Without Makeup Beauty Quotes

When you find a guy who calls you beautiful instead of hot, who calls you back when you hang up on him, who will stand in front of you when other’s cast stones, or will stay awake just to watch you sleep, who wants to show you off to the world when you are in sweats, who will hold your hand when your sick, who thinks your pretty without makeup, the one who turns to his friends and say, ‘that’s her’, the one that would bear your rejection because losing you means losing his will to live, who kisses you when you screw up, watches the stars and names one for you and will hold and rock that baby for hours so you can sleep…..you marry him all over again.

He seems like a good guy but you need to find a guy who calls you beautiful instead of hot and who calls you back when you hang up on him, who will stay awake just to watch you sleep. Who wants to show off how pretty you look even in sweats...Who thinks you’re just as pretty without make-up and reminds you how lucky he is to have you. The one that says ‘that’s her.

MY MOTHER GETS DRESSED It is impossible for my mother to do even the simplest things for herself anymore so we do it together, get her dressed. I choose the clothes without zippers or buckles or straps, clothes that are simple but elegant, and easy to get into. Otherwise, it's just like every other day. After bathing, getting dressed. The stockings go on first. This time, it's the new ones, the special ones with opaque black triangles that she's never worn before, bought just two weeks ago at her favorite department store. We start with the heavy, careful stuff of the right toes into the stocking tip then a smooth yank past the knob of her ankle and over her cool, smooth calf then the other toe cool ankle, smooth calf up the legs and the pantyhose is coaxed to her waist. You're doing great, Mom, I tell her as we ease her body against mine, rest her whole weight against me to slide her black dress with the black empire collar over her head struggle her fingers through the dark tunnel of the sleeve. I reach from the outside deep into the dark for her hand, grasp where I can't see for her touch. You've got to help me a little here, Mom I tell her then her fingertips touch mine and we work her fingers through the sleeve's mouth together, then we rest, her weight against me before threading the other fingers, wrist, forearm, elbow, bicep and now over the head. I gentle the black dress over her breasts, thighs, bring her makeup to her, put some color on her skin. Green for her eyes. Coral for her lips. I get her black hat. She's ready for her company. I tell the two women in simple, elegant suits waiting outside the bedroom, come in. They tell me, She's beautiful. Yes, she is, I tell them. I leave as they carefully zip her into the black body bag. Three days later, I dream a large, green suitcase arrives. When I unzip it, my mother is inside. Her dress matches her eyeshadow, which matches the suitcase perfectly. She's wearing coral lipstick. "I'm here," she says, smiling delightedly, waving and I wake up. Four days later, she comes home in a plastic black box that is heavier than it looks. In the middle of a meadow, I learn a naked more than naked. I learn a new way to hug as I tighten my fist around her body, my hand filled with her ashes and the small stones of bones. I squeeze her tight then open my hand and release her into the smallest, hottest sun, a dandelion screaming yellow at the sky.

Off To The Races" My old man is a bad man but I can't deny the way he holds my hand And he grabs me, he has me by my heart He doesn't mind I have a Las Vegas past He doesn't mind I have an LA crass way about me He loves me with every beat of his cocaine heart Swimming pool glimmering darling White bikini off with my red nail polish Watch me in the swimming pool bright blue ripples you Sitting sipping on your black Cristal Oh yeah Light of my life, fire of my loins Be a good baby, do what I want Light of my life, fire of my loins Give me them gold coins, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Ready for you My old man is a tough man but He's got a soul as sweet as blood red jam And he shows me, he knows me Every inch of my tar black soul He doesn't mind I have a flat broke down life In fact he says he thinks it's why he might like about me Admires me, the way I roll like a Rolling Stone Likes to watch me in the glass room bathroom, Chateau Marmont Slippin' on my red dress, puttin' on my makeup Glass film, perfume, cognac, lilac Fumes, says it feels like heaven to him Light of his life, fire of his loins Keep me forever, tell me you own me Light of your life, fire of your loins Tell me you own me, gimme them coins And I'm off to the races, cases of Bacardi chasers Chasing me all over town Cause he knows I'm wasted, facing Time again at Riker's Island and I won't get out Because I'm crazy, baby I need you to come here and save me I'm your little scarlet, starlet singing in the garden Kiss me on my open mouth Now I'm off to the races, laces Leather on my waist is tight and I am fallin' down I can see your face is shameless, Cipriani's basement Love you but I'm going down God I'm so crazy, baby, I'm sorry that I'm misbehaving I'm your little harlot, starlet, Queen of Coney Island Raising hell all over town Sorry 'bout it My old man is a thief and I'm gonna stay and pray with him 'til the end But I trust in the decision of the Lord to watch over us Take him when he may, if he may I'm not afraid to say that I'd die without him Who else is gonna put up with me this way? I need you, I breathe you, I never leave you They would rue the day I was alone without you You're lying with your gold chain on, cigar hanging from your lips I said "Hon' you never looked so beautiful as you do now, my man." And we're off to the races, places Ready, set the gate is down and now we're goin' in To Las Vegas chaos, Casino Oasis, honey it is time to spin Boy you're so crazy, baby, I love you forever not maybe You are my one true love, you are my one true love You are my one true love

I looked for a few seconds at her face, without makeup, then stared at the floor. Vittoria seemed to me to have a beauty so unbearable that to consider her ugly became a necessity.

