Roof Construction Quotes

Any contractor who would construct a flat-roofed, two-storey building in Northern New Hampshire was enough of a moron to not know how many assholes a human being had.

...when I offered to either stay and help or go bake a pie, it was the pie that was most needed. It took six pies to finish the roof. I had not known that pies were such an important part of construction.

This here is your inheritance, says the senior partner. Yes, he says, Ludwig, I know, and stows the plan for the bathing house (5.5m long, 3.8m wide, outer wall construction: wood, roof construction: thatch), stows both the plan and the mosquito in his briefcase. On a German shelf, this mosquito, pressed flat between large quantities of paper, will outlast time and times, and one day it might even be petrified, who knows.

I saw the best minds of my generation destroyed by Facebook, starving hysterical naked, dragging themselves through photo slideshows at dawn looking for an angry fix, angelheaded hipsters burning for the ancient heavenly connections of their youth through the machinery of night, who clicking and poking and hollow-eyed and high sat up smoking in the supernatural brightness of tiny screens floating across the tops of cities contemplating likes, who bared their brains to the network and saw who got pregnant and who got fat and who’s living the life best lived by posting Instagrams of themselves staggering on tenement roofs illuminated, who passed through newly cropped profile pics with radiant cool eyes obsessing over whose ex’s new lover is the best looking ex-lover’s lover, who breaking their backs falling out of ergonomic chairs while shouting into the icy streets, Everybody look how clever I am, Look how much fun I am having, Look at this amazing party I went to, Look at how well-liked I am, Look at my effortless carefully constructed casual desperate thrown together fun, Everybody look, This is fun, Look, Look, I swear to God I am having so much fun.

…he is invariably a kind of super-size but unmistakably ‘classical’ neurotic, an aberrant who only occasionally, and never deeply, wishes to surrender his aberration; or, in English, a Sick Man who not at all seldom, though he’s reported to childishly deny it, gives out terrible cries of pain, as if he would wholeheartedly let go of both his art and soul to experience what passes in other people for wellness, and yet (the rumor continues) when his unsalutary-looking little room is broken into and someone - not infrequently, at that, someone who actually loves him - passionately asks him where the pain is, he either declines or seems unable to discuss it an any constructive critical length, and in the morning, when even great poets and painters presumably feel a bit more chipper than usual, he looks more perversely determined than ever to see his sickness run its course, as though by the light of another, presumably working day he had remembered that all men, the healthy ones included, eventually die, but that he, lucky man, is at least being done in by the most stimulating companion, disease or no, he has ever known.

This is how concreteness helps us understand—it helps us construct higher, more abstract insights on the building blocks of our existing knowledge and perceptions. Abstraction demands some concrete foundation. Trying to teach an abstract principle without concrete foundations is like trying to start a house by building a roof in the air.

I think it should be done over, Buddy. …Please make peace with your wit. It's not going to go away, Buddy. To dump it on your own advice would be as bad and unnatural as dumping your adjectives and your adverbs because Prof. B. wants you to. What does he know about it? What do you really know about your own wit? I've been sitting here tearing up notes to you. I keep starting to say things like 'This one is wonderfully constructed,' and 'The conversation between the two cops is terrific.' So I'm hedging. I'm not sure why. I started to get a little nervous right after you began to read. It sounded like the beginning of something your arch-enemy Bob B. calls a rattling good story. Don't you think he would call this a step in the right direction? Doesn't that worry you? Even what is funny about the woman on the back of the truck doesn't sound like something you think is funny. It sounds much more like something that you think is universally considered funny. I feel gypped. Does that make you mad? You can say our relatedness spoils my judgement. It worries me enough. But I'm also just a reader. Are you a writer or just a writer of rattling good stories. I mind getting a rattling good story from you.

Objects and Objectives To contemplate LEGO. Many colours. Many shapes. Many inventive and useful shapes. Plastic. A versatile and practical substance. Symbolic of the resourcefulness of man. Oil taken from the depths of the very earth. Distillation of said raw material. Chemical processes. Pollution. Creating a product providing hours of constructive play. For children all over the world. Teaching our young. Through enjoyment. Preparing them for further resourcefulness. The progress of our kind. A book. Many books. Proud liners of walls. Fingered. Taken out with great care. Held open. Gazed upon / into with something like awe. A medium for the recording of and communication of knowledge. From the many to the many. Down the ages. And of art. And of love. But do you hear the trees outside whispering? Do their voices haunt you? No wonder. They are calling for their brothers. Pulped. Pressed. Coated. Printed. Bound. And for their other brothers which made the shelves to hold them. And for the roof over them as well. From the very beginning - everything at cost. A cave man, to get food, had to deal with the killing. And the bones from one death proved very useful for implementing the death of another.

An enormous cathedral, winter had been constructed in the forest, its masonry of ice, the organ peal of wind. The tiny artisans of the tribes of the fox and the ermine had excavated and ornamented its aisles, printed its paving. Its windows were paned with cold mauve and blue and yellowish skies and the deadly reds of frozen sunsets. The cathedral endured. Then spring, the destroying angel, stalked the wilderness sword in hand. Spring smote the cathedral. Its roofs of snow collapsed. After the thaw, green trickled into the arteries of the wood, and spears of sunlight divided the trees one from another.

