Rough Love Quotes

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Toska - noun /ˈtō-skə/ - Russian word roughly translated as sadness, melancholia, lugubriousness. "No single word in English renders all the shades of toska. At its deepest and most painful, it is a sensation of great spiritual anguish, often without any specific cause. At less morbid levels it is a dull ache of the soul, a longing with nothing to long for, a sick pining, a vague restlessness, mental throes, yearning. In particular cases it may be the desire for somebody of something specific, nostalgia, love-sickness. At the lowest level it grades into ennui, boredom.
Vladimir Nabokov
Shall I compare thee to a summer's day? Thou art more lovely and more temperate: Rough winds do shake the darling buds of May, And summer's lease hath all too short a date: Sometimes too hot the eye of heaven shines, And too often is his gold complexion dimm'd: And every fair from fair sometimes declines, By chance or natures changing course untrimm'd; By thy eternal summer shall not fade, Nor lose possession of that fair thou owest; Nor shall Death brag thou wander'st in his shade, When in eternal lines to time thou growest: So long as men can breathe or eyes can see, So long lives this and this gives life to thee.
William Shakespeare (Shakespeare's Sonnets)
If love be rough with you, be rough with love; Prick love for pricking, and you beat love down. Give me a case to put my visage in: A visor for a visor! what care I What curious eye doth quote deformities? Here are the beetle brows shall blush for me.
William Shakespeare
Then he was stepping back, away, letting distance flood between us again. His voice was low, rough. "Give 'em hell, darlin'." "And for the love of God, bitch, don't get stabbed this time!" Vida added.
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
Love was like the waves in the sea, gentle and good sometimes, rough and terrible at others, but that it was endless and stronger than the sky and earth and everything in between.
Veronica Rossi (Through the Ever Night (Under the Never Sky, #2))
How can love be worthy of its name if one selects solely the pretty things and leaves out the hardships? It is easy to enjoy the good and dislike the bad. Anybody can do that. The real challenge is to love the good and the bad together, not because you need to take the rough with the smooth but because you need to go beyond such descriptions and accept love in its entirety.
Elif Shafak (The Forty Rules of Love)
Out of my thoughts! You are part of my existence, part of myself. You have been in every line I have ever read, since I first came here, the rough common boy whose poor heart you wounded even then. You have been in every prospect I have ever seen since – on the river, on the sails of the ships, on the marshes, in the clouds, in the light, in the darkness, in the wind, in the woods, in the sea, in the streets. You have been the embodiment of every graceful fancy that my mind has ever become acquainted with. The stones of which the strongest London buildings are made, are not more real, or more impossible to displace with your hands, than your presence and influence have been to me, there and everywhere, and will be. Estella, to the last hour of my life, you cannot choose but remain part of my character, part of the little good in me, part of the evil. But, in this separation I associate you only with the good, and I will faithfully hold you to that always, for you must have done me far more good than harm, let me feel now what sharp distress I may. O God bless you, God forgive you!
Charles Dickens (Great Expectations)
Patience gives your spouse permission to be human. It understands that everyone fails. When a mistake is made, it chooses to give them more time that they deserve to correct it. It gives you the ability to hold on during the rough times in your relationship rather than bailing out under the pressure.
Stephen Kendrick (The Love Dare)
Under love’s heavy burden do I sink. And, to sink in it, should you burden love; Too great oppression for a tender thing. Is love a tender thing? it is too rough, Too rude, too boisterous, and it pricks like thorn. If love be rough with you, be rough with love; Prick love for pricking, and you beat love down.
William Shakespeare (Romeo & Juliet)
True beauty, the kind that doesn't fade or wash off, takes time. It takes incredible endurance. It is the slow drip that creates the stalactite, the shaking of the Earth that creates mountains, the constant pounding of the waves that breaks up the rocks and smooths the rough edges. And from the violence, the furor, the raging of the winds, the roaring of the waters, something better emerges, something that would have otherwise never existed. And so we endure. We have faith that there is purpose. We hope for things we can't see. We believe there are lessons in loss, power in love, and that we have within us the potential for a beauty so magnificent, our bodies can't contain it.
Amy Harmon (Making Faces)
Is love a tender thing? It is too rough, too rude, too boisterous, and it pricks like thorn.
William Shakespeare (Romeo and Juliet)
May your life be filled, as mine has been, with love and laughter; and remember, when things are rough all you need is ... Chocolate.
Geraldine Solon (Chocolicious)
Loving a man shouldn't have to be this rough
Tim McGraw
It’s 11 am and I’m sitting in a restaurant 3 beers in. Believe me, even I’m surprised I’m still alive sometimes. I have been drinking about you for 2 days. Lately you remind me of a wild thing chewing through its foot. But you are already free and I don’t know what to do except trace the rough line of your jaw and try not to place blame. Here is the truth: It is hard to be in love with someone who is in love someone else. I don’t know how to turn that into poetry.
Clementine von Radics
You are like a chestnut burr, prickly outside, but silky-soft within, and a sweet kernel, if one can only get at it. Love will make you show your heart some day, and then the rough burr will fall off.
Louisa May Alcott (Little Women)
Alas, that love, so gentle in his view, Should be so tyrannous and rough in proof! *It’s sad. Love looks like a nice thing, but it’s actually very rough when you experience it.*
William Shakespeare (Romeo and Juliet)
I know it is hard for you young mothers to believe that almost before you can turn around the children will be gone and you will be alone with your husband. You had better be sure you are developing the kind of love and friendship that will be delightful and enduring. Let the children learn from your attitude that he is important. Encourage him. Be kind. It is a rough world, and he, like everyone else, is fighting to survive. Be cheerful. Don't be a whiner.
Marjorie Pay Hinckley (Small and Simple Things)
With callused hands i tasted the softness of the moon in the coldest winds i discovered my soul's warmest fireplace in the roughness of his stubble the tenderest love.
Sanober Khan (A Thousand Flamingos)
First, Lord: No tattoos. May neither Chinese symbol for truth nor Winnie-the-Pooh holding the FSU logo stain her tender haunches. May she be Beautiful but not Damaged, for it’s the Damage that draws the creepy soccer coach’s eye, not the Beauty. When the Crystal Meth is offered, May she remember the parents who cut her grapes in half And stick with Beer. Guide her, protect her When crossing the street, stepping onto boats, swimming in the ocean, swimming in pools, walking near pools, standing on the subway platform, crossing 86th Street, stepping off of boats, using mall restrooms, getting on and off escalators, driving on country roads while arguing, leaning on large windows, walking in parking lots, riding Ferris wheels, roller-coasters, log flumes, or anything called “Hell Drop,” “Tower of Torture,” or “The Death Spiral Rock ‘N Zero G Roll featuring Aerosmith,” and standing on any kind of balcony ever, anywhere, at any age. Lead her away from Acting but not all the way to Finance. Something where she can make her own hours but still feel intellectually fulfilled and get outside sometimes And not have to wear high heels. What would that be, Lord? Architecture? Midwifery? Golf course design? I’m asking You, because if I knew, I’d be doing it, Youdammit. May she play the Drums to the fiery rhythm of her Own Heart with the sinewy strength of her Own Arms, so she need Not Lie With Drummers. Grant her a Rough Patch from twelve to seventeen. Let her draw horses and be interested in Barbies for much too long, For childhood is short – a Tiger Flower blooming Magenta for one day – And adulthood is long and dry-humping in cars will wait. O Lord, break the Internet forever, That she may be spared the misspelled invective of her peers And the online marketing campaign for Rape Hostel V: Girls Just Wanna Get Stabbed. And when she one day turns on me and calls me a Bitch in front of Hollister, Give me the strength, Lord, to yank her directly into a cab in front of her friends, For I will not have that Shit. I will not have it. And should she choose to be a Mother one day, be my eyes, Lord, that I may see her, lying on a blanket on the floor at 4:50 A.M., all-at-once exhausted, bored, and in love with the little creature whose poop is leaking up its back. “My mother did this for me once,” she will realize as she cleans feces off her baby’s neck. “My mother did this for me.” And the delayed gratitude will wash over her as it does each generation and she will make a Mental Note to call me. And she will forget. But I’ll know, because I peeped it with Your God eyes.
