“
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove.
O no, it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wand'ring barque,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.
”
”
William Shakespeare (Great Sonnets (Dover Thrift Editions))
“
Love is not love which alters it when alteration finds, or bends with the remover to remove: O no! It is an ever fixed mark that looks on tempests and is never shaken; it is the star to every wandering bark whose worth's unknown, although his height be taken. Love's not Time's fool, though rosy lips and cheeks within his bending sickle's compass come: Love alters not with his brief hours and weeks, but bears it out, even to the edge of doom.
”
”
William Shakespeare (Shakespeare's Sonnets)
“
He pushed me back up against the door, slamming me against the doorbell. I heard it ring out.
"Coming!" I heard Holly say as she clicked across the floor to the front door.
"Not quite, but she’s close." He chuckled, removing his hand and leaving me breathless and rosy cheeked.
”
”
Alice Clayton (The Unidentified Redhead (Redhead, #1))
“
Asshole.” “Just for that, I expect you to wrap that dirty mouth of yours around my cock tonight.” He narrowed his eyes on me.
I couldn’t believe he’d just said that to me in a fancy restaurant where anyone might overhear. “Are you kidding?” “Babe,” he gave me a look that suggested I was missing the obvious, “I never kid about blowjobs.”
Our waiter had descended on us just in time to hear those romantic words and his rosy cheeks betrayed his embarrassment. “Ready to order?” he croaked out.“Yes,” Braden answered, obviously uncaring he’d been overhead. “I’ll have the steak, medium-rare.” He smiled softly at me. “What are you having?” He took a swig of water. He thought he was so cool and funny. “Apparently sausage.” Braden choked on the water, coughing into his fists, his eyes bright with mirth as he put his glass back on the table. “Are you okay, sir?” The waiter asked anxiously. “I’m fine, I’m fine.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
Mr. Hooks?”
“Mr. Ludefance? Pleasure to meet you and thank you for coming in.”
As he extended his hand to me, I noticed the girl at the desk staring at my face. Hooks looked back at her staring and must have given her a look of some kind.
“Mr. Ludefance, this is my secretary, Cholia.”
She stood up and continued to stare at my scar. Black hair, cute face, maybe five-foot-four at the most, and a little on the plump side with rosy cheeks. Young. Very young. Looked like a teenager to me. Or was I just getting ‘older?
”
”
Behcet Kaya (Appellate Judge (Jack Ludefance, #3))
“
Watch over our child. Guide him safely from the ways of harm.
Keep happy his heart, brave his soul, and rosy his cheeks.
Guard with your life his hopes and dreams,
for he is all that we have, all that we are,
and all that we will ever be.
”
”
William Joyce (The Man in the Moon (Guardians of Childhood, #1))
“
Youth is not a time of life; it is a state of mind; it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, a quality of the imagination, a vigor of the emotions; it is the freshness of the deep springs of life.
Youth means a tempermental predominance of courage over timidity of the appetite, for adventure over the love of ease. This often exists in a man of 60 more than a boy of 20. Nobody grows old merely by a number of years. We grow old by deserting our ideals.
Years may wrinkle the skin, but to give up enthusiasm wrinkles the soul. Worry, fear, self-distrust bows the heart and turns the spirits back to dust.
Whether 60 or 16, there is in every human being's heart the lure of wonder, the unfailing childlike appetite of what's next and the joy of the game of living. In the center of your heart and my heart there is a wireless station: so long as it receives messages of beauty, hope, cheer, courage and power from men and from the Infinite, so long are you young.
When the aerials are down, and your spirit is covered with snows of cynicism and the ice of pessimism, then you are grown old, even at 20, but as long as your aerials are up, to catch waves of optimism, there is hope you may die young at 80.
”
”
Samuel Ullman
“
She was a vision in a white gown her dark hair forming a hazy halo around her rosy heart-shaped face. Her long lashes fluttered to touch her cheeks and then her eyes opened fully in his direction. Her small round mouth flexed in an immediate and knowing smile. That's the girl I'm going to marry Henry thought.
”
”
Anna Godbersen (Rumors (Luxe, #2))
“
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
”
”
William Shakespeare (Love Poems and Sonnets)
“
Anne looked at the white young mother with a certain awe that had never entered into her feelings for Diana before. Could this pale woman with the rapture in her eyes be the little black-curled, rosy-cheeked Diana she had played with in vanished schooldays? It gave her a queer desolate feeling that she herself somehow belonged only in those past years and had no business in the present at all.
”
”
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
“
I ever wished to look as well as I could, and to please as much as my want of beauty would permit. I sometimes regretted that I was not handsomer; I sometimes wished to have rosy cheeks, a straight nose, and small cherry mouth; I desired to be tall, stately, and finely developed in figure; I felt it a misfortune that I was so little, so pale, and had features so irregular and so marked.
”
”
Charlotte Brontë (Jane Eyre)
“
Youth, Rin thought, was an amplification of beauty. It was a filter; it could mask what one was lacking, enhance even the most average features. But beauty without youth was dangerous. The Empress’s beauty did not require the soft fullness of young lips, the rosy red of young cheeks, the tenderness of young skin. This beauty cut deep, like a sharpened crystal. This beauty was immortal.
”
”
R.F. Kuang (The Poppy War (The Poppy War, #1))
“
When I was younger, one of my favorite activities was imagining alternative-universe versions of myself. Sometimes I was a rosy-cheeked outdoorsy girl who ate flowers and hiked alone, uphill, for miles. Or I was a skydiving, drag-racing, adrenaline-fueled daredevil. Or a chain mail-wearing, sword swinging dragon slayer. It was fun to imagine those things because I already knew who I was. Now I don't know anything. I don't know who I'm supposed to be in my new world.
”
”
Nicola Yoon (Everything, Everything)
“
And I’m so tired, Ford. I’m so fucking tired.” His stubble prickles at my scalp as he presses a kiss to my hair and nuzzles his cheek on the top of my head. “Just rest for a minute then, Rosie. I got you.
”
”
Elsie Silver (Wild Love (Rose Hill, #1))
“
High school girls came bustling along, their rosy red cheeks puffing white breaths you could have written cartoon captions in.
”
”
Haruki Murakami (Dance Dance Dance)
“
It was the furthest thing in the world from the rosy-fingered dawn of poetry and old Technicolor movies; this was an anti-dawn, damp and as pale as the cheek of a day-old corpse.
”
”
Stephen King (Mr. Mercedes (Bill Hodges Trilogy, #1))
“
But truth be told, I'm not as dour-looking as I would like. I'm stuck with this round, sweetie-pie face, tiny heart-shaped lips, the daintiest dimples, and apple cheeks so rosy I appear in a perpetual blush. At five foot four, I barely squeak by average height. And then there's my voice: straight out of second grade. I come across so young and innocent and harmless that I have been carded for buying maple syrup. Tourists feel more safe approaching me for directions, telemarketers always ask if my mother is home, and waitresses always, always call me 'Hon.
”
”
Sarah Vowell (Take the Cannoli)
“
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
”
”
William Shakespeare (Sonnets (No Fear Shakespeare))
“
...rosy cheeks don't last forever, that silver threads will come in the bonnie brown hair, and, that by and by, kindness and respect will be as sweet as love and admiration now.
”
”
Louisa May Alcott (Little Women (Little Women, #1))
“
All of a sudden I looked at him with his rosy cheeks and the two silver snots at his nose and what did I want to do I wanted to kiss him. Not the way Tiddly did it any of that but just because all of a sudden everything seemed so good. I said to myself: Just being here is so good I could stand here for ever.
”
”
Patrick McCabe (The Butcher Boy)
“
There go the crazy eyes again,” he whispered.
“Shit.” I shut my eyes tight. Lizzy walking in on me and my boyfriend seven years ago had been pretty damn embarrassing, especially given that she then ran and told mom. Not that mom had been coherent enough to care. This, however, topped it.
“Your cheeks have gone all rosy. Are you thinking rude thoughts about me, Anne?”
“No.”
“Liar,” he taunted in a soft voice. “You’re totally thinking of me with no pants on.”
I totally was.
“That’s just gross, dude. A massive invasion of my privacy.” He leaned in closer, his breath warming my ear. “Whatever you’re imagining, it’s bigger.”
“I’m not imagining anything.”
“I’m serious. It’s basically a monster. I cannot control it.”
“Malcolm–”
“You’re pretty much going to need a whip and chair to tame it, Anne.”
“Stop it.”
“That okay with you?
”
”
Kylie Scott (Play (Stage Dive, #2))
“
We all look so young. John with his rosy cheeks, Trevor with his chubby ones, Peter with his skinny legs.
Underneath the picture I wrote, THE BEGINNING. “Aww,” he says tenderly. “Baby Lara Jean and Baby Peter. Where’d you find this?”
“In a shoe box.”
He flicks John’s smiling face. “Punk.”
“Peter!”
“Just kidding,” he says.
”
”
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
“
Dr. Meredith was a large, robust man, and jolly too, with rosy cheeks and this perpetual baby-powder smell. I always thought he would be better suited as a Santa Claus at the Green Oaks Mall rather than a doctor charged with the duty of delivering earth-shattering news. Maybe his appearance was supposed to soften the blow. The bad news is you have cancer. The good news is Santa Claus is your doctor. Peppermint stick for your trouble?
”
”
Julie Murphy (Side Effects May Vary)
“
You have never kissed me. Patted me, hugged me, but you've never kissed me."
"Oh, Rosie, Rosie." His face looked on the point of laughter, then his lips fell gently on hers and he held the kiss for some time. Now, pressing her face from him, he said "That's merely an introduction. When your cheek is better I'll do it properly.
”
”
Catherine Cookson (The Obsession)
“
SONG OF THE PALACE
Her handkerchief all soaked in tears, she cannot dream,
In deepest night before the palace voices sing.
Her rosy cheeks aren't old, but first love has been cut,
Leaning, wreathed in smoke, she sits until the dawn.
”
”
Bai Juyi
“
I cupped her pale cheek, lightly highlighted with a rosy blush, and kissed her tenderly, savoring the feel of her lips against mine. "You could come with me ? We could do this while we wait."
"I'm dreaming...aren't I ?"
"Yeah, I'm sorry."
"Don't be. As far as dreams go, this one's not so bad.
”
”
S.C. Stephens (Collision Course)
“
Youth is not a time of life; it is a state of mind; it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, quality of the imagination, a vigor of the emotions; it is the freshness of the deep springs of life.
