Rope Access Quotes

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My older sister has entire kingdoms inside of her, and some of them are only accessible at certain seasons, in certain kinds of weather. One such melting occurs in summer rain, at midnight, during the vine-green breathing time right before sleep. You have to ask the right question, throw the right rope bridge, to get there-and then bolt across the chasm between you, before your bridge collapses.
Karen Russell (St. Lucy's Home for Girls Raised by Wolves)
The Oscar-nominated documentary The Act of Killing tells the story of the gangster leaders who carried out anti-communist purges in Indonesia in 1965 to usher in the regime of Suharto. The film’s hook, which makes it compelling and accessible, is that the filmmakers get Anwar —one of the death-squad leaders, who murdered around a thousand communists using a wire rope—and his acolytes to reenact the killings and events around them on film in a variety of genres of their choosing. In the film’s most memorable sequence, Anwar—who is old now and actually really likable, a bit like Nelson Mandela, all soft and wrinkly with nice, fuzzy gray hair—for the purposes of a scene plays the role of a victim in one of the murders that he in real life carried out. A little way into it, he gets a bit tearful and distressed and, when discussing it with the filmmaker on camera in the next scene, reveals that he found the scene upsetting. The offcamera director asks the poignant question, “What do you think your victims must’ve felt like?” and Anwar initially almost fails to see the connection. Eventually, when the bloody obvious correlation hits him, he thinks it unlikely that his victims were as upset as he was, because he was “really” upset. The director, pressing the film’s point home, says, “Yeah but it must’ve been worse for them, because we were just pretending; for them it was real.” Evidently at this point the reality of the cruelty he has inflicted hits Anwar, because when they return to the concrete garden where the executions had taken place years before, he, on camera, begins to violently gag. This makes incredible viewing, as this literally visceral ejection of his self and sickness at his previous actions is a vivid catharsis. He gagged at what he’d done. After watching the film, I thought—as did probably everyone who saw it—how can people carry out violent murders by the thousand without it ever occurring to them that it is causing suffering? Surely someone with piano wire round their neck, being asphyxiated, must give off some recognizable signs? Like going “ouch” or “stop” or having blood come out of their throats while twitching and spluttering into perpetual slumber? What it must be is that in order to carry out that kind of brutal murder, you have to disengage with the empathetic aspect of your nature and cultivate an idea of the victim as different, inferior, and subhuman. The only way to understand how such inhumane behavior could be unthinkingly conducted is to look for comparable examples from our own lives. Our attitude to homelessness is apposite here. It isn’t difficult to envisage a species like us, only slightly more evolved, being universally appalled by our acceptance of homelessness. “What? You had sufficient housing, it cost less money to house them, and you just ignored the problem?” They’d be as astonished by our indifference as we are by the disconnected cruelty of Anwar.
Russell Brand
I have come to realize that there are no “bad guys” who exist outside of us. The people who use firearms to harm other people aren’t monsters from another dimension. They are us. We are all good and bad, and some of us just have bad days—maybe you’re at the end of your rope financially, or maybe you’re inconsolably heartbroken, or maybe you’re dealing with an improperly treated mental illness, or maybe you’re dealing with any one of the other thousand ways the world can collapse on you. When this happens, some of us might see reckless use of a firearm as an answer to what’s bothering us. That means that, if you have access to a firearm, your very bad day may give other people unimaginably bad days. That’s never an answer, and I’m removing that possibility from my life and the lives of people who enter my house.
Melissa Faliveno (Tomboyland: Essays)
It sounds like an innovative answer to the problem that everybody faces at an amusement park, and one perfectly in keeping with the approaches currently in place at airports and even on some crowded American highways—perfectly in keeping with the two-tiering of America. You can pay for one level of access, or you can pay for another. If you have the means, you can even pay for freedom. There’s only one problem: Cutting the line is cheating, and everyone knows it. Children know it most acutely, know it in their bones, and so when they’ve been waiting on a line for a half-hour and a family sporting yellow plastic Flash Passes on their wrists walks up and steps in front of them, they can’t help asking why that family has been permitted the privilege of perpetrating what looks like an obvious injustice. And then you have to explain not just that they paid for it but that you haven’t paid enough—that the $100 or so that you’ve ponied up was just enough to teach your children that they are second- or third-class citizens.
Nelson D. Schwartz (The Velvet Rope Economy: How Inequality Became Big Business)
times had changed. The chief impetus for rethinking the value of colonies was the global Depression. It had triggered a desperate scramble among the world’s powers to prop up their flagging economies with protective tariffs. This was an individual solution with excruciating collective consequences. As those trade barriers rose, global trade collapsed, falling by two-thirds between 1929 and 1932. This was exactly the nightmare Alfred Thayer Mahan had predicted back in the 1890s. As international trade doors slammed shut, large economies were forced to subsist largely on their own domestic produce. Domestic, in this context, included colonies, though, since one of empire’s chief benefits was the unrestricted economic access it brought to faraway lands. It mattered to major imperial powers—the Dutch, the French, the British—that they could still get tropical products such as rubber from their colonies in Asia. And it mattered to the industrial countries without large empires—Germany, Italy, Japan—that they couldn’t. The United States was in a peculiar position. It had colonies, but they weren’t its lifeline. Oil, cotton, iron, coal, and many of the important minerals that other industrial economies found hard to secure—the United States had these in abundance on its enormous mainland. Rubber and tin it could still purchase from Malaya via its ally Britain. It did take a few useful goods from its tropical colonies, such as coconut oil from the Philippines and Guam and “Manila hemp” from the Philippines (used to make rope and sturdy paper, hence “manila envelopes” and “manila folders”). Yet the United States didn’t depend on its colonies in the same way that other empires did. It was, an expert in the 1930s declared, “infinitely more self-contained” than its rivals. Most of what the United States got from its colonies was sugar, grown on plantations in Hawai‘i, Puerto Rico, the U.S. Virgin Islands, and the Philippines. Yet even in sugar, the United States wasn’t dependent. Sugarcane grew in the subtropical South, in Louisiana and Florida. It could also be made from beets, and in the interwar years the United States bought more sugar from mainland beet farmers than it did from any of its territories. What the Depression drove home was that, three decades after the war with Spain, the United States still hadn’t done much with its empire. The colonies had their uses: as naval bases and zones of experimentation for men such as Daniel Burnham and Cornelius Rhoads. But colonial products weren’t integral to the U.S. economy. In fact, they were potentially a threat.