Tina Fey (Bossypants)
Is it not love that knows how to make smooth things rough and rough things smooth?
Vikram Seth (An Equal Music)
I like storms. Thunder torrential rain, puddles, wet shoes. When the clouds roll in, I get filled with this giddy expectation. Everything is more beautiful in the rain. Don't ask me why. But it’s like this whole other realm of opportunity. I used to feel like a superhero, riding my bike over the dangerously slick roads, or maybe an Olympic athlete enduring rough trials to make it to the finish line. On sunny days, as a girl, I could still wake up to that thrilled feeling. You made me giddy with expectation, just like a symphonic rainstorm. You were a tempest in the sun, the thunder in a boring, cloudless sky. I remember I’d shovel in my breakfast as fast as I could, so I could go knock on your door. We’d play all day, only coming back for food and sleep. We played hide and seek, you’d push me on the swing, or we’d climb trees. Being your sidekick gave me a sense of home again. You see, when I was ten, my mom died. She had cancer, and I lost her before I really knew her. My world felt so insecure, and I was scared. You were the person that turned things right again. With you, I became courageous and free. It was like the part of me that died with my mom came back when I met you, and I didn’t hurt if I knew I had you. Then one day, out of the blue, I lost you, too. The hurt returned, and I felt sick when I saw you hating me. My rainstorm was gone, and you became cruel. There was no explanation. You were just gone. And my heart was ripped open. I missed you. I missed my mom. What was worse than losing you, was when you started to hurt me. Your words and actions made me hate coming to school. They made me uncomfortable in my own home. Everything still hurts, but I know none of it is my fault. There are a lot of words that I could use to describe you, but the only one that includes sad, angry, miserable, and pitiful is “coward.” I a year, I’ll be gone, and you’ll be nothing but some washout whose height of existence was in high school. You were my tempest, my thunder cloud, my tree in the downpour. I loved all those things, and I loved you. But now? You’re a fucking drought. I thought that all the assholes drove German cars, but it turns out that pricks in Mustangs can still leave scars.
Penelope Douglas (Bully (Fall Away, #1))
I am approximately 96.694444% in love with you. Of course, that’s just a rough estimate.
Jarod Kintz (Love quotes for the ages. Specifically ages 18-81.)
come back so i can say yes this time do it again now that i know what to call what you did this time i'll be ready i like it rough now and i'm done with romance i never met another man who loved me so much at first sight he had to hurt me to do it
Daphne Gottlieb (Why Things Burn)
You will be the first test subject, Tobias. Beatrice, however...." She smiles. "You are too injured to be of much use to me, so your execution will occur at the conclusion of this meeting." I try to hide the shudder that goes through me at the word "execution," my shoulder screaming with pain, and look up at Tobias. It's hard to blink tears back when I see the terror in Tobias's wide, dark eyes. "No," says Tobias. His voice trembles, but his look stern as he shakes his head. "I would rather die." "I'm afraid you don't have much of a choice in that matter," replies Jeanine lightly. Tobias takes my face in this hands roughly and kisses me, the pressure of his lips pushing mine apart. I forget my pain and the terror of approaching death and for a moment, I am grateful that the memory of that kiss will be fresh in my mind as I meet my end.
Veronica Roth (Divergent (Divergent, #1))
I feel the urge, familiar now, to wrench myself from my body and speak directly into her mind. It is the same urge, I realize, that makes me want to kiss her every time I see her, because even a sliver of distance between us is infuriating. Our fingers, loosely woven a moment ago, now clutch together, her palm tacky with moisture, mine rough in places where I have grabbed too many handles on too many moving trains. Now she looks pale and small, but her eyes make me think of wide-open skies that I have never actually seen, only dreamed of.
Veronica Roth (Allegiant (Divergent, #3))
The problem with thick skin is that it leaves you impervious to the sharpest of pins. Everything becomes dull. But without that sense of pain, there cannot be that sense of relief. Ultimately, the thickened skin leaves you numb, incapable of feeling the highs and lows of life. It leaves you rough like a rock and just as inanimate.
Michael Soll
He's lovely. A bit of a sad mess. Dull and pale and rough around the edges. But still so lovely.
Rainbow Rowell (Wayward Son (Simon Snow, #2))
Blay said roughly,"I'm still in love with him" Saxton dropped his eyes and brushed at the top of his thigh, as if there might have been a tiny piece of lint there. " I know. You thought you weren't?
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond! I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive. Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial! I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers. I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail. But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant. I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn. I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity. I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
George Carlin
How the hell did people do this, this emotion-and-forgiveness thing? How did they stand these feelings? She could barely handle it and she had lovely, necessary, reason-for-living drugs to smooth over the rough spots. How did people do this shit sober?
Stacia Kane (City of Ghosts (Downside Ghosts, #3))
So much of desire, at that age, was a willful act. Trying so hard to slur the rough, disappointing edges of boys into the shape of someone we could love. We spoke of our desperate need for them with rote and familiar words, like we were reading lines from a play. Later I would see this: how impersonal and grasping our love was, pinging around the universe, hoping for a host to give form to our wishes.
Emma Cline (The Girls)
Please don't go." He let out an uneven breath. "You'll be fine without me. You always have been." Maybe once, but not now. "How can I convince you to stay?" "You can't." She threw down the torch. "Do you want me to beg, is that it?" "No-never." "Then tell me-" "What more can I say?" he exploded, his whisper rough and harsh "I’ve already told you everything—I’ve already told you that if I stay here, if I have to live with Arobynn, I'll snap his damned neck.” “But why? Why can’t you let it go?” He grabbed her shoulders and shook her. “Because I love you!” Her mouth fell open. “I love you,” he repeated, shaking her again. “I have for years. And he hurt you and made me watch because he’s always known how I felt, too. But if I asked you to pick, you’d choose Arobynn, and I. Can’t. Take. It.” The only sounds were their breathing, an uneven beat against the rushing of the sewer river. “You’re a damned idiot,” she breathed, grabbing the front of his tunic. “You’re a moron and an ass and a damned idiot.” He looked like she had hit him. But she went on, and grasped both sides of his face, "Because I'd pick you." And then she kissed him.
Sarah J. Maas (The Assassin and the Underworld (Throne of Glass, #0.4))
Under the greenwood tree, Who loves to lie with me And tune his merry note, Unto the sweet bird's throat; Come hither, come hither, come hither. Here shall he see No enemy But winter and rough weather.
William Shakespeare (As You Like It)
I mean to say, I know perfectly well that I've got, roughly speaking, half the amount of brain a normal bloke ought to possess. And when a girl comes along who has about twice the regular allowance, she too often makes a bee line for me with the love light in her eyes. I don't know how to account for it, but it is so." "It may be Nature's provision for maintaining the balance of the species, sir.
