β
I do not think that you can be changing the end of a song or a story like that, as though it were quite separate from the rest. I think the end of a story is part of it from the beginning.
β
β
Rosemary Sutcliff
β
We shall have made such a blaze that men will remember us on the other side or the dark.
β
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Rosemary Sutcliff
β
It may be that the night will close over us in the end, but I believe that morning will come again. Morning always grows out of the darkness, though maybe not for the people who saw the sun go down. We are the Lantern Bearers, my friend; for us to keep something burning, to carry what light we can forward into the darkness and the wind.
β
β
Rosemary Sutcliff (The Lantern Bearers)
β
Better to be a laughing-stock than lose the fort for fear of being one.
β
β
Rosemary Sutcliff (The Eagle of the Ninth)
β
And what will they do to you when you have told them this story?'
Esca said very simply, 'They will kill me.'
'I am sorry, but I do not think much of that plan.' Marcus said.
β
β
Rosemary Sutcliff (The Eagle of the Ninth)
β
Why should a deserter take the trouble to light Rutupiae Beacon?β Aquila demanded, and his voice sounded rough in is own ears.
βMaybe in farewell, maybe in defiance. Maybe to hold back the dark for one more night.
β
β
Rosemary Sutcliff (The Lantern Bearers)
β
The young Centurion, who had been completely still throughout, said very softly, as though to himself, "Greater love hath no man--" and Justin thought it sounded as though he were quoting someone else.
β
β
Rosemary Sutcliff (The Silver Branch)
β
...extraordinarily beautiful, and slightly out of focus.
β
β
Rosemary Sutcliff (Frontier Wolf)
β
And it came to Marcus suddenly that slaves very seldom whistled. They might sing, if they felt like it or if the rhythm helped their work, but whistling was in some way different; it took a free man to make the sort of noise Esca was making.
β
β
Rosemary Sutcliff (The Eagle of the Ninth)
β
That is our Shield Ring, our last stronghold; not the barrier fells and the totter-moss between, but something in the hearts of men.
β
β
Rosemary Sutcliff (The Shield Ring)
β
So Aquila took his fatherβs service upon him. It wasnβt as good as love; it wasnβt as good as hate; but it was something to put into the emptiness within him; better than nothing at all.
β
β
Rosemary Sutcliff (The Lantern Bearers)
β
No, don't draw away from me. Whatever else I am, I am your son - your most wretched son. If you do not hate me, try to love me a little, Father; it is lonely never to have been loved, only devoured.
β
β
Rosemary Sutcliff
β
Esca tossed the slender papyrus roll onto the cot, and set his own hands over Marcus's. "I have not served the Centurion because I was his slave," he said, dropping unconsciously into the speech of his own people. "I have served Marcus, and it was not slave-service...my stomach will be glad when we start on this hunting trail.
β
β
Rosemary Sutcliff (The Eagle of the Ninth)
β
I have a special "ah, here I am again, I know exactly what they are going to have for breakfast" feeling when I get back into Roman Britain, which is very nice.
β
β
Rosemary Sutcliff
β
Who so pulleth out this sword from this stone and anvil is trueborn King of all Britain.
β
β
Rosemary Sutcliff
β
You cannot expect the man who made this shield to live easily under the rule of man who worked the sheath of this dagger . . . You are the builders of coursed stone walls, the makers of straight roads and ordered justice and disciplined troops. We know that, we know it all too well. We know that your justice is more sure than ours, and when we rise against you, we see our hosts break against the discipline of your troops, as the sea breaks against a rock. And we do not understand, because all these things are the ordered pattern, and only the free curves of the shield-boss are real to us. We do not understand. And when the time comes that we begin to understand your world, too often we lose the understanding of our own.
β
β
Rosemary Sutcliff (The Eagle of the Ninth)
β
I simply--don't know," Flavius said, and then suddenly explosive: "I don't know and I don't care! Go to bed.
β
β
Rosemary Sutcliff (The Silver Branch)
β
Always, in these times, I am wretched save when sleep comes to me. Therefore, I have come to look upon sleep as the best of all gifts.β - Helen, about the war
β
β
Rosemary Sutcliff (Black Ships Before Troy: The Story of The Iliad)
β
Here is one with a gift for loving and a gift for hating, and when he hates, God help the man who earns his hatred.
β
β
Rosemary Sutcliff (Tristan and Iseult)
β
But tonight, because Rome had fallen and Felix was dead, because of Valeriusβs shame, the empty hut seemed horribly lonely, and there was a small aching need in him for somebody to notice, even if they were not glad, that he had come home.
