Roof Deck Quotes

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the roof deck was protected by towering Gaudí chimneys that resembled futuristic chess pieces—helmeted sentinels that allegedly had so impressed filmmaker George Lucas that he’d used them as models for his menacing storm troopers in Star Wars.
Dan Brown (Origin (Robert Langdon, #5))
ll the merry little elves can go hang themselves My faith is as cold as can be I'm stacked high to the roof, and I'm not without proof If you don't believe me, come see. You think i'm blue I think so too In my words you'll find no guile The game's gotten old The deck's gone cold And i'm gonna have to put you down for a while The game's gotten old The deck's gone cold I'm gonna have to put you down for a while -Bob Dylan, “Huck’s Tune
Bob Dylan (Lyrics, 1962-2001)
this house is quite literally on the beach and has one-hundred-eighty-degree ocean views from every floor, that it’s something in entertainment. There is a bonfire scheduled for late tonight and a lobster bake picnic scheduled for after the ceremony. Drinks and dancing are on the roof deck.
Taylor Jenkins Reid (After I Do)
A woman I know gave me a build-it-yourself bird-feeder kit for Christmas, so I built it, and hung it from the eve of my roof high enough to keep the birds save from my cat. But the birds scratch the seed out of the feeder, then fly down to the deck and eat the seed. They know there's a cat, but still they go down to pick at the seed. When you think about it, people are often like this, too.
Robert Crais (Free Fall (Elvis Cole, #4))
Last Thoughts On Woody Guthrie When yer head gets twisted and yer mind grows numb When you think you're too old, too young, too smart or too dumb When yer laggin' behind an' losin' yer pace In a slow-motion crawl of life's busy race No matter what yer doing if you start givin' up If the wine don't come to the top of yer cup If the wind's got you sideways with with one hand holdin' on And the other starts slipping and the feeling is gone And yer train engine fire needs a new spark to catch it And the wood's easy findin' but yer lazy to fetch it And yer sidewalk starts curlin' and the street gets too long And you start walkin' backwards though you know its wrong And lonesome comes up as down goes the day And tomorrow's mornin' seems so far away And you feel the reins from yer pony are slippin' And yer rope is a-slidin' 'cause yer hands are a-drippin' And yer sun-decked desert and evergreen valleys Turn to broken down slums and trash-can alleys And yer sky cries water and yer drain pipe's a-pourin' And the lightnin's a-flashing and the thunder's a-crashin' And the windows are rattlin' and breakin' and the roof tops a-shakin' And yer whole world's a-slammin' and bangin' And yer minutes of sun turn to hours of storm And to yourself you sometimes say "I never knew it was gonna be this way Why didn't they tell me the day I was born" And you start gettin' chills and yer jumping from sweat And you're lookin' for somethin' you ain't quite found yet And yer knee-deep in the dark water with yer hands in the air And the whole world's a-watchin' with a window peek stare And yer good gal leaves and she's long gone a-flying And yer heart feels sick like fish when they're fryin' And yer jackhammer falls from yer hand to yer feet And you need it badly but it lays on the street And yer bell's bangin' loudly but you can't hear its beat And you think yer ears might a been hurt Or yer eyes've turned filthy from the sight-blindin' dirt And you figured you failed in yesterdays rush When you were faked out an' fooled white facing a four flush And all the time you were holdin' three queens And it's makin you mad, it's makin' you mean Like in the middle of Life magazine Bouncin' around a pinball machine And there's something on yer mind you wanna be saying That somebody someplace oughta be hearin' But it's trapped on yer tongue and sealed in yer head And it bothers you badly when your layin' in bed And no matter how you try you just can't say it And yer scared to yer soul you just might forget it And yer eyes get swimmy from the tears in yer head And yer pillows of feathers turn to blankets of lead And the lion's mouth opens and yer staring at his teeth And his jaws start closin with you underneath And yer flat on your belly with yer hands tied behind And you wish you'd never taken that last detour sign And you say to yourself just what am I doin' On this road I'm walkin', on this trail I'm turnin' On this curve I'm hanging On this pathway I'm strolling, in the space I'm taking In this air I'm inhaling Am I mixed up too much, am I mixed up too hard Why am I walking, where am I running What am I saying, what am I knowing On this guitar I'm playing, on this banjo I'm frailin' On this mandolin I'm strummin', in the song I'm singin' In the tune I'm hummin', in the words I'm writin' In the words that I'm thinkin' In this ocean of hours I'm all the time drinkin' Who am I helping, what am I breaking What am I giving, what am I taking But you try with your whole soul best Never to think these thoughts and never to let Them kind of thoughts gain ground Or make yer heart pound ...