”
”
Samuel Ullman
“
Are those her shoes?” I follow Kitt’s gaze to where the heels dangle from my hooked fingers. My laugh is muffled by the hand I run down my face. “She took them off about two glasses of champagne ago.” The king’s gaze crawls over my shoulder. “Speak of the devil.” I turn slowly toward the dance floor, and there she is, striding toward us with a dazzling smile between rosy cheeks. I’m breathless at the sight of her, doomed by the hope of having her. It’s a beautiful ruin, a devastating devotion. This girl holds my heart in her hands, could crush it between her fingers and still have me thanking her for the touch. And I hold her shoes.
”
”
Lauren Roberts (Fearless (The Powerless Trilogy, #3))
“
A dozen or more boats on the lake swung their rosy and moon–like lanterns low on the water, that reflected as from a fire. In the distance, the steamer twanged and thrummed and washed with her faintly–splashing paddles, trailing her strings of coloured lights, and occasionally lighting up the whole scene luridly with an effusion of fireworks, Roman candles and sheafs of stars and other simple effects, illuminating the surface of the water, and showing the boats creeping round, low down. Then the lovely darkness fell again, the lanterns and the little threaded lights glimmered softly, there was a muffled knocking of oars and a waving of music.
Gudrun paddled almost imperceptibly. Gerald could see, not far ahead, the rich blue and the rose globes of Ursula’s lanterns swaying softly cheek to cheek as Birkin rowed, and iridescent, evanescent gleams chasing in the wake. He was aware, too, of his own delicately coloured lights casting their softness behind him.
”
”
D.H. Lawrence (Women in Love)
“
Spring has always been the dearest friend to me, with her voice like a feather tossed on the wind. With a tin pail of water in hand, I set out into the gardens grown in her warmth. A straw hat shields my cheek from the rosy stain of her sunlit kiss. When the work of the day is done, I find my little shelter in her embrace.
”
”
Erin Forbes
“
I sometimes regretted to be handsomer; I sometimes wished to have rosy cheeks, a straight nose, and a small cherry mouth; I desired to be tall, stately, and finely developed in figure...And why had I these aspirations and these regrets? It would be difficult to say
”
”
Charlotte Brontë (Jane Eyre)
“
Spanking must be steady, rhythmic, slap, slap, slap, slap, slap, moving from one area to another until both cheeks glow with a rosy bloom that lights the charge and sends the electric message to the restless clitoris.
”
”
Chloe Thurlow (A Girl's Adventures)
“
I hug my pillow and do not speak a word;
In my empty room no sound stirs.
Who knows that, all day a-bed,
I am not ill and am not even asleep?
Turned to jade are the boy’s rosy cheeks;
To his sick temples the frost of winter clings….
Do not wonder that my body sinks to decay;
Though my limbs are old, my heart is older yet.
”
”
Bai Juyi (More Translations from the Chinese)
“
Lex’s long eyelashes almost brushed her eyebrows as she looked up at him, her cheeks pink, a secret smile in the corner of her rosy lips. And he was supposed to stay away from that? A battle of will, indeed. He took a long pull of his drink as she walked by.
”
”
Staci Hart (Deer in Headlights (Good Gods, #1))
“
Not long after, and while it was still twilight, the grandfather also went to bed, for he was up every morning at sunrise, and the sun came climbing up over the mountains at a very early hour during these summer months. The wind grew so tempestuous during the night, and blew in such gusts against the walls, that the hut trembled and the old beams groaned and creaked. It came howling and wailing down the chimney like voices of those in pain, and it raged with such fury among the old fir trees that here and there a branch was snapped and fell. In the middle of the night the old man got up. "The child will be frightened," he murmured half aloud. He mounted the ladder and went and stood by the child's bed.
Outside the moon was struggling with the dark, fast-driving clouds, which at one moment left it clear and shining, and the next swept over it, and all again was dark. Just now the moonlight was falling through the round window straight on to Heidi's bed. She lay under the heavy coverlid, her cheeks rosy with sleep, her head peacefully resting on her little round arm, and with a happy expression on her baby face as if dreaming of something pleasant. The old man stood looking down on the sleeping child until the moon again disappeared behind the clouds and he could see no more, then he went back to bed.
”
”
Johanna Spyri (Heidi (Heidi, #1-2))
“
She dared to love again
She dared to give herself again
She lost the battle again with tears shedding down the rosy cheeks
She lost herself again~
”
”
Tanya Gambhir
“
This other Musketeer formed a perfect contrast to his interrogator, who had just designated him by the name of Aramis. He was a stout man, of about two- or three-and-twenty, with an open, ingenuous countenance, a black, mild eye, and cheeks rosy and downy as an autumn peach.
”
”
Alexandre Dumas (The Three Musketeers (Trilogie des Mousquetaires #1))
“
cow and stroke it over my face. Likewise, I held both her rosy palms and gently stroking them over my cheeks I said to her, “Now now, don’t be so silly! Am I even worthy of forgiving you?
”
”
Shivaji Sawant (Srikrishna: The Lord Of The Universe)
“
I won’t forget that we kissed. Sorry”—Ethan tried to grin a little—“but you have to cut me some slack on that one. Because, I mean, come on, you’re you.”
She nodded, not guilty at all.
“But I promise not to think about it too much. I’ll save it for those really dark moments, when I look at everything wrong with the world and I feel helpless. When every good thing I’ve ever done, ever seen or heard about, pales against the garish human capacity for hate and corruption.”
He bent forward quickly and kissed her cheek, lingering more than he should but less than he wanted to before pulling back.“I’ll think about it then, if it’s okay,” he said gently, “just for a few seconds, so I can remember what it was like to feel transcendent.
”
”
Rosie Danan (The Intimacy Experiment (The Shameless Series, #2))
“
Then came that terrible Christmas with its awful presents when our father, with the vanity I was to find typical, sent his photograph. My gift from Mother was a tea set—a teapot, four cups and saucers and tiny spoons-and a doll with blue eyes and rosy cheeks and yellow hair painted on her head. I didn't know what Bailey received, but after I opened my boxes I went out to the backyard behind the chinaberry tree. The day was cold and the air as clear as water. Frost was still on the bench but I sat down and cried. I looked up and Bailey was coming from the outhouse, wiping his eyes. He had been crying too. I didn't know if he had also told himself they were dead and had been rudely awakened to the truth or whether he was just feeling lonely. The gifts opened the door to questions that neither of us wanted to ask. Why did they send us away? and What did we do so wrong? So Wrong? Why at three and four, did we have tags put on our arms to be sent by train alone from Long Beach, California, to Stamps, Arkansas, with only the porter to look after us?
”
”
Maya Angelou (I Know Why the Caged Bird Sings (Maya Angelou's Autobiography, #1))
“
There is a plain under a dim sky. It is covered with gentle rolling curves that might remind you of something else if you saw it from a long way away, and if you did see it from a long way away you'd be very glad that you were, in fact, a long way away.
Three gray figures floated just above it. Exactly what they were can't be described in normal language. Some people might call them cherubs, although there was nothing rosy-cheeked about them. They might be rumored among those who see to it that gravity operates and that time stays separate from space. Call them auditors. Auditors of reality.
They were in conversation without speaking. They didn't need to speak. They just changed reality so that they had spoken.
One said, It has never happened before. Can it be done?
One said, It will have to be done. There is a personality. Personalities come to an end. Only forces endure.
It said this with satisfaction.
One said, Besides... there have been irregularities. Where you get personality, you get irregularities. Well-known fact.
One said, He has worked inefficiently?
One said, No. We can't get him there.
One said, That is the point. The word is him. Becoming a personality is inefficient. We don't want it to spread. Supposing gravity developed a personality? Supposing it decided to like people?
One said, Got a crush on them, that sort of thing?
One said, in a voice that would have been even chillier if it was not already at absolute zero, No.
One said, Sorry. Just my little joke.
One said, Besides, sometimes he wonders about his job. Such speculation is dangerous.
One said, No argument there.
One said, Then we are agreed?
One, who seemed to have been thinking about something, said, Just one moment. Did you not just use the singular pronoun "my?" Not developing a personality, are you?
One said, guiltily, Who? Us?
One said, Where there is personality, there is discord.
One said, Yes. Yes. Very true.
One said, All right. But watch it in future.
One said, Then we are agreed?
They looked up at the face of Azrael, outlined against the sky. In fact, it was the sky.
Azrael nodded, slowly.
One said, Very well. Where is this place?
One said, It is the Discworld. It rides through space on the back of a giant turtle.
One said, Oh, one of that sort. I hate them.
One said, You're doing it again. You said "I."
One said, No! No! I didn't! I never said "I!"... oh, bugger...
It burst into flame and burned in the same way that a small cloud of vapor burns, quickly and with no residual mess. Almost immediately, another one appeared. It was identical in appearance to its vanished sibling.
One said, Let that be a lesson. To become a personality is to end. And now... let us go.
”
”
Terry Pratchett (Reaper Man (Discworld, #11; Death, #2))
“
The Devil's Rose
You would never take a rose from a beast.
If his callous hand were to hold out a scarlet flower, his grip unaffected by pricking thorns, you would shrink from the gift and refuse it. I know that is what you would do.
But the cunning beast will have his beauty.
He hunts not in hopeless pursuit, for fear would have you sprint all the day long. Thus, he turns toward the shadows and clutches the rosebud, crunching and twisting until every delicate petal is detached. One falls not far from your feet, and you notice the red spot in the snow.
The color sparkles in the sunlight, catching your curious eye. No beast stands in sight; there is nothing to fear, so you dare retrieve the lone petal. The touch of temptation is velvet against your thumb. It carries a scent you bring to your nose, and both eyes close to float on a cloud of perfume.
As your lashes lift, another scarlet drop stains the snow at a near distance. A glance around perceives no danger, and so your footprints scar the snowflakes to retrieve another rosy leaflet as soft and sweet as the first. Your eyes shine with flecks of golden greed at the discovery of more discarded petals, and you blame the wind for scattering them mere footprints apart. All you want is a few, so you step and snatch, step and snatch, step and snatch.
Soon, there is enough velvet to rub against your cheek like a silken kerchief. Your collection of one-plus-one-more reeks of floral essence.
Distracted, you jump at the sight of the beast in your path. He stands before his lair, grinning without love. His callous hands grip at thorns on a single naked stem, and you look down at your own hands that now cup his rose. But how can it be? You would never take a rose from a beast. You would shrink from the gift and refuse it. He knows that is what you would do.
