Roof Coating Quotes

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Rose: Who are you then? Who's that lot down there? [The Doctor ignores her] I said who are they?! The Doctor: They're made of plastic. Living plastic creatures. They're being controlled by a relay device on the roof. Which would be a great big problem if- [he pulls a bleeping bomb out of his coat] -I didn't have this. So I'm gonna go upstairs and blow it up. And I might well die in the process. But don't worry about me, no. You go home, go on! Go and have your lovely beans on toast. [suddenly serious] Don't tell anyone about this 'cos if you do, you'll get them killed. [closes the door] [opens it again] I'm The Doctor, by the way. What's your name? Rose: Rose. The Doctor: Nice to meet you, Rose. [holds up the bomb, shaking it slightly while grinning.] Run for your life!
Russell T. Davies
The straw-coated floor crunched beneath her boots, a cool breeze sweeping in from where the roof had been ripped half off thanks to Sorrel's bull. To keep the wyverns from feeling less caged—and so Abraxos could watch the stars, as he liked to do.
Sarah J. Maas (Queen of Shadows (Throne of Glass, #4))
It was one thing not to want a husband, I realized; it was quite another not to need one for the roof over your head, for your meat and bread, for the shoes on your feet and the coat on your back.
Margo Lanagan (The Brides of Rollrock Island)
Think of your husband as a house. You are allowed to give him a fresh coat of paint and change out the furniture now and then. But if you're constantly trying to pour a new foundation or replace the roof, you're in serious trouble.
Peter Scott (There's a Spouse in My House: A Humorous Journey Through the First Years of Marriage)
I spent the last Friday of summer vacation spreading hot, sticky tar across the roof of George Washington High. My companions were Dopey, Toothless, and Joe, the brain surgeons in charge of building maintenance. At least they were getting paid. I was working forty feet above the ground, breathing in sulfur fumes from Satan's vomitorium, for free. Character building, my father said. Mandatory community service, the judge said. Court-ordered restitution for the Foul Deed. He nailed me with the bill for the damage I had done, which meant I had to sell my car and bust my hump at a landscaping company all summer. Oh, and he gave me six months of meetings with a probation officer who thought I was a waste of human flesh. Still, it was better than jail. I pushed the mop back and forth, trying to coat the seams evenly. We didn't want any rain getting into the building and destroying the classrooms. Didn't want to hurt the school. No, sir, we sure didn't.
Laurie Halse Anderson (Twisted)
Squire Trelawney, Dr. Livesey, and the rest of these gentlemen having asked me to write down the whole particulars about Treasure Island, from the beginning to the end, keeping nothing back but the bearings of the island, and that only because there is still treasure not yet lifted, I take up my pen in the year of grace 17—, and go back to the time when my father kept the Admiral Benbow inn and the brown old seaman with the sabre cut first took up his lodging under our roof. I remember him as if it were yesterday, as he came plodding to the inn door, his sea-chest following behind him in a hand-barrow—a tall, strong, heavy, nut-brown man, his tarry pigtail falling over the shoulder of his soiled blue coat, his hands ragged and scarred, with black, broken nails, and the sabre cut across one cheek, a dirty, livid white. I remember him looking round the cover and whistling to himself as he did so, and then breaking out in that old sea-song that he sang so often afterwards:
Robert Louis Stevenson (Treasure Island)
Nekhbet shrieked in alarm. I turned to see what was going on. Immediately, I wished I could burn my eyes out of my head. Liz made a gagging sound. "Lord, no! That's wrong!" "Agh!" Emma shouted, in perfect baboon-speak. "Make him stop!" Bes had indeed put on his ugly outfit.He climbed onto the roof of the limo and stood there, legs planted, arms akimbo, like Superman- except with only the underwear. For those faint of heart I wont go into detail, but Bes, all of a meter tall, was showing off his disgusting physique- his potbelly, hairy limbs, awful feet, gross flabby bits- and wearing only a blue Speedo. Imagine the worst looking person you've ever seen on a public beach- the person for whom swimwear should be illegal. Bes looked worse than that. I wasn't sure what to say except: "Put some clothes on!" Bes laughed= the sort of guffaw that says Ha-ha! I'm amazing! "Not until they leave," he said. "Or I'll be forced to scare them back to the Duat." "This is not your affair, dwarf god!" Nekhbet snarled, averting her eyes from his horribleness. "Go away!" "These children are under my protection," Bes insisted "I don't know you," I said. "I never met you before today." "Nonsense. You expressly asked for my protection." "I didn't ask for the Speedo Patrol!" Bes leaped off the limo and landed in front of my circle placing himself between Babi and me. The dwarf was even more horrible from behind. His back was so hairy it looked like a mink coat. And on the back of his Speedo was printed DWARF PRIDE.
Rick Riordan
My pet-sitting day ends around sunset, and it's very satisfying to know that I've made several living beings happy that day. That I left their food bowls sparkling clean and fresh water in their water bowls. That I brushed them so their coats shined, and played with them until all our hearts were beating faster. That I kissed them goodbye and left them with their tails wagging or flipping or at least raised in a happy kind of way. That's a heck of a lot more than any president, pope, prime minister, or potentate can say, and I wouldn't switch places with any of them.