β
β
Rosemary Sutcliff (The Lantern Bearers)
β
I sometimes think that we stand at sunset,' Eugenus said after a pause. 'It may be that the night will come close over us in the end, but I believe that morning will come again. Morning always grows again out of the darkness, though maybe not for the people who saw the sun go down. We are the Lantern Bearers, my friend; for us to keep something burning, to carry what light we can forward into the darkness and the wind.
β
β
Rosemary Sutcliff (The Lantern Bearers)
β
The wind blustered in from the sea, setting the horsesβ manes streaming sideways, and the gulls wheeled mewing against the blue-and-grey tumble of the sky; and Aquila, riding a little aside from the rest as usual, caught for a moment from the wind and the gulls and the wet sand and the living, leaping power of the young red mare under him, something of the joy of simply being alive that he had taken for granted in the old days.
β
β
Rosemary Sutcliff (The Lantern Bearers)
β
See now, for a good blade, one that will not betray the man in battle, rods of hard and soft iron must be heated and braided together. Then is the blade folded over and hammered flat again, and maybe yet again, many times for the finest blades... So the hard and soft iron are mingled without blending, before the blade is hammered up to its finished form and tempered, and ground to an edge that shall draw blood from the wind. So comes the pattern, like oil and water that mingle but do not mix. Yet it is the strength of the blade, for without the hard iron the blade would bend in battle, and without the soft iron it would break.
β
β
Rosemary Sutcliff (The Shining Company)
β
Quietness rose within Aquila, easing his wild unrest as the salve was cooling the smart of his gashed side. But that was always the way with Brother Ninnias-- the quietness, the sense of sanctuary, were things that he carried with him.
β
β
Rosemary Sutcliff (The Lantern Bearers)
β
It is lonely never to have been loved, only devoured.
β
β
Rosemary Sutcliff (Sword at Sunset)
β
Presently I went back to my Companions, and slept under the apple trees, wrapped in my cloak and with my head on Cabal's flank for a pillow. There is no pillow in the world so good as a hound's flank.
β
β
Rosemary Sutcliff (Sword at Sunset)
β
Before he left Rome, Marcus had been in a fair way to becoming a charioteer, in Cradoc's sense of the word, and now desire woke in him, not to possess this team, for he was not one of those who much be able to say "Mine" before they can truly enjoy a thing, but to have them out and harnessed; to feel the vibrating chariot floor under him, and the spread reins quick with life in his hands, and these lovely, fiery little creatures in the traces, his will and theirs at one.
β
β
Rosemary Sutcliff (The Eagle of the Ninth)
β
There was John Masefieldβs The Box of Delights; and the C. S. Lewis Narnia books; and Patricia Lynchβs The Turf-Cutterβs Donkey; The Winter of Enchantment by Victoria Walker; Black Hearts in Battersea by Joan Aiken; several of Rosemary Sutcliffβs historical novels, including Susanβs favorite, The Silver Branch; Power of Three by Diana Wynne Jones; The Weirdstone of Brisingamen by Alan Garner; Five Children and It by E. Nesbit; and many others.
β
β
Garth Nix (The Left-Handed Booksellers of London (Left-Handed Booksellers of London #1))
β
It is very hot tonight," Justin said, and loosed the folds of his light cloak, revealing the sprig of rye-grass thrust through the bronze clasp at the neck of his tunic.
β
β
Rosemary Sutcliff (The Silver Branch)
β
As no man is beyond God's mercy, so none can be beyond mine[.]
β
β
Rosemary Sutcliff (The Lantern Bearers)
β
A soft gust of wind swooped at them under the hornbeam branches, setting the shadows flurrying, and when it died into the grass, Randal laid Bevis' body down, with a stunned emptiness inside him as though something of himself had gone too.
β
β
Rosemary Sutcliff (Knight's Fee)
β
If we break faith with thee, may the green earth gape and swallow us, may the grey seas break in and overwhelm us, may the sky of stars fall and crush us out of life for ever.
β
β
Rosemary Sutcliff (Frontier Wolf)
β
He loved me and didn't want me hurt. What was worse, he didn't even understand that I had the right to be hurt.
β
β
Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
β
For a moment they stood looking at each other in the firelight, while the old harper still fingered the shining strings and the other man looked on with a gleam of amusement lurking in his watery blue eyes. But Aquila was not looking at him. He was looking only at the dark young man, seeing that he was darker even than he had thought at first, and slightly built in a way that went with the darkness, as though maybe the old blood, the blood of the People of the Hills, ran strong in him. But his eyes, under brows as straight as a raven's flight-pinions, were not the eyes of the little Dark People, which were black and unstable and full of dreams, but a pale clear grey, lit with gold, that gave the effect of flame behind them.