The mind is just a delusion not a reality. If the materials are perception of our mind, then why we cannot turn into handsome guys and beautiful ladies without putting a hundred grams of makeup powder?

Beautiful girls – the true beauties – are rarely vain, arrogant, poseurs. It is the girl who makes disproportionate efforts with makeup, clothes, heels and hair who suffers these conceits. They are girls who have made themselves appear beautiful without ever reaching the exalted status of being beautiful girls.

I leaned my head back. "I look worse than I did the night you met me." "I thought you looked fine." I rolled my head to the side, so I could see him. Hoping the shadows made it so he couldn't see me. "What are you talking about? I looked like a Cirque du Soleil performer." "What are you talking about?" "The black dots around my eyes?" He shook his head. "I'm lost." "You were staring--" "Oh, yeah." He gazed through the windshield. "Sorry about that. I've just never seen eyes as green as yours. I was trying to figure out if you wore contacts." "You were looking at my eyes?" "Yeah." "Not the makeup?" He turned his attention back to me. "I didn't realize you were wearing any. That night, anyway. Tonight it's pretty obvious." "Oh." Didn't I feel silly? "I thought--" I shook my head. "Never mind." On second thought... "You don't like all the makeup?" "I just don't think you need it. I mean, you look pretty without it." Oh, really? That was totally unexpected.

No. You don't need make up to cover your scars up. You're beautiful now, within and without, and never forget: you're doing me proud.

Break the silence without uttering a word

Meanwhile, Jess and I looked like we had rats burrowed in our hair and since we both fell asleep without taking off our makeup, we had racoon eyes to go with it - not exactly beauty queens.

Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.

The hot water cascaded down his body, and his thoughts again turned to the captivating and mysterious girl who'd fled his house. He hadn't even seen her face without makeup, though he wished he had. Her lips were full, her breasts were beautiful, and her ass was round. And the way she kissed with her delicious mouth had driven Ramón wild. His hand reached down to stroke his throbbing cock. Oh, how he wished it was her delicate fingers wrapped around his length, or better yet, her mouth. Yeah, that was it. He wanted to fuck her mouth. The soft tongue of hers licking his tip, teasing him until he couldn't resist her any longer. Juliet on her knees in front of him, deep throating him. Her eyes locked on his as she took him deeper and deeper.

Here again, she was amazingly clever. Without make-up of any kind, her features seemed to dissolve suddenly and re-form themselves into those of a famous politician, or a well-known actress, or a society beauty. In each character she gave a short typical speech. These speeches, by the way, were remarkably clever. They seemed to hit off every weakness of the subject selected.

Whatever your gift is, bring it to someone else in their time of need. No gift---singing, writing, painting--is too small to share. Give without expecting to get back. People’s greed will shock you. Their generosity will shock you more. Be unconcerned with what others think of you. If you are a good person, someone will always love you, and someone will likely hate you, too. If you punch someone in a bar, get it on video. Be unapologetic about your faith in God, Country and Family. Everyone grieves differently. Don’t judge. And don’t be afraid to ask about a loved one who has passed. Don’t expect perfection from anyone, especially yourself. Learn when to let go of people who bring only pain. Time and distance don’t change true friendship. There is far more good in the world than bad. Don’t have the first cigarette. PTS is not an excuse for murder. This country has many, many patriots in it; you are not alone. Look for divinity everywhere--I promise you will see it. Desperate people do desperate things. Stress will age you. Exercise relieves stress better than smoking. When people lie about you, taking the high road can suck. Pain does not have to consume you. When it’s unavoidable, respect it and let it have its place in your life without letting it take over. God promises beauty through ashes. Give it time and you will see it. Fame doesn’t bring happiness. Living a good life goes. All makeup artists are not created equal. Accept that you are human, and eventually you need sleep.

Hello, Jimmy,' said an all-too-familiar voice from somewhere behind me. It was Marty. No one else at South Miami had that delightful, almost exotic English accent. I turned around slowly until I faced her. “Hi, Marty,” I said. She got up from one of the few chairs that had not been placed in storage and gave me a shy half-smile. “So, come to say goodbye, then?” Marty asked. I gazed at her, committing every detail of her appearance to memory. She wore faded Levi’s blue jeans, a white and orange SOUTH MIAMI CHORUS T-shirt, white socks and an old pair of Keds sneakers. Her chestnut hair was tied into a ponytail. She wore very little makeup; a touch of mascara here, a hint of blush there, a bit of lip-gloss to make things a bit interesting. She was shockingly, heartrendingly beautiful. My heart skipped a beat. “I couldn’t go without seeing you, you know,” I said. She smiled. “Oh, come on; I bet you say that to all the girls.” “It’s true,” I said. “And no, I don’t say that to all the girls.