All great, simple images reveal a psychic state. The house, even more than the landscape, is a "psychic state," and even when reproduced as it appears from the outside, it bespeaks intimacy. Psychologists generally, and Francoise Minkowska in particular, together with those whom she has succeeded interesting in the subject, have studied the drawing of houses made by children, and even used them for testing. Indeed, the house-test has the advantage of welcoming spontaneity, for many children draw a house spontaneously while dreaming over their paper and pencil. To quote Anne Balif: "Asking a child to draw his house is asking him to reveal the deepest dream shelter he has found for his happiness. If he is happy, he will succeed in drawing a snug, protected house which is well built on deeply-rooted foundations." It will have the right shape, and nearly always there will be some indication of its inner strength. In certain drawings, quite obviously, to quote Mme. Balif, "it is warm indoors, and there is a fire burning, such a big fire, in fact, that it can be seen coming out of the chimney." When the house is happy, soft smoke rises in gay rings above the roof. If the child is unhappy, however, the house bears traces of his distress. In this connection, I recall that Francoise Minkowska organized an unusually moving exhibition of drawings by Polish and Jewish children who had suffered the cruelties of the German occupation during the last war. One child, who had been hidden in a closet every time there was an alert, continued to draw narrow, cold, closed houses long after those evil times were over. These are what Mme. Minkowska calls "motionless" houses, houses that have become motionless in their rigidity. "This rigidity and motionlessness are present in the smoke as well as in the window curtains. The surrounding trees are quite straight and give the impression of standing guard over the house". Mme. Minkowska knows that a live house is not really "motionless," that, particularly, it integrates the movements by means of which one accedes to the door. Thus the path that leads to the house is often a climbing one. At times, even, it is inviting. In any case, it always possesses certain kinesthetic features. If we were making a Rorschach test, we should say that the house has "K." Often a simple detail suffices for Mme. Minkowska, a distinguished psychologist, to recognize the way the house functions. In one house, drawn by an eight-year-old child, she notes that there is " a knob on the door; people go in the house, they live there." It is not merely a constructed house, it is also a house that is "lived-in." Quite obviously the door-knob has a functional significance. This is the kinesthetic sign, so frequently forgotten in the drawings of "tense" children. Naturally, too, the door-knob could hardly be drawn in scale with the house, its function taking precedence over any question of size. For it expresses the function of opening, and only a logical mind could object that it is used to close as well as to open the door. In the domain of values, on the other hand, a key closes more often than it opens, whereas the door-knob opens more often than it closes. And the gesture of closing is always sharper, firmer, and briefer than that of opening. It is by weighing such fine points as these that, like Francoise Minkowska, one becomes a psychologist of houses.

When, shortly afterward, I stopped at the top of the hill and saw the town beneath me, my feeling of happiness was so ecstatic that I didn’t know how I would be able to make it home, sit there and write, eat, or sleep. But the world is constructed in such a way that it meets you halfway in moments precisely like these, your inner joy seeks an outer counterpart and finds it, it always does, even in the bleakest regions of the world, for nothing is as relative as beauty. Had the world been different, in my opinion, without mountains and oceans, plains and seas, deserts and forests, and consisted of something else, inconceivable to us, as we don’t know anything other than this, we would also have found it beautiful. A world with gloes and raies, evanbillits and conulames, for example, or ibitera, proluffs, and lopsits, whatever they might be, we would have sung their praises because that is the way we are, we extol the world and love it although it’s not necessary, the world is the world, it’s all we have. So as I walked down the steps toward the town center on this Wednesday at the end of August I had a place in my heart for everything I beheld. A slab of stone worn smooth in a flight of steps: fantastic. A swaybacked roof side by side with an austere perpendicular brick building: so beautiful. A limp hot-dog wrapper on a drain grille, which the wind lifts a couple of meters and then drops again, this time on the pavement flecked with white stepped-on chewing gum: incredible. A lean old man hobbling along in a shabby suit carrying a bag bulging with bottles in one hand: what a sight. The world extended its hand, and I took it.

During construction, the plant’s massive roof was supposed to be sealed with a non-combustible material, for obvious reasons. None was readily available in the required quantities, so to proceed on schedule he sourced bitumen instead, of which there was enough in storage.147 Bitumen is a highly flammable substance, banned from industrial use in the Soviet Union for over a decade (which is perhaps why there was so much of it lying around).148 The bitumen melted in the intense heat, sticking to the firemen’s boots, hindering their mobility and filling their lungs with toxic smoke.

In the course of my new work I had occasion to go roaming about the whole construction site and time to sit on the ceiling of the eighth floor of our building, in other words, as if on the roof. And from there we prisoners had a panoramic view of Moscow. ... But no matter how much of a greenhorn I was in champing at the bit to be out "in freedom," this city did not arouse in me envy or the wish to soar down onto its streets. All the evil holding us prisoner had been woven here. This arrogant city had never before provided such a justification as it did now after the war for the saying: "Moscow turns its back on tears!

Day and night, bombs crashed into Baghdad. You watched it on TV, you heard it on the radio, you saw it from the roof and when you ventured out into the street: soldiers and civilians, arms and legs roasting, broken by falling stone, intestines spilling onto concrete; homes and barracks, walls ripped open; Baathists and Islamists, Communists and Social Democrats, grocers, tailors, construction workers, nurses, teachers all scurrying to hide in dim burrows, where they would wait to die, as many died, some slowly from disease and infection, others quick in bursts of light, thickets of tumbling steel, halos of dust, crushed by the world’s greatest army.

Jane Grenville in her scholarly and definitive work Medieval Housing provides an arresting pair of illustrations showing how two archaeological teams, using the same information, envisioned the appearance of a long-house at Wharram Percy, a lost medieval village in Yorkshire. One illustration shows a strikingly plain, basic dwelling, with walls made of mud or clunch (a composite of mud and dung) and a roof of grass or sod. The other shows a much sturdier and more sophisticated cruck-framed construction in which hefty beams have been fitted together with skill and care. The simple fact is that archaeological evidence shows mostly how buildings met the ground, not how they looked.