β
β
Rosemary Sutcliff (The Lantern Bearers)
β
The gilded wreaths and crowns that the Legion had won in the days of its honour were gone from the crimson-bound staff; the furious talons still clutched the crossed thunderbolts, but where the great silver wings should have arched back in savage pride, were only empty socket-holes in the flanks of gilded bronze.
β
β
Rosemary Sutcliff (The Eagle of the Ninth)
β
Always, everywhere, the Wolves gather on the frontiers, waiting. It needs only that a man should lower his eye for a moment, and they will be in to strip the bones. Rome is failing, my children.
β
β
Rosemary Sutcliff (The Silver Branch)
β
And out of Tristan's heart there grew a hazel tree, and out of Iseult's a honeysuckle, and they arched together and clung and intertwined so that they could never be separated anymore.
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Rosemary Sutcliff (Tristan and Iseult)
β
we held fast together, and wept somewhat, each into the hollow of the otherβs shoulder. Maybe it is easier to weep when one grows old, than it was in the flower of life. The strength ebbs, or the wisdom grows ...
β
β
Rosemary Sutcliff (Sword at Sunset)
β
Close above him the window was a square of palest aquamarine in the dusky gold of the lamplit wall, and on the dark roof-ridge of the officers' mess opposite was a sleeping pigeon, so clearly and exquisitely outlined against the morning sky that it seemed to Marcus as though he could make out the tip of every fluffed-out feather.
β
β
Rosemary Sutcliff
β
I have provided a possible explanation for Antiochus's insane foolhardiness when left in command of the Athenian Fleet, because Thucidides's bald account is so unbelievable (unless one assumes that both Antiochus and Alkibiades were mentally defective) that any explanation seems more likely than none.
Alkibiades himself is an enigma. Even allowing that no man is all black and all white, few men can ever have been more wildly and magnificently piebald. Like another strange and contradictory character Sir Walter Raleigh, he casts a glamour that comes clean down the centuries, a dazzle of personal magnetism that makes it hard to see the man behind it. I have tried to see. I have tried to fit the pieces into a coherent whole; I don't know whether I have been successful or not; but I do not think that I have anywhere falsified the portrait.
β
β
Rosemary Sutcliff (The Flowers of Adonis)
β
were of a later era than those on the other shelves and did have dust jackets. There was John Masefieldβs The Box of Delights; and the C. S. Lewis Narnia books; and Patricia Lynchβs The Turf-Cutterβs Donkey; The Winter of Enchantment by Victoria Walker; Black Hearts in Battersea by Joan Aiken; several of Rosemary Sutcliffβs historical novels, including Susanβs favorite, The Silver Branch; Power of Three by Diana Wynne Jones; The Weirdstone of Brisingamen by Alan Garner; Five Children and It by E. Nesbit; and
β
β
Garth Nix (The Left-Handed Booksellers of London (Left-Handed Booksellers of London #1))
β
He could go back to all that now, to the hills and the people among whom he had been bred, and for whom he had been so bitterly homesick, here in the North. But if he did, would there not be another hunger on him all his life? For other scents and sights and sounds; pale and changeful northern skies and the green plover calling?
β
β
Rosemary Sutcliff (The Eagle of the Ninth)
β
It was a story that still hurt in the telling, which perhaps made it a worthwhile gift, after all.
β
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Rosemary Sutcliff (Outcast)
β
That is thy home burning. That is the Normans' work, and never thee forget it!
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Rosemary Sutcliff (The Shield Ring)
β
... would there not be another hunger on him all his life? For other scents and sights and sounds; pale and changeful northern skies and the green plover calling?
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Rosemary Sutcliff (The Eagle of the Ninth (Oxford Bookworms Library Level 4))
β
That rose-bush gave Marcus a sense of continuance; it was a link between him and those who had been here before him, here on the frontier, and the others who would come after.
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Rosemary Sutcliff (The Eagle of the Ninth (Oxford Bookworms Library Level 4))
β
Here in Isca Dumnoniorum, Rome was a new slip grafted onto an old stock - and the graft had not yet taken.
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Rosemary Sutcliff (The Eagle of the Ninth (Oxford Bookworms Library Level 4))
β
They were sweeping at full gallop round the mile-wide curve of the woodshore.
To Marcus that moment was always like being born from one kind of life into another.