P.G. Wodehouse
His gaze held hers, and his voice was tender and rough. “Love me, Elizabeth.” Elizabeth felt a tremor run through her entire body, but she looked at him without flinching. “I do.
Judith McNaught (Almost Heaven (Sequels, #3))
Now from his breast into the eyes the ache of longing mounted, and he wept at last, his dear wife, clear and faithful, in his arms, longed for as the sunwarmed earth is longed for by a swimmer spent in rough water where his ship went down under Poseidon's blows, gale winds and tons of sea. Few men can keep alive through a big serf to crawl, clotted with brine, on kindly beaches in joy, in joy, knowing the abyss behind: and so she too rejoiced, her gaze upon her husband, her white arms round him pressed as though forever.
Homer (The Odyssey)
Umm. Wow. Did it grow? Because it looks bigger." "Kissin' your red-hot love flower made this stem grow big and hard just for you, baby doll." AJ managed to meet his eyes. "Love flower?" "Thought maybe you wanted some kinda sweet-talkin' love words first.
Lorelei James (Cowgirl Up and Ride (Rough Riders, #3))
I breathed against his lips, “Tell me you love me again.” “I love you, malyshka.” “I love you, too, you know?” He stilled, and then a rough sound rumbled in his chest. He lifted me so my eyes were level with his, brushed his lips across mine, and said in a deep, almost apologetic rasp, “I’m never letting you go now.
Danielle Lori (The Maddest Obsession (Made, #2))
Mary’s childhood was rough. She was frequently beaten and chastised by the nuns who served as her protectors and brutalized by the older girls in the orphanage. Oh how I wept those first few years of my life. My tears came like tropical storms. Every pore in my body wept. I heaved and shuddered and sighed. Everything around me seemed dark and terrifying.
Maria Nhambu (Africa's Child (Dancing Soul Trilogy, #1))
His talking voice was amazing, but his singing was like honey ands smoke had hooked up in the back of a van at a rock concert and had a love child. Smooth and rough at the same time.
Chelsea M. Cameron (My Favorite Mistake (My Favorite Mistake, #1))
I know I'm a bit rough around the edges and I know I've trampled my way through your life, but I do love you with all of my heart. Never doubt that. You're my girl, and I want you and I need you with me forever.
Raine Miller (Eyes Wide Open (The Blackstone Affair, #3))
Willow, you know that you said you couldn't tell how I felt at the rest stop?" I nodded, and he took my hand, laying it flat on his chest with his own resting over it. "Can you tell now?" he asked. His heart beat firmly under my hand; my own pulse was pounding so hard that I could barely think straight. Closing my eyes, I took a deep, steadying breath, and then another as I tried to clear my mind, to feel what he was feeling. For a moment there was just the softness of our breathing--then all at once it washed over me in a great wave. He was in love with me, too. I opened my eyes. Alex was still holding my hand to his chest, watching me, his expression more serious than I'd ever seen it. Unable to speak, I slowly dropped my hand and wrapped my arms around him. His own arms came around me as he rested his head on my hair. "I really do, you know," he said, his voice rough. "I know," I whispered back. "I do, too.
L.A. Weatherly (Angel (Angel, #1))
Tamlin let out a low snarl of approval, and I bit my bottom lip as he removed his pants, along with his undergarments, revealing the proud, thick length of him. My mouth went dry, and I dragged my gaze up his muscled torso, over the panes of his chest, and then— “Come here,” he growled, so roughly the words were barely discernable. I pushed back the blankets, revealing my already naked body, and he hissed.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
we’re all rough drafts of the people we’re still becoming.
Bob Goff (Everybody, Always: Becoming Love in a World Full of Setbacks and Difficult People)
Everything failed to subdue me. Soon everything seemed dull: another sunrise, the lives of heroes, falling in love, war, the discoveries people made about each other. The only thing that didn't bore me, obviously enough, was how much money Tim Price made, and yet in its obviousness it did. There wasn't a clear, identifiable emotion within me, except for greed and, possibly, total disgust. I had all the characteristics of a human being - flesh, blood, skin, hair - but my depersonalization was so intense, had gone so deep, that the normal ability to feel compassion had been eradicated, the victim of a slow, purposeful erasure. I was simply imitating reality, a rough resemblance of a human being, with only a dim corner of my mind functioning. Something horrible was happening and yet I couldn't figure out why - I couldn't put my finger on it.
Bret Easton Ellis (American Psycho)
The musician and the listener. If this is love between two strangers watching each other from afar, that rough, burning moment when you rush in and kiss is the show.
Tablo
You burn so brightly,” he said, his voice low and rough to raise the hair on my arms. “I would like to burn with you.
Karina Halle (Love, in English (Love, in English, #1))
To Earthward" Love at the lips was touch As sweet as I could bear; And once that seemed too much; I lived on air That crossed me from sweet things, The flow of--was it musk From hidden grapevine springs Downhill at dusk? I had the swirl and ache From sprays of honeysuckle That when they're gathered shake Dew on the knuckle. I craved strong sweets, but those Seemed strong when I was young; The petal of the rose It was that stung. Now no joy but lacks salt, That is not dashed with pain And weariness and fault; I crave the stain Of tears, the aftermark Of almost too much love, The sweet of bitter bark And burning clove. When stiff and sore and scarred I take away my hand From leaning on it hard In grass and sand, The hurt is not enough: I long for weight and strength To feel the earth as rough To all my length.
Robert Frost
Jocelyn,” his voice was rough, like he was struggling to get the words out. “You’re my best friend. My everything. I love you and I want to be with you always. Marry me. I promise to try not to fuck it up if you promise to try not to fuck it up.
Samantha Young (Castle Hill (On Dublin Street, #3.5))
The harder you slam a ball into the ground, the higher it bounces back up... A divorce, a breakup, losing a job, or just feeling seriously down can ground you, rough you up a bit, leave calluses on your feet and grit under your finger nails. But more than that, it leaves you wiser and stronger next time... Life is about experiencing opposites isn’t it?
Laurel House (QuickieChick's Cheat Sheet to Life, Love, Food, Fitness, Fashion, and Finance---on a Less-Than-Fabulous Budget)
Rough palms cradled my face while my fingers gripped the pillow on either side of his. Lips, teeth, tongue, mingled together. I ate him up and didn’t let go until I had to come up for air.
Priya Ardis
Madlen came to sit beside her on the bed. "Lady Queen," she said with her own particular brand of rough gentleness. "It is not the job of the child to protect her mother. It's the mother's job to protect the child. By allowing your mother to protect you, you gave her a gift. Do you understand me?
Kristin Cashore (Bitterblue (Graceling Realm, #3))
You want it rough and raw,” he rasped in a low whisper. “I’ll give you that, love. I’ll give you the fucking world.