Blaize Clement (Cat Sitter on a Hot Tin Roof (A Dixie Hemingway Mystery, #4))
Boy, it began to rain like a bastard. In buckets, I swear to God. All the parents and mothers and everybody went over and stood right under the roof of the carrousel, so they wouldn't get soaked to the skin or anything, but I stuck around on the bench for quite a while. I got pretty soaking wet, especially my neck and my pants. My hunting hat really gave me quite a lot of protection, in a way; but I got soaked anyway. I didn't care, though. I felt so damn happy all of a sudden, the way old Phoebe kept going around and around. I was damn near bawling, I felt so damn happy, if you want to know the truth. I don't know why. It was just that she looked so damn nice, the way she kept going around and around, in her blue coat and all. God, I wish you could've been there.
J.D. Salinger (The Catcher in the Rye)
In the morning light the seagulls perched on the roof of city hall look like they've been coated in thick white paint; as they light up against the pale blue sky I think I've never seen anything so sharp and clear and pretty in my life. Rainstorms are incredible: falling shards of glass, the air full of diamonds.
Lauren Oliver (Delirium (Delirium, #1))
Yet only minutes before, on the roof, a cold Havana between his lips, he had been silent, both he and his wife bundled in winter coats and hats as if about to set out on a journey. Dark against the sky. A statuesque couple. For a while the Brandenburg Gate was only a black mass, scanned off and on by police searchlights. But then the torchlight procession arrived, spreading like a stream of lava which, separated for a short time by the pylons, eventually flowed together again, unremitting, unstoppable, solemn, portentous, lighting up the night, lighting up the Gate to the quadriga of stallions, to the goddess's sign of victory. We too on the roof of Liebermann's house were lit by that fatal glow, even as we were hit with the smoke and stench of a hundred thousand and more torches.
Günter Grass (My Century)
the ladder, the metal freezing, biting my fingers. When I get up to the roof I press myself perfectly flat, belly-down on a coating of bird shit and rust. Even
Lauren Oliver (Pandemonium (Delirium, #2))
She could taste the swampy stink coating the roof of her mouth, turning her saliva bitter and sending it trickling down the back of her throat.
Grady Hendrix (Horrorstör)
On the roof of the taxi, Jimmy pressed Mitchell’s face against the metal. His programming roared inside him, forcing the human part back. Suddenly, Mitchell’s body
Joe Craig (Target (Jimmy Coates, #2))
Meanwhile the colonel followed the mad woman, and by a strange effect of the superexcitation of his senses, saw her in the darkness, through the mist, as plainly as in broad daylight; he heard her sighs, her confused words, in spite of the continual moan of the autumn winds rushing through the deserted streets. A few late townspeople, the collars of their coats raised to the level of their ears, their hands in their pockets, and their hats pressed down over their eyes, passed, at infrequent intervals, along the pavements; doors were heard to shut with a crash. An ill-fastened shutter banged against a wall, a tile torn from a housetop by the wind fell into the street; then, again, the immense torrent of air whirled on its course, drowning with its lugubrious voice all other sounds of the night. It was one of those cold nights at the end of October, when the weathercocks, shaken by the north wind, turn giddily on the high roofs, and cry with shrilly voices, 'Winter! - Winter! - Winter is come!' ("The Child Stealer")
Erckmann-Chatrian (Reign of Terror Volume 2: Great Victorian Horror Stories)
Objects and Objectives To contemplate LEGO. Many colours. Many shapes. Many inventive and useful shapes. Plastic. A versatile and practical substance. Symbolic of the resourcefulness of man. Oil taken from the depths of the very earth. Distillation of said raw material. Chemical processes. Pollution. Creating a product providing hours of constructive play. For children all over the world. Teaching our young. Through enjoyment. Preparing them for further resourcefulness. The progress of our kind. A book. Many books. Proud liners of walls. Fingered. Taken out with great care. Held open. Gazed upon / into with something like awe. A medium for the recording of and communication of knowledge. From the many to the many. Down the ages. And of art. And of love. But do you hear the trees outside whispering? Do their voices haunt you? No wonder. They are calling for their brothers. Pulped. Pressed. Coated. Printed. Bound. And for their other brothers which made the shelves to hold them. And for the roof over them as well. From the very beginning - everything at cost. A cave man, to get food, had to deal with the killing. And the bones from one death proved very useful for implementing the death of another.
Jay Woodman (SPAN)
Pessimism is a towering skyscraper eighty stories high in the suburbs of the soul at the end of a long avenue with waste ground on either side and a few poorly-stocked little shops. Several ultra-fast staircases give access to the building, running up from the cellars to the roof-gardens. The comfort of this place leaves nothing to be desired and only the greatest luxury is acceptable, but every Friday the residents gather on the ground floor to read from a bible bound in the skin of a blind man. The psalmic words they intone rise up through the pipes, sigh in the stoves and sweep the chimneys coated inside with black grease which leaves dirt on the skin. Water runs constantly in the bathrooms and the showers beat down on the numbered bodies, peppering them with sand. On Sundays the bed linen unrolls by itself and nobody makes love. For this tower block, like an obscure phallus scraping the vulva of the sky, is usually a hive of sexual activity. The most beautiful woman lives there, but no-one has ever known her. It is said, that dressed in furs and feathers, she keeps herself shut away in a first-floor apartment as if in a white safe. Her windows are scissors which cut short both shadow and breath. Her name is AURORA.
Michel Leiris (Aurora)
The mage stood on the peak of the roof, leather coat whipping out dramatically behind him, not that he really needed the help. His eyes were emerald fire, and his hand clutched something that looked a lot like a wand but wasn’t, because mages didn’t use those things.
