Rome Burning Quotes

Brevity is the soul of lingerie.

That woman speaks eighteen languages, and can't say 'No' in any of them.

When Rome burned, the emperor's cats still expected to be fed on time.

Wisdom's daughter walks alone, The mark of Athena burns through Rome.

Here I am leaving you clues. I am singing now while Rome burns. We are all just trying to be holy. My applejack, my silent night, just mash your lips against me. We are all going forward. None of us are going back.

If all the girls attending [the Yale prom] were laid end to end, I wouldn't be at all surprised.

Cats never listen. They’re dependable that way; when Rome burned, the emperor’s cats still expected to be fed on time.

The artist’s task is to save the soul of mankind; and anything less is a dithering while Rome burns. Because of the artists, who are self-selected, for being able to journey into the Other, if the artists cannot find the way, then the way cannot be found.

I had a dream about you. We were in the gold room where everyone finally gets what they want. You said Tell me about your books, your visions made of flesh and light and I said This is the Moon. This is the Sun. Let me name the stars for you. Let me take you there. The splash of my tongue melting you like a sugar cube…We were in the gold room where everyone finally gets what they want, so I said What do you want, sweetheart? and you said Kiss me. Here I am leaving you clues. I am singing now while Rome burns. We are all just trying to be holy. My applejack, my silent night, just mash your lips against me. We are all going forward. None of us are going back.

I am singing now while Rome burns.

Wisdom's daughter walks alone—” “Ella!” Frank stood suddenly. “Maybe it's not the best time—” “The Mark of Athena burns through Rome,” Ella continued, cupping her hands over her ears and raising her voice. “Twins snuff out the angel's breath, Who holds the key to endless death. Giants' bane stands gold and pale, Won with pain from a woven jail.

What's one more meaningless act of violence on that zoo of a planet? It would be appropriate. When in Rome; burn it.

I am singing now while Rome burns. We are all just trying to be holy.

Ya got cigarettes?” she asks. “Yes,” I say, “I got cigarettes.” “Matches?” she asks. “Enough to burn Rome.” “Whiskey?” “Enough whiskey for a Mississippi River of pain.” “You drunk?” “Not yet.

I love you. I love the way you rub the scar on the back of your hand when you're nervous. I love the way you make a sword into a living part of your body. I love the way you burn your eyes into me, as if you're seeing me fresh every time. I love the black streak in you that wants to kill the world, and the soft streak that is sorry afterward. I love the way you laugh, as if you're surprised that you can laugh at all. I love the way you kiss my breath away. I love the way you breathe and speak and smile. I love the way you take the air out of my lungs when you hold me. I love the way you make a dance out of death. I love the confusion I see in your eyes when you realize you are happy. I love every muscle and bone in your body, every twist and bend in your soul.

Wisdom's daughter walks alone. The Mark of Athena burns through Rome. Twins snuff out the angel's breath, Who holds the key to endless death. Giant's bane stands gold and pale, Won through pain from a woven jail.

Ego Tripping I was born in the congo I walked to the fertile crescent and built the sphinx I designed a pyramid so tough that a star that only glows every one hundred years falls into the center giving divine perfect light I am bad I sat on the throne drinking nectar with allah I got hot and sent an ice age to europe to cool my thirst My oldest daughter is nefertiti the tears from my birth pains created the nile I am a beautiful woman I gazed on the forest and burned out the sahara desert with a packet of goat's meat and a change of clothes I crossed it in two hours I am a gazelle so swift so swift you can't catch me For a birthday present when he was three I gave my son hannibal an elephant He gave me rome for mother's day My strength flows ever on My son noah built new/ark and I stood proudly at the helm as we sailed on a soft summer day I turned myself into myself and was jesus men intone my loving name All praises All praises I am the one who would save I sowed diamonds in my back yard My bowels deliver uranium the filings from my fingernails are semi-precious jewels On a trip north I caught a cold and blew My nose giving oil to the arab world I am so hip even my errors are correct I sailed west to reach east and had to round off the earth as I went The hair from my head thinned and gold was laid across three continents I am so perfect so divine so ethereal so surreal I cannot be comprehended except by my permission I mean...I...can fly like a bird in the sky...

I wanted to hurt you but the victory is that I could not stomach it. We have swallowed him up, they said. It’s beautiful. It really is. I had a dream about you. We were in the gold room where everyone finally gets what they want. You said Tell me about your books, your visions made of flesh and light and I said This is the Moon. This is the Sun. Let me name the stars for you. Let me take you there. The splash of my tongue melting you like a sugar cube… We were in the gold room where everyone finally gets what they want, so I said What do you want, sweetheart? and you said Kiss me. Here I am leaving you clues. I am singing now while Rome burns. We are all just trying to be holy. My applejack, my silent night, just mash your lips against me. We are all going forward. None of us are going back.

Listen, are we helpless? Are we doomed to do it again and again and again? Have we no choice but to play the Phoenix in an unending sequence of rise and fall? Assyria, Babylon, Egypt, Greece, Carthage, Rome, the Empires of Charlemagne and the Turk: Ground to dust and plowed with salt. Spain, France, Britain, America—burned into the oblivion of the centuries. And again and again and again. Are we doomed to it, Lord, chained to the pendulum of our own mad clockwork, helpless to halt its swing? This time, it will swing us clean to oblivion.

Rome wasn't built in a day, but it burned in one.

Rome is burning, Jesus says. Drop your fiddle, change your life and come to Me. Let go of the good days that never were - a regimented church you never attended, traditional virtues you never practiced, legalistic obedience you never honored, and a sterile orthodoxy you never accepted. The old era is done. The decisive inbreak of God has happened.

A friend took me to the most amazing place the other day. It's called the Augusteum. Octavian Augustus built it to house his remains. When the barbarians came they trashed it a long with everything else. The great Augustus, Rome's first true great emperor. How could he have imagined that Rome, the whole world as far as he was concerned, would be in ruins. It's one of the quietest, loneliest places in Rome. The city has grown up around it over the centuries. It feels like a precious wound, a heartbreak you won't let go of because it hurts too good. We all want things to stay the same. Settle for living in misery because we're afraid of change, of things crumbling to ruins. Then I looked at around to this place, at the chaos it has endured - the way it has been adapted, burned, pillaged and found a way to build itself back up again. And I was reassured, maybe my life hasn't been so chaotic, it's just the world that is, and the real trap is getting attached to any of it. Ruin is a gift. Ruin is the road to transformation.

She was a full lipped and hipped italian tomato with Rome burning in her eyes. She had the look of a carnival in Rio, or Mardi Gras in New Orleans, or bullfights in Spain, or Saturday night in my apartment.

Only a great fool would call the new political science diabolic: it has no attributes peculiar to fallen angels. It is not even Machiavellian, for Machiavelli's teaching was graceful, subtle, and colorful. Nor is it Neronian. Nevertheless one may say of it that it fiddles while Rome burns. It is excused by two facts: it does not know that it fiddles, and it does not know that Rome burns.

I knew Rome was burning, but I had just enough water to scrub the floors, so I did what I could.

At this stage of the game, I don’t have the time for patience and tolerance. Ten years ago, even five years ago, I would have listened to people ask their questions, explained to them, mollified them. No more. That time is past. Now, as Norman Mailer said in Naked and the Dead, ‘I hate everything which is not in myself.’ If it doesn’t have a direct bearing on what I’m advocating, if it doesn’t augment or stimulate my life and thinking, I don’t want to hear it. It has to add something to my life. There’s no more time for explaining and being ecumenical anymore. No more time. That’s a characteristic I share with the new generation of Satanists, which might best be termed, and has labeled itself in many ways, an ‘Apocalypse culture.’ Not that they believe in the biblical Apocalypse—the ultimate war between good and evil. Quite the contrary. But that there is an urgency, a need to get on with things and stop wailing and if it ends tomorrow, at least we’ll know we’ve lived today. It’s a ‘fiddle while Rome burns’ philosophy. It’s the Satanic philosophy. If the generation born in the 50’s grew up in the shadow of The Bomb and had to assimilate the possibility of imminent self destruction of the entire planet at any time, those born in the 60’s have had to reconcile the inevitability of our own destruction, not through the bomb but through mindless, uncontrolled overpopulation. And somehow resolve in themselves, looking at what history has taught us, that no amount of yelling, protesting, placard waving, marching, wailing—or even more constructive avenues like running for government office or trying to write books to wake people up—is going to do a damn bit of good. The majority of humans have an inborn death wish—they want to destroy themselves and everything beautiful. To finally realize that we’re living in a world after the zenith of creativity, and that we can see so clearly the mechanics of our own destruction, is a terrible realization. Most people can’t face it. They’d rather retreat to the comfort of New Age mysticism. That’s all right. All we want, those few of us who have the strength to realize what’s going on, is the freedom to create and entertain and share with each other, to preserve and cherish what we can while we can, and to build our own little citadels away from the insensitivity of the rest of the world.