Kit Rocha (Beyond Control (Beyond, #2))
Suicide is just a moment, Lexy told me. This is how she described it to me. For just a moment, it doesn't matter that you've got people who love you and the sun is shining and there's a movie coming out this weekend that you've been dying to see. It hits you all of a sudden that nothing is ever going to be okay, ever, and you kind of dare yourself. You pick up a knife and press it gently to your skin, you look out a nineteenth-story window and you think, I could just do it. I could just do it. And most of the time, you look at the height and you get scared, or you think about the poor people on the sidewalk below - what if there are kids coming home from school and they have to spend the rest of their lives trying to forget this terrible thing you're going to make them see? And the moment's over. You think about how sad it would've been if you never got to see that movie, and you look at your dog and wonder who would've taken care of her if you had gone. And you go back to normal. But you keep it there in your mind. Even if you never take yourself up on it, it gives you a kind of comfort to know that the day is yours to choose. You tuck it away in your brain like sour candy tucked in your cheek, and the puckering memory it leaves behind, the rough pleasure of running your tongue over its strange terrain, is exactly the same.... The day was hers to choose, and perhaps in that treetop moment when she looked down and saw the yard, the world, her life, spread out below her, perhaps she chose to plunge toward it headlong. Perhaps she saw before her a lifetime of walking on the ruined earth and chose instead a single moment in the air
Carolyn Parkhurst (The Dogs of Babel)
When he backed away, his pupils were huge and unfocused. He blinked, and then he cleared his throat. "Belly," he said, and his voice was foggy. He didn't say anything else, just my name. "Do you still--" Care. Think about me. Want me. Roughly, he said, "Yes. Yes, I still." And then we were kissing again.
Jenny Han (It's Not Summer Without You (Summer, #2))
And he loves to read. He loves the whisper of the pages and the way his fingertips catch on rough paper, the pour of the words up from the leaves, through soft light, into his eyes, the mute voice in his ears.
Keith Miller (The Book of Flying)
She had the swagger of a girl. She blushed like a boy. She had a girl’s toughness. She has a boy’s gentleness. She was as meaty as a girl. She was as graceful as a boy. She was as brave and handsome and rough as a girl. She was as pretty and delicate and dainty as a boy. She turned boys' heads like a girl. She turned girls' heads like a boy. She made love like a boy. She made love like a girl. She was so boyish it was girlish, so girlish it was boyish, she made me want to rove the world writing our names on every tree. I had simply never found someone so right. Sometimes this shocked me so much that I was unable to speak.
Ali Smith (Girl Meets Boy)
If I were a cinnamon peeler I would ride your bed and leave the yellow bark dust on your pillow. Your breasts and shoulders would reek you could never walk through markets without the profession of my fingers floating over you. The blind would stumble certain of whom they approached though you might bathe under rain gutters, monsoon. Here on the upper thigh at this smooth pasture neighbor to your hair or the crease that cuts your back. This ankle. You will be known among strangers as the cinnamon peeler's wife. I could hardly glance at you before marriage never touch you -- your keen nosed mother, your rough brothers. I buried my hands in saffron, disguised them over smoking tar, helped the honey gatherers... When we swam once I touched you in water and our bodies remained free, you could hold me and be blind of smell. You climbed the bank and said this is how you touch other women the grasscutter's wife, the lime burner's daughter. And you searched your arms for the missing perfume. and knew what good is it to be the lime burner's daughter left with no trace as if not spoken to in an act of love as if wounded without the pleasure of scar. You touched your belly to my hands in the dry air and said I am the cinnamon peeler's wife. Smell me.
Michael Ondaatje (The Cinnamon Peeler: Selected Poems)
I take a deep breath, still staring out the window. “I really, really, really like you.” He doesn’t reply for a long moment. Then: “I’m pretty sure I like you more.” “I doubt it. I just want you to know, not everyone is like your family. You can be . . . you can be you with me. You can talk, say, do however you want. And I’ll never hurt you like they did.” I make myself smile at him. It’s easy now. “I promise I don’t bite.” He reaches over to take my hand, his skin warm and rough against mine. He smiles back. Just a little. “You could rip me to shreds, Bee.
Ali Hazelwood (Love on the Brain)
I know it’s stupid, but I’m just so crazy in love with her I wanted everyone to know it. To see how lucky I am. To brag that this…perfect woman is mine. That she picked me. That she loves me.” “What do you care that the whole world knows that?” Colt said. “Jeez, Carter, the only important thing is you know.” Colby and Cord both gave Colt an odd look.
Lorelei James (Rode Hard, Put Up Wet (Rough Riders, #2))
I was born to love - but none of you wanted to believe it, and that misunderstanding was crucial in forming my character. It's true that nature was strangely inconsistent in giving me a warm heart, but also a face that was like a stone mask and a tongue that was heavy and slow. She refused me what she bestowed freely on even the most loutish of my fellow men. . . . People judged my inner character by my outer covering, and like a sterile fruit, I withered under the rough husk I couldn't slough off.
George Sand (Indiana)
And you love Sophie." Gideon's mouth tensed. "She's a mundane and a servant," said Gabriel. "I don't know what you expect to come of it, Gideon." "Nothing," Gideon said roughly. "I expect nothing. But the fact that you believe I should shows that our family brought us up to believe that we should do right only if some reward was the result.
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Baby, I’m sorry,” he said dropping his forehead to mine in a rare moment of vulnerability. His voice was rough and shaky. “Help me. Please. I don’t know what I’m doing here.” “What are you trying to do?” I asked. He raised up, just enough to look me in the eye. “I’m trying to love you.
T.M. Frazier (Lawless (King, #3))
It matters, Emma." He grabs my hand and pulls me to him again. "Tell me right now. Do you care for me?" "If you can't tell that I'm stupid in love with you, Galen, then you aren't a very good ambassador for the hum-" His mouth covers mine, cutting me off. This kiss isn't gentle like the first one. It's definitely not sweet. It's rough, demanding, searching. And disorienting. There's not a part of me that isn't melting against Galen, not a part that isn't combusting with his fevered touch. I accidentally moan into his lips. He takes it for his cue to life me off my feet, to pull me up to his height for more leverage. I take his groan for my cue to kiss him harder. He ignores his cell phone ringing in his pocket. I ignore the rest of the universe. Even when headlights approach, I'm willing to overlook their intrusion and keep kissing. But, prince that he is Galen is a little more refined than me at this moment. He gently pries his lips from mine and sets me down. His smile is both intoxicated and intoxicating. "We still need to talk.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Rough times." Qhuinn shrugged. "And I'm not interested in saints." "Really? You're in love with one," Layla chimed in. As Qhuinn glanced over at Blay, his mismatched eyes narrowed. "Damn straight I am," he said softly. As the redhead turned red--natch--that connection between the two males became positively tangible. Love was such a beautiful thing.
J.R. Ward (The King (Black Dagger Brotherhood #12))
He had green eyes, so I wanted to sleep with him. Green eyes flecked with yellow, dried leaves on the surface of a pool. You could drown in those eyes, I said. The fact of his pulse, the way he pulled his body in, out of shyness or shame or a desire, not to disturb the air around him. Everyone could see the way his muscles worked, the way we look like animals, his skin barely keeping him inside. I wanted to take him home, and rough him up and get my hands inside him, drive my body into his like a crash test car. I wanted to be wanted, and he was very beautiful, kissed with his eyes closed, and only felt good while moving. You could drown in those eyes, I said, so it's summer, so it's suicide, so we're helpless in sleep and struggling at the bottom of the pool.
Richard Siken
Death is a fascinating thing. The human mind continually returns and returns to death, to mortality, immortality, damnation, salvation. Some fear death, some seek it, but it is in our human nature to wonder at the limits of human life, at least. When you are sick like this you begin to wonder too much. Death is at your shoulder, death is your shadow, your scent, your waking and dreaming companion. You cannot help, when sleep begins to touch your eyes, but to wonder: What if? What if? And in that question, there is a longing, too much like the longing of a young girl in love. The sickness occupies your every thought, breath like a lover at your ear; the sickness stands at your shoulder in the mirror, absorbed with your body, each inch of skin and flesh, and you let it work you over, touch you with rough hands that thrill. Nothing will ever be so close to you again. You will never find a lover so careful, so attentive, so unconditionally present and concerned only with you. Some of us use the body to convey the things for which we cannot find words. Some of us decide to take a shortcut, decide the world is too much or too little, death is so easy, so smiling, so simple; and death is dramatic, a final fuck-you to the world.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
Moon and Sea You are the moon, dear love, and I the sea: The tide of hope swells high within my breast, And hides the rough dark rocks of life's unrest When your fond eyes smile near in perigee. But when that loving face is turned from me, Low falls the tide, and the grim rocks appear, And earth's dim coast-line seems a thing to fear. You are the moon, dear one, and I the sea.
