“
Idiotic reply, June. Why don't you punch him in the face while you're at it. I turn even more flustered when I remember that I have actually pistol-whipped him in the face before. Romantic
”
”
Marie Lu (Prodigy (Legend, #2))
“
Where did you see him?” Heidi asked.
“At the grocery store,” Mildred replied. “He was picking out a cantaloupe. Of course, I had to give him some tips. He was about to pick one that wasn’t anywhere near ripe.” The women tossed each other knowing looks.
”
”
Kirsten Fullmer (Problems at the Pub (Sugar Mountain, #4))
“
Are you seeing anyone romantically?" he inquired.
"No, I'm not," she replied.
"Good. Please keep it that way. Because I intend to ask you to marry me.
”
”
Mitch Albom (Have a Little Faith: a True Story)
“
I’m a realist,” I replied stubbornly, “not a romantic. Romantics
are always disappointed.”
“Maybe they’re disappointed because they’re always surrounded
by realists.” Simon countered.
”
”
Amanda Howells (The Summer of Skinny Dipping (Summer, #1))
“
How do you... we... you know, faeries pollinate?"
"The male produces pollen on his hands and when two faeries decide to pollinate, the male reaches into the female's blossom and lets the pollen mix. It's a somewhat delicate process."
"Doesn't sound very romantic."
"There's nothing romantic about it at all." Tamani replied, a confident smile spreading across his face. "That's what sex is for."
"You still...?" She let the question hang.
"Sure."
"But faeries don't get pregnant?"
"Never." Tamani winked. "Pollination is for reproduction- sex is just for fun."
- Laurel and Tamani
”
”
Aprilynne Pike (Wings (Wings, #1))
“
Would there be extra payment for my services?” Leah tried not to appear too eager. “Is money all you Jews ever think about?” Vaselik asked. “It’s easy to be so offhand about money when you have it,” she replied coldly.
”
”
Beverly Magid (Sown in Tears: A Historical Novel of Love and Struggle (Leah's Journey))
“
You need to get your head out of the clouds and see the reality right in front of your face, Kara. My enemies have become yours which means you aren’t going anywhere.” Before she could reply, he crashed his mouth over hers, plunging his tongue into her mouth when she gasped, and he finally kissed her the way he’d been dreaming about.
”
”
Becky Wilde (Bratva Connection: Maxim (Whimsical Words Publishing))
“
My idea of absolute happiness is to sit in a hot garden all, reading, or writing, utterly safe in the knowledge that the person I love will come home to me in the evening. Every evening.'
'You are a romantic, Edith,' repeated Mr Neville, with a smile.
'It is you who are wrong,' she replied. 'I have been listening to that particular accusation for most of my life. I am not a romantic. I am a domestic animal. I do not sigh and yearn for extravagant displays of passion, for the grand affair, the world well lost for love. I know all that, and know that it leaves you lonely. No, what I crave is the simplicity of routine. An evening walk, arm in arm, in fine weather. A game of cards. Time for idle talk. Preparing a meal together.
”
”
Anita Brookner (Hotel du Lac)
“
The Queen gave no reply. A calmness had come over here. One born from being pushed beyond the Queen’s limit.
No punishment, no act of vengeance, no war, no amount of blood, and no retribution that the realm had already seen, would hold a candle to what she would bring
”
”
L.P. Cowling (A Flood of Faith and Folly (Realm at War Trilogy, #1))
“
I wish . . . I had closed my office door after you walked in and kissed you until you saw stars.” I let out a squeak. “You do not!” “Oh yes I do,” he replied. “I would’ve asked first.
”
”
Ashley Poston (The Dead Romantics)
“
I understand very clearly," Anya replied, a pensive look on her face. Peter's mom continued, "Anya, I suspect you're going through similar feelings. There are so many nice young men vying for your attention, it can get bewildering. I was there, so I know what it's like for you."
"Thank you for saying that, Mrs. Brown. I believe I know what they all want, but I'm just not ready to get serious yet.
”
”
Dennis K. Hausker (Anya)
“
Stop that, Anna scolded him. You don’t need to hurt because I do.
But I do, Charles replied, more honestly than he intended.
”
”
Patricia Briggs (Fair Game (Alpha & Omega, #3))
“
What would happen if I tried to escape?" I asked.
I didn't see anyone else. If I outran Loki, I could probably get away. Not that I knew where to go, and I still wouldn't be able to free Matt and Rhys.
"I would stop you," he replied simply.
"The same way Kyra did at my house?" A pain flared up in my ribs, as if reminding me of the damage she'd caused/
"No." Something dark flickered across his face for a second. He quickly erased it and smiled at me. "I would simply take you in my arms and hold you there until you swooned."
"It sounds romantic when you say it that way." I wrinkled my nose, remembering how he'd made me pass out by staring into my eyes. It hadn't been painful, but it hadn't exactly been pleasant either.
"It is when I envision it.
”
”
Amanda Hocking (Torn (Trylle, #2))
“
I have no friend, Margaret: when I am glowing with the enthusiasm of success, there will be none to participate my joy; if I am assailed by disappointment, no one will endeavour to sustain me in dejection. I shall commit my thoughts to paper, it is true; but that is a poor medium for the communication of feeling. I desire the company of a man who could sympathize with me, whose eyes would reply to mine. You may deem me romantic, my dear sister, but I bitterly feel the want of a friend.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
But I have one want which I have never yet been able to satisfy; and the absence of the object of which I now feel as a most severe evil. I have no friend, Margaret: when I am glowing with the enthusiasm of success, there will be none to participate my joy; if I am assailed by disappointment, no one will endeavour to sustain me in dejection. I shall commit my thoughts to paper, it is true; but that is a poor medium for the communication of feeling. I desire the company of a man who could sympathise with me; whose eyes would reply to mine. You may deem me romantic, my dear sister, but I bitterly feel the want of a friend. I have no one near me, gentle yet courageous, possessed of a cultivated as well as of a capacious mind, whose tastes are like my own, to approve or amend my plans. How would such a friend repair the faults of your poor brother!
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
Look. Aren’t they romantic?” Simon said, pointing out two "re!ies
dancing together, their glowing lights making spirals in the dark.
“Not necessarily,” I replied. “there are "re!y species where the
females trick the males into thinking they want to mate, but they
eat them instead.”
“Oh, yeah, I think I know a few of them.” Simon laughed
”
”
Amanda Howells (The Summer of Skinny Dipping (Summer, #1))
“
When tenderness softened her heart, and the sublime feeling of universal love penetrated her, she found no voice that replied so well to hers as the gentle singing of the pines under the air of noon, and the soft murmurs of the breeze that scattered her hair and freshened her cheek, and the dashing of the waters that has no beginning or end.
”
”
Mary Wollstonecraft Shelley (Valperga)
“
I desire the company of a man who could sympathize with me; whose eyes would reply to mine. You may deem me romantic, my dear sister, but I bitterly feel the want of a friend.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
We are either too good or too bad at fighting. We are viciously trading support for each other’s romantic lives.
He one-ups me with, “Shepherd’s a great guy. Most eligible bachelor in town. He’s perfect for your list, checks all your boxes.”
“What about Amaya?” I throw back. “How’s she measure up to yours?”
“Doesn’t make the cut,” he says.
“Must be a pretty long list.”
“One item,” he replies. “Very specific.
”
”
Emily Henry (Book Lovers)
“
Or, when I wasn't practicing the guitar and he wasn't listening to his headphones, still with his straw hat flat on his face, he would suddenly break the silence:
'Elio.'
'Yes?'
'What are you doing?'
'Reading.'
'No, you're not.'
'Thinking, then.'
'About?'
I was dying to tell him.
'Private,' I replied.
'So you won't tell me?'
'So I won't tell you.'
'So he won't tell me,' he repeated, pensively, as if explaining to someone about me.
How I loved the way he repeated what I myself had just repeated. It made me think of a caress, or of a gesture, which happens to be totally accidental the first time but becomes intentional the second time and more so yet the third.
”
”
André Aciman (Call Me by Your Name)
“
Is this seat taken?"
The deep, gravelly voice jolted Noelle from her blood-thirsty thoughts. When she laid eyes on the man it belonged to her breath caught in her throat.
She blinked, wondering if maybe she'd dreamed him, but then he flashed her a captivating grin and she realized that he must be real - her mind wasn't capable of conjuring up a smile this heart-stoppingly gorgeous.
A pair of vivid blue eyes watched her expectantly as she searched for her voice.
"There are lots of other seats available," she finally replied, gesturing to the deserted tables all around them.
He shrugged. "I don't want to sit anywhere but here."
She moistened her suddenly dry lips. "Why?"
"Because none of those other seats are across from you," he said simply.
”
”
Elle Kennedy (Midnight Action (Killer Instincts, #5))
“
I shall commit my thoughts to paper, it is true; but that is a poor medium for the communication of feeling. I desire the company of a man who could sympathize with me; whose eyes would reply to mine. You may deem me romantic, my dear sister, but I bitterly feel the want of a friend.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
Miss Peyton,” Lillian Bowman asked, “what kind of man would be the ideal husband for you?”
“Oh,” Annabelle said with irreverent lightness, “any peer will do.”
“Any peer?” Lillian asked skeptically. “What about good looks?”
Annabelle shrugged. “Welcome, but not necessary.”
“What about passion?” Daisy inquired.
“Decidedly unwelcome.”
“Intelligence?” Evangeline suggested.
Annabelle shrugged. “Negotiable.”
“Charm?” Lillian asked.
“Also negotiable.”
“You don’t want much,” Lillian remarked dryly. “As for me, I would have to add a few conditions. My peer would have to be dark-haired and handsome, a wonderful dancer…and he would never ask permission before he kissed me.”
“I want to marry a man who has read the entire collected works of Shakespeare,” Daisy said. “Someone quiet and romantic—better yet if he wears spectacles— and he should like poetry and nature, and I shouldn’t like him to be too experienced with women.”