listen. it wouldn't have hurt so much if she wasn't the girl i always wanted to be. in high school i carved the word ugly into my skin so that even if i once reached that pivotal point of high self esteem i would always be reminded of who i was underneath it all and i wanted so badly to be the athletic girl who put makeup on effortlessly who knew a thing or two about fashion whose laughter sounded like flowers blooming who knew what it meant to be sad, and anxious, but in the beautiful way in the mysterious way in the way that could be cured by true love's kiss whose skin was always soft and hair always brushed - sometimes styled - long, and long, and dark, and wavy a fine contrast against her light eyes and pale skin that never led anyone to question just where she was from whose body hair was fine, or at least taken care of so frequently and expertly, that no one ever questioned just where she fell in human evolution whose body curved in all the right places whose skin was taut with muscle and soft with and inviting where it should be who ate right who never smoked and never tried to end her life; once, twice, seventeen times who liked art but didn't really understand it who studied hard even though she hated it who cared about injustice but not to the point that too much thought would led her to unending, selfish tears whose eyes could stop an army and whose lips never fell into a thin line whose kisses you remember and whose body you miss when you're lying in a bed without her whose warmth you reach out for not just from habit or desire but need - desperate need who didn't make loving her hard who you missed, even when you were with another the girl who everyone knew was beautiful - they just knew, ok. they just knew her name and they would say: 'yes, her. she's very beautiful.' (...) it wouldn't hurt so much if you weren't everything i was looking for, everything i wanted, and so was she

Days like that I feel that my mind is going 1,000,000 miles an hour, visions of the past, present, and future race through my mind. It races, like a train as if I was looking out the window of the car while it is speeding down the line. I am on a track that will never end.' 'I feel that I am going to derail from this runaway train that I am becoming. I cannot sleep at night, because of the fear inside me.' 'I feel restless, depressed, and loveless as well as not content with myself. I would have to say that my passion for life is gone; my imagination is the only thing that keeps me going.' 'I write the day's events that have gone by in my book of life of all the pastimes, while dreaming of what could have been in it, and besides what has not been in it.' 'If this does not stop, I am going to crack. I look into my mirror, and I do not see me, I see an impression of what I used to be.' 'I see my long brown hair that covers part of my face and covers my blue eyes of emotion. I see the cross around my neck that brings me confidence.' 'I hide behind a smile; I see the body in which nobody thinks is without drought flawless.' 'The bare body that is touched in all ways, yet I tried to hide behind my makeup. I gasp at my pale skin and the look of my body.' 'I am 95 pounds, really tiny; surely there is someone that would find me attractive?' 'I wonder if I can find someone who can think for themselves. I want someone who will love me, for who I am- and not what they want me to be.' 'Most importantly, I need someone that will not use me. Is that too much to ask for?' 'Fear!' 'Anxiety is something that I have inside, it is the source of the things which lead to distress. Not finding someone that loves me, for who I am, is some of my fears.' 'I fear the fact that I am most likely going to be alone forever. Another being that everyone that has meaning in my life is fading away from me it seems.' 'I fear not having a family by my side at all times. I have tears about the overwhelming struggle to rebuild my reputation, which has been destroyed.' 'I ask this question if I was to die tomorrow would anybody come to my wake, to see me lying there?' 'I fear what society has done to me. I fear that I have no trust in anyone or anything. I fear that my life has no meaning.' 'I fear that I will never get out of this hell.' 'I just want to start my life and get a degree in nursing someday from- 'The Conemaugh School of Nursing,' if I can make it through all of this. I do not think that is too much to ask for or is it?' 'I think that if I could be left alone, with the one that I want. I could have a life; you know what I am sure of it. I fear that the towering entity will never collapse, and the demons will keep playing in my head. I fear that I will never have a social ability, to be part of the nobility of compatibility.' 'I fear that the terror will never stop in these innocent lives like mine, and they will not be saved. I fear that nobody will ever see my creativity or recognize me for the good in which I do for others. I feel like I am the only one left in this world, that I call my life.' 'All the beauty in life has been dejected, and it is all ablaze around me. Yes, I fear to be in the outside realm of things.' 'I want to scream yet no one is going to hear it. I ask- am I becoming institutionalized?