You mean we won't get to run through burning buildings?" I could see he wanted to laugh, but instead he watched me intently. "What? Why are you staring at me?" "I'm not staring. I'm observing." I smiled through my tears. "And what do you observe?" He brushed his lips against my ear. "A brave young woman who has always fought for what was right, even when it was unpopular. A woman who can't return to the land of her birth, but is wlcome to cross the seas and rebuild Alexandria in mine. And a woman who has suffered enough in Rome and deserves happiness for a change. Will you come to Mauretania and be my queen?" He drew back to look at me, but I held him closer. "Yes." "Just yes?" I nodded and pressed my lips against his.

In the naivete of their youth, they believed Fate to be a kind mistress. None of them were prepared for the beast that was about to pick them up by the throats and shake them until their teeth rattled.

War has always followed libraries, my apprentice. History has made no effort to hide that truth from us. Look at Rome; look at the Crusades. Vanquishing an enemy and taking his books was just as strategic as taking his cannons. Books are knowledge weaponized. And what weapons you cannot steal, you must burn.

Dear me, what would this barren vocabulary get out of the mightiest spectacle?—the burning of Rome in Nero's time, for instance? Why, it would merely say, 'Town burned down; no insurance; boy brast a window, fireman brake his neck!' Why, THAT ain't a picture!

Thanks to all the moving around Mom and I had done, I hadn't had a birthday party since I was eight years old. That had been at Chuck E. Cheese. Something told me the Council had something more elaborate in mind. "They don't need to do that," I said, shoving my hands into my pockets. "Especially with all that's going on right now." Nick flashed me a wolfish grin. "That's Prodigium for you. Very 'fiddle while Rome burns.

I hear You saying to me: "I will give you what you desire. I will lead you into solitude. I will lead you by the way that you cannot possibly understand, because I want it to be the quickest way. "Therefore all the things around you will be armed against you, to deny you, to hurt you, to give you pain, and therefore to reduce you to solitude. "Because of their enmity, you will soon be left alone. They will cast you out and forsake you and reject you and you will be alone. "Everything that touches you shall burn you, and you will draw your hand away in pain, until you have withdrawn yourself from all things. Then you will be all alone. "Everything that can be desired will sear you, and brand you with a cautery, and you will fly from it in pain, to be alone. Every created joy will only come to you as pain, and you will die to all joy and be left alone. All the good things that other people love and desire and seek will come to you, but only as murderers to cut you off from the world and its occupations. "You will be praised, and it will be like burning at the stake. You will be loved, and it will murder your heart and drive you into the desert. "You will have gifts, and they will break you with their burden. You will have pleasures of prayer, and they will sicken you and you will fly from them. "And when you have been praised a little and loved a little I will take away all your gifts and all your love and all your praise and you will be utterly forgotten and abandoned and you will be nothing, a dead thing, a rejection. And in that day you shall being to possess the solitude you have so long desired. And your solitude will bear immense fruit in the souls of men you will never see on earth. "Do not ask when it will be or where it will be or how it will be: On a mountain or in a prison, in a desert or in a concentration camp or in a hospital or at Gethsemani. It does not matter. So do not ask me, because I am not going to tell you. You will not know until you are in it. "But you shall taste the true solitude of my anguish and my poverty and I shall lead you into the high places of my joy and you shall die in Me and find all things in My mercy which has created you for this end and brought you from Prades to Bermuda to St. Antonin to Oakham to London to Cambridge to Rome to New York to Columbia to Corpus Christi to St. Bonaventure to the Cistercian Abbey of the poor men who labor in Gethsemani: "That you may become the brother of God and learn to know the Christ of the burnt men.

He is fiddling while Rome is burning, and, unlike the enormous majority of people who do this, fiddling with his face toward the flames.

(…) I am singing now while Rome burns. We are all just trying to be holy.

One might enter the Labyrinth through a manhole in Rome, walk ten feet, open a door, and find oneself at a training camp for clowns in Buffalo, Minnesota. (Please don’t ask. It was traumatic.)

She is the woman that contradicts Simone de Beauvoir's saying "One is not born, but rather becomes, a woman." She is the woman that makes your tooth pain seem like a trivial matter in comparison to the heartaches she causes as she deliberately passes by your side. She is the woman that makes your throat feel swollen and your tie to suddenly seem too tight. She is the woman that is able to take you to the seven heavens with a whisper; straight to cloud number nine.. She is the woman that erases all other women unintentionally and becomes without demanding the despot of your heart. She is the woman that sends you back and forth to purgatory and resurrects you with each unintended touch. She is the woman that will ask of you to burn Rome just to collect for her a handful of dust.

Dear Natasha, It's the middle of the night. I can't sleep. Thoughts are creeping through my head like darkness slips around the bodies of sky scrapers in every city we've ever been to. From the bottom up, suffocating the life on the street first and then raising to the head and the brain, circling into smog and clouds until the black stretches up so high that nobody can even remember what the stars used to look like. This is how I feel when I lie awake and think of you. I miss you.

The Mark of Athena burns through Rome,” Ella continued, cupping her hands over her ears and raising her voice. “Twins snuff out the angel’s breath, Who holds the key to endless death. Giants’ bane stands gold and pale, Won through pain from a woven jail.

And what can a simple girl do? (Henry) I was told, by my father, of St. Mary of Aragon who single-handedly brought down an entire Saracen army with nothing more than her faith in God. He also spoke of an ancient Celtic queen named Boudicca who brought Rome to her knees and burned London to the ground. He oft said that a woman was far more deadly as an enemy than a man, because men lead with their heads and women with their hearts. You can argue and win against another’s head, but never against her heart. (Callie)

I sometimes wish I had lived in my grandfather's time instead of today. The pattern of life was less complicated then. This was a cleaner, greener land, and a man who took to the highroad might breathe, instead of gasoline vapors, a forgotten boon called air.

The hardest lesson you will ever learn will be to love yourself. But you can do it. There will always be days when you hate yourself, days when you wish you had never been born. But darling, you are beautiful, and if Shakespeare had met you, you would've inspired his 18th sonnet, and if Monet had known you, he would've given up painting water lilies and chosen to paint you instead. I know it’s hard to love yourself, but sometimes it’s okay to be a little selfish with your love.. When you begin to feel worthless, remember that the stars died for you. You are made of elements that are thousands of years old, elements that make up every atom of your being. When you want to cut your wrists, remember that the souls of stars live in your veins. Don’t kill them. Live for the life you always wanted but were too scared to pursue. Live for you. Live for me. Live for every person who has ever loved you, for the people who have come before you, so that you may be here today. Live for the fire that burns in your soul, that tells you: keep going, you’re almost there, just a little farther. Because when Rome burned down the emperor didn't run away, he stayed and he sang for his people. Stay. Sing for your people. Sing for us.

Never mind,” said Ford. “Rome wasn’t burned in a day.

Welcome to the South, friends, where you get third-degree burns from leaning against your vehicle.

Is it possible that the Pentateuch could not have been written by uninspired men? that the assistance of God was necessary to produce these books? Is it possible that Galilei ascertained the mechanical principles of 'Virtual Velocity,' the laws of falling bodies and of all motion; that Copernicus ascertained the true position of the earth and accounted for all celestial phenomena; that Kepler discovered his three laws—discoveries of such importance that the 8th of May, 1618, may be called the birth-day of modern science; that Newton gave to the world the Method of Fluxions, the Theory of Universal Gravitation, and the Decomposition of Light; that Euclid, Cavalieri, Descartes, and Leibniz, almost completed the science of mathematics; that all the discoveries in optics, hydrostatics, pneumatics and chemistry, the experiments, discoveries, and inventions of Galvani, Volta, Franklin and Morse, of Trevithick, Watt and Fulton and of all the pioneers of progress—that all this was accomplished by uninspired men, while the writer of the Pentateuch was directed and inspired by an infinite God? Is it possible that the codes of China, India, Egypt, Greece and Rome were made by man, and that the laws recorded in the Pentateuch were alone given by God? Is it possible that Æschylus and Shakespeare, Burns, and Beranger, Goethe and Schiller, and all the poets of the world, and all their wondrous tragedies and songs are but the work of men, while no intelligence except the infinite God could be the author of the Pentateuch? Is it possible that of all the books that crowd the libraries of the world, the books of science, fiction, history and song, that all save only one, have been produced by man? Is it possible that of all these, the bible only is the work of God?

There has arisen in our time a most singular fancy: the fancy that when things go very wrong we need a practical man. It would be far truer to say, that when things go very wrong we need an unpractical man. Certainly, at least, we need a theorist. A practical man means a man accustomed to mere daily practice, to the way things commonly work. When things will not work, you must have the thinker, the man who has some doctrine about why they work at all. It is wrong to fiddle while Rome is burning; but it is quite right to study the theory of hydraulics while Rome is burning.

C’mon, man!” B exclaimed. “It’s one thing to be gay, but pinky swearing is for chicks!” “You do it, too,” Ivy said, stepping through the doorway. “So don’t be acting like you don’t.” “Burned,” Rome sang. “Aww, baby, why you gotta do me like that?

