Coastal Wall Quotes

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There is a saying. When the winds of change blow, some people build walls and others build windmills.” He stood there for a second contemplating it before
Emma Rose Watts (Dead Calm (Coastal Suspense, #1))
There were a few ships at anchor, mostly single-sailed coastal traders. The Empire didn’t encourage its subjects to go far away, in case they saw things that might disturb them. For the same reason it had built a wall around the entire country, patrolled by the Heavenly Guard whose main function was to tread heavily on the fingers of any inhabitants who felt they might like to step outside for five minutes for a breath of fresh air. This didn’t happen often, because most of the subjects of the Sun Emperor were quite happy to live inside the Wall. It’s a fact of life that everyone is on one side or other of a wall, so the only thing to do is forget about it or evolve stronger fingers.
Terry Pratchett (Mort (Discworld, #4))
I love this place already," Max says as he gazes at the flying saucer not op of the blue-and-coral-pink building that is South Beach Fish Market. The hole-in-the-wall seafood joint is quirky for sure with the random artwork and sculptures all over the exterior. Giant cartoon renderings of fish and crustaceans in vivid colors adorn the outside, while the roof boasts a silver flying saucer and a lighthouse. "Wait until you taste the food," I say. It's a long wait in line, but I know once we get our meals and find a spot to sit down at one of the outdoor picnic tables, it'll be worth it. As we sit down, I savor the clear summer weather with the sun shining bright above us, offering warmth against the brisk coastal breeze. When the aroma of spices, lemon, and batter hits my nose, my stomach roars. I inhale my fish and chips before Max is even halfway done with his oysters and halibut. "Damn," he says around a mouthful of food. "Sometimes I forget how monstrous your appetite is. I would have never guessed given your size. But every time I watch you eat, I'm reminded all over again." I dig into my clam chowder. "Food is my life. I am not ashamed of it.
Sarah Echavarre Smith (The Boy With the Bookstore)
I love this place already," Max says as he gazes at the flying saucer on top of the blue-and-coral-pink building that is South Beach Fish Market. The hole-in-the-wall seafood joint is quirky for sure with the random artwork and sculptures all over the exterior. Giant cartoon renderings of fish and crustaceans in vivid colors adorn the outside, while the roof boasts a silver flying saucer and a lighthouse. "Wait until you taste the food," I say. It's a long wait in line, but I know once we get our meals and find a spot to sit down at one of the outdoor picnic tables, it'll be worth it. As we sit down, I savor the clear summer weather with the sun shining bright above us, offering warmth against the brisk coastal breeze. When the aroma of spices, lemon, and batter hits my nose, my stomach roars. I inhale my fish and chips before Max is even halfway done with his oysters and halibut. "Damn," he says around a mouthful of food. "Sometimes I forget how monstrous your appetite is. I would have never guessed given your size. But every time I watch you eat, I'm reminded all over again." I dig into my clam chowder. "Food is my life. I am not ashamed of it.
Sarah Echavarre Smith (The Boy With the Bookstore)
Yet the sun that lavishes dusk with color can also bake African soil into a dry, cracked glaze, dooming millions. The rhythmic, pounding surf can, if fomented by a storm, crash in as a twenty-foot wall of death, obliterating coastal villages. And the harmless swatches of color fluttering among wildflowers survive on average two weeks before succumbing to the grim ferocity of nature’s food chain. Nature is our fallen sister, not our mother. And earth, though God’s showplace, is a good creation that has been bent.
Philip Yancey (Where Is God When It Hurts?)
What’s your favorite part of the trip?” “I don’t have one.” “C’mon, there must’ve been something.” “I took a weekend trip to Caño Cristales. I liked seeing the different colors of the river. It was like a liquid rainbow.” Many of the students had spent their time traveling around Colombia on the weekends. No one had a car, but we could hop on a plane for fairly cheap and fly into different areas such as Bogotá, the country’s official capital city, or Cali, the salsa-dancing capital of the world. Amanda had even convinced me to fly with her to the seductive, sizzling city of Cartagena. We climbed the fortified walls that had once protected the city from pirate attacks and watched the sunset. The entire city had a Miami-style skyline and, after the sun went down, infatuation seemed to bloom into fever and take hold of the city. At night we could hear the clink of rum bottles and mojito glasses in cafés on almost every street as moonlight picked out the silhouettes of softly swaying couples. We walked for hours along the coastal city streets. Candle flames beckoned from the dimness of nearby baroque churches.