joke around—nothing serious—as I work to get my leg back to where it was. Two weeks later, I’m in an ankle-to-hip leg brace and hobbling around on crutches. The brace can’t come off for another six weeks, so my parents lend me their townhouse in New York City and Lucien hires me an assistant to help me out around the house. Some guy named Trevor. He’s okay, but I don’t give him much to do. I want to regain my independence as fast as I can and get back out there for Planet X. Yuri, my editor, is griping that he needs me back and I’m more than happy to oblige. But I still need to recuperate, and I’m bored as hell cooped up in the townhouse. Some buddies of mine from PX stop by and we head out to a brunch place on Amsterdam Street my assistant sometimes orders from. Deacon, Logan, Polly, Jonesy and I take a table in Annabelle’s Bistro, and settle in for a good two hours, running our waitress ragged. She’s a cute little brunette doing her best to stay cheerful for us while we give her a hard time with endless coffee refills, loud laughter, swearing, and general obnoxiousness. Her nametag says Charlotte, and Deacon calls her “Sweet Charlotte” and ogles and teases her, sometimes inappropriately. She has pretty eyes, I muse, but otherwise pay her no mind. I have my leg up on a chair in the corner, leaning back, as if I haven’t a care in the world. And I don’t. I’m going to make a full recovery and pick up my life right where I left off. Finally, a manager with a severe hairdo and too much makeup, politely, yet pointedly, inquires if there’s anything else we need, and we take the hint. We gather our shit and Deacon picks up the tab. We file out, through the maze of tables, and I’m last, hobbling slowly on crutches. I’m halfway out when I realize I left my Yankees baseball cap on the table. I return to get it and find the waitress staring at the check with tears in her eyes. She snaps the black leather book shut when she sees me and hurriedly turns away. “Forget something?” she asks with false cheer and a shaky smile. “My hat,” I say. She’s short and I’m tall. I tower over her. “Did Deacon leave a shitty tip? He does that.” “Oh no, no, I mean…it’s fine,” she says, turning away to wipe her eyes. “I’m so sorry. I just…um, kind of a rough month. You know how it is.” She glances me up and down in my expensive jeans and designer shirt. “Or maybe you don’t.” The waitress realizes what she said, and another round of apologies bursts out of her as she begins stacking our dirty dishes. “Oh my god, I’m so sorry. Really. I have this bad habit…blurting. I don’t know why I said that. Anyway, um…” I laugh, and fish into my back pocket for my wallet. “Don’t worry about it. And take this. For your trouble.” I offer her forty dollars and her eyes widen. Up close, her eyes are even prettier—large and luminous, but sad too. A blush turns her skin scarlet “Oh, no, I couldn’t. No, please. It’s fine, really.” She bustles even faster now, not looking at me. I shrug and drop the twenties on the table. “I hope your month improves.” She stops and stares at the money, at war with herself. “Okay. Thank you,” she says finally, her voice cracking. She takes the money and stuffs it into her apron. I feel sorta bad, poor girl. “Have a nice day, Charlotte,” I say, and start to hobble away. She calls after me, “I hope your leg gets better soon.” That was big of her, considering what ginormous bastards we’d been to her all morning. Or maybe she’s just doing her job. I wave a hand to her without looking back, and leave Annabelle’s. Time heals me. I go back to work. To Planet X. To the world and all its thrills and beauty. I don’t go back to my parents’ townhouse; hell I’m hardly in NYC anymore. I don’t go back to Annabelle’s and I never see—or think about—that cute waitress with the sad eyes ever again. “Fucking hell,” I whisper as the machine reads the last line of

Tell her what you want to tell her then, Cass.” Cass gave Siena a quick summary of what she and Falco had discovered at the graveyard. The maid’s eyes got bigger and bigger as Cass relayed finding the open crypt door and the body, and then receiving the note. “But Signorina Cass, you might be in danger!” “That’s why we’re going to figure out who’s responsible,” Cass said, with more confidence than she felt. “Speaking of which…” Falco nodded at the costume bag, which Cass had completely forgotten. A silky garment, trimmed with lace and beaded elaborately, had fallen out during the scuffle. Siena looked down, and even in the flickering light, Cass could see that her pale skin went bright pink. The lady’s maid knelt to retrieve the outfit, a low-cut satin chemise. She pressed the clothing into Cass’s hands without meeting her eyes. Cass felt her own face get red. “It’s--it’s just a costume. We’re going to try to locate some of the dead girl’s patrons.” “You mean you’re going to masquerade as a…” The shy maid couldn’t choke out the rest. “Hired woman,” Cass confirmed, wondering if it would have been easier just to let Siena believe that she and Falco had met up for a tryst. She wasn’t sure which would have been more scandalizing. “I know it’s dangerous, but it’s more dangerous to do nothing while a madman plots against me. And Falco will be by my side the whole time. Please don’t tell my aunt.” Siena didn’t say anything for a minute. She looked back and forth from Cass to Falco. Finally, she nodded. And then, to Cass’s amazement, her red face lit up with a huge smile. “You’ll need me to do your hair, Signorina.” “Hair?” Cass wasn’t sure she had heard correctly. “What are you talking about?” “Your hair and your makeup.” Siena reached out to stroke Cass’s thick hair. “Otherwise, no one will believe you are anything other than a noblewoman. I’ll put the sides in braids, and twist the back into a knot.” Falco nodded approvingly at Siena. “Excellent idea. We want to make sure everyone can see that beautiful face tonight.” Cass thought her skin might turn permanently red if she continued blushing.