Her older sister lifted her eyes heavenward. “We won’t be competing for the same men, apparently.”
Annabelle looked at Evangeline Jenner. “What kind of husband would suit you, Miss Jenner?”
“Evie,” the girl murmured, her blush deepening until it clashed with her fiery hair. She struggled with her reply, extreme bashfulness warring with a strong instinct for privacy. “I suppose…I would like s-s-someone who was kind and…” Stopping, she shook her head with a self-deprecating smile. “I don’t know. Just someone who would l-love me. Really love me.”
The words touched Annabelle, and filled her with sudden melancholy. Love was a luxury she had never allowed herself to hope for—a distinctly superfluous issue when her very survival was so much in question. However, she reached out and touched the girl’s gloved hand with her own. “I hope you find him,” she said sincerely. “Perhaps you won’t have to wait for long.
”
”
Lisa Kleypas (Secrets of a Summer Night (Wallflowers, #1))
“
I know you’ll write our story the way it was meant to be told.”
“I—I don’t think I could—”
“Of course you can,” she replied. “It might not be in one book. It might be in five or ten. It might be little bits of all of us scattered throughout your stories. But I know you’ll write us, however messy we are, and it’ll be good.
”
”
Ashley Poston (The Dead Romantics)
“
He pressed a kiss on her shoulder, enjoying the way she shivered. "What is it?"
There was a long pause, then a wobbly breath. "Why can't I resist you?"
"Because you don't want to."
Before she could reply, he spun her around and kissed her again.
”
”
Elle Kennedy (Midnight Games (Killer Instincts, #3))
“
Despite rejection by the establishment, Bowlby pioneered on, giving form to a theory of what he called attachment. (The story goes that when asked by his wife why he didn’t give it its rightful name, a theory of love, he replied, “What? I’d be laughed out of science.”)
”
”
Sue Johnson (Love Sense: The Revolutionary New Science of Romantic Relationships (The Dr. Sue Johnson Collection Book 2))
“
People don’t have anniversaries for the day they fall in love.”
“They should. I remember every day and every moment that was special with you. Love is fragile... a gift. And when you love someone, you should be the caretaker of their heart.”
“Loving you has been the greatest gift I’ve ever been given. You know that, right?”
Xuan nodded and then pulled me close to him as if to reply. The feel of his lips on my neck was like an electric shock, making the little hairs stand.
“Stay still or I’ll ruin your makeup,” he whispered in my ear.
“I don’t mind being fashionably late,” I suggested.
”
”
Kayla Cunningham (Fated to Love You (Chasing the Comet Book 1))
“
Offered a job as book critic for Time magazine as a young man, Bellow had been interviewed by Chambers and asked to give his opinion about William Wordsworth. Replying perhaps too quickly that Wordsworth had been a Romantic poet, he had been brusquely informed by Chambers that there was no place for him at the magazine. Bellow had often wondered, he told us, what he ought to have said. I suggested that he might have got the job if he'd replied that Wordsworth was a once-revolutionary poet who later became a conservative and was denounced by Browning and others as a turncoat. This seemed to Bellow to be probably right. More interesting was the related question: What if he'd kept that job?
”
”
Christopher Hitchens (Hitch 22: A Memoir)
“
POLICEMAN. Good luck. (She finds it easiest just to nod in reply) I wish I was a Prince.
”
”
J.M. Barrie (A Kiss for Cinderella)
“
Isn't it romantic?" asked Laurie.
"No, it's horrid." replied Jo.
”
”
Little Women By Louisa May Alcott
“
He sent me a book bouquet"
"What's a book bouquet?" Libby replied.
"Exactly!" Max said. 'Mother-faxing exactly.
”
”
Jennifer Lynn Barnes (The Final Gambit (The Inheritance Games, #3))
“
I'm a mix of both races, but I was born a magician. You have to know the truth." My heart pounded as I waited for his reply.
He was silent a moment. Then he said, "We need you. That's what is important. The rest is titles." Gently, he took my hand in his own. It wasn't a romantic gesture; it was deeper than that. We sat side by side, our burdens eased, if not lifted.
”
”
Jessica Cluess (A Shadow Bright and Burning (Kingdom on Fire, #1))
“
I like being around you too"
"Because I'm the only one who can see you"
"Yes," he replied, and my heart began to sink into my chest, until he added, "but not because I'm a ghost, Florence
”
”
Ashley Poston (The Dead Romantics)
“
I came to view the world as a word puzzle and, with no special aptitude I can name, fixed on the whys and wherefores of language from my earliest days. Song lyrics. Signs. The stories read in first and second grades. My parents almost always read to us at bedtime. Poems by Whittier. Scenes from Oliver Twist. Kidnapped. Treasure Island. The names alone intrigued me. Dr. Livesey, Squire Trelawney. The name Balfour sounded the knell of the romantic. Robinson Crusoe. I loved to hear read the exploits of Natty Bumppo. Authors had an aura of the godlike to me. The Latin prayers fascinated me as an altar boy. I can still recall carved names on buildings I saw from the MTA train when I was a youngster. Who can explain why? Words were magic to me. I once inadvisably glued my finger and thumb together at the Magoun Library in fourth grade trying to amuse a pretty little girl on whom I had a crush, and when the librarian came over angrily to inquire what the problem was and I pointed with a shrug and replied, “Mucilage”—a word that always made me laugh—she very coldly stated, “You are more to be pitied than censured.
”
”
Alexander Theroux
“
How do you manage to have such a long marriage?' she asked.
'You fight for it,' Estelle replied honestly.
Julia didn't seem to like that quite as much.
'That doesn't sound very romantic.'
Estelle grinned knowingly.
'You have to listen to each other all the time. But not all the time. If you listen to each other all the time, there's a risk that you can't forgive each other afterward.
”
”
Fredrik Backman (Anxious People)
“
I had it in middle school, with this girl Raya,” Vera replied. “It was kind of fucked up.” My shoulders tensed. I pushed a fry around in the dregs of my ketchup. “Why do you think that?” I asked. “Um, it was really intense, I think. Too intense. And the whole thing kind of blew up. It actually really hurt. I still think about her sometimes.” “I’m sorry,” I said. “Yeah.” Vera nodded. “Thanks. It’s a lot to promise, you know? That you’re gonna be in the same friendship for your whole life.” “We do that romantically, though,” Candace said. “I mean, that’s the basic idea, if you believe in marriage and stuff.” “Yeah, but that feels different,” Vera argued. “You go into a romantic relationship knowing it can completely combust and leave you wrecked. You basically sign up for that. I feel like friends don’t talk about that happening.
”
”
Haley Jakobson (Old Enough)
“
Jeez, that's the most romantic thing anyone has ever said to me," I replied sarcastically. "No wonder you don't have a girlfriend."
"You shouldn't say bad words."
"I didn't just say a bad word." His serious demeanor was confusing me.
"Yes you did. You said the G-word," he whispered. "Girlfriend." His fake shudder was over the top.
"You're horrible, do you know that? A complete player."
"I know, but if I did want to enter the form of slavery called being in a relationship, it'd be with someone as hot as you."
I glared up at him. "Wow, that was the second most romantic thing anyone has ever said to me. You're on a roll, Caleb.
”
”
April Brookshire (Beware of Bad Boy (Beware of Bad Boy, #1))
“
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world. Yours, Anne M. Frank ANNE’S DIARY ENDS HERE.
”
”
Anne Frank (The Diary of a Young Girl)
“
I write this sitting in the kitchen sink. That is, my feet are in it; the rest of me is on the draining-board, which I have padded with our dog's blanket and the tea-cosy. I can't say that I am really comfortable, and there is a depressing smell of carbolic soap, but this is the only part of the kitchen where there is any daylight left. And I have found that sitting in a place where you have never sat before can be inspiring - I wrote my very best poem while sitting on the hen-house. Though even that isn't a very good poem. I have decided my best poetry is so bad that I mustn't write any more of it.
Drips from the roof are plopping into the water-butt by the back door. The view through the windows above the sink is excessively drear. Beyond the dank garden in the courtyard are the ruined walls on the edge of the moat. Beyond the moat, the boggy ploughed fields stretch to the leaden sky. I tell myself that all the rain we have had lately is good for nature, and that at any moment spring will surge on us. I try to see leaves on the trees and the courtyard filled with sunlight. Unfortunately, the more my mind's eye sees green and gold, the more drained of all colour does the twilight seem.
It is comforting to look away from the windows and towards the kitchen fire, near which my sister Rose is ironing - though she obviously can't see properly, and it will be a pity if she scorches her only nightgown. (I have two, but one is minus its behind.) Rose looks particularly fetching by firelight because she is a pinkish person; her skin has a pink glow and her hair is pinkish gold, very light and feathery. Although I am rather used to her I know she is a beauty. She is nearly twenty-one and very bitter with life. I am seventeen, look younger, feel older. I am no beauty but I have a neatish face.
I have just remarked to Rose that our situation is really rather romantic - two girls in this strange and lonely house. She replied that she saw nothing romantic about being shut up in a crumbling ruin surrounded by a sea of mud. I must admit that our home is an unreasonable place to live in. Yet I love it. The house itself was built in the time of Charles II, but it was grafted on to a fourteenth-century castle that had been damaged by Cromwell. The whole of our east wall was part of the castle; there are two round towers in it. The gatehouse is intact and a stretch of the old walls at their full height joins it to the house. And Belmotte Tower, all that remains of an even older castle, still stands on its mound close by. But I won't attempt to describe our peculiar home fully until I can see more time ahead of me than I do now.
I am writing this journal partly to practise my newly acquired speed-writing and partly to teach myself how to write a novel - I intend to capture all our characters and put in conversations. It ought to be good for my style to dash along without much thought, as up to now my stories have been very stiff and self-conscious. The only time father obliged me by reading one of them, he said I combined stateliness with a desperate effort to be funny. He told me to relax and let the words flow out of me.