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Rosemary Sutcliff (The Eagle of the Ninth (Oxford Bookworms Library Level 4))
β
For one splinter of time their eyes met in something that was almost a salute, a parting salute between two who might have been friends.
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Rosemary Sutcliff (The Eagle of the Ninth Chronicles)
β
In the years since then there has been a gradual change in the climate of ideas with regard to the disabled. It had begun to dawn on the able-bodied world that it is possible to combine an unsatisfactory body with a perfectly satisfactory brain, and a personality at any rate as satisfactory as most other people's. Trailing somewhat behind that, but now beginning to emerge also, is the much more startling idea that the disabled may not only have normal brains and the ability to hold down normal jobs and the wish to join in normal recreations and be accepted for ourselves, just as people, but normal emotions also. That we may have the same emotional needs as anybody else, and the ability to satisfy those needs in each other, or even in the able-bodied.
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Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
β
Rain it did, and that night in the atrium of the old farmhouse, they could here it hushing and pattering on the roof and among the broad leaves of the fig-tree outside; and the little breath of air from the open door that scarcely stirred the flame of the lamp on the table bore with it that most wonderful of all smells, the throat-catching heart-catching scent of rain on a hot and thirsty earth.
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Rosemary Sutcliff (Rudyard Kipling)
β
The Commander was a complete contrast to his men: Roman to his arrogant finger-tips, wiry and dark as they were raw-boned and fair. The olive-skinned face under the curve of his crested helmet had not a soft line in it anywhere - a harsh face it would have been, but that it was winged with laughter lines, and between his level black brows showed a small raised scar that marked him for one who had passed the Raven Degree of Mithras.
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Rosemary Sutcliff (The Eagle of the Ninth (Oxford Bookworms Library Level 4))
β
My most dear, we have fought many fights together, and this is the last of them and it must be the best. If it is given to men to remember in the life we go to, remember that I loved you, and do not forget that you loved me.
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Rosemary Sutcliff (Sword at Sunset)
β
You could give a slave his freedom, but nothing could undo the fact that he had been a slave; and between him, a freed-man, and any free man who had never been unfree, there would still be a difference. Wherever the Roman way of life held good, there would still be a difference.
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Rosemary Sutcliff (The Eagle of the Ninth)
β
Do not be doing that for me," Osca said, "for if it were you lying there, and I standing over you, do you think it's one tear I'd be weeping for you?"
"I know well enough that you would not, for Dearmid O'Dyna stands between us even now," said Finn, "But as for me, I will weep for whom I choose to weep for!
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Rosemary Sutcliff
β
Watching the Commander's hands on the bandage, it seemed to Beric more than ever strange and wonderful that Justinius should do this for him, a galley slave; should do it as though he cared. That was the most wonderful thing; not that Justinius should dress his wrist, but that he should do it as though he cared.
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Rosemary Sutcliff (Outcast)
β
As I said before, I took to miniature painting without a completely whole heart, on the advice of my elders and betters. Generally speaking, I do not think that one should ever take another person's advice in the things of life that really matter, but follow the dictates of the still small something in one's innermost self. But 'they' advised, and I bowed to the advice; and in this particular instance it was a good thing I did, because the advice turned out to be so resoundingly wrong that it turned me into another direction altogether. If I had gone on working in oils I might very well have been a dedicated but unsuccessful painter to this day.
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Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
β
As we grow older, we forget how near to the ground we once were. I do not mean merely because our heads were lower down than they are now, though of course that comes into it; but near in the sense of kinship. A small child is aware of the sights and smells and textures of the ground with an acute awareness that we lose in growing up.
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Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
β
With three hundred men properly mounted, I believe that I can thrust back the Barbarians at least for a while,' I said at last. 'As for saving Britain - I have seen the wild geese flighting this autumn, and who can turn them back? It is more than a hundred years that we have been struggling to stem this Saxon flighting, more than thirty since the last Roman troops left Britain. How much longer, do you think, before the darkness closes over us?' It was a thing that I would not have said to any man save Ambrosius.
And he answered me as I do not think he would have answered any other man. 'God knows. If your work and mine be well wrought, maybe another hundred years.
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Rosemary Sutcliff (Sword at Sunset)
β
And here in Britain the wind moaned through the desolate woods, the skies wept, and wet gale-blown leaves pattered against the windows and stuck there, making little pathetic shadows against the steamy glass. There had been wild weather often enough in his own country, but that had been the wild weather of home; here was the wind and and rain and wet leaves of exile.