”
”
Richelle E. Goodrich (Making Wishes: Quotes, Thoughts, & a Little Poetry for Every Day of the Year)
“
Love’s not Time’s fool, though rosy lips and cheeks Within his bending sickle’s compass come; Love alters not with his brief hours and weeks, But bears it out even to the edge of doom. —William Shakespeare, Sonnet 116
”
”
Sarah Kleck (The Concealed (Lakewood, #1))
“
Youth is not a time of life, it is a state of mind, it is not a matter of rosy cheeks, red lips and supple knees; it is a matter of the will, quality of the imagination, a vigour of emotions, it is the freshness of the deep springs of life.
”
”
Samuel Ullman
“
The rain set early in tonight,
The sullen wind was soon awake,
It tore the elm-tops down for spite,
And did its worst to vex the lake:
I listened with heart fit to break.
When glided in Porphyria; straight
She shut the cold out and the storm,
And kneeled and made the cheerless grate
Blaze up, and all the cottage warm;
Which done, she rose, and from her form
Withdrew the dripping cloak and shawl,
And laid her soiled gloves by, untied
Her hat and let the damp hair fall,
And, last, she sat down by my side
And called me. When no voice replied,
She put my arm about her waist,
And made her smooth white shoulder bare,
And all her yellow hair displaced,
And, stooping, made my cheek lie there,
And spread, o'er all, her yellow hair,
Murmuring how she loved me — she
Too weak, for all her heart's endeavor,
To set its struggling passion free
From pride, and vainer ties dissever,
And give herself to me forever.
But passion sometimes would prevail,
Nor could tonight's gay feast restrain
A sudden thought of one so pale
For love of her, and all in vain:
So, she was come through wind and rain.
Be sure I looked up at her eyes
Happy and proud; at last l knew
Porphyria worshiped me: surprise
Made my heart swell, and still it grew
While I debated what to do.
That moment she was mine, mine, fair,
Perfectly pure and good: I found
A thing to do, and all her hair
In one long yellow string l wound
Three times her little throat around,
And strangled her. No pain felt she;
I am quite sure she felt no pain.
As a shut bud that holds a bee,
I warily oped her lids: again
Laughed the blue eyes without a stain.
And l untightened next the tress
About her neck; her cheek once more
Blushed bright beneath my burning kiss:
I propped her head up as before,
Only, this time my shoulder bore
Her head, which droops upon it still:
The smiling rosy little head,
So glad it has its utmost will,
That all it scorned at once is fled,
And I, its love, am gained instead!
Porphyria's love: she guessed not how
Her darling one wish would be heard.
And thus we sit together now,
And all night long we have not stirred,
And yet God has not said aword!
”
”
Robert Browning (Robert Browning's Poetry)
“
Pushing Elsie back, I said, “I’m not the most special guy in the world. I’m no one’s perfect dream. I’m not sure I’ll ever do anything extraordinary with my life. I’ll always be that little bit awkward, and that little bit too shy. I’ll always blush and dip my head, but if you’ll let me, I’ll be the one that’s there for you. I’ll be happy knowing I’ve got you and you’ve got me. That’s enough for me, to be the one that you can lean on, to be the one to tell you you’re beautiful every day. And talk to. I’ll adore every sound that comes out of your mouth. I’ll be the one to love you like nothing you’ve ever seen, bella mia.” I blushed with embarrassment, but managed to rasp, “If you’ll just let me… If you want me.”
Elsie sobbed out a cry, tears tumbling down her rosy cheeks. “Levi. You are my dream realized, in every possible way. You are the most special person in my world. And I love that you blush—because I do too.” She wiped at her cheeks. “I love that you’re shy, and,” her breathing hitched, “I love that you love my voice. I love that I never have hide who I am, disguise how I sound. Because I’m tired of trying to please others.” She dipped her eyes and almost flattened me when she said, “You’re my kind of extraordinary. Levi Carillo, you’re the sweetest of souls.
”
”
Tillie Cole (Sweet Soul (Sweet Home, #4; Carillo Boys, #3))
“
If with the water’s rosy hue comparison be made,
Carmine tears and dewy flowers seem of the self-same shade.
Yet lady’s tears and flowers in this unalike I find,
That the flowers are still and smiling, but the tears flow unallayed.
As she gazes on the smiling flowers, her tears at last grow dry;
But as they dry, the springtime ends and the flowers fade. The flowers fade, and an equal blight the lady’s fair cheek palls.
The petals drift; she is weary; and soon the darkness falls.
A nightingale is singing a dirge for the death of spring,
And moonlight steals through the casement and dapples the silent walls.
”
”
Cao Xueqin (The Warning Voice)
“
All Through Eternity
All through eternity
Beauty unveils His exquisite form
in the solitude of nothingness;
He holds a mirror to His Face
and beholds His own beauty.
he is the knower and the known,
the seer and the seen;
No eye but His own
has ever looked upon this Universe.
His every quality finds an expression:
Eternity becomes the verdant field of Time and Space;
Love, the life-giving garden of this world.
Every branch and leaf and fruit
Reveals an aspect of His perfection-
They cypress give hint of His majesty,
The rose gives tidings of His beauty.
Whenever Beauty looks,
Love is also there;
Whenever beauty shows a rosy cheek
Love lights Her fire from that flame.
When beauty dwells in the dark folds of night
Love comes and finds a heart
entangled in tresses.
Beauty and Love are as body and soul.
Beauty is the mine, Love is the diamond.
They have together
since the beginning of time-
Side by side, step by step
”
”
Jalal ad-Din Muhammad ar-Rumi
“
On to the library. And all through his time at the card catalog, combing the shelves, filling out the request cards, he danced a silent, flirtatious minuet of the eyes with a rosy-cheeked redhead in the biology section, pages of notes spread before her. All his life, he had had a yen for women in libraries. In a cerebral setting, the physical becomes irresistible. Also, he figured he was really more likely to meet a better or at least more compatible woman in a library than in a saloon. Ought to have singles libraries, with soups and salads, Bach and Mozart, Montaignes bound in morocco; place to sip, smoke, and seduce in a classical setting, noon to midnight. Chaucer's Salons, call them, franchise chain.
”
”
Stephen Minkin (A no doubt mad idea)
“
ONE QUIET AFTERNOON when the other Grisha had ventured out of Os Alta, Genya convinced me to sneak into the Grand Palace, and we spent hours looking through the clothes and shoes in the Queen’s dressing room. Genya insisted that I try on a pale pink silk gown studded with riverpearls, and when she laced me up in it and stuck me in front of one of the giant golden mirrors, I had to look twice. I’d learned to avoid mirrors. They never seemed to show me what I wanted to see. But the girl standing next to Genya in the glass was a stranger. She had rosy cheeks and shiny hair and … a shape. I could have stared at her for hours. I suddenly wished good old Mikhael could see me. “Sticks” indeed, I thought smugly. Genya
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
Light dresses, blue eyes, the tinkling of glasses, the sea, the white sails. We sang snatches of song. And our cheeks became rosy.
”
”
Knut Hamsun (Pan)
“
Sir,” she says graciously. But her cheeks are coloring their familiar rosy pink, like her ass last night. She’s embarrassed. When
”
”
E.L. James (Grey (Fifty Shades as Told by Christian, #1))
“
Arrive before your Husband. Not that I can
See quite what good arriving first will do;
But still arrive before him. When he's taken
His place upon the couch and you go too
To sit beside him, on your best behavior
Stealthily touch my foot, and look at me,
Watching my nods, my eyes, my face's language;
Catch and return my signals secretly.
I'll send a wordless message with my eyebrows;
You'll read my fingers' words, words traced in wine.
When you recall our games of love together,
Your finger on rosy cheeks must trace a line.
If in your silent thoughts you wish to chide me,
Let your hand hold the lobe of your soft ear;
When, darling, what I do or say gives pleasure,
Keep turning to an fro the ring you wear.
When you wish well-earned curses on your husband,
Lay your hand on the table, as in prayer.
If he pours you wine, watch out, tell him to drink it;
Ask for what you want from the waiter there.
I shall take next the glass you hand the waiter
And I'll drink from the place you took your sips;
If he should offer anything he's tasted,
Refuse whatever food has touch his lips.
Don't let him plant his arms upon your shoulders,
Don't let him rest your gentle head on his hard chest,
Don't let your dress, your breasts, admit his fingers,
And--most of all--no kisses to be pressed!
You kiss--and I'll reveal myself your lover;
I'll say 'they're mine'; my legal claim I'll stake.
All this, of course I'll see, But what's well hidden
under your dress--blind terror makes me quake.
”
”
Ovid (The Love Poems)
“
It seldom is, at first, and thirty seems the end of all things to five-and-twenty. But it's not as bad as it looks, and one can get on quite happily if one has something in one's self to fall back upon. At twenty-five, girls begin to talk about being old maids, but secretly resolve that they never will be. At thirty they say nothing about it, but quietly accept the fact, and if sensible, console themselves by remembering that they have twenty more useful, happy years, in which they may be learning to grow old gracefully. Don't laugh at the spinsters, dear girls, for often very tender, tragic romances are hidden away in the hearts that beat so quietly under the sober gowns, and many silent sacrifices of youth, health, ambition, love itself, make the faded faces beautiful in God's sight. Even the sad, sour sisters should be kindly dealt with, because they have missed the sweetest part of life, if for no other reason. And looking at them with compassion, not contempt, girls in their bloom should remember that they too may miss the blossom time. That rosy cheeks don't last forever, that silver threads will come in the bonnie brown hair, and
”
”
Louisa May Alcott (Little Women (Illustrated))
“
She opened the door in her pajamas and judging by her hair, she’d just woken up, but hell, even in the morning the little pop-tart looked good. Her cheeks were rosy and her lips were plump and ready.
”
”
Mila Rossi (Under Construction)
“
The sight of Albertine’s bare throat, of those too rosy cheeks, had so intoxicated me (that is to say had placed the reality of the world for me no longer in nature, but in the torrent of sensations that I could barely contain) that this sight had destroyed the equilibrium between the immense and indestructible life that circulated in my being and the life of the universe, so puny in comparison.
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
The serving girl—plump, round and rosy-cheeked—moved quickly between the tables. The soldiers smiled at her. She felt torn between the desire to smile back at them, because they were young, and the fear of getting a bad reputation, because they were the enemy—so she frowned and tightly pursed her lips, without, however, quite managing to erase the two dimples on her cheeks which showed her secret pleasure.