If you had an Internet connection and lived in North America at the time, you may have seen it. Vasquez is the man behind the “Double Rainbow” video, which at last check had 38 million views. In the clip, Vasquez pans his camera back and forth to show twin rainbows he’d discovered outside his house, first whispering in awe, then escalating in volume and emotion as he’s swept away in the moment. He hoots with delight, monologues about the rainbows’ beauty, sobs, and eventually waxes existential. “What does it mean?” Vasquez crows into the camera toward the end of the clip, voice filled with tears of sheer joy, marveling at rainbows like no man ever has or probably ever will again. It’s hard to watch without cracking up. That same month, the viral blog BuzzFeed boosted a different YouTuber’s visibility. Michelle Phan, a 23-year-old Vietnamese American makeup artist, posted a home video tutorial about how to apply makeup to re-create music star Lady Gaga’s look from the recently popular music video “Bad Romance.” BuzzFeed gushed, its followers shared, and Lady Gaga’s massive fanbase caught wind of the young Asian girl who taught you how to transform into Gaga. Once again, the Internet took the video and ran with it. Phan’s clip eventually clocked in at roughly the same number of views as “Double Rainbow.” These two YouTube sensations shared a spotlight in the same summer. Tens of millions of people watched them, because of a couple of superconnectors. So where are Vasquez and Phan now? Bear Vasquez has posted more than 1,300 videos now, inspired by the runaway success of “Double Rainbow.” But most of them have been completely ignored. After Kimmel and the subsequent media flurry, Vasquez spent the next few years trying to recapture the magic—and inadvertent comedy—of that moment. But his monologues about wild turkeys or clips of himself swimming in lakes just don’t seem to find their way to the chuckling masses like “Double Rainbow” did. He sells “Double Rainbow” T-shirts. And wears them. Today, Michelle Phan is widely considered the cosmetic queen of the Internet, and is the second-most-watched female YouTuber in the world. Her videos have a collective 800 million views. She amassed 5 million YouTube subscribers, and became the official video makeup artist for Lancôme, one of the largest cosmetics brands in the world. Phan has since founded the beauty-sample delivery company Ipsy.com, which has more than 150,000 paying subscribers, and created her own line of Sephora cosmetics. She continues to run her video business—now a full-blown production company—which has brought in millions of dollars from advertising. She’s shot to the top of a hypercompetitive industry at an improbably young age. And she’s still climbing. Bear Vasquez is still cheerful. But he’s not been able to capitalize on his one-time success. Michelle Phan could be the next Estée Lauder. This chapter is about what she did differently.

What is a “woman”? Who gets to be one? Who gets to decide who “counts”? In our quest for equality, should feminists strive for the right to embody even the toxic aspects of masculinity, or should we focus on dismantling it before reaching for equality at all? Why should women who have traditionally been underserved or exploited by mainstream feminism (women of colour, trans women, sex workers) have that label foisted upon them? What do we do with the uncomfortable truth that many women’s rights pioneers were explicitly, actively racist? How do we honour their contributions without erasing the oppression of women of colour that still taints feminism today? How do we reconcile the tension between celebrating womanhood and rejecting gender essentialism? How do we reconcile the tension between fighting oppressive beauty standards and wanting to express ourselves through makeup and clothes?

During this period, I served many celebrities, including Jennifer Aniston, Vince Vaughn, Gary Oldman, Leonardo DiCaprio, Juliette Lewis, Rob Lowe, Colin Farrell, Tom Selleck, David Spade, Thomas Haden Church, Sharon Osbourne, Brad Pitt, John Malkovich, Tara Reid, Toby Maguire and Diane Keaton. You know all of them, so no explanation needed. The hardest thing about serving such famous Hollywood icons, at least for the first time, is trying not to stare at them. It’s so otherworldly to see someone like Selleck, who’s not just huge -he’s bigger than life- and who you´ve watched on big screen and small for years… they are, invariably, taller or shorter than you’d imagined. And the women are either spectacularly beautiful or very ordinary without screen makeup. But you can’t stare. It’s verbatim by ownership. Brad Pitt was cool and very humble. He had a few Pyramid beers with a producer friend, and then took off on his motorcycle down Sunset Boulevard, heading West towards the Palisades. Am I saying that he was driving drunk? No. He was there for two hours and had two beers, so he wasn’t breaking the law. At least not with my assistance. He had been there many times before, I just hadn’t been the one serving him. I remember when he came in during his filming of Troy. He had long hair and a cast on his leg. Ironically, he had torn his Achilles’ tendon while playing Achilles in the epic film.

she's beautiful without make-up and feels ugly but,,,she looks ugly with make-up and feels beautiful...I don't understand women

