Romantic Glance Quotes

We've searched our database for all the quotes and captions related to Romantic Glance. Here they are! All 100 of them:

I must be besotted,” he said evenly. “I have the imbecilic idea that you’re the prettiest girl I’ve ever seen. Except for your coiffure,” he added, with a disgusted glance at the coils and plumes and pearls. “That is ghastly.” She scowled. “Your romantic effusions leave me breathless.
Loretta Chase (Lord of Scoundrels (Scoundrels, #3))
She glanced at the other diners, all of them going into their act, and thought is this what it all boils down to? Romantic love, is this all it is, a talent show?
David Nicholls (One Day)
A haunting memory flooded over Ethan when his own little sister had died. He had not thought of her in years! He glanced at the other chairs that sat empty around the table and wondered how different, or better his life would have been if she had lived. He tried to imagine her sitting there, but had trouble conjuring up her face.
Barbara Sontheimer (Victor's Blessing)
They roared into the Lincoln Tunnel. A wild, inexplicable excitement mounted in Therese as she stared through the windshield. She wished the tunnel might cave in and kill them both, that their bodies might be dragged out together. She felt Carol glancing at her from time to time.
Patricia Highsmith (The Price of Salt, or Carol)
When you sit that way, you look kind of like a beach ball with a head,” he continued. “Your haircut is really, really bad, I’m probably going to lose my job for helping you this way, and I’m dying to fuck you.” He glanced at her. “That honest enough for you?
Suzanne Brockmann (Bodyguard)
I glance over at him; he still looks like something I want to eat.
Rainbow Rowell (Carry On)
When we fall in love at a glance, the question we should ask ourselves (and this would apply to both men and women) is, What is it that we long for? Or perhaps, What are we lacking so that we can turn life in the direction we want? Creativity? Confidence? Authority? Recklessness? Irresponsibility? Or even darkness? Perhaps the lover is the outlaw in ourselves we don't quite have the nerve to claim. (p. 34)
Rosemary Sullivan (Labyrinth of Desire: Women, Passion, and Romantic Obsession)
But the bond—the bond of romantic love is something else. It has so little to do with propinquity or habit or space or time or life itself. It leaps across all of them, like a rainbow—or a glance.
Anne Morrow Lindbergh (Gift from the Sea)
Adam thinks that you two are in an argument." My body zinged into alert mode. My mind didn't know what Mrs. Vader meant, but my body already did. Even Sean glanced over at her with a cautious look. "He does?" I asked faintly. "A bad one," she confirmed. "How could we be in a bad argument without me even knowing about it?
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
She even tried the one which every romantic nerve in her body insisted should work, which consisted of theatrically giving up, sitting down, and letting her glance fall naturally on a patch of earth which, if she had been in any decent narrative, should have contained the book. It didn't.
Terry Pratchett (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
I had never seen eyes like his. Dark green. Smoldering. Ready to undress a woman with a single glance.
J.C. Reed (Surrender Your Love (Surrender Your Love, #1))
Recently she had become intrigued by the admiring glances of other women. The admiration of her own sex existed on a higher and more intense plane than anything men could offer, like the romantic rivalries of sisters. Together, women formed a conspiracy of glances entirely exchanged behind the backs of their menfolk.
J.G. Ballard (The Kindness of Women)
It’s not that we have to leave this life one day, it's how many things we have to leave all at once: holding hands, hotel rooms, wine, summertime, drunkenness, and the physics of falling leaves, clothing, myrrh, perfumed hair, flirting friends, two strangers' glance; the reflection of the moon, with words like, 'Soon' ... 'do you want me?' ... '...to lie enlaced' ... 'and sleep entwined' thinking ahead, with thoughts behind...?' Ô, Why! Why can’t we leave this life slowly?
Roman Payne
His dark eyes were on the road ahead, thoughtful. “No. I was hoping to go back to Tucson and see if I could get this hot chick I know to go out with me. I hear she’s in demand, though. She keeps putting me off each time I try to plan something romantic.” “Yeah, well, maybe if you come up with a good itinerary, you could lure her out.” “I was thinking dinner at Joe’s.” I made a face. “If that’s the case, maybe you’d better brace yourself for rejection.” “Red Pepper Bistro?” “Okay. Now you’re in the zone.” “Followed by a long massage in the sauna.” “That’s pretty good too.” “And then indecent things in the sauna.” “I hope you mean you’ll be doing the indecent things—because I more than did my share last night.” Kiyo glanced over at me with a mischievous grin. “Who says I’m talking about you?
Richelle Mead (Thorn Queen (Dark Swan, #2))
Your eyes are like heavy rain falling from pregnant clouds. With one glance, you washed away the poems I chalked on the ground and drowned all my beliefs. Now, I only scribble your name and believe in your truth. I know nothing but you.
Kamand Kojouri
Honey, I have a feeling he doesn’t think of you as a friend. Have you seen the way he looks at you?” She glanced at him and as if he could feel her gaze, he turned his eyes on her. Soft and hard all at once. “Yeah,” Mel said. “He promised to stop doing that.
Robyn Carr (Virgin River (Virgin River, #1))
Levi's gaze sought out Miss Spencer. Eden. All she had to do was smile to release those little frissons of lightning in him. As that thought crossed his mind, she glanced up, and Levi realized he was wrong. She didn't have to smile. All she had to do was look at him. Heaven help him. He was in bad.
Karen Witemeyer (To Win Her Heart)
He's laughing me into a stupor, she thought. I could heckle, I suppose, I could throw a bread roll at him, but he's eaten them all. She glanced at the other diners, all of them going into their act, and thought is this what it all boils down to? Romantic love, is this all it is, a talent show? Eat a meal, go to bed, fall in love with me and I promise you years and years of top notch material like this?
David Nicholls (One Day)
Occasionally she glanced at him, asking with her glance, 'Is this what I think?' "I understand,' she said, blushing. "What is this word?' he said, pointing to the "n' that signified the word "never." .... She wrote: t, I, c,g,n,o,a.
Leo Tolstoy
All through dinner, Flora combined her present appetite for eating and drinking with her past appetite for romantic love, in a way that made Clennam afraid to lift his eyes from his plate; since he could not look towards her without receiving some glance of mysterious meaning or warning, as if they were engaged in a plot.
Charles Dickens (Little Dorrit)
He glanced again at her tightly drawn face as he parked and understood, with sudden, startling clarity, that if they failed to find Tanya alive, then Bella, too, would be lost.
Bronwyn Parry (As Darkness Falls (Dungirri, #1))
I watch a lot of people. A quick glance and then my gaze wanders to the next most interesting thing, but I have been staring at this guy for weeks.
Krystalle Bianca (Perfectly Fractured (The Imperfect, #1).)
how lovers alter in the glance of each other, that space where their moods are accepted and their surrender is never taken advantage of.
Siddharth Dhanvant Shanghvi (The Last Song of Dusk)
Dude," Trent said and stopped in front of my locker. I glanced up. "Now every chick within a fifty-mile radius of this place is gonna expect all of us guy to pull some grand romantic crap on the field like you just did." I laughed. "Nah, man." I disagreed. "No one was even watchin'. "Fuck," Trent said. "How'd you even say that with a straight face?" "It's a gift." - Trent & Romeo
Cambria Hebert (#Hater (Hashtag, #2))
Her steel blue eyes captivated him at first glance and along with the alluring scent of jasmine surrounding her presence, he lost all sense of time and rhythm, and barely remembered the ensuing conversation. Thinking he had died and gone to heaven, the only thing that stuck in his memory, as they found themselves pressed urgently against the wall of her hotel room, was her name; Ginny.
Virginia Alison (Heaven Scent (Heaven Scent #1))
What are you all worked up about?" he asked warily. "This," she spat, motioning to the small space where she sat and he lay, "is what I call taking advantage." Glaring, she looked all flustered and—Lord-don't-put-him-in-more-hot-water-than-he-already-was—sexy with her blond curls bouncing with each word she sputtered. "And you can kindly remove your hand now, too." He glanced down and blinked. Then, with as much remorse as he could muster, he carefully slid his hand out from underneath her butt.
Jennifer Shirk (Wedding Date for Hire (Anyone But You, #2))
My mind blurs to a ripple of pleasure when his soft, full lips at last make contact with mine. He starts to deepen the kiss, but pauses, intent on the glass behind me. “You gotta be kidding.” I glance over my shoulder. Outside, Morpheus hangs on the glass in moth form, level with my head, glaring at us with his bulbous gaze. Even without a face, his smugness is apparent. His favorite pastime is interrupting Jeb’s romantic moments. I try not to laugh, but can’t help myself. “Cocky son of a bug.” Jeb sets me on the floor and draws the dropcloth tighter around me. A barn owl swoops from the sky and skims the glass. Morpheus launches off in a tizzy, trying to outrun the bird. Now Jeb’s the one laughing. I slap his shoulder. “Hey, that’s not funny.” “Ah, he’ll be okay.” Jeb raises an eyebrow, watching the aerial pursuit taking place outside the glass. “It’s a new genus of vegetarian owls. They’re only in it for the chase. Besides, Morphie-boy can change to his other form anytime he wants.”
A.G. Howard (Ensnared (Splintered, #3))
Then I wish I had it in my power to make him live without the sun for the rest of his pitiful life.” She stopped and glanced at him. “That’s a romantic thing to say.” He shook his head. “I’m not a romantic man, Miss Greaves. I don’t say things that I don’t mean. I find it a waste of time.
Elizabeth Hoyt (Duke of Midnight (Maiden Lane, #6))
He glanced around, his eyes widening a little when he looked toward her bedroom. She winced, but resisted the urge to jump and close the door. He was staring at the poster above her bed, an image of Annie Oakley with the quote "I ain't afraid to love a man. I ain't afraid to shoot him either.
Dana Marton (Deathwish (Broslin Creek, #6))
Love can begin in a thousand ways-with a glance, a stare, a whisper or smile, a compliment, or an insult. It continues with caresses and kisses, or maybe frowns and fights. It ends with silence and sadness, frustration and rage, tears, and even, sometimes, joy and laughter. It can last just hours or days, or endure through years and beyond death. It is something we look for, or it finds us. It can be our salvation or our ruin. Its presence exalts us, and its loss or absence desolates us.
Sue Johnson (Love Sense: The Revolutionary New Science of Romantic Relationships (The Dr. Sue Johnson Collection, 2))
She glanced down and gasped, and her arms slapped into place to cover all her most interesting bits. He grinned. The robe and gown were sheer and he had not spun undergarments. She scowled. "This is not what I would call being 'very, very good.'" "That is a matter of perspective, shei'tani. From where I'm standing, it looks very, very good indeed.