Bob Dylan
Noah and the Flood 9These are the generations of Noah. Noah was a righteous man, blameless in his generation. Noah walked with God. 10And Noah had three sons, Shem, Ham, and Japheth. 11Now the earth was corrupt in God’s sight, and the earth was filled with violence. 12And God saw the earth, and behold, it was corrupt, for all flesh had corrupted their way on the earth. 13And God said to Noah, “I have determined to make an end of all flesh, [3] for the earth is filled with violence through them. Behold, I will destroy them with the earth. 14Make yourself an ark of gopher wood. [4] Make rooms in the ark, and cover it inside and out with pitch. 15This is how you are to make it: the length of the ark 300 cubits, [5] its breadth 50 cubits, and its height 30 cubits. 16Make a roof [6] for the ark, and finish it to a cubit above, and set the door of the ark in its side. Make it with lower, second, and third decks. 17For behold, I will bring a flood of waters upon the earth to destroy all flesh in which is the breath of life under heaven. Everything that is on the earth shall die. 18But I will establish my covenant with you, and you shall come into the ark, you, your sons, your wife, and your sons’ wives with you. 19And of every living thing of all flesh, you shall bring two of every sort into the ark to keep them alive with you. They shall be male and female. 20Of the birds according to their kinds, and of the animals according to their kinds, of every creeping thing of the ground, according to its kind, two of every sort shall come in to you to keep them alive. 21Also take with you every sort of food that is eaten, and store it up. It shall serve as food for you and for them.” 22Noah did this; he did all that God commanded him.
Anonymous (The Holy Bible, English Standard Version (without Cross-References))
We let our ship blow and drift as it will. But it sweeps up and up, with the swiftness of light. In less time than it takes a flower to open, we are carried to the parapets of ancient Heaven. We find our great-leaved, heavy-fruited Amaranth Vine, climbing up over the closed gates and high wall-towers of Heaven and winding a long way into the old forest that has overgrown the streets. We find the new all conquering Springfield vine, spreading branches through the forest like a banyan tree. As this Amaranth from our little earthly village grows thicker, we see by its light a bit pf what the ancient Heaven has been. And it is still a solid place of soil and rock and metal. Where the Springfield Amaranth blooms thickest, shedding luminous glory from the petals in the starlight, this Heaven is shown to be an autumn forest, yet with the cedars of Lebanon, and sandalwood thickets, and the million tropic trees whose seeds have blown here from strange zones of the'planets, and whose patterns are not the patterns of those of our world. Among these, vineclad pillars and walls are still standing, roofed palaces, so gigantic that, when our boat glides down the great streets between them, they overhang our masts. And from branches above us these strange manners of fruits tumble upon our decks for our feasting and delight. And there are beneath our ship, as it sails on as it will, little fields long cleared in the forest, where grows weedy ungathered grain. Through hours and hours of the night our boat goes on, whether we will or no, through starlight and through storm-clouds and through flower-light. And the red star at the masthead and the sight of the proud face of Avanel keeps laughter in my bosom, and the heavenly breeze that blows on the flowers still sings to our hearts: “Springfield Awake, Springfield Aflame.” Out of the storm now, three great rocks . appear, giving forth white light there on the far horizon, and this light burns on and on. At last our ship approaches. We see the great rocks are three empty thrones. These are the thrones of the Trinity, empty for these many years, just as the Ark of the Covenant and the Holy of Holies were bereft of the Presence, when Israel sinned.
Vachel Lindsay (The Golden Book of Springfield (Lost Utopias Series))
Speaking of great apartments,” McKenna said, “are you ladies up for watching the Blue Angels at Davio and Alessandro’s annual roof deck party this weekend?
Maria Murnane (Perfect on Paper (The (Mis)Adventures of Waverly Bryson Book 1))
He headed down to the stairwell and followed it up the extra flight to the roof. There was a metal fire door with a crash bar on it. Posted on the wall next to the door was a list of rules for using the sun deck which seemed to amount to don’t be a dick about it. A note was stuck to the metal door with a blue X, one of the magnetic letters kids used on the fridge.
Peter Clines (14 (Threshold, #1))
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Any Woman I am the pillars of the house; The keystone of the arch am I. Take me away, and roof and wall Would fall to ruin me utterly. I am the fire upon the hearth, I am the light of the good sun, I am the heat that warms the earth, Which else were colder than a stone. At me the children warm their hands; I am their light of love alive. Without me cold the hearthstone stands, Nor could the precious children thrive. I am the twist that holds together The children in its sacred ring, Their knot of love, from whose close tether No lost child goes a-wandering. I am the house from floor to roof, I deck the walls, the board I spread; I spin the curtains, warp and woof, And shake the down to be their bed. I am their wall against all danger, Their door against the wind and snow, Thou Whom a woman laid in a manger, Take me not till the children grow!