Our house was made of stone, stucco, and clapboard; the newer wings, designed by a big-city architect, had a good deal of glass, and looked out into the Valley, where on good days we could see for many miles while on humid hazy days we could see barely beyond the fence that marked the edge of our property. Father, however, preferred the roof: In his white, light-woolen three-piece suit, white fedora cocked back on his head, for luck, he spent many of his waking hours on the highest peak of the highest roof of the house, observing, through binoculars, the amazing progress of construction in the Valley - for overnight, it seemed, there appeared roads, expressways, sewers, drainage pipes, "planned" communities with such names as Whispering Glades, Murmuring Oaks, Pheasant Run, Deer Willow, all of them walled to keep out intruders, and, yet more astonishing, towerlike buildings of aluminum and glass and steel and brick, buildings whose windows shone and winked like mirrors, splendid in sunshine like pillars of flame; such beauty where once there had been mere earth and sky, it caught at your throat like a great bird's talons, taking your breath away. 'The ways of beauty are as a honeycomb,' Father told us, and none of us could determine, staring at his slow moving lips, whether the truth he spoke was a happy truth or not, whether even it was truth. ("Family")

Michael saw Northampton Castle being built by Normans and their labourers, while being pulled down in accordance with the will of Charles the Second fifteen hundred years thereafter. A few centuries of grass and ruins coexisted with the bubbling growth and fluctuations of the railway station. 1920s porters, speeded up into a silent comedy, pushed luggage-laden trolleys through a Saxon hunting party. Women in ridiculously tiny skirts superimposed themselves unwittingly on Roundhead puritans, briefly becoming composites with fishnet tights and pikestaffs. Horses’ heads grew from the roofs of cars and all the while the castle was constructed and demolished, rising, falling, rising, falling, like a great grey lung of history that breathed crusades, saints, revolutions and electric trains.

The biggest obstacle to the Sarcophagus’ construction were untold thousands of shattered graphite chunks ejected from the reactor core and thrown up onto the roofs of Unit 3 and the shared chimney. They needed to be removed, but radiation levels on top of Units 3 and 4 - which were too unstable to support the weight of a heavy bulldozer - were far higher than any human could survive. The solution was to airlift remote control robots from across Russia, Germany and Japan, including a couple of lightweight, experimental, remote controlled STR-1 robots from the Soviet space program, built to land on the Moon, and use them to slowly push rubble off the side of the building. Sixty meters below, the bulldozers would gather up any debris and bury it. In an interesting but tragic twist, however, some robots became stuck in the melted bitumen or tangled in the mangled wreckage, while the rest soon succumbed to the radiation.

NO HUMAN eye can isolate the unhappy coincidence of line and place which suggests evil in the face of a house, and yet somehow a maniac juxtaposition, a badly turned angle, some chance meeting of roof and sky, turned Hill House into a place of despair, more frightening because the face of Hill House seemed awake, with a watchfulness from the blank windows and a touch of glee in the eyebrow of a cornice. Almost any house, caught unexpectedly or at an odd angle, can turn a deeply humorous look on a watching person; even a mischievous little chimney, or a dormer like a dimple, can catch up a beholder with a sense of fellowship; but a house arrogant and hating, never off guard, can only be evil. This house, which seemed somehow to have formed itself, flying together into its own powerful pattern under the hands of its builders, fitting itself into its own construction of lines and angles, reared its great head back against the sky without concession to humanity. It was a house without kindness, never meant to be lived in, not a fit place for people or for love or for hope. Exorcism cannot alter the countenance of a house; Hill House would stay as it was until it was destroyed.

wisdom of C.S. Lewis:   “Imagine yourself as a living house. God comes in to rebuild that house. At first, perhaps, you can understand what He is doing. He is getting the drains right and stopping the leaks in the roof and so on; you knew that those jobs needed doing and so you are not surprised. But presently He starts knocking the house about in a way that hurts abominably and does not seem to make any sense. What on earth is He up to? The explanation is that He is building quite a different house from the one you thought of―throwing out a new wing here, putting on an extra floor there, running up towers, making courtyards. You thought you were being made into a decent little cottage: but He is building a palace. He intends to come and live in it Himself.

Tree House   This jungle tree house build is both fun and rewarding, especially once you get finished in the evening and can watch the sun set from the patio of your new house suspended a hundred feet in the air. Here’s how to get started.   Once you locate a jungle biome in your world, pick out a few tall trees that are close to each other:         Start by building a platform around one of the trees and adding columns at the corners to support a half-roof:           With the columns in place, begin adding on a roof, using stairs as the roof portions. Note that all of the wood I’m using for this build is jungle wood.             Add fencing between the columns to keep people from falling out, leaving a space on one side for your patio. Create the patio using bottom stone slabs for a lower portion where a fountain/waterfall will go, then using top stone slabs for the eating area.               Once the patio is completed, you can use pressure plates on top of fence posts for tables, stairs for chairs and then use a water bucket to create a nice flow of water through a hole in the patio. Fences around the perimeter keep people safe and a few torches keep things well-lit.   Next, find a nearby tree and construct a second platform:           Make sure the second platform is surrounded by fending as well, then connect both platforms with stairs and wood planks, adding in fencing on the sides for safety:           This new platform will be the sleeping area, and three sets of beds arranged around the tree in the middle look cozy and inviting. Top this platform off with a few torches and you’re set!         Adding some jungle leaves above the platform will protect sleepers below from getting wet when it rains, and will help keep things looking natural and open.         Go back to the main platform and construct an additional, smaller platform above it:         Cut a hole in both platforms and add a tall ladder going from the uppermost platform down to the ground, passing through the main platform on its way. At the bottom, add a landing with torches and stairs leading down to the beach:           Clear the upper platform of leaves and then add on fencing for safety, torches for light and use a staircase and wooden slab to create long chairs that people can sit on to watch the sunsets. A pair of stairs on the sides of the upper platform add additional seating for more guests:             Wow! This tree house looks amazing! You’ve got all of the basic set up, so now it’s up to you to take it to the next level! Add in more personal touches, expand the tree house with more connected platforms or build even higher into the jungle!  