”
”
Dodie Smith (I Capture the Castle)
“
Marry me, Rachel.'
'Not yet.'
'Tomorrow, Rachel. Marry me.'
'Maybe tomorrow.'
'There is no common blood between us. Say it,' pleads Zachariah.
'There is no common blood between us,' murmurs Rachel.
'I am not your brother.'
'I know.'
He traces her face with his swollen fingers, across the brow bones and down the zygomatics, and along the jaw from earlobe to chin, sweeping away the brine as he goes.
'I am your Wolff,' he says.
'And I am your Wolff,' she replies.
Let the day begin.
”
”
Emma Richler (Be My Wolff)
“
No, this wasn't love.
After all, I didn't know what love—romantic love, toe-curling love—felt like. So how could I fall for it?
This wasn't it. It couldn't be.
"You kiss like you dance," he murmured against my mouth.
I broke away, suddenly appalled. "Terribly?"
He laughed, but it was low and deep in his throat, half a growl, as he stole another kiss again. "Like someone waiting to be asked. You can just dance, Lemon. You can take the lead."
"And you'll follow?'
"To the moon and back," he replied.
”
”
Ashley Poston (The Seven Year Slip)
“
You are wrong if you think you cannot live without love, Edith.'
'No, I am not,' she said, slowly. 'I cannot live without it. Oh, I do not mean that I go into a decline, develop odd symptoms, become a caricature. I mean something far more serious than that. I mean that I cannot live well without it. I cannot think or act or speak or write or even dream with any kind of energy in the absence of love. I feel excluded from the living world. I become cold, fish-like, immobile. I implode. My idea of absolute happiness is to sit in a hot garden all day, reading or writing, utterly safe in the knowledge that the person I love will come home to me in the evening. Every evening.'
'You are a romantic, Edith,' repeated Mr Neville, with a smile.
'It is you who are wrong,' she replied. 'I have been listening to that particular accusation for most of my life. I am not a romantic. I am a domestic animal. I do not sigh and yearn for extravagant displays of passion, for the grand affair, the world well lost for love. I know all that, and know that it leaves you lonely. No, what I crave is the simplicity of routine. An evening walk, arm in arm, in fine weather. A game of cards. Time for idle talk. Preparing a meal together.
”
”
Anita Brookner (Hotel du Lac)
“
She is the force, that you end up
reading about in thick novels. She is
the kind of woman, you adore,
for being so content with messy hair.
She is the kind, who would
decline whatever the mankind would exalt-
and redesign everything that is
inclined to remind her
of how strongly, the society wants her confined.
To this girl, on a romantic date,
he asked the question inaccurate-
"Honey, why do you always take the road
that is so untold, hard and loathed?"
She thought of giving him a second chance,
and resisting any anger-loaded advance,
She replied, "Why do you speculate,
that I choose my fate,
imagining there are two roads?
”
”
Jasleen Kaur Gumber
“
I know you’ll write our story the way it was meant to be told.” “I—I don’t think I could—” “Of course you can,” she replied. “It might not be in one book. It might be in five or ten. It might be little bits of all of us scattered throughout your stories. But I know you’ll write us, however messy we are, and it’ll be good.
”
”
Ashley Poston (The Dead Romantics)
“
Why is the moon shaped like that?” he asked.
“It’s a heart,” Meg replied. “Haven’t you seen this symbol before?”
“Sure. But it’s not the thumpy-thump good-eating kind of heart.”
“It’s a romantic heart.” She looked up and narrowed her eyes. “Is that why you shelved the kissy books with the cookbooks? Because a heart is a heart?
”
”
Anne Bishop
“
This is..." I couldn't come up with the words.
"My favorite place in town," he replied, and carefully we walked over to the edge of the bell tower. The sun was slowly sinking down between the rolling hills of the Catskills, purples and blues and pinks. "I've never been up here with anyone else."
My heart fluttered. "No one?"
He shook his head. "But I thought you'd appreciate it."
I glanced up at him as the setting sun made the harsh lines of his face softer, the blond of his hair more gold. This was a special place--- meant for a grand romantic gesture. It was a place wasted on me.
I was stealing all his heroine's moments, wasn't I?
It was a sobering thought.
”
”
Ashley Poston (A Novel Love Story)
“
I desire the company of a man who could sympathize with me; whose eyes would reply to mine. You may deem me romantic, my dear sister, but I bitterly feel the want of a friend. I have no one near me, gentle yet courageous, possessed of a cultivated as well as of a capacious mind, whose tastes are like my own, to approve or amend my plans.
”
”
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
“
Speaking of body decorations, I luuhhhvv your belly piercing!” Heeb said, looking at the gold ring in the center of her slim, tan waist. Despite the artic cold, Angelina had opted for a skin tight, black tube top that ended just above her belly, on the assumption that a warm cab, a winter coat, and a short wait to get into the club was an adequate frosty weather strategy. Heeb was still reverently staring at her belly when Angelina finally caught her breath from laughing.
“Do you really like it? You’re just saying that so that you can check out my belly!”
“And what’s so bad about that? I mean, didn’t you get that belly piercing so that people would check out your belly?”
“No. I just thought it would look cool…Do you have any piercings?”
“Actually, I do,” Heeb replied.
“Where?”
“My appendix.”
“Huh?”
“I wanted to be the first guy with a pierced organ. And the appendix is a totally useless organ anyway, so I figured why the hell not?”
“That’s pretty original,” she replied, amused.
“Oh yeah. I’ve outdone every piercing fanatic out there. The only problem is when I have to go through metal detectors at the airport.”
Angelina burst into laughs again, and then managed to say, “Don’t you have to take it out occasionally for a cleaning?”
“Nah. I figure I’ll just get it removed when my appendix bursts. It’ll be a two for one operation, if you know what I mean.
”
”
Zack Love (Sex in the Title: A Comedy about Dating, Sex, and Romance in NYC (Back When Phones Weren't So Smart))
“
I have no friend, Margaret: when I am glowing with enthusiasm of success, there will be none to participate my joy; if I am assailed by disappointment, no one will endeavour to sustain me in dejection. I shall commit my thoughts to paper, it is true; but that is a poor medium for the communication of feeling. I desire the company of a man who could sympathise with me; whose eyes would reply to mine. You may deem me romantic, my dear sister, but I bitterly feel the want of a friend.
”
”
Mary Wollstonecraft Shelley (Frankenstein: The 1818 Text)
“
When I exited the car, Marlboro Man was there. Shielded by the dark of the morning, we were free to greet each other not only with a close, romantic hug but also a soft, sweet kiss. I was glad I’d remembered to brush my teeth.
“You made it,” he said, smiling and rubbing my lower back.
“Yep,” I replied, concealing a yawn. “And I got a five-mile run in before I came. I feel awesome.”
“Uh-huh,” he said, taking my hand and heading toward the house. “I sure wish I were a morning person like you.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
I see what you are feeling,” replied Charlotte. “You must be surprised, very much surprised—so lately as Mr. Collins was wishing to marry you. But when you have had time to think it over, I hope you will be satisfied with what I have done. I am not romantic, you know; I never was. I ask only a comfortable home; and considering Mr. Collins’s character, connection, and situation in life, I am convinced that my chance of happiness with him is as fair as most people can boast on entering the marriage state.” Elizabeth quietly answered “Undoubtedly;
”
”
Jane Austen (Pride and Prejudice)
“
Tale a rain check on that date?' I said, turning to Perkins. 'In the Magic Industry,it's kind of "Spell First, Fun Second".'
'I kind of figured that,' he replied, 'so why don't we make this assignment the date?' Intimate candlelit dinners for two are wildly overrated. I could even bring some sandwiches and a Thermos of hot chocolate.'
'Okat,' I said, touching his hand, 'you're in. A sort of romantic uncandlelit "recapturing a dangerously savage beast for two" sort of date - but no dressing up and we split the cost.'
'Game on. I'll go and make some sandwiches and a Thermos.'
And with another chuckle, he left.
”
”
Jasper Fforde (The Eye of Zoltar (The Last Dragonslayer, #3))
“
I have no friend, Margaret: when I am glowing with the enthusiasm of success, there will be none to participate my joy; if I am assailed by disappointment, no one will endeavour to sustain me in dejection. I shall commit my thoughts to paper, it is true; but that is a poor medium for the communication of feeling. I desire the company of a man who could sympathise with me; whose eyes would reply to mine. You may deem me romantic, my dear sister, but I bitterly feel the want of a friend. I have no one near me, gently yet courageous, possessed of a cultivated as well as of a capacious mind, whose tastes are like my own, to approve or amend my plans.
”
”
Oscar Wilde (The Picture of Dorian Gray)
“
Today I bought my first issue of Modern Bride Magazine, the November issue. I have it right here. I ordered a year's subscriptioin, using the 1800 number and not the business reply mail card.
Your Dream Dress (It's Here!)
50 Romantic Honeymoons - From Sweet to Sexy
12 Reception Hints You Can't Overlook
6 Real Bridal Makeovers with Expert Tips for You
I discover that holding the magazine makes me anxious. I put it down. I am wondering if there is a way to make me over and, if so, will I be able to be made back.
It strikes me that I am going to have to have a wedding. And it is going to have to be perfect, according to this magazine. There are 12 reception hints I can't overlook. And that's just the tip of the bayonet.
My gut feeling is, My GOD, haven't I done enough?
”
”
Suzanne Finnamore (Otherwise Engaged)
“
The careful, embroidered stitches delineated a coil of some sort. It looked rather like a halved snail shell, but the interior was divided into dozen of intricate chambers.
"Is that a nautilus?" he asked.
"Close, but no. It's an ammonite."
"An ammonite? What's an ammonite? Sounds like an Old Testament people overdue for smiting."
"Ammonites are not a biblical people," she replied in a tone of strained forbearance. "But they have been smited."
"Smote."
With a snap of linen, she shot him a look. "Smote?"