Karen Chance (Dragon's Claw (Dorina Basarab, #4.5))
No picture of a medieval library can be complete unless it be remembered that in many cases beauty was no less an object than utility. The bookcases were fine specimens of carpentry-work, carved and decorated; the pavement was of encaustic tiles worked in patterns; the walls were decorated with plaster-work in relief; the windows were filled with stained glass; and the roof-timbers were ornamented with the coat-armour of benefactors.
John Willis Clark (The Care of Books)
Armand towed me up and Jesse hustled me away. I staggered against him, looking past his shoulder just in time to see my nightgown dance over the rim of the roof, a twirling, empty ballerina blowing away to the stars. “That was stupid,” I said loudly. “Too right it was.” None of Armand’s fury had left him. “No, I mean you. Both of you. Following me like that. You could have been killed!” “We were doing well enough until you-did that! Went to smoke like that.” “He couldn’t shoot smoke!” “He could have shot the half-wit on top of him!” “But he didn’t!” I swallowed, a lump of something sick rising in my throat. “I didn’t kill him, did I?” Armand seemed to shrink a little. He looked back at the duke and shook his head. “No. I think you knocked him out. He’s breathing.” “Has anyone a coat?” I asked, and found myself crumpling down to the roof, a leisurely sort of collapse. Armand grabbed me by the arm again and I managed to remain seated instead of prone. “Dragon-girl.” Jesse was stripping off his shirt. “Bravest girl. I keep telling you to eat more.
Shana Abe (The Sweetest Dark (The Sweetest Dark, #1))
It didn’t get sick. Someone”—Iran cleared her throat and went on huskily—“someone came here, got the goat out of its cage, and dragged it to the edge of the roof.” “And pushed it off?” he said. “Yes.” She nodded. “Did you see who did it?” “I saw her very clearly,” Iran said. “Barbour was still up here fooling around; he came down to get me and we called the police, but by then the animal was dead and she had left. A small young-looking girl with dark hair and large black eyes, very thin. Wearing a long fish-scale coat. She had a mail-pouch purse. And she made no effort to keep us from seeing her. As if she didn’t care.” “No, she didn’t care,” he said. “Rachael wouldn’t give a damn if you saw her; she probably wanted you to, so I’d know who had done it.” He kissed her. “You’ve been waiting up here all this time?” “Only for half an hour. That’s when it happened; half an hour ago.” Iran, gently, kissed him back. “It’s so awful. So needless.” He turned toward his parked car, opened the door, and got in behind the wheel. “Not needless,” he said. “She had what seemed to her a reason.” An android reason, he thought.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
I looked into the display window this morning. On a white marble shelf are aligned innumerable boxes, packages, cornets of silver and gold paper, rosettes, bells, flowers, hearts, and long curls of multicolored ribbon. In glass bells and dishes lie the chocolates, the pralines, Venus's nipples, truffles, mendiants, candied fruits, hazelnut clusters, chocolate seashells, candied rose petals, sugared violets... Protected from the sun by the half-blind that shields them, they gleam darkly, like sunken treasure, Aladdin's cave of sweet clichés. And in the middle she has built a magnificent centerpiece. A gingerbread house, walls of chocolate-coated pain d'épices with the detail piped on in silver and gold icing, roof tiles of florentines studded with crystallized fruits, strange vines of icing and chocolate growing up the walls, marzipan birds singing in chocolate trees... And the witch herself, dark chocolate from the top of her pointed hat to the hem of her long cloak half-astride a broomstick that is in reality a giant guimauve, the long twisted marshmallows that dangle from the stalls of sweet-vendors on carnival days...
Joanne Harris (Chocolat (Chocolat, #1))
A memory long forgotten swept over him and he was a child four years of age standing in the front seat of the 1936 Studebaker his father drove all through the war and his mother was sitting beside him in her best dress and coat and she had wet her handkerchief with her tongue and wiped his chin and his mouth and adjusted his cap while his father backed up the car and the wartime plywood house in which they lived receded before them. It was the smell of her perfume on that day that had flooded his nostrils. The muskrats would repair the roof faultlessly. But they never built another house in the millpond. Clouds
Cormac McCarthy (The Passenger (The Passenger #1))
We are better informed about Valholl than we are about Hel, undoubtedly because people preferred to envision heaven rather than hell. Valholl was a large, easily recognized hall. The rafters of the building were made of spears, it was covered with shields, and coats of mail were strewn across the benches. A wolf was hanging west of the doors, an eagle soared above the building, and the goat Heidrun, from whose udder flowed mead, could be spotted atop the roof. Odin did not live there. He resided in the Hall of the Slain (Valaskjalf) or the Sunken Halls (Sokkvabekk),* where he drank with Saga, a hypostasis of the goddess Frigg.
Claude Lecouteux (The Return of the Dead: Ghosts, Ancestors, and the Transparent Veil of the Pagan Mind)
Pumblechook made out, after carefully surveying the premises, that he had first got upon the roof of the forge, and had then got upon the roof of the house, and had then let himself down the kitchen chimney by a rope made of his bedding cut into strips; and as Mr. Pumblechook was very positive and drove his own chaise-cart — over Everybody — it was agreed that it must be so. Mr. Wopsle, indeed, wildly cried out, “No!” with the feeble malice of a tired man; but, as he had no theory, and no coat on, he was unanimously set at naught,— not to mention his smoking hard behind, as he stood with his back to the kitchen fire to draw the damp out: which was not calculated to inspire confidence.