C.L. Wilson (Lady of Light and Shadows (Tairen Soul, #2))
I’ll miss you as well.” He glanced at her breasts. “So much.” She laughed. “Hurry back to me then.
Laurann Dohner (Shadow (New Species, #9))
And though it has been in no way a romantic evening, she embraces me and this time emanates a warmth I’m not familiar with. I am so used to imagining everything happening the way it occurs in movies, visualizing things falling somehow into the shape of events on a screen, that I almost hear the swelling of an orchestra, can almost hallucinate the camera panning low around us, fireworks bursting in slow motion overhead, the seventy-millimeter image of her lips parting and the subsequent murmur of “I want you” in Dolby sound. But my embrace is frozen and I realize, at first distantly and they with greater clarity, that the havoc raging inside me is gradually subsiding and she is kissing me on the mouth and this jars me back into some kind of reality and I lightly push her away. She glances up at me fearfully. “Listen, I’ve got to go,” I say, checking my Rolex. “I don’t want to miss… Stupid Pet Tricks.
Bret Easton Ellis (American Psycho)
Nicolas walked toward him. Ignoring the presence of the others nearby, he took Julien's chin in his hand and kissed him tenderly on the lips. Julien seemed chagrined at first, and then accepted the gesture. It was sweet, and had the air of a couple that had been together for a great long time. Maric glanced away, embarrased by the intimacy, not to mention the fact that he hadn't quite realized the nature of the two warriors' relationship ealier. Not just comrades, then, and far more than close friend. The older Grey Wardens seemed unsurprised.
David Gaider (The Calling (Dragon Age, #2))
Blake rolled her eyes, then leaned in and blew over the tomato soup, her plump lips forming the perfect O. I watched. Even Lex watched. The room went dead silent. She finally glanced up at us. Lex turned around and started whistling while I continued staring. "You blow well," I said in my most romantic voice. "Coming from you" -she shook her head-"I'll take that as the highest of compliments.
Rachel Van Dyken (The Matchmaker's Playbook (Wingmen Inc., #1))
One mere glance at you should bring a man to his knees. And the way you fuck? Damn, babe. You’re like a little slice of heaven.” “Aww…that was almost romantic.” “Almost is pretty much all you’re gonna get.
Franca Storm (Comfort Zone)
You know, you'd do a better job of convincing the men if you dipped your wick in a pussy or two." Cillian's low voice made him tense. The man stood next to Sean's barstool, watching the sexual festivities in boredom. "I have a girlfriend," he mumbled. "I'm sure she won't mind." Sean glanced at the naked women littering the room, picturing the look on Bailey's face if he admitted to "dipping his wick" in a prostie. "She'd rip my balls off," he said dryly.
Elle Kennedy (Midnight Captive (Killer Instincts, #6))
One glance at the way he looked at her, and Sam knew exactly what he was. A lethal habit, she thought. The accelerator on a race car. A halo jump on a crystal clear day. The best possible rush with the worst possible consequences.
Alexi Lawless (Complicated Creatures: Part One (Complicated Creatures, #1))
without a reservation without some romantic backstory. Even if it wasn’t my job, I wouldn’t have had the heart. Her father doesn’t like him.” “I don’t like him either.” “Yes, you do. Or you would. I’m really sorry, but—” “What is that?” he interrupted, moving back toward the door. “Was that somebody screaming?” “They’re at it again.” When he glanced back at her, frowned, she lifted her shoulders. “They really wanted a room.” “That’s . . . wow.” Head tilted, he listened another minute.
Nora Roberts (The Perfect Hope (Inn Boonsboro Trilogy, #3))
People beleived that the most devastating part of a war are the corpses with their guts out in the open, the puddles of blood, and all that you can capture at first glance. But sometimes the horror is off to the side, in the lost look on the face of a woman who's just been raped, as she limps away alone within the ruins, trying to keep her head down. Gerda and Capa were not aware of this yet. They were too young. And that was their first conflict. They still believed war had its romantic side.
Susana Fortes
In the meantime, the porter's gone. How much time until we reach our next stop?' I glanced at my wristwatch, an absurd fluttery feeling in my stomach. 'Nearly an hour.' 'Excellent,' he said, lowering his mouth again to mine. 'Let's make the most of it.' And so we did.
Ashley Weaver (Murder at the Brightwell (Amory Ames Mystery, #1))
Grant glanced down at his khaki jacket. Since he’d slipped on the US Navy uniform in Agent Bounter’s office, he’d felt a confident swagger possess him. His spine lengthened, and his shoulders retracted. He should’ve been wearing this every day, not the stupid dress shirt and slacks of a lounge singer.
Jennifer Lane (On Best Behavior (Conduct, #3))
A man can be beautiful, I see that now. It’s not just a woman’s term, not a word reserved for romantic, virtuous, elegant things. I don’t think beauty is neat anymore. It’s unordered. It’s unbrushed hair and a torn back pocket. It’s bright and strange and lovely, and if I were to paint him, I’d use all the warm colours - ochre, gold, plum, terracotta, scarlet, burnt orange. I want him to see me as I saw him then, I want him to find me alone at the end of the day with the sun in my hair. I want his heart to buckle, too. I want him to stop someone out in the square and say, who’s that? Do you know her? Where is she from?” — - from Eve Green’s mother’s account. “It is written on a piece of thin, yellow paper, and is folded in half. I like this account. I like it because it’s true, she’s right. We all want out lovers to see us that way - unaware, natural, serene. We want to change their world with one glance, to stop their breath at the sight of us.
Susan Fletcher (Eve Green)
A cell phone rang from the end table to my right and Kristen bolted up straight. She put her beer on the coffee table and dove across my lap for her phone, sprawling over me. My eyes flew wide. I’d never been that close to her before. I’d only ever touched her hand. If I pushed her down across my knees, I could spank her ass. She grabbed her phone and whirled off my lap. “It’s Sloan. I’ve been waiting for this call all day.” She put a finger to her lips for me to be quiet, hit the Talk button, and put her on speaker. “Hey, Sloan, what’s up?” “Did you send me a potato?” Kristen covered her mouth with her hand and I had to stifle a snort. “Why? Did you get an anonymous potato in the mail?” “Something is seriously wrong with you,” Sloan said. “Congratulations, he put a ring on it. PotatoParcel.com.” She seemed to be reading a message. “You found a company that mails potatoes with messages on them? Where do you find this stuff?” Kristen’s eyes danced. “I don’t know what you’re talking about. Do you have the other thing though?” “Yeeeess. The note says to call you before I open it. Why am I afraid?” Kristen giggled. “Open it now. Is Brandon with you?” “Yes, he’s with me. He’s shaking his head.” I could picture his face, that easy smile on his lips. “Okay, I’m opening it. It looks like a paper towel tube. There’s tape on the—AHHHHHH! Are you kidding me, Kristen?! What the hell!” Kristen rolled forward, putting her forehead to my shoulder in laughter. “I’m covered in glitter! You sent me a glitter bomb? Brandon has it all over him! It’s all over the sofa!” Now I was dying. I covered my mouth, trying to keep quiet, and I leaned into Kristen, who was howling, our bodies shaking with laughter. I must not have been quiet enough though. “Wait, who’s with you?” Sloan asked. Kristen wiped at her eyes. “Josh is here.” “Didn’t he have a date tonight? Brandon told me he had a date.” “He did, but he came back over after.” “He came back over?” Her voice changed instantly. “And what are you two doing? Remember what we talked about, Kristen…” Her tone was taunting. Kristen glanced at me. Sloan didn’t seem to realize she was on speaker. Kristen hit the Talk button and pressed the phone to her ear. “I’ll call you tomorrow. I love you!” She hung up on her and set her phone down on the coffee table, still tittering. “And what did you two talk about?” I asked, arching an eyebrow. I liked that she’d talked about me. Liked it a lot. “Just sexually objectifying you. The usual,” she said, shrugging. “Nothing a hot fireman like you can’t handle.” A hot fireman like you.I did my best to hide my smirk. “So do you do this to Sloan a lot?” I asked. “All the time. I love messing with her. She’s so easily worked up.” She reached for her beer. I chuckled. “How do you sleep at night knowing she’ll be finding glitter in her couch for the next month?” She took a swig of her beer. “With the fan on medium.” My laugh came so hard Stuntman Mike looked up and cocked his head at me. She changed the channel and stopped on HBO. Some show. There was a scene with rose petals down a hallway into a bedroom full of candles. She shook her head at the TV. “See, I just don’t get why that’s romantic. You want flower petals stuck to your ass? And who’s gonna clean all that shit up? Me? Like, thanks for the flower sex, let’s spend the next half an hour sweeping?” “Those candles are a huge fire hazard.” I tipped my beer toward the screen. “Right? And try getting wax out of the carpet. Good luck with that.” I looked at the side of her face. “So what do you think is romantic?” “Common sense,” she answered without thinking about it. “My wedding wouldn’t be romantic. It would be entertaining. You know what I want at my wedding?” she said, looking at me. “I want the priest from The Princess Bride. The mawage guy.
Abby Jimenez (The Friend Zone (The Friend Zone, #1))
Do you know them?" she asked. "Yes." "Introduce me." "They'll want to play." A warning? A hope? Fuck, Bianca had his thinking so twisted he wasn't sure himself. She glided her palm up his inner thigh and over his concrete dick, pushing against his tuxedo pants. "Then we play." She glanced up at him and he caught a sliver of doubt before her game face slid into place. "But they can only watch.
Avery Flynn (Bullet Proof (B-Squad, #0.5; The MacKenzie Family, #10.3))
And that's the end. He passes away under a cloud, inscrutable at heart, forgotten, unforgiven, and excessively romantic. Not in the wildest days of his boyish visions could he have seen the alluring shape of such an extraordinary success! For it may very well be that in the short moment of his last proud and unflinching glance, he had beheld the face of that opportunity which, like an Eastern bride, had come veiled to his side.
Joseph Conrad (Lord Jim)
And that’s the end. He passes away under a cloud, inscrutable at heart, forgotten, unforgiven, and excessively romantic. Not in the wildest days of his boyish visions could he have seen the alluring shape of such an extraordinary success! For it may very well be that in the short moment of his last proud and unflinching glance, he had beheld the face of that opportunity which, like an Eastern bride, had come veiled to his side.
Joseph Conrad (Joseph Conrad: The Complete Novels)
By the way, I do enjoy fairytale endings, in case you misunderstood me." He glanced at her and smiled. "I like it when good wins over evil... when the knight defeats the dragon and saves the fair maiden... and when the woodsman saves Little Red Riding Hood. I like it when they say, 'And they lived happily ever after'... Just because I'm a man doesn't mean that I don't have a romantic bone in my body." Rick gave a curt nod. "Men can be romantic, too.