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Rosemary Sutcliff (The Eagle of the Ninth)
β
It was a small bothy, one step brought us to meet in the midst of it; my arms were around him, and his around me, the strong right arm and the maimed left that felt sapless and brittle as a bit of dead stick, and we held fast together, and wept somewhat, each into the hollow of the otherβs shoulder. Maybe it is easier to weep when one grows old, than it was in the flower of life.
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Rosemary Sutcliff (Sword at Sunset)
β
be that your cousin has influenced you in some wayβbut as for our Junior Surgeon,β he turned to Carausius, βI remember that when first he was posted here, you yourself, Caesar, were not too sure of his good faith. This is surely some plot of Maximianβs, to cast doubt and suspicion between the Emperor of Britain and the man who, however unworthily, serves him to the best of his ability as chief minister.β Justin stepped forward, his hands clenched at his sides. βThat is a foul lie,β he said, for once without a trace of his stutter. βAnd you know it, Allectus; none better.β βWill you grant me also a space to speak?β Carausius said quietly, and silence fell like a blight on the lamplit chamber. He looked round at all three of them, taking his time. βI remember my doubts, Allectus. I remember also that the
β
β
Rosemary Sutcliff (The Silver Branch)
β
Tristan held up his arms to the Princess as she came out over the side, and carried her up through the shallows so that when he set her down on the white wave pattered sand, not even the soles of her feet were wet. Now this was the first time that ever they had touched each other, save for the times when the Princess had tended Tristan's wounds, and that was a different kind of touching; and as he set her down, their hands came together, as though they did not want it to be so quickly over. And standing hand in hand, they looked at each other, and for the first time Tristan saw that the Princess's eyes were deeply blue, the colour of wild wood-columbines; and she saw that his were as grey as the restless water out beyond the headland. And they were so close that each saw their own reflection standing in the other one's eyes; and in that moment it was as though something of Iseult entered into Tristan and something of Tristan into Iseult, that could never be called back again for as long as they lived.
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Rosemary Sutcliff (Tristan and Iseult)
β
I said, 'Then why don't we yield now, and make an end? There would be fewer cities burned and fewer men slain in that way. Why do we go on fighting? Why not merely lie down and let it come? They say it is easier to drown if you don't struggle.'
'For an idea,' Ambrosius said, beginning again to play with the dragon arm ring; but his eyes were smiling in the firelight, and I think that mine smiled back at him. 'Just for an idea, for an ideal, for a dream.'
I said, 'A dream may be the best thing to die for.
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Rosemary Sutcliff (Sword at Sunset)
β
Presently, as I followed the water down, the steep fall of the valley leveled somewhat, and the ground underfoot changed from moor grass to a dense aromatic carpet of bog myrtle interlaced with heather; and I began to feel for the firmness of every step. Then it dropped again, and the stream plunged after it in a long slide of black water smooth as polished glass under the overarching tangle of hawthorn trees, and rough pasture came up to meet me among the hillside outcrops of black rock, and almost in the same instant I snuffed the faint blue whisper of woodsmoke.
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Rosemary Sutcliff (Sword at Sunset)
β
My mother was determined that I should be able to walk two miles. If you could walk two miles, she said, you could get to most places you needed to get to. Actually, this is a fallacy. The fact that you can, with great difficulty, and taking an unconscionably time about it, walk two miles, will not get you anywhere you need, or at any rate want, to go. There were times when a wheelchair would have added another dimension to my life, but that was a forbidden subject; and it was not until many, many years later, long after my father and I were alone, that I took the law into my own hands and bought one; and instantly, dazzled with the new freedom that it brought me, swept my father off to his old haunts on an Hellenic cruise.