Ella Wheeler Wilcox
I lay there in the bath not thinking, not doing anything. After a few seconds, I heard her open the front door, and then her voice saying: she's had a really rough day, so just be nice to her. And Nick said: I know, I will. I loved them both so much in this moment that I wanted to appear in front of them like a benevolent ghost and sprinkle blessings into their lives. Thank you, I wanted to say. Thank you both. You are my family now.
Sally Rooney (Conversations with Friends)
In a nervous and slender-leaved mimosa grove at the back of their villa we found a perch on the ruins of a low stone wall. She trembled and twitched as I kissed the corner of her parted lips and the hot lobe of her ear. A cluster of stars palely glowed above us between the silhouettes of long thin leaves; that vibrant sky seemed as naked as she was under her light frock. I saw her face in the sky, strangely distinct, as if it emitted a faint radiance of its own. Her legs, her lovely live legs, were not too close together, and when my hand located what it sought, a dreamy and eerie expression, half-pleasure, half-pain, came over those childish features. She sat a little higher than I, and whenever in her solitary ecstasy she was led to kiss me, her head would bend with a sleepy, soft, drooping movement that was almost woeful, and her bare knees caught and compressed my wrist, and slackened again; and her quivering mouth, distorted by the acridity of some mysterious potion, with a sibilant intake of breath came near to my face. She would try to relieve the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward fist the scepter of my passion.
Vladimir Nabokov (Lolita)
Love is absorbing, related to affection but stronger, full of appreciation for—and delight in—the other person, marked by a desire always to please and benefit her or him, always to smooth the loved one’s way through the roughness of the days and to do everything possible to make her or him feel profoundly valued.
Dean Koontz (Innocence)
When you know you’re worth loving, you can be a little imperfect. Hell, look at me—a lot imperfect. It makes all the difference in the world when you believe someone loves you enough that they don’t overlook the spot and the messed up hair. They just add it to the things about you that make them love you all the more.
Joey W. Hill (Rough Canvas (Nature of Desire, #6))
Body of a woman, white hills, white thighs, you look like a world, lying in surrender. My rough peasant's body digs in you and makes the son leap from the depth of the earth. I was lone like a tunnel. The birds fled from me, and nigh swamped me with its crushing invasion. To survive myself I forged you like a weapon, like an arrow in my bow, a stone in my sling. But the hour of vengeance falls, and I love you. Body of skin, of moss, of eager and firm milk. Oh the goblets of the breast! Oh the eyes of absence! Oh the roses of the pubis! Oh your voice, slow and sad! Body of my woman, I will persist in your grace. My thirst, my boundless desire, my shifting road! Dark river-beds where the eternal thirst flows and weariness follows, and the infinite ache.
Pablo Neruda (Selected Poems)
You know —I feel everything when you touch me, love. I can feel your excitement. Your nervousness. Your pleasure. And I love it,' he says quietly. 'I love the way you respond to me. I love the way you want me. I feel it, when you lose yourself, the way you trust me when we're together. And I feel your love for me,' he whispers. 'I feel it in my bones.' 'I have loved you my entire life.' He looks up, looks at me with so much feeling it nearly breaks my heart. 'Ella,' he says, his voice rough with feeling. 'I want to spend the rest of my life with you.
Tahereh Mafi (Defy Me (Shatter Me, #5))
We love men because they can never fake orgasms, even if they wanted to. Because they write poems, songs, and books in our honor. Because they never understand us, but they never give up. Because they can see beauty in women when women have long ceased to see any beauty in themselves. Because they come from little boys. Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women. Because they are incredible lovers and never rest until we’re happy. Because they elevate sports to religion. Because they’re never afraid of the dark. Because they don’t care how they look or if they age. Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything. Because they never wear or dream of wearing high heels. Because they’re always ready for sex. Because they’re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations. Because they’re afraid to go bald. Because you always know what they think and they always mean what they say. Because they love machines, tools, and implements with the same ferocity women love jewelry. Because they go to great lengths to hide, unsuccessfully, that they are frail and human. Because they either speak too much or not at all to that end. Because they always finish the food on their plate. Because they are brave in front of insects and mice. Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots. Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between. Because for them there’s no such thing as too much adrenaline. Because when all is said and done, they can’t live without us, no matter how hard they try. Because they’re truly as simple as they claim to be. Because they love extremes and when they go to extremes, we’re there to catch them. Because they are tender they when they cry, and how seldom they do it. Because what they lack in talk, they tend to make up for in action. Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys. Because they really love their moms, and they remind us of our dads. Because they never care what their horoscope, their mother-in-law, nor the neighbors say. Because they don’t lie about their age, their weight, or their clothing size. Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don’t want them to. Because when we say “I love you” they ask for an explanation.
Paulo Coelho
I think the truth is that we are in love with the fantasy of being that one person who could inspire, arouse, or affect someone who is so untouchable to the rest of the world.  It makes us feel special; like we’re the diamond in the rough, the one in a million, the one that everyone else couldn’t be, and do what everyone else couldn’t do.  Imagine being that significant to someone?  To never have to doubt that he loves you, or needs you, or more importantly, wants you more than any other.
Christine Zolendz (Brutally Beautiful (Beautiful, #1))
She would try to relieve the pain of love by first roughly rubbing her dry lips against mine; then my darling would draw away with a nervous toss of her hair, and then again come darkly near and let me feed on her open mouth, while with a generosity that was ready to offer her everything, my heart, my throat, my entrails, I gave her to hold in her awkward first the scepter of my passion.