Linda Weaver Clarke (The Shamrock Case (Amelia Moore Detective Series #2))
Andrew just shrugged, and I fiddled with the napkin in my lap while glancing idly around the restaurant. The obligatory mirrors hung on the walls, and there was one of those fountains with fake lily pads in the entryway. The restaurant was also lit like a mine shaft. I've never understood why dim lighting is supposed to be so romantic. Night vision belongs into a Paris Hilton sex tape - not in a restaurant that could potentially poison me with peanut sauce.
Alicia Thompson (Psych Major Syndrome)
My father and I have never been close,” she eventually said. “I’ve never understood why. Something…something about me, I suppose. He only ever loved one person in his life, and that was my mother. She felt the same about him. Which is romantic, but…it was difficult for a child to understand.” “Where did you acquire such a perverse view of romance?” Devon asked, now sounding sardonic. She glanced at him in surprise. “Loving only one person in the world isn’t romantic,” he said, “nor is it love.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
We have plenty of natural springs in our area. The cool springs have the sweetest water you'll ever taste - hence the name of our town. And it's never too cold for a Montanan to sit in a natural hot spring, even if it means your wet hair turns into icicles." Her hand rose to cover her mouth, and her eyes widened. He laughed at her shocked expression. Pamela lowered her hand. "Hot springs outdoors? In the winter?" "Hot springs feel down right good to soak in anytime, especially when the air's cold outside. The hot water soothes sore muscles and is good for what ails you. But I also have a river through my property. I've dammed up a spot that makes for a nice swimming hole when it's hot in the summer." A blush rose in her cheeks, and she glanced to the side. "Very refreshing," he teased, just to watch the pink deepen.... Pamela couldn't help the dreamy vision of bathing with him in a hot spring, touching each other as the snowflakes swirled around them. She let out a sigh. So romantic.
Debra Holland (Beneath Montana's Sky (Mail-Order Brides of the West, #0.5; Montana Sky, #0.5))
What do you think of your kingdom?" "It's beautiful," I said. And very empty. Where is everyone? "It might even be dangerous to live in such luxury and repose." "This is no place of repose." Amar glanced outside where a sliver of moon glimmered behind clouds. “I am at the mercy of the moon to reveal the secrets of this kingdom. Until then, you must practice what it means to rule. I will test you, as this palace will, in its own way.” I straightened in my seat. “On what?” “Familiarity, you might say.” His voice was low. “All the usual aspects of ruling. I’ll test your fangs and claws and bloodlust.” He stopped to trace the inside of my wrist, and my pulse leapt to meet his touch. I scowled and grabbed my hand back. Treacherous blood. “I’ll test your eyes and ears and thoughts.” “Not geography, then?” I asked, half joking. “It’s useless here.” He shrugged. “You’ll see.” “History?” “Written by the victors,” he said with a dismissive wave of his hand. “I’m not interested in one-sided tales.” “Legends? Folktales?” This time, Amar grinned. “Perhaps. Do you have a favorite tale?” My throat tightened and I thought of Gauri standing outside my door and demanding a story. “Many…And you?” “All of them. Except for tragedies. I cannot abide those.” In the harem, all the wives preferred tragedies. They wanted stories of star-crossed lovers. They wanted betrayal and declarations of love that ended with the speaker dying at their feet. “You don’t find them romantic?” “No,” he said, an edge to his voice. “There is no romance in real grief. Only longing and fury.” He rose to his feet. “Tomorrow, you can tour the palace fully. It’s yours now.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
After a day filled with talking, laughing, reminiscing and making future plans, Evie had returned to Eversby Priory in high spirits. She was full of news to share with her husband... including the fact that the protagonist of Daisy's current novel in progress had been partly inspired by him. "I had the idea when the subject of your husband came up at a dinner party a few months ago, Evie," Daisy had explained, dabbing at a tiny stain left by a strawberry that had fallen onto her bodice. "Someone remarked that Kingston was still the handsomest man in England, and how unfair it was that he never ages. And Lillian said he must be a vampire, and everyone laughed. It started me thinking about that old novel The Vampyre, published about fifty years ago. I decided to write something similar, only a romantic version." Lillian had shaken her head at the notion. "I told Daisy no one would want to read about a vampire lover. Blood... teeth..." She grimaced and shivered. "He enslaves women with his charismatic power," Daisy protested. "He's also a rich, handsome duke- just like Evie's husband." Annabelle spoke then, her blue eyes twinkling. "In light of all that, one could forgive a bad habit or two." Lillian gave her a skeptical glance. "Annabelle, could you really overlook a husband who went around sucking the life out of people?" After pondering the question, Annabelle asked Daisy, "How rich is he?" She ducked with a smothered laugh as Lillian pelted her with a biscuit. Laughing at her friends' antics, Evie had asked Daisy, "What's the title?" "The Duke's Deadly Embrace." "I suggested The Duke Was a Pain in the Neck," Lillian had said, "but Daisy thought it lacked romance.
Lisa Kleypas (Devil's Daughter (The Ravenels, #5))
that very moment but Scythe Brahms. “What’s going on?” Brahms asked. “Is everything all right?” Goddard sighed. “Yes. Everything’s fine.” He could have left it at that. But he didn’t. “It just so happens that Ayn chose this moment for a grand romantic gesture.” “Really?” Brahms smirked with smug amusement. “She should have waited until you became High Blade. Power is quite the aphrodisiac.” Now disgust was piled upon humiliation. Goddard gave her one last glance, laden with judgment, and perhaps even pity. “If you wanted to partake of this body,” he said, “you should have done it when you had the chance.
Neal Shusterman (Thunderhead (Arc of a Scythe #2))
She glanced at the bathroom door once more, her cheeks growing warm as the glass door slid open and Kane emerged from the steamy shower stall. Naked. She swallowed, unable to tear her eyes away from his nude, dripping-wet body. He had the kind of rock-hard physique that would make other women drool. His broad chest tapered to a trim waist, and his legs were thick and dusted with golden hair. He was lean, not bulky, with perfectly sculpted muscles that looked like they'd been carved out of marble. He was hard. Everywhere. "I'm afraid it's too late for you to join me in the shower," he said in a silky voice. "Though we could still make good use of the bed.
Elle Kennedy (Midnight Rescue (Killer Instincts, #1))
Her glance left me and sought the lighted top of the steps where "Three o'Clock in the Morning," a neat, sad little waltz of that year, was drifting out the open door. After all, in the very casualness of Gatsby's party there were romantic possibilities totally absent from her world. What was it up there in the song that seemed to be calling her back inside? What would happen now in the dim incalculable hours? Perhaps some unbelievable guest would arrive, a person infinitely rare and to be marvelled at, some authentically radiant young girl who with one fresh glance at Gatsby, one moment of magical encounter, would blot out those five years of unwavering devotion.
F. Scott Fitzgerald (The Great Gatsby)
As he started making a pot of coffee he glanced out his kitchen window and into his neighbor’s window and froze. He had the perfect view of his new neighbor. She was beautiful. Scratch that. The word didn’t even come close to describing her. She didn’t seem very tall, though it was hard to measure. Her dark wavy hair cascaded down over her shoulders, reaching just below her breasts. Very full breasts. Definitely enough to fill his palms. And the tight tank top she was wearing left very little to the imagination. It was obvious she’d just woken up as she rubbed a hand over her face and reached for the coffee pot. Look away, he ordered himself. But he was rooted to the spot.
Katie Reus (Danger Next Door (Red Stone Security, #2))
And as if this weren’t humiliating enough, who should appear at the door at that very moment but Scythe Brahms. “What’s going on?” Brahms asked. “Is everything all right?” Goddard sighed. “Yes. Everything’s fine.” He could have left it at that. But he didn’t. “It just so happens that Ayn chose this moment for a grand romantic gesture.” “Really?” Brahms smirked with smug amusement. “She should have waited until you became High Blade. Power is quite the aphrodisiac.” Now disgust was piled upon humiliation. Goddard gave her one last glance, laden with judgment, and perhaps even pity. “If you wanted to partake of this body,” he said, “you should have done it when you had the chance.
Neal Shusterman (Thunderhead (Arc of a Scythe #2))
[After a period of separation, Phaeton and Daphne are cuddling.] Diomedes, meanwhile, was leaning to look behind Helion, staring with open fascination at the display Phaethon and Daphne made. “I have not seen non-parthenogenic bioforms before. Are they going to copulate?” Atkins and Helion looked at him, then looked at each other. A glance of understanding passed between them. Atkins put his hand on Diomedes’s elbow, and pulled him back in front of Helion. “Perhaps not at this time,” Atkins said, straight-faced. “They are young and in love,” explained Helion, stepping so as to block Diomedes’s view. “So perhaps the excesses and, ah, exuberance of their, ah, greeting, can be overlooked this once.” Diomedes craned his neck, trying to peer past Helion. “There’s nothing like that on Neptune.” Helion murmured, “Perhaps certain peculiarities of the Neptunian character are thereby clarified, hmm…?” “It looks very old-fashioned,” said Diomedes. Helion said, “It is that most ancient and most precious romantic character of mankind which impels all great men to their greatness.” Atkins said, “It’s what young men do before they go to war.” Diomedes said, “It is not the way Cerebellines or Compositions or Hermaphrodites or Neptunians arrange these matters. I’m not sure I see the value of it. But it looks interesting. Do all Silver-Gray get to do that? I wonder if Phaethon would mind if I helped him.” “He’d mind.” Atkins interrupted curtly. “Really. He’d mind.