”
”
Irène Némirovsky (Suite Française)
“
Lina: I have no idea what you mean. Is he waiting for something? Rosie: … Lina: Something like a heart transplant? I heard he doesn’t have one. Rosie: Ha, funny. You should keep the jokes for when you two talk. Lina: We won’t. Rosie: That’s right. You two are too busy staring at each other intently. *fire emoji* An unwanted blush rushed to my cheeks. Lina: What’s that supposed to mean? Rosie: You know what it means. Lina: That I want to light him up in a pyre like a witch? Then, okay. Rosie: He’s probably working late too. Lina: So? Rosie: So … you could always go to his office and glare at him in that way I’m sure he loves.
”
”
Elena Armas (The Spanish Love Deception (Spanish Love Deception, #1))
“
The back barn door opened, and in walked a vision in a billowing green dress. As she led in her mare, Mr. McBride’s voice faded away as Tom’s total attention turned to the girl. About twenty-one or two, Tom guessed. Not too tall, nor short. Beautiful heart-shaped face decorated with rosy cheeks and light freckles. Long auburn hair tied back in a ponytail. Perfectly set green eyes. Full-bosomed and hourglass shaped. Breathtaking.
”
”
C.G. Faulkner (Unreconstructed (The Tom Fortner Trilogy #1))
“
Her lily hand her rosy cheek lies under,
Cozening the pillow of a lawful kiss;
Who, therefore angry, seems to part in sunder,
Swelling on either side to want his bliss;
Between whose hills her head entombed is;
Where like a virtuous monument she lies,
To be admired of lewd unhallowed eyes.
Without the bed her other fair hand was,
On the green coverlet, whose perfect white
Showed like an April daisy on the grass,
With pearly sweat resembling dew of night.
Her eyes, like marigolds, had sheathed their light,
And canopied in darkness sweetly lay
Till they might open to adorn the day.
Her hair like golden threads played with her breath
O modest wantons, wanton modesty!
Showing life’s triumph in the map of death,
And death’s dim look in life’s mortality.
Each in her sleep themselves so beautify
As if between them twain there were no strife,
But that life lived in death, and death in life.
”
”
William Shakespeare (The Rape of Lucrece)
“
My point is this: times change and people change, but celebrities are not allowed to leave the box that we’ve been painted into. There are a few exceptions that everyone allows, like the sinner who becomes a saint—usually after having respectable children—or the sexpot who ages gracefully into a bombshell octogenarian, but for the most part, if the world says you’re a five-foot-one, petite, rosy-cheeked, lovable woman, you remain one for as long as you can.
”
”
Elissa R. Sloan (The Unraveling of Cassidy Holmes)
“
Yesterday I stood at the temple door interrogating the passersby about the mystery and merit of Love.
And before me passed an old man with an emaciated and melancholy face, who sighed and said:
"Love is a natural weakness bestowed upon us by the first man."
But a virile youth retorted:
"Love joins our present with the past and the future."
Then a woman with a tragic face sighed and said:
"Love is a deadly poison injected by black vipers, that crawl from the caves of hell. The poison seems fresh as dew and the thirsty soul eagerly drinks it; but after the first intoxication the drinker sickens and dies a slow death."
Then a beautiful, rosy-cheeked damsel smilingly said:
"Love is a wine served by the brides of Dawn which strengthens strong souls and enables them to ascend to the stars."
After her a black-robed, bearded man, frowning, said:
"Love is a divine knowledge that enables men to see as much as the gods."
Then said a blind man, feeling his way with a cane:
"Love is a blinding mist that keeps the soul from discerning the secret of existence, so that the heart sees only trembling phantoms of desire among the hills, and hears only echoes of cries from voiceless valleys."
And a feeble ancient, dragging his feet like two rags, said, in quavering tones:
"Love is the rest of the body in the quiet of the grave, the tranquility of the soul in the depth of Eternity."
And a five-year-old child, after him, said laughing:
"Love is my father and mother, and no one knows Love save my father and mother."
And so, all who passed spoke of Love as the image of their hopes and frustrations, leaving it a mystery as before.
”
”
Kahlil Gibran
“
Shirley, "the little brown boy," as he was known in the family "Who's Who," was asleep in Susan's arms. He was brown-haired, brown-eyed and brown-skinned, with very rosy cheeks, and he was Susan's especial love. After his birth Anne had been very ill for a long time, and Susan "mothered" the baby with a passionate tenderness which none of the other children, dear as they were to her, had ever called out. Dr. Blythe had said that but for her he would never have lived.
”
”
L.M. Montgomery
“
Когда рыжеволосый Самозванец
Тебя схватил — ты не согнула плеч.
Где спесь твоя, княгинюшка? — Румянец,
Красавица? — Разумница, — где речь?
Как Пётр-Царь, презрев закон сыновний,
Позарился на голову твою —
Боярыней Морозовой на дровнях
Ты отвечала Русскому Царю.
Не позабыли огненного пойла
Буонапарта хладные уста.
Не в первый раз в твоих соборах — стойла.
Всё вынесут кремлёвские бока.
9 декабря 1917
When the red-haired impostor, fell Dmitri,
laid hold of you, you did not bow the knee.
Where is your pride, my princess? - Where, my beauty?
The rosy cheeks? the voice once wise and free?
And when Tsar Peter, coveting your beauty,
made to ride roughshod over filial law -
Morozova showed you the path of duty:
she was your answer to the Russian Tsar.
And Bonaparte's cold lips cannot forget still
The fiery draught you set before him then.
Once more now your cathedrals serve for stables.
The Kremlin's flanks will soldier to the end.
”
”
Marina Tsvetaeva (The Demesne of the Swans)
“
He hopped down from his perch and met her on the walk. “For you.” He held out the daisy. “Your favorite, right?” “You remembered.” “Of course I did. The other day you said you loved its simple beauty.” A rosy blush bloomed on her cheeks, and he grinned.
”
”
Lorna Seilstad (A Great Catch)
“
Evie stayed, however, the silence spinning out until it seemed that the pounding of his heart must be audible. “Do you want to know what I think, Sebastian?” she finally asked.
It took every particle of his will to keep his voice controlled. “Not particularly.”
“I think that if I leave this room, you’re going to ring that bell again. But no matter how many times you ring, or how often I come running, you’ll never bring yourself to tell me what you really want.”
Sebastian slitted his eyes open…a mistake. Her face was very close, her soft mouth only inches from his. “At the moment, all I want is some peace,” he grumbled. “So if you don’t mind—”
Her lips touched his, warm silk and sweetness, and he felt the dizzying brush of her tongue. A floodgate of desire opened, and he was drowning in undiluted pleasure, more powerful than anything he had known before. He lifted his hands as if to push her head away, but instead his trembling fingers curved around her skull, holding her to him. The fiery curls of her hair were compressed beneath his palms as he kissed her with ravenous urgency, his tongue searching the winsome delight of her mouth.
Sebastian was mortified to discover that he was gasping like an untried boy when Evie ended the kiss. Her lips were rosy and damp, her freckles gleaming like gold dust against the deep pink of her cheeks. “I also think,” she said unevenly, “that you’re going to lose our bet.”
Recalled to sanity by a flash of indignation, Sebastian scowled. “Do you think I’m in any condition to pursue other women? Unless you intend to bring someone to my bed, I’m hardly going to—”
“You’re not going to lose the bet by sleeping with another woman,” Evie said. There was a glitter of deviltry in her eyes as she reached up to the neckline of her gown and deliberately began to unfasten the row of buttons. Her hands trembled just a little. “You’re going to lose it with me.”
Sebastian watched incredulously as she stood and shed the dressing gown. She was naked, the tips of her breasts pointed and rosy in the cool air. She had lost weight, but her breasts were still round and lovely, and her hips still flared generously from the neat inward curves of her waist. As his gaze swept to the triangle of red hair between her thighs, a swell of acute lust rolled through him.
He sounded shaken, even to his own ears. “You can’t make me lose the bet. That’s cheating.”
“I never promised not to cheat,” Evie said cheerfully, shivering as she slipped beneath the covers with him.
“Damn it, I’m not going to cooperate. I—” His breath hissed between his teeth as he felt the tender length of her body press against his side, the springy brush of her private curls on his hip as she slid one of her legs between his. He jerked his head away as she tried to kiss him. “I can’t…Evie…” His mind searched cagily for a way to dissuade her. “I’m too weak.”
Ardent and determined, Evie grasped his head and turned his face to hers. “Poor darling,” she murmured, smiling. “Don’t worry. I’ll be gentle with you.”
“Evie,” he said hoarsely, aroused and infuriated and pleading, “I have to prove that I can last three months without—no, don’t do that. Damn you, Evie—
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
Now Morn, her rosy steps in the eastern clime
Advancing, sowed the earth with orient pearl,
When Adam waked, so customed; for his sleep
Was aerie-light, from pure digestion bred,
And temperate vapors bland, which the only sound
Of leaves and fuming rills, Aurora's fan,
Lightly dispersed, and the shrill matin song
Of birds on every bough; so much the more
His wonder was to find unwakened Eve
With tresses discomposed, and glowing cheek,
As through unquiet rest: He, on his side
Leaning half raised, with looks of cordial love
Hung over her enamored, and beheld
Beauty, which, whether waking or asleep,
Shot forth peculiar graces; then with voice
Mild, as when Zephyrus on Flora breathes,
Her hand soft touching, whispered thus. Awake,
My fairest, my espoused, my latest found,
Heaven's last best gift, my ever new delight!
Awake: The morning shines, and the fresh field
Calls us; we lose the prime, to mark how spring
Our tender plants, how blows the citron grove,
What drops the myrrh, and what the balmy reed,
How nature paints her colors, how the bee
Sits on the bloom extracting liquid sweet.
”
”
John Milton (Paradise Lost)
“
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove.
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wand'ring bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come;
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me prov'd,
I never writ, nor no man ever lov'd.
”
”
William Shakespeare (Shakespeare's Sonnets)
“
I will state in a few lines that Maldoror was good during his first year, when he lived happily; that is a fact. Then he realised he was born malicious: an extraordinary fate! ... Who would have thought: every time he embraced a little rosy-cheeked child he longed to remove its cheeks with a razor.
”
”
Comte de Lautréamont (Les Chants de Maldoror)
“
I’m crossing our backyard to the Pearces’, trying to juggle the bag and the portable speakers and my phone, when I see John Ambrose McClaren standing in front of the tree house, staring up at it with his arms crossed. I’d know the back of his blond head anywhere.
I freeze, suddenly nervous and unsure. I’d thought Peter or Chris would be here with me when he arrived, and that would smooth out any awkwardness. But no such luck.
I put down all my stuff and move forward to tap him on the shoulder, but he turns around before I can. I take a step back. “Hi! Hey!” I say.