Charles Dickens (Charles Dickens: The Complete Novels)
I’d have Lee too, and Jackson and Albert Sidney Johnston, walking around the midway. Hire some people with beards, you know, to do that. I wouldn’t have Braxton Bragg or Joseph E. Johnston. Every afternoon at three Lee would take off his gray coat and wrestle an alligator in a mud hole. Prize drawings. A lot of T-shirts and maybe a few black-and-white portables. If you don’t like that, how about a stock-car track? Year-round racing with hardly any rules. Deadly curves right on the water. The Symes 500 on Christmas day. Get a promotional tie-in with the Sugar Bowl. How about an industrial park? How about a high-rise condominium with a roof garden? How about a baseball clinic? How about a monkey island? I don’t say it would be cheap. Nobody’s going to pay to see one or two monkeys these days. People want to see a lot of monkeys. I’ve got plenty of ideas but first I have to get my hands on the island.
Charles Portis (The Dog of the South)
makes me more than sad, it makes my heart burn within me, to see that folk can make a jest of striving men; of chaps who comed to ask for a bit o’ fire for th’ old granny, as shivers i’ th’ cold; for a bit o’ bedding, and some warm clothing to the poor wife who lies in labour on th’ damp flags; and for victuals for the childer, whose little voices are getting too faint and weak to cry aloud wi’ hunger. For, brothers, is not them the things we ask for when we ask for more wage? We donnot want dainties, we want bellyfuls; we donnot want gimcrack coats and waistcoats, we want warm clothes; and so that we get ‘em, we’d not quarrel wi’ what they’re made on. We donnot want their grand houses, we want a roof to cover us from the rain, and the snow, and the storm; ay, and not alone to cover us, but the helpless ones that cling to us in the keen wind, and ask us with their eyes why we brought ’em into th’ world to suffer?” He
Elizabeth Gaskell (The Complete Works of Elizabeth Gaskell)
And, ach! what a beautiful skeleton you will make! And very soon, too, because you do not smile on your madly loving Svengali. You burn his letters without reading them! You shall have a nice little mahogany glass case all to yourself in the museum of the École de Médecine, and Svengali shall come in his new fur-lined coat, smoking his big cigar of the Havana, and push the dirty carabins* out of the way, and look through the holes of your eyes into your stupid empty skull, and up the nostrils of your high, bony sounding-board of a nose without either a tip or a lip to it, and into the roof of your big mouth, with your thirty-two big English teeth, and between your big ribs into your big chest, where the big leather lungs used to be, and say, “Ach! what a pity she had no more music in her than a big tom-cat!” And then he will look all down your bones to your poor crumbling feet, and say, “Ach! what a fool she was not to answer Svengali’s letters!
George du Maurier (Trilby)
I’ve worn Niki’s pants for two days now. I thought a third day in the same clothes might be pushing it.” Ian shrugged with indifference. “It might send Derian through the roof, but it doesn’t bother me. Wear what you want to wear.” Eena wrinkled her nose at him. “Do you really feel that way or are you trying to appear more laissez-faire than Derian?” “More laissez-faire?” “Yes. That’s a real word.” “Two words actually,” he grinned. “Laissez faire et laissez passer, le monde va de lui même!" He coated the words with a heavy French accent. Eena gawked at him. “Since when do you speak French?” “I don’t.” Ian chuckled. “But I did do some research in world history the year I followed you around on Earth. Physics was a joke, but history—that I found fascinating.” Slapping a hand against her chest, Eena exclaimed, “I can’t believe it! Unbeknownst to me, Ian actually studied something in high school other than the library’s collection of sci-fi paperbacks!” He grimaced at her exaggerated performance before defending his preferred choice of reading material. “Hey, popular literature is a valuable and enlightening form of world history. You would know that if you read a book or two.” She ignored his reproach and asked with curiosity, “What exactly did you say?” “In French?” “Duh, yes.” “Don’t ‘duh’ me, you could easily have been referring to my remark about enlightening literature. I know the value of a good book is hard for you to comprehend.” He grinned crookedly at her look of offense and then moved into an English translation of his French quote. “Let it do and let it pass, the world goes on by itself.” “Hmm. And where did that saying come from?” Ian delivered his answer with a surprisingly straight face. “That is what the French Monarch said when his queen began dressing casually. The French revolution started one week following that famous declaration, right after the queen was beheaded by the rest of the aristocracy in her favorite pair of scroungy jeans.” “You are such a brazen-tongued liar!
Richelle E. Goodrich (Eena, The Companionship of the Dragon's Soul (The Harrowbethian Saga #6))
It makes me more than sad, it makes my heart burn within me, to see that folk can make a jest of earnest men; of chaps who comed to ask for a bit o' fire for th' old granny, as shivers in th' cold; for a bit o' bedding, and some warm clothing to the poor wife as lies in labour on th' damp flags; and for victuals for the childer, whose little voices are getting too faint and weak to cry aloud wi' hunger. For, brothers, is not them the things we ask for when we ask for more wage? We donnot want dainties, we want bellyfuls; we donnot want gimcrack coats and waistcoats, we want warm clothes, and so that we get 'em we'd not quarrel wi' what they're made on. We donnot want their grand houses, we want a roof to cover us from the rain, and the snow, and the storm; ay, and not alone to cover us, but the helpless ones that cling to us in the keen wind, and ask us with their eyes why we brought 'em into th' world to suffer?" He lowered his deep voice almost to a whisper. "I've seen a father who had killed his child rather than let it clem before his eyes; and he were a tender-hearted man." He began again in his usual tone. "We come to th' masters wi' full hearts, to ask for them things I named afore. We know that they've gotten money, as we've earned for 'em; we know trade is mending, and that they've large orders, for which they'll be well paid; we ask for our share o' th' payment; for, say we, if th' masters get our share of payment it will only go to keep servants and horses, to more dress and pomp. Well and good, if yo choose to be fools we'll not hinder you, so long as you're just; but our share we must and will have; we'll not be cheated. We want it for daily bread, for life itself; and not for our own lives neither (for there's many a one here, I know by mysel, as would be glad and thankful to lie down and die out o' this weary world), but for the lives of them little ones, who don't yet know what life is, and are afeard of death. Well, we come before th' masters to state what we want, and what we must have, afore we'll set shoulder to their work; and they say, 'No.' One would think that would be enough of hard-heartedness, but it isn't. They go and make jesting pictures of us! I could laugh at mysel, as well as poor John Slater there; but then I must be easy in my mind to laugh. Now I only know that I would give the last drop o' my blood to avenge us on yon chap, who had so little feeling in him as to make game on earnest, suffering men!