John C. Wright (The Golden Transcendence (Golden Age, #3))
few years later, Demeter took a vacation to the beach. She was walking along, enjoying the solitude and the fresh sea air, when Poseidon happened to spot her. Being a sea god, he tended to notice pretty ladies walking along the beach. He appeared out of the waves in his best green robes, with his trident in his hand and a crown of seashells on his head. (He was sure that the crown made him look irresistible.) “Hey, girl,” he said, wiggling his eyebrows. “You must be the riptide, ’cause you sweep me off my feet.” He’d been practicing that pickup line for years. He was glad he finally got to use it. Demeter was not impressed. “Go away, Poseidon.” “Sometimes the sea goes away,” Poseidon agreed, “but it always comes back. What do you say you and me have a romantic dinner at my undersea palace?” Demeter made a mental note not to park her chariot so far away. She really could’ve used her two dragons for backup. She decided to change form and get away, but she knew better than to turn into a snake this time. I need something faster, she thought. Then she glanced down the beach and saw a herd of wild horses galloping through the surf. That’s perfect! Demeter thought. A horse! Instantly she became a white mare and raced down the beach. She joined the herd and blended in with the other horses. Her plan had serious flaws. First, Poseidon could also turn into a horse, and he did—a strong white stallion. He raced after her. Second, Poseidon had created horses. He knew all about them and could control them. Why would a sea god create a land animal like the horse? We’ll get to that later. Anyway, Poseidon reached the herd and started pushing his way through, looking for Demeter—or rather sniffing for her sweet, distinctive perfume. She was easy to find. Demeter’s seemingly perfect camouflage in the herd turned out to be a perfect trap. The other horses made way for Poseidon, but they hemmed in Demeter and wouldn’t let her move. She got so panicky, afraid of getting trampled, that she couldn’t even change shape into something else. Poseidon sidled up to her and whinnied something like Hey, beautiful. Galloping my way? Much to Demeter’s horror, Poseidon got a lot cuddlier than she wanted. These days, Poseidon would be arrested for that kind of behavior. I mean…assuming he wasn’t in horse form. I don’t think you can arrest a horse. Anyway, back in those days, the world was a rougher, ruder place. Demeter couldn’t exactly report Poseidon to King Zeus, because Zeus was just as bad. Months later, a very embarrassed and angry Demeter gave birth to twins. The weirdest thing? One of the babies was a goddess; the other one was a stallion. I’m not going to even try to figure that out. The baby girl was named Despoine, but you don’t hear much about her in the myths. When she grew up, her job was looking after Demeter’s temple, like the high priestess of corn magic or something. Her baby brother, the stallion, was named Arion. He grew up to be a super-fast immortal steed who helped out Hercules and some other heroes, too. He was a pretty awesome horse, though I’m not sure that Demeter was real proud of having a son who needed new horseshoes every few months and was constantly nuzzling her for apples. At this point, you’d think Demeter would have sworn off those gross, disgusting men forever and joined Hestia in the Permanently Single Club. Strangely, a couple of months later, she fell in love with a human prince named Iasion (pronounced EYE-son, I think). Just shows you how far humans had come since Prometheus gave them fire. Now they could speak and write. They could brush their teeth and comb their hair. They wore clothes and occasionally took baths. Some of them were even handsome enough to flirt with goddesses.
Rick Riordan (Percy Jackson's Greek Gods)
while Jim stood stiffened and with bared head in the light of torches, looking him straight in the face, he clung heavily with his left arm round the neck of a bowed youth, and lifting deliberately his right, shot his son’s friend through the chest. ‘The crowd, which had fallen apart behind Jim as soon as Doramin had raised his hand, rushed tumultuously forward after the shot. They say that the white man sent right and left at all those faces a proud and unflinching glance. Then with his hand over his lips he fell forward, dead. ‘And that’s the end. He passes away under a cloud, inscrutable at heart, forgotten, unforgiven, and excessively romantic. Not in the wildest days of his boyish visions could he have seen the alluring shape of such an extraordinary success! For it may very well be that in the short moment of his last proud and unflinching glance, he had beheld the face of that opportunity which, like an Eastern bride, had come veiled to his side. ‘But we can see
Joseph Conrad (Joseph Conrad: The Complete Novels)
Why don't you ask me up for a drink?" "A drink? There's not much of a variety, but you're welcome." "It's nice to be asked occasionally." Before he could tuck his hand safely in his pocket, she took it, threaded their fingers together. "You have free time now and again yourself," she said easily. "I wonder if you've heard of the concept of dates. Dinner, movies, drives?" "I've some experience with them," He glanced at his pickup as they turned his quarters. "It you've a yen for a drive, you can climb up into the lorry, but I'd need to shovel it out first." She huffed out a breath. "That, Donnelly, wasn't the most romantic of invitations." "Secondhand lorries aren't particularly romantic, and I've forgotten where I parked my glass coach." "If that's another princess crack-" She broke off,set her teeth. Patience, she reminded herself. She wasn't going to spoil things with an argument. "Never mind.We'll forget the drive." She opened the door herself. "And move straight to dinner.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
In the dark melodramas of the forties, woman came down from her pedestal and she didn’t stop when she reached the ground. She kept going – down, down, like Eurydice, to the depths of the criminal world, the enfer of the film noir – and then compelled her lover to glance back and betray himself…. But for all her guts and valor, and for all her unredeemable venality…she hadn’t a soul she could call her own. She was, in fact, a male fantasy. She was playing a man’s game in a man’s world of crime and carnal innuendo, where her long hair was the equivalent of a gun, where sex was the equivalent of evil. And where her power to destroy was projection of man’s feeling of impotence. Only this could never be spelled out; hence the subterfuge and melodrama. She is to her thirties’ counterpart as night – or dusk – is to day. And the difference between their worlds, between the drawing room of romantic comedy and the underground of melodrama, is the difference between flirtation and fornication … or rape” (Haskell 191).
Molly Haskell (From Reverence to Rape: The Treatment of Women in the Movies)
...I shall let [Anne] Wallace put the case herself, at what I think is necessary length: 'As travel in general becomes physically easier, faster, and less expensive, more people want and are able to arrive at more destinations with less unpleasant awareness of their travel process. At the same time the availability of an increasing range of options in conveyance, speed, price, and so forth actually encouraged comparisons of these different modes...and so an increasingly positive awareness of process that even permitted semi-nostalgic glances back at the bad old days...Then, too, although local insularity was more and more threatened...people also quite literally became more accustomed to travel and travellers, less fearful of 'foreign' ways, so that they gradually became able to regard travel as an acceptable recreation. Finally, as speeds increased and costs decreased, it simply ceased to be true that the mass of people were confined to that circle of a day's walk: they could afford both the time and the money to travel by various means and for purely recreational purposes...And as walking became a matter of choice, it became a possible positive choice: since the common person need not necessarily be poor. Thus, as awareness of process became regarded as advantageous, 'economic necessity' became only one possible reading (although still sometimes a correct one) in a field of peripatetic meanings that included 'aesthetic choice'.' It sounds a persuasive case. It is certainly possible that something like the shift in consciousness that Wallace describes may have taken place by the 'end' (as conventionally conceived) of the Romantic period, and influenced the spread of pedestrianism in the 1820s and 1830s; even more likely that such a shift was instrumental in shaping the attitudes of Victorian writing in the railway age, and helped generate the apostolic fervour with which writers like Leslie Stephen and Robert Louis Stevenson treated the walking tour. But it fails to account for the rise of pedestrianism as I have narrated it.
Robin Jarvis (Romantic Writing and Pedestrian Travel)
Life is an adventure to be certain," Milo replied. "Especially if one has a nose for trouble. Isn't that right, my perceptive darling?" Sometimes one could have too much adventure. I was suddenly very weary of this holiday. It would be nice to get back to England, to rest at Thornecrest and enjoy our London flat. I was ready to go home. "Can we go back to London at once?" I asked Milo. "Very well, darling." He came to me and pulled me into his arms. "But let's not start packing just yet." I looked up at him smiling. "You don't mind us going home? I know how much you love your nights spent running wild in Paris." "Je n'aime que toi, ma chérie," he murmured, leaning to kiss me. Emile seemed to appreciate the sentiment for he screeched loudly, clapping his paws together with approval and smacking his lips. Milo glanced at the monkey with an annoyed sigh. "That will do, Emile. You've been most helpful, but I'm afraid I've had enough of your interference for one day." And then he swept me up into his arms and carried me to the bedroom, kicking the door firmly closed behind us.
Ashley Weaver (The Essence of Malice (Amory Ames, #4))
I'd expected," Martha continued, "to have to deal with hysterics-bouts of weeping and pleading at the very least." "Yes,well..." Heather pulled an expressive face. Looking ahead, she went on, "I have to admit I did feel like panicking at first, but...I've been wondering if I shouldn't view this as an adventure." She had to deflect any suspicion, so offered the one explanation that might serve. She gestured dramatically. "A romantical adventure, complete with mysterious villain, who might or might not prove to be devastatingly handsome." Martha snorted. "So that's the way it is-you're romanticizing this blackguard who's arranged your kidnapping." "Do you actually know if he's a blackguard?" Heather didn't have to manufacture her concern. Martha grimaced. "I can't rightly say. I haven't had anything to do with the beggar. Fletcher and Cobbins were the ones that met him. But," she continued, "any blighter who arranges a kidnapping, and one as coolly planned as this, take it from me, handsome or not, you won't want to meet him." Martha glanced at her again. "Sure you won't want to rethink those hysterics?" Heather arched her brows. "Will they get me any further?" "Not with me-and Fletcher's more like to slap you than come over all solicitous." "Well,then." Heather tipped up her face. "I believe I'll just go on romanticizing, at least until I have cause not to. You should be grateful-I'm making your task much easier.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
It is not that modern people are less intelligent than their grandparents: only that, being busier, they are less careful. They must learn to take short cuts, skimming through the columns of a newspaper, flicking over the pages of a book or magazine, deciding at each new paragraph or page whether to read it either attentively or cursorily, or whether to let it go unread. There is a running commentary in the mind. For example, in reading a Life of Napoleon: ‘page 9 … yes, he is still talking about Napoleon’s childhood and the romantic scenery of Corsica … something about James Boswell and Corsican independence … tradition of banditry … now back to the family origins again … wait a minute … no … his mother … more about her … yes … French Revolution … page 24, more about the French Revolution … still more … page 31, not interested … ah … Chapter 2, now he’s at the military school … I can begin here … but oughtn’t to waste time over this early part … in the artillery, was he? … but when do we get to the Italian campaign?’ And even when the reader does get to the Italian compaign and settles down comfortably to the story, he seldom reads a sentence through, word by word. Usually, he takes it in either with a single comprehensive glance as he would a stream or a field of cows that he was passing in the train, or with a series of glances, four or five words to a glance. And unless he has some special reason for studying the narrative closely, or is in an unusually industrious mood, he will not trouble about any tactical and geographical niceties of the campaign that are not presented with lively emphasis and perfect clarity. And, more serious still from the author’s point of view, he will not stop when the eye is checked by some obscurity or fancifulness of language, but will leave the point unresolved and pass on. If there are many such obstructions he will skim over them until his eye alights on a clear passage again.