Extensive use of copper is made in the construction of the 'tabernacle of Yahweh' (Exod. 27) and the Jerusalem temple (1 Kgs 7). In the latter case, the entrance to the temple is described as being flanked by two large columns wholly made of copper (termed Boaz and Yakhin, 1 Kgs 7.15-22). These two bronze columns are not pillars supporting the roof [of] the Temple. Devoid of any architectural function, their presence should be considered as purely symbolic. By their outstanding dimensions (about 9 meters height and 2 meters in circumference), they were the most prominent symbol of the Temple. (pp. 394-395) from 'Yahweh, the Canaanite God of Metallurgy?', JSOT 33.4 (2009): 387-404

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Father,” he said finally, “I don’t understand why the Council had to question Padan Fain.” With an effort he took his eyes off the woods and looked across Bella at Tam. “It seems to me, the decision you reached could have been made right on the spot. The Mayor frightened everybody half out of their wits, talking about Aes Sedai and the false Dragon here in the Two Rivers.” “People are funny, Rand. The best of them are. Take Haral Luhhan. Master Luhhan is a strong man, and a brave one, but he can’t bear to see butchering done. Turns pale as a sheet.” “What does that have to do with anything? Everybody knows Master Luhhan can’t stand the sight of blood, and nobody but the Coplins and the Congars thinks anything of it.” “Just this, lad. People don’t always think or behave the way you might believe they would. Those folk back there…let the hail beat their crops into the mud, and the wind take off every roof in the district, and the wolves kill half their livestock, and they’ll roll up their sleeves and start from scratch. They’ll grumble, but they won’t waste any time with it. But you give them just the thought of Aes Sedai and a false Dragon in Ghealdan, and soon enough they’ll start thinking that Ghealdan is not that far the other side of the Forest of Shadows, and a straight line from Tar Valon to Ghealdan wouldn’t pass that much to the east of us. As if the Aes Sedai wouldn’t take the road through Caemlyn and Lugard instead of traveling cross-country! By tomorrow morning half the village would have been sure the entire war was about to descend on us. It would take weeks to undo. A fine Bel Tine that would make. So Bran gave them the idea before they could get it themselves. They’ve seen the Council take the problem under construction, and by now they’ll be hearing what we decided. They chose us for the Village Council because they trust we can reason things out in the best way for everybody. They trust our opinions. Even Cenn’s, which doesn’t say much for the rest of us, I suppose. At any rate, they will hear there isn’t anything to worry about, and they’ll believe it. It is not that they couldn’t reach the same conclusion, or would not, eventually, but this way we won’t have Festival ruined, and nobody has to spend weeks worrying about something that isn’t likely to happen. If it does against all odds…well, the patrols will give us enough warning to do what we can.

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Tokyo." Mr. Fuchigami's voice inflates with pride. "Formerly Edo, almost destroyed by the 1923 Great Kantō earthquake, then again in 1944 by nighttime firebombing raids. Tens of thousands were killed." The chamberlain grows silent. "Kishikaisei." "What does that mean?" There's a skip in my chest. We've entered the city now. The high-rises are no longer cut out shapes against the skyline, but looming gray giants. Every possible surface is covered in signs---neon and plastic or painted banners---they all scream for attention. It's noisy, too. There is a cacophony of pop tunes, car horns, advertising jingles, and trains coasting over rails. Nothing is understated. "Roughly translated, 'wake from death and return to life.' Against hopeless circumstances, Tokyo has risen. It is home to more than thirty-five million people." He pauses. "And, in addition, the oldest monarchy in the world." The awe returns tenfold. I clutch the windowsill and press my nose to the glass. There are verdant parks, tidy residential buildings, upmarket shops, galleries, and restaurants. For each sleek, new modern construction, there is one low-slung wooden building with a blue tiled roof and glowing lanterns. It's all so dense. Houses lean against one another like drunk uncles. Mr. Fuchigami narrates Tokyo's history. A city built and rebuilt, born and reborn. I imagine cutting into it like a slice of cake, dissecting the layers. I can almost see it. Ash from the Edo fires with remnants of samurai armor, calligraphy pens, and chipped tea porcelain. Bones from when the shogunate fell. Dust from the Great Earthquake and more debris from the World War II air raids. Still, the city thrives. It is alive and sprawling with neon-colored veins. Children in plaid skirts and little red ties dash between business personnel in staid suits. Two women in crimson kimonos and matching parasols duck into a teahouse.