"Grammatically speaking, I think the word you want is 'smote.' "
"Scientifically speaking, the word I want is 'extinct.' Ammonites are extinct. They're only known to us in fossils."
"And bedsheets, apparently."
"You know..." She huffed aside a lock of hair dangling
in her face. "You could be helping."
"But I'm so enjoying watching," he said, just to devil her. Nonetheless, he picked up the edge of the top sheet and fingered the stitching as he pulled it straight. "So you made this?"
"Yes." Though judging by her tone, it hadn't been a labor of love. "My mother always insisted, from the time I was twelve years old, that I spend an hour every evening on embroidery. She had all three of us forever stitching things for our trousseaux."
'Trousseaux.' The word hit him queerly. "You brought your trousseau?"
"Of course I brought my trousseau. To create the illusion of an elopement, obviously. And it made the most logical place to store Francine. All these rolls of soft fabric made for good padding."
Some emotion jabbed his side, then scampered off before he could name it. Guilt, most likely. These were sheets meant to grace her marriage bed, and she was spreading them over a stained straw-tick mattress in a seedy coaching inn.
"Anyhow," she went on, "so long as my mother forced me to embroider, I insisted on choosing a pattern that interested me. I've never understood why girls are always made to stitch insipid flowers and ribbons."
"Well, just to hazard a guess..." Colin straightened his edge. "Perhaps that's because sleeping on a bed of flowers and ribbons sounds delightful and romantic. Whereas sharing one's bed with a primeval sea snail sounds disgusting."
Her jaw firmed. "You're welcome to sleep on the floor."
"Did I say disgusting? I meant enchanting. I've always wanted to go to bed with a primeval sea snail.
”
”
Tessa Dare (A Week to be Wicked (Spindle Cove, #2))
“
But I have one want which I have never yet
been able to satisfy, and the absence of the object of which I now feel as a most severe evil, I
have no friend, Margaret: when I am glowing
with the enthusiasm of success, there will be
none to participate my joy; if I am assailed by
disappointment, no one will endeavor to sustain me in dejection. I shall commit my
thoughts to paper, it is true; but that is a poor
medium for the communication of feeling. I
desire the company of a man who could sympathize with me, whose eyes would reply to
mine. You may deem me romantic, my dear
sister, but I bitterly feel the want of a friend. I
have no one near me, gentle yet courageous,
possessed of a cultivated as well as of a capacious mind, whose tastes are like my own, to
approve or amend my plans. How would such
a friend repair the faults of your poor brother!
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
Life is an adventure to be certain," Milo replied. "Especially if one has a nose for trouble. Isn't that right, my perceptive darling?"
Sometimes one could have too much adventure. I was suddenly very weary of this holiday. It would be nice to get back to England, to rest at Thornecrest and enjoy our London flat. I was ready to go home.
"Can we go back to London at once?" I asked Milo.
"Very well, darling." He came to me and pulled me into his arms. "But let's not start packing just yet."
I looked up at him smiling. "You don't mind us going home? I know how much you love your nights spent running wild in Paris."
"Je n'aime que toi, ma chérie," he murmured, leaning to kiss me.
Emile seemed to appreciate the sentiment for he screeched loudly, clapping his paws together with approval and smacking his lips.
Milo glanced at the monkey with an annoyed sigh.
"That will do, Emile. You've been most helpful, but I'm afraid I've had enough of your interference for one day."
And then he swept me up into his arms and carried me to the bedroom, kicking the door firmly closed behind us.
”
”
Ashley Weaver (The Essence of Malice (Amory Ames, #4))
“
Despite her grave concern over her uncle, Elizabeth chuckled inwardly as she introduced Duncan. Everyone exhibited the same stunned reaction she had when she’d discovered Ian Thornton’s uncle was a cleric. Her uncle gaped, Alex stared, and the dowager duchess glowered at Ian in disbelief as Duncan politely bent over her hand. “Am I to understand, Kensington,” she demanded of Ian, “that you are related to a man of the cloth?”
Ian’s reply was a mocking bow and a sardonic lift of his brows, but Duncan, who was desperate to put a light face on things, tried ineffectually to joke about it. “The news always has a peculiar effect on people,” he told her.
“One needn’t think too hard to discover why,” she replied gruffly.
Ian opened his mouth to give the outrageous harridan a richly deserved setdown, but Julius Cameron’s presence was worrying him; a moment later it was infuriating him as the man strode to the center of the room and said in a bluff voice, “Now that we’re all together, there’s no reason to dissemble. Bentner, being champagne. Elizabeth, congratulations. I trust you’ll conduct yourself properly as a wife and not spend the man out of what money he has left.”
In the deafening silence no one moved, except it seemed to Elizabeth that the entire room was beginning to move. “What?” she breathed finally.
“You’re betrothed.”
Anger rose up like flames licking inside her, spreading up her limbs. “Really?” she said in a voice of deadly calm, thinking of Sir Francis and John Marchman. “To whom?”
To her disbelief, Uncle Julius turned expectantly to Ian, who was looking at him with murder in his eyes. “To me,” he clipped, his icy gaze still on her uncle.
“It’s final,” Julius warned her, and then, because he assumed she’d be as pleased as he to discover she had monetary value, he added, “He paid a fortune for the privilege. I didn’t have to give him a shilling.” Elizabeth, who had no idea the two men had ever met before, looked at Ian in wild confusion and mounting anger. “What does he mean?” she demanded in a strangled whisper.
“He means,” Ian began tautly, unable to believe all his romantic plans were being demolished, “we are betrothed. The papers have been signed.”
“Why, you-you arrogant, overbearing”-She choked back the tears that were cutting off her voice-“you couldn’t even be bothered to ask me?”
Dragging his gaze from his prey with an effort, Ian turned to Elizabeth, and his heart wrenched at the way she was looking at him. “Why don’t we go somewhere private where we can discuss this?” he said gently, walking forward and taking her elbow.
She twisted free, scorched by his touch. “Oh, no!” she exploded, her body shaking with wrath. “Why guard my sensibilities now? You’ve made a laughingstock of me since the day I set eyes on you. Why stop now?
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Come over early tomorrow morning,” Marlboro Man asked over the phone one night. “We’re gathering cattle, and I want you to meet my mom and dad.”
“Oh, okay,” I agreed, wondering to myself why we couldn’t just remain in our own isolated, romantic world. And the truth was, I wasn’t ready to meet his parents yet. I still hadn’t successfully divorced myself from California J’s dear, dear folks. They’d been so wonderful to me during my years of dating their son and had become the California version of my parents, my home away from home. I hated that our relationship couldn’t continue despite, oh, the minor detail of my breaking up with their son. And already? Another set of parents? I wasn’t ready.
“What time do you want me there?” I asked. I’d do anything for Marlboro Man.
“Can you be here around five?” he asked.
“In the evening…right?” I responded, hopeful.
He chuckled. Oh, no. This was going to turn out badly for me. “Um…no,” he said. “That would be five A.M.”
I sighed. To arrive at his ranch at 5:00 A.M. would mean my rising by 4:00 A.M.--before 4:00 A.M. if I wanted to shower and make myself presentable. This meant it would still be dark outside, which was completely offensive and unacceptable. There’s no way. I’d have to tell him no.
“Okay--no problem!” I responded. I clutched my stomach in pain.
Chuckling again, he teased, “I can come pick you up if you need me to. Then you can sleep all the way back to the ranch.”
“Are you kidding?” I replied. “I’m usually up by four anyway. That’s when I usually do my running, as you well know.”
“Uh…huh,” he said. “Gotcha.” Another chuckle. Lifeblood to my soul.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Why did you come here tonight?” she asked. “Other than the fact that you’ve finally come to your senses and realize you love me.”
Chuckling, Grey reached up and untied the ribbons that held her mask. The pretty silk fell away to reveal the beautiful face beneath. “I missed you,” he replied honestly. “And you were right-about everything. I’m tired of drifting through life. I want to live again-with you.”
A lone tear trickled down her cheek. “I think that might be the most romantic thing you’ve ever said to me.”
He grinned. “I have more.”
She pressed her fingers to his lips. “I’m tired of talking.” She kissed him, teasing his lips with the ripe curves of hers, sliding her tongue inside to rub against his in a sensual rhythm that had him fisting his hands in her skirts.
By the time they reached Mayfair, Grey’s hair was mussed, Rose’s skirts crushed, and he was harder than an oratory competition for mutes.
“I can’t believe you came,” she told him as the entered the house, arms wrapped around each other. “I’m so proud of you.”
“I wouldn’t have done it without you.”
She shook her head. “You did it for yourself not for me.”
Perhaps that was true, and perhaps it wasn’t. He had no interest in discussing it tonight. “It’s just the beginning,” he promised. “I’m going to go wherever you want to go from now on. Within reason.”
She laughed. “Of course. We can’t have you attending a musicale just to please me, can we?” She gazed up at him. “You know, I think I’m going to want to spend plenty of evenings at home as well. That time I spent out of society had some very soothing moments.”
“Of course,” he agreed, thinking about all the things they could do to one another at home. Alone. “There has to be moderation.”
Upstairs in their bedroom, he undressed her, unbuttoning each tiny button one by one until she sighed in exasperation. “In a hurry?” he teased.
His wife got her revenge, when clad only in her chemise and stockings, she turned those nimble fingers of hers to his cravat, working the knot so slowly he thought he might go mad. She worsened the torment by slowly rubbing her hips against his thigh. His cock was so rigid he could hang clothes on it, and the need to bury himself inside her consumed him.
Still, a skilled lover knows when to have patience-and a man in love knows that his woman’s pleasure comes far, far before his own. So, as ready as he was, Grey was in no hurry to let this night end, not when it might prove to be the best of his new-found life.
Wearing only his trousers, he took Rose’s hand and led her to their bed. He climbed onto the mattress and pulled her down beside him, lying so that they were face-to-face.
Warm fingers came up to gently touch the scar that ran down his face. Odd, but he hadn’t thought of it at all that evening. In fact, he’d almost forgot about it.