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Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
β
But these things that Rome had to give, are they not good things?β Marcus demanded. βJustice, and order, and good roads; worth having, surely?β βThese be all good things,β Esca agreed. βBut the price is too high.β βThe price? Freedom?β βYesβand other things than freedom.β βWhat other things? Tell me, Esca; I want to know. I want to understand.β Esca thought for a while, staring straight before him. βLook at the pattern embossed here on your dagger-sheath,β he said at last. βSee, here is a tight curve, and here is another facing the other way to balance it, and here between them is a little round stiff flower; and then it is all repeated here, and here, and here again. It is beautiful, yes, but to me it is as meaningless as an unlit lamp.β Marcus nodded as the other glanced up at him. βGo on.β Esca took up the shield which had been laid aside at Cottiaβs coming. βLook now at this shield-boss. See the bulging curves that flow from each other as water flows from water and wind from wind, as the stars turn in the heaven and blown sand drifts into dunes. These are the curves of life; and the man who traced them had in him knowledge of things that your people have lost the key toβif they ever had it.β He looked up at Marcus again very earnestly. βYou cannot expect the man who made this shield to live easily under the rule of the man who worked the sheath of this dagger.β βThe sheath was made by a British craftsman,β Marcus said stubbornly. βI bought it at Anderida when I first landed.β βBy a British craftsman, yes, making a Roman pattern. One who had lived so long under the wings of Romeβhe and his fathers before himβthat he had forgotten the ways and the spirit of his own people.β He laid the shield down again. βYou are the builders of coursed stone walls, the makers of straight roads and ordered justice and disciplined troops. We know that, we know it all too well. We know that your justice is more sure than ours, and when we rise against you, we see our hosts break against the discipline of your troops, as the sea breaks against a rock. And we do not understand, because all these things are of the ordered pattern, and only the free curves of the shield-boss are real to us. We do not understand. And when the time comes that we begin to understand your world, too often we lose the understanding of our own.β For a while they were silent, watching Cub at his beetle-hunting. Then Marcus said, βWhen I came out from home, a year and a half ago, it all seemed so simple.β His gaze dropped again to the buckler on the bench beside him, seeing the strange, swelling curves of the boss with new eyes. Esca had chosen his symbol well, he thought: between the formal pattern on his dagger-sheath and the formless yet potent beauty of the shield-boss lay all the distance that could lie between two worlds. And yet between individual people, people like Esca, and Marcus, and Cottia, the distance narrowed so that you could reach across it, one to another, so that it ceased to matter.
β
β
Rosemary Sutcliff (The Eagle (The Dolphin Ring Cycle #1))
β
A late yellow butterfly hovering past caught at his attention, and he watched it dance downward and settle on a dusty stem of shepherd's purse beside the way. And for a sort of gleam of time, he seemed to see it not only with his eyes, but with all of himself, the delicate veining of the yellow wings that quivered and half-closed and fanned open again, the dark velvety nap on the butterfly's slender body, the gray-green heart-shaped seedpods of the shepherd's purse, stirring in the stray breath of wind, sharing with the butterfly the last warmth of the autumn sun, and the shadow of both tangled in the hillside grass. Part of him longed to catch the butterfly, to hold it very carefully prisoned in his cupped hands and feel the life of it there and the flutter of its wings against his hollowed palms, as though in that way he could keep the small, shining moment from escaping. He had tried that once, when he was much younger, but the butterfly had turned broken and dead in his hands, and he had killed the moment and the shine and the beauty instead of keeping it, and been left with nothing but an empty feeling of desolation in his stomach because he could not mend the butterfly again.
β
β
Rosemary Sutcliff (The Witch's Brat)
β
Lying sprawled uncouthly at the foot of the Red Dragon where the men had tumbled him down, there was a certain splendor about him still. An old man, an old giant, with bright hairs that shone like gold wires in the gray jut of his beard and the mane of wild hair outflung about his head. I recognized him first by the earl's bracelet twisted about his sword arm, for a spear had taken him between the eyes, but as I looked down more closely into the smashed and blood-pooled face, I recognized the cunning iron-bound mouth, drawn back now in a frozen snarl. I recognized above all, I think the greatness that seemed to cling about him still, an atmosphere of the thing that had made him a giant in more than body; this ancient enemy of Ambrosius's. Hengest, the Jutish adventurer who had grown to be a war lord of the Saxon hordes, lying flung down like a tribute at the foot of the British standard that stirred faintly in the night air above him.
That left the son and the grandson to deal with.
'So-o,' Bedwyr said softly. 'Earl Hengest goes at last to his own Storm Lords again. He should have died on a night of tempest, with the lightning leaping from hill to hill, not on a still summer evening with the scent of hawthorn in the air.'
'He was a royal stag,' I said. 'Thank God he is dead.
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β
Rosemary Sutcliff (Sword at Sunset)
β
You will be one of the menders of this world; not the makers, nor yet the breakers, just one of the menders.
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Rosemary Sutcliff (The Witch's Brat)
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I suppose I should feel guilty about you, Esca. For me, there has been the Eagle; but what had you to win in all this?'
Esca smiled at him, a slow, grave smile. There was a jagged tear in his forehead where a furze-root had caught him, Marcus noticed, but under it his eyes looked very quiet. 'I have been once again a free man among free men. I have shared the hunting with my brother, and it has been a good hunting.'
Marcus smiled back. 'It has been a good hunting,' he agreed.