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The New Century Global Center in Chengdu was enormous. The sign above the main doors proclaimed it as the biggest mall in the world, and it was easy to reach the conclusion that that was still selling it short. The building was a hundred metres tall, with a concrete pediment that had been shaped to resemble flowing waves. Video screens fixed to the structure ran colourful advertisements for the stores inside the complex on a steady loop. The place was more like a small town than a mall, with hundreds of shops and restaurants. There was an artificial indoor beach, an ice-skating rink and a sculpture garden on the roof. The story was that the government had authorised the billions involved in its construction as a way to demonstrate to the rest of the world the strength of the Chinese economy. They wanted it to be visible from space

constructed of poles planted perpendicularly in the ground, plastered with mud, and roofed with tule, or the long leaves

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1930s Functionalism/Modernism Exterior •Facade: Cube shapes and light-color plaster facades, or thin, standing wood panels. •Roof: Flat roof, sometimes clad in copper or sheet metal. •Windows: Long horizontal window bands often with narrow—or no—architraves; large panes of glass without mullions or transoms. Emphasis on the horizontal rather than on the vertical. Windows run around corners to allow more light and to demonstrate the new possibilities of construction and materials. •Outside door: Wooden door with circular glass window. •Typical period details: Houses positioned on plots to allow maximum access to daylight. Curving balconies, often running around the corner; corrugated-iron balcony frontage. Balcony flooring and fixings left visible. The lines of the building are emphasized. Interior •Floors: Parquet flooring in various patterns, tongue-and-groove floorboards, or linoleum. •Interior doors: Sliding doors and flush doors of lamella construction (vaulted, with a crisscross pattern). Masonite had a breakthrough. •Door handles: Black Bakelite, wood, or chrome. •Fireplaces: Slightly curved, brick/stone built. Light-color cement. •Wallpaper/walls: Smooth internal walls and light wallpapers, or mural wallpaper that from a distance resembled a rough, plastered wall. Internal wall and woodwork were light in color but rarely completely white—often muted pastel shades. •Furniture: Functionalism, Bauhaus, and International style influences. Tubular metal furniture, linear forms. Bakelite, chrome, stainless steel, colored glass. •Bathroom: Bathrooms were simple and had most of today’s features. External pipework. Usually smooth white tiles on the walls or painted plywood. Black-and-white chessboard floor. Lavatories with low cisterns were introduced. •Kitchen: Flush cupboard doors with a slightly rounded profile. The doors were partial insets so that only about a third of the thickness was visible on the outside—this gave them a light look and feel. Metal-sprung door latches, simple knobs, metal cup handles on drawers. Wall cabinets went to ceiling height but had a bottom section with smaller or sliding doors. Storage racks with glass containers for dry goods such as salt and flour became popular. Air vents were provided to deal with cooking smells.

Constructing a roof for all your storms seems impossible until you construct a lovely home

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We were disappointed that we had not been able to find any survivors on the sunken ships, but after six days of sounding, we were sure no one was alive within them. While our diving crews were occupied sounding the ships and freeing the USS Tennessee, the shipyard constructed two diving barges, each one twenty feet wide and thirty feet long. Buoyancy was provided by three cylindrical pontoons. Wooden planks formed the deck, while corrugated sheet metal on the roof provided protection from the elements. A long pipe spanned the upright stanchions along the side of one barge, which provided an area to hang the divers’ rubberized canvas dresses. Along the opposite side were hangers for the four sets of lifelines and air hoses. A large workbench was situated in the middle of the barge. Installed at one end was a wooden diving ladder that led down to the water four feet below. Next to the ladder was a table that held the diving telephone equipment. Four dressing stools were neatly stacked near the table.

Roofing Sheet – 3sgroups In Dindigul, like in many other parts of India, several roofing sheet materials are commonly used to meet the diverse climate and construction needs of the region. The most commonly used roofing sheet materials in Dindigul

Just before noon one sunny summer’s day, three bears were returning home from their morning wander. They lived in a sturdy wooden cabin, unpretentious and rustic. Approaching the house he’d built with his own paws, Daddy Bear felt a sense of satisfaction. The residence blended in with the forest rather than standing out from it. All the construction materials had been ethically sourced. The wood came from trees felled by storms. A thick layer of turf on the roof provided insulation in winter and kept the cabin cool in summer. In addition to being practical, the turf looked pretty. Its grass sprouted straight up like hair jutting from a mythic head. A little too big to be quaint, yet a little too small to be showoffish, the house was just right. And just right was the way Daddy Bear liked things.

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In the tin-covered porch Mr Chawla had constructed at the rear of the house she had set up her outdoor kitchen, spilling over into a grassy patch of ground. Here rows of pickle jars matured in the sun like an army balanced upon the stone wall; roots lay, tortured and contorted, upon a cot as they dried; and tiny wild fruit, scorned by all but the birds, lay cut open, displaying purple-stained hearts. Ginger was buried underground so as to keep it fresh; lemon and pumpkin dried on the roof; all manner of things fermented in tightly sealed tins; chilli peppers and curry leaves hung from the branches of a tree, and so did buffalo curd, dripping from a cloth on its way to becoming paneer. Newly strong with muscles, wiry and tough despite her slenderness, Kulfi sliced and pounded, ground and smashed, cut and chopped in a chaos of ingredients and dishes. ‘Cumin, quail, mustard seeds, pomelo rind,’ she muttered as she cooked. ‘Fennel, coriander, sour mango. Pandanus flour, lichen and perfumed kewra. Colocassia leaves, custard apple, winter melon, bitter gourd. Khas root, sandalwood, ash gourd, fenugreek greens. Snake-gourd, banana flowers, spider leaf, lotus root …’ She was producing meals so intricate, they were cooked sometimes with a hundred ingredients, balanced precariously within a complicated and delicate mesh of spices – marvellous triumphs of the complex and delicate art of seasoning. A single grain of one thing, a bud of another, a moist fingertip dipped lightly into a small vial and then into the bubbling pot; a thimble full, a matchbox full, a coconut shell full of dark crimson and deep violet, of dusty yellow spice, the entire concoction simmered sometimes for a day or two on coals that emitted only a glimmer of faint heat or that roared like a furnace as she fanned them with a palm leaf. The meats were beaten to silk, so spiced and fragrant they clouded the senses; the sauces were full of strange hints and dark undercurrents, leaving you on firm ground one moment, dragging you under the next. There were dishes with an aftertaste that exploded upon you and left you gasping a whole half-hour after you’d eaten them. Some that were delicate, with a haunting flavour that teased like the memory of something you’d once known but could no longer put your finger on. Pickled limes stuffed with cardamom and cumin, crepuscular creatures simmered upon the wood of a scented tree, small river fish baked in green coconuts, rice steamed with nasturtium flowers in the pale hollow of a bamboo stem, mushrooms red – and yellow-gilled, polka-dotted and striped. Desire filled Sampath as he waited for his meals. Spice-laden clouds billowed forth and the clashing cymbals of pots and pans declared the glory of the meal to come, scaring the birds from the trees about him.