Please allow me to wax philosophical. The purpose of eyesight, as well as insight for that matter, is for you and I to be in awe of not just creation itself but of the very One who created it. I will confidently propose that this is the purpose behind creation. Consider this: Evolution cannot explain purpose. It can only explain function. Science can explain how and why you and I function. It might even suggest your function within society. However, science alone will never give you the answer to your ultimate purpose for being on this Earth. “Let’s suppose you go to an art museum. While pursuing the halls of art, your eyes are directed to a certain painting. You become fixated on that painting. It is beautiful. The painting is so mesmerizing and beautiful that you are taken with the image it conveys. You begin to speculate on the story behind the painting. You become emotional and even shed a tear as you stare at it in wonder. For a brief moment in time you become immersed in the essence of this work of art. What is happening here? The one who designed and created the painting did so in order to perhaps bring about an emotional response from the viewer. You didn’t look at the painting and wonder about the chemical makeup of paint or the composition of the canvas mat or what type of device was used to apply those chemical compounds to the mat. You didn’t measure the dimensions of the frame. No. The painter gave that painting a purpose. While the painting itself is remarkable and beautiful, the ultimate purpose of it is to direct you to the one who created it. We give honor to Rembrandt, Monet, Goya, Van Gogh, and Picasso. Why does evolution deny that we give honor to the One who designed, created, and gave beauty to you and me, or to any other created thing? For sure, some evolutionists will try to say that the method the grand Creator used in His creation was evolution but will continue to ignore any mention of His creative hand and minimize other accounts such as the evidence for the origin of life in Scripture. They suppress the truth as they give high honor to their evolutionary theories that they guard with defiance. “The appearance of design isn’t just a common sense factor; it comes from a scientific explanation to which I have spoken here tonight. “Each one of you has the ability to hear, read, study, and think on everything that goes into your mind. While we do well to consider objective theory, we still must then decide for ourselves what it is we are going to believe. We are not just lab rats responding to stimuli. We have the ability to reason, love, express emotions, think deeply on matters, and create things—not just as an evolutionary function but from our innate giftedness and developed talents. “Give much consideration to what is true. Consider what is splendid and beautiful and magnificent. Think on things that are right or lovely or worthy of your admiration. Reflect on those things, not just as some facts of science but on the effect these things have on your very heart and soul. There is a word for those thoughts and feelings that penetrate deep within the depths of your soul. The word is visceral. No other creature on this privileged terrestrial ball has this ability. Visceral feelings are not merely a product of our DNA or the chemical and electrical impulses within our brain. Evolution offers no explanation for these deeply rooted expressions of artistic and creative thoughts and ideas. These things come from our Creator. May we not merely skim the surface of wisdom and knowledge without ever going deep. These things are meant to propel you to a deeper awareness of the world around you. They are even meant to propel us to the eternal realm.

You don’t need it,” I tell her. “You are beautiful with and without your makeup. But on the days you want to wear it, I’ll learn how to apply it and do it for you if you like. That way, you don’t have to strain your eyes or worry that it’s coming out crooked.

Meredith Etherington-Smith Meredith Etherington-Smith became an editor of Paris Vogue in London and GQ magazine in the United States during the 1970s. During the 1980s, she served as deputy and features editor of Harpers & Queen magazine and has since become a leading art critic. Currently, she is editor in chief of Christie’s magazine. She is also a noted artist biographer; her book on Salvador Dali, The Persistence of Memory, was an international bestseller and was translated into a dozen languages. Her drawing room that morning was much like any comfortable, slightly formal drawing room to be found in country houses throughout England: the paintings, hung on pale yellow walls, were better; the furniture, chintz-covered; the flowers, natural garden bouquets. It was charming. And so was she, as she swooped in from a room beyond. I had never seen pictures of her without any makeup, with just-washed hair and dressed in jeans and a white T-shirt. She looked more vital, more beautiful, than any photograph had ever managed to convey. She was, in a word, staggering; here was the most famous woman in the world up close, relaxed, funny, and warm. The tragic Diana, the royal Diana, the wronged Diana: a clever, interesting person who wasn’t afraid to say she didn’t know how an auction sale worked, and would it be possible to work with me on it? “Of course, ma’am,” I said. “It’s your sale, and if you would like, then we’ll work on it together to make the most money we can for your charities.” “So what do we do next?” she asked me. “First, I think you had better choose the clothes for sale.” The next time I saw her drawing room, Paul Burrell, her butler, had wheeled in rack after rack of jeweled, sequined, embroidered, and lacy dresses, almost all of which I recognized from photographs of the Princess at some state event or gala evening. The visible relics of a royal life that had ended. The Princess, in another pair of immaculately pressed jeans and a stripy shirt, looked so different from these formal meringues that it was almost laughable. I think at that point the germ of an idea entered my mind: that sometime, when I had gotten to know her better and she trusted me, I would like to see photographs of the “new” Princess Diana--a modern woman unencumbered by the protocol of royal dress. Eventually, this idea led to putting together the suite of pictures of this sea-change princess with Mario Testino. I didn’t want her to wear jewels; I wanted virtually no makeup and completely natural hair. “But Meredith, I always have people do my hair and makeup,” she explained. “Yes ma’am, but I think it is time for a change--I want Mario to capture your speed, and electricity, the real you and not the Princess.” She laughed and agreed, but she did turn up at the historic shoot laden with her turquoise leather jewel boxes. We never opened them. Hair and makeup took ten minutes, and she came out of the dressing room looking breathtaking. The pictures are famous now; they caused a sensation at the time. My favorite memory of Princess Diana is when I brought the work prints round to Kensington Palace for her to look at. She was so keen to see them that she raced down the stairs and grabbed them. She went silent for a moment or two as she looked at these vivid, radiant images. Then she turned to me and said, “But these are really me. I’ve been set free and these show it. Don’t you think,” she asked me, “that I look a bit like Marilyn Monroe in some of them?” And laughed.