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Rosemary Sutcliff (The Eagle of the Ninth)
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As Bevis and Randal, touched by its stillness as though it were a great wing that brushed over them, walked slower, and stopped, out of the darkness of the river woods below them rose one clear, perfect note of birdsong, long drawn and insistent, repeated again and again, then breaking into a shining spray of notes, a cascade of runs and phrases that seemed to shimmer on the ear. It was a song that the two young men standing up there among the bramble domes had heard often enough before; but surely it had never sounded quite like this, so that it was one with the white flood of moonlight and the smell of the elder flowers. βOh, listen!β Randal whispered, stupidly, for the whole night was already holding its breath to listen. βListen, Bevis, itβs the nightingale.β Bevis stood as though he were rooted, like the brambles and the elder scrub, into the hill beneath his feet. His head was up, his gaze not turned down to the dark woods below from which came the song but going out up the curving length of the dearly familiar valley to the long, low huddle of the Hall that he had been born in, under the steep stride of Long Down, and the Manor Mill by the ford. His thin face was remote and far off, as Randal glanced aside at him, as though he were hearing something else, something that was beyond the singing. In a little, he shook his head. βItβs a song spun from the moonlight. But if it were me up here in the hollow hill, and I were to wake tonight, it would not be the nightingale but the speckle-breasted thrush or our Wealden blackbird Iβd be listening for, to tell me I was home again.
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Rosemary Sutcliff (Knight's Fee)
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Does one refuse to ride with an Emperor?'
'If one is wise, one does not.
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Rosemary Sutcliff (The Silver Branch)
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Laethrig is my father's first son, and Sulian is already knotted in a girl's long hair, while I- I am free, and have an itch to the soles of my feet that I shall not find easement for, here in my father's hall."
I looked at him in the clear upland light, the set of his head that matched that of the hawk on his fist, the hot red-brown eyes under the black brows; and I thought that he might be well right in that, and thought also that it would be good to have this frowning youngster among my captains.
"I can maybe find the means for easing the soles to your feet," I said. "And if there is a like itching in the palm of your sword hand, I can find you a fine way to appease that also.
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Rosemary Sutcliff (Sword at Sunset)
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Without will of my own, my startled sight jumped to Guenhumara's face and I saw the tide of painful color flood up to the roots of her hair, and I knew too that she had had no warning, but that unlike me, she had feared in advance; and that the heavy paint of her face had been put on as a young man takes up his armor.
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Rosemary Sutcliff (Sword at Sunset)
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A man lives after his life, but not after his honour
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Rosemary Sutcliff (The High Deeds of Finn MacCool)
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Uncle Acton spent the whole of his working life in India, for the simple reason that he gave up work very young.
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Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
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I know someone who has never been able to read _The Cuckoo Clock_ since leaving her girlhood home, because it had to be read sitting halfway up the stairs, where the light through a stained-glass landing window fell on it, staining the pages red and blue and green.
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Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
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Jean and I had, as I think a great many best friends have, a secret make-believe world of our own. We had only to say, 'Let's be Lilian and Diana,' and, as though it was a magical formula, step straight into a world that was as real to us as the world of school and parents and cornflakes for breakfast. . . .
In the summer after my father retired, Jean came to stay with me in North Devon. On the first morning, we retired to the rustic summerhouse. 'Let's be Lilian and Diana . . .'
But the magic formula no longer worked. We tried and tried; but we could only _act_ Lilian and Diana; we could not _be_ them any more. I suppose the break had been too long, and we were just too old. We went on trying for days, searching for the way in. But it was like searching for the lost door to a lost country. Finally, without anything actually being said between us, we gave up and turned to other things. But with Lilian and Diana, something of Jean and Rosemary had gone too: left behind the lost door to the lost country. It was one of the saddest experiences of my young life.
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Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
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The other thing I remember about the earlier and more active stages of my illness is having a black panther under my bed. After a while it was discovered that I was simply hallucinating as the result of too much arsenic in the medicine I was being given; but at the time it must have been even more terrifying for my parents than it was for me.
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Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
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But against sandfly fever one could be inoculated, and I have another, hideously vivid picture of a great menacing brute of a doctor sticking a Thing that ended in a vicious needle into my mother's arm. Mad to defend my own, I scrambled off my father's knee, and flew to her rescue. I fixed my teeth in the doctor's horrible hairy wrist and hung on like a terrier, until my father succeeded in prising me away. Afterwards, everybody said how wonderful the doctor had been, because he continued calmly giving the inoculation while I was prised off him, instead of breaking the needle in my mother's arm. But nobody said how brave it was of me, only three years old, when all is said and done, and gone in the legs at that, to take on such fearful odds for the sake of love.