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Roof Ventilator Design: Shree Sivabalaaji Steels In modern architecture and construction, effective ventilation is a key factor in ensuring both comfort and structural longevity. Among various ventilation systems, roof ventilators play a crucial role in enhancing airflow within buildings. Shree Sivabalaaji Steels, a prominent name in the steel manufacturing industry, offers specialized roof ventilator designs that combine functionality with durability. We will have explored the design considerations, benefits, and unique features of roof ventilators offered by Shree Sivabalaaji Steels.

I was reminded of the Winchester Mystery House, which I’d seen as a child on a trip with my parents. From above, there was the same sort of random conglomeration—peaked roofs connected to flat roofs, shakes and shingles, tarpaper and skylights—and I realized that Frank had constructed his house from the town, connecting the buildings until they made one enormous edifice. “Jesus,” I breathed.

Step By Step Guide To Finding A Good Roofing Contractor The local roofing repair contractor you choose should always have a great reputation in the community and a track record of exceptional customer service. When you can't be on site, you need to know that your service provider is doing an excellent job. You also need to be sure that old-fashioned craftsmanship and quality materials are part of the roofing repair contractor's vision for his work. The following are methods to make sure that you hire the right roofing repair contractor. A reliable roofing repair contractor will make an effort to bring you the highest quality results. Well-regarded roofing repair contractors preserve their good reputations by always keeping their promises. Give your roofing repair contractor an appropriate timeline and do not interrupt his work unnecessarily. Discover how the contractual worker arrangements to handle any obligation issues. Once you start seeing bids, do not make the mistake of assuming that a low bid will lead to a similarly low work performance. Check the cost of the needed materials and compare them to the pricing of the low bid. In addition, it's important to think about all the labor costs. Construct a legal contract only when you have determined the price is within reason. Often when you are searching for a local roofing repair contractor with a great reputation and who will provide the very best work, this is usually one of the busier people in his field. If your local roofing repair contractor has a reputation for doing a great job, be prepared to wait to engage his services. There is a downside to roofing repair contractors who are in high demand as they might not be able to focus entirely on your project. The most vital thing in finding a local roofing repair contractor is to trust your instincts. Every time a roofing expert comes to you with a legal contract that requires your signature, read the legal agreement to really ensure all of your requests are present in the legal agreement and the roofing expert recognizes them. If you're taking the time to ensure the legal agreement has everything you and your service provider had agreed on and is put in clear terms, it'll save you much stress and money down the road. Ensure you have posed all questions and concerns to your service provider prior to signing an agreement. If there are any terms or conditions you do not understand, give the legal agreement to a lawyer for clarification. Roofing contractors with excellent reputations consider it good business practice to provide each client with a written quote before starting work on any job. If the info is needed, pronto, your roofing repair contractor might be willing to provide you with a quote over the phone. Inspect the schedule and qualifications of the roofing repair contractor to effectively ensure that the project will be finished exactly how and when you would like it and within your financial requirements. Make sure to ask any questions and address all concerns to your satisfaction before you employee a roofing repair contractor

total of 1,599,640 man hours of labor went into the building of the LZ-129 “Hindenburg”. The price for technology is often measured in the lifes lost. Two workers are known to have been killed in Friedrichshafen during the construction of the “Hindenburg”. One worker who was walking along the roof, during an inspection check tour, slipped on the wet gangway along the roof, near the shed door and fell 50 meters to his death. A second worker was killed, when the moveable scaffolding collapsed during work on the tail section. He too fell to this death. Unfortunately, the names of both workers have been lost through time.

Two thousand Jews, for example, lived in and around the small town of Tykocin, northwest of Warsaw on the road to Bialystok in eastern Poland, worshiping in a square, fortified synagogue with a turreted tower and a red mansard roof, built in 1642, more than a century after Jewish settlement began in the region. Lush farm country surrounds Tykocin: wheat fields, prosperous villages, cattle in the fields, black-and-white storks brooding wide, flat nests on the chimneys of lucky houses. Each village maintains a forest, a dense oval stand of perhaps forty acres of red-barked pines harvested for firewood and house and barn construction. Inside the forests, even in the heat of summer, the air is cool and heady with pine; wild strawberries, small and sweet, strew the forest floor. Police Battalions 309 and 316, based in Bialystok, invaded Tykocin on 5 August 1941. They drove Jewish men, women and children screaming from their homes, killed laggards in the streets, loaded the living onto trucks and jarred them down a potholed, winding dirt road past the storks and the cattle to the Lopuchowo village forest two miles southwest. In the center of the Lopuchowo forest, men dug pits, piling up the sandy yellow soil, and then Police Battalions 309 and 316, out for the morning on excursion from Bialystok, murdered the Jews of Tykocin, man, woman and child. For months the forest buzzed and stank of death. (Twenty miles northwest of Tykocin in the village of Jedwabne, Polish villagers themselves, with German encouragement, had murdered their Jewish neighbors on 10 July 1941 by driving them into a barn and burning them alive, a massacre examined in Jan T. Gross’s book Neighbors.)