But even while Rome is burning, there’s somehow time for shopping at IKEA. Social imperatives are a merciless bitch. Everyone is attempting to buy what no one can sell.  See, when I moved out of the house earlier this week, trawling my many personal belongings in large bins and boxes and fifty-gallon garbage bags, my first inclination was, of course, to purchase the things I still “needed” for my new place. You know, the basics: food, hygiene products, a shower curtain, towels, a bed, and umm … oh, I need a couch and a matching leather chair and a love seat and a lamp and a desk and desk chair and another lamp for over there, and oh yeah don’t forget the sideboard that matches the desk and a dresser for the bedroom and oh I need a coffeetable and a couple end tables and a TV-stand for the TV I still need to buy, and don’t these look nice, whadda you call ’em, throat pillows? Oh, throw pillows. Well that makes more sense. And now that I think about it I’m going to want my apartment to be “my style,” you know: my own motif, so I need certain decoratives to spruce up the decor, but wait, what is my style exactly, and do these stainless-steel picture frames embody that particular style? Does this replica Matisse sketch accurately capture my edgy-but-professional vibe? Exactly how “edgy” am I? What espresso maker defines me as a man? Does the fact that I’m even asking these questions mean I lack the dangling brass pendulum that’d make me a “man’s man”? How many plates/cups/bowls/spoons should a man own? I guess I need a diningroom table too, right? And a rug for the entryway and bathroom rugs (bath mats?) and what about that one thing, that thing that’s like a rug but longer? Yeah, a runner; I need one of those, and I’m also going to need…

In Rome on the Campo dei Fiori Baskets of olives and lemons, Cobbles spattered with wine And the wreckage of flowers. Vendors cover the trestles With rose-pink fish; Armfuls of dark grapes Heaped on peach-down. On this same square They burned Giordano Bruno. Henchmen kindled the pyre Close-pressed by the mob. Before the flames had died The taverns were full again, Baskets of olives and lemons Again on the vendors' shoulders. I thought of the Campo dei Fiori In Warsaw by the sky-carousel One clear spring evening To the strains of a carnival tune. The bright melody drowned The salvos from the ghetto wall, And couples were flying High in the cloudless sky. At times wind from the burning Would drift dark kites along And riders on the carousel Caught petals in midair. That same hot wind Blew open the skirts of the girls And the crowds were laughing On that beautiful Warsaw Sunday. Someone will read as moral That the people of Rome or Warsaw Haggle, laugh, make love As they pass by martyrs' pyres. Someone else will read Of the passing of things human, Of the oblivion Born before the flames have died. But that day I thought only Of the loneliness of the dying, Of how, when Giordano Climbed to his burning There were no words In any human tongue To be left for mankind, Mankind who live on. Already they were back at their wine Or peddled their white starfish, Baskets of olives and lemons They had shouldered to the fair, And he already distanced As if centuries had passed While they paused just a moment For his flying in the fire. Those dying here, the lonely Forgotten by the world, Our tongue becomes for them The language of an ancient planet. Until, when all is legend And many years have passed, On a great Campo dei Fiori Rage will kindle at a poet's word.

For two days, we had travelled the Labyrinth - across pits of darkness and around lakes of poison, through dilapidated shopping malls with only discount Halloween stores and questionable Chinese food buffets. The Labyrinth could be a bewildering place. Like a web of capillaries beneath the skin of the mortal world, it connected basements, sewers and forgotten tunnels around the globe with no regard to the rules of time and space. One might enter the Labyrinth through a manhole in Rome, walk ten feet, open a door and find oneself at a training camp for clowns in Buffalo, Minnesota. (Please don't ask. It was traumatic.)

…Because every ruler celebrated his conquests by setting torch to the nearest library. Did not Julius Caesar incinerate the scrolls in the great library at Alexandria during his campaign against the republicans in Africa? Or General Stilicho, leader of the Vandals, order the burning of the Sybillene prophecies in Rome?

As I pass through my incarnations in every age and race, I make my proper prostrations to the Gods of the Market Place. Peering through reverent fingers I watch them flourish and fall, And the Gods of the Copybook Headings, I notice, outlast them all. We were living in trees when they met us. They showed us each in turn That Water would certainly wet us, as Fire would certainly burn: But we found them lacking in Uplift, Vision and Breadth of Mind, So we left them to teach the Gorillas while we followed the March of Mankind. We moved as the Spirit listed. They never altered their pace, Being neither cloud nor wind-borne like the Gods of the Market Place, But they always caught up with our progress, and presently word would come That a tribe had been wiped off its icefield, or the lights had gone out in Rome. With the Hopes that our World is built on they were utterly out of touch, They denied that the Moon was Stilton; they denied she was even Dutch; They denied that Wishes were Horses; they denied that a Pig had Wings; So we worshipped the Gods of the Market Who promised these beautiful things. When the Cambrian measures were forming, They promised perpetual peace. They swore, if we gave them our weapons, that the wars of the tribes would cease. But when we disarmed They sold us and delivered us bound to our foe, And the Gods of the Copybook Headings said: "Stick to the Devil you know." On the first Feminian Sandstones we were promised the Fuller Life (Which started by loving our neighbour and ended by loving his wife) Till our women had no more children and the men lost reason and faith, And the Gods of the Copybook Headings said: "The Wages of Sin is Death." In the Carboniferous Epoch we were promised abundance for all, By robbing selected Peter to pay for collective Paul; But, though we had plenty of money, there was nothing our money could buy, And the Gods of the Copybook Headings said: "If you don't work you die." Then the Gods of the Market tumbled, and their smooth-tongued wizards withdrew And the hearts of the meanest were humbled and began to believe it was true That All is not Gold that Glitters, and Two and Two make Four And the Gods of the Copybook Headings limped up to explain it once more. As it will be in the future, it was at the birth of Man There are only four things certain since Social Progress began. That the Dog returns to his Vomit and the Sow returns to her Mire, And the burnt Fool's bandaged finger goes wabbling back to the Fire; And that after this is accomplished, and the brave new world begins When all men are paid for existing and no man must pay for his sins, As surely as Water will wet us, as surely as Fire will burn, The Gods of the Copybook Headings with terror and slaughter return!

She predicted the fall of Troy. She foresaw the rise of Alexander the Great. She advised Aeneas on where he should establish the colony that would one day become Rome. But did the Romans listen to all her advice, like Watch out for emperors, Don't go crazy with the gladiator stuff or Togas are not a good fashion statement? No. No, they didn't.

Rome wasn't burned in a day.

When in Rome; burn it.

I would rather see Rome ruled by a man who once had to ask his accountant tricky questions before his steward could pay the butcher’s bill than by some mad limb like Nero, who was brought up believing himself the son and the grandson of gods, and who thought wearing the purple gave him free rein to indulge his personal vanities, execute real talent, bankrupt the Treasury, burn half of Rome – and bore the living daylights out of paying customers in theatres!

There is frequently another way to look at things and we are encouraged to do exactly that if we want to grow as a nation, however when we mess with the principles of what made our country great we are in danger of upsetting the apple cart. Many civilized countries that did, lost their freedom in a rapid downhill spiral. Nero fiddled as Rome burned. Cubans lost out by electing Fidel Castro and the Germans and Italians, wanting a better life, voted for Mussolini and Hitler.

The German astronomer Johannes Kepler coined the term “camera obscura” in the early seventeenth century, but by then the phenomenon had been known for millennia; in fact, it is perhaps the oldest known optical illusion. Some form of camera obscura was most likely behind a popular illusion performed in ancient Greece and Rome, in which spectral images were cast upon the smoke of burning incense by performers using concave metal mirrors—hence the expression “smoke and mirrors.

Instead of beseeching men to be reconciled to God, we find ministers wasting their time in giving Sunday lectures about all kinds of subjects. Rome is burning and Nero is playing his fiddle. Souls are perishing and minsters are amusing them.

But perhaps the most poetical thing Pompeii has yielded to modern research, was that grand figure of a Roman soldier, clad in complete armor; who, true to his duty, true to his proud name of a soldier of Rome, and full of the stern courage which had given to that name its glory, stood to his post by the city gate, erect and unflinching, till the hell that raged around him burned out the dauntless spirit it could not conquer. We never read of Pompeii but we think of that soldier; we can not write of Pompeii without the natural impulse to grant to him the mention he so well deserves. Let us remember that he was a soldier--not a policeman --and so, praise him. Being a soldier, he staid,--because the warrior instinct forbade him to fly. Had he been a policeman he would have staid, also--because he would have been asleep.

Rome, yes, I say, thinking in quick succession of the Pantheon, the Colosseum and the cardinals screwing around while wondering whether women have souls or not, and of Nero, of course, who killed his closest family and let the city burn. I don't reckon he liked people, either.

