Perfume Lover Quotes

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I stepped into the bookshop and breathed in that perfume of paper and magic that strangely no one had ever thought of bottling.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
The only bubble in the flat champagne of February is Valentine’s Day. It was no accident that our ancestors pinned Valentine’s Day on February’s shirt: he or she lucky enough to have a lover in frigid, antsy February has cause for celebration, indeed.
Tom Robbins (Jitterbug Perfume)
Her perfume or soap or whatever it was reminded him of sandalwood and something else. Oh, right...orgasms.
J.R. Ward (Lover Unleashed (Black Dagger Brotherhood, #9))
Be my lover between two wars waged in the mirror, she said. I don't want to return now to the fortress of my father's house. Take me to your vineyard. Let me meet your mother. Perfume me with basil water. Arrange me on silver dishes, comb me, imprison me in your name, let love kill me.
Mahmoud Darwish (Unfortunately, It Was Paradise: Selected Poems)
Wanted, wanted: Dolores Haze. Hair: brown. Lips: scarlet. Age: five thousand three hundred days. Profession: none, or "starlet" Where are you hiding, Dolores Haze? Why are you hiding, darling? (I Talk in a daze, I walk in a maze I cannot get out, said the starling). Where are you riding, Dolores Haze? What make is the magic carpet? Is a Cream Cougar the present craze? And where are you parked, my car pet? Who is your hero, Dolores Haze? Still one of those blue-capped star-men? Oh the balmy days and the palmy bays, And the cars, and the bars, my Carmen! Oh Dolores, that juke-box hurts! Are you still dancin', darlin'? (Both in worn levis, both in torn T-shirts, And I, in my corner, snarlin'). Happy, happy is gnarled McFate Touring the States with a child wife, Plowing his Molly in every State Among the protected wild life. My Dolly, my folly! Her eyes were vair, And never closed when I kissed her. Know an old perfume called Soliel Vert? Are you from Paris, mister? L'autre soir un air froid d'opera m'alita; Son fele -- bien fol est qui s'y fie! Il neige, le decor s'ecroule, Lolita! Lolita, qu'ai-je fait de ta vie? Dying, dying, Lolita Haze, Of hate and remorse, I'm dying. And again my hairy fist I raise, And again I hear you crying. Officer, officer, there they go-- In the rain, where that lighted store is! And her socks are white, and I love her so, And her name is Haze, Dolores. Officer, officer, there they are-- Dolores Haze and her lover! Whip out your gun and follow that car. Now tumble out and take cover. Wanted, wanted: Dolores Haze. Her dream-gray gaze never flinches. Ninety pounds is all she weighs With a height of sixty inches. My car is limping, Dolores Haze, And the last long lap is the hardest, And I shall be dumped where the weed decays, And the rest is rust and stardust.
Vladimir Nabokov (Lolita)
I believe in love. And beauty. I believe that every single person has something they find beautiful and that they truly love. The smell of their child's hair, the silence of a forest, their lover's crooked grin. Their country, their religion, their family. And I believe that if you follow this love all the way to its end, if you start with the thing you find most beautiful and trace it's perfume back to its essence, you will perceive an intangible presence, a swath of stillness that allows the thing you love to be visible like the openness of the sky reveals the presence of the moon.
Geneen Roth (Women Food and God: An Unexpected Path to Almost Everything)
February is pitiless, and it is boring. That parade of red numerals on its page adds up to zero: birthdays of politicians, a holiday reserved for rodents, what kind of celebrations are those? The only bubble in the flat champagne of February is Valentine’s Day. It was no accident that our ancestors pinned Valentine’s Day on February’s shirt: he or she lucky enough to have a lover in frigid, antsy February has cause for celebration, indeed.
Tom Robbins (Jitterbug Perfume)
Once upon a time, [...]. There was a world that was perfectly made and full of birds and striped creatures and lovely things like honey lilies and star tenzing and weasels— [...] And this world already had light and shadow, so it didn't need any rouge stars to come and save it, and it had no use for bleeding suns or weeping moons, either, and most important, it had never known war, which is a terrible and wasteful thing that no world needs. It had earth and water, air and fire, all four elements, but it was missing the last element. Love. [...] And so this paradise was like a jewel box without a jewel. There it lay, day after day of rose-colored dawns and creature sounds and strange perfumes, and waited for lovers to find it and fill it with their happiness. The end. [...] The story is unfinished. The world is still waiting.
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
Stephan was secretive and a liar, but he was a very gentle and expert lover. She was the petted, cherished child, the desired mistress, the worshipped, perfumed goddess. She was all these things to Stephan - or so he made her believe.
Jean Rhys (Quartet)
Poetry is jealous of you tonight, for as soon as I come to pen a few words, your perfume attacks me in the most civilised manner and I forget myself. I forget the poem. I forget the ...
Kamand Kojouri
I’m not sure what it was or where she sprayed it, but her scent will be the end of the life I loved. And I will find comfort in the simpleness of sitting with her on a Saturday afternoon with nothing else to do.
Darnell Lamont Walker (Book of She)
The highest function of love is that it makes the loved one a unique and irreplaceable being. Still, lovers quarrel. Frequently, they quarrel simply to recharge the air between them, to sharpen the aliveness of their relationship. To precipitate such a quarrel, the sweaty kimono of sexual jealousy is usually dragged out of the hamper, although almost any excuse will do. Only rarely is the spat rooted in the beet-deep soil of serious issue, but when it is, a special sadness attends it, for the mind is slower to heal than the heart, and such quarrels can doom a union, even one that has prospered for a very long time.
Tom Robbins (Jitterbug Perfume)
Her loving hands, soft lips, and perfumed scents were an addiction for which he had no cure.
Travis Luedke (The Nightlife: Paris (The Nightlife, #3))
You shall suffer for ever the influence of my kiss. You shall be beautiful in my fashion. You shall love that which I love and that which loves me: water, clouds, silence and the night; the immense green sea; the formless and multiform streams; the place where you shall not be; the lover whom you shall not know; flowers of monstrous shape; perfumes that cause delirium; cats that shudder, swoon and curl up on pianos and groan like women, with a voice that is hoarse and gentle! And you shall be loved by my lovers, courted by my courtiers. You shall be the queen of all men that have green eyes, whose necks also I have clasped in my nocturnal caresses; of those who love the sea, the sea that is immense, tumultuous and green, the formless and multiform streams, the place where they are not, the woman whom they do not know, sinister flowers that resemble the censers of a strange religion, perfumes that confound the will; and the savage and voluptuous animals which are the emblems of their dementia.