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Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
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My mother was the perfect Spartan mother. I have always been able to imagine her telling her sons to return from battle 'with their shields, or on them'. She did actually try it on my father at the start of the Second World War. He didn't take it kindly, and confided to me ruefully that he thought she rather fancied herself a Hero's Widow.
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Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
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She was wonderful; no mother could have been more wonderful. But ever after, she demanded that I should not forget it, nor cease to be grateful, nor hold an opinion different from her own, nor even, as I grew older, feel the need for any companionship but hers.
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Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
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Let you sing of us all by name, that we may live as long as the song."
"All three hundred of you?" Aneirin said, with his eyebrows quirking. "By name, aye and by reputation.
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Rosemary Sutcliff (The Shining Company)
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But it is only the three hundred, always only the three hundred, of whom the harpers sing.
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Rosemary Sutcliff (The Shining Company)
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Every harper plays upon his hearers as he does upon the strings of his harp. It is so that the music comes, between the harp and the hearts of men.
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Rosemary Sutcliff (The Shining Company)
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The shining light of Logres shone as high and clear as ever, but as a candle flares before it gutters out.
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Rosemary Sutcliff (The Sword and the Circle: King Arthur and the Knights of the Round Table (King Arthur Trilogy #1))
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And Arthur, beginning to remember and trying not to, and suddenly more afraid than ever he had been in his life before, cried out "Father-Kay- why do you kneel to me? Get up! Oh sir, get up! I cannot bear that you should kneel to me, you who have been my father all these years."
And when Sir Ector would not, he dropped on to his knees also, to be on a level with the old man again.
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Rosemary Sutcliff (The Sword and the Circle: King Arthur and the Knights of the Round Table (King Arthur Trilogy #1))
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What will they be like, the people we come back to? What will it all be like?" he whispered suddenly in anguish.
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Rosemary Sutcliff (The Sword and the Circle: King Arthur and the Knights of the Round Table (King Arthur Trilogy #1))
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And the joy flashed in Lancelot's ugly face like a bright blade drawn from a battered sheath.
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Rosemary Sutcliff (The Sword and the Circle: King Arthur and the Knights of the Round Table (King Arthur Trilogy #1))
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Above all, I soaked in the 'feel' of the downs, the warm sense of the ground itself actively holding one up; a sureness, a steadfastness; and the sense that one gets in down country of kinship with a land that has been mixed up with the life men since it and men began.
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Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
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He must have been one of those very special people, beloved of the gods, for whom time is elastic and can always be stretched out to play with a child.
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Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
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One night at the Old Vicarage that winter, we listened to Ivor Novello's "Perchance to Dream" on the wireless. It was only a few years old then, and its small, haunting, fragile hit-song 'We'll Gather Lilacs' was still a tune that one heard constantly, on the wireless, from orchestras in restaurants, being whistled in the street. To this day I have only to hear the first notes, in some programme of 'Golden Oldies', to go straight back to that time. What an arid place this world would be without nostalgia.
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Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
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There was Sheila Walker who was six, and who, I am ashamed to say, Jean and I used to terrorize. She did ask for it - she grizzled and told tales - but still, we should not have fed her on dandelion leaves and then told her they were deadly poison. I see that now. At the time, it seemed like a good idea.
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Rosemary Sutcliff (Blue Remembered Hills: A Recollection)
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Sometime about the year 117, the IXth Legion, which was stationed at Eburacum where York now stands, marched north to deal with a rising among the Caledonian tribes and was never heard of again... no-one knows what happened to the IXth Legion after it marched into the northern mists.
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Rosemary Sutcliff (The Eagle of the Ninth)
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a deeper feeling of shelter than a proper house could ever have, shelter as a wild thing in its lair might feel it.
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Rosemary Sutcliff (Knight's Fee)
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So Randal, who had never thought to be a knight, had his knighthood after all; and would have given all the world to be only Bevisβs squire again.
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Rosemary Sutcliff (Knight's Fee)
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He had a sudden longing, which wasn't a bit like him now, though it was like the person he had been before the Saxons burned his home, to give Ness things, to bring them and heap them into her lap. New songs and the three stars of Orion's belt, and honey-in-the-comb, and branches of white flowering thorn at mid-winter . . .
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Rosemary Sutcliff (The Lantern Bearers)
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the frightful conviction was growing on him that he would end up as somebodyβs secretary.
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Rosemary Sutcliff (The Eagle (The Dolphin Ring Cycle #1))
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I like being inside your cloak,β she said contentedly. βIt feels warm and safe, as a bird must feel inside its own feathers.
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Rosemary Sutcliff (The Eagle (The Dolphin Ring Cycle #1))