“I heard you that night,” he admitted. “When you told me you loved me.”
Her head tilted. “I thought you were asleep.”
“No.” He held her gaze as he raised his own hand to brush the softness of her cheek. “I should have said it then, but I love you too, Rose. So much.”
Her smile was smug. “I know.” She kissed him again. “Make love to me.”
His entire body pulsed. “I intend to, but there’s one thing I have to do first.”
Rose frowned. “What’s that?”
Grey pulled the brand-new copy of Voluptuous from beneath the pillow where he’d hidden it before going to the ball. “There’s a story in here that I want to read to you.
”
”
Kathryn Smith (When Seducing a Duke (Victorian Soap Opera, #1))
“
As I’ve told you many times, I’m split in two. One side contains my exuberant cheerfulness, my flippancy, my joy in life and, above all, my ability to appreciate the lighter side of things. By that I mean not finding anything wrong with flirtations, a kiss, an embrace, an off-color joke. This side of me is usually lying in wait to ambush the other one, which is much purer, deeper and finer. No one knows Anne’s better side, and that’s why most people can’t stand me. Oh, I can be an amusing clown for an afternoon, but after that everyone’s had enough of me to last a month. Actually, I’m what a romantic movie is to a profound thinker—a mere diversion, a comic interlude, something that is soon forgotten: not bad, but not particularly good either. I hate having to tell you this, but why shouldn’t I admit it when I know it’s true? My lighter, more superficial side will always steal a march on the deeper side and therefore always win. You can’t imagine how often I’ve tried to push away this Anne, which is only half of what is known as Anne—to beat her down, hide her. But it doesn’t work, and I know why. I’m afraid that people who know me as I usually am will discover I have another side, a better and finer side. I’m afraid they’ll mock me, think I’m ridiculous and sentimental and not take me seriously. I’m used to not being taken seriously, but only the “lighthearted” Anne is used to it and can put up with it; the “deeper” Anne is too weak. If I force the good Anne into the spotlight for even fifteen minutes, she shuts up like a clam the moment she’s called upon to speak, and lets Anne number one do the talking. Before I realize it, she’s disappeared. So the nice Anne is never seen in company. She’s never made a single appearance, though she almost always takes the stage when I’m alone. I know exactly how I’d like to be, how I am … on the inside. But unfortunately I’m only like that with myself. And perhaps that’s why—no, I’m sure that’s the reason why—I think of myself as happy on the inside and other people think I’m happy on the outside. I’m guided by the pure Anne within, but on the outside I’m nothing but a frolicsome little goat tugging at its tether. As I’ve told you, what I say is not what I feel, which is why I have a reputation for being boy-crazy as well as a flirt, a smart aleck and a reader of romances. The happy-go-lucky Anne laughs, gives a flippant reply, shrugs her shoulders and pretends she doesn’t give a darn. The quiet Anne reacts in just the opposite way. If I’m being completely honest, I’ll have to admit that it does matter to me, that I’m trying very hard to change myself, but that I’m always up against a more powerful enemy. A voice within me is sobbing, “You see, that’s what’s become of you. You’re surrounded by negative opinions, dismayed looks and mocking faces, people who dislike you, and all because you don’t listen to the advice of your own better half.” Believe me, I’d like to listen, but it doesn’t work, because if I’m quiet and serious, everyone thinks I’m putting on a new act and I have to save myself with a joke, and then I’m not even talking about my own family, who assume I must be sick, stuff me with aspirins and sedatives, feel my neck and forehead to see if I have a temperature, ask about my bowel movements and berate me for being in a bad mood, until I just can’t keep it up anymore, because when everybody starts hovering over me, I get cross, then sad, and finally end up turning my heart inside out, the bad part on the outside and the good part on the inside, and keep trying to find a way to become what I’d like to be and what I could be if … if only there were no other people in the world.
”
”
Anne Frank (The Diary Of a Young Girl)
“
I hopped in the car and headed toward the ranch. I almost fell asleep at the wheel. Twice.
Marlboro Man met me at the road that led to his parents’ house, and I followed him down five miles of graveled darkness. When we pulled into the paved drive, I saw the figure of his mother through the kitchen window. She was sipping coffee. My stomach gurgled. I should have eaten something. A croissant, back at my parents’ house. A bowl of Grape-Nuts, maybe. Heck, a Twinkie at QuikTrip would have been nice. My stomach was in knots.
When I exited the car, Marlboro Man was there. Shielded by the dark of the morning, we were free to greet each other not only with a close, romantic hug but also a soft, sweet kiss. I was glad I’d remembered to brush my teeth.
“You made it,” he said, smiling and rubbing my lower back.
“Yep,” I replied, concealing a yawn. “And I got a five-mile run in before I came. I feel awesome.”
“Uh-huh,” he said, taking my hand and heading toward the house. “I sure wish I were a morning person like you.”
When we walked into the house, his parents were standing in the foyer.
“Hey!” his dad said with a gravelly voice the likes of which I’d never heard before. Marlboro Man came by it honestly.
“Hello,” his mom said warmly. They were there to welcome me. Their house smelled deliciously like leather.
“Hi,” I said. “I’m Ree.” I reached out and shook their hands.
“You sure look nice this morning,” his mom remarked. She looked comfortable, as if she’d rolled out of bed and thrown on the first thing she’d found. She looked natural, like she hadn’t set her alarm for 3:40 A.M. so she could be sure to get on all nine layers of mascara. She was wearing tennis shoes. She looked at ease. She looked beautiful. My palms felt clammy.
“She always looks nice,” Marlboro Man said to his mom, touching my back lightly. I wished I hadn’t curled my hair. That was a little over-the-top. That, and the charcoal eyeliner. And the raspberry shimmer lip gloss.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Letter II
To Mrs. Saville, England.
Archangel, 28th March, 17—.
How slowly the time passes here, encompassed as I am by frost and snow! Yet a second step is taken towards my enterprise. I have hired a vessel and am occupied in collecting my sailors; those whom I have already engaged appear to be men on whom I can depend and are certainly possessed of dauntless courage.
But I have one want which I have never yet been able to satisfy, and the absence of the object of which I now feel as a most severe evil, I have no friend, Margaret: when I am glowing with the enthusiasm of success, there will be none to participate my joy; if I am assailed by disappointment, no one will endeavour to sustain me in dejection. I shall commit my thoughts to paper, it is true; but that is a poor medium for the communication of feeling. I desire the company of a man who could sympathise with me, whose eyes would reply to mine. You may deem me romantic, my dear sister, but I bitterly feel the want of a friend. I have no one near me, gentle yet courageous, possessed of a cultivated as well as of a capacious mind, whose tastes are like my own, to approve or amend my plans. How would such a friend repair the faults of your poor brother! I am too ardent in execution and too impatient of difficulties. But it is a still greater evil to me that I am self-educated: for the first fourteen years of my life I ran wild on a common and read nothing but our Uncle Thomas' books of voyages. At that age I became acquainted with the celebrated poets of our own country; but it was only when it had ceased to be in my power to derive its most important benefits from such a conviction that I perceived the necessity of becoming acquainted with more languages than that of my native country. Now I am twenty-eight and am in reality more illiterate than many schoolboys of fifteen. It is true that I have thought more and that my daydreams are more extended and magnificent, but they want (as the painters call it) keeping; and I greatly need a friend who would have sense enough not to despise me as romantic, and affection enough for me to endeavour to regulate my mind.
”
”
Mary Wollstonecraft Shelley (Frankenstein)
“
While his patience frayed, in the end, it was Meena who snapped first.
Whether it was the fact a woman touched him, hanging on to his arm, gushing at how beautiful the wedding was, or the fact that Meena couldn’t handle the frustration of the last few days, it didn’t matter.
With a snarled, “Get your hands off my husband!” Meena sliced through the crowd, skirts hiked. She leaped the last few feet and soared through the air to tackle the lioness at his side, who, as it turned out, was Loni’s cousin.
But at the time, all he knew was his new wife was in full-on jealous mode and determined to scalp a wedding guest.
As omega, Leo should have jumped in to calm the hot tempers— and stop the hair pulling. At the very least, he should have definitely pried Meena off the lioness before she got blood on her white dress.
But…
Well…
He kind of liked it.
While Leo had dated his fair share of women, he’d never had one show such a possessive side before.
Definitely never had one go after a girl for daring to flirt with him.
He didn’t know what it said about him, the fact that he enjoyed her jealous outburst.
Feeling kind of smug about it, he took a moment to bask.
Hers. Yes, he was hers, and she was his, at least on paper.
Perhaps it was time to complete the bond and truly mate so that everyone would know they belonged to each other. Time to claim each other.
First, though, he needed to pry her off the other woman before she literally spilled blood.
Winding an arm around her middle, he lifted Meena, even as she continued to snarl at the woman on the ground. “Touch my man again and I will rip that hand from you and slap you with it!”
Ah, the romantic words of a woman in lust.
Tossing Meena over his shoulder, he ignored the amused glances of the crowd as he carted her away from the party.
“I wasn’t done, Pookie,” she grumbled.
“I’ve got better plans for that energy,” was his reply.
And yes, she announced to all that, “Leo’s finally going to debauch me.” She wasn’t the only one fist pumping.
The other ladies in the pride were cheering too while Leo fought not to blush, and poor Peter, he made a beeline for the bar.
However, embarrassment wasn’t enough to stop him.
”
”
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
“
I’d known him just ten days, and it had just left his mouth in an unexpected whisper. It had been purely instinctive, it seemed--something entirely unplanned. He clearly hadn’t planned to say those words to me that night; that wasn’t the way he operated. He was a man who had a thought and acted on it immediately, as evidenced by his sweet, whispery phone calls right after our dates. He spent no time at all calculating moves; he had better things to do with his time. When we held each other on that chilly spring night and his feelings had come rushing to the surface, he’d felt no need to slap a filter over his mouth. It had come out in a breath: I love you. It was as if he had to say it, in the same way air has to escape a person’s longs. It was involuntary. Necessary. Natural.