Elizabeth Gaskell (Mary Barton)
At the Fishhouses Although it is a cold evening, down by one of the fishhouses an old man sits netting, his net, in the gloaming almost invisible, a dark purple-brown, and his shuttle worn and polished. The air smells so strong of codfish it makes one's nose run and one's eyes water. The five fishhouses have steeply peaked roofs and narrow, cleated gangplanks slant up to storerooms in the gables for the wheelbarrows to be pushed up and down on. All is silver: the heavy surface of the sea, swelling slowly as if considering spilling over, is opaque, but the silver of the benches, the lobster pots, and masts, scattered among the wild jagged rocks, is of an apparent translucence like the small old buildings with an emerald moss growing on their shoreward walls. The big fish tubs are completely lined with layers of beautiful herring scales and the wheelbarrows are similarly plastered with creamy iridescent coats of mail, with small iridescent flies crawling on them. Up on the little slope behind the houses, set in the sparse bright sprinkle of grass, is an ancient wooden capstan, cracked, with two long bleached handles and some melancholy stains, like dried blood, where the ironwork has rusted. The old man accepts a Lucky Strike. He was a friend of my grandfather. We talk of the decline in the population and of codfish and herring while he waits for a herring boat to come in. There are sequins on his vest and on his thumb. He has scraped the scales, the principal beauty, from unnumbered fish with that black old knife, the blade of which is almost worn away. Down at the water's edge, at the place where they haul up the boats, up the long ramp descending into the water, thin silver tree trunks are laid horizontally across the gray stones, down and down at intervals of four or five feet. Cold dark deep and absolutely clear, element bearable to no mortal, to fish and to seals . . . One seal particularly I have seen here evening after evening. He was curious about me. He was interested in music; like me a believer in total immersion, so I used to sing him Baptist hymns. I also sang "A Mighty Fortress Is Our God." He stood up in the water and regarded me steadily, moving his head a little. Then he would disappear, then suddenly emerge almost in the same spot, with a sort of shrug as if it were against his better judgment. Cold dark deep and absolutely clear, the clear gray icy water . . . Back, behind us, the dignified tall firs begin. Bluish, associating with their shadows, a million Christmas trees stand waiting for Christmas. The water seems suspended above the rounded gray and blue-gray stones. I have seen it over and over, the same sea, the same, slightly, indifferently swinging above the stones, icily free above the stones, above the stones and then the world. If you should dip your hand in, your wrist would ache immediately, your bones would begin to ache and your hand would burn as if the water were a transmutation of fire that feeds on stones and burns with a dark gray flame. If you tasted it, it would first taste bitter, then briny, then surely burn your tongue. It is like what we imagine knowledge to be: dark, salt, clear, moving, utterly free, drawn from the cold hard mouth of the world, derived from the rocky breasts forever, flowing and drawn, and since our knowledge is historical, flowing, and flown.
Elizabeth Bishop
them reminded him of all he had experienced and learned during these weeks and this recollection was pleasant to him. For some days the weather had been calm and clear with slight frosts in the mornings—what is called an “old wives’ summer.” In the sunshine the air was warm, and that warmth was particularly pleasant with the invigorating freshness of the morning frost still in the air. On everything—far and near—lay the magic crystal glitter seen only at that time of autumn. The Sparrow Hills were visible in the distance, with the village, the church, and the large white house. The bare trees, the sand, the bricks and roofs of the houses, the green church spire, and the corners of the white house in the distance, all stood out in the transparent air in most delicate outline and with unnatural clearness. Near by could be seen the familiar ruins of a half-burned mansion occupied by the French, with lilac bushes still showing dark green beside the fence. And even that ruined and befouled house—which in dull weather was repulsively ugly—seemed quietly beautiful now, in the clear, motionless brilliance. A French corporal, with coat unbuttoned in a homely way, a skullcap on his head, and a short pipe in his mouth, came from behind a corner of the shed and approached Pierre with a friendly wink. “What sunshine, Monsieur Kiril!” (Their name for Pierre.) “Eh? Just like spring!” And the corporal leaned against the door and offered Pierre his pipe, though whenever he offered it Pierre always declined it. “To be on the march in such weather . . .” he began. Pierre inquired what was being said about leaving, and the corporal told him that nearly all the troops were starting and there ought to be an order about the prisoners that day. Sokolov, one of the soldiers in the shed with Pierre, was dying, and Pierre told the corporal that something should be done about him. The corporal replied that Pierre need not worry about that as they had an ambulance and a permanent hospital and arrangements would be made for the sick, and that in general everything that could happen had been foreseen by the authorities. “Besides, Monsieur Kiril, you have only to say a word to the captain, you know. He is a man who never forgets anything. Speak to the captain when he makes his round, he will do anything for you.” (The captain of whom the corporal spoke often had long chats with Pierre and showed him all sorts of favors.) “ ‘You see, St. Thomas,’ he said to me the other day. ‘Monsieur Kiril is a man of education, who speaks French. He
Leo Tolstoy (War and Peace)
The so-called Rad Four donned comedic Technicolor dream coats, consumed seven hundred sheets of mediocre acid on the roof of the studio, and proceeded to make Sgt. Pepper's Lonely Hearts Club Band, a ground breaking record no one actually likes.