Charles Baudelaire
When you awaken you look so fresh Your skin so soft and hair an artistic mesh Your natural scent is a fragrant perfume Your dashing figure makes hearts fume Your bright mind is vibrant with wit Your captivating smile is brightly lit Your teeth are absolute perfection Nature endowed you with a fine selection Your eyes are spectacles of celestial charm Gorgeous and stunning, striking with alarm
Mohamad Jebara (The Illustrious Garden)
A faithful woman looks to the spring, a good book, perfume, earthquakes, and divine revelation for the experience others find in a lover. They deceive their husbands, so to speak, with the entire world, men excepted.
Jean Giraudoux
Nothing belongs to itself anymore. These trees are yours because you once looked at them. These streets are yours because you once traversed them. These coffee shops and bookshops, these cafés and bars, their sole owner is you. They gave themselves so willingly, surrendering to your perfume. You sang with the birds and they stopped to listen to you. You smiled at the sheepish stars and they fell into your hair. The sun and moon, the sea and mountain, they have all left from heartbreak. Nothing belongs to itself anymore. You once spoke to Him, and then God became yours. He sits with us in darkness now to plot how to make you ours.” K.K.
Kamand Kojouri
Perfume counters in department stores, Holly Deblin smells of, the middle of July, and cinnamon Tic Tacs.
David Mitchell (Black Swan Green)
The difference between love and logic is that in the eyes of a lover, a toad can be a prince, whereas in the analysis of a logistician, the lover would have to prove that the toad was a prince, an enterprise destined to dull the shine of many a passion.
Tom Robbins (Jitterbug Perfume)
Make me drunk. Make me drunk, Beloved. I crave your drink. Break these thought chains and tear these garments. I crave your nakedness. I’m speaking to you. I’m speaking to you, Beloved Take me to the depths of your ocean. I’m thirsting for your drink. I have followed the scent of your intoxicating perfume and having arrived at this altar, I sacrifice my body for your soul. Oh Beloved, make me drunk. Make me drunk!
Kamand Kojouri
The highest function of love is that it makes the loved one a unique and irreplaceable being. Still, lovers quarrel. Frequently, they quarrel simply to recharge the air between them, to sharpen the aliveness of their relationship.
Tom Robbins (Jitterbug Perfume)
Meanwhile, in the expansiveness of her joy, the Moon filled all of the room like a phosphoric atmosphere, like a luminous poison; and all of that living light thought and said: “You will be eternally subject to the influence of my kiss. You will be beautiful in my manner. You will love what I love and who loves me: water, the clouds, silence, and the night; the immense, green sea; formless and multiform water; the place where you will not be; the lover you will not know; monstrous flowers; perfumes that make you delirious; cats who swoon on pianos, and who moan like women, with a hoarse, gentle voice!
Charles Baudelaire
Werther identifies himself with the madman, with the footman. As a reader, I can identify myself with Werther. Historically, thousands of subjects have done so, suffering, killing themselves, dressing, perfuming themselves, writing as if they were Werther (songs, poems, candy boxes, belt buckles, fans, colognes a' la Werther). A long chain of equivalences links all the lovers in the world. In the theory of literature, "projection" (of the reader into the character) no longer has any currency: yet it is the appropriate tonality of imaginative readings: reading a love story, it is scarcely adequate to say I project myself; I cling to the image of the lover, shut up with his image in the very enclosure of the book (everyone knows that such stories are read in a state of secession, of retirement, of voluptuous absence: in the toilet).
Roland Barthes (A Lover's Discourse: Fragments)
Parted lovers beguile absence by a thousand chimerical devices, which possess, however, a reality of their own. They are prevented from seeing each other, they cannot write to each other; they discover a multitude of mysterious means to correspond. They send each other the song of the birds, the perfume of the flowers, the smiles of children, the light of the sun, the sighings of the breeze, the rays of stars, all creation. And why not? All the works of God are made to serve love. Love is sufficiently potent to charge all nature with its messages. Oh Spring! Thou art a letter that I write to her.
Victor Hugo (Les Misérables)
Where will I find you now that my heart is yours? Where should I search? I don’t know where to look. You fill my heart with desire and love, The perfume of the lotus, the grace of a dove. But then the dove flies far, far away, All that is left is a song for my harp strings to play. A voice in my memories like an angel of grace, Where can I find you? Do you know how I pray? Where will I find you now that my love belongs to you? Wherever your heart beats, I’m dreaming of you. Now and forever my love belongs to you… Now and forever my love belongs to you…
Bjorn Street (Secret of the Mummy (Secret of the Mummy #1))
When you observe that today's controversies often reveal not relevance but the clash of the untaught with the wrongly taught, and when you can endure this knowledge without cynicism, as a lover of humankind, greater compensations will be open to you than a sense of your own importance or satisfaction in thinking about the unreliability of others.
Idries Shah (A Perfumed Scorpion: A Way to the Way)
The cent you desire is hidden in the scent of a flower.
Michael Bassey Johnson (Song of a Nature Lover)
A woman knows everything about her rival. Her habits, her perfume, her tastes. When a lover turns up at his mistress’s, he should feel like he’s on holiday, not back home.
Valérie Perrin (Fresh Water for Flowers)
The tall white lillies were reeling in the moonlight, and the air was charged with perfume, as with a presence. Mrs. Morel gasped slightly in fear. She touched the big, pallid flowers on their petals, then shivered. They seemed to be stretching in the moonlight. She put her hand into one white bin: the gold scarcely showed on her fingers by moonlight. She bent down to look at the binful of yellow pollen; but it only appeared dusky. The she drank a deep draught of the scent. It almost made her dizzy.
D.H. Lawrence (Sons and Lovers)
If your mind and spirit are seduced by images of windswept ridge tops, flutters of aspen leaves caressed by a canyon breeze and the crimson tendrils of dying sun…if your fingers feel the silken pulse of a lover and your lips taste the deep kisses of building passion…if nostrils flare with the conjured scents of gunpowder and perfume, sage brush and pine, and your ears delight in the murmur of river current…if your heart pounds at the clash of good and evil and with each twist and turn of interwoven lives you feel a primal throb, then I have accomplished my mission.
Reid Lance Rosenthal (Threads West: An American Saga (Threads West, #1))
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
Anyone who loves books the way Homer does, loves libraries, too. It doesn't matter if the library has fancy red leather chairs and gold-plated shelves that reach to a vaulted ceiling, or if the library has splintery wooden benches and shelves made of old milk crates. it's the scent that sets the book lover at ease. It's better than grandma's perfume, or freshly baked chocolate chip cookies, or even toast. It's a scent derived from paper, mildew, dust, and human endeavors.
Suzanne Selfors (Smells Like Dog (Smells Like Dog, 1))
I was in the habit of calling a kiss a peck. Bulkaen had said “a smack.” As erotic language, such as we use in dalliance, is a kind of secretion, a concentrated juice that flows from the lips only in moments of the most intense emotion, of plaint, as this language is, in other words, the essential expression of passion, each pair of lovers has its own peculiar language, a language which has a perfume, an odor sui generis which belongs only to that couple… intimacy… the secret rites of a deep love.