Femi turned around as he heard the door swing open. Chioma appeared in a white thick towel tied around her sexy body, from above her small and well-rounded breasts. Her artificial hair took refuge under a transparent shower cap. Even with a washed-up makeup-free face, her beauty radiated and penetrated every inch of the tastelessly furnished room. Tension traveled across the floor that separated the pair as they stared hard and awkwardly at each other’s sexy figure. After a momentary loss of consciousness, the two were brought back to their senses. ‘You need to turn around so I can get dressed,’ she purred. As a gentleman would, Femi, without any utterance, quickly turned away without nurturing a second thought. He stared through the window, again, at the police van parked outside. He tried to observe what was going on inside the van, but nothing. His attention was brought back to Chioma as he stared at her from the back of his eyes. He went into whirlwinds of impure thoughts. ‘Femi… Femi… Femi!’ He was brought back to his senses as Chioma repeatedly called out his name. He slowly trained his sight upon Chioma who was dressed in a sexy, semi-transparent, cream nightgown that revealed shades of her nakedness. The nipples of her erect boobies were stiff and swollen. The gown terminated far above her knees, exposing her succulent fresh thighs. Femi’s heart began to race fast. He cleared his throat and quickly caught his breath. ‘Where do I sleep?’ Chioma asked in a half-sexy voice. ‘You have the bed. I’ll have the rug,’ Femi proposed. ‘Are you going to be comfortable sleeping on the rug? We can sleep on the bed together as long as you promise to remain on your side of the bed.’ Femi considered the very tempting offer, but summoned the strength to turn it down. ‘Don’t worry about me. I will be comfortable on the rug. I sometimes sleep on the rug when I’m alone.’ Chioma slipped into the bed in her nightgown and camisole, while Femi strolled to the light switch fastened to the wall.

Sorcha took the elevator down to the basement of the fashion house. She glanced at her stunningly beautiful reflection in the mirror and smiled to herself. How fortunate she was to be a vampire - no gray hairs, no wrinkles, no broken nails, no weight problems, and no PMT. What bliss! And how fortunate it was that all the legends about vampires were not true. She could not imagine an existence where she could not see and admire her own likeness - such a life to her would be intolerable and tedious. How could any female, even a vampire, survive without being able to see their own reflection? How could they do their hair and makeup? The very idea was totally preposterous.

For the first time in months, she got dressed without attention to anything else except the basic practical covering of her body. She didn’t do her hair. No make-up. No contact lenses. No heels. How much time she saved! How much more she would get done in this new life!

You’re at the captain’s table, so to speak. The Berkeleys are here, as well as the big donors and some from the administration.” When Holly heard the name Berkeley, her heart sank. Just my luck, she fumed, can I never get my time in the sun without Ivy stealing all the limelight? As she sat down, she noticed she was seated directly opposite Ivy. Ivy was already enjoying the soup, and Holly looked at her with chagrin. She looked breathtakingly beautiful in a dark blue dress with large diamond drop earrings. As she looked up to her father to tell him how much she enjoyed her soup, Holly caught sight of her face. She had on the most flawless makeup, far more advanced than Holly’s attempt earlier. Next to Ivy, Holly felt like a grubby orphan who hadn’t seen a washcloth in years. “She even has on lip liner,” Holly said under her breath in a mixture of admiration and bitterness. “Holly, Holly. Earth to Holly. Holly, the server wants to know your drink order, baby. Please tell him.” She realized the server must have asked her a question, and she was so lost in thought about Ivy that she hadn’t heard. “Iced tea, please, light ice, thank you.” “Yes, ma’am.” Holly waited until the server left, and then whispered into William’s ear. “I feel so ugly. She’s so beautiful. This is the worst thing that could happen. Being seated opposite her, and so now you’ll be admiring her perfection all dinner long. Just kill me now,” Holly finished with a sigh. “Where’s Ivy?” “She’s right across from me, silly!” “Where? I don’t see her?” “She’s over . . .” Holly broke off and looked into William’s eyes. His eyes told her everything she needed to know. They were warm and loving, and she knew he was trying to let her know that he only had eyes for her. “I don’t care about Ivy. Not one microscopic millimeter. It’s you I love. So, please try to enjoy yourself and forget about her. It’s a big night here, and I have a lot to do with the donors later. Please don’t make me distracted and worried about you and your jealousy of her. I am yours, and that’s the end of it.” She gave him a loving smile of thanks and decided to eliminate Ivy from her thoughts. She turned to her left and was delighted to find Heather sitting next to her.