Chuck Klosterman (Chuck Klosterman X: A Highly Specific, Defiantly Incomplete History of the Early 21st Century)
When he landed the police department hovercar on the roof of the Rosen Association Building in Seattle, he found a young woman waiting for him. Black-haired and slender, wearing the new huge dust-filtering glasses, she approached his car, her hands deep in the pockets of her brightly striped long coat.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
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Your Trusted Source for High-Quality GC Sheets in Dindigul When it comes to sourcing top-notch GC sheets in Dindigul, one name stands out prominently - Shree Sivabalaaji Steels. Renowned for its commitment to quality and excellence, this company has established itself as a reliable supplier of galvanized corrugated (GC) sheets, catering to various industries and construction needs. At Shree Sivabalaaji Steels, quality is the cornerstone of their operations. They understand the significance of using superior-grade materials for construction and industrial purposes. GC sheets offered by the company are manufactured using advanced technology, ensuring durability, strength, and resistance to environmental factors. This ensures that the sheets maintain their integrity over time, even in harsh conditions. Variety is another feather in Shree Sivabalaaji Steels' cap. The company provides a wide range of GC sheet options to meet the diverse needs of its customers. Whether you require sheets of different thicknesses, sizes, or coatings, they have it all. This extensive selection empowers customers to choose the perfect GC sheets that align with their project requirements. One of the factors that set Shree Sivabalaaji Steels apart is their unwavering commitment to customer satisfaction. Their team of experienced professionals is always ready to assist clients in selecting the right type of GC sheets based on their specific needs. Whether it's for roofing, wall cladding, or any other application, customers can rely on their expertise to make informed decisions. Time efficiency and punctuality are the driving forces behind Shree Sivabalaaji Steels' operations. They understand that in the construction industry, timely delivery is of the essence. The company has implemented streamlined processes to ensure that customers receive their GC sheet orders on schedule, minimizing project delays and interruptions. Environmental consciousness is a key aspect of Shree Sivabalaaji Steels' philosophy. They recognize their responsibility towards sustainable practices and offer GC sheets that are manufactured using eco-friendly processes. This not only reflects their commitment to the environment but also resonates with customers who prioritize green building materials. Competitive pricing is yet another advantage that customers enjoy when partnering with Shree Sivabalaaji Steels. Despite offering high-quality GC sheets, the company maintains a pricing strategy that remains accessible and competitive. This affordability, coupled with the quality of their products, makes them a preferred choice among contractors, builders, and industries. In conclusion, for those seeking top-grade GC sheets in Dindigul, Shree Sivabalaaji Steels emerges as a reliable and customer-centric option. With their focus on quality, variety, expertise, punctuality, sustainability, and affordability, they have rightfully earned their reputation as a go-to supplier for GC sheets in the region. When you choose Shree Sivabalaaji Steels, you're not just purchasing construction materials; you're investing in a partnership that prioritizes your project's success.
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You underestimate me, Layla. I’ll make it happen.” She gave him a wary look. “How?” “I’m not giving away my secrets.” His eyes lit mischievously. “But I’m willing to bet on it: suitable sleigh, right here, by midnight tonight.” Now she was suspicious. “You know someone who has one.” “No, I don’t. Scout’s honor. Now are you taking the bet or not?” She turned her face from him, her eyes narrowing on him. “What kind of bet?” “Name your price.” She stared at the house, thinking. “If you don’t find one, you have to . . .” Her gaze climbed to the roof. “Do the roofline.” She smiled big. He looked up, squinting against the light, then back to her. “Fine. I’m not losing anyway.” He pulled his keys from his coat pocket. “Time’s a wasting.” With one last smile over his shoulder he headed for his truck. “Wait, what about you?” He turned in the snow, giving her a strange look. Then he slowly started toward her. It took all her willpower to keep her boots planted as he came within inches of her. “If I win . . . ,” he said, those blue eyes warming her clear down to her toes, “I get to kiss you.” His lips twitched as his eyes slid down to her mouth and back up where they held her hostage. Layla swallowed hard. With a final look, he traced his steps to his truck, only turning once he reached the door. “And, Layla . . . ,” he said with a smug grin, “I will win.
Denise Hunter (A December Bride (A Year of Weddings #1))
Southern Cat on a Hot Tin Roof Sure nuff, I'm happier than a cat on a formerly hot tin roof which now uses NXT Cool Zone® heat reflecting roof coating ~ but I'm still ornier than a mule on loco weed and a whole lot hornier than a two-dicked billy goat. You gots any coatin' for dat?
Beryl Dov
The village had survived many such storms. They knew what to expect – before, during, and afterward The Plains of Megiddo were a silent void. Nothing stirred – no wind, no birds, no animals. Even the buildings that marked where the roads joined were blanketed by sand, rendering them all the same shade of sunlit yellow. The stone walls that had faced the storm’s wrath were all heaped with sand as high as the roofs. Doors had to be forced open. The finest dust had sifted through the sealed portals and now coated every surface. The work done in the village above had to be repeated here, but there was no rush. Yelban predicted it would be at least a week before the next caravans arrived, perhaps longer.