Perry continued, his voice even but firm as granite; "Do you prefer the easy platitudes? You said you didn't. How dare you speak about God like He's some frivolous clown? Do you think you're the only one who has suffered in this world? Every apostle but one died a martyr’s death. By the time of Nero the streets of Rome were lined with Christians hanging on crosses. Emperors would wrap them in wax and light them on fire, using their burning bodies as torches. Even Gods own Son was nailed to a cross. What makes you think you should be spared pain and difficulty? Anne started to speak but nothing came out so Perry continued. "I'm grieved at your loss but I won't waste time joining you in your pity party. Everyone faces hardship, disappointment and, sooner or later, tragedy. It's called Life. If you want to talk about how unfair God is you'll need to find a different audience, because I'm not going to listen to it" Perry watched Anne's jaw tighten and her eyes narrow as if to hold back the hurricane of fury swirling within her. "You owe me an apology", she said through tight lips. "You owe God an apology", Perry countered in the same still voice. A TREASURE DEEP

The hardest lesson you will ever learn will be to love yourself. But you can do it. There will always be days when you hate yourself, days when you wish you had never been born. But darling, you are beautiful, and if Shakespeare had met you, you would've inspired his 18th sonnet, and if Monet had known you, he would've given up painting water lilies and chosen to paint you instead. I know it’s hard to love yourself, but sometimes it’s okay to be a little selfish with your love.. When you begin to feel worthless, remember that the stars died for you. You are made of elements that are thousands of years old, elements that make up every atom of your being. When you want to cut your wrists, remember that the souls of stars live in your veins. Don’t kill them. Live for the life you always wanted but were too scared to pursue. Live for you. Live for me. Live for every person who has ever loved you, for the people who have come before you, so that you may be here today. Live for the fire that burns in your soul, that tells you: keep going, you’re almost there, just a little farther. Because when Rome burned down the emperor didn't run away, he stayed and he sang for his people. Stay. Sing for your people. Sing for us.

I could hear the secrets of the universe being whispered to me . But then, just as dreams burn away with waking, the feeling faded. It was wrenched from my grasp, drifting into nothingness, like my lost city of Pompeii. Like my Rome. Like the man I had once been. The only magic I ever wanted, forever denied me .

But beyond the extravagance of Rome's wealthiest citizens and flamboyant gourmands, a more restrained cuisine emerged for the masses: breads baked with emmer wheat; polenta made from ground barley; cheese, fresh and aged, made from the milk of cows and sheep; pork sausages and cured meats; vegetables grown in the fertile soil along the Tiber. In these staples, more than the spice-rubbed game and wine-soaked feasts of Apicius and his ilk, we see the earliest signs of Italian cuisine taking shape. The pillars of Italian cuisine, like the pillars of the Pantheon, are indeed old and sturdy. The arrival of pasta to Italy is a subject of deep, rancorous debate, but despite the legend that Marco Polo returned from his trip to Asia with ramen noodles in his satchel, historians believe that pasta has been eaten on the Italian peninsula since at least the Etruscan time. Pizza as we know it didn't hit the streets of Naples until the seventeenth century, when Old World tomato and, eventually, cheese, but the foundations were forged in the fires of Pompeii, where archaeologists have discovered 2,000-year-old ovens of the same size and shape as the modern wood-burning oven. Sheep's- and cow's-milk cheeses sold in the daily markets of ancient Rome were crude precursors of pecorino and Parmesan, cheeses that literally and figuratively hold vast swaths of Italian cuisine together. Olives and wine were fundamental for rich and poor alike.

I am a Roman,' he said to the king; 'my name is Gaius Mucius. I came here to kill you - my enemy. I have as much courage to die as to kill. It is our Roman way to do and to suffer bravely. Nor am I alone in my resolve against your life; behind me is a long line of men eager for the same honor. Brace yourself, if you will, for the struggle - a struggle for your life from hour to hour, with an armed enemy always at your door. That is the war we declare against you: you need fear no action in the battlefield, army against army; it will be fought against you alone, by one of us at a time.' Porsena in rage and alarm ordered the prisoner to be burnt alive unless he at once divulged the plot thus obscurely hinted at, whereupon Mucius, crying: 'See how cheap men hold their bodies when they care only for honor!' thrust his right hand into the fire which had been kindled for a sacrifice, and let it burn there as if he were unconscious of the pain. Porsena was so astonished by the young man's almost superhuman endurance that he leapt to his feet and ordered his guards to drag him from the altar. 'Go free,' he said; 'you have dared to be a worse enemy to yourself than to me. I should bless your courage, if it lay with my country to dispose of it. But, as that cannot be, I, as an honorable enemy, grant you pardon, life, and liberty.' 'Since you respect courage,' Mucius replied, as if he were thanking him for his generosity, 'I will tell you in gratitude what you could not force from me by threats. There are three hundred of us in Rome, all young like myself, and all of noble blood, who have sworn an attempt upon your life in this fashion. It was I who drew the first lot; the rest will follow, each in his turn and time, until fortune favor us and we have got you.' The release of Mucius (who was afterwards known as Scaevola, or the Left-Handed Man, from the loss of his right hand) was quickly followed by the arrival in Rome of envoys from Porsena. The first attempt upon his life, foiled only by a lucky mistake, and the prospect of having to face the same thing again from every one of the remaining conspirators, had so shaken the king that he was coming forward with proposals for peace.

But perhaps the most poetical thing Pompeii has yielded to modern research, was that grand figure of a Roman solider, clad in complete armour; who, true to his duty, true to his proud name of a soldier of Rome, and full of the stern courage which had given to that name its glory, stood to his post by the city gate, erect and unflinching, till the hell that raged around him burned out the dauntless spirit it could not conquer.

O Fabricius! What would your great soul have thought, if to your own misfortune you had been called back to life and had seen the pompous face of this Rome saved by your efforts and which your honourable name had distinguished more than all its conquests? 'Gods,' you would have said, 'what has happened to those thatched roofs and those rustic dwelling places where, back then, moderation and virtue lived? What fatal splendour has succeeded Roman simplicity? What is this strange language? What are these effeminate customs? What do these statues signify, these paintings, these buildings? You mad people, what have you done? You, masters of nations, have you turned yourself into the slaves of the frivolous men you conquered? Are you now governed by rhetoricians? Was it to enrich architects, painters, sculptors, and comic actors that you soaked Greece and Asia with your blood? Are the spoils of Carthage trophies for a flute player? Romans, hurry up and tear down these amphitheatres, break up these marbles, burn these paintings, chase out these slaves who are subjugating you, whose fatal arts are corrupting you. Let other hands distinguish themselves with vain talents. The only talent worthy of Rome is that of conquering the world and making virtue reign there. When Cineas took our Senate for an assembly of kings, he was not dazzled by vain pomp or by affected elegance. He did not hear there this frivolous eloquence, the study and charm of futile men. What then did Cineas see that was so majestic? O citizens! He saw a spectacle which your riches or your arts could never produce, the most beautiful sight which has ever appeared under heaven, an assembly of two hundred virtuous men, worthy of commanding in Rome and governing the earth.

He never cried, not even when his alarm went off. Swaddled in his Moses basket, wires trailing out the bottom, his monitor flashing green, green, green, his entire four-pound body motionless except his eyelids, it seemed he understood everything I was working so hard to understand: his mother's love, his brother's ceaseless crying: he was already forgiving me my shortcomings as a father; he was a distillation of a dozen generations, all stripped into a single flame and stowed still-burning inside the this slip of his ribs. I'd hold him to the window and he'd stare out into the night, blue tributaries of veins pulsing his neck, his big eyelids slipping down now and then, and it would feel as if tethers were falling away, and the two of us were gently rising, through the glass, through the trees, through the interweaving layers of atmosphere, into whatever was beyond the sky.

On Easter Monday there was a great display of fireworks from the Castle of St. Angelo. We hired a room in an opposite house, and made our way, to our places, in good time, through a dense mob of people choking up the square in front, and all the avenues leading to it; and so loading the bridge by which the castle is approached, that it seemed ready to sink into the rapid Tiber below. There are statues on this bridge (execrable works), and, among them, great vessels full of burning tow were placed: glaring strangely on the faces of the crowd, and not less strangely on the stone counterfeits above them. The show began with a tremendous discharge of cannon; and then, for twenty minutes or half an hour, the whole castle was one incessant sheet of fire, and labyrinth of blazing wheels of every colour, size, and speed: while rockets streamed into the sky, not by ones or twos, or scores, but hundreds at a time. The concluding burst - the Girandola - was like the blowing up into the air of the whole massive castle, without smoke or dust. In half an hour afterwards, the immense concourse had dispersed; the moon was looking calmly down upon her wrinkled image in the river; and half - a - dozen men and boys with bits of lighted candle in their hands: moving here and there, in search of anything worth having, that might have been dropped in the press: had the whole scene to themselves.

Though gay men have begun to understand it is something in themselves these upright men so fear, too many of us have internalized their self-hatred as shame. That the flesh and the spirit are one in love is none of the business of the celibate men of God, especially those who believe they rule the province of love. But the mission of the homophobe is more pernicious even than his morality. He wants every one of us to be all alone, never to find the beloved friend. A man ought to be free to find his reason. Not that freedom alone will serve it up: it requires the gods’ own fury of luck to get two people to meet. But when it finally happens, two men in love can’t rejoice out loud—joy of the very thing everyone burns for—without bracing for the rant of prophets, the schoolyard bully, and Rome’s “intrinsic evil.” I try to remember that we fight as a ragged people to outlast the calamity so that others can sleep as safe as my friend and I, like a raft in the tempest.