Vladimir Nabokov (Lolita)
It’s loneliness. Even though I’m surrounded by loved ones who care about me and want only the best, it’s possible they try to help only because they feel the same thing—loneliness—and why, in a gesture of solidarity, you’ll find the phrase “I am useful, even if alone” carved in stone. Though the brain says all is well, the soul is lost, confused, doesn’t know why life is being unfair to it. But we still wake up in the morning and take care of our children, our husband, our lover, our boss, our employees, our students, those dozens of people who make an ordinary day come to life. And we often have a smile on our face and a word of encouragement, because no one can explain their loneliness to others, especially when we are always in good company. But this loneliness exists and eats away at the best parts of us because we must use all our energy to appear happy, even though we will never be able to deceive ourselves. But we insist, every morning, on showing only the rose that blooms, and keep the thorny stem that hurts us and makes us bleed hidden within. Even knowing that everyone, at some point, has felt completely and utterly alone, it is humiliating to say, “I’m lonely, I need company. I need to kill this monster that everyone thinks is as imaginary as a fairy-tale dragon, but isn’t.” But it isn’t. I wait for a pure and virtuous knight, in all his glory, to come defeat it and push it into the abyss for good, but that knight never comes. Yet we cannot lose hope. We start doing things we don’t usually do, daring to go beyond what is fair and necessary. The thorns inside us will grow larger and more overwhelming, yet we cannot give up halfway. Everyone is looking to see the final outcome, as though life were a huge game of chess. We pretend it doesn’t matter whether we win or lose, the important thing is to compete. We root for our true feelings to stay opaque and hidden, but then … … instead of looking for companionship, we isolate ourselves even more in order to lick our wounds in silence. Or we go out for dinner or lunch with people who have nothing to do with our lives and spend the whole time talking about things that are of no importance. We even manage to distract ourselves for a while with drink and celebration, but the dragon lives on until the people who are close to us see that something is wrong and begin to blame themselves for not making us happy. They ask what the problem is. We say that everything is fine, but it’s not … Everything is awful. Please, leave me alone, because I have no more tears to cry or heart left to suffer. All I have is insomnia, emptiness, and apathy, and, if you just ask yourselves, you’re feeling the same thing. But they insist that this is just a rough patch or depression because they are afraid to use the real and damning word: loneliness. Meanwhile, we continue to relentlessly pursue the only thing that would make us happy: the knight in shining armor who will slay the dragon, pick the rose, and clip the thorns. Many claim that life is unfair. Others are happy because they believe that this is exactly what we deserve: loneliness, unhappiness. Because we have everything and they don’t. But one day those who are blind begin to see. Those who are sad are comforted. Those who suffer are saved. The knight arrives to rescue us, and life is vindicated once again. Still, you have to lie and cheat, because this time the circumstances are different. Who hasn’t felt the urge to drop everything and go in search of their dream? A dream is always risky, for there is a price to pay. That price is death by stoning in some countries, and in others it could be social ostracism or indifference. But there is always a price to pay. You keep lying and people pretend they still believe, but secretly they are jealous, make comments behind your back, say you’re the very worst, most threatening thing there is. You are not an adulterous man, tolerated and often even admired, but an adulterous woman, one who is ...
Paulo Coelho (Adultery)
At first I wasn’t all that tempted by him, but then he killed the spider. Which was a huge point in his favor.” “Absolutely. I love men who kill bugs.” “And then when I was freaking out and couldn’t breathe, he was so…gentle.” Zoe sighed and colored, remembering. “He was holding me, and talking to me in that voice…you know, sort of low and rough around the edges…” “All the Nolans sound like that,” Justine said reflectively. “Like they’ve got a mild case of bronchitis. Totally hot.
Lisa Kleypas (Dream Lake (Friday Harbor, #3))
We've written the rough draft of our love together, the draft with loose ends, unfinished edges, mistakes every other page. But every writer knows there's magic in revision, where your work changes from a manuscript into a book. Where intentions, emotions, missed connections coalesce into something complete. It's where what you mean to say becomes what you have said. The characters deepen, the details shine, the prose sparkles. Suddenly, from nothing, you find your story.
Emily Wibberley (The Roughest Draft)
The amusement fled from Royce's face and with a groan he pulled her roughly against his chest, crushing her to him. "Jenny," he whispered hoarsely, burying his face in her fragrant hair. "Jenny, I love you." She melted against him, molding her body to the rigid contours of his, offering her lips up for his fierce, devouring kiss, then she took his face between both her hands. Leaning back slightly against his arm, her melting blue eyes gazing deeply into his, his wife replied in a shaky voice, "I think, my lord, I love you more.
Judith McNaught (A Kingdom of Dreams (Westmoreland, #1))
O, that this too too solid flesh would melt Thaw and resolve itself into a dew! Or that the Everlasting had not fix'd His canon 'gainst self-slaughter! O God! God! How weary, stale, flat and unprofitable, Seem to me all the uses of this world! Fie on't! ah fie! 'tis an unweeded garden, That grows to seed; things rank and gross in nature Possess it merely. That it should come to this! But two months dead: nay, not so much, not two: So excellent a king; that was, to this, Hyperion to a satyr; so loving to my mother That he might not beteem the winds of heaven Visit her face too roughly. Heaven and earth! Must I remember? why, she would hang on him, As if increase of appetite had grown By what it fed on: and yet, within a month-- Let me not think on't--Frailty, thy name is woman!-- A little month, or ere those shoes were old With which she follow'd my poor father's body, Like Niobe, all tears:--why she, even she-- O, God! a beast, that wants discourse of reason, Would have mourn'd longer--married with my uncle, My father's brother, but no more like my father Than I to Hercules: within a month: Ere yet the salt of most unrighteous tears Had left the flushing in her galled eyes, She married. O, most wicked speed, to post With such dexterity to incestuous sheets! It is not nor it cannot come to good: But break, my heart; for I must hold my tongue.
William Shakespeare (Hamlet)
Cassian pulled back, and remained that way long enough that she opened her eyes again to find his face inches from her own. "You're not going to marry Eris," he said roughly. "No," she breathed. His eyes blazed. "There will be no one else. For either of us." "Yes," she whispered. "Ever," he promised. Nesta laid a hand on his muscled chest, letting the thunderous beating of the heart beneath echo into her palm. Let it travel down her arm, into her own chest, her own heart. "Ever," she swore.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Love is a mighty power, a great and complete good; Love alone lightens every burden, and makes the rough places smooth. It bears every hardship as though it were nothing, and renders all bitterness sweet and acceptable. The love of Jesus is noble, and inspires us to great deeds; it moves us always to desire perfection. Love aspires to high things, and is held back by nothing base. Love longs to be free, a stranger to every worldly desire, lest its inner vision become dimmed, and lest worldly self-interest hinder it or ill-fortune cast it down. Nothing is sweeter than love, nothing stronger, nothing higher, nothing wider, nothing more pleasant, nothing fuller or better in heaven or earth; for love is born of God, and can rest only in God above all created things. Love flies, runs, leaps for joy; it is free and unrestrained. Love gives all for all, resting in One who is highest above all things, from whom every good flows and proceeds. Love does not regard the gifts, but turns to the Giver of all good gifts. Love knows no limits, but ardently transcends all bounds. Love feels no burden, takes no account of toil, attempts things beyond its strength; love sees nothing as impossible, for it feels able to achieve all things. Love therefore does great things; it is strange and effective; while he who lacks love faints and fails.
Thomas à Kempis (The Inner Life)
It's a strange thing, but somehow we expect more of girls than of boys. It is the sisters and wives and mothers, you know, Caddie, who keep the world sweet and beautiful. What a rough world it would be if there were only men and boys in it, doing things in their rough way! A woman's task is to teach them gentleness and courtesy and love and kindness. It's a big task, too, Caddie--harder than cutting trees or building mills or damming rivers. It takes nerve and courage and patience, but good women have those things. They have them just as much as the men who build bridges and carve roads through the wilderness. A woman's work is something fine and noble to grow up to, and it is just as important as a man's.
Carol Ryrie Brink (Caddie Woodlawn (Caddie Woodlawn, #1))
He holds my gaze, and the look in his eyes is a love letter in itself. When he speaks, his voice is rough. "Will you marry me, Cate?" I go still, the question hanging in the air. I have never felt more accepted 'for the girl I am, not the girl I want to be' never more loved and respected than I am in this moment. It's a choice, and it's mine to make. "Yes," I breathe. Finn slides the simple gold band onto my ring finger. I tilt it, and the ruby sparkles, catching the sunlight. He leans down and brushes his lips against mine, sealing the promise. 'I can't wait to make you my wife.' 'Cate Belastra.' I try it out and despite the solemnity of the moment, despite knowing what this will cost him, I can't help smiling.