Robert Graves (The Reader Over Your Shoulder: A Handbook for Writers of English Prose)
I don’t believe in love that never ends,” said Aiden, his whisper clear and distinct. “I don’t believe in being true until death or finding the other half of your soul.” Harvard raised an eyebrow but didn’t comment. Privately, he considered that it might be good that Aiden hadn’t delivered this speech to this guy he apparently liked so much—whom Aiden had never even mentioned to his best friend before now. This speech was not romantic. Once again, Harvard had to wonder if what he’d been assuming was Aiden’s romantic prowess had actually been many guys letting Aiden get away with murder because he was awfully cute. But Aiden sounded upset, and that spoke to an instinct in Harvard natural as breath. He put his arm around Aiden, and drew his best friend close against him, warm skin and soft hair and barely there shirt and all, and tried to make a sound that was more soothing than fraught. “I don’t believe in songs or promises. I don’t believe in hearts or flowers or lightning strikes.” Aiden snatched a breath as though it was his last before drowning. “I never believed in anything but you.” “Aiden,” said Harvard, bewildered and on the verge of distress. He felt as if there was something he wasn’t getting here. Even more urgently, he felt he should cut off Aiden. It had been a mistake to ask. This wasn’t meant for Harvard, but for someone else, and worse than anything, there was pain in Aiden’s voice. That must be stopped now. Aiden kissed him, startling and fierce, and said against Harvard’s mouth, “Shut up. Let me… let me.” Harvard nodded involuntarily, because of the way Aiden had asked, unable to deny Aiden even things Harvard should refuse to give. Aiden’s warm breath was running down into the small shivery space between the fabric of Harvard’s shirt and his skin. It was panic-inducing, feeling all the impulses of Harvard’s body and his heart like wires that were not only crossed but also impossibly tangled. Disentangling them felt potentially deadly. Everything inside him was in electric knots. “I’ll let you do anything you want,” Harvard told him, “but don’t—don’t—” Hurt yourself. Seeing Aiden sad was unbearable. Harvard didn’t know what to do to fix it. The kiss had turned the air between them into dry grass or kindling, a space where there might be smoke or fire at any moment. Aiden was focused on toying with the collar of Harvard’s shirt, Aiden’s brows drawn together in concentration. Aiden’s fingertips glancing against his skin burned. “You’re so warm,” Aiden said. “Nothing else ever was. I only knew goodness existed because you were the best. You’re the best of everything to me.” Harvard made a wretched sound, leaning in to press his forehead against Aiden’s. He’d known Aiden was lonely, that the long line of guys wasn’t just to have fun but tied up in the cold, huge manor where Aiden had spent his whole childhood, in Aiden’s father with his flat shark eyes and sharp shark smile, and in the long line of stepmothers who Aiden’s father chose because he had no use for people with hearts. Harvard had always known Aiden’s father wanted to crush the heart out of Aiden. He’d always worried Aiden’s father would succeed. Aiden said, his voice distant even though he was so close, “I always knew all of you was too much to ask for.” Harvard didn’t know what to say, so he obeyed a wild foolish impulse, turned his face the crucial fraction toward Aiden’s, and kissed him. Aiden sank into the kiss with a faint sweet noise, as though he’d finally heard Harvard’s wordless cry of distress and was answering it with belated reassurance: No, I’ll be all right. We’re not lost. The idea of anyone not loving Aiden back was unimaginable, but it had clearly happened. Harvard couldn’t think of how to say it, so he tried to make the kiss say it. I’m so sorry you were in pain. I never guessed. I’m sorry I can’t fix this, but I would if I could. He didn’t love you, but I do.
Sarah Rees Brennan (Striking Distance (Fence, #1))
Now, did you really mean that about not wanting to do this the rest of your life?” he asked. That familiar, playful grin appeared in the corner of his mouth. I blinked a couple of times and took a deep breath, smiling back at him and reassuring him with my eyes that no, I hadn’t meant it, but I did hate his horse. Then I took a deep breath, stood up, and dusted off my Anne Klein straight-leg jeans. “Hey, we don’t have to do this now,” Marlboro Man said, standing back up. “I’ll just do it later.” “No, I’m fine,” I answered, walking back toward my horse with newfound resolve. I took another deep breath and climbed back on the horse. As Marlboro Man and I rode back toward the thicket of trees, I suddenly understood: if I was going to marry this man, if I was going to live on this isolated ranch, if I was going to survive without cappuccino and takeout food…I sure wasn’t going to let this horse beat me. I’d have to toughen up and face things. As we rode, it became even more clear. I’d have to apply this same courage to all areas of my life--not just the practical, day-in and day-out activities of ranch life, but also the reality of my parents’ marital collapse and any other problems that would arise in the coming years. Suddenly, running off and getting married no longer seemed like the romantic adventures I was trying to convince myself it would be. Suddenly I realized that if I did that, if I ran away and said “I do” in some dark, hidden corner of the world, I’d never be able to handle the rigors and stresses of country life. And that wouldn’t be fair to Marlboro Man…or myself. As we started moving, I noticed that Marlboro Man was riding at my pace. “The horses need to be shod,” he said, grinning. “They didn’t need to trot today anyway.” I glanced in his direction. “So we’ll just go slow and easy,” he continued. I looked toward the thicket of trees and took a deep, calming breath, grabbing on to the saddle horn so firmly my knuckles turned pasty white.
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
While his patience frayed, in the end, it was Meena who snapped first. Whether it was the fact a woman touched him, hanging on to his arm, gushing at how beautiful the wedding was, or the fact that Meena couldn’t handle the frustration of the last few days, it didn’t matter. With a snarled, “Get your hands off my husband!” Meena sliced through the crowd, skirts hiked. She leaped the last few feet and soared through the air to tackle the lioness at his side, who, as it turned out, was Loni’s cousin. But at the time, all he knew was his new wife was in full-on jealous mode and determined to scalp a wedding guest. As omega, Leo should have jumped in to calm the hot tempers— and stop the hair pulling. At the very least, he should have definitely pried Meena off the lioness before she got blood on her white dress. But… Well… He kind of liked it. While Leo had dated his fair share of women, he’d never had one show such a possessive side before. Definitely never had one go after a girl for daring to flirt with him. He didn’t know what it said about him, the fact that he enjoyed her jealous outburst. Feeling kind of smug about it, he took a moment to bask. Hers. Yes, he was hers, and she was his, at least on paper. Perhaps it was time to complete the bond and truly mate so that everyone would know they belonged to each other. Time to claim each other. First, though, he needed to pry her off the other woman before she literally spilled blood. Winding an arm around her middle, he lifted Meena, even as she continued to snarl at the woman on the ground. “Touch my man again and I will rip that hand from you and slap you with it!” Ah, the romantic words of a woman in lust. Tossing Meena over his shoulder, he ignored the amused glances of the crowd as he carted her away from the party. “I wasn’t done, Pookie,” she grumbled. “I’ve got better plans for that energy,” was his reply. And yes, she announced to all that, “Leo’s finally going to debauch me.” She wasn’t the only one fist pumping. The other ladies in the pride were cheering too while Leo fought not to blush, and poor Peter, he made a beeline for the bar. However, embarrassment wasn’t enough to stop him.
Eve Langlais (When an Omega Snaps (A Lion's Pride, #3))
The thick ropes of his control began to unravel. When she curled both arms around his neck, it seemed natural to place his around her waist and pick her up. She wrapped her legs around his hips, bringing herself in direct contact with his hard-on. It was paradise. It was pure torture. He swore. She broke the kiss and smiled at him. “So you find me annoying, but you still want me,” she whispered. “I don’t find you annoying.” He pushed against her crotch. “I don’t find you annoying, either.” He read the passion in her eyes and knew she was more than willing to take things to the next level. He glanced around, searching for a soft, private spot, only to realize they were out in the open and likely to be discovered any second. It wasn’t romantic, it wasn’t smart, and he didn’t have a condom with him. Phoebe deserved a whole lot better. “I want you,” he told her. She tightened her legs around him. “Me, too.” Color stained her cheeks. “I’ve never said that to a man before.” Zane realized he hadn’t told a woman, either. He’d shown her, but he’d never actually spoken the words. Phoebe was changing him in all kinds of ways. He wanted her with a desperation he’d never felt before. And yet… “We can’t,” he said gently, ignoring the hardness and the pain in his groin. “You deserve better than something hot and fast up against a tree.” She swallowed. “I’m not so sure about that.” “I am.” “Oh.” She sounded disappointed. Had she been anyone else, he would have said the hell with it and taken what she offered. But she was Phoebe. From behind them came the sound of a car horn honking, and then another. They couldn’t see anything through the trees, but they heard laughter drifting toward them as at least a couple of off-road vehicles drove slowly past. “Sounds like we have company,” he said. “We’re close to Stryker land. Guess they decided to say hi. You go on ahead. I need a few minutes.” When he pointed at the front of his jeans, she blushed. “Oh. I see your problem. Well, you could walk right behind me and no one would notice.” He chuckled. “I’ll wait it out. Go on.” “Okay.” She headed toward camp. Zane watched her go, taking in the sway of her hips and the wave she gave him right before she disappeared.