Johannes Kepler, who was one of the first to apply mathematics to the motion of the planets, was an imperial adviser to Emperor Rudolf Il and perhaps escaped persecution by piously including religious elements in his scientific work. The former monk Giordano Bruno was not so lucky. In 1600, he was tried and sentenced to death for heresy. He was gagged, paraded naked in the streets of Rome, and finally burned at the stake. His chief crime? Declaring that life may exist on planets circling other stars.

the music moved through the darkness, grief rose in me. For my beloved, but also for my brother. Not for the Judas who betrayed Jesus, but for the boy who pined for his parents, who endured our father’s rejection, who took me with him when he walked in the Galilean hills, and who always took my part. I mourned the Judas who gave my bracelet to the injured laborer, who burned Nathaniel’s date grove, who resisted Rome. Those were the Judases I loved. For them, I buried my face in the crook of my arm and cried.

Carafa, as Pope Paul IV, established the Index of Forbidden Books, banned all women from entering the Vatican, burnt volumes of Talmud and Kabbalah, threw the Jews of Rome into the ghetto, drained the Church’s savings while overtaxing the faithful in order to enrich his nephews and mistress, tortured and burned homosexuals in public, ordained two nephews (ages fourteen and sixteen) as cardinals, and banned the potato—recently brought to Europe from the New World by Sir Francis Drake—as a fruit of lust sent by Satan.

Were there two very different types of senator: on the one hand an unlucky, and maybe tiresome, few who refused to go along with the system, took the emperor’s jokes and displays far too seriously, made their opposition known and paid for it; on the other, the largely silent majority of men who were grateful to serve and prosper in the limelight of the imperial court, whoever the emperor was, were prepared to vote for book burning when required and did not think celebrating the emperor’s birthday or overseeing the dredging of the Tiber beneath them? In

He abolished foreign cults at Rome, particularly the Egyptian and Jewish, forcing all citizens who had embraced these superstitious faiths to burn their religious vestments and other accessories. Jews of military age were removed to unhealthy regions, on the pretext of drafting them into the army; those too old or too young to serve—including non-Jews who had adopted similar beliefs—were expelled from the City and threatened with slavery if they defied the order. Tiberius also banished all astrologers except such as asked for his forgiveness and undertook to make no more predictions.

Stuffed whole suckling pig is a feast-day specialty everywhere in Italy, although each region cooks it slightly differently. In Rome the piglet would be stuffed with its own fried organs; in Sardinia, with a mixture of lemons and minced meat. Here, evidently, the stuffing was made with bread crumbs and herbs. He could make out each individual component of the mixture: finocchio selvatico---wild fennel---garlic, rosemary, and olives, mingling with the smell of burning pork fat from the fire, which spit green flame briefly wherever the juices from the little pig, running down its trotters, dropped into it.

He stopped at the gate on his way back to the temple, where Gracilis, the Twentieth’s hard-case wolf hunter from the Campanian mountains, was supervising the strengthening of the defences. ‘Take some men and tear down the huts along the west wall. And while you’re at it, clear everything for a javelin throw in front of this gate. I want a killing ground from there to about there.’ Gracilis grinned and saluted. Like all legionaries, the only thing he liked better than fighting and drinking was destroying someone else’s property. ‘Should we burn them, sir?’ he said hopefully. Valerius shook his head. No point in creating smoke to warn the enemy. ‘Just break them up and add them to the barriers.

But why . . . you've said Lestat shouldn't have made you start with people. Did you mean . . . do you mean for you it was an aesthetic choice, not a moral one?’ ’Had you asked me then, I would have told you it was aesthetic, that I wished to understand death in stages. That the death of an animal yielded such pleasure and experience to me that I had only begun to understand it, and wished to save the experience of human death for my mature understanding. But it was moral. Because all aesthetic decisions are moral, really.’ ‘I don’t understand,’ said the boy. ‘I thought aesthetic decisions could be completely immoral. What about the cliché of the artist who leaves his wife and children so he can paint? Or Nero playing the harp while Rome burned?’ ‘Both were moral decisions. Both served a higher good, in the mind of the artist. The conflict lies between the morals of the artist and the morals of society, not between aesthetics and morality. But often this isn’t understood; and here comes the waste, the tragedy. An artist, stealing paints from a store, for example, imagines himself to have made an inevitable but immoral decision, and then he sees himself as fallen from grace; what follows is despair and petty irresponsibility, as if morality were a great glass world which can be utterly shattered by one act. But this was not my great concern then. I did not know these things then. I believed I killed animals for aesthetic reasons only, and I hedged against the great moral question of whether or not by my very nature I was damned.

All the spoiling, then, which Rome was exposed to in the recent calamity—all the slaughter, plundering, burning, and misery—was the result of the custom of war. But what was novel, was that savage barbarians showed themselves in so gentle a guise, that the largest churches were chosen and set apart for the purpose of being filled with the people to whom quarter was given, and that in them none were slain, from them none forcibly dragged; that into them many were led by their relenting enemies to be set at liberty, and that from them nonewereledintoslaverybymercilessfoes. Whoeverdoesnotseethatthisistobeattributed to the name of Christ, and to the Christian temper, is blind; whoever sees this, and gives no praise, is ungrateful; whoever hinders any one from praising it, is mad. Far be it from any prudent man to impute this clemency to the barbarians.

He never cried, not even when his alarm went off. Swaddled in his Moses basket, wires trailing out the bottom, his monitor flashing green, green, green, his entire four-pound body motionless except his eyelids, it seemed he understood everything I was working so hard to understand: his mother's love, his brother's ceasless crying: he was alreday forgiving me my shortcomings as a father; he was a distillation of a dozen generations, all stripped into a single flame and stowed still-burning inside the this slip of his ribs. I'd hold him to the window and he's stare out into the night, blue tributaries of veins pulsing his neck, his big eyelids slipping down now and then, and it would feel as if tethers were falling away, and the two of us were gently rising, through the glass, through the trees, through the interweaving layers of atmosphere, into whatever was beyond the sky.

He never cried, not even when his alarm went off. Swaddled in his Moses basket, wires trailing out the bottom, his monitor flashing green, green, green, his entire four-pound body motionless except his eyelids, it seemed he understood everything I was working so hard to understand: his mother's love, his brother's ceaseless crying: he was already forgiving me my shortcomings as a father; he was a distillation of a dozen generations, my grandpa's grandpa's grandpa, all stripped into a single flame and stowed still-burning inside the thin slip of his ribs. I'd hold him to the window and he'd stare out into the night, blue tributaries of veins pulsing his neck, his big eyelids slipping down now and then, and it would feel as if tethers were falling away, and the two of us were gently rising, through the glass, through the trees, through the interweaving layers of atmosphere, into whatever was beyond the sky

I landed on my side, my hip taking the brunt of the fall. It burned and stung from the hit, but I ignored it and struggled to sit up quickly. There really was no point in hurrying so no one would see. Everyone already saw A pair of jean-clad legs appeared before me, and my suitcase and all my other stuff was dropped nearby. "Whatcha doing down there?" Romeo drawled, his hands on his hips as he stared down at me with dancing blue eyes. "Making a snow angel," I quipped. I glanced down at my hands, which were covered with wet snow and bits of salt (to keep the pavement from getting icy). Clearly, ice wasn't required for me to fall. A small group of girls just "happened by", and by that I mean they'd been staring at Romeo with puppy dog eyes and giving me the stink eye. When I fell, they took it as an opportunity to descend like buzzards stalking the dead. Their leader was the girl who approached me the very first day I'd worn Romeo's hoodie around campus and told me he'd get bored. As they stalked closer, looking like clones from the movie Mean Girls, I caught the calculating look in her eyes. This wasn't going to be good. I pushed up off the ground so I wouldn't feel so vulnerable, but the new snow was slick and my hand slid right out from under me and I fell back again. Romeo was there immediately, the teasing light in his eyes gone as he slid his hand around my back and started to pull me up. "Careful, babe." he said gently. The girls were behind him so I knew he hadn't seen them approach. They stopped as one unit, and I braced myself for whatever their leader was about to say. She was wearing painted-on skinny jeans (I mean, really, how did she sit down and still breathe?) and some designer coat with a monogrammed scarf draped fashionably around her neck. Her boots were high-heeled, made of suede and laced up the back with contrasting ribbon. "Wow," she said, opening her perfectly painted pink lips. "I saw that from way over there. That sure looked like it hurt." She said it fairly amicably, but anyone who could see the twist to her mouth as she said it would know better. Romeo paused in lifting me to my feet. I felt his eyes on me. Then his lips thinned as he turned and looked over his shoulder. "Ladies," he said like he was greeting a group of welcomed friends. Annoyance prickled my stomach like tiny needles stabbing me. It's not that I wanted him to be rude, but did he have to sound so welcoming? "Romeo," Cruella DeBarbie (I don't know her real name, but this one fit) purred. "Haven't you grown bored of this clumsy mule yet?" Unable to stop myself, I gasped and jumped up to my feet. If she wanted to call me a mule, I'd show her just how much of an ass I could be. Romeo brought his arm out and stopped me from marching past. I collided into him, and if his fingers hadn't knowingly grabbed hold to steady me, I'd have fallen again. "Actually," Romeo said, his voice calm, "I am pretty bored." Three smirks were sent my way. What a bunch of idiots. "The view from where I'm standing sure leaves a lot to be desired." One by one, their eyes rounded when they realized the view he referenced was them. Without another word, he pivoted around and looked down at me, his gaze going soft. "No need to make snow angels, baby," he said loud enough for the slack-jawed buzzards to hear. "You already look like one standing here with all that snow in your hair." Before I could say a word, he picked me up and fastened his mouth to mine. My legs wound around his waist without thought, and I kissed him back as gentle snow fell against our faces.