“Hey!” He takes a long look at me. “Is it really you?”
“It’s me.”
“My pen pal the elusive Lara Jean Covey who shows up at Model UN and runs off without so much as a hello?”
I bite the inside of my cheek. “I’m pretty sure I at least said hello.”
Teasingly he says, “No, I’m pretty sure you didn’t.”
He’s right: I didn’t. I was too flustered. Kind of like right now. It must be that distance between knowing someone when you were a kid and seeing them now that you’re both more grown-up, but still not all the way grown-up, and there are all these years and letters in between you, and you don’t know how to act.
“Well--anyway. You look…taller.” He looks more than just taller. Now that I can take the time to really look at him, I notice more. With his fair hair and milky skin and rosy cheeks, he looks like he could be an English farmer’s son. But he’s slim, so maybe the sensitive farmer’s son who steals away to the barn to read. The thought makes me smile, and John gives me a curious look but doesn’t ask why.
With a nod, he says, “You look…exactly the same.”
Gulp. Is that a good thing or a bad thing? “I do?” I get up on my tiptoes. “I think I’ve grown at least an inch since eighth grade.” And my boobs are at least a little bigger. Not much. Not that I want John to notice--I’m just saying.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
Take Henry Cavil, for instance.” “He’s okay, I guess,” I said, flicking a careful look at Abernathy. “If you like the sweary and stabby type.” “Now, if he can go from a rosy-cheeked lad to sword-wielding sociopath monster slayer with just the addition of a white wig and a bit of gruntin’, surely you can do the same.
”
”
Cynthia St. Aubin (Love Binds (Tails from the Alpha Art Gallery, #4))
“
Babe"-he gave me a look that suggested I was missing the obvious-"I never kid about blowjobs."
The sound of someone choking brought my head up. Our waiter had descended on us just in time to hear those romantic words, and his rosy cheeks betrayed his embarrassement. "Ready to order?" he croaked out.
"Yes," Braden answered, obviously not caring that he had been overheard. "I'll have the steak, medium rare." He smiled softly at me. "What are you having?" He took a swig of water.
He thought he was so cool and funny. "Apparently sausage."
Braden choked on the water, coughing into his fist, his eyes bright with mirth as he put his glass back on the table.
"Are you okay sir?" the waiter asked.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
She looked beautiful and very innocent, her vibrant blue eyes wide with what he guessed was shock. Her cheeks were stained pink with more of the nerves she hadn't been able to hide during the ceremony. As for her rosy mouth, her lips were slightly parted and ripe for kissing.
'Mine,' he thought primitively. 'Mine to touch and taste and claim at my leisure.
”
”
Tracy Anne Warren (Happily Bedded Bliss (The Rakes of Cavendish Square, #2))
“
Alas, alas! we poor mortals are often little better than wood-ashes — there is small sign of the sap, and the leafy freshness, and the bursting buds that were once there; but wherever we see wood-ashes, we know that all that early fullness of life must have been. I, at least, hardly ever look at a bent old man, or a wizened old woman, but I see also, with my mind’s eye, that Past of which they are the shrunken remnant, and the unfinished romance of rosy cheeks and bright eyes seems sometimes of feeble interest and significance, compared with that drama of hope and love which has long ago reached its catastrophe, and left the poor soul, like a dim and dusty stage, with all its sweet garden-scenes and fair perspectives overturned and thrust out of sight.
”
”
George Eliot (Scenes of Clerical Life)
“
But then Azriel approached her. Nesta had blinked at the gift the shadowsinger set in her lap. 'I didn't get you anything,' she murmured to Az, her cheeks turning rosy.
'I know,' he said, smiling. 'I don't mind.'
...
...his gaze snagged on Nesta's fingers as she opened the small box. She peered at what was inside, then looked at Azriel in confusion. 'What is it?'
Azriel plucked up the small folded silver wand within and unfurled it. One end held a clip, the other a small glass sphere. 'You can attach this to whatever book you're reading, and the little ball of faelight will shine. So you don't have to squint when you're reading at night.'
Nesta touched the glass ball, no bigger than her thumbnail, and faelight flickered within, casting a bright, easy glow upon her lap. She tapped it again and it turned off. And then she jumped to her feet and flung her arms around Azriel.
The room went silent for a beat.
But Azriel chuckled and squeezed her gently. Cassian smiled to see it- to see them. 'Thank you,' Nesta said, quickly pulling away to marvel at the device. 'It's brilliant.'
Azriel blushed and stepped back, shadows swirling.
”
”
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
“
Youth, Rin thought, was an amplification of beauty. It was a filter, it could mask what one was lacking, enhance even the most average features. But beauty without youth was dangerous. The Empress' beauty did not require the soft fullness of young lips, the rosy red of young cheeks, the tenderness of young skin. This beauty cut deep, like a sharpened crystal. This beauty was immortal.
”
”
R.F. Kuang
“
I go to one of my favorite Instagram profiles, the.korean.vegan, and I watch her last video, in which she makes peach-topped tteok. The Korean vegan, Joanne, cooks while talking about various things in her life. As she splits open a peach, she explains why she gave up meat. As she adds lemon juice, brown sugar, nutmeg, a pinch of salt, cinnamon, almond extract, maple syrup, then vegan butter and vegan milk and sifted almond and rice flour, she talks about how she worried about whitewashing her diet, about denying herself a fundamental part of her culture, and then about how others don't see her as authentically Korean since she is a vegan. I watch other videos by Joanne, soothed by her voice into feeling human myself, and into craving the experiences of love she talks of and the food she cooks as she does.
I go to another profile, and watch a person's hands delicately handle little knots of shirataki noodles and wash them in cold water, before placing them in a clear oden soup that is already filled with stock-boiled eggs, daikon, and pure white triangles of hanpen. Next, they place a cube of rice cake in a little deep-fried tofu pouch, and seal the pouch with a toothpick so it looks like a tiny drawstring bag; they place the bag in with the other ingredients. "Every winter my mum made this dish for me," a voice says over the video, "just like how every winter my grandma made it for my mum when she was a child." The person in the video is half Japanese like me, and her name is Mei; she appears on the screen, rosy cheeked, chopsticks in her hand, and sits down with her dish and eats it, facing the camera.
Food means so much in Japan. Soya beans thrown out of temples in February to tempt out demons before the coming of spring bring the eater prosperity and luck; sushi rolls eaten facing a specific direction decided each year bring luck and fortune to the eater; soba noodles consumed at New Year help time progress, connecting one year to the next; when the noodles snap, the eater can move on from bad events from the last year. In China too, long noodles consumed at New Year grant the eater a long life. In Korea, when rice-cake soup is eaten at New Year, every Korean ages a year, together, in unison. All these things feel crucial to East Asian identity, no matter which country you are from.
”
”
Claire Kohda (Woman, Eating)
“
He ran his knuckles over her cheek as their gazes met and held. So much. He had been given so much.
The sound of their daughters’ high-pitched laughter drew their gazes away from each other nd toward their children. The girls came running toward them, breathless and excited. Their hair was messed in tousled disarray, their gowns were smeared with dirt, their skin was flushed and rosy. They leaped onto the blanket, tumbling over each other like exuberant puppies as they wrapped their chubby arms about his neck. “Papa, Papa, we want a new game!”
Morgan thought for a moment, overcome with a profound sense of gratitude.
Of all he had been given, perhaps the most significant gift was a deep reverence for life, with all its pain and all its glory. Every loss had meaning. And every day was a new
reason for celebration.
”
”
Victoria Lynne (With This Kiss)
“
One day Mom came to my hospital room and sat down on the edge of the bed, facing me. I could already see tears forming in the corners of her eye. She said she had something to tell me. Whatever she was about to say was hard for her to get out. Her voice was noticeably shaky and her chin quivered as she spoke.
“Noah, I’ve got to leave and get back to work. And besides, I am helping you too much. You need to be doing more on your own.” She couldn’t hold it back at all and by the time she finished the second sentence the tears were streaming down her rosy cheeks.
After a few deep breaths, she continued, “But your dad is here, and you know Dad, he’s not that helpful.” We both laughed at that as she leaned forward on the bed and grabbed my hand. I told her that I understood and that yes, it was probably best because Dad would help but not too much.
”
”
Noah Galloway (Living with No Excuses: The Remarkable Rebirth of an American Soldier)
“
If she’d known what a good shot you are,” he whispered past the unfamiliar tightness in his throat, “she’d never have dared.” His hand lifted to her wet cheek, holding it pressed against his chest. “You could always call her out, you know.” The spasmodic shaking in Elizabeth’s slender shoulders began to subside, and Ian added with forced tightness, “Better yet, Robert should stand in for you. He’s not as fine a shot as you are, but he’s a hell of a lot faster…”
A teary giggle escaped the girl in his arms, and Ian continued, “On the other hand, if you’re holding the pistol, you’ll have some choices to make, and they’re not easy…”
When he didn’t say more, Elizabeth drew a shaky breath. “What choices?” she finally whispered against his chest after a moment.
“What to shoot, for one thing,” he joked, stroking her back. “Robert was wearing Hessians, so I had a tassel for a target. I suppose, though, you could always shoot the bow off Valerie’s gown.”
Elizabeth’s shoulders gave a lurch, and a choked laugh escaped her.
Overwhelmed with relief, Ian kept his left arm around her and gently took her chin between his forefinger and thumb, tipping her face up to his. Her magnificent eyes were still wet with tears, but a smile was trembling on her rosy lips. Teasingly, he continued, “A bow isn’t much of a challenge for an expert marksman like you. I suppose you could insist that she hold up an earring between her fingers so you could shoot that instead.”
The image was so absurd that Elizabeth chuckled.
Without being conscious of what he was doing, Ian moved his thumb from her chin to her lower lip, rubbing lightly against its inviting fullness. He finally realized what he was doing and stopped.
Elizabeth saw his jaw tighten. She drew a shuddering breath, sensing he’d been on the verge of kissing her, and had just decided not to do it. After the last shattering minutes, Elizabeth no longer knew who was friend or foe, she only knew she’d felt safe and secure in his arms, and at that moment his arms were already beginning to loosen, and his expression was turning aloof. Not certain what she was going to say or even what she wanted, she whispered a single, shaky word, filled with confusion and a plea for understanding, her green eyes searching his: “Please-“
Ian realized what she was asking for, but he responded with a questioning lift of his brows.
“I-“ she began, uncomfortably aware of the knowing look in his eyes.
“Yes?” he prompted.
“I don’t know-exactly,” she admitted. All she knew for certain was that, for just a few minutes more, she would have liked to be in his arms.