Davis Bunn (The Damascus Way (Acts of Faith #3))
Hercules came through the roof like a cannonball, his lion-skin trench coat wrapped around him. When I say cannonball, I mean both the metal ball and the type people do off a diving board. It was especially impressive when you realize we were in a five story building. Hermes
Patrick Thomas (Nightcaps: - a Murphy's Lore After Hours collection)
The inn was a white saltbox under a low roof, with additions to either side. Diamond-paned windows glowed warm and welcoming on either side of a heavy carved door. An older man, impeccably dressed, escorted his beautifully coiffed companion down the front stairs. Her conservative high heels barely showed under her long coat. Kenzie caught the glitter of diamonds against a fur collar. This was definitely not Ye Olde Crabbe Shacke.
Janet Dailey (Honor (Bannon Brothers, #2))
In the old days [it ran], before the glorious Revolution, London was not the beautiful city that we know today. It was a dark, dirty, miserable place where hardly anybody had enough to eat and where hundreds and thousands of poor people had no boots on their feet and not even a roof to sleep under. Children no older than you are had to work twelve hours a day for cruel masters, who flogged them with whips if they worked too slowly and fed them on nothing but stale breadcrusts and water. But in among all this terrible poverty there were just a few great big beautiful houses that were lived in by rich men who had as many as thirty servants to look after them. These rich men were called capitalists. They were fat, ugly men with wicked faces, like the one in the picture on the opposite page. You can see that he is dressed in a long black coat which was called a frock coat, and a queer, shiny hat shaped like a stovepipe, which was called a top hat. This was the uniform of the capitalists, and no one else was allowed to wear it. The capitalists owned everything in the world, and everyone else was their slave. They owned all the land, all the houses, all the factories, and all the money. If anyone disobeyed them they could throw him into prison, or they could take his job away and starve him to death. When any ordinary person spoke to a capitalist he had to cringe and bow to him, and take off his cap and address him as “Sir.” The chief of all the capitalists was called the King, and—
George Orwell (1984)
The - pan-ic - " he began but got no further, for Gloria's hand swung around swiftly and caught him in the cheek. At this he all at once let go of her, and she fell to the floor, her shoulder hitting the table a glancing blow in transit... Then the room seemed full of men and smoke. There was Tana in his white coat reeling about supported by Maury. Into his flute he was blowing a weird blend of sound that was known, cried Anthony, as the Japanese train song. Joe Hull had found a box of candles and was juggling them, yelling "One down!" every time he missed, and Dick was dancing by himself in a fascinated whirl around and about the room. It appeared to her that everything in the room was staggering in a grotesque fourth-dimensional gyrations through intersecting planes of hazy blue. Outside the storm had come up amazingly - the lulls within were filled with the scrape of the tall bushes against the house and the roaring of the rain on the tin roof of the kitchen.
Scott F. Fitzgerald (The Beautiful and Damned)
Asleep at the wheel nearly dead I think and feeling nothing on my skin but the dark eyes of the antelopes all around me in the Wyoming night watching me pass—a small animal growling down the highway with both eyes aglow. To keep awake I force my head out the window as into a guillotine the black sleet-filled air slipping under each eyelid like a child’s thin silver spoon. Looking back into the car through the ice and tears I do not recognize that body sleeping there. I no longer know that leg pressed hard to the gas, the blue coat or scarf or the hand reaching out to the wheel. Folks, you know I am doing my best— pushing hard toward you through this winter sky but reduced to this— just this head out a window streaming through space like a bearded rock, a hunk of pocked iron with melting eyes. A trail of fiery mist is growing out of the back of my head and stretches now for miles across the night. The odds, I know, are a thousand to one I'll burn up before touching earth but if somehow I do make it home smashing across the farmyard and lighting up the sky I will throw a red glow across the barn's silver roof and crash into the rough wood of your back door smaller than a grain of sand making its one childlike knock. The porch light will hesitate then snap on, as it always does when a car comes up the lane late at night. The two sleepy old faces will come to the door in their long soft robes— will stand there bewildered rubbing their eyes looking around and wondering who it was at their door no sooner come than gone a cinder in the eye.
Anthony Sobin
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I saw something when I was on the roof. I think we’re within walking distance of Blackstone Lodge.
Darcy Coates (Dead of Winter)
The chances that all the billions of things required for life on Earth would line up, just by chance, are just not possible. Think of all the things you would need, a planet at just the right distance from the sun, in a stable orbit, with a habitable atmosphere and water, and a hospitable climate. The planet would need to have the resources so that if by chance humans could magically develop, that they could build the advanced society that we have. The odds of that happening are so astronomically impossible that you would have better luck opening the box on a brand new 1000 piece jigsaw puzzle and dumping the box off a roof and having all the pieces land in the form of a completed puzzle. Then look at the fact that there were over 300 prophecies about the Christ that were made hundreds of years before he was born that all came true. The chances that they all would come true in one person are ridiculously minuscule. As a scientist, I look at those two things and must conclude that there had to be a creator and Jesus must be the Christ.
