wide eyes, full lips…and appeared about as miserable as he’d ever seen a young woman, a state he suspected had something to do with the older woman at her side. His gaze slid over the matron. Well-rounded with dark hair, she was pretty despite the bloom of youth being gone—or she would be if she weren’t wearing a pursed, dissatisfied expression as she surveyed the activity in the ballroom. Adrian glanced back to the girl. “First season?” he queried, his curiosity piqued. “Yes.” Reg looked amused. “Why is no one dancing with her?” A beauty such as this should have had a full card. “No one dares ask her—and you will not either, if you value your feet.” Adrian’s eyebrows rose, his gaze turning reluctantly from the young woman to the man at his side. “She is blind as a bat and dangerous to boot,” Reg announced, nodding when Adrian looked disbelieving. “Truly, she cannot dance a step without stomping on your toes and falling about. She cannot even walk without bumping into things.” He paused, cocking one eyebrow in response to Adrian’s expression. “I know you do not believe it. I did not either…much to my own folly.” Reginald turned to glare at the girl and continued: “I was warned, but ignored it and took her in to dinner….” He glanced back at Adrian. “I was wearing dark brown trousers that night, unfortunately. She mistook my lap for a table, and set her tea on me. Or rather, she tried to. It overset and…” Reg paused, shifting uncomfortably at the memory. “Damn me if she did not burn my piffle.” Adrian stared at his cousin and then burst into laughter. Reginald looked startled, then smiled wryly. “Yes, laugh. But if I never sire another child—legitimate or not—I shall blame it solely on Lady Clarissa Crambray.” Shaking his head, Adrian laughed even harder, and it felt so good. It had been many years since he’d found anything the least bit funny. But the image of the delicate little flower along the wall mistaking Reg’s lap for a table and oversetting a cup of tea on him was priceless. “What did you do?” he got out at last. Reg shook his head and raised his hands helplessly. “What could I do? I pretended it had not happened, stayed where I was, and tried not to cry with the pain. ‘A gentleman never deigns to notice, or draw attention in any way to, a lady’s public faux pas,’” he quoted dryly, then glanced back at the girl with a sigh. “Truth to tell, I do not think she even realized what she’d done. Rumor has it she can see fine with spectacles, but she is too vain to wear them.” Still smiling, Adrian followed Reg’s gaze to the girl. Carefully taking in her wretched expression, he shook his head. “No. Not vain,” he announced, watching as the older woman beside Lady Clarissa murmured something, stood, and moved away. “Well,” Reg began, but paused when, ignoring him, Adrian moved toward the girl. Shaking his head, he muttered, “I warned you.” -Adrian & Reg
Lynsay Sands (Love Is Blind)
I prodded him in the chest with a finger and said, “Look here, smart mouth, I’m getting pretty sick of you already. If you know what’s best for you, keep your trap shut and do as I tell you. I still haven’t forgotten how you pushed my friend into that corpse. So unless you want to end up like that body in the underpass, do yourself a favour and keep out of my face, okay?” “Whatever you say, boss. You’re the boss, boss,” Drake said. “See, there you go again!” I snapped at him. “I’m not sure I know what you mean, boss,” Drake said. “You even say boss like a wise arse,” I shot back at him. “I don’t know what you mean b-” Drake started again. “Did I say you had to call me boss?” “It’s just that I thought…” “Don’t think!” I barked. “Just do as I say and we’ll get along just fine.” “Whatever you say,” Drake said. I glanced at Madison and she was smiling. “What’s so funny?” I asked. “Nothing,” she smiled back. “Oh, I’m sorry,” I said. “I didn’t realise that I was some sort of freaking comedian. Let’s see if you think it’s so funny when another one of those dead kids shows up. Jesus, no wonder you amateurs haven’t caught this piece of scum yet – you’re probably all too busy sitting round cracking jokes and taking the piss to do any real police work.” “You are funny though,” she half-laughed. “It’s just that when you get angry, your jaw goes all tense and your nostrils flare out at the sides.” “Oh yeah, how very amusing,” I remarked. “I think you two clowns are funny – not ha-ha funny – but fucked-in-the-head funny! Now, if you two have quite finished doing your Laurel and Hardy impersonations, we’ve got a killer to catch!
Tim O'Rourke (Wolf House - Potter's Story (Kiera Hudson Series One #4.5))
Papina had grey hair and a purple face. She was like a trained mouse, one of those small white ones that sit up on their tails and then fall flat, their stomachs slapping the ground. She got up on her tail and stayed there through some miracle of balance, to the confusion of all who saw her walking around on her little bow legs and funny round feet. Yet her hands were so quick and lively that one couldn’t even feel her buttoning up a dress, lacing a belt or pulling a skirt round the hips to adjust it. As she took the blue trousers and yellow sash from the wardrobe for Irma, she walked behind Gioia and shook the girl’s shoulders. “Quickly, my lovely! If you sit there under a spell, the prince can’t carry you off to the wedding…” She’d read all the fairy stories and took delight in being irresistibly droll, so instead of wedding she’d said werewolf; she was imitating Macario, whom she’d seen at the cinema.