Jean Genet (Miracle of the Rose)
Wild eyes were another sign. It is something I have seldom seen — the expression of an ecstatic state — though much is foolishly written of them, as if they grew like Jerusalem artichokes along the road. The eyes are black, right enough, whatever their normal color is; they are black because their perception is condensed to a coal, because the touch and taste and perfume of the lover, the outcry of a dirty word, a welcome river, have been reduced in the heat of passion to a black ash, and this unburnt residue of oxidation, this calyx, replaces the pupil so it no longer receives but sends, and every hair is on end, though perhaps only outspread on a pillow, and the nostrils are flared, mouth agape, cheeks sucked so the whole face seems as squeezed as a juiced fruit; I know, for once Lou went into that wildness while we were absorbing one another, trying to kiss, not merely forcefully, not the skull of our skeleton, but the skull and all the bones on which the essential self is hung, kiss so the shape of the soul is stirred too, that's what is called the ultimate French, the furtherest fuck, when a cock makes a concept cry out and climax; I know, for more than once, though not often, I shuddered into that other region, when a mouth drew me through its generosity into the realm of unravel, and every sensation lay extended as a lake, every tie was loosed, and the glue of things dissolved. I knew I wore the wild look then. The greatest gift you can give another human being is to let them warm you till, in passing beyond pleasure, your defenses fall, your ego surrenders, its structure melts, its towers topple, lies, fancies, vanities, blow away in no wind, and you return, not to the clay you came from — the unfired vessel — but to the original moment of inspiration, when you were the unabbreviated breath of God.
William H. Gass (The Tunnel)
By Jove, it's great! Walk along the streets on some spring morning. The little women, daintily tripping along, seem to blossom out like flowers. What a delightful, charming sight! The dainty perfume of violet is everywhere. The city is gay, and everybody notices the women. By Jove, how tempting they are in their light, thin dresses, which occasionally give one a glimpse of the delicate pink flesh beneath! "One saunters along, head up, mind alert, and eyes open. I tell you it's great! You see her in the distance, while still a block away; you already know that she is going to please you at closer quarters. You can recognize her by the flower on her hat, the toss of her head, or her gait. She approaches, and you say to yourself: 'Look out, here she is!' You come closer to her and you devour her with your eyes. "Is it a young girl running errands for some store, a young woman returning from church, or hastening to see her lover? What do you care? Her well-rounded bosom shows through the thin waist. Oh, if you could only take her in your arms and fondle and kiss her! Her glance may be timid or bold, her hair light or dark. What difference does it make? She brushes against you, and a cold shiver runs down your spine. Ah, how you wish for her all day! How many of these dear creatures have I met this way, and how wildly in love I would have been had I known them more intimately. "Have you ever noticed that the ones we would love the most distractedly are those whom we never meet to know? Curious, isn't it? From time to time we barely catch a glimpse of some woman, the mere sight of whom thrills our senses. But it goes no further. When I think of all the adorable creatures that I have elbowed in the streets of Paris, I fairly rave. Who are they! Where are they? Where can I find them again? There is a proverb which says that happiness often passes our way; I am sure that I have often passed alongside the one who could have caught me like a linnet in the snare of her fresh beauty.
Guy de Maupassant (Selected Short Stories)
If you would only be willing to take the time to truly get to know me. I know that we would spawn beautiful offspring together, my lovely Jazz.I could give you riches you can only imagine. I have much to offer a beauty like you.” She felt her smile tremble on her lips, then lost her hard-won control. “I would rather eat dead rotting flesh,” she replied, her disgust winning out over her fear of insulting him. His eyes lit up at her words and bright-red gas literally crawled up his back making the dead fish scent of the wharves smell like French perfume. “You do not know my kind as well as you pretend to, my sexy Jazz. You just spoke of our most popular aphrodisiac.
Linda Wisdom (50 Ways to Hex Your Lover (Hex, #1))
Gera smiled in satisfaction. “The trick to wearing perfume correctly is to only apply enough that if someone else can smell it, they’d better be intimate with you. A fragrance should never linger without you in an area after you’ve left it. Rather it should be a subtle reminder that only stays on your pillow or clothes, and only when your lover’s face is buried in them.” That
Sherrilyn Kenyon (Born of Silence (The League #5))
The Sufi lovers of the Beloved tell us badly that we must, for our own sakes, always keep on our knees before the majesty of God and always dare to keep up in our hearts a constant stream of longing for the Beloved, however painful that might sometimes be. Without humility, revelation itself can be a source of ignorance because it makes its receiver vain. Longing is both the anguish that burns away the veils of separation between the soul and God and the thread that guides us deeper and deeper within ourselves to where love is waiting, always, to take us further into its mystery.
Andrew Harvey (Perfume of the Desert: Inspirations from Sufi Wisdom)
1 The summer our marriage failed we picked sage to sweeten our hot dark car. We sat in the yard with heavy glasses of iced tea, talking about which seeds to sow when the soil was cool. Praising our large, smooth spinach leaves, free this year of Fusarium wilt, downy mildew, blue mold. And then we spoke of flowers, and there was a joke, you said, about old florists who were forced to make other arrangements. Delphiniums flared along the back fence. All summer it hurt to look at you. 2 I heard a woman on the bus say, “He and I were going in different directions.” As if it had something to do with a latitude or a pole. Trying to write down how love empties itself from a house, how a view changes, how the sign for infinity turns into a noose for a couple. Trying to say that weather weighed down all the streets we traveled on, that if gravel sinks, it keeps sinking. How can I blame you who kneeled day after day in wet soil, pulling slugs from the seedlings? You who built a ten-foot arch for the beans, who hated a bird feeder left unfilled. You who gave carrots to a gang of girls on bicycles. 3 On our last trip we drove through rain to a town lit with vacancies. We’d come to watch whales. At the dock we met five other couples—all of us fluorescent, waterproof, ready for the pitch and frequency of the motor that would lure these great mammals near. The boat chugged forward—trailing a long, creamy wake. The captain spoke from a loudspeaker: In winter gray whales love Laguna Guerrero; it’s warm and calm, no killer whales gulp down their calves. Today we’ll see them on their way to Alaska. If we get close enough, observe their eyes—they’re bigger than baseballs, but can only look down. Whales can communicate at a distance of 300 miles—but it’s my guess they’re all saying, Can you hear me? His laughter crackled. When he told us Pink Floyd is slang for a whale’s two-foot penis, I stopped listening. The boat rocked, and for two hours our eyes were lost in the waves—but no whales surfaced, blowing or breaching or expelling water through baleen plates. Again and again you patiently wiped the spray from your glasses. We smiled to each other, good troopers used to disappointment. On the way back you pointed at cormorants riding the waves— you knew them by name: the Brants, the Pelagic, the double-breasted. I only said, I’m sure whales were swimming under us by the dozens. 4 Trying to write that I loved the work of an argument, the exhaustion of forgiving, the next morning, washing our handprints off the wineglasses. How I loved sitting with our friends under the plum trees, in the white wire chairs, at the glass table. How you stood by the grill, delicately broiling the fish. How the dill grew tall by the window. Trying to explain how camellias spoil and bloom at the same time, how their perfume makes lovers ache. Trying to describe the ways sex darkens and dies, how two bodies can lie together, entwined, out of habit. Finding themselves later, tired, by a fire, on an old couch that no longer reassures. The night we eloped we drove to the rainforest and found ourselves in fog so thick our lights were useless. There’s no choice, you said, we must have faith in our blindness. How I believed you. Trying to imagine the road beneath us, we inched forward, honking, gently, again and again.