Christopher Coates (The Resurrection Wager)
Everywhere you lived is just a ledge, a place you could have tumbled from. Your hometown is a precipice, you’ll learn someday. What the realtor sold to you is merely a coat hook, an excuse for the roof to settle atop your head, like a butterfly
Jon M. Obermeyer
No chance of a ceremony inside the church,” he reported to Kev and Cam as they gathered in the main parlor. “It’s a sodding mess.” “We’ll get married on the church steps, then,” Kev said. “Impossible, I’m afraid.” Leo looked rueful. “According to the rubric of the church, it has to be inside a church or chapel that has been officially licensed. And neither the vicar nor the rector dare go against the laws. The consequences are so severe that they might receive three years’ suspension. When I asked where the nearest licensed chapel was, they looked in the records. As it happens, about fifty years ago our estate chapel was licensed for a family wedding, but it ran out since then.” “Can we renew it?” Cam asked. “Today?” “I asked that. The rector seemed to think it was an acceptable solution, and he agreed as long as Merripen and Win promised to privately solemnize the marriage at the church as soon as the roof is repaired.” “But the marriage would be legal starting today?” Kev demanded. “Yes, legal and registered, as long as it’s held before noon. The church won’t recognize a wedding if it’s held even one minute after twelve.” “Good,” Kev said curtly. “We’ll marry this morning at the estate chapel. Pay the rector whatever he demands.” “There’s only one problem with this plan,” Cam said. “We don’t have an estate chapel. At least, I’ve never seen one.” Leo looked blank. “What the bloody hell happened to it?” They both glanced at Kev, who had been in charge of the estate restoration for the past two years. He had taken down walls, razed small buildings, and made new additions to the original manor house. “What did you do with the chapel, phral?” Cam asked apprehensively. A scowl settled on Kev’s face. “No one was using it except some nesting birds. So we turned it into a granary and attached it to the barn.” In the face of their silence, he said defensively, “It still counts.” “You want to be married in a granary?” Leo asked incredulously. “Among bins of animal feed?” “I want to be married anywhere,” Kev said. “The granary’s as good a place as any.” Leo looked sardonic. “Someone may want to ask Win if she is willing to be married in a former chapel that now amounts to a shed attached to the barn. Forbearing as my sister is, even she has standards.” “I’m willing!” came Win’s voice from the stairs. Cam smothered a grin. Leo shook his head and spoke in his sister’s direction. “It’s a barn, Win.” “If our Lord didn’t mind being born in a stable,” she replied cheerfully, “I certainly have no objection to being married in a barn.” Briefly lifting his gaze heavenward, Leo muttered, “I’ll go take care of the renewal fee. I can hardly wait to see the vicar’s expression when I tell him we’ve turned the chapel into a granary. It doesn’t reflect well on this family’s piety, let me tell you.” “You’re concerned about appearing pious?” Kev asked. “Not yet. I’m still in the process of being led astray. But when I finally get around to repenting, I’ll have no damned chapel for it.” “You can repent in our officially licensed granary,” Cam said, shrugging into his coat. 
Lisa Kleypas (A Hathaway Wedding (The Hathaways, #2.5))
Reading the stories was like trying to make out an object through the refracted light of a heavy snowstorm. He could see the snowflakes, immediate and particular, and he could discern the more distant objects that were coated in white: trees, roofs, roads, buildings. But he couldn’t actually see any particular object for itself, only the covered outlines.
David Ignatius (The Director)
Still Another Day: I" Today is that day, the day that carried a desperate light that since has died. Don't let the squatters know: let’s keep it all between us, day, between your bell and my secret. Today is dead winter in the forgotten land that comes to visit me, with a cross on the map and a volcano in the snow, to return to me, to return again the water fallen on the roof of my childhood. Today when the sun began with its shafts to tell the story, so clear, so old, the slanting rain fell like a sword, the rain my hard heart welcomes. You, my love, still asleep in August, my queen, my woman, my vastness, my geography kiss of mud, the carbon-coated zither, you, vestment of my persistent song, today you are reborn again and with the sky’s black water confuse me and compel me: I must renew my bones in your kingdom, I must still uncloud my earthly duties.
Pablo Neruda
It’s like they coated Nixon in DQ butterscotch cone dip and injected bath salts into his amygdala with a Black & Decker roofing nailer.
Aldous J. Pennyfarthing (Goodbye, Asshat: 101 Farewell Letters to Donald Trump (101 Rude Letters to Donald Trump #4))
mittens parked on the street corner in a wheelchair, watching nothing go by. Here and there, a little store would have people hanging around, but mostly the streets were deserted. Maybe because it was Sunday, with the Godly in church and the rest sleeping off their sins. “Damn, mothafuckers,” Everett said now and again, until June blew up. “Everett. You’re one of about twelve men I know that aren’t in any kind of trouble. Definitely not a thug. Could we just agree on that being a good thing?” The address turned out to be a rough-looking place. We pulled up in front, killed the engine, and sat looking at this house. Low and wide, flat roof, moldy white paint, a lot of the windowpanes covered with cardboard. It looked like a brutal smile with missing teeth. Everett picked up his Kel-Tec and checked the safety. “You two stay in the car, I’ll bake the cake.” June made this explosion, like a crying laugh. “I really am going to kill you with that.” Everett put the piece on his lap. “I’m just going to knock on the door,” June said. “If it turns out she’s here, I’ll ask if we can all come in and talk to her. For God’s sake, Everett, behave yourself.” To get to the door she had to step over a pile of what looked like Pampers and blue plastic. In her jeans and red winter coat,
Barbara Kingsolver (Demon Copperhead)
Lux had dared to put on a coat of the forbidden pink lipstick that tasted—so the boys on the roof told us—like strawberries. Woody Clabault’s sister had the same brand, and once, after we got into his parents’ liquor cabinet, we made him put on the lipstick and kiss each one of us so that we, too, would know what it tasted like.
Jeffrey Eugenides (The Virgin Suicides)