Jessica Spotswood (Born Wicked (The Cahill Witch Chronicles, #1))
As that fucking chandelier twinkled overhead, Blay said roughly, "I'm still in love with him." Saxton dropped his eyes and brushed a the top of his thigh, as if there might have been a tiny piece of lint there. "I know. You thought you weren't?" As if that were rather stupid of him. "I'm so fucking tired of it. I really am." "That I believe." "Im so fucking..." God, those sounds, that muted pounding , that audible confirmation of what he had been ignoring for the past year-- On a sudden wave of violence, he pitched the brandy snifter at the marble fireplace, shattering the thing. "Fuck, Fuck!" If he'd been able to, he'd have jumped up and torn that goddamn cocksucking light fixture off the goddamn cocksucking ceiling.
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
A woman cannot bear to feel empty and purposeless. But a man may take real pleasure in that feeling. A man can take real pride and satisfaction in pure negation: 'I am quite empty of feeling. I don't care the slightest bit in the world for anybody or anything except myself. But I do care for myself, and I'm going to survive in spite of them all, and I'm going to have my own success without caring the least in the world how I get it. Because I'm cleverer than they are, I'm cunninger than they are, even if I'm weak. I must build myself up proper protections, and entrench myself, and then I'm safe. I can sit inside my glass tower and feel nothing and be touched by nothing, and yet exert my power, my will, through the glass walls of my ego'. That, roughly, is the condition of a man who accepts the condition of true egoism, and emptiness, in himself. He has a certain pride in the condition, since in pure emptiness of real feeling he can still carry out his ambition, his will to egoistic success. Now I doubt if a woman can feel like this. The most egoistic woman is always in a tangle of hate, if not of love. But the true male egoist neither hates nor loves. He is quite empty, at the middle of him. Only on the surface he has feelings: and these he is always trying to get away from. Inwardly, he feels nothing. And when he feels nothing, he exults in his ego and knows he is safe. Safe, within his fortifications, inside his glass tower. But I doubt if women can even understand this condition in a man. They mistake emptiness for depth. They think the false calm of the egoist who really feels nothing is strength. And they imagine that all the defenses which the confirmed egoist throws up, the glass tower of imperviousness, are screens to a real man, a positive being. And they throw themselves madly on the defences, to tear them down and come at the real man, little knowing that there is no real man, the defences are only there to protect a hollow emptiness, an egoism, not a human man.
D.H. Lawrence (Selected Essays)
No matter what you do with your life during the day, there's always that moment when you have to wake up with yourself, with yourself and with the person that's sleeping beside you. That's the person that you make a home with, discuss life's big decisions with, share your finances, eat, shop, maybe parent with. That's the person you share your body with forever, kiss, touch, the one you sit on the couch with and watch movies, the one who gives you a hug when you've had a rough day. That's the person you put up a Christmas tree with and arrive home with for the holidays, the person you watch grow old and who still loves you when you're not as nice to look at, the one who holds your hand when you're dying. And none of that had anything to do with wrestling.
Eli Easton (Superhero)
Finn caught my gaze. "I know things seem rough with him right now, but he'll come around. He went nuts when you were missing." "He has a temper." Which wasn't surprising, considering his tragic background. "No, Evie. He was ... frantic, out of control. I'm talking Hulk-smash on ye olde cabin. When he realized our lack of transportation was the sole thing keeping him from you, he stormed back into that militia's camp, striding into a hail of bullets. Dude didn't duck, didn't sidestep, just rolled in, killed, took that jeep." My lips parted as I stared at Jackson in amazement. "He loves you," Finn insisted.
Kresley Cole (Endless Knight (The Arcana Chronicles, #2))
imagine the desert mothers, with hair tangled tighter than their theology and breasts that flowed milk and mystic wisdom. they knew how to draw the singing sigils in the sand, how to dig rough and bitten fingers into desiccated dirt for water to wet the lips of their young. women of hips and heft, who learned how to burn beneath the wild and searing sun, who made loud love against the star-flecked threat of night, who knew that strength is not always a matter of muscle. imagine your ancestresses, the prophetesses of the arid lands, before these starched traditions and pews too hard to pray from, who bled true ritual and birthed their own fierce souls at creation's crowning --
Beth Morey (Night Cycles: Poetry for a Dark Night of the Soul)
To His Coy Mistress Had we but world enough and time, This coyness, lady, were no crime. We would sit down, and think which way To walk, and pass our long love’s day. Thou by the Indian Ganges’ side Shouldst rubies find; I by the tide Of Humber would complain. I would Love you ten years before the flood, And you should, if you please, refuse Till the conversion of the Jews. My vegetable love should grow Vaster than empires and more slow; An hundred years should go to praise Thine eyes, and on thy forehead gaze; Two hundred to adore each breast, But thirty thousand to the rest; An age at least to every part, And the last age should show your heart. For, lady, you deserve this state, Nor would I love at lower rate. But at my back I always hear Time’s wingèd chariot hurrying near; And yonder all before us lie Deserts of vast eternity. Thy beauty shall no more be found; Nor, in thy marble vault, shall sound My echoing song; then worms shall try That long-preserved virginity, And your quaint honour turn to dust, And into ashes all my lust; The grave’s a fine and private place, But none, I think, do there embrace. Now therefore, while the youthful hue Sits on thy skin like morning dew, And while thy willing soul transpires At every pore with instant fires, Now let us sport us while we may, And now, like amorous birds of prey, Rather at once our time devour Than languish in his slow-chapped power. Let us roll all our strength and all Our sweetness up into one ball, And tear our pleasures with rough strife Thorough the iron gates of life: Thus, though we cannot make our sun Stand still, yet we will make him run.
Andrew Marvell (The Complete Poems)
But more than anything, as a little girl, I wanted to be exactly like Miss Piggy. She was ma heroine. I was a plucky little girl, but I never related to the rough-and-tumble icons of children's lit, like Pippi Longstocking or Harriet the Spy. Even Ramona Quimby, who seemed cool, wasn't somebody I could super-relate to. She was scrawny and scrappy and I was soft and sarcastic. I connected instead to Miss - never 'Ms.' - Piggy; the comedienne extraordinaire who'd alternate eye bats with karate chops, swoon over girly stuff like chocolate, perfume, feather boas or random words pronounced in French, then, on a dmie, lower her voice to 'Don't fuck with me, fellas' decibel when slighted. She was hugely feminine, boldly ambitious, and hilariously violent when she didn't get way, whether it was in work, love, or life. And even though she was a pig puppet voiced by a man with a hand up her ass, she was the fiercest feminist I'd ever seen.
Julie Klausner (I Don't Care About Your Band: Lessons Learned from Indie Rockers, Trust Funders, Pornographers, Felons, Faux-Sensitive Hipsters, and Other Guys I've Dated)
This story was written many moons ago under an apple tree in an orchard in Kent, which is one of England's prettiest counties . . . I had read at least twenty of the [fairy tales] when I noticed something that had never struck me before--I suppose because I had always taken it for granted. All the princesses, apart from such rare exceptions as Snow White, were blond, blue-eyed, and beautiful, with lovely figures and complexions and extravagantly long hair. This struck me as most unfair, and suddenly I began to wonder just how many handsome young princes would have asked a king for the hand of his daughter if that daughter had happened to be gawky, snub-nosed, and freckled, with shortish mouse-colored hair? None, I suspected. They would all have been of chasing after some lissome Royal Highness with large blue eyes and yards of golden hair and probably nothing whatever between her ears! It was in that moment that a story about a princess who turned out to be ordinary jumped into my mind, and the very next morning I took my pencil box and a large rough-notebook down to the orchard and, having settled myself under an apple tree in full bloom, began to write . . . the day was warm and windless and without a cloud in the sky. A perfect day and a perfect place to write a fairy story.