So at last Ilar Sant came to this wood, which people now call St. Hilary's wood because they have forgotten all about Ilar. And he was weary with his wandering, and the day was very hot; so he stayed by this well and began to drink. And there on that great stone he saw the shining fish, and so he rested, and built an altar and a church of willow boughs, and offered the sacrifice not only for the quick and the dead, but for all the wild beasts of the woods and the streams. "And when this blessed Ilar rang his holy bell and began to offer, there came not only the Prince and his servants, but all the creatures of the wood. There, under the hazel boughs, you might see the hare, which flies so swiftly from men, come gently and fall down, weeping greatly on account of the Passion of the Son of Mary. And, beside the hare, the weasel and the pole-cat would lament grievously in the manner of penitent sinners; and wolves and lambs together adored the saint's hierurgy; and men have beheld tears streaming from the eyes of venomous serpents when Ilar Agios uttered 'Curiluson' with a loud voice—since the serpent is not ignorant that by its wickedness sorrow came to the whole world. And when, in the time of the holy ministry, it is necessary that frequent Alleluyas should be chanted and vociferated, the saint wondered what should be done, for as yet none in that place was skilled in the art of song. Then was a great miracle, since from all the boughs of the wood, from every bush and from every green tree, there resounded Alleluyas in enchanting and prolonged harmony; never did the Bishop of Rome listen to so sweet a singing in his church as was heard in this wood. For the nightingale and thrush and blackbird and blackcap, and all their companions, are gathered together and sing praises to the Lord, chanting distinct notes and yet concluding in a melody of most ravishing sweetness; such was the mass of the Fisherman. Nor was this all, for one day as the saint prayed beside the well he became aware that a bee circled round and round his head, uttering loud buzzing sounds, but not endeavouring to sting him. To be short; the bee went before Ilar, and led him to a hollow tree not far off, and straightway a swarm of bees issued forth, leaving a vast store of wax behind them. This was their oblation to the Most High, for from their wax Ilar Sant made goodly candles to burn at the Offering; and from that time the bee is holy, because his wax makes light to shine upon the Gifts.

Johannes Kepler, who was one of the first to apply mathematics to the motion of the planets, was an imperial adviser to Emperor Rudolf Il and perhaps escaped persecution by piously including religious elements in his scientific work. The former monk Giordano Bruno was not so lucky. In 1600, he was tried and sentenced to death for heresy. He was gagged, paraded naked in the streets of Rome, and finally burned at the stake. His chief crime? Declaring that life may exist on planets circling other stars. The great Galileo, the father of experimental science, almost met the same fate. But unlike Bruno, Galileo recanted his theories on pain of death. Nonetheless, he left a lasting legacy with his telescope, perhaps the most revolutionary and seditious invention in all of science. With a telescope, you could see with your own eyes that the moon was pockmarked with craters; that Venus had phases consistent with its orbiting the sun; that Jupiter had moons, all of which were heretical ideas. Sadly, he was placed under house arrest, isolated from visitors, and eventually went blind. (It was said because he once looked directly at the sun with his telescope.) Galileo died a broken man. But the very year that he died, a baby was born in England who would grow up to complete Galileo's and Kepler's unfinished theories, giving us a unified theory of the heavens.

What you call ‘Western civilization.’ Do you think it’s just an abstract concept? No, it’s a living force. A collective consciousness that has burned bright for thousands of years. The gods are part of it. You might even say they are the source of it, or at least, they are tied so tightly to it that they couldn’t possibly fade, not unless all of Western civilization were obliterated. The fire started in Greece. Then, as you well know—or as I hope you know, since you passed my course—the heart of the fire moved to Rome, and so did the gods. Oh, different names, perhaps—Jupiter for Zeus, Venus for Aphrodite, and so on—but the same forces, the same gods.” “And then they died.” “Died? No. Did the West die? The gods simply moved, to Germany, to France, to Spain, for a while. Wherever the flame was brightest, the gods were there. They spent several centuries in England. All you need to do is look at the architecture. People do not forget the gods. Every place they’ve ruled, for the last three thousand years, you can see them in paintings, in statues, on the most important buildings. And yes, Percy, of course they are now in your United States. Look at your symbol, the eagle of Zeus. Look at the statue of Prometheus in Rockefeller Center, the Greek facades of your government buildings in Washington. I defy you to find any American city where the Olympians are not prominently displayed in multiple places. Like it or not—and believe me, plenty of people weren’t very fond of Rome, either—America is now the heart of the flame. It is the great power of the West. And so Olympus is here.

Experiments in limiting reproduction to the undesirable classes were unconsciously made in mediæval Europe under the guidance of the church. After the fall of Rome social conditions were such that all those who loved a studious and quiet life were compelled to seek refuge from the violence of the times in monastic institutions and upon such the church imposed the obligation of celibacy and thus deprived the world of offspring from these desirable classes. In the Middle Ages, through persecution resulting in actual death, life imprisonment and banishment, the free thinking, progressive and intellectual elements were persistently eliminated over large areas, leaving the perpetuation of the race to be carried on by the brutal, the servile and the stupid. It is now impossible to say to what extent the Roman Church by these methods has impaired the brain capacity of Europe, but in Spain alone, for a period of over three centuries from the years 1471 to 1781, the Inquisition condemned to the stake or imprisonment an average of 1,000 persons annually. During these three centuries no less than 32,000 were burned alive and 291,000 were condemned to various terms of imprisonment and other penalties and 17,000 persons were burned in effigy, representing men who had died in prison or had fled the country. No better method of eliminating the genius producing strains of a nation could be devised and if such were its purpose the result was eminently satisfactory, as is demonstrated by the superstitious and unintelligent Spaniard of to-day. A similar elimination of brains and ability took place in northern Italy, in France and in the Low Countries, where hundreds of thousands of Huguenots were murdered or driven into exile.

[Nero] castrated the boy Sporus and actually tried to make a woman of him; and he married him with all the usual ceremonies, including a dowry and a bridal veil, took him to his house attended by a great throng, and treated him as his wife. This Sporus, decked out with the finery of the empresses and riding in a litter, he took with him to the assizes and marts of Greece, and later at Rome through the Street of the Images,​ fondly kissing him from time to time. That he even desired illicit relations with his own mother, and was kept from it by her enemies, who feared that such a help might give the reckless and insolent woman too great influence, was notorious, especially after he added to his concubines a courtesan who was said to look very like Agrippina. Even before that, so they say, whenever he rode in a litter with his mother, he had incestuous relations with her, which were betrayed by the stains on his clothing. He so prostituted his own chastity that after defiling almost every part of his body, he at last devised a kind of game, in which, covered with the skin of some wild animal, he was let loose from a cage and attacked the private parts of men and women, who were bound to stakes, and when he had sated his mad lust, was dispatched​ by his freedman Doryphorus; for he was even married to this man in the same way that he himself had married Sporus, going so far as to imitate the cries and lamentations of a maiden being deflowered. He made a palace extending all the way from the Palatine to the Esquiline, which at first he called the House of Passage, but when it was burned shortly after its completion and rebuilt, the Golden House. Its size and splendour will be sufficiently indicated by the following details. Its vestibule was large enough to contain a colossal statue of the emperor a hundred and twenty feet high; and it was so extensive that it had a triple colonnade​ a mile long. There was a pond too, like a sea, surrounded with buildings to represent cities,​ besides tracts of country, varied by tilled fields, vineyards, pastures and woods, with great numbers of wild and domestic animals. In the rest of the house all parts were overlaid with gold and adorned with gems and mother-of‑pearl. There were dining-rooms with fretted ceils of ivory, whose panels could turn and shower down flowers and were fitted with pipes for sprinkling the guests with perfumes. The main banquet hall was circular and constantly revolved day and night, like the heavens. His mother offended him by too strict surveillance and criticism of his words and acts. At last terrified by her violence and threats, he determined to have her life, and after thrice attempting it by poison and finding that she had made herself immune by antidotes, he tampered with the ceiling of her bedroom, contriving a mechanical device for loosening its panels and dropping them upon her while she slept. When this leaked out through some of those connected with the plot, he devised a collapsible boat,​ to destroy her by shipwreck or by the falling in of its cabin. ...[He] offered her his contrivance, escorting her to it in high spirits and even kissing her breasts as they parted. The rest of the night he passed sleepless in intense anxiety, awaiting the outcome of his design. On learning that everything had gone wrong and that she had escaped by swimming, driven to desperation he secretly had a dagger thrown down beside her freedman Lucius Agermus, when he joyfully brought word that she was safe and sound, and then ordered that the freedman be seized and bound, on the charge of being hired to kill the emperor; that his mother be put to death, and the pretence made that she had escaped the consequences of her detected guilt by suicide.