Susan Mallery (Kiss Me (Fool's Gold, #17))
You never asked about your present.' 'I assumed I wasn't getting one from you.' He pushed off the door frame and shut the door behind him. He took up all the air in the room just by standing there. 'Why?' She shrugged. 'I just did.' He pulled a small box from his jacket and set it on the bed between them. 'Surprise.' Cassian swallowed as she approached, the only sign that this meant something to him. Nesta's hands turned sweaty as she picked the box up, examining it. She didn't open it yet, though. 'I am sorry for how I behaved last Solstice. For how awful I was.' He'd gotten her a present then, too. And she hadn't cared, had been so wretched she'd wanted to hurt him for it. For caring. 'I know,' he said thickly. 'I forgave you a long time ago.' She still couldn't look at him, even as he said, 'Open it.' Her hands shook a little as she did, finding a silver ball nestled in the black velvet box. It was the size of a chicken egg, round save for one area that had been flattened so it might be set upon a surface and not roll. 'What is it?' 'Touch the top. Just a tap.' Throwing a puzzled glance at him, she did so. Music exploded into the room. Nesta leaped back, a hand at her chest as he laughed. But- music was playing from the silver orb. And not just any music, but the waltzes from the ball the other night, pure and free of any crowd chattering, as if she were sitting in a theatre to hear them. 'This isn't the Veritas orb,' she managed to say as the waltz poured out of the ball, so clear and perfect her blood sang again. 'No, it's a Symphonia, a rare device from Helion's court. It can trap music within itself, and play it back for you. It was originally invented to help compose music, but it never caught on, for some reason.' 'How did you get the crowd noise out when you trapped the sound the other night?' she marvelled. His cheeks stained with colour. 'I went back the next day. Asked the musicians at the Hewn City to play it all again for me, plus some of their favourites.' He nodded to the ball. 'And then I went to some of your favourite taverns and found those musicians and had them play...' He trailed off at her bowed head. The tears she couldn't stop. She didn't try to fight them as the music poured into the room. He had done all of this for her. Had found a way for her to have music- always. 'Nesta,' he breathed.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Outside the room they found his family standing in the Great Hall, discussing something in heated whispers as Freddy nervously paced the other end. Oliver cleared his throat, and they all jumped. “My fiancée has made it clear that she doesn’t appreciate my attempt at a joke.” “Oliver enjoys shocking people,” Maria said calmly. When he looked at her, surprised that she had noticed, she arched one eyebrow at him. “I’m sure you know that about him by now. I find it a great flaw in his character.” She seemed to consider many things as flaws in his character. Not that he could blame her. Gran glanced from Maria to him. “So the two of you didn’t meet in a brothel?” “We did,” he said, “but only because poor Freddy got lost and wandered into one by mistake. I was trying to determine what he was looking for when Maria rushed in, mad with worry over where he might have gone off to. With two such Americans lost in the wicked city, hopelessly innocent of its dangers, I felt compelled to help them. I’ve been squiring them about town the last week. Isn’t that right, sweetheart?” She cast him a sugary and thoroughly false smile. “Oh, yes, dearest. And you were a very informative guide, too.” Jarret arched one eyebrow. “Astonishing that after finding you in a brothel, Oliver, Miss Butterfield wasn’t put off of marrying you.” “I ought to have been,” Maria said. “But he swore those days were behind him when he pledged his undying love to me on bended knee.” When Gabriel and Jarret barely managed to stifle their laughter, Oliver gritted his teeth. Bended knee, indeed. She was determined to prick his pride at every opportunity. She probably felt he deserved it. He could only pray that Gran backed down from the right before he had to bring the chit around any of his friends, or Maria would have them taunting him unmercifully for the next decade. “I’m afraid, my dear,” he said tersely, “that my brothers have trouble envisioning me bending a knee to anyone.” She affected a look of wide-eyed shock. “Have they no idea what a romantic you are? I’ll have to show them the sonnets you wrote praising my beauty. I believe I left them in my redingote pocket.” The teasing wench actually looked back toward the entrance. “I could go fetch them if you like.” “Not now,” he said, torn between a powerful urge to laugh and an equally powerful urge to strangle her. “It’s time for dinner, and I’m starved.” “So am I,” Freddy put in. At a frown from Maria, he mumbled, “Not that it matters, mind you.” “Of course it matters,” Gran said graciously. “We don’t like our guests to be uncomfortable. Come along then, Mr. Dunse. You may take me in to dinner, since my grandson is otherwise occupied.” As they trooped toward the dining room, Oliver bent his head to whisper, “I see you’re enjoying making me out to be a besotted idiot.” A minxish smile tipped up her fetching lips. “Oh, yes. It’s great fun.” “Then my explanation of how you ended up in a brothel met with your approval?” “It’ll do for now.” She cast him a glance from beneath her long lashes. “You’re by no means out of the woods yet, sir.” But I will be by the time the night is over. No matter what it took, he would get her to stay and do this, so help him God.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Okay,let's do it," Robbie said, slapping his hands together as he stood. He stepped towards me with his arms outstreched and I tripped back. " What? No" " What? Yes," he said. He hit the rewind button and the tape zipped backward. He paused it right as the dance began. " You don't really expect me to ask Tama to dance with me without any practice. Even I'm not that stupid." I was suddenly very aware of my heartbeat. " There's no way I'm dancing with you." " You really know how to stroke a guy's ego," Robbie joked. "Come on. I'm not that repulsive." "You're not repulsive at all, it's just-" " Well, that's good to hear," Robbie said with a teasing smile. He was enjoying this. "it's just that I don't dance," I admitted. Never had. Not once. Not with a guy. I was a dance free-zone. " Well, neither do II mean, except on stage. But i've never danced like this, so we're even" he said. He hit "play". The music started and Robbie pulled me toward him by my wrist. he grabbed my hand, which was sweating, and held it, then put his other hand on my waist. My boobs pressed sgsinst his chest and I flinched, but Robbie didn't seem to notice. He was too busy consulting the TV screen. " Here goes nothing," he said. "Okay, it's a waltz, so one, two, three,,, one, two, three. Looks like a big step on one and two little steps on two and three. Got it?" "Sure." I so didn't have it. " Okay, go." He started to step in a circle, pulling me with him.I staggered along, mortified. " One, two, three. One two, three," he counted under his breath. My foot caught on his ankle. " Oops! Sorry." I was sweating like mad now, wishing I'd taken off my sweater, at least. " I got ya," he said, his grip tightiening on my hand. " K eep going." " One, two, three," I counted, staring down at our feet. He slammed one of his hip into one of the set chairs. " Ow. Dammit!" " Are you okay?"I asked."Yeah. Keep going," he said through his teeth. " One, two, three," I counted. I glanced up at the Tv screen, and the second I took my eyes off our feet, they got hopelessly tangled. I felt that instant swoop of gravity and shouted as we went down. The floor was not soft. " Oof?" " Ow. Okay, ow," Robbie said, grabbing his elbow. " That was not a good bone to fall on." He shook his arm out and I brought my knees up under my chin. " Maybe this wasn't the best idea." "No! No. We cannot give up that easily," Robbie said, standing. He took my hands and hoisted my up. " Maybe we just need to simplify it a little. " Actually i think its the twirl and the dip at the end that are really important," I theorized. It seemed like the most romantic part to me. " Okay, good." Robbie was phsyched by this development. "So maybe instead of going in circles, we just step side to side and do the twirl thing a couple of times. " Sounds like a plan," I said. " Let's do it." Robbie rewound the tape and we started from the beginning of the music. He took my hand again and held it up, then placed his other hand on my waist. This time we simply swayed back and forth. I was just getting used to the motion, when I realized that Robbie was staring at me.Big time." What?" i said, my skin prickling. " Trying to make eye contact," he said. " I hear eye contact while dancing is key." " Where would you hear something like that?" I said. " My grandmother. She's a wise woman," he said. His grandmother. How cute was that? His eyes were completely focused on my face. I tried to stare back into them, but I keep cracking up laughing. And he thought I'd make a good actress. " Wow. You suck at eye contact," he said. "Come on. Give me something to work here." I took a deep breath and steeled myself. It's just Robbie Delano, KJ. You can do this. And so I did. I looked right back into his eyes. And we continued to sway at to the music. His hand around mine. His hand on my waist. Our chests pressed together. I stared into his eyes, and soon i found that laughing was the last thing on my mind. " How's this working for you?
Kieran Scott (Geek Magnet)
I didn’t want to go, but his arms were underneath me, easing me toward the edge of the gurney and a waiting wheelchair padded with pillows. I was afraid any resistance would result in another game of hospital gown peekaboo. He settled me so gently in the soft wheelchair that my hip and my back hardly hurt. Pushing me past the curtain and into the bustling emergency room, he leaned close, over me, to say, “I fixed it. They’re going to lose the records of your visit, so you’ll never get billed. But you’re my girlfriend.” “What do you mean, I’m your girlfriend?” What delicious blackmail was this? And was it worth the price? Perhaps I could stand it. ‘I had to make them think I have a vested interest in you,” he whispered. “They never would have agreed to lose your records if I told them you were my friend at twelve years old but not so much at eighteen and I had pretty much walked in and stolen the birthright to your family farm. See? Shhh. Hey, Brody.” He slapped hands with another man in scrubs wheeling an empty gurney in the opposite direction. The man eyed me, waggled his eyebrows at Hunter, and kept going. “Couldn’t you have said we’re friends and left it at that?” I needed to keep up the façade that I did not like the idea at all. At the same time, I was a little afraid Hunter would call the charade off. “I have a lot of friends,” he explained, wheeling me into a waiting room marked X-RAY. he rounded the wheelchair and knelt in front of me. Behind him, a door stood ajar. A contraption I assumed to be an X-ray machine was visible through the crack. He glanced over his shoulder at the door, then turned back to me. “Sorry about this,” he murmured as he slid both hands into my hair and kissed me. All I could do at first was feel. His lips were on mine. His hands held me steady, so I couldn’t have shrugged away if I’d tried, but I would not try. Bright tingles spread from my lips across my face and down my neck to my chest. I longed to pull him closer for more. I reminded myself that we were faking this for a reason. I didn’t want to make the kiss deeper than necessary in case it turned him off. Hunter deepened it. His tongue pressed past my teeth and swept inside my mouth. One of his hands released my hair and caressed my shoulder, traveling down. The farther his hand went, the higher I felt. My hip hardly hurt and my back pain was gone. I wondered how low his hand would go. I never found out. A shadow stood in the doorway and cleared its throat. I stopped kissing Hunter back and braced for him to jump away. He did back off, but very slowly. He sat back on his haunches and glared at the X-ray tech as if she had a lot of nerve. His cheeks were bright red. “So, Hunter,” she said mischievously. “This is your girlfriend.” “Hullo.” I gave her a small wave. “And you got hit by a taxi while you were crossing the street to visit Hunter? That is so romantic! Have you seen Sleepless in Seattle?” “Not romantic,” I said flatly. “I hate that movie. They don’t meet until the last scene. They don’t kiss at all.” Too late I realized I sounded like I was begging Hunter for more. “But in that movie,” the tech said, “they talk about An Affair to Remember. Have you seen that? Deborah Kerr is crossing the street to meet Cary Grant and gets hit by a car. Years later he comes back to her and she’s paralyzed from the waist down.” “You call that romantic?” I heard myself yelling. “That is repulsive!” Hunter stood and put a heavy hand on my shoulder as he pushed my wheelchair past the tech and through the doorway to the X-ray machine. “Erin is in a lot of pain,” he murmured to the tech, “and she doesn’t want to think about being paralyzed from the waist down.” After that the tech was a lot nicer, because Hunter had a way with people. Hunter lifted me onto the table and left the room so he wouldn’t be irradiated or see my bony ass.