“Elizabeth, if you want to be kissed, all you have to do is put your lips on mine.”
“What!”
“You heard me.”
“Of all the arrogant-“
He shook his head in mild rebuke. “Spare me the maidenly protests. If you’re suddenly as curious as I am to find out if it was as good between us as it now seems in retrospect, then say so.” His own suggestion startled Ian, although having made it, he saw no great harm in exchanging a few kisses if that was what she wanted.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
What happened?” he asked softly, after a moment’s silence.
Heathcliff lifted his head at the same time Rose did. Her eyes were red and swollen, her cheeks streaked with tears. A piece of hay clung to her chin and stuck to her hair.
She looked beautiful Achingly so.
“You’re wet,” she said, her voice thick. She wasn’t impressed with his arrival, that much was clear.
“I commanded the rain to stop before I left the house but it didn’t listen.” She didn’t smile at his poor attempt at humor. “Why the tears, Rosie?
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
By the light of the single candle, he could see a rosy flush on her cheek and tears yet leaving a sheen on her eyes. She reached up and brushed his hair back. “I don’t know what to say.” “You say, ‘Vim, give me a minute to recover my wits, and then do that again, please, only better.’” She blinked, and then a slow, sweet smile bloomed on her lips. He lowered himself down onto her so they were chest to chest, as close as two people could be. He felt her fingers stroking over the hair at his nape. “Vim, give me a minute to recover my wits, and then do that again, please, but if you do it any better, I won’t possess wits to recover ever again.” “Then we shall both be loved witless.” He
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
Rosy’s mummy hands Franny a clear plastic bag full of reject biscuits, then Rosy holds her cheek out for Franny’s wet kiss. Rosy wipes the slime from her face and Franny cackles, then shows them both into the lounge.
There on Franny’s coffee table is a biscuit tin with a Christmas picture on the lid. Proper shop-bought biscuits, not factory rejects.
“Please, may I have a biscuit?” Rosy says.
“Oh, there are no biscuits in that my darling,” Franny says, and pulls the tin from Rosy’s prying fingers. Franny holds open the bag of crumb-speckled chocolate digestives. “Help yourself, my wee hen.”
Rosy settles for a reject.
Franny puts the Christmas tin up high, way up high, way out of reach.
”
”
R.G. Manse (Screw Friendship (Frank Friendship, #1))
“
At length, she gave up on the pulling and pushing, and went straight to her last resort.
Pleading. Big, brown calf's eyes implored him for mercy. Little did she know, this was the least likely tactic to work. Logan wasn't a man to be moved by tender emotion.
However, he was a man- and he wasn't unmoved by a pretty face. What with all her exertions, he was starting to see a flush of color on her cheeks. And an intriguing spark of mystery behind those wide, dark eyes.
This lass didn't belong in gray. With that dark hair and those rosy lips, she belonged in vibrant color. Deep Highland greens or sapphire blue.
His own smile took him by surprise.
She was going to look bonny wearing his plaid.
”
”
Tessa Dare (When a Scot Ties the Knot (Castles Ever After, #3))
“
First, David gets rejected because his older brother still feels rejected. Second, David gets rejected from Saul because David is too small. Third, David gets it from Goliath because he’s just a rosy-cheeked kid. David just can’t win. He gets it from all sides. The first and the last taunts, I think, were the hardest for David to hear. It’s one thing to hear from the king that you’re too small to wear his armor. The king was right. Saul was just trying to help out. But to be slighted by your older brother has got to be difficult. And then to be attacked by an enemy, basically for being too cute to fight, that’s got to be hard to take too. An enemy will come at you with everything he’s got. But why attack someone because they’re too fresh-faced?
”
”
Louie Giglio (Goliath Must Fall: Winning the Battle Against Your Giants)
“
Rosie!” Scarlett shouts. There’s fear in her voice, mixed with fury. I grit my teeth. My sister flings the bathroom door open, a hazy form behind the white shower curtain. “What happened? Are you okay?” she demands, voice dark enough to intimidate a wolf.
“I . . .” Scarlet,” I say, cutting the water off. I sigh and reach for a towel.
A voice interrupts my movement. “Look, Scarlett, come on, it was an accident—”
Silas rounds the corner. I freeze, arm outstretched and still a few inches from the towel, body half exposed around the curtain. His mouth drops, cheeks flush, and he immediately whirls around to face the hallway.
“Sorry, Rosie,” he said quickly. He puts his hands into his pockets and bounces on his heels. My face turns bright red, goose bumps scattering across my arms from both the cold and the shivery feeling Silas is giving me.
”
”
Jackson Pearce (Sisters Red (Fairytale Retellings, #1))
“
Sanguine, from the Latin sanguineus for “blood,” describes an optimistic, confident person. In the 1495 Manual of Medicine by Johannes de Ketham, a sanguine person was described as fat and merry and liking Bacchus and Venus, the gods of wine and love. Not a surprising description perhaps, since these conditions—drink and love—are often associated with a rosy or blushing countenance, which is indeed caused by blood rushing to the cheeks. The opposite type in de Ketham’s text, the melancholic, is a combination of melan, Latin for “black,” and choler, or bitter bile. A melancholic person is gloomy and bitter. But pure bile, or choler, makes one impetuous and irascible. Today, the French word for anger is colere, and the root of the word shows up also in a “colicky” baby—one who is irritable. Phlegm, on the other hand, makes one fat and languid, slow-moving. Today phlegmatic has come to mean stolidly calm, unexcitable, and unemotional.
”
”
Esther M. Sternberg (The Balance Within: The Science Connecting Health and Emotions)
“
I threw my binder of materials down on our apartment’s floral couch. “Seriously, pink is a neutral color! And what’s elegant about navy blue? No one ever says, ‘Hey, you know what’s elegant? The Navy!’”
Arianna rolled her dead guys. “There is nothing neutral about pink. They need a color that looks good as a background to any shade of dress.”
“What color clashes with pink?”
“Orange?”
“Well, if anyone shows up in an orange dress, she deserves to clash. Yuck.”
“Chill out. You can do a lot with navy.”
I sank down into the couch next to her. “I guess. I could do navy with silver accents. Stars?”
“Yawn.”
“Snowflakes?”
“Gee, now you’re getting creative for a winter formal.”
I ignored her tone, as usual. I was just glad she was here. She’d been gone a lot lately. “Hmm . . . maybe something softer. Like a water and mist theme?” I asked.
“I . . . actually kind of like that.”
“Wanna help me with the sketches?”
She leaned forward and turned on Easton Heights. “Decorating a stupid dance is all yours. You’re the one who decided to be more involved in your ‘normal life.’ I’d prefer to be sleeping six feet under.”
“This is probably a bad time to mention I also might have signed up to help with costumes for the spring play. And since I know nothing about sewing, I kind of maybe signed you up as a volunteer aide.”
She sighed, running one glamoured corpse hand through her spiky red and black hair. “I am going to kill you in your sleep.”
“As long as it doesn’t hurt.”
We hummed along to the opening theme, which ended when the door banged open and my boyfriend walked through, shrugging out of his coat and beaming as he dropped a duffel bag. “Free! What did I miss?” Lend asked, his cheeks rosy from the cold and his smile lighting up his watery eyes beneath his dark glamour ones.
“I lost the vote on color schemes for the dance, the last episode of Easton Heights before they go into reruns is back on in three minutes, and Arianna is going to murder me in my sleep.”
“As long as it doesn’t hurt.”
“That’s what I said!
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
You really don’t mind that I can learn everything about you so easily?”
“As I don’t plan to keep secrets from you again, no, I really don’t mind. But I would appreciate it if you promised to come to me, talk to me, if anything you learn about me disturbs you.”
A promise like that implied she would be around for a while. Though she knew she shouldn’t, she said, “I promise.” And she meant it. Starting now. “Your psychiatrist believes you are wrong to push people out of your life.”
A muscle ticked below his eye and a rosy flush overtook his cheeks. “Every agent has to see a shrink periodically.”
“Well, you’re not going to drive me insane with your darkness. I told you, I like it.”
“That doesn’t mean—”
“Your father was wrong, Sean. Not once have I thought I was losing my mind.”
“But it has happened to others,” he insisted harshly.
“I’m different. Remember? My brain operates on a different wavelength.”
They stared at each other as he considered her words. Then, slowly, a smiled curved his lips, and the clouds cleared from his eyes. “Then I won’t hold anything back from you. I won’t push you away,” he said. “God help you, I’ll only draw you closer. I didn’t have much fight left in my anyway. I want you too damn bad.
”
”
Gena Showalter (The Bodyguard (Includes: T-FLAC, #14.5))
“
I’ll climb right up on you, just straddle your face and smother you with my sweet stuff… bury your face in thighs and my big old butt until you just can’t breathe.” Dan groaned again. “Oh, yeah, baby, you know what I like.” “And when I’m done riding your face and drowning you in my wetness, I’m going to slide down... way down and leave a little trail of my juice down your chest and tummy, all the way down to your knees.” Dan was beginning to breathe harder. “Yeah, oh, yeah, baby,” he said. “Yeah. And you know big old girls are hungry girls, so I’m going to savor that big hard monster, rub it all over my face.” I moan and groan a bit while peeking out the livingroom window to make sure Shell is still where I can see her in the front yard. She is. I continue, “Dan, oh, baby, I’m rubbing it on my lips… my chin… my cheeks… over my eyes…” He’s imagining me caressing his daylily. In reality, though, I’m dipping my paint brush into mauve paint and spreading the almost-pink color on the walls. I can tell that Dan is feeling the heat. “I kiss that big old head gently… now I’m licking just underneath it… where it’s so sensitive. Do you like that, sweetheart?” I ask him provocatively. “Oh, yeah…” “Tell me how much you like it, baby. You just tell Rosie…
”
”
Maggie Mistery (Diary of a Real-Life Phone Sex Operator--CENSORED EDITION)
“
Sophie heard the sound of booted feet stomping in the hallway. Good heavens, Merriweather or Higgins would be coming to check on her. She rose, swiped at her cheeks, and set aside the baby’s spoon and rag. Then a thought hit her that had her sitting down hard on the bench again: her brothers. Oh, please God, not those three. Yes, she’d missed them terribly, but at that precise moment, she didn’t want to see anybody, not one soul except the very person she would never see again. Vim. He stood in the doorway, looking haggard, chilled to the bone, and so, so dear. Sophie flew across the kitchen to embrace him, the sob escaping her midflight. “I’m sorry,” he said, his arms going around her. “There were no coaches going to Kent, no horses to hire for a distance that great. No horses to buy, not even a mule. All day… I tried all day.” He sounded exhausted, and the cold came off him palpably. His cheeks were rosy with it, his voice a little hoarse, and against his ruddy complexion, his blue eyes gleamed brilliantly. “You must be famished.” Sophie did not let him go while she made that prosaic, female observation. Despite all she’d eaten, she was famished—for the sight of him, for the sound of his voice, and oh, for the feel of his tall body against her. “Hungry,
”
”
Grace Burrowes (Lady Sophie's Christmas Wish (The Duke's Daughters, #1; Windham, #4))
“
Yet Laudan’s mother had no choice about whether to be a good cook or not. It was simply what was expected of her, and of every other farmer’s wife in England at that time. She did not cook because she ‘loved’ cooking but because this was the role that life had allotted her.