Augusto De Angelis (The Mystery of the Three Orchids)
To her surprise, Linc was waiting around the first curve on the road, listening to the radio. She could see his hand tapping a beat on the back of the other seat. Kenzie slowed her car to a stop when their windows lined up. He rolled his down. “Hey. How’d it go?” “No big deal. I handed the papers to his temp assistant. What the hell are you doing here?” Linc studied her face. “I wanted to see if the beacon I put on your car was working.” She should have known. “Is that necessary?” “The readout is on this.” He tapped the face of his watch. “I can’t see. And I don’t believe you.” Kenzie put her car into park, got out, and walked around. He turned his wrist to show her. “Check it out. Your dot merged into my dot.” “Isn’t that sweet.” He grinned. “It’s not a problem to remove the beacon if you don’t like it.” “No. It’s all right. You’re the only person who knows where I am most of the time now.” That didn’t seem to have occurred to him. “Really?” She nodded. “So where are you off to?” Kenzie shot him a mocking look. “You don’t have to ask, do you?” Linc laughed. “The beacon can’t read your mind.” She rolled her eyes. “Thank God for that. If you want to know, I was heading to the drugstore to print out some of the photos for Mrs. Corelli. Where are you going?” “Just running errands,” he said. “Need anything from the electronics store?” “I don’t think so.” “Okay. I’m just picking up a couple of components.” Kenzie gave a little yelp. “Yikes--that reminds me. Yesterday my boss asked me to pick something up for him out in the boondocks. I forgot until you said that. So if my dot falls off your watch, you’ll know why.” He smiled at her warmly as he bent his arm and rested it on the bottom of the window frame. The bicep under the flannel rounded up very nicely as he lifted a hand and chucked her gently under the chin. “Funny.” The friendly touch was unexpectedly intimate. In fact, it triggered a dangerous sensation of giving in. She smiled at him, feeling weak. His brown eyes were dark and warm. She felt herself blush under his steady gaze. Linc was the real deal. Maybe she didn’t have to be so tough all the time. It was okay to be protected. More than okay. Back when she’d had Tex at her side, she’d actually liked the feeling. Like all military working dogs, he’d been trained to maintain an invisible six-foot circle around her, and woe to anyone who crossed into it without her permission. Including guys she was dating. “Kenzie?” She snapped out of it. “Sorry. You knocked on my stupid spot.” “I’ll have to remember that.” She shook her head in mock dismay. “Please don’t. Let’s touch base around four or five o’clock.” He nodded and turned the key in the ignition. “Works for me.” His gaze stayed on her a moment longer. “Call me if you need anything.” “I will. Thanks.” She glanced back at the gray monolith a little distance behind them and her mouth tightened. But when her green gaze met Linc’s brown eyes, she managed a quick smile. He raised his left hand in a quick good-bye wave and eased his car ahead of hers, rolling up the window again. She watched him go, then got back into hers and drove on, turning off on the road to the firing range.
Janet Dailey (Honor (Bannon Brothers, #2))
Someone got laid last night. Dude! About time," Rodney said as Kane walked through the restaurant, officially three hours late. He had to give Rodney credit, his hands never stopped working the glasses into the ceiling rack of the bar. His eyes did narrow, examining Kane's face as he got closer. "You drank, too? A fuck and alcohol. Whoa, man! Give me five!" "You don't know that," Kane said, shoving his sunglasses up on his face, ignoring the outstretched hand. He'd only worn them in a lame attempt to hide his bloodshot eyes. Of course, a bartender could pick up on someone with a hangover—it was usually his handiwork that created the situation. "I absolutely do know. You're late, wearing sunglasses, squinting, and walking funny. Let me see your eyes," Rodney said, rounding the corner to get a better look.
Kindle Alexander (Always (Always & Forever #1))
Don't you need to check on your mum, though? he asks Ali. "Nah, my brother or Holly are checking in on her tonight." Presumably she's on her own too, since Ali's father upped and offed to continental Europe. It's odd to think that we have something in common, Ali and I: we both grew up without a paternal presence. I reach for the photo of that immortalized dinner party that hasn't yet left the kitchen. "Is this your mum?" I'm pointing to a small but woman with a smile on her face who's standing next to Ali's dad. Even though I'm looking for similarities, I can't see how she turned into the shriveled old woman, with her spiteful pinched mouth, that I encoun tered in the hotel. curvy Ali takes it and squints slightly. "Aye. And my dad. Was that taken here, aye? God, she looks young then." There's a sadness around his eyes, and concern in Ben's as he looks at Ali. "Funny to think our parents all knew one another, and here we are, having a drink together," I muse. "That might be odd in London Town, but it's pretty much par for the course round here," says Ali, putting the photo down. "Very hard to escape the sins of our fathers when everybody around knows exactly what they were." He glances at me. "Shite. Sorry. Let's talk about some thing much less controversial. Like, erm, Scottish independence or something," he says, tongue in cheek.
Lexie Elliott (The Missing Years)
Funny how life had a way of slapping you round the face with things you said you'd never do
Rona Halsall (One Mistake)