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The largest apartment in the Dakota belongs to restaurateur Warner LeRoy, the son of movie director Mervyn LeRoy and the nephew of all the Warner brothers. Originally, the LeRoys’ apartment consisted of only ten large rooms on the sixth floor, but when another apartment of the same size became available on the floor immediately above, the LeRoys bought that one too. They persuaded the building to let them construct a staircase between the two apartments, giving them the Dakota’s only duplex, unless one counts Ward Bennett’s split-level pyramid on the roof, the Novaks’ basement studio, and the various sleeping-lofts and balconies that have been inserted between floors here and there. The LeRoy apartment, as might be expected, has been decorated in

total of 1,599,640 man hours of labor went into the building of the LZ-129 “Hindenburg”. The price for technology is often measured in the lifes lost. Two workers are known to have been killed in Friedrichshafen during the construction of the “Hindenburg”. One worker who was walking along the roof, during an inspection check tour, slipped on the wet gangway along the roof, near the shed door and fell 50 meters to his death. A second worker was killed, when

The building was a sniper’s heaven; it was long with dozens of windows and many points of view. Three floors. Someone had put cardboard in each of the panes, dozens of cardboard boxes, making it almost impossible to see inside. The marines kept firing, thousands and thousands of rounds. The barrels of their machine guns glowed and sagged. “Get me another barrel,” one of the kids said. More firing commenced. “I don’t know who he is, but he is very well trained,” said Lieutenant Steven Berch, another one of the platoon leaders. Omohundro was downstairs. He listened to the commotion and called in an airstrike. “Just blow the building to shit,” he said. First a 2,000 -pound bomb, then a 500 -pounder flew into the building and burst. A cloud unfolded upward and revealed a gigantic fire. It rose through the ruined ceiling. Part of a wall collapsed. Crack! Crack! Crack! The marines ducked, cursed loudly and returned fire. No one spotted the sniper this time. The sniper fired back. The marines responded with another blast of gunfire, many thousands of rounds. I stood with some guys at the back of the roof, behind a shed. A blue and green parakeet fluttered out of the sky and hovered in tight circles. Bullets flew past. The parakeet landed on a slumping power line. The marines stared in amazement. “Someone’s pet?” a marine said. I ran across the top of the roof and the sniper took a shot. Crack! The bullet whizzed by. An artillery barrage began. First came the 155 mm shells, each filled with fifty pounds of high explosives. One after the other the shells sailed into the building. Fire swept through the three floors. What was left of the ceiling collapsed in the smoke. Cardboard sailed out of shattered windows. Twenty shells, then thirty, each one large enough to end the world. The shelling ceased and the shooting stopped. The building burned. Remarkably it still had a frame, and parts of its three floors still stood. Suddenly a sound rustled from a storefront on the first floor. The marines tensed. A cat sauntered out, dirty yellow, tail in the air. It walked like a runway model in front of a construction site. “Can I shoot it, sir?” a marine asked his squad leader. “Absolutely not,” came the reply. Crack!

J.O.N. Construction, Inc. is a family owned roofing, siding and replacement window company in Allentown, PA. We have been serving Lehigh Valley, PA with residential and commercial roofing, roof repair, roof replacement, window replacement, siding installation and gutter work for over 30 years now. We work in Bethlehem, Easton, Upper Macungie, Lower Macungie, Northampton County, and Berks. Our main focus is excellent customer service and communication. We respond very fast to all inquiries.

The arrival of war brought new opportunities and challenges to the firm. In 1941, it received a contract from the government to build sixteen hundred military worker homes in Norfolk, Virginia. The contract demanded speed and efficiency on a scale that the Levitts had never before attempted. In response, they began to experiment with mass-production techniques: time-consuming dug-out basements were replaced with poured-cement foundations; walls and roofs were partly preassembled; construction was broken down into simple tasks that could be performed without trained carpenters or unionized labor. Homes became stationary units in a moving assembly line of people; it was Fordism turned on its head. Thanks in large part to these innovations, the Levitts

Roof Rite Remodeling is serving the metro Atlanta area with superior new roof installations and high quality customer service. We are one of Atlanta's most experienced interior remodelers and full-exterior home renovator. Roof Rite specializes in roofing, home improvements, roof repairs, kitchen remodeling, siding replacement, bathroom renovations, windows & doors, cabinet installs, painting and decks. Our professionals are here to provide a great customer experience with top workmanships. Roofing contractors that care about you whether the job is small or large. Our remodeling company puts emphasis and attention to detail. Roof Rite construction professionals are ready for your home improvement projects. Our customers would rank us as one of the top roofers in Georgia. We offer our services in Johns Creek, Alpharetta, Roswell, and Duluth GA. As a general contractor we mainly services Gwinnett and Fulton County.