IN T H E last twenty-five years I have had a lot of people staying with me and sometimes I am tempted to write an essay on guests. There are the guests who never shut a door after them and never turn out the light when they leave their room. There are the guests who throw themselves on their bed in muddy boots to have a nap after lunch, so that the counterpane has to be cleaned on their departure. There are the guests who smoke in bed and burn holes in your sheets. There are the guests who are on a regime and have to have special food cooked for them and there are the guests who wait till their glass is filled with a vintage claret and then say: "I won't have any, thank you." There are the guests who never put back a book in the place from which they took it and there are the guests who take away a volume from a set and never return it. There are the guests who borrow money from you when they are leaving and do not pay it back. There are the guests who can never be alone for a minute and there are the guests who are seized with a desire to talk the moment they see you glancing at a paper. There are the guests who, wherever they are, want to be somewhere else and there are the guests who want to be doing something from the time they get up in the morning till the time they go to bed at night. There are the guests who treat you as though they were SOME NOVELISTS I HAVE KNOWN 459 gauleiters in a conquered province. There are the guests who bring three weeks* laundry with them to have washed at your expense and there are the guests who send their clothes to the cleaners and leave you to pay the bill. There are the guests who telephone to London, Paris, Rome, Madrid and New York, and never think of inquiring how much it costs. There are the guests who take all they can get and offer nothing in return. There are also the guests who are happy just to be with you, who seek to please, who have resources of their own, who amuse you, whose conversation is delightful, whose interests are varied, who exhilarate and excite you, who in short give you far more than you can ever hope to give them and whose visits are only too brief.

If one could nominate an absolutely tragic day in human history, it would be the occasion that is now commemorated by the vapid and annoying holiday known as “Hannukah.” For once, instead of Christianity plagiarizing from Judaism, the Jews borrow shamelessly from Christians in the pathetic hope of a celebration that coincides with “Christmas,” which is itself a quasi-Christian annexation, complete with burning logs and holly and mistletoe, of a pagan Northland solstice originally illuminated by the Aurora Borealis. Here is the terminus to which banal “multiculturalism” has brought us. But it was nothing remotely multicultural that induced Judah Maccabeus to reconsecrate the Temple in Jerusalem in 165 BC, and to establish the date which the soft celebrants of Hannukah now so emptily commemorate. The Maccabees, who founded the Hasmonean dynasty, were forcibly restoring Mosaic fundamentalism against the many Jews of Palestine and elsewhere who had become attracted by Hellenism. These true early multiculturalists had become bored by “the law,” offended by circumcision, interested by Greek literature, drawn by the physical and intellectual exercises of the gymnasium, and rather adept at philosophy. They could feel the pull exerted by Athens, even if only by way of Rome and by the memory of Alexander’s time, and were impatient with the stark fear and superstition mandated by the Pentateuch. They obviously seemed too cosmopolitan to the votaries of the old Temple—and it must have been easy to accuse them of “dual loyalty” when they agreed to have a temple of Zeus on the site where smoky and bloody altars used to propitiate the unsmiling deity of yore. At any rate, when the father of Judah Maccabeus saw a Jew about to make a Hellenic offering on the old altar, he lost no time in murdering him. Over the next few years of the Maccabean “revolt,” many more assimilated Jews were slain, or forcibly circumcised, or both, and the women who had flirted with the new Hellenic dispensation suffered even worse. Since the Romans eventually preferred the violent and dogmatic Maccabees to the less militarized and fanatical Jews who had shone in their togas in the Mediterranean light, the scene was set for the uneasy collusion between the old-garb ultra-Orthodox Sanhedrin and the imperial governorate. This lugubrious relationship was eventually to lead to Christianity (yet another Jewish heresy) and thus ineluctably to the birth of Islam. We could have been spared the whole thing.

Or, in your case, as wide. Wait. Did you just say Gandalf?” “He is the founder of our order, and the first of the Five Warlocks. He comes from afar across the Western Ocean, from Easter Island, or perhaps from Japan.” “No, I think he comes from the mind of a story writer. An old-fashioned Roman Catholic from the days just before First Space Age. Unless I am confusing him with the guy who wrote about Talking Animal Land? With the Cowardly Lion who gets killed by a Wicked White Witch? I never read the text, I watched the comic.” “Oh, you err so! The Witches, we have preserved this lore since the time of the Fall of the Giants, whom we overthrew and destroyed. The tale is this: C. S. Lewis and Arthur C. Clarke were led by the Indian Maiden Sacagawea to the Pacific Ocean and back, stealing the land from the Red Man and selling them blankets impregnated with smallpox. It was called the Lewis and Clarke Expedition. When they reached the Pacific, they set out in the Dawn Treader to find the sea route to India, where the sacred river Alph runs through caverns measureless to man down to a sunless sea. They came to the Last Island, called Ramandu or Selidor, where the World Serpent guards the gateway to the Land of the Dead, and there they found Gandalf, returned alive from the underworld, and stripped of all his powers. He came again to mortal lands in North America to teach the Simon Families. The Chronicle is a symbolic retelling of their journey. It is one of our Holy Books.” “Your Holy Books were written for children by Englishmen.” “The gods wear many masks! If the Continuum chooses the lips of a White Man to be the lips through which the Continuum speaks, who are we to question? Tolkien was not Roman. He was of a race called the hobbits, Homo floresiensis, discovered on an isle in Indonesia, and he would have lived in happiness, had not the White Man killed him with DDT. So there were no Roman Catholics involved. May the Earth curse their memory forever! May they be forgotten forever!” “Hm. Earth is big. Maybe it can do both. You know about Rome? It perished in the Ecpyrosis, somewhat before your time.” “How could we not? The Pope in Rome created the Giants, whom the Witches rose up against and overthrew. Theirs was the masculine religion, aggressive, intolerant, and forbidding abortion. Ours is the feminine religion, peaceful and life-affirming and all-loving, and we offer the firstborn child to perish on our sacred fires. The First Coven was organized to destroy them like rats! When Rome was burned, we danced, and their one god was cast down and fled weeping on his pierced feet, and our many gods rose up. My ancestors hunted the Christians like stoats, and when we caught them, we burned them slowly, as they once did of us in Salem. What ill you do is returned to you tenfold!” “Hm. Are you willing to work with a Giant? I saw one in the pit, and saw the jumbo-sized coffin they pried him out from. What if he is a baptized Christian? Most of them were, since they were created by my pet pope and raised by nuns.” “All Christians must perish! Such is our code.” “Your code is miscoded.” “What of the Unforgettable Hate?” “Forget about it.

Romans 1: 8 First, I thank my God through Jesus Christ for you all, that your faith is spoken of throughout the whole world. 9 For God is my witness, whom I serve with my spirit in the gospel of his Son, that without ceasing I make mention of you always in my prayers; 10 Making request, if by any means now at length I might have a prosperous journey by the will of God to come unto you. 11 For I long to see you, that I may impart unto you some spiritual gift, to the end ye may be established; 12 That is, that I may be comforted together with you by the mutual faith both of you and me. 13 Now I would not have you ignorant, brethren, that oftentimes I purposed to come unto you, (but was let hitherto,) that I might have some fruit among you also, even as among other Gentiles. 14 I am debtor both to the Greeks, and to the Barbarians; both to the wise, and to the unwise. 15 So, as much as in me is, I am ready to preach the gospel to you that are at Rome also. 16 For I am not ashamed of the gospel of Christ: for it is the power of God unto salvation to every one that believeth; to the Jew first, and also to the Greek. 17 For therein is the righteousness of God revealed from faith to faith: as it is written, The just shall live by faith. 18 For the wrath of God is revealed from heaven against all ungodliness and unrighteousness of men, who hold the truth in unrighteousness; 19 Because that which may be known of God is manifest in them; for God hath shewed it unto them. 20 For the invisible things of him from the creation of the world are clearly seen, being understood by the things that are made, even his eternal power and Godhead; so that they are without excuse: 21 Because that, when they knew God, they glorified him not as God, neither were thankful; but became vain in their imaginations, and their foolish heart was darkened. 22 Professing themselves to be wise, they became fools, 23 And changed the glory of the uncorruptible God into an image made like to corruptible man, and to birds, and fourfooted beasts, and creeping things. 24 Wherefore God also gave them up to uncleanness through the lusts of their own hearts, to dishonour their own bodies between themselves: 25 Who changed the truth of God into a lie, and worshipped and served the creature more than the Creator, who is blessed for ever. Amen. 26 For this cause God gave them up unto vile affections: for even their women did change the natural use into that which is against nature: 27 And likewise also the men, leaving the natural use of the woman, burned in their lust one toward another; men with men working that which is unseemly, and receiving in themselves that recompence of their error which was meet. 28 And even as they did not like to retain God in their knowledge, God gave them over to a reprobate mind, to do those things which are not convenient; 29 Being filled with all unrighteousness, fornication, wickedness, covetousness, maliciousness; full of envy, murder, debate, deceit, malignity; whisperers, 30 Backbiters, haters of God, despiteful, proud, boasters, inventors of evil things, disobedient to parents, 31 Without understanding, covenantbreakers, without natural affection, implacable, unmerciful: 32 Who knowing the judgment of God, that they which commit such things are