Dina Ben-Lev
I’ve known you for years. Everyone says you were beautiful when you were young, but I want to tell you I think you’re more beautiful now than then. Rather than your face as a young woman, I prefer your face as it is now. Ravaged. —from Marguerite Duras, The Lover
Michael Imperioli (The Perfume Burned His Eyes)
My eldest daughter, Suldana, is in love with another woman. She is eighteen and she spends her days working at our kiosk selling milk and eggs, and at night she sneaks out and goes down to the beach to see her lover. She crawls back into bed at dawn, smelling of sea and salt and perfume. Suldana is beautiful and she wraps this beauty around herself like a shawl of stars. When she smiles her dimples deepen and you can’t help but be charmed. When she walks down the street men stare and whistle and ache. But they cannot have her. Every day marriage proposals arrive with offers of high dowries but I wave them away. We never talk about these things like mothers and daughters should; but I respect her privacy and I allow her to live.
Diriye Osman (Fairytales for Lost Children)
She was a horse lover and she and Whitey kept a mean old paint, a fancy quarter horse/Arabian mix, a roan Appaloosa with one ghost eye named Spook, and a pony. So along with the whiskey and perfume and smoke, she often exuded faint undertones of hay, dust, and the fragrance of horse, which once you smell it you always miss it. Humans were meant to live with the horse.
Louise Erdrich
You don’t concern yourself much with being liked, do you?” Tristan asked, half amused. No, I don’t.” He was doubtful that Tristan would be capable of understanding that, but the sensation of being liked was extraordinarily dull. It was the closest thing to vanilla that Callum could think of, though nothing was truly comparable. Being feared was a bit like anise, like absinthe. A strange and arousing flavor. Being admired was golden, maple-sweet. Being despised was woodsy, sulfuric aroma, smoke in his nostrils, something to choke on, when done properly. Being envied was tart, a citrusy tang, like green apple. Being desired was Callum’s favorite. That was smoky, too, in a sense, but more sultry, cloaked and perfumed in precisely what it was. It smelled like tangled bedsheets. It tasted like a flicker of a candle flame. It felt like a sigh, a quiet one; concessionary and pleading. He could always feel it on his skin, sharp as a blade. Piercing, like the groan of a lover in his ear. “Being liked is fairly ordinary, I’m afraid,” Callum said. “Intensely commonplace.
Olivie Blake (The Atlas Six (The Atlas #1))
She lifted the cup to her lips. “You make good coffee.” “You haven’t tasted it yet.” “I can smell it. And I love the way it smells.” It’s not the coffee, he thought. Not all of it, at any rate. “Well, I love your perfume,” he said, because he was a dolt. She frowned. “I’m not wearing any. I mean, other than the soap and shampoo I use.” “Well, I like them, then. And I’m glad you stayed.” “Is this what you planned?” Their eyes met. Shit, she was perfect. Radiant as the candles had been. “You making it all the way to the coffee? Yeah, I guess a date was what I was after.” “I thought you agreed with me.” Man, that breathless quality in her voice made him want to have her up against his naked chest. “Agreed with you?” he said. “Hell, if it would make you happy, I’d say yes to anything. But what are you specifically referring to?” “You said…I shouldn’t date anyone.” Ah, right. “You shouldn’t.” “I don’t understand.” Fuck him, but he went for it. Rehv put his numb elbow on the table and leaned into her. As he closed the distance, her eyes got wider, but she didn’t pull back. He paused, to give her a chance to tell him to cut the shit. Why? He had no clue. His symphath side was into pauses only for analysis or to better capitalize on a weakness. But she made him want to be decent. Ehlena didn’t tell him to step off, however. “I don’t…understand,” she whispered. “It’s simple. I don’t think you should date anyone.” Rehv moved in even closer, until he could see the flecks of gold in her eyes. “But I’m not just anyone.” -Ehlena & Rehv
J.R. Ward (Lover Avenged (Black Dagger Brotherhood, #7))
Too much bergamot in this one, too tart; no depth in this one; bring forward the orange blossom. Measuring out drops from several vials, she blended another variation, leaning heavily on her keen intuition. Inhaling, she let her mind wander, visualizing the aromatic impression. She was on the verge of discovery. An ethereal freshness with subtle spiciness, like the voluptuous scent of orange blossoms on a sunny spring morning. The hair on her arms bristled with anticipation. She inhaled again, going farther, detecting the bouquet of jasmine absolute and rose attar, rich and silky, entwined with a spicy note of carnation, adding verve and vitality, robust brilliance. It needs a splash of complexity here, a sprig of basil there, an accent of clove. Images of lovers danced in her mind, a soaring sonata thrilled in her soul. A vision intruded, no, a memory- she was dancing with Jon, resting her head on his shoulder, a salty hint of ocean, breathing in his scent, intoxicated with the musky, virile smell of his skin... Another breath and she dragged her thoughts back, delving deeper into the essence. The mystery of amber to balance the soul; the silky smoothness of sandalwood; the delicious lure of vanilla, like a lover's midnight embrace. An ache grew within her at the core of her being. And in her mind's eye, veiled visions of a moonlit night, a couple dancing barefoot on the beach, swirling silks of scarlet and gold, the sultry caress of a whisper, so vivid she trailed her fingers along the nape of her neck, remembering... Seductive, sensual, the essence of amour.