There was nothing unusual in the way that Laudan’s mother cooked. If anything, her life in the kitchen was easy by the standards of the day. At least a farmer’s wife had access to plentiful meat and vegetables, whereas city cooks in early twentieth-century Britain were expected to produce the same quantity of meals but with meagre ingredients and limited equipment, often in single-room dwellings where there was no kitchen and no escape from cooking. We idealise the homespun meals of the past, imagining rosy-cheeked women laying down picturesque bottles of peaches and plums. But much of the art of ‘cooking’ in pre-modern times was a harried mother slinging what she could in a pot and engaging in a daily smoke-filled battle to keep a fire alive and under control, on top of all the other chores she had to manage.
Before we offer too many lamentations for the cookery of the past, we should remember how hard it was – and still is, for millions of people – to cook when you have no choice in the matter.
”
”
Bee Wilson (The Way We Eat Now: Strategies for Eating in a World of Change)
“
A long time ago Ian had told her he was half in love with her, yet now that they were betrothed he’d never spoken a word of it, had not even pretended. She wasn’t certain of his motives or his feelings; she wasn’t certain of her own, either. All she really knew was that the sight of his hard, handsome face with its chiseled features, and hold amber eyes never failed to make her entire being feel tense and alive. She knew he liked to kis her, and that she very much liked being kissed by him. Added to his other attractions was something else that drew her inexorably to him: From their very first meeting, Elizabeth had sensed that beneath his bland sophistication and rugged virility Ian Thornton had a depth that most people lacked. “It’s so hard to know,” she whispered, “how I ought to feel or what I ought to think. And I have the worst feeling it’s not going to matter what I know or what I think,” she added almost sadly, “because I am going to love him.” She opened her eyes and looked at Alex. “It’s happening, and I cannot stop it. It was happening two years ago, and I couldn’t stop it then, either. So you see,” she added with a sad little smile, “it would be so much nicer for me if you could love him just a little, too.”
Alex reached across the table and took Elizabeth’s hands in hers. “If you love him, then he must be the very best of men. I shall henceforth make it a point to see all his best qualities!” Alex hesitated, and then she hazarded the question: “Elizabeth, does he love you?”
Elizabeth shook her head. “He wants me, he says, and he wants children.”
Alex swallowed embarrassed laughter. “He what?”
“He wants me, and he wants children.”
A funny, knowing smile tugged at Alexandra’s lips. “You didn’t tell me he said the first part. I am much encouraged,” she teased while a rosy blush stole over her cheeks.
“I think I am, too,” Elizabeth admitted, drawing a swift, searching look from Alex.
“Elizabeth, this is scarcely the time to discuss this-in fact,” Alex added, her flush deepening. “I don’t think there is a really good time to discuss it-but has Lucinda explained to you how children are conceived?”
“Yes, of course,” Elizabeth said without hesitation.
“Good, because I would have been the logical one otherwise, and I still remember my reaction when I found out. It was not a pretty sight,” she laughed. “On the other hand, you were always much the wiser girl than I.”
“I don’t think so at all,” Elizabeth said, but she couldn’t imagine what there was, really, to blush about. Children, Lucinda had told her when she’d asked, were conceived when a husband kissed his wife in be. And it hurt the first time. Ian’s kisses were sometimes almost bruising, but they never actually hurt, and she enjoyed them terribly.
As if speaking her feelings aloud to Alexandra had somehow relieved her of the burden of trying to deal with them, Elizabeth was so joyously relaxed that she suspected Ian noticed it at once when the men joined them in the drawing room.
Ian did notice it; in fact, as they sat down to play a game of cards in accordance with Elizabeth’s cheery suggestion, he noticed there was a subtle but distinct softening in the attitudes of both ladies toward him.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Come here.” Without regard for modesty, she pulled off her T-shirt and wadded it up to stanch his wounds. He splayed his fingers on her bare stomach and grinned. “Honey, I’m afraid I can’t help you with that right now. Maybe later?” How could he joke and flirt when she was so afraid? “Max. You’re bleeding. Maybe dying. I don’t want to lose you.”
“Come. Here.” He grabbed her and pulled her down into the grass beside him. He pressed a kiss to her temple and rubbed his grizzled cheek against hers. The sirens were getting closer. “Are you okay? Are you hurt?”
“I’m fine. You’re the one who got shot. Twice.”
“I’m gonna live through both. I’m a tough guy, remember?”
“Damn it, Max—”
“Rosemary March. Did you just swear? You know I don’t like hearing that from you,” he teased. He pulled her in for a kiss that lasted until a groan of pain forced him to come up for air. “You get under my skin, Rosie.”
“Like an itchy rash?” she teased.
“Like an alarm clock finally waking me up to the life I’m supposed to have. With you.”
So when did the tough guy learn to speak such beautiful things? Tears stung her eyes again as she found a spot where she could hug him without causing any pain.
“I know I’m not the guy you expected to want you like this, and I know you weren’t the woman I was looking for. Hell, I wasn’t even looking.”
“Neither was I.”
“But we found each other.”
“We’re good for each other.”
“I’m not an easy man to live with. I come with a lot of emotional baggage.”
“And I don’t?”
“You can do better than me.”
Rosie shook her head, smiling. “I can’t do better than a good man who loves me. A man who encourages me to be myself and to be strong and who makes me feel safer and more loved than I have ever felt in my life.”
“I do love you, Rosie.”
“I love you, Max.”
“What are we going to do about these feelings?” Max asked.
“What do you want to do?” "
Let’s give the Dinkles something to talk about.”
“You’re moving in upstairs?”
“And opening all the windows.”
Rosie smiled. “Oh, I hope we give them plenty to talk about.
”
”
Julie Miller
“
Hey, Ben,” she says, ignoring the rest of us. “You want to dance?”
Ben’s cheeks turn the same scarlet as Rosie’s dress. He and Ryder exchange a pointed look while Lucy and I just stand there gawking.
“Go on, man,” Ryder says, nudging him. “You look great, Rosie,” he adds. “Nice dress.”
She smiles up at him, her blue eyes seeming to glitter beneath the disco-ball lighting. “Thanks. You don’t look so bad yourself.” She glances from Ryder to me and back to Ryder again. “The two of you…You looked good together up there.”
“I know, right?” Lucy nods, and I shoot her a “what are you doing?” glare. She ignores it. “Maybe these two should stop the hating and listen to their parents.”
An awkward silence follows. Finally, Ben seems to remember why Rosie came over in the first place. “Um, you want to go dance?”
“Yeah. I love this song.”
Ben nods. “Okay. Catch you guys later.”
Rosie’s smile seems genuine as she follows Ben to the dance floor. I hope that means she’s finally figured out what a sweetheart he is.
As soon as they’re gone, Lucy lets out a low whistle. “Whoa, did that just happen?”
“I think it did,” I say, watching as Rosie wraps her arms around Ben’s neck. She must have said something funny, because he throws his head back and laughs.
Lucy shakes her head in amazement. “I swear, it’s like we’re in some kind of alternate universe tonight.”
“Well, in that case, how about you and me, Luce?” Mason says with a cocky grin. “Think you can handle me on the dance floor?”
“Oh, what the hell?” Lucy says with a shrug. “Why not!” She reaches for Mason’s hand and drags him toward the dance floor but stops a few feet away and turns back to face Ryder and me. “Hey, you two--behave!” In seconds, she and Mason are swallowed by the crowd.
“And then there were two,” Ryder says, reaching for my hand. He leans down, his lips near my ear. “Do you have any idea how badly I want to kiss you right now?” he whispers.
“Later,” I say with a shiver. It’s not an empty word. It’s a promise.
He gives my hand a squeeze. “So…until then, I guess we dance.”
“We dance,” I say as a slow song begins to play.
Talk about good timing.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
He felt it. Misery, we must insist, had been good to him. Poverty in youth, when it succeeds, is so far magnificent that it turns the whole will towards effort, and the whole soul towards aspiration. Poverty strips the material life entirely bare, and makes it hideous; thence arise inexpressible yearnings towards the ideal life. The rich young man has a hundred brilliant and coarse amusements, racing, hunting, dogs, cigars, gaming, feasting, and the rest; busying the lower portions of the soul at the expense of its higher and delicate portions. The poor young man must work for his bread; he eats; when he has eaten, he has nothing more but reverie. He goes free to the play which God gives; he beholds the sky, space, the stars, the flowers, the children, the humanity in which he suffers, the creation in which he shines. He looks at humanity so much that he sees the soul, he looks at creation so much that he sees God. He dreams, he feels that he is great; he dreams again, and he feels that he is tender. From the egotism of the suffering man, he passes to the compassion of the contemplating man. A wonderful feeling springs up within him, forgetfulness of self, and pity for all. In thinking of the numberless enjoyments which nature offers, gives, and gives lavishly to open souls, and refuses to closed souls, he, a millionaire of intelligence, comes to grieve for the millionaires of money. All hatred goes out of his heart in proportion as all light enters his mind. And then is he unhappy? No. The misery of a young man is never miserable. The first lad you meet, poor as he may be, with his health, his strength, his quick step, his shining eyes, his blood which circulates warmly, his black locks, his fresh cheeks, his rosy lips, his white teeth, his pure breath, will always be envied by an old emperor. And then every morning he sets about earning his bread; and while his hands are earning his living, his backbone is gaining firmness, his brain is gaining ideas. When his work is done, he returns to ineffable ecstasies, to contemplation, to joy; he sees his feet in difficulties, in obstacle, on the pavement, in thorns, sometimes in the mire; his head is in the light. He is firm, serene, gentle, peaceful, attentive, serious, content with little, benevolent; and he blesses God for having given him these two estates which many of the rich are without; labour which makes him free, and thought which makes him noble. This is what had taken place in Marius.