Jesus Christ, who is . . . the ruler of the kings of the earth” (Revelation 1:5). The word for “ruler” means he is the ultimate authority over all the kings of the earth. They are great, but he is greater. They are mighty, but he is mightier. Millions answer to them, but they answer to him. He is not merely one of the kings. He rules over them all. In the first century the mighty emperor Nero thought he was the ruler of the kings of the earth. He held in his hands the power of life and death. Thumbs up: one man lived. Thumbs down: one man died. It is said that he ordered the burning of Rome and then blamed it on the early Christians. He had Paul the apostle beheaded, thinking that the pernicious Christian movement would die with him. But now 2000 years have passed, and the tables have turned. We name our dogs Nero and our sons Paul. Who are the kings of the earth John is talking about? They are political leaders in their various spheres–mayors and council members, governors, congressmen and senators, presidents and prime ministers, and potentates of every variety. There are small-time kings who rule tiny realms and mighty kings who rule vast empires. Their names are Obama, Putin, Netanyahu, Ahmadinejad, Komorowski, Mukherjee, Harper, Kim, Abdullah, Sarkozy, Karzai, Xi, Mugabe, Remengesau, Calderon, Merkel, Cartes and Cameron. And a thousand others just like them. Jesus rules over them all. We all know that the world is in a mess. That’s why it’s hard to believe this is true. All the evidence seems to move in the opposite direction. The pornographers go free, the baby-killers are untouched, the politicians break the laws they write, the drug dealers make their millions, and the nations arm themselves for total destruction. Without trying very hard, you could make a good case that Satan is the ruler of the kings of the earth. But it only seems that way. Satan has no power except that granted to him by God. In due time and at the proper moment, Jesus will step back on the stage of world history. Think of it. The hands that were nailed to the cross will someday rule the world. Though we do not see it today, it is certain and sure of fulfillment. That’s what the book of Revelation is all about. Read it for yourself and see how the story ends.

Despite indications of affection, a strong Anti-Semitic bias remained. In an 1878 campaign speech Senator John T. Morgan of Alabama referred to a candidate as a 'Jew-dog,' and the following year Senator Morgan opposed the appointment of a postmaster in Montgomery because he had been endorsed 'by a parcel of Jews.' In Nashville, Tennessee, in 1878, Christian mothers threatened to withdraw their children from a private school for girls after two Jews had been accepted. The principal yielded to the pressure and rescinded the enrollments. And in a Rome, Georgia, courtroom in 1873, the plaintiff's attorney declared that one cannot accept the word of a Jew 'even under oath.' Louisiana had anti-Semitic demonstrations in the late 1880s. Then, in 1893, farmers in the Bayou state wrecked Jewish stores in a particularly harsh outburst. That same year Mississippi night riders burned Jewish farmhouses, and a Baltimore minister preached: 'Of all the dirty creatures who have befouled this earth, the Jew is the slimiest.

He knew that to achieve greatness you had to be an outsider. He knew that by struggling against adverse opinion, by sometimes feeling inadequate, you would become a stronger person, and that once you recognized your strengths you would develop a burning ambition to compensate for those feelings you had as a child, an ambition that would allow you to rise above them all.

Reflecting a long-standing schism within the profession, which persists into the twenty-first century, RASSW argued that “a dichotomy exists within NASW between” social activists and clinical practitioners, which is exacerbated by the promotion of licensing. When all social services are threatened by the conservative political and ideological climate, a focus on licensing undermines the profession’s efforts to fight for “the survival and well-being of millions” (RASSW, February 1,1976, p. 3). Citing the opposition to licensing by such groups as the National Association of Black Social Workers (NABSW), RASSW asserted that efforts by NASW to promote licensing contradict its stated intent to fight racism within the social service field and were destructive of professional unity. Promoting licensing, in lieu of uniting around this struggle “is to fiddle while Rome burns” (p. 3). The paper also disputed the linkage between licensing and service quality. It added an interesting twist to the growing debate over professionalization by arguing that “under current political conditions licensure may actually decrease the accountability of social workers to their clients” (RASSW, February 1,1976, p. 5). The paper concluded that licensure neither protected nor improved service quality; rather, it divided workers and undermined their job security, as the recent attack on public education in New York City had demonstrated. Instead of fighting for licensure, RASSW proposed an alternative strategy that focused on building worker-client-labor-community coalitions and combating racism in social service agencies and other institutions.

We came to save the sacred writings. - Essenes to Eleazar, on collecting the Dead Sea Scrolls from the burning Temple. Jerusalem, 70 CE.

But why . . . you've said Lestat shouldn't have made you start with people. Did you mean . . . do you mean for you it was an aesthetic choice, not a moral one?’ ’Had you asked me then, I would have told you it was aesthetic, that I wished to understand death in stages. That the death of an animal yielded such pleasure and experience to me that I had only begun to understand it, and wished to save the experience of human death for my mature understanding. But it was moral. Because all aesthetic decisions are moral, really.’ ‘I don’t understand,’ said the boy. ‘I thought aesthetic decisions could be completely immoral. What about the cliché of the artist who leaves his wife and children so he can paint? Or Nero playing the harp while Rome burned?’ ‘Both were moral decisions. Both served a higher good, in the mind of the artist. The conflict lies between the morals of the artist and the morals of society, not between aesthetics and morality. But often this isn’t understood; and here comes the waste, the tragedy. An artist, stealing paints from a store, for example, imagines himself to have made an inevitable but immoral decision, and then he sees himself as fallen from grace; what follows is despair and petty irresponsibility, as if morality were a great glass world which can be utterly shattered by one act. But this was not my great concern then. I did not know these things then. I believed I killed animals for aesthetic reasons only, and I hedged against the great moral question of whether or not by my very nature I was damned. ’Because, you see, though Lestat had never said anything about devils or hell to me, I believed I was damned when I went over to him, just as Judas must have believed it when he put the noose around his neck. You understand?

The mob, infuriated by the assassination, went berserk. They burned down the Senate House

Blood & Sand by Stewart Stafford Enduring to be burned, bound, beaten, And to die by the sword if necessary; Verus and Priscus entered the arena, To stain Colosseum sand with blood. Emperor Titus drained Nero's lake, Built the vast Flavian Amphitheatre, Panacea to the idle citizens of Rome, Symbol of his beneficence and might. Priscus, far from his Germanian home, Fighting within a symbol of Rome's power, Which ravaged his life and fatherland, For them to decide if he is free or dies. Verus, the hulking, bullish Murmillo; Trained to deliver heavy punishment, Priscus - lightly-armed, agile Thracian; Primed to avoid his rival's huge blows. Titus showed he was Nero's antithesis; No hoarding of tracts of primo Roma, In a profligate orgy of narcissistic pride, Nor taking his own life to escape execution. Domitian, the brother of Titus, watched in envy, The emperor-in-waiting who favoured Verus, And the direct Murmillo style of fighting, Titus favoured Thracian counter-punching. Aware of the patriarchal fraternity's preferences, The gathering looked on in fascinated awe, As their champions of champions clashed, Deciding who was the greatest gladiator of all. Titus had stated there would be no draw; One would win, and one would perish, A rudis freedom staff the survivor's trophy, Out the Porta Sanavivaria - the Gate of Life. One well aware of the other, combat began, Scared eyes locked behind helmeted grilles, Grunts and sweat behind shield and steel, Roars and gasps of the clustered chorus. For hour after hour, they attacked and feinted, Using all their power, skill and technique, Nothing could keep them from a stalemate; The warriors watered and slightly rested. The search for the coup de grâce went on, Until both men fell, in dusty exhaustion, Each raised a finger, in joint submission, Equals on death's stage yielded in unison. Titus faced a dilemma; mercy or consistency? Please the crowd, but make them aware, Of his Damoclean life-and-death sword, Over every Roman and slave in the empire. Titus cleaved the Rudis into a dual solution; Unable to beat the other, both won and lived, Limping, scarred heroes of baying masses, None had ever seen a myth form before them. It was Romulus fighting Remus in extremis, Herculean labours of a sticky, lethal afternoon, In the end, nothing could separate these brothers; Victors united as Castor and Pollux in Gemini. For life and limb on Rome's vast stage, Symbiotic compensation of adulation's rage. Stewart Stafford, 2023. All rights reserved

The idea of new imperial commissions gave Gaius a feeling of well-being starkly at odds with the horror of watching the amphitheater burn. There was no disaster so universal that it did not bring good fortune to someone. Was it hubris, to think such a thing?