Jan Moran (Scent of Triumph)
She'd gone and let her hair loose, he thought. Why did she have to do that? It made his hands hurt, actually hurt with wanting to slide into it. "That's good." She stepped in, shut the door. And because it seemed too perfect not to, audibly flipped the lock. Seeing a muscle twitch in his jaw was incredibly satisfying. He was a drowning man, and had just gone under the first time. "Keeley, I've had a long day here.I was just about to-" "Have a nightcap," she finished. She'd spotted the teapot and the bottle of whiskey on the kitchen counter. "I wouldn't mind one myself." She breezed past him to flip off the burner under the now sputtering kettle. She'd put on different perfume, he thought viciously. Put it on fresh, too, just to torment him. He was damn sure of it.It snagged his libido like a fish-hook. "I'm not really fixed for company just now." "I don't think I qualify as company." Competently she warmed the pot, measured out the tea and poured the boiling water in. "I certainly won't be after we're lovers." He went under the second time without even the chance to gulp in air. "We're not lovers." "That's about to change." She set the lid on the pot, turned. "How long do you like it to steep?" "I like it strong, so it'll take some time. You should go on home now." "I like it strong, too." Amazing, she thought,she didn't feel nervous at all. "And if it's going to take some time, we can have it afterward." "This isn't the way for this." He said it more to himself than her. "This is backward, or twisted.I can't get my mind around it. no,just stay back over there and let me think a minute." But she was already moving toward him, a siren's smile on her lips. "If you'd rather seduce me, go ahead." "That's exactly what I'm not going to do." Thought the night was cool and his windows were open to it, he felt sweat slither down his back. "If I'd known the way things were, I'd never have started this." That mouth of his, she thought. She really had to have that mouth. "Now we both know the way things are, and I intend to finish it.It's my choice." His blood was already swimming. Hot and fast. "You don't know anything, which is the whole flaming problem." "Are you afraid of innocence?" "Damn right." "It doesn't stop you from wanting me. Put your hands on me,Brian." She took his wrist,pressed his hand to her breast. "I want your hands on me." The boots clattered to the floor as he went under for the third time.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Maybe in the case of true human, their mind, their soul, their consciousness flows through their bodies like blood, inhabiting every cell of their physical being, and so Aristotle was right, in humans the mind and body are one and cannot be separated, the self is both with the body and perishes with it too. She imagined that union with a thrill. How lucky human beings were if that was the case, she wanted to tell Geronimo who was and was not Ibn Rushd: lucky and doomed. When their hearts pounded with excitement their souls pounded too, when their pulses raced their spirits were aroused, hen their eyes moistened with tears of happiness it was their minds that felt the joy. Their minds touched the people their fingers touched, and when they in turn were touched by others it was as if two consciousnesses were briefly joined. The mind gave the body sensuality, it allowed the body to taste delight and to smell love in their lover's sweet perfume; not only their bodies but their minds, too, made love. And at the end the soul, as mortal as the body, learned the last great lesson of life, which was the body's death.
Salman Rushdie (Two Years Eight Months and Twenty-Eight Nights)
A fresh, uplifting mélange of Italian bergamot, mandarin, and raspberry that comprised the opening accord filled her nostrils with the carefree scents of spring. Her imagination soared with memories. The gardens of Bellerose, picnic baskets bursting with summer fruits on sunny Mediterranean beaches, summers spent on the Riviera, yacht parties, and the casino in Monte Carlo. The plain little bottle held the essence of the happy life she had known. She inhaled again, closed her eyes, and allowed her mind to wander, to visualize the images the aroma evoked. Excitement coursed through her veins. She imagined a glamorous, luxurious lifestyle of exotic locales, mysterious lovers, sandy beaches, glittering parties, elegant gowns, and precious jewels. And amid it all, sumptuous bouquets of fabulous flowers, enchanting and romantic, intense aromas of pure, bridal white jasmine and sultry tuberose, and the heady, evocative aroma of rose. Seductive spices, clove with musk and patchouli, smoothed with sandalwood and vanilla, elegant and sensual, like a lover in the night. And finally, she realized what was missing. A strong, smooth core, a warm amber blend that would provide a deep connection to the soul. Love.
Jan Moran (Scent of Triumph)
This conversation revealed to Odo a third conception of the religious idea. In Piedmont religion imposed itself as a military discipline, the enforced duty of the Christian citizen to the heavenly state; to the Duke it was a means of purchasing spiritual immunity from the consequences of bodily weakness; to the Bishop, it replaced the panem et circenses of ancient Rome. Where, in all this, was the share of those whom Christ had come to save? Where was Saint Francis’s devotion to his heavenly bride, the Lady Poverty? Though here and there a good parish priest like Crescenti ministered to the temporal wants of the peasantry, it was only the free-thinker and the atheist who, at the risk of life and fortune, laboured for their moral liberation. Odo listened with a saddened heart, thinking, as he followed his host through the perfumed shade of the gardens, and down the long saloon at the end of which the Venus stood, of those who for the love of man had denied themselves such delicate emotions and gone forth cheerfully to exile or imprisonment. These were the true lovers of the Lady Poverty, the band in which he longed to be enrolled; yet how restrain a thrill of delight as the slender dusky goddess detached herself against the cool marble of
Edith Wharton (Works of Edith Wharton)
Then he began plucking the pins from her hair, carefully, without touching her anywhere else, and Eve began to wonder if 'hair' could possibly be erotic. She found herself holding her breath, listening to his deep, even exhalations as he worked, her hair loosening and beginning to slide. It fell all at once, uncoiling heavily over her shoulders. She turned her head to look at him, suddenly shy. He was staring at her hair. "It's beautiful," he murmured, burying his fingers in the long tresses, gently working apart the strands, lifting and spreading them. "Like liquid gold." He suddenly lifted the mass to his face. "And perfumed. Like flowers." "Lily of the valley." He made her feel exotic, still dressed in her sensible gray frock, only her hair loose about her shoulders. "Lily of the valley," he murmured. "I'll remember that scent forever now, and whenever I smell it again I'll think of you, Eve Dinwoody. You'll be haunting my tomorrows evermore." She gasped and turned, looking up at him. She'd thought that he'd be smiling teasingly at his words, but he looked quite serious and she stared at him in wonder. Had he always carried this part of himself inside? This wild poetic lover? If so, he'd hidden it well underneath the aggressive, foulmouthed theater manager. She had a secret fondness for the crass theater manager, but the poet... She swallowed, suddenly nervous. She might come to love a wild poet.
Elizabeth Hoyt (Sweetest Scoundrel (Maiden Lane, #9))
Is that an orchid?" I asked, pointing to a particularly unattractive small brown plant. "Maxillaria tenuifolia," said Sonali. "One of my favorites. This little brown orchid is a species. Not as spectacular as a hybrid, but very satisfying nonetheless. Its charms are quite powerful. Come closer and smell it." I leaned over the ugly brown plant. "Coconut pie! How is that possible?" "Wonderful, isn't it? She doesn't need bright, flashy colors or spectacular sprays of flowers. Her pollinators, the moths, come out at night. She uses her coconut scent to guide and entice the little moth in much the way we use perfume to entice men in nightclubs and cafés." Sonali winked at me. "You can learn much about how an orchid is pollinated by the way it looks. White, pink, and pale-green flowers usually get pollinated at night, since those colors are easily seen under moonlight. The little moth sneaks up on the flower in the middle of the night like a lover. He lands on her, pollinates her, and then leaves. We've all had that experience, yes?" "Yes," I said, thinking of Exley. "Brightly colored orchids, on the other hand, are pollinated by butterflies and birds. Butterflies prefer red and orange. Bees love orange and yellow all the way through to ultraviolet." "Just like certain men like certain color clothing," I said. "Yes, colored petals are the clothing of flowers. The insect must find a way through those petals to get what he wants, like a man brushing his hand through the layers of a woman's skirt.