Katherine Tynan
The universal Church touched every corner of western Europe and practically all aspects of life from politics to market behavior, but it was not a monolithic institution. Very much the opposite: Because it channeled and encompassed practically all spiritual life, the Church, by necessity, had to be a big tent. It contained multitudes: poor, illiterate priests in isolated rural parishes with secret wives and broods of children, who rarely saw their uninterested parishioners; charismatic Dominican preachers capable of attracting crowds of thousands in towns and cities; places like the brand-new castle church of Wittenberg, built in Renaissance style and packed with holy relics in expensive gilded cases; towering Gothic cathedrals, already centuries old, dominating the skylines of the continent’s prosperous urban centers and serving as headquarters for rich, powerful bishops who pulled political strings from London to Leipzig; leaky-roofed monasteries, housed by a few elderly monks in threadbare robes begging for donations to fix a tumbledown refectory; university theologians steeped in the brutally dense works of Thomas Aquinas and William of Ockham who spent their time teaching students and arguing about scholastic philosophy; devout laywomen, reading books of hours in the privacy of their prosperous homes; sword-swinging Hospitaller Knights, soldier-monks in armor and black habits, beheading Muslim sailors on the decks of galleys under a blue Mediterranean sky. The Church was all of these things: corrupt and saintly, worldly and mystical, impossibly wealthy and desperately impoverished.
Patrick Wyman (The Verge: Reformation, Renaissance, and Forty Years that Shook the World)
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Los Angeles is fucking lit tonight. That was the only thought in my head as I stood twenty-seven stories up on the roof deck of the city’s newest and hottest high-rise hotel, overlooking our famous skyline
Marni Mann (The Lawyer (The Dalton Family, #1))
Welcome to Snowfall Lodge." "This is it?" She gazed at the sloping roof outlined by tiny lights. There was a deck and what appeared to be a Christmas tree in every window. Her spirits lifted for the first time in weeks. Even she should be able to heal in a place like this. "It's charming." "It's a cool place. But you're not staying here. You're staying in one of the tree houses in the forest." It was like being shown paradise and then being told your ticket wasn't valid for that stop.
Sarah Morgan (A Wedding in December)
We were disappointed that we had not been able to find any survivors on the sunken ships, but after six days of sounding, we were sure no one was alive within them. While our diving crews were occupied sounding the ships and freeing the USS Tennessee, the shipyard constructed two diving barges, each one twenty feet wide and thirty feet long. Buoyancy was provided by three cylindrical pontoons. Wooden planks formed the deck, while corrugated sheet metal on the roof provided protection from the elements. A long pipe spanned the upright stanchions along the side of one barge, which provided an area to hang the divers’ rubberized canvas dresses. Along the opposite side were hangers for the four sets of lifelines and air hoses. A large workbench was situated in the middle of the barge. Installed at one end was a wooden diving ladder that led down to the water four feet below. Next to the ladder was a table that held the diving telephone equipment. Four dressing stools were neatly stacked near the table.
Edward C. Raymer (Descent into Darkness: Pearl Harbor, 1941—A Navy Diver's Memoir)
There remained Collapsibles A and B, stowed on the roof of the officers’ quarters on either side of the forward funnel. These boats, too, were never fully utilized, but here the explanation was not haste or complacency. It was a case of poor design. It’s hard to imagine what Harland & Wolff had in mind when they put two boats in such an inaccessible spot. There was absolutely no mechanism for getting them down to the Boat Deck, where they then had to be fitted into the empty davits used by the two emergency boats.
Walter Lord (The Complete Titanic Chronicles: A Night to Remember and The Night Lives On (The Titanic Chronicles))
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Inside the barge, the structure was organized into three decks lined with a multitude of pens. Ventilation was a long top housing that ran the length of the box, a roofed opening a cubit high, with a hatch for bad weather. The people wondered why the boat was so large, far exceeding the capacity for their few hundred bodies on board. Then Noah told them that God was going to bring animals of every kind from the remotest parts of the land in pairs and in sevens to reside on the boat with them. They did not believe this, until the day when animals of all kinds started to arrive in the valley in numbers, ready to board the box.
Brian Godawa (Noah Primeval (Chronicles of the Nephilim Book 1))
She stared, wide eyed as glass-walled elevators shot up fifty-two floors like pods in a launch tube. Everything - from the glaringly bright carpet swirling with psychedelic lines; to the hotel's open ceiling ringed by storey after storey of balconies, the distant roof so high it made her head spin; to the people decked out in cosplay - was torn from a science fiction novel. It seemed Liv had spent the last eighteen years in search of her people, and in one sudden explosion of fate, they'd all been brought together in this place in time. Her eyes filled with tears as a sudden awareness filled her. They were all nerds.