But as beautiful and warm a moment as it was, I froze on the spot. Once I realized it had been real--that he’d actually said the words--it seemed too late to respond; the window had closed, the shutters had clapped shut. I responded in the only way my cowardice would allow: by holding him tighter, burying my face deeper into his neck, feeling equal parts stupid and awkward. What is your problem? I asked myself. I was in the midst of what was possibly the most romantic, emotionally charged moment of my life, in the embrace of a man who embodied not only everything I’d ever understood about the textbook definition of lust, but everything I’d ever dreamed about in a man. He was a specimen--tall, strong, masculine, quiet. But it was much more than that. He was honest. Real. And affectionate and accessible, quite unlike J and most of the men I’d casually dated since I’d returned home from Los Angeles months earlier. I was in a foreign land. I didn’t know what to do.
I love you. He’d said it. And I knew his words had been sincere. I knew, because I felt it, too, even though I couldn’t say it. Marlboro Man continued to hold me tightly on that patio chair, undeterred by my silence, likely resting easily in the knowledge that at least he’d been able to say what he felt.
“I’d better go home,” I whispered, suddenly feeling pulled away by some imaginary force. Marlboro Man nodded, helping me to my feet. Holding hands, we walked around his house to my car, where we stopped for a final hug and a kiss or two. Or eight. “Thanks for having me over,” I managed.
Man, I was smooth.
“Any time,” he replied, locking his arms around my waist during the final kiss. This was the stuff that dreams were made of. I was glad my eyes were closed, because they were rolled all the way into the back of my head. It wouldn’t have been an attractive sight.
He opened the door to my car, and I climbed inside. As I backed out of his driveway, he walked toward his front door and turned around, giving me his characteristic wave in his characteristic Wranglers. Driving away, I felt strange, flushed, tingly. Burdened. Confused. Tortured. Thirty minutes into my drive home, he called. I’d almost grown to need it.
“Hey,” he said. His voice. Help me.
“Oh, hi,” I replied, pretending to be surprised. Even though I wasn’t.
“Hey, I…,” Marlboro Man began. “I really don’t want you to go.”
I giggled. How cute. “Well…I’m already halfway home!” I replied, a playful lilt to my voice.
A long pause followed.
Then, his voice serious, he continued, “That’s not what I’m talking about.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
I don’t want fake, empty gestures,” she replied, a trace of annoyance in her voice. “That’s not romantic, that’s not impressive—that’s manipulative.
”
”
Jennifer Gracen (All I Want for Christmas (The McKinnon Brothers, #1; Christmas in New York, #3))
“
How was your sleep?" Ellie asked as she poked tiny holes into the dirt with her index finger.
When Jonathan didn't reply, Ellie glanced up and saw his haunted expression. That he was lost in a pocket of evil memories, was evident.
”
”
Ashley Nikole (Present History (Hands of Time, #1))
“
The Century was a high-speed luxury train, used by the rich and famous traveling between Chicago and New York. Sportscaster Bob Elson set up a microphone in Chicago’s LaSalle Street Station and tried to intercept well-knowns for spontaneous interviews. Among the celebrities who appeared were Rita Hayworth and Eleanor Roosevelt, but architect Frank Lloyd Wright brushed briskly past. When Elson said he loved Wright’s work, Wright replied, “In that case, young man, I’ve done enough for you already.” The show was alive with terminal noise, with trains hissing and chugging and tooting. Train buffs complained that the Century was dieselpowered, but the producers thought the old sounds were more romantic, so the sound effects records remained, at least into the late ’40s.
”
”
John Dunning (On the Air: The Encyclopedia of Old-Time Radio)
“
Be my wolf," she says.
"I am your wolf," he replies, fighting for wind.
Let the day begin.
”
”
Emma Richler (Be My Wolff)
“
Love doesn't need a reply... ignorance and is it a romantic image?
”
”
Deyth Banger (Deep Legend (Deeper Level Drop #3))
“
Did you say you loved me, or was that just a fever dream?”
“We have plenty of time to talk about this later.”
“How long?” Az’s chest hitched at the thought of Madi not being there in the morning.
Madi was quiet for a long moment before replying. “Forever if you want it… If you want me for that long.”
“Longer,” Az swore. “Forever and long after.”
Madigan rubbed his thumb over Az’s lower lip gently. “Mujhy ap say mohabat hai,” he said, kissing a trail along Az’s face to his bandaged shoulder.
Az’s chest tightened and warmth radiated all the way to the smile that curved his lips. “I love you too, jaanum.”
“You are ridiculously romantic for a stone-cold killer.”
“It’s true,” Az said somberly, then tilted Madigan’s chin to brush another kiss over his lips. “Can this ridiculous man ask you for one small favor?”
“Anything.”
“Can I at least have a handjob? I’m so fucking turned on right now.”
Madi snorted in surprise. “Yes, I suppose it’s the least I can do after shooting you.”
“The very least. But maybe you could whisper a sonnet in my ear so it’s a romantic handjob.
”
”
Onley James (Play Dirty (Wages of Sin, #2))
“
Perhaps I could help,” Marcus suggested pleasantly, stopping beside her. “If you would tell me what you’re looking for.”
“Something romantic. Something with a happy ending. There should always be a happy ending, shouldn’ there?”
Marcus reached out to finger a trailing lock of her hair, his thumb sliding along the glowing satin filaments. He had never thought of himself as a particularly tactile man, but it seemed impossible to keep from touching her when she was near. The pleasure he derived from the simplest contact with her set all his nerves alight. “Not always,” he said in reply to her question.
Lillian let out a bubbling laugh. “How very English of you. How you all love to suffer, with your stiff…stiff…” She peered at the book in her hands, distracted by the gilt on its cover. “…upper lips,” she finished absently.
“We don’t like to suffer.”
“Yes, you do. At the very least, you go out of your way to avoid enjoying something.”
By now Marcus was becoming accustomed to the unique mixture of lust and amusement that she always managed to arouse in him. “There’s nothing wrong with keeping one’s enjoyments private.”
Dropping the book in her hands, Lillian turned to face him. The abruptness of the movement resulted in a sharp wobble, and she swayed back against the shelves even as he moved to steady her with his hands at her waist. Her tip-tilted eyes sparkled like an array of diamonds scattered over brown velvet. “It has nothing to do with privacy,” she informed him. “The truth is that you don’t want to be happy, bec—” She hiccupped gently. “Because it would undermine your dignity. Poor Wes’cliff.”
She regarded him compassionately. At the moment, preserving his dignity was the last thing on Marcus’s mind. He grasped the frame of the bookcase on either side of her, encompassing her in the half circle of his arms. As he caught a whiff of her breath, he shook his head and murmured, “Little one…what have you been drinking?”
“Oh…” She ducked beneath his arm and careened to the sideboard a few feet away. “I’ll show you…wonderful, wonderful stuff…this.” Triumphantly she plucked a nearly empty brandy bottle from the edge of the sideboard and held it by the neck. “Look what someone did…a pear, right inside! Isn’ that clever?” Bringing the bottle close to her face, she squinted at the imprisoned fruit. “It wasn’ very good at first. But it improved after a while. I suppose it’s an ac”—another delicate hiccup— “acquired taste.”
“It appears you’ve succeeded in acquiring it,” Marcus remarked, following her.
“You won’ tell anyone, will you?”
“No,” he promised gravely. “But I’m afraid they’re going to know regardless. Unless we can sober you in the next two or three hours before they return. Lillian, my angel…how much was in the bottle when you started?”
Showing him the bottle, she put her finger a third of the way from the bottom. “It was there when I started. I think. Or maybe there.” She frowned sadly at the bottle. “Now all that’s left is the pear.” She swirled the bottle, making the plump fruit slosh juicily at the bottom. “I want to eat it,” she announced.
“It’s not meant to be eaten. It’s only there to infuse the—Lillian, give the damned thing to me.
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Very well,” said Portia thoughtfully. “Perhaps the heroine is not in love with the werestag. It makes a much better story if the beast is in love with her. So close, and yet so far from his beloved. Doomed to watch her from afar, never to hold her again. How tragically romantic.”
“How patently ridiculous,” Brooke replied.
Luke strode briskly ahead, leaving them to their quarrel. He would not have admitted it, but he rather agreed with them both.
”
”
Tessa Dare (The Legend of the Werestag)
“
A husband comes home from satsang and greets his wife, lifts her up and carries her around the house. His wife is surprised and asks, ‘Did the Swami ji preach about being romantic today?’ Her husband replies, ‘No, he said we must carry our burdens and sorrows with a smile.
”
”
Khushwant Singh (Khushwant Singh's Joke Book 9)
“
It’s a good thing I enjoy icing. Very much, in fact.” Luke replies, holding my gaze and smiling charmingly. I think I need water, a gulp of something to cool me down, because I’m no longer thinking of icing on a cupcake. The icing is all over me. And he’s … licking.
”
”
Helena Rac (Sweet Bliss)
“
I bid you welcome to a new Utopia where men may be free of the so-called moral subjugations and constraints, and where for a time we may shake off those bonds of servitude wherein we are so tyrrannously enslaved."
"You are the humanist,George, not I- what the deuce does he natter on about?"
"Mostly whores and Booze," George replied with a grin.
Sandwidh contined while rapping once more upon the door, "Man is led into vice only when he is denied, my friends; for it is his nature to long after things forbidden and to desire most fervently what is denied."
"Another translation?" Philip asked George.
"Whores and booze... in boundless supply."
"Ah,"Philip said. "I stand in renewed appreciation of the philosophers.
”
”
Emery Lee (Fortune's Son)
“
Ned Sherrin
Ned Sherrin is a satirist, novelist, anthologist, film producer, and celebrated theater director who has been at the heart of British broadcasting and the arts for more than fifty years.