Find a guy who calls you beautiful instead of hot, who calls you back when you hang up on him, who will lie under the stars and listen to your heartbeat, or will stay awake just to watch you sleep... wait for the boy who kisses your forehead, who wants to show you off to the world when you are in sweats, who holds your hand in front of his friends, who thinks you're just as pretty without makeup on. One who is constantly reminding you of how much he cares and how lucky his is to have you.... The one who turns to his friends and says, 'that's her.' Chuck Palahniuk

Ideal Blush Color For Your Skin Tone? Each woman has a makeup product you won't leave home without applying — mine is blush. If you're anything like me, you know adding a hint of variety to the apples of your cheeks can keep you looking new-faced all day. However, all too often blush is overlooked; many ladies simply utilize the first pink shade they can find. The truth is, like all other makeup, there is an art to choosing the best blush shade for your skin tone.

Some artists, including many of the original Impressionistic painters, banned black completely from their palettes because they felt they could create richer colors without it.

Achromatic is defned as being “without color.” If a painting is considered achromatic, then only a palette of black, white, and neutral grey is used.

If there was one thing her mother loved more than alcohol, it was appearances. In Andrea’s mind, the most important thing in the world was maintaining a certain level of respectability. She was never without makeup, false lashes, and heels. Even when she was shitfaced. At one time, Mack had thought her mother beautiful. But the ugly truth that no lipstick or pretty dress could conceal never stayed hidden for long. Mack disconnected, feeling the way she always did after a conversation with her mother: anxious, unsettled, and vaguely ill. She could use a strong hug and maybe a happy dog, she decided and picked up her keys.

There's a beautiful text of Martin Luther King's,' Vanier said, without hesitation. 'Someone said to him, will it always be like this— that someone will always despise people and want to get rid of others? And he said yes, until we have all learned to recognize, accept, and love what is despicable in all of us. And what is that despicability? That we are born to die. That we have not full control of our lives. And that's part of our makeup. But we need to discover that we are built for something else, too, which is togetherness, and that we have to try and stop this need to be the best.

Makeup is often used to hide a facial skin condition that was worsened, or even caused, by makeup.

Chögyam Trungpa had an image for our tendency to obscure the openness of our being; he called it “putting makeup on space.” We can aspire to experience the space without the makeup. Staying open and receptive for even a short time starts to interrupt our deep-seated resistance to feeling what we’re feeling, to staying present where we are.

As it says in 1 Peter 3:1-6: Wives, in the same way submit yourselves to your own husbands so that, if any of them do not believe the word, they may be won over without words by the behavior of their wives, when they see the purity and reverence of your lives. Your beauty should not come from outward adornment, such as elaborate hairstyles and the wearing of gold jewelry or fine clothes. Rather, it should be that of your inner self, the unfading beauty of a gentle and quiet spirit, which is of great worth in God’s sight. For this is the way the holy women of the past who put their hope in God used to adorn themselves. They submitted themselves to their own husbands, like Sarah, who obeyed Abraham and called him her lord. You are her daughters if you do what is right and do not give way to fear. That’s Miss Kay in a nutshell-she’s a kind and gentle woman. In my eyes, she’s the most beautiful woman on Earth, on the inside and the outside. She has a natural beauty about her and doesn’t need a lot of makeup or fancy clothes to show it. The more makeup a woman wears, the more she’s trying to hide; makeup can hide a lot of evil. I think Miss Kay is probably a lot like Sarah was. For some reason, we always talk about Abraham, the father of our faith, but nobody ever mentions Sarah, the mother of our faith. I’m beginning to suspect the reason the mother of our faith is never mentioned is because people don’t appreciate a woman who is beautiful on the inside, who is quiet, gentle, and submissive. But God says that being a woman like that is of great worth in His eyes. I believe that Sarah, the mother of our faith, should be revered as much as Abraham, the father of our faith.

I’d like to sit there,” I said softly to the girl sitting in front of the other mirror. She scampered. I took over her abandoned make-up and painted my face. Red cheeks, to attract hungry vampyre glances. Black liquid eyeliner and mascara, to draw attention away from my bitter eyes. My silky-thin, raven hair, undone in waves over my bare shoulders. The magenta shade of apple gloss on my lips, to make them plump and inviting. Finally, a strapless golden dress that hugged my hips and not much lower. I stood up, feeling the cold air slide down the bare skin of my back like fingers, and panicked. I couldn’t wear something like this! Not without a cardigan! A light dress jacket, at least! I took a gulp of Amrit’s wine and detached myself from the fretting child in my head. Then I strode from the sleeping chambers.