Kayla Cunningham
Lunathion had been built as a model of the ancient coastal cities around the Rhagan Sea, a near-exact replica that included its sandstone walls, the arid climate, the olive groves and little farms that lined distant hills beyond the city borders to the north, even the great temple to a patron goddess in the very center. But unlike those cities, this one had been allowed to adapt: streets lay in an orderly grid, not a tangle; and modern buildings jutted up like lances in the heart of the CBD, far surpassing the strict height codes of Pangera.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
The feeling was much the same when urban liberals in America's coastal cities looked at the blood-red election map in November of 2016: their only possible response, who are these people? What is this place? The answer? This is the Hinterland. It is the sunken continent that stretches between the constellation of spectacular cities, the growing desert beyond the palace walls. These are the people who live there.
Phil A. Neel (Hinterland: America’s New Landscape of Class and Conflict (Field Notes))
2001 when they published a scientific paper that modelled the future collapse of the Cumbre Vieja and the passage of the resulting tsunamis across the Atlantic. Within two minutes of the landslide entering the sea, Ward and Day show that –for a worst case scenario involving the collapse of 500 cubic kilometres of rock –an initial dome of water an almost unbelievable 900 metres high will be generated, although its height will rapidly diminish. Over the next 45 minutes a series of gigantic waves up to 100 metres high will pound the shores of the Canary Islands, obliterating the densely inhabited coastal strips, before crashing onto the African mainland. As the waves head further north they will start to break down, but Spain and the UK will still be battered by tsunamis up to 7 metres high. Meanwhile, to the west of La Palma, a great train of prodigious waves will streak towards the Americas. Barely six hours after the landslide, waves tens of metres high will inundate the north coast of Brazil, and a few hours later pour across the low-lying islands of the Caribbean and impact all down the east coast of the United States. Focusing effects in bays, estuaries, and harbours may increase wave heights to 50 metres or more as Boston, New York, Baltimore, Washington, and Miami bear the full brunt of Vulcan and Neptune’s combined assault. The destructive power of these skyscraper-high waves cannot be underestimated. Unlike the wind-driven waves that crash every day onto beaches around the world, and which have wavelengths (wave crest to wave crest) of a few tens of metres, tsunamis have wavelengths that are typically hundreds of kilometres long. This means that once a tsunami hits the coast as a towering, solid wall of water, it just keeps coming –perhaps for ten or fifteen minutes or more –before taking the same length of time to withdraw. Under such a terrible onslaught all life and all but the most sturdily built structures are obliterated.
Bill McGuire (Global Catastrophes: A Very Short Introduction (Very Short Introductions;Very Short Introductions;Very Short Introductions))
Those buildings which have been allowed to stand near the beaches have been incorporated in the defenses. Many attractive villas are still deceptively innocent and peaceful in appearance, but only the exteriors remain the same. The interiors have been converted into steel-and-concrete emplacements, and they have been armed with guns of varying sizes. Many of the houses have not been fortified so elaborately, but have been turned into effective positions for smaller guns and machine guns by the filling-in of doors and windows with brick or concrete. Passages have been cut through continuous rows of fortified houses so that the occupying troops may pass from one to another without being exposed to observation and fire from the beach.
U.S. Department of War (German Coastal Defenses)
The wall decorations were dusty metal lobsters and faded pictures of ships. The bedspread had cigarette burns. Inside the nightstand drawer were a complimentary pen and three postcards. “Vacation Dreams Begin at the Coastal Dreams Motel.” I went out to the machine and got a soda. The sun was going down; the sky was orange and pink.
Wally Lamb (She's Come Undone)