Danika Stone (All the Feels)
The definition for the “Poop Deck” as found in nautical books would lead you to believe that the name was derived from the French word for the stern of the ship, la poupe which in turn was derived from the Latin puppis. On sailing ships this deck was higher than the main deck, making it ideal to navigate from. It also was where the binnacle and ship’s wheel were located for the helmsman. The deck of the poop deck formed the roof or overhead of the Captain’s cabin making it convenient for the Captain to reach. His after cabin was frequently irreverently referred to as the “poop cabin!” As wooden ships with iron men were replace with wooden men on iron ships, the navigational functions, with the exception of setting the sails, were moved to the bridge. According to my father who was a ship’s cook in the early 1920’s, the term poop deck remained, but took on a totally different meaning. During the turn of the last century, with coal fired reciprocating steam engines replacing wind and sails, this rear deck was where animals were kept to be butchered for food. Salted meat packed in barrels and the lack of fresh vegetables was the frequent cause of constipation and even worse scurvy. Many ships of that era, and before, didn’t yet have refrigeration and this was the way they continued to have fresh meat. A cabin boy tended to the chickens, pigs, lambs and goats and it was up to the butcher or cooks to slaughter and quarter them. Of course the deck nearest the stern was ideal for this, leaving the ensuing smell behind in the wake of the ship. Seldom is the term “Poop Deck” used now since with the advent of cruise ships nautical terms are fading. Bunks have become beds, cabins became staterooms and the head is now the restroom. Oh, what has become of the days of yore?
Hank Bracker
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A city is different things to us at different times - of the day, of the year, of our life. Many years have passed since I was in the backseat of the car, taken with the razzle-dazzle. Today, I'm more drawn to the neighborhood coffee shops, or modest old parks like Abingdon Square in Greenwich Village, where farmers come to sell cheese and eggs under the London Plane trees. I have a soft spot for the little urban island like McCarthy Square, with its birdhouses - some with simple peak roofs; others with multiple stories and decks, made of miniature wood logs, like ski chalets - that poke out from shrubs and evergreens. I like the quiet of the West Village in the morning, where sidewalk chalkboards outside restaurants and coffee shops promise caffeine and better days, and streets paved with setts - Jane, West 12th, Bethune, Bank - feed into Washington Street like streams emptying into a river.
Stephanie Rosenbloom
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He was in Hell's Kitchen . . . I never got out of here. I never got out. I surrendered to the grocery man-to the deck hands on the ferryboat-to the owner of the poolroom. You don't run things around here. You've never run things anywhere, Gail Wynand. You've only added yourself to the things they ran. Then he looked up, across the city, to the shapes of the great skyscrapers. He saw a string of lights rising unsupported in black space, a glowing pinnacle anchored to nothing, a small, brilliant square hanging detached in the sky. He knew the famous buildings to which these belonged, he could reconstruct their forms in space. He thought, you're my judges and witnesses. You rise, unhindered, above the sagging roofs. You shoot your gracious tension to the stars, out of the slack, the tired, the accidental. The eyes one mile out on the ocean will see none of this and none of this will matter, but you will be the presence and the city. As down the centuries, a few men stand in lonely rectitude that we may look and say, there is a human race behind us. One can't escape from you; the streets change, but one looks up and there you stand, unchanged. You have seen me walking through the streets tonight. You have seen all my steps and all my years. It's you that I've betrayed. For I was born to be one of you. . . He stopped. He saw a paper spread out in the gutter before him, front page up. It was the Banner. He saw Roark's picture. He saw the gray print of a rubber heel across Roark's face. He bent, his body folding itself down slowly, with both knees, both arms, and picked up the paper. He folded the front page and put it in his pocket. He walked on. An unknown rubber heel, somewhere in the city, on an unknown foot that I released to march. I released them all. I made every one of those who destroyed me. There is a beast on earth, dammed safely by its own impotence. I broke the dam. They would have remained helpless. They can produce nothing. I gave them the weapon. I gave them my strength, my energy, my living power. I created a great voice and let them dictate the words. The woman who threw the beet leaves in my face had a right to do it. I made it possible for her. Anything may be betrayed, anyone may be forgiven. But not those who lack the courage of their own greatness. Alvah Scarret can be forgiven. He had nothing to betray. Mitchell Layton can be forgiven. But not I. I was not born to be a second-hander.
Ayn Rand (The Fountainhead)