Jennifer Echols (Love Story)
Whom I Desired (Chimadeti) SONG OF SOLOMON 2:3: “As the apple tree among the trees of the wood, so is my beloved among the sons. I sat down under his shadow with great delight, and his fruit was sweet to my taste.” As I was reading this passage in my Hebrew Bible I was struck by the word chimadeti (great delight). That word was strangely out of place in this sweet romantic verse. I was intrigued as to how our English translators had handled this word. I first went to your friend and mine, the King James Version which rendered it as “great delight.” This seemed to be the good cowardly way out. Other modern translations said the same. Some simply rendered it as “delight.” One translation was a little braver and said “with whom I desired”. But the version with the most guts rendered this word as have I raptured. What caught my attention in the use of the word chimadeti is that it is used only once in the Song of Solomon and its rooted in the same word that is used in Exodus 20:17: “Thou shalt not covet.” If you ever go to a synagogue and glance at the Ten Commandments above the ark and scroll down to the 10th commandment you will see in Hebrew Script the words “Lo
Chaim Bentorah (Hebrew Word Study: A Hebrew Teacher Finds Rest in the Heart of God)
This is what we, in the con business, call making a spectacle of ourselves. Let’s try to avoid that from now on.” “Except […] Mr. No-Sex-in-the-Bathrooms is going to describe two probably drunk people who staggered in. Plus, he thinks I’m a prostitute. We can double down on that by …” She stopped him, glancing back into the store throught the big plate-glass windows. Ian looked, too, and sure enough, the clerk was still watching them warily. “Perfect, she said, and the made what was, absolutely, the international two-handed gesture for sexual intercourse. She then added a couple of exaggerated hip thrusts, saying, “I want to make this absolutely clear, because this guy’s kind of an idiot.” She then rubbed her fingers together, after which she held out her hand, palm up, as if to say Pay me. Ian cracked up. “That’s actually kind of scary. Sex with a mime. Do I have to pay extra to make sure you don’t do the trapped-in-a-box thing while we’re doing it?
Suzanne Brockmann (Do or Die (Reluctant Heroes #1))
His phone rang just as he set his evidence kit on the ground. He glanced at the display and took the call. "Hey, Mom." "I ran into Cindy Jenners at the store today." "No." "She's such a nice young woman." "Not interested." "Your sisters abandoned me." "They didn't abandon you. They got married." "They moved to other states. I don't have a single grandchild. within driving distance. How can they be so curel?" She gave a guilt-laden pause. "Mrs. Ottmann said she saw you talking to some blonde with Massachusetts license plates by the feed store yesterday." Chase closed his eyes and brushed his thumb and forefinger over his eyelids. "I was giving her a speeding ticket...
Dana Marton (Broslin Bride: Gone and Done it (Broslin Creek, #5))
Jasmine hurried along the Grand Canal, dodging a group of diehard revelers, glancing back over her shoulder for the hundredth time. She couldn't see Gabe Cannon anywhere. Her teenage fantasy man was hunting her brother. She sure hadn't seen that coming. Freaking surreal. He looked just as good as when she'd first met him at that airport and had fallen instantly in love over pizza and chips. One of those unavoidable pitfalls of life, really. He'd been more handsome than any of her pop idols, and her teenage emotions had been just begging for an outlet. She cringed in embarrassment when she thought of all the melodramatic drivel she'd written about him in her high school diary.
Dana Marton (Guardian Agent (Agents Under Fire #1))
She turned on the radio. Christmas music filled the car. She turned it off with a groan. "It's not going to turn you into an elf if you listen," he promised and liked the smile that played at the corner of her lips, wiggling the small mole that kept drawing his attention. She glanced at him. "Do you believe in Christmas?" "I do," he said without hesitation. "Even after all you've seen and done overseas?" "Especially because of that...
Dana Marton (Deathwish (Broslin Creek, #6))
Whatever you may say, genuine emotions are aroused by people. The first smile of a newborn, love confession, hang-loose chatting with friends, weekly meetings with dears, and a lot more other things initiated by two or several individuals trigger the feeling of happiness. There are more specific emotions native to females and males. Whereas the first ones are pleased at hearing sweet words. We live and work in the tradition of love and not hatred. As for us, it is the unconditional acceptance of all people, the scale of our love for them. Let's treat every person as a person in his uniqueness at eye level. Love is one of the strongest feelings one can ever have. It comes over you all of a sudden and totally absorbs before you manage to realize the fact. Emotions which arise with the feeling require some way of expression. Furtive glances, sweet words, touching, and romantic dates are a usual manifestation of affection. Still, there is a more inventive way to expose oneself – dedicating a special beautiful love quote to your beloved.
Oscar Auliq-Ice
EXCERPT: THREE A.M.– …AND JARRED OUT OF SLEEP…. “Roan snapped awake. It took a millisecond for him to key his hearing. Moonlight filtered weakly through the semi-opaque curtains pulled across both windows. His six senses were online and he quietly moved out of bed. He wore only a pair of dark blue cotton pajama bottoms, his upper body naked. Twisting the door knob, the door quietly opened. Slipping like a shadow into the darkened hall, he sensed someone moving around out in the kitchen. Shiloh? He glanced at the watch on his wrist. Three a.m. Halting in the living room, he saw Shiloh in the kitchen, putting a copper tea kettle on the stove. Her hair was unruly and she was wearing pale pink silky pajama bottoms and a pink cotton tee that outlined her breasts to perfection. Hell. She looked sleepy, hair tangled and wasn’t exactly graceful with her movements. The sense that she could not really take care of herself came across strongly to Roan. It wasn’t that Shiloh was weak or stupid. And maybe because of his black ops training, he was at the other end of the spectrum; too alert and having that situational awareness that could help save his life. She was obviously sleepy, rubbing her eyes, yawning. There wasn’t anything to dislike about her and Roan’s mouth flexed downward and thinned. Shiloh wasn’t helpless, just not aware of her surroundings. Maybe he could help her open up her awareness a little more since she was being stalked. It could save her life some day.
Lindsay McKenna (Wind River Wrangler (Wind River Valley, #1))
Daisy has a unique spirit,” Westcliff said. “A warm and romantic nature. If she is forced into a loveless marriage, she will be devastated. She deserves a husband who will cherish her for everything she is, and who will protect her from the harsher realities of the world. A husband who will allow her to dream.” It was surprising to hear such sentiment from Westcliff, who was universally known as a pragmatic and level-headed man. “What is your question, my lord?” Matthew asked. “Will you give me your word that you will not marry my sister-in-law?” Matthew held the earl’s cold black gaze. It would not be wise to cross a man like Westcliff, who was not accustomed to being denied. But Matthew had endured years of Thomas Bowman’s thunder and bluster, standing up to him when other men would flee in fear of his wrath. Although Bowman could be a ruthless, sarcastic bully there was nothing he respected more than a man who was willing to go toe-to-toe with him. And so it had quickly become Matthew’s lot in the company to be the bearer of bad tidings and deliver the hard truths that everyone else was afraid to give him. That had been Matthew’s training, which was why Westcliff’s attempt at domination had no effect on him. “I’m afraid not, my lord,” Matthew said politely. Simon Hunt dropped his cigar. “You won’t give me your word?” Westcliff asked in disbelief. “No.” Matthew bent swiftly to retrieve the fallen cigar and returned it to Hunt, who regarded him with a glint of warning in his eyes as if he were silently trying to prevent him from jumping off a cliff. “Why not?” Westcliff demanded. “Because you don’t want to lose your position with Bowman?” “No, he can’t afford to lose me right now.” Matthew smiled slightly in an attempt to rob the words of arrogance. “I know more about production, administration, and marketing than anyone else at Bowman’s…and I’ve earned the old man’s trust. So I won’t be dismissed even if I refuse to marry his daughter.” “Then it will be quite simple for you to put the entire matter to rest,” the earl said. “I want your word, Swift. Now.” A lesser man would have been intimidated by Westcliff’s authoritative demand. “I might consider it,” Matthew countered coolly, “if you offered the right incentive. For example, if you promise to endorse me as the head of the entire division and guarantee the position for at least, say…three years.” Westcliff gave him an incredulous glance. The tense silence was broken as Simon Hunt roared with laughter. “By God, he has brass ballocks,” he exclaimed. “Mark my words, Westcliff, I’m going to hire him for Consolidated.” “I’m not cheap,” Matthew said, which caused Hunt to laugh so hard that he nearly dropped his cigar again. Even Westcliff smiled, albeit reluctantly. “Damn it,” he muttered. “I’m not going to endorse you so readily—not with so much at stake. Not until I am convinced you’re the right man for the position.” “Then it seems we’re at an impasse.” Matthew made his expression friendly. “For now.
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
She glanced at her watch. He'd been massaging his legs for half an hour. "I think that's enough," she said firmly. "Don't you want to go back to bed?" He straightened up in the wheelchair and his teeth flashed in a grin. "Baby, I'm so tired of that bed, the only way you could get me back in it would be if you crawled in there with me.
Linda Howard (White Lies (Rescues, #4))
Tucker finally parked next to me. We joined Cooper who stared at a hawk flying over the woods. “I’ve had my eye on you since the Devils came to town,” Cooper said, glancing at me. “Ignore the romantic vibe to that statement.” Tucker snorted in amusement, but Cooper ignored him and continued, “The rest of the guys at the worksite hid when the Devils showed up. You decided to take on armed bikers with a fucking hammer. How you didn’t end up in the ground I’ll never know, but it made me think you have the kind of balls a man needs to run with guys like these two.” Cooper opened the door where Vaughn and Judd stood in a one room cabin.
Bijou Hunter (Damaged and the Bulldog (Damaged, #6))
I'm still a little hungry." She shot a sly glance at Ronan before tangling her fingers in his. "Not quite sure what I want, though." "Could've fooled me," Ronan murmured.
Sara Humphreys (Trouble Walks In (The McGuire Brothers, #2))
I'm still a little hungry." She shot a sly glance at Ronan before tangling her fingers in his. "Not quite sure what I want, though." "Could've fooled me," Ronan murmured.
Sara Humphreys (Trouble Walks In (The McGuire Brothers, #2))
I don’t know. Things like not paying attention to the little details. Or just not paying attention to me much. I don’t mind people being on their smart phones now and then, but it seemed like she was always glued to that thing. Even when we were out for what I thought was a romantic dinner or at a family gathering.” He saw Natalie glance back to the picnic area. Jacks was still on his phone.
Rich Amooi (Dog Day Wedding)
Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all. Astaire only got on his knees to execute a dazzling dance move, never as an act of submission. His characters were largely wealthy, self-assured, and worldly. He danced with sophistication and class. In his famous pairings with Ginger Rogers, the primary dance numbers had the couple dressed to the nines, swirling on equally polished floors to the strains of deeply moving romantic ballads.
Stuart J. Hecht (Transposing Broadway: Jews, Assimilation, and the American Musical (Palgrave Studies in Theatre and Performance History))
Berlin wrote songs for a number of Astaire films of the period: Top Hat, Follow the Fleet, On the Avenue, Carefree. The two men became close personal friends for the rest of their lives. But the choice of Astaire as a Hollywood leading man is, at first glance, puzzling. Certainly, he was an extraordinary dancer, and songwriters appreciated his accuracy and clarity when singing their songs, even if his voice was reedy and thin. But a leading man? Essentially, Astaire epitomized what Berlin and other Jews strove to achieve. He was debonair, polished, sophisticated. His screen persona was that of a raffish, outspoken fellow, not obviously attractive, whose audacity and romanticism and wit in the end won out. It didn’t hurt that he could dance. But even his dance—so smooth and elegant—was done mostly to jazz. Unlike a Gene Kelly, who was athletic, handsome, and sexy, Astaire got by on style. Kelly was American whereas Astaire was continental. In short, Astaire was someone the immigrant might himself become. It was almost like Astaire was himself Jewish beneath the relaxed urbanity. In a film like Top Hat he is audacious, rude, clever, funny, and articulate, relying mostly on good intentions and charm to win over the girl—and the audience. He is the antithesis of a Clark Gable or a Gary Cooper; Astaire is all clever and chatty, balding, small, and thin. No rugged individualist he. And yet his romantic nature and persistence win all.