”
”
Victor Hugo (Les Misérables)
“
If it were any of the other Sharpes, he wouldn’t balk. But the idea of spending serveral hours in her company was both intoxicating and terrifying.
“If you don’t let me go along,” she continued, “I’ll just follow you.
He scowled at her. She probably would; the woman was as stubborn as she was beautiful.
“And don’t think you can outride me, either,” she added. “Halstead Hall has a very good stable, and lady Bell is one of our swiftest mounts.”
“Lady Bell?” he said sarcastically. “Not Crack Shot or Pistol?”
She glared over at him. “Lady Bell was my favorite doll when I was a girl, the last one Mama gave me before she died. I used to play with it whenever I wanted to remember her. The doll got so ragged that I threw her away when I outgrew her.” Her voice lowered. “I regretted that later, but by then it was too late.”
The idea of her playing with a doll to remember her late mother made his throat tighten and his heart falter. “Fine,” he bit out. “You can go with me to High Wycombe.”
Surprise turned her cheeks rosy. “Oh, thank you, Jackson! You won’t regret it, I promise you!”
“I already regret it,” he grumbled. “And you must do as I say. None of your going off half-cocked, do you hear?”
“I never go off half-cocked!”
“No, you just walk around with a pistol packed full of powder, thinking you can hold men at bay with it.”
She tossed her head. “You’ll never let me forget that, will you?”
“Not as long as we both shall live.”
The minute the words left his lips, he could have kicked himself. They sounded too much like a vow, one he’d give anything for the right to make.
Fortunately, she didn’t seem to have noticed. Instead, she was squirming and shimmying about on her saddle.
“Are you all right?” he asked.
“I’ve got a burr caught in my stocking that keeps rubbing against my leg. I’m just trying to work it out. Don’t mind me.”
His mouth went dry at her mention of stockings. It brought yesterday’s encounter vividly into his mind, how he’d lifted her skirts to reach the smooth expanse of calf encased in silk. How he’d run his hands up her thighs as his mouth had tasted-
God save him. He couldn’t be thinking about such things while riding. He shifted uncomfortably in the saddle as they reached the road and settled into a comfortable pace.
The road was busy at this early hour. The local farmers were driving their carts to market or town, and laborers were headed for the fields. To Jackson’s relief, that made it easy not to talk. Conversaing with her was bound to be difficult, especially if she started consulting him about her suitors.
”
”
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
“
You and Patrick looked awfully cozy,” Ryder says, setting Mama’s note back on the counter.
So I was right--he had been watching us.
“So?”
“So, nothing.” He shrugs. “Just making an observation.”
“Yeah, you never just make an observation. Oh, and you and Rosie looked pretty cozy, too. I sure hope you’re not leading her on. You know she likes you.”
A muscle in his jaw works furiously as he shoves his cell phone back into his pocket. “That’s the kind of guy you think I am? Seriously, Jem?”
I swallow hard, unable to reply. Because the truth is, I don’t know.
“I’ll see you later,” he says, his voice cold and clipped. He turns and stalks out.
For some unknown reason, I follow him--down the hall, out the front door. “Don’t walk out on me,” I holler as he rounds the Durango and opens the driver’s-side door. “If you have something to say to me, then say it.”
He gets in and slams the car door shut, but I throw it open again. “C’mon,” I taunt, motioning with one hand.
I’m totally losing it now--white spots dancing before my eyes, tears streaking down my cheeks. I can barely catch my breath, like I’m about to hyperventilate.
This isn’t about Ryder, I realize. It’s about Nan. The sudden realization hits me hard. What if I never see her again?
My knees buckle, and I start to go down. Somehow, Ryder manages to catch me just before I hit the ground. “Shit, Jemma! What’s the matter with you?” He drags me to my feet and presses me against the side of his truck. “Take a deep breath. Jesus!”
I do what he says. By the third, I’ve slowed my heart rate to something nearing normal. Only, my cheeks are burning with mortification now. This is the second time I’ve broken down in front of Ryder. He must think I’ve lost my mind--that I’ve totally gone off the deep end.
“Just go,” I say, my voice shaking.
He rakes both hands through his hair. “Are you kidding me? I can’t leave you alone like this.”
“Go,” I repeat, more forcefully this time. “Just get in your car and leave, okay?”
“C’mon, Jemma. You know I can’t.”
“I swear I’m okay.” I straighten my spine and lift my chin, trying my best to look calm, collected, and reasonably sane. “Seriously, Ryder. I just need to be alone right now.”
“Fine,” he says, shaking his head. “If you say so.”
I step away from the car, feeling queasy now as he slips inside and starts the engine.
But before he pulls out, he rolls down his window and meets my gaze. His dark eyes look intense, full of conflict. For a split second, I wonder what’s going on inside his head--if he’s judging me. If he has any idea what I’m going through. If he even cares.
“She’s going to be okay, Jemma,” he says, then slides his sunglasses on and drives away.
I guess he does get it, after all.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
I thought we were meeting by the field house,” I call out as I make my way over.
He doesn’t even turn around. “Nah, I’m pretty sure I said the parking lot.”
“You definitely said the field house,” I argue. Why can’t he ever just admit that he’s wrong?
“Geez, field house, parking lot. What difference does it make?” Mason asks. “Give it a rest, why don’t you.”
I shoot him a glare. “Oh, hey, Mason. Remember when your hair was long and everyone thought you were a girl?”
Ryder chuckles as he releases a perfect spiral in Mason’s direction. “She’s got you there.”
“Hey, whose side are you on, anyway?” Mason catches the ball and cradles it against his chest, then launches it toward Ben. I just stand there watching as they continue to toss it back and forth between the three of them. Haven’t they had enough football for one day?
I pull out my cell to check the time. “We should probably get going.”
“I guess,” Ryder says with an exaggerated sigh, like I’m putting him out or something. Which is particularly annoying since he’s the one who insisted on going with me.
Ben jogs up beside me, the football tucked beneath his arm. “Where are you two off to? Whoa, you’re sweaty.”
I fold my arms across my damp chest. “Hey, southern girls don’t sweat. We glow.”
Ben snorts at that. “Says who?”
“Says Ryder’s mom,” I say with a grin. It’s one of Laura Grace’s favorite sayings--one that always makes Ryder wince.
“The hardware store,” Ryder answers, snatching the ball back from Ben. “Gotta pick up some things for the storm--sandbags and stuff like that. Y’all want to come?”
“Nah, I think I’ll pass.” Mason wrinkles his nose. “Pretty sure I don’t want to be cooped up in the truck with Jemma glowing like she is right now.”
“Everybody thought you and Morgan were identical twin girls,” I say with a smirk. “Remember, Mason? Isn’t that just so cute?”
“I’ll go,” Ben chimes in. “If you’re getting sandbags, you’ll need some help carrying them out to the truck.”
“Thanks, Ben. See, someone’s a gentleman.”
“Don’t look now, Ryder, but your one-woman fan club is over there.” Mason tips his head toward the school building in the distance. “I think she’s scented you out. Quick. You better run.”
I glance over my shoulder to find Rosie standing on the sidewalk by the building’s double doors, looking around hopefully.
“Hey!” Mason calls out, waving both arms above his head. “He’s over here.”
Ryder’s cheeks turn beet-red. He just stares at the ground, his jaw working furiously.
“C’mon, man,” Ben says, throwing an elbow into Mason’s side. “Don’t be a dick.” He grabs the football and heads toward Ryder’s Durango. “We better get going. The hardware store probably closes at six.”
Silently, Ryder and I hurry after him and hop inside the truck--Ben up front, me in the backseat. We don’t look back to see if Rosie’s following.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
“
When a little of his strength returned he moved onto his side, taking her with him, still a part of her. Her hair spilled over his naked chest like a rumpled satin waterfall, and he lifted a shaking hand to smooth it off her face, feeling humbled and blessed by her sweetness and unselfish ardor.
Several minutes later Elizabeth stirred in his arms, and he tipped her chin up so that he could gaze into her eyes. “Have I ever told you that you are magnificent?
She started to shake her head, then suddenly remembered that he had told her she was magnificent once before, and the recollection brought poignant tears to her eyes. “You did say that to me,” she amended, brushing her fingers over his smooth shoulder because she couldn’t seem to stop touching him. “You told me that when we were together-“
“In the woodcutter’s cottage,” he finished for her, recalling the occasion as well. In reply she had chided him for acting as if he also thought Charise Dumont was magnificent, Ian remembered, regretting all the time they had lost since then…the days and nights she could have been in his arms as she was now. “Do you know how I spent the rest of the afternoon after you left the cottage?” he asked softly. When she shook her head, he said with a wry smile, “I spent it pleasurably contemplating tonight. At the time, of course, I didn’t realize tonight was years away.” He paused to draw the sheet up over her back so she wouldn’t be chilled, then he continued in the same quiet voice, “I wanted you so badly that day that I actually ached while I watched you fasten that shirt you were wearing. Although,” he added dryly, “that particular condition, brought on by that particular cause, has become my normal state for the last four weeks, so I’m quite used to it now. I wonder if I’ll miss it,” he teased.
“What do you mean?” Elizabeth asked, realizing that he was perfectly serious despite his light tone.
“The agony of unfulfilled desire,” he explained, brushing a kiss on her forehead, “brought on by wanting you.”
“Wanting me?” she burst out, rearing up so abruptly that she nearly overturned him as she leaned up on an elbow, absently clutching the sheet to her breasts. “Is this-what we’ve just done, I mean-“
“The Scots think of it as making love,” he interrupted gently. “Unlike most English,” he added with flat scorn, “who prefer to regard it as ‘performing one’s marital duty.’”
“Yes,” Elizabeth said absently, her mind on his earlier remark about wanting her until it caused him physical pain, “but is this what you meant all those times you’ve said you wanted me?”
His sensual lips quirked in a half smile. “Yes.”
A rosy blush stained her smooth cheeks, and despite her effort to sound severe, her eyes were lit with laughter. “And the day we bargained about the betrothal, and you told me I had something you wanted very badly, what you wanted to do with me…was this?”
“Among other things,” he agreed, tenderly brushing his knuckles over her flushed cheek.
“If I had known all this,” she said with a rueful smile, “I’m certain I would have asked for additional concessions.”
That startled him-the thought that she would have tried to drive a harder bargain if she’d realized exactly how much and what sort of power she really held. “What kind of additional concessions?” he asked, his face carefully expressionless.
She put her cheek against his shoulder, her arms curving around him. “A shorter betrothal,” she whispered. “A shorter courtship, and a shorter ceremony.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))