M.M. Kaye (The Ordinary Princess)
You didn't like him, did you, Dad?" "It wasn't that I didn't like him," my dad says slowly. "It was just that he lives in a completely different world, and I worried that he didn't really approve of you the way you are, that he was trying to change you into something else." God, I never realized my dad was that perceptive.. "You see, the thing is," he says after we've both sat for a while in the sunshine, "the thing is that love is really the most important thing. I know it's hard for you to see it now" - he chuckles quietly- "but when I first laid eyes on your mother I thought she was fantastic, and I've never stopped loving her, not for a second. Oh yes, we've had our rough patches, and she can be a bit of an old battle-ax at times, but I still love her. That in-love feeling at the beginning settles down into a different, familiar sort of love, but it has to be there right from the start, otherwise it just won't work.
Jane Green (Mr. Maybe)
And though she could scarcely even feel them, her lips formed the words, and sound emerged, sounding frayed, and small and cracked, forged in her somehow before she was born, since before time, words meant only for him. “I love you.” Three of the most powerful words in the world offered to one of the most powerful men in London in such a small voice. And at first she thought nothing at all had happened. He didn’t blink. But then she realized she’d somehow set him . . . softly ablaze. Emotion burned from him, and his eyes . . . she would never forget his eyes in this moment. His hands remained at his sides. Which is when she noticed they were trembling. God help her, that’s when she felt tears begin to burn at the back of her eyes. One got away. And she brushed her hand roughly against it. And the man who never cleared his throat . . . cleared his throat. And his voice, in truth, wasn’t a good deal louder than hers. “Then it’s just as well that I love you, Genevieve.
Julie Anne Long (What I Did for a Duke (Pennyroyal Green, #5))
It’s time to stop allowing people to blame the woman for everything. As women, we try to figure out what they need, what they want; and the entire time we’re stressing ourselves out and they don’t give a shit as long as it’s done. Hell, no. Timeout for that too! We do not give a rat’s ass anymore—they are quick to blame us for their mess-ups and think we are supposed to make magic happen. It is time to let them deal with it and figure out how they are going to mend their shit. If they want to blame us, let them, who cares? Their shit isn’t our problem. Go ahead, blame the women. We are holding up the peace sign, smiling and laughing, feeling good as we press forward! ​We are free and feel refreshed. It feels good to be the last ones standing. We look at life totally differently, and we now see that it’s okay to be a little rough around the edges.
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
I never told you that, Dad, but I was drunk out of my mind one night, I had just vomited in front of the statue of the Pasquino and couldn't have been more dazed in my life yet here as I leaned against this very wall, I knew, drunk as I was, that this, with Oliver holding me, was my life, that everything that had come beforehand with others was not even a rough sketch or the shadow of a draft of what was happening to me. And now, ten years later, when I look at this wall under this old streetlamp, I am back with him and I swear to you, nothing has changed. In thirty, forty, fifty years I will feel no differently. I have met many women and more men in my life, but what is watermarked on this very wall overshadows everyone I've known. When I come to be here, I can be alone or with people, with you for instance, but I am always with him. If I stood for an hour staring at this wall, I'd be with him for an hour. If I spoke to this wall, it would speak back." "What would it say?" asked Miranda, totally taken in by the thought of Elio and the wall. "What would it say? Simple: 'Look for me, find me.'" "And what do you say?" "I say the same thing. 'Look for me, find me.' And we were both happy. Now you know.
André Aciman (Find Me (Call Me By Your Name, #2))
Dear Yesteryear, I do not feel alone anymore. I have found love. Maybe I should say love has found me. Well, to be fair, we found each other. Yesterday, I didn’t have a home. Yesterday, I didn’t have a pillow where I could lay my head. Yesterday, it was hard to find peace. Yesterday, I wondered if morning would ever come. Yesterday, I was unable to love, dream, and trust. Yesterday, I didn’t understand life. Yesterday, I was walking in my shadow. I didn’t know if I had meaning or a purpose. I am healing from my yesteryears. However, I am still rough around the edges and still have a lot to learn. I used to be so empty inside, but now I have lovely people to fill my no-longer-empty arms. Yesterday, my path was different. I was confused, not knowing if I should go right or left— move forward or turn around. I do not know what life has in store, but I know for a fact that I do not have to worry about the deadly and narrow path anymore. Yesterday, my sun was blocked by my shadows and everything thing else that came along that didn’t serve me. However, today, the sun is shining brighter than it ever has in my entire life. Yesterday, I will never forget you. You’ve taught me many lessons. I was taught lessons that a young person should never experience or even know about. Some lessons in life leave permitted marks. There have been many lessons I’ve learned that have left so many scars on my heart, but life goes on. I use to be overwhelmed by hate, disbelief, and not knowing if I was going to make it. Now, I am surrounded by warm hugs, smiles, love, and peace. Yesteryear, you will never be forgotten. I am healing, and it is a beautiful thing.
Charlena E. Jackson (Pinwheels and Dandelions)
My arms broke free from my control. My left hand reached for his face, his hair, to wind my fingers in it. My right hand was faster, was not mine. Melanie's fist punched his jaw, knocked his face away from mine with a blunt, low sound. Flesh against flesh, hard and angry. The force of it was not enough to move him far, but he scrambled away from me the instant our lips were no longer connected, gaping with horrorstruck eyes at my horrorstruck expression. I stared down at the still-clenched fist, as repulsed as if I'd found a scorpion growing on the end of my arm. A gasp of revulsion choked its way out of my throat. I grabbed the right wrist with my left hand, desperate to keep Melanie from using my body for violence again. I glanced up at Jared. He was staring at the fist I restrained, too, the horror fading, surprise taking its place. In that second, his expression was entirely defenseless. I could easily read his thoughts as they moved across his unlocked face. This was not what he had expected. And he's had expectations; that was plain to see. This had been a test. A test he'd thought he was prepared to evaluate. But he'd been surprised. Did that mean pass or fail? The pain in my chest was not a surprise. I already knew that a breaking heart was more than an exaggeration. In a flight-or-fight situation, I never had a choice; it would always be flight for me. Because Jared was between me and the darkness of the tunnel exit, I wheeled and threw myself into the box-packed hole. I was sobbing because it had been a test, and, stupid, stupid, stupid, emotional creature that I was, I wanted it to be real. Melanie was writhing in agony inside me, and it was hard to make sense of the double pain. I felt as thought I was dying because it wasn't real; she felt as though she was dying because, to her, it had felt real enough. In all that she'd lost since the end of the world, so long ago, she'd never before felt betrayed. 'No one's betrayed you, stupid,' I railed at her. 'How could he? How?' she ranted, ignoring me. We sobbed beyond control. One word snapped us back from the edge of hysteria. From the mouth of the hole, Jared's low, rough voice - broken and strangely childlike - asked, "Mel?" "Mel?" he asked again, the hope he didn't want to feel colouring his tone. My breath caught in another sob, an aftershock. "You know that was for you, Mel. You know that. Not for h- it. You know I wasn't kissing it." "If you're in there, Mel..." He paused. Melanie hated the "if". A sob burst up through my lungs and I gasped for air. "I love you," Jared said. "Even if you're not there, if you can't hear me, I love you.
Stephenie Meyer (The Host (The Host, #1))