I had met Diana, Princess of Wales--perhaps “I had been presented to” is more accurate--in lineups after charity shows that I had been compering and at which she was the royal guest of honor. There were the usual polite exchanges.
On royal visits backstage, Princess Alexandra was the most relaxed, on occasion wickedly suggesting that she caught a glimpse of romantic chemistry between two performers and setting off giggles. Princess Margaret was the most artistically acute, the Queen the most conscientious; although she did once sweep past me to get to Bill Haley, of whom she was a fan. Prince Edward could, at one time, be persuaded to do an irreverent impression of his older brother, Prince Charles. Princess Diana seemed to enjoy herself, but she was still new to the job and did not linger down the line.
Around this time, a friend of mine opened a restaurant in London. From one conversation, I gathered that although it was packed in the evenings, business was slow at lunchtime. Soon afterward, I got a very “cloak-and-dagger” phone call from him. He spoke in hushed tones, muttering something like “Lunch next Wednesday, small party, royal person, hush-hush.”
From this, I inferred that he wanted me and, I had no doubt, other friends to bring a small party to dress the restaurant, to which he was bringing the “royal person” in a bid to up its fashionable appeal during the day.
When Wednesday dawned, the luncheon clashed with a couple of meetings, and although feeling disloyal, I did not see how I was going to be able to round up three or four people--even for a free lunch. Guiltily, I rang his office and apologized profusely to his secretary for not being able to make it.
The next morning, he telephoned, puzzled and aggrieved.
“There were only going to be the four of us,” he said. “Princess Diana had been looking forward to meeting you properly. She was very disappointed that you couldn’t make it.”
I felt suitably stupid--but, as luck had it, a few weeks later I found myself sitting next to her at a charity dinner at the Garrick Club. I explained the whole disastrous misunderstanding, and we had a very jolly time laughing at the coincidence that she was dining at this exclusive club before her husband, who had just been elected a member with some publicity. Prince Charles was in the hospital at the time recuperating from a polo injury. Although hindsight tells us that the marriage was already in difficulties, that was not generally known, so in answer to my inquiries, she replied sympathetically that he was recovering well.
We talked a lot about the theater and her faux pas some years before when she had been to Noel Coward’s Hay Fever and confessed to the star, Penelope Keith, that it was the first Coward play that she had seen.
“The first,” said Penelope, shocked. “Well,” Diana said to me, “I was only eighteen!”
Our meeting was at the height of the AIDS crisis, and as we were both working a lot for AIDS charities, we had many notes to compare and friends to mourn. The evening ended with a dance--but being no Travolta myself, I doubt that my partnering was the high point for her.
”
”
Larry King (The People's Princess: Cherished Memories of Diana, Princess of Wales, From Those Who Knew Her Best)
“
Gentlemen, welcome to my gondola, Il Tritone, The Merman." I gasped, "This is your private gondola?" The Count laughed and replied jokingly, "Yes, my friend this is my, how do you say in Americano, my ‘Love Boat’?" I replied, still absorbing everything with all of my senses, "This is definitely a Love Boat! I've never seen anything so romantic. I feel like Prince Charming in this gondola!
”
”
Young (Initiation (A Harem Boy's Saga Book 1))
“
Anna, did you just indirectly admit to liking me?” She drew in a swift breath and saw from his expression that while he was teasing, he was also… fishing. “Of course I like you. I like you entirely too well, and it is badly done of you to make me admit it.” “Well, let’s go from bad to worse, then, and you can tell me precisely why you like me.” “You are serious?” “I am. If you want, I will return the favor, though we have only several hours, and my list might take much longer than that.” He is flirting with me, Anna thought, incredulous. In his high-handed, serious way, the Earl of Westhaven had just paid her a flirtatious compliment. A lightness spread out from her middle, something of warmth and humor and guilty pleasure in it. “All right.” Anna nodded briskly. “I like that you are shy and honorable in the ways that count. I like that you are kind to Morgan, and to your animals, and old Nanny Fran. You are as patient with His Grace as a human can be, and you adore your brother. You are fierce, too, though, and can be decisive when needs must. You are also, I think, a romantic, and this is no mean feat for a man who spends half his days with commercial documents. Mostly, I like that you are good; you look after those who depend on you, you have gratitude for your blessings, and you don’t think enough of yourself.” Beside her, the earl was again silent. “Shall I go on?” Anna asked, feeling a sudden awkwardness. “You could not possibly pay me any greater series of compliments than you just have,” he said. “The man you describe is a paragon, a fellow I’d very much like to meet.” “See?” Anna nudged him with her shoulder. “You do not think enough of yourself. But I can also tell you the parts of you that irritate me—if that will make you feel better?” “I irritate you?” The earl’s eyebrows rose. “This should be interesting. You gave me the good news first, fortifying me for more burdensome truths, so let fly.” “You are proud,” Anna began, her tone thoughtful. “You don’t think your papa can manage anything correctly, and you won’t ask your brothers nor mother nor sisters even, for help with things directly affecting them. I wonder, in fact, if you have anybody you would call a friend.” “Ouch. A very definite ouch, Anna. Go on.” “You have forgotten how to play,” Anna said, “how to frolic, though I cannot fault you for a lack of appreciation for what’s around you. You appreciate; you just don’t seem to… indulge yourself.” “I see. And in what should I indulge myself?” “That is for you to determine,” she replied. “Marzipan has gone over well, I think, and sweets in general. You have indulged your love of music by having Val underfoot. As to what else brings you pleasure, you would be the best judge of that.” The earl turned down a shady lane lined with towering oaks and an understory of rhododendrons in vigorous bloom. “It was you,” he said. “Before Val moved in, I thought it was a neighbor playing the piano late in the evenings, but it was you. Were you playing for me?” Anna glanced off to the park beyond the trees and nodded.
”
”
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
“
which is practically the same thing.” “You can’t top this romantic scenery, Laurel,” she replied, “plus there are…” “No dead bodies,” we said in unison. Liz and I both laughed. I was grateful my British friend’s Valentine’s Day ceremony had gone off without a hitch, since her original wedding plans found me waltzing with a killer and narrowly escaping a frigid death in the depths
”
”
Cindy Sample (Dying for a Daiquiri (Laurel McKay Mysteries, #3))
“
I should say that it was only for me that Marxism seemed over. Surely, I would tell G. at least once a week, it had to count for something that every single self-described Marxist state had turned into an economically backward dictatorship. Irrelevant, he would reply. The real Marxists weren’t the Leninists and Stalinists and Maoists—or the Trotskyists either, those bloodthirsty romantics—but libertarian anarchist-socialists, people like Anton Pannekoek, Herman Gorter, Karl Korsch, scholarly believers in true workers’ control who had labored in obscurity for most of the twentieth century, enjoyed a late-afternoon moment in the sun after 1968 when they were discovered by the New Left, and had now once again fallen back into the shadows of history, existing mostly as tiny stars in the vast night sky of the Internet, archived on blogs with names like Diary of a Council Communist and Break Their Haughty Power. They were all men. The group itself was mostly men. This was, as Marxists used to say, no accident. There was something about Marxist theory that just did not appeal to women. G. and I spent a lot of time discussing the possible reasons for this. Was it that women don’t allow themselves to engage in abstract speculation, as he thought? That Marxism is incompatible with feminism, as I sometimes suspected? Or perhaps the problem was not Marxism but Marxists: in its heyday men had kept a lock on it as they did on everything they considered important; now, in its decline, Marxism had become one of those obsessive lonely-guy hobbies, like collecting stamps or 78s. Maybe, like collecting, it was related, through subterranean psychological pathways, to sexual perversions, most of which seemed to be male as well. You never hear about a female foot fetishist, or a woman like the high-school history teacher of a friend of mine who kept dated bottles of his own urine on a closet shelf. Perhaps women’s need for speculation is satisfied by the intense curiosity they bring to daily life, the way their collecting masquerades as fashion and domesticity—instead of old records, shoes and ceramic mixing bowls—and their perversity can be satisfied simply by enacting the highly artificial role of Woman, by becoming, as it were, fetishizers of their own feet.
”
”
Katha Pollitt (Learning to Drive (Movie Tie-in Edition): And Other Life Stories)
“
Very well,” said Portia thoughtfully. “Perhaps the heroine is not in love with the werestag. It makes a much better story if the beast is in love with her. So close, and yet so far from his beloved. Doomed to watch her from afar, never to hold her again. How tragically romantic.” “How patently ridiculous,” Brooke replied. Luke strode briskly ahead, leaving them to their quarrel. He would not have admitted it, but he rather agreed with them both. She
”
”
Tessa Dare (How to Catch a Wild Viscount)
“
Victor, Andy, and I sat waiting at the café within Miss Selfridge (the young fashion section of the department store) for our entourage to finish shopping. I took this opportunity to seek their advice. “Tad proposed to me at the Oriental Club,” I declared nonchalantly. “I know,” came Andy’s reply. Boggled by his response, I questioned, “Why didn’t you ask me about it?” “I was waiting for you to tell me,” he answered. “He also gave you a key to his town house.” Shocked by his knowingness, I exclaimed, “How did you know?” “I know more about you than you,” he teased. Both men laughed at me. I looked at my teacher, confused. “You knew, too?” “Of course I did. I was present when Tad sought your Valet’s permission.” “Why did Tad come to you for permission?” I questioned. Victor promulgated, “Because he’s an honourable gentleman and a true romantic.” Andy nodded in agreement. My chaperone vociferated, “I’m your guardian, so he came to me to ask for your hand.” “Ask for my hand!” I exclaimed. “I’m not planning to marry him…” Before I could continue, my Valet pronounced, “Then it’s settled. You don’t want to be his property.” “I’m nobody’s property but my own!” I cried. The men burst into mirth. “I’m glad you are being sensible. In the Arab culture, being a kept boy is similar to being in a heterosexual marriage. The dominant partner has total control of his ‘wife boy,’” Triqueros commented. “I’m nobody’s ‘wife boy’!” I burst out. “And definitely not Tad’s.” “Very well then. It’s settled that you are not taking up his offer. I’ll convey your sentiments,” Andy finalized. Case closed. “I can tell him myself. I don’t need you to do it for me,” I voiced. Victor cited, “Since you are Andy’s charge, it is appropriate for him to act on your behalf to inform the intended of your decision. It’s customary protocol, as a man asks the father for his daughter’s hand.” I argued, “But I’m not a girl. I’m a boy who can make his own decisions. I am responsible for me!” Both mentors laughed again. “Are you sure about that?” my lover ruffled my hair and sniggered. “You could have fooled me.” My chaperone and I started a playful tug-of-war until my judicious professor put a stop to our silliness. “Young, stop this absurdity,” Triqueros commanded. “As I’d promised, I’m giving you a short lesson about the ‘real’ England. The existing British monarchy.” His words perked my attention.