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committed a small oversight, and yet one that almost destroyed their venture. They had assumed that they would deliver the kerosene in bulk to various localities, and that the eager customers would line up with their own receptacles to be filled. The customers were expected to use old Standard Oil tin cans. But they did not. Throughout the Far East, Standard’s blue oil tins had become a prized mainstay of the local economies, used to construct everything from roofing to birdcages to opium cups, hibachis, tea strainers, and egg beaters. They were not about to give up such a valuable product. The whole scheme was now threatened—not by the machinations of 26 Broadway or by the politics of the Suez Canal, but by the habits and predilections of the peoples of Asia. A local crisis was created in each port, as the kerosene went unsold, and despairing telegrams began to flow into Houndsditch. In the quickness and ingenuity of his response to the crisis, Marcus proved his entrepreneurial genius. He sent out a chartered ship, filled with tinplate, to the Far East, and simply instructed his partners in Asia to begin manufacturing tin receptacles for the kerosene. No matter that no one knew how to do so; no matter that no one had the facilities. Marcus persuaded them they could do it. “How do you stick on the wire handles?” the agent in Singapore wrote to Samuel’s representative in Japan. Instructions were sent. “What color do you suggest?” cabled the agent in Shanghai. Mark gave the answer—“Red!

Few buildings evoke the sinister horror of 1950s municipal architecture more strikingly than the flat roof pub. Thrown up in their thousands wherever the working class were being rehoused, it’s hard to imagine that the architects were not secret teetotallers looking to make the whole pub experience as grim as possible. How else do you explain the cheap portal frame construction, the equally cheap uninsulated concrete slabs, and the flat roof with just enough parapet to ensure that damaging puddles formed with the lightest drizzle.

We started as an idea to bring together the best interior designers and best construction professionals under one roof to deliver affordable yet contemporary designs to households across India. Irrespective of the size of the room and type of room, we are always there to provide our transparent and friendly services to anyone who needs it. We are just a call away.

Vouchers are far more cost-effective than new construction, whether in the form of public housing or subsidized private development. We can’t build our way out. Given mounting regulatory and construction costs, offering each low-income family the opportunity to live in public housing would be prohibitively expensive. Even if it weren’t, building that much public housing risks repeating the failures of the past, by drawing the nation’s poorest citizens under the same roof and contributing to racial segregation and concentrated poverty.50

spanking new modernist, thirty-story diamond in a one-story stucco shitpile of a neighborhood. The rooftop bar thing in L.A. had gotten out of hand. You couldn’t swing a dead talent agent without hitting some new construction with a barside pool on the roof and thumping music day and night. The upside of the epidemic was that waitress service was the

If I were in this patio shade sail business, a method I would do it is to head out to the setting up resource enterprise and ask some of the guys behind the workplace about personnel who conduct your size job - they sure as heck not necessarily going to recommend technicians who not necessarily paying their bills and that will be a lifesaver there as well. It's impossible those men at the setting up source would become obtaining kickbacks from companies. Some of those men will not recommend contractors, but some will. Get four or five advice. We prepare subcontractor deals for our Standard Builder construction organization and just before preparing the arrangements, often check with the state office that gives away builder contractor licenses to make certain they're listed under the trade they state to get proficient in and find if there are any complaints filed. I also contact the talk about organization commission to see if they're posted now there and how lengthy they've been in business, and then have got their insurance agent to send us a copy of their insurance certificate showing that they have general liability and worker's compensation insurance (and make sure the name of their company on the contract matches the builder's license, the listed corporate entity, and insurance). And, you definitely want to make sure your contract has start and finish dates with liquidated damages for failure to finish on time, that the contractor supplies all materials and labor, that if the contractor breaches the contract that the contractor will be in charge of your legal fees, progress payments with lien waivers, as well as many other clauses AND a very detailed scope of work. It is important to specify the manufacturer and the exact type/quality & color of shingle, the underlayment brand and quality, the valleys' ice and water shield, tear-off or not of the existing shingles, how much will be charged if the sheathing is rotten per sheet for labor and material and type that it is to be replaced with, disposal of all construction debris, protection of your landscaping and personal property below the roof. I also attach a copy of the manufacturer's installation instructions and state that the product will be installed according to them. I prepare our contract and attach the subcontractor's contract to ours as an addendum (and our clauses supersede theirs). You want to get your scope of work ready to give to contractors to bid on so everyone is bidding on the same thing. When I first started, I would get several bids and cobble together a scope of work and then ask people to rework their bids based on it if their bids didn't include my new scope of work. So, this is going to be a large, important expense for you, and you probably want a good attorney, experienced in contracts, to review your contract. It will be worth the couple hundred extra dollars. (Ask how much the charge is up front.)

Like a contractor building a house, this book is constructed from the ground up: first comes the big slabs of foundation, then the necessary load-bearing walls, the elegant but impermeable roof, and the lovely interior decorations.

We are a local roofing company based out of Bellaire, TX. We service the majority of the state from Houston to San Antonio to Dallas Ft Worth. Our specialties include both residential and commercial roofing repairs, re-roofs, and new roof construction. We believe the best model of service is honesty and expediency. Upholding these business values and roofing in a punctual manner is how we have maintained a reputation of being one of the best roofing companies in Texas!

As Storm Restoration Specialists, roofing and general contractors, the quality of service we provide to every one of our customers is the foundation of our business. At Pizano Construction & More in Oklahoma City, OK, our skilled craftsmen provide a wide range of Roofing & General Contracting services for both residential and commercial clients.

Pillar Build Group: Professional Bathroom Renovations and Much More in Sydney Pillar Build Group is one of the leading construction companies in Sydney, offering high-quality bathroom renovations. We cover, but are not limited to, home renovations, kitchen renovations, kitchen design, office renovations, and roof repairs. Our team will tailor-fit each project to your style, needs, and budget while taking care of craftsmanship and making the clients happy. From exceptional bathrooms to beautiful kitchens and offices, we develop outstanding results in renovation. Call today and turn your renovation dreams into reality!