Margot Berwin (Hothouse Flower and the Nine Plants of Desire)
Monte Carlo was the place to gamble, gossip and sunbathe, exchange an old lover for a newer one, and acquire next season’s fashion statement a full three months before the rest of Paris.
Kathleen Tessaro (The Perfume Collector)
He had to plead for her attention by phoning her dozens of times, by throwing money at her as she danced. He had to offer daily tokens—lipstick, earrings and perfume—through the security guard who stood outside Night Lovers, a giant of a man whose fiery red turban matched his temper.
Sonia Faleiro (Beautiful Thing: Inside the Secret World of Bombay's Dance Bars)
There was a curiously ferocious quality to their lovemaking, as if it were a competition to see which of them could elicit the greater response from the other. It was as though they were trying to scour their mark into each other, like lovers’ initials charred into the trunk of a tree, relic of a lost romance. Teasing, taunting, titillating, they grappled together long after the fire had burned down to embers and the night-blooming flowers on the lake had opened their petals to the night sky, perfuming the air with their too-sweet fragrance. Afterwards, Penelope lay awake, feigning the regular breath of sleep. Beside her, she could sense that Alex was doing the same.
Lauren Willig (The Betrayal of the Blood Lily (Pink Carnation, #6))
most flowery, romantic, sickeningly sweet terms imaginable. No less a heavyweight than Augustine even waxed treacly when he wrote: “O Lord, how I love you! You pounded on my heart with your Word until I loved you. . . . But what do I love when I love you? Not beautiful bodies or the loveliness of the passing seasons, not the radiance of light around us that make our eyes leap with joy, not the sweet melodies of songs, not the fragrance of flowers or perfumes or spices, not cakes or honey, not the entangled limbs of lovers. These are not the things I love when I love God. And yet, I love a light and a voice and a fragrance and a food and an embrace when I love God, who is a light, a voice, a fragrance, a food, and an embrace to my innermost self. . . . This is what I love when I love God.
John R. Mabry (Growing into God: A Beginner's Guide to Christian Mysticism)
A human life was measured out in bouquets, was it not? New mothers received them. So did graduating seniors, young lovers, blushing brides, and the dead. A flower woman was time’s avatar, colorizing the hours, perfuming fleeting instants.
James K. Morrow (The Eternal Footman (Godhead, #3))
Jessica lived on Tremont Avenue, on one of the poorer blocks in a very poor section of the Bronx. She dressed even to go to the store. Chance was opportunity in the ghetto, and you had to be prepared for anything. She didn’t have much of a wardrobe, but she was resourceful with what she had—her sister’s Lee jeans, her best friend’s earrings, her mother’s T-shirts and perfume. Her appearance on the streets in her neighborhood usually caused a stir. A sixteen-year-old Puerto Rican girl with bright hazel eyes, a huge, inviting smile, and a voluptuous shape, she radiated intimacy wherever she went. You could be talking to her in the middle of the bustle of Tremont and feel as if lovers’ confidences were being exchanged beneath a tent of sheets. Guys in cars offered rides. Grown men got stupid. Women pursed their lips. Boys made promises they could not keep.
Adrian Nicole LeBlanc (Random Family: Love, Drugs, Trouble, and Coming of Age in the Bronx)
The unconscious mind is open terrain—no walls or barriers, for better or worse. Thoughts and feelings are free to wander, like characters leaving their books to taste life in other stories. Terrors roam, and so do yearnings. Secrets are turned out like pockets, and old memories meet new. They dance and leave their scents on each other, like perfume transferred between lovers. Thus is meaning made. The mind builds itself like a sirrah’s nest with whatever is at hand: silk threads and stolen hair and the feathers of dead kin. The only rule is that there are no rules.
Laini Taylor (Strange the Dreamer (Strange the Dreamer, #1))
The land became more rocky and he wandered through thin canyons where the wind whispered like a lover or howled like an assassin. The stone was layered as a terrine with fossils: the leaves of trees that had existed when the land was fertile; giant pachyderms; the fearsome teeth and claws of rapacious dinosaurs; and once a piece of cranium and part of the jaw bone of a creature that heralded humanity yet whose skull was distinctly ape-like in origin. Joseph held these bones in his hands and felt a connection between himself and the earth that sang a song of evolution, a lost melody he strained to hear like the last lingering notes of perfume belonging to the one woman he loved.
Sanjida O'Connell (The Priest and the Lily)
I waited for her outside her house and saw her approaching in the aqua-blue dress I had gifted her on her last birthday. She obviously remembered my love for that colour on her and how I always told her that it complimented her skin beautifully. My heartbeat increased just a little as she sat in my car and the scent of her signature perfume- Chanel No 5- diffused in the air of my car. Her sleek-straight hair fell on her face. "Hi Neel. How have you been?" I thought about the first month of sleepless nights, crying, sulking and overthinking and said, "I've been okay.
Insha Juneja (Imperfect Mortals : A Collection of Short Stories)
He gave us music that reached into the ear like a lover's tongue and changed the color of our feelings. He presented movement so exquisite and fluid it coaxed our souls out of our bodies to dance with him, weightless in the perfume of divinity.
Katie Waitman (Merro Tree (Del Rey Discovery))
In the evening, the all birds going to the house. And we are the lovers of our love, in his perfumed realization lost
Sachin sawariya
I needed to make sure you were okay.” “And if I had not been…?” “I would have done what was required to save you.” Tears entered her eyes, putting a gloss over her vision that blurred him and the meadow. “Why,” she breathed. An eternity of silence stretched out between them. And then he reached out and brushed her cheek. When he dropped his hand, she smelled the scent—and could not understand it. Why would the perfume of fresh flowers be out— Rahvyn gasped. Looking down at their feet, she saw violets spring up from the scruffy ground, the fragile purple blooms unfurling, little flags upon green nests. And among them sprouted also daisies and dandelions, then other colorful blooms, all of the heads lifting free of the soil, maturing as if it were July, not April, as if the air were warm, not chilled. The rush of wild flowers swirled around them both, encompassing their vicinity in the meadow, bringing daylight unto the night—and Rahvyn was so o’ercome, she let out a sound of delight and swept her hands to the sky. In a twirl, she imagined that she could gather them up in her arms, a sight for sore eyes, a lift for a heavy heart, a sniff into a grateful, astounded nose. And then she stilled. Lowering her arms, she saw that he remained grim. “Are you leaving right the now?” He took a step back. “I just wanted to give you something beautiful, so you can feel even a little of the wonder I have whenever I look into your eyes.