Stuart J. Hecht (Transposing Broadway: Jews, Assimilation, and the American Musical (Palgrave Studies in Theatre and Performance History))
He held his hand out. “Let me have your smartphone.” I snort-laughed. “Sure. As in, I don’t think so.” “Relax. All I want to do is put my number in there.” I grabbed the phone from my camo purse and handed it to him. “I’m watching you.” “Watch all you want.” He glanced at me with a wry smile. “A camo purse? I’m in love.” He bobbed his head. My face burned in a furious blush. Despite the very small crush I seemed to be developing, I watched his every move. Never trust a cop.
Claire O'Sullivan (Romance Under Wraps (Whiskey River Mysteries Book 1))
Vivi stood and crumpled the report. “Who’s the CEO at Slakerian?” “Jakes Echabarne,” her assistant said, not glancing at any notes. “Arrange a meeting.” No one messed around with Hunting4TrueLove, whether she held the reins or not.
Cheryl Sterling (The Alien and the CEO (The Slakerian Empire, #3))
I slid my hand into his garment, caressing his muscular chest and erect nipples, which I lightly pinched, sending him into groans of passionate ecstasy. The other boys and their partners were in various stages of foreplay. I glanced over Jal's shoulder and saw Nikee coaxing Josh onto the path of sensual pleasure. Corey was absorbed in licking Brian's nipples and neck. Both boys mirrored each other's actions, which plunged them into erotic squirms of delight. Watching the sensuality unfolding, voyeuristically, combined with the romantic setting of the catacombs and Jal’s caresses, I was propelled into a marvelous, magical erotic realm.
Young (Initiation (A Harem Boy's Saga Book 1))
Anna, did you just indirectly admit to liking me?” She drew in a swift breath and saw from his expression that while he was teasing, he was also… fishing. “Of course I like you. I like you entirely too well, and it is badly done of you to make me admit it.” “Well, let’s go from bad to worse, then, and you can tell me precisely why you like me.” “You are serious?” “I am. If you want, I will return the favor, though we have only several hours, and my list might take much longer than that.” He is flirting with me, Anna thought, incredulous. In his high-handed, serious way, the Earl of Westhaven had just paid her a flirtatious compliment. A lightness spread out from her middle, something of warmth and humor and guilty pleasure in it. “All right.” Anna nodded briskly. “I like that you are shy and honorable in the ways that count. I like that you are kind to Morgan, and to your animals, and old Nanny Fran. You are as patient with His Grace as a human can be, and you adore your brother. You are fierce, too, though, and can be decisive when needs must. You are also, I think, a romantic, and this is no mean feat for a man who spends half his days with commercial documents. Mostly, I like that you are good; you look after those who depend on you, you have gratitude for your blessings, and you don’t think enough of yourself.” Beside her, the earl was again silent. “Shall I go on?” Anna asked, feeling a sudden awkwardness. “You could not possibly pay me any greater series of compliments than you just have,” he said. “The man you describe is a paragon, a fellow I’d very much like to meet.” “See?” Anna nudged him with her shoulder. “You do not think enough of yourself. But I can also tell you the parts of you that irritate me—if that will make you feel better?” “I irritate you?” The earl’s eyebrows rose. “This should be interesting. You gave me the good news first, fortifying me for more burdensome truths, so let fly.” “You are proud,” Anna began, her tone thoughtful. “You don’t think your papa can manage anything correctly, and you won’t ask your brothers nor mother nor sisters even, for help with things directly affecting them. I wonder, in fact, if you have anybody you would call a friend.” “Ouch. A very definite ouch, Anna. Go on.” “You have forgotten how to play,” Anna said, “how to frolic, though I cannot fault you for a lack of appreciation for what’s around you. You appreciate; you just don’t seem to… indulge yourself.” “I see. And in what should I indulge myself?” “That is for you to determine,” she replied. “Marzipan has gone over well, I think, and sweets in general. You have indulged your love of music by having Val underfoot. As to what else brings you pleasure, you would be the best judge of that.” The earl turned down a shady lane lined with towering oaks and an understory of rhododendrons in vigorous bloom. “It was you,” he said. “Before Val moved in, I thought it was a neighbor playing the piano late in the evenings, but it was you. Were you playing for me?” Anna glanced off to the park beyond the trees and nodded.
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
beamed from ear to ear, a pint-size image of his dad. “And while we’re there,” Christine continued. “I’ll tell you all about our upcoming trip to Vermont.” Tyler scrunched up his face. “Vermont? What’s that?” “It’s a state, sweetheart. Just a little ways away.” He paused, considering this, then held his teddy up to his ear. “Jasper wants to know if there’ll be snow there.” “At least as much as we’ve got here.” Tyler listened to his teddy again. “Will we be there for Christmas?” “You bet!” Tyler hung his head, drawing Jasper into his chest. Christine reached out a hand and gently raised his chin. “What’s wrong, honey?” Tyler glanced at his Christmas stocking, then swallowed hard.
Ginny Baird (Wedding Bells Bundle: Four Fun Romantic Comedies)
Emerging from the next chalet in the row was a young woman, probably mid-twenties he guessed, about medium height and build, with dark brown bobbed hair. She was clutching an arm full of books and a cup of coffee. That he had taken all this in, in a single glance, was remarkable. As he had simultaneously taken the fact, she was absolutely naked… “Good morning Miss!” “Miss? I never call anyone Miss! She could be married! A radical feminist! And I have just insulted her! I should have said Mizz, or Mam’, Oh God!” The thoughts raced through Addy’s panic-stricken mind. “There has been a spot of trouble at the clubhouse.” Professional, act professional. “I am making a few enquiries, I’d like to come back and ask you a few questions when …” Professional, you’re a professional, Man up! “… When you have … got yourself sorted out.” Phew!!
Ted Bun (The Uncovered Policeman: A Romantic Naturist Comedy (Rags to Riches Book 1))
I was just thinking I can’t imagine them being thrilled with you taking off like this, halfway around the world no less, leaving them shorthanded and--then I thought, oh no, something must have happened, because why else would you--” She broke off, shook her head, and seemed to look sightlessly at her hands, still gripping the steering wheel. “Because why else would I what?” She finally looked at him, and along with that goodly dose of agitation and not a little honest confusion, he saw that sliver of vulnerability again. “Because what else would cause a man I knew to be perfectly sane and fully committed to running one of the biggest cattle stations in the Northern Territory alongside his big, loud, boisterous, and very close-knit and beloved family--to up and run halfway around the world chasing after a…after--” “You?” She blinked, closed her mouth, opened it again, then simply shook her head and looked away. A beat passed, then another. “So, they’re all okay?” she asked him anyway, back to staring at her hands. “Big Jack? Ian? Sadie?” She glanced at him. “Little Mac?” He lifted his hand, palm out. “All safe and sound, I swear. Last I checked anyway.” His grin settled back to a quiet smile. “The only one who’s lost anything is me.” She ducked her chin; then he saw her pull herself together. And when she raised her eyes to his once more, she was all Kerry McCrae. Bold, confident, smart, and more than a little smart-assed. Potent combination, that. Or so he’d learned. When she’d first come to their station, hired on by his father, Big Jack, as a jackaroo--or jillaroo, as the female ranch trainees were called--Cooper had told his dad and his two siblings that the American wouldn’t last a fortnight. A wanderer who’d gone a bit troppo more than likely, traipsing around the world for kicks, thinking station life was some romantic outback romp, was about to find out she’d bitten off more than she could chew. He bit back a grin at the memory of how she’d taken on Cameroo and every single member of the Jax family, wrapping them around her like they were a comfortable, well-worn coat. And the only chewing that had been done was by him, eating his words. “You know, a more prudent man might have wanted to use that newfangled thing called a phone, or to shoot off an e-mail on that fancy laptop Sadie was so excited about finally getting for her schoolwork,” Kerry said, more quietly now. “Find out if the other party even remembered his name, much less if she was interested in doing anything more with him than trying to herd ten thousand head of cattle all over the godforsaken outback.” “Twenty thousand. And you just told your entire town you loved Australia and its godforsaken outback.” She nodded but said nothing; there was not even a hint of that earthy, easygoing smile that was usually never more than a breath away.
Donna Kauffman (Starfish Moon (Brides of Blueberry Cove, #3))
After a moment, Amelia heard Rick humming as he marched down the ramp. It was a familiar tune. She raised a curious brow as she listened to him and then it dawned on her. “Singing in the Rain!” she exclaimed. “How do you know that song?” He glanced over his shoulder and smiled. “I had sisters. Remember?” And with that statement, he burst into song: “I’m singing in the rain, just singing in the rain. What a glorious feeling’! I’m happy again.
Linda Weaver Clarke (Mystery on the Bayou (Amelia Moore Detective Series #6))
You'll yet find happiness." A twang of anger snapped within her at his words. "Shut your trap, highness, or I'll bloody well shut it for you!" She lunged forward and grabbed the front of his shirt. Her fingers itched for- for what? A weapon. She berated herself for her violent state of mind. Hands still fisted in his shirt, Justice felt their trembling and prayed he did not. Jonathan glanced down at her hands, face impassive, then returned his eyes to her face. When Justice finally gave in and lifted her gaze, her vision blurred at the empathy written in his eyes.
Ashley Nikole (Present History (Hands of Time, #1))
The girl you knew was a silly little romantic with her head in the clouds,' she hissed back at him, lowering her voice again as Steven glanced their way. 'I learned to hit back.' 'You certainly did.' Ty put down the half-empty cup, taking advantage of the pause to gather himself. When he spoke again it was in modulated, reasonable tones. 'Ria, it wasn't the way you thought back then. I no more wanted to lose you than you wanted to go, only it wouldn't have worked out. You needed a home, boyfriends, parties—all the things you'd missed out on trying to be what you weren't. All I could offer you was a rusting boat and a life where even I couldn't be sure what the next day was going to bring.' 'I see.' She attempted the same level delivery. 'So you sent me away for my own sake. Self-sacrificing of you, Ty—if I believed a word of it!
Kay Thorpe (Jungle Island)