”
”
Young (Turpitude (A Harem Boy's Saga Book 4))
“
War wounds. I’d happily go to war with you any time.”
“How romantic,” I reply sarcastically.
”
”
Kia Carrington-Russell (Cunning Vows (Lethal Vows #3))
“
And I have absolutely no intention of getting caught up in some romantic hostage situation like you’ve gotten yourself entangled in at the mercy of a woman who refuses to let you go.” Leaning back in his office chair, a slow, lazy grin stretches across his face. “Oh yeah…it’s terrible,” he replies sarcastically.
”
”
Sara Cate (Eyes on Me (Salacious Players Club, #2))
“
I love you, Nathaniel Scott,” I exclaim as a tear runs down my face, no longer worrying about holding back the words I’ve wanted to say for weeks.
“And I love you too, Isabella Scott.”
“That’s not even my name, you idiot,” I reply, smiling and gently smacking his chest for ruining our romantic moment.
“Oh, believe me, one day it’s going to be!” retorts Nate, kissing me again.
”
”
C.B. Halliwell (Forever Entwined)
“
Jake acknowledged her remarks with raised brows, an emphatic and knowing nod, and a peculiar smile while a coughing fit escaped Hugh. He’d heard all about Josie and could barely contain his amusement with the nun’s remarks. Jake tried to temper his reply. “Yes, we’ve experienced the determination of Miss Hayes.”
—Jake Hunter, "Cherry Crossing" by Lisa M. Prysock.
”
”
Lisa M. Prysock (Cherry Crossing (Montana Meadows, #1))
“
I may as well tell you now, darling, that I don't intend to lose you to an old roué like Balthazar Lebeau."
"Well, after all, half the women in London have been in love with him at one time or another," I teased.
"What qualities, might I ask, does he have that I haven't?"
I considered. "You both have dark, good looks and very blue eyes. You both know the right things to say at the right time. You both know just the right way to hold a woman in your arms."
"I see I shall have to keep you away from him in the future. Or perhaps the more dramatic solution would be best? We'll go about things the way Armand and Durant might have—pistols at dawn!"
"Nonsense," I said, recovering my equilibrium. "You'd never get up so early in the morning!"
"To fight for you, I would," he replied.
”
”
Ashley Weaver (An Act of Villainy (Amory Ames Mystery #5))
“
There was a silence, and then Tuppence burst out:
‘Money, money, money! I think about money morning, noon and night! I dare say it’s mercenary of me, but there it is!’
‘Same here,’ agreed Tommy with feeling.
‘I’ve thought over every imaginable way of getting it too,’ continued Tuppence. ‘There are only three! To be left it, to marry it, or to make it. First is ruled out. I haven’t got any rich elderly relatives. Any relatives I have are in homes for decayed gentlewomen! I always help old ladies over crossings, and pick up parcels for old gentlemen, in case they should turn out to be eccentric millionaires. But not one of them has ever asked me my name—and quite a lot never said “Thank you.”’
There was a pause.
‘Of course,’ resumed Tuppence, ‘marriage is my best chance. I made up my mind to marry money when I was quite young. Any thinking girl would! I’m not sentimental, you know.’ She paused. ‘Come now, you can’t say I’m sentimental,’ she added sharply.
‘Certainly not,’ agreed Tommy hastily. ‘No one would ever think of sentiment in connection with you.’
‘That’s not very polite,’ replied Tuppence. ‘But I dare say you mean it all right. Well, there it is! I’m ready and willing—but I never meet any rich men! All the boys I know are about as hard up as I am.’
‘What about the general?’ inquired Tommy.
‘I fancy he keeps a bicycle shop in time of peace,’ explained Tuppence. ‘No, there it is! Now you could marry a rich girl.’
‘I’m like you. I don’t know any.’
‘That doesn’t matter. You can always get to know one. Now, if I see a man in a fur coat come out of the Ritz I can’t rush up to him and say: “Look here, you’re rich. I’d like to know you.”’
‘Do you suggest that I should do that to a similarly garbed female?’
‘Don’t be silly. You tread on her foot, or pick up her handkerchief, or something like that. If she thinks you want to know her she’s flattered, and will manage it for you somehow.’
‘You overrate my manly charms,’ murmured Tommy.
‘On the other hand,’ proceeded Tuppence, ‘my millionaire would probably run for his life! No—marriage is fraught with difficulties. Remains—to make money!’
‘We’ve tried that, and failed,’ Tommy reminded her.
‘We’ve tried all the orthodox ways, yes. But suppose we try the unorthodox. Tommy, let’s be adventurers!’
‘Certainly,’ replied Tommy cheerfully. ‘How do we begin?’
‘That’s the difficulty. If we could make ourselves known, people might hire us to commit crimes for them.’
‘Delightful,’ commented Tommy. ‘Especially coming from a clergyman’s daughter!’
‘The moral guilt,’ Tuppence pointed out, ‘would be theirs—not mine. You must admit that there’s a difference between stealing a diamond necklace for yourself and being hired to steal it.’
‘There wouldn’t be the least difference if you were caught!’
‘Perhaps not. But I shouldn’t be caught. I’m so clever.’
‘Modesty always was your besetting sin,’ remarked Tommy.
‘Don’t rag. Look here, Tommy, shall we really? Shall we form a business partnership?’
‘Form a company for the stealing of diamond necklaces?’
‘That was only an illustration. Let’s have a—what do you call it in book-keeping?’
‘Don’t know. Never did any.’
‘I have—but I always got mixed up, and used to put credit entries on the debit side, and vice versa—so they fired me out. Oh, I know—a joint venture! It struck me as such a romantic phrase to come across in the middle of musty old figures. It’s got an Elizabethan flavour about it—makes one think of galleons and doubloons. A joint venture!’
‘Trading under the name of the Young Adventurers, Ltd.? Is that your idea, Tuppence?’
‘It’s all very well to laugh, but I feel there might be something in it.
”
”
Agatha Christie (The Secret Adversary (Tommy and Tuppence Mysteries, #1))
“
Everybody said he’d break my heart, and I knew that too.
But only young can risk.
It could have been worse. I could have been forty, he could have been married.
But we were twenty four, and that was Valentine. I sent another text, five hundred and ninth. Because he lied, he said he was single that time.
And since I was twenty four, I risked it all. I fell in love with the guy, who got the most adorable smile.
I gave him all of my heart and he didn’t even give me a reply.
”
”
Snehil Niharika (That’ll Be Our Song)
“
And since I was twenty four, I risked it all. I fell in love with the guy, who got the most adorable smile.
I gave him all of my heart and he didn’t even give me a reply.
”
”
Snehil Niharika (That’ll Be Our Song)
“
You’re a monster,” she whispered.
“It’s good you see me for what I am,” I replied, wiping my mouth with my napkin. “Can’t have you falling in love with me.
”
”
E.R. Whyte (Trust the Liar: A Small Town Romantic Suspense Novel (Lucy Falls))
“
But I do not feel romantic. This house is an unhappy place for unhappy people. I’ve asked Everett a million times why he doesn’t just sell it, and a million times he’s replied that he can’t in good conscience burden someone else with his family’s ghosts.
”
”
Ashley Winstead (Midnight is the Darkest Hour)
“
Once, she asked, 'Can you remind me of this tomorrow?' He smiled and replied, 'I'd rather be your everlasting reminder than just a leftover memory.' And that's how their story began.
”
”
Sihdnan S
“
Kelly’s grades aren’t bad, which always amazes me when I see how much time she wastes. They’re so good, in fact, that I can’t get myself to complain about the nonsense she finds to do. Ronnie goes right to the bottom line, as he does with everything else, if I mention her distractions. ‘She’s doing well. Why complain?’ he replies, and I stop. Loneliness has all sorts of ways of showing itself. It’s perhaps the most inventive feeling of all.
”
”
Andrew Neiderman (Lost in His Eyes: Romantic suspense)
“
So what’s your definition?” “Two people who just have to be together,” he replied without hesitation. “Two people who are not complete when they’re apart. They’re lovers and best friends, too. There’s lust and laughter, and they can’t imagine being with anyone else.” “So Steve Solomon believes in romantic love?
”
”
Paul Levine (Solomon vs. Lord (Solomon vs. Lord, #1))
“
Yes," Buttercup replied. There was a very long pause. "But I must never love again."
She never did.
”
”
William Goldman (The Princess Bride)
“
Trust me. If Marlee left, you'd remember all sorts of dates. The day you first saw her, the day you asked her out, the day you first kissed, the day you first told her you loved her."
"And the day she left," Cooper replied in a soft voice.
”
”
Donna Grant (A Cowboy Kind of Love (Heart of Texas #6))
“
It was true that the unexpectedness of the summons had rather taken his breath away. It had come as a laconic cable: Come Naples next boat if you want to marry. Cable reply. Agatha - which made him rub his eyes. But Simeon Jackson was a man of action, and his deep-rooted belief in the romantic waywardness of women had suggested to him that his little girl had been taught by the backwardness of Europe to realize the rock-bottom solidity of the American business man [...}
”
”
Francis Brett Young (Cage Bird, And Other Stories)