J.R. Ward (Lover Arisen (Black Dagger Brotherhood, #20))
He smells pleasantly of English cigarettes, expensive perfume, honey, his skin has taken on the scent of silk, the fruity smell of silk tussore, the smell of gold . . .
Marguerite Duras (The Lover)
there are those born with the calling and inner knowledge of its practice. These people love plants, animals, and nature, those who are naturals at taking care of anything green, healers, great cooks, tea lovers and collectors, and all those who love making their perfumes and essential oils.
Misty J. Kinsman (Green Witchcraft For The Kitchen Witch: A real grimoire spell book with herbal magick; rituals and recipes for abundance, protection, love, health, and ... teas, and more (The Green Witch's Library))
Perfume is to smells what eroticism is to sex: an aesthetic, cultural, emotional elaboration of the raw materials provided by nature. The ladies of the court, led by Marie-Antoinette, resorted to the only thing that could keep them one step ahead of the commoners, however wealthy they were: fashion. In fact, this is how fashion as we know it came into existence: the latest trend adopted by a happy few for a season before trickling down to the middle classes. Just a touch of the negligence etudiee that distinguishes chic Parisian women from their fiercely put-together New Yorker or Milanese counterparts. Perfume needs to be supported by image. You're not just doing it to smell good: you're perpetuating a ritual of erotic magic that's been scaring and enticing men in equal measure for millennia. Perfumes are our subconscious. They read us more revealingly than any other choice of adornment, perhaps because their very invisibility deludes us into thinking we can get away with the message they carry. These scents severed fragrance from its function as an extension of a female or male persona - the rugged guy, the innocent waif or the femme fatale - to turn it into a thing that was beautiful, interesting and evocative in and of itself. Perfume's advertising relies on the 3 aspiration S: stars, sex and seduction, with a side helping of dreams or exoticism. Descriptions, impressions, analogies, short stories, snippets or real-life testing, bits of history, parallels with music or literature. Connecting a scent with emotions, impressions, atmospheres, isn't that why we wear it? Isn't it all subjective? Just because you don't want it in your life doesn't make it bad. And it's not entirely impossible to consider perfumes beyond their "like/don't like" status. What intent does t set out to fulfill? How does it achieve its effects? How does it fit in with the history of the brand or its identity? How does it compare to the current season's offerings? Does it bring something new? The story told by the perfumer blends with the ones we tell ourselves about it; with our feelings, our moods, our references, our understanding of it. Once it is released from the bottle, it becomes a new entity. We make it ours: we are the performers of our perfume. Both lust and luxury are coupled in the same Latin word: luxuria is one of the 7 deadly sins. The age-old fear of female sexuality. The lure of beauty, set off by costly and deceitful adornments, could lead men to material and moral ruin but, more frighteningly, suck them into a vortex of erotic voracity. A man's desire waxes and wanes. But how can a woman, whose pleasure is never certain and whose receptive capacity is potentially infinite, ever be controlled?
Denyse Beaulieu (The Perfume Lover: A Personal History of Scent)
You are here sitting in front of me but so are all your lovers your friends and family too every person you’ve been in life with is at our table drinking wine and I wonder have we ever been alone? Truly alone? and how can this be when I, too, don my tribe like pearls when I wear my people like perfume
Kamand Kojouri
Perhaps she stood in the street attracted by the crowd, and, as she listened to our Saviour’s talk, it seemed to hold her fast. She had never heard a man speak after that fashion, and when he spoke of abounding mercy, and the willingness of God to accept as many as would come to him, then the tears began to follow each other down her check; and when she listened again to that meek and lowly preacher, and heard him tell of the Father in heaven who would receive prodigals and press them to his loving bosom, then her heart was fairly broken, she relinquished her evil traffic, she became a new woman, desirous of better things, anxious to be freed from sin. But she was greatly agitated in her heart with the question, could she, would she, be really forgiven ? Would such pardoning love as she had heard of reach even to her? She hoped so, and was in a measure comforted. Her faith grew, and with it an ardent love. The Spirit of God still wrought with her till she enjoyed a feeble hope, a gleam of confidence; she believed that Jesus of Nazareth was the Messiah , that he had appeared on earth to forgive sins, and she rested on him for the forgiveness of her sins, and longed for an opportunity to do him homage, and if possible to win a word direct from his mouth... and I have already derived such benefit from him that I love him better than all besides; I love him as my own soul... Now, when she came to the door, the Saviour was reclining at his meat, according to the Oriental custom, and his feet were towards the door; for the Pharisee had but little respect for Christ , and had not given him the best and innermost place at the feast ; but there he lay with his uncovered feet towards the door, and the woman, almost unperceived, came close to him, and, as she looked and saw that the Pharisee had refused him the ordinary courtesy of washing his feet, and that they were all stained and travel-worn with Lis long journeys of love, she began to weep, and the tears fell in such plenteous showers that they even washed his feet. Here was holy water of a true sort. The crystal of penitence falling in drops, each one as precious as a diamond. Never were feet bedewed with a more precious water than those penitent eyes showered forth. Then, unbinding those luxurious tresses, which had been for her the devil’s nets in which to entangle souls, she wiped the sacred feet therewith. Surely she thought that her chief adornment, the crown and glory of her womanhood, was all too worthless a thing to do service to the lowest and meanest part of the Son of God. That which once was her vanity now was humbled and yet exalted to the lowest office; she made her eyes a ewer and her locks a towel. “Never,” says bishop Hall, “was any hair so preferred as this ; how I envy those locks that were graced with the touch of those sacred feet.” There a sweet temptation overtook her, “I will even kiss those feet, I will humbly pay reverence to those blessed limbs.” She spake not a word, but how eloquent were her actions ! better even than psalms and hymns were these acts of devotion. Then she bethought her of that alabaster box containing perfumed oil with which, like most Eastern women, she was wont to anoint herself for the pleasure of the smell and for the increase of her beauty, and now, opening it, she pours out the costliest thing she has upon his blessed feet. Not a word, I say, came from her; and, brethren, we would prefer a single speechless lover of Jesus, who acted as she did, to ten thousand noisy talkers who have no gifts, no heart, no tears. As for the Master, he remained quietly acquiescent, saying nothing, but all the while drinking in her love, and letting his poor weary heart find sweet solace in the gratitude of one who once was a sinner, but who was to be such no more.
Charles Haddon Spurgeon
I may be here in my study alone as God when your perfume invades me and everything becomes charged All that is holy and obscene between life and life brims with possibility and potential To love and be loved is to plant a tree for shade and find it also bears fruit I would be King were this a world where the currency was love
Kamand Kojouri
The Maronite Christian women in Manaus could not tolerate the notion of Zana marrying a Muslim. A mere tinker, a peddler, a roughneck, a Muslim from the mountains of Southern Lebanon, they’d say. Ah, these passions in the provinces. It’s like being onstage, listening to the audience booing two actors playing two lovers. The more they booed, the more perfume I put on the marriage sheets. It was a greedy and vengeful kiss, I silenced those rattling tongues…and all of Abbas’s ghazals were in that kiss.