Daniel Immerwahr (How to Hide an Empire: A History of the Greater United States)
Climbing Mountains The LORD is my light and my salvation—whom shall I fear? The LORD is the stronghold of my life—of whom shall I be afraid? PSALM 27:1 NIV The Meteora in Greece is a complex of monastic structures high atop a mountain. Access to the structures was deliberately difficult. Some of these “hanging monasteries” were accessible only by baskets lowered by ropes and winches, and to take a trip there required a leap of faith. An old story associated with the monasteries said that the ropes were only replaced “when the Lord let them break.” While the vast majority of us will probably never scale the mountain to visit these monasteries, we often feel that we have many steep mountains of our own to climb. Maybe it’s too much month at the end of the money. Or, perhaps we are suffering with health or relationship troubles. Whatever the reason we are hurting, angry, or feeling despair or hopelessness, God is ready to help us, and we can place all our hope in He who is faithful. We can do that because we are connected to Him and have seen His faithfulness in the past. Lord, I will stay strong in You and will take courage. I can trust and rest in You. Whatever I am feeling now, whatever emotions I have, I give them to You, for You are my hope and salvation. You are good all the time, of which I can be supremely confident.
Anonymous (Daily Wisdom for Women - 2014: 2014 Devotional Collection)
Climbing Mountains The LORD is my light and my salvation—whom shall I fear? The LORD is the stronghold of my life—of whom shall I be afraid? PSALM 27:1 NIV The Meteora in Greece is a complex of monastic structures high atop a mountain. Access to the structures was deliberately difficult. Some of these “hanging monasteries” were accessible only by baskets lowered by ropes and winches, and to take a trip there required a leap of faith. An old story associated with the monasteries said that the ropes were only replaced “when the Lord let them break.” While the vast majority of us will probably never scale the mountain to visit these monasteries, we often feel that we have many steep mountains of our own to climb. Maybe it’s too much month at the end of the money. Or, perhaps we are suffering with health or relationship troubles. Whatever the reason we are hurting, angry, or feeling despair or hopelessness, God is ready to help us, and we can place all our hope in He who is faithful. We can do that because we are connected to Him and have seen His faithfulness in the past. Lord, I will stay strong in You and will take courage. I can trust and rest in You. Whatever I am feeling now, whatever emotions I have, I give them to You, for You are my hope and salvation. You are good all the time, of which I can be supremely confident. Amen.
Anonymous (Daily Wisdom for Women - 2014: 2014 Devotional Collection)
Rave, you're so out of touch with your emotions that you don't understand your own feelings. You love me, but it's like you can't access that part of yourself. Why are you doing this to yourself? Why are you doing this to me?" He looked at the end of his rope, which wasn’t good news for me.
Drethi Anis (The Quarantine Series: The Complete Box Set (Quarantine, #1-3))
In some ways, the Velvet Rope Economy is self-reinforcing: as more resources are earmarked for elite fliers on separate security lines at the airport or shifted to patients who can pay more at the hospital or make a sizable donation, the need for special access only becomes more pressing.
Nelson D. Schwartz (The Velvet Rope Economy: How Inequality Became Big Business)
no place on Earth had more fantastically big walls in a more gloriously accessible location than Yosemite. In the 1940s and 50s, a motley collection of climbing personalities descended on the park to put their skills to the test. Among the new arrivals was a 47-year-old Swiss ironworker named John Salathé, who pioneered an important new piece of climbing equipment: the steel piton. This strong metal spike, fashioned with an eye-hole at one end, could be hammered into cracks to provide a safe, secure anchor for ropes. Although pitons already existed in Europe, they were made with soft, malleable iron that often buckled in Yosemite’s hard granite cracks. Salathé’s steel pitons, by contrast, held strong and could be reused, which meant carrying much less equipment on big climbs. Salathé then unleashed another revolutionary concept in Yosemite: the multi-day climb. After climbing all day, Salathé spent the night strapped to the face of the rock. No longer constrained by equipment or daylight, climbers could rise as high as their bodies would take them.
James Kaiser (Yosemite: The Complete Guide: Yosemite National Park (Color Travel Guide))
The Brute was the biggest prison block in Coldheart. It had eighteen tiers of cells arranged around a wide-open space. Hanging over that space was the security hub/control room, a large, windowed cube that dangled on thick chains, accessible only via retractable walkways. Far beneath it, level with the block’s second tier, was a large dais that hovered in place – no chains, ropes or struts necessary. Two tiers beneath that, a lake of energy rippled over the floor.
Derek Landy (Resurrection (Skulduggery Pleasant, #10))