Fábio Moon (Two Brothers)
We found ourselves in a lovers’ arrangement common in cities, when you see each other after midnight, once a week or so, sometimes dinner if he felt up for a date. I wanted more, but he had just gotten free of a long relationship, and I’d never been in one. We dated other people. I gravitated to people who reminded me of him, quiet, reserved, people who moved with diligence and discipline in their art. Masculine, but soft. When I couldn’t bear our arrangement, I cut myself off. But I wanted to smell him. I traced his scent back to the source, the Brooklyn Bangladeshi-owned oil shop Madina on Atlantic Avenue, an institution. Named for one of the two holy cities in Islam, the word al-Madina simply means the city, and the shop’s visitors include Black and Muslim entrepreneurs, fragrance aficionados, folks who want to smell good for cheap, imams who sell the oils to the prison commissary, making perfumes available to inmates. I would purchase five-dollar roll-on bottles of oil to smell him in those periods we were off-again.
Tanaïs (In Sensorium: Notes for My People)
In the basement of my fears, I memorised every line You wrote in your old perfumed letters. You said you would come back in 3 days, And each time I stood waiting Reciting your letter like a poem, I started to believe that you meant something else, Something more poetic when you said 3 days. I began to see everything in three; God the son, God the father, God the Holy Spirit. For three years I have been waiting Because if I lost my faith in God What would become of faith itself? And so, when she came, I took whatever she said with a grain of salt She promised to erase every memory of you, I did not want to disappoint her with the truth That I still remember you Whenever it rained That was how we met, You swept me with your beauty And showed me a wet letter When the sun shone, We dried it and the letter was never whole again, Maybe I should have taken a cue from it. love makes us blind When we are blind We don’t see disappointments Three days came, Three days met three decades, I was married, I had a child Yet I still had old memories of you, Your perfumed letters Were still ingrained in my mind For me to love you My lover had to die And your husband too had to die. So, we went to the chapel in secret And prayed for the death of people Who had promised to love us. And when they did die We run away On a boat Never to return To love ourselves like the character In the old perfume letters So hard that we couldn’t distinguish reality from poetry
J.Y. Frimpong
We fled to the country and that was good but never enough. Besides, we could not stay. Country living is behind us, we can only visit or remember that part. The war came also. We felt love, we fell into the cooking, we worked very hard in the garden where we created a lover that rubbed us raw and drowned us in perfume. These things are only part of why I am talking to you from this small room with a cable television and fifty-five identical channels. The rates are posted on the door, plus the essential directions for escape when the fire comes to char our bodies. In this room, I can finally remember that it started with a tree. Come, we will go into the wood.
Charles Bowden (Blues for Cannibals: The Notes from Underground)
few women are squeezed in down there too, wives and lovers of sailors smuggled aboard. I don’t think they appreciated my presence, perhaps offended by my holding my perfumed handkerchief to my nose just to stay there. It looks like a very tough life. Ariaen said the sailors at least get a little pay, a roof over their heads and their food – such as it is – while they are with the VOC.
Howard Gray (Lucretia's Batavia Diary: A first-hand account of living through the most astonishing saga of shipwreck, massacre, survival, rescue and retribution in maritime history.)
17The lover of pleasure will suffer want; the lover of wine and perfume will never be rich.
United States Conference of Catholic Bishops (New American Bible: Revised Edition)
The Wedding Day Love has such a great way of growing, Often by leaps and hounds the lovers say loving hearts has a way of knowing, With joy she heads to her wedding day.. She puts her wedding-gown away, As tenderly as one might close, With kissing lips and finger-tips, And the petals of a red rose.. She puts her wedding-gown away, The quiet place was all a stir With vague perfume that filled the room, Cedar and lavender and fragrant thoughts of her.. She puts her wedding- gown away, Yet lingered with its whiteness gleamed As one above a sleeping Love, oh, thus it was so she seemed.. As she walked in beauty down the aisle in the room, When it was time for her to kiss the groom The wedding bells rang until she was out of sight, The wind appeared and the white doves were in flight.. To enjoy the every moment that will come, There's not really much more I need to say Two hearts would rejoice at one home, Having heart-picked their own 'wedding day
Arijit Mandal
I had awoken my strength. I would not endure humiliation at Albert’s hands again, whether personal or professional. If Albert didn’t appreciate the meek helpmate I had become in our latter years together—the failed physicist from whom he could pilfer ideas at will and the wife bendable at his beckoning—he positively loathed the return of the old Mileva in Berlin. And that was precisely who would greet him at the door when he returned from his cowardly flight to his lover, Elsa. The very thought of Elsa—all perfumed and dyed blond hair, exactly the sort of idle, pampered, bourgeois woman about which Albert used to complain—sickened me. Less because she had “stolen” Albert from me and more because of her perfidy. “Please, Mrs. Einstein, allow me to help you,” Elsa had said with an obsequious smile when the boys and I went to Berlin alone in the days after Christmas to find an apartment. Albert had sent her over to the hotel to “assist” us without my foreknowledge. Staring at the ruby-red smile painted upon her lips, I couldn’t speak. Her audacity coming here, seeking out the woman she’d betrayed, silenced me. Elsa, as she insisted we call her, continued regardless.
Marie Benedict (The Other Einstein)
He was an important figure in the development of English prose, too. Many words still in common use are first recorded in Elyot’s writing, including abusive, adapt, adult, boyish, concoction, encyclopedia, excrement, fragment, inimitable, involuntary, loyal, ode, perfume, ridiculous, spearmint, starfish, tension, tolerate and – rather splendidly – turnip. He also provides the first recorded use of the word ‘alligator’, but in the sense of ‘one who binds or ties something’ (it would only first be applied to the reptile fifty years later, in the 1590s). In 1538 he produced the first-ever Latin–English dictionary.
Oliver Tearle (The Secret Library: A Book Lover's Journey Through Curiosities of Literature)
His father saw him off. Demon had dyed his hair a blacker black. He wore a diamond ring blazing like a Caucasian ridge. His long, black, blue-ocellated wings trailed and quivered in the ocean breeze. Lyudi oglyadïvalis’ (people turned to look). A temporary Tamara, all kohl, kabesk rouge, and flamingo-boa, could not decide what would please her demon lover more—just moaning and ignoring his handsome son or acknowledging bluebeard’s virility in morose Van, who could not stand her Caucasian perfume, Granial Maza, seven dollars a bottle.
Nabokov Vladimir (Ada, or Ardor: A Family Chronicle)