β
She was free in her wildness. She was a wanderess, a drop of free water. She belonged to no man and to no city
β
β
Roman Payne (The Wanderess)
β
She is free in her wildness, she is a wanderess, a drop of free water. She knows nothing of borders and cares nothing for rules or customs. 'Time' for her isnβt something to fight against. Her life flows clean, with passion, like fresh water.
β
β
Roman Payne
β
You must give everything to make your life as beautiful as the dreams that dance in your imagination.
β
β
Roman Payne
β
Never did the world make a queen of a girl who hides in houses and dreams without traveling.
β
β
Roman Payne (The Wanderess)
β
I wandered everywhere, through cities and countries wide. And everywhere I went, the world was on my side.
β
β
Roman Payne (Rooftop Soliloquy)
β
I was an adventurer, but she was not an adventuress. She was a 'wanderess.' Thus, she didnβt care about money, only experiences - whether they came from wealth or from poverty, it was all the same to her.
β
β
Roman Payne (The Wanderess)
β
All forms of madness, bizarre habits, awkwardness in society, general clumsiness, are justified in the person who creates good art.
β
β
Roman Payne (Rooftop Soliloquy)
β
Γ, Sunlight! The most precious gold to be found on Earth.
β
β
Roman Payne
β
Itβs not that we have to quit
this life one day, but itβs how
many things we have to quit
all at once: music, laughter,
the physics of falling leaves,
automobiles, holding hands,
the scent of rain, the concept
of subway trains... if only one
could leave this life slowly!
β
β
Roman Payne (Rooftop Soliloquy)
β
Mine was the twilight and the morning. Mine was a world of rooftops and love songs.
β
β
Roman Payne (Rooftop Soliloquy)
β
A person does not grow from the ground like a vine or a tree, one is not part of a plot of land. Mankind has legs so it can wander.
β
β
Roman Payne (The Wanderess)
β
Cities were always like people, showing their varying personalities to the traveler. Depending on the city and on the traveler, there might begin a mutual love, or dislike, friendship, or enmity. Where one city will rise a certain individual to glory, it will destroy another who is not suited to its personality. Only through travel can we know where we belong or not, where we are loved and where we are rejected.
β
β
Roman Payne (Cities & Countries)
β
The βMuseβ is not an artistic mystery, but a mathematical equation. The gift are those ideas you think of as you drift to sleep. The giver is that one you think of when you first awake.
β
β
Roman Payne
β
She was a free bird one minute: queen of the world and laughing. The next minute she would be in tears like a porcelain angel, about to teeter, fall and break. She never cried because she was afraid that something 'would' happen; she would cry because she feared something that could render the world more beautiful, 'would not' happen.
β
β
Roman Payne (The Wanderess)
β
What is a Wanderess? Bound by no boundaries, contained by no countries, tamed by no time, she is the force of natureβs course.
β
β
Roman Payne (The Wanderess)
β
Women writers make for rewarding (and efficient) lovers. They are clever liars to fathers and husbands; yet they never hold their tongues too long, nor keep ardent typing fingers still.
β
β
Roman Payne (Rooftop Soliloquy)
β
Γ, Wanderess, Wanderess
When did you feel your
most euphoric kiss?
Was I the source
of your greatest bliss?
β
β
Roman Payne
β
Itβs not that we have to quit this life one day, itβs how many things we have to quit all at once: holding hands, hotel rooms, music, the physics of falling leaves, vanilla and jasmine, poppies, smiling, anthills, the color of the sky, coffee and cashmere, literature, sparks and subway trains... If only one could leave this life slowly!
β
β
Roman Payne (Hope and Despair)
β
In life, more than in anything else, it isnβt easy to end up alive.
β
β
Roman Payne
β
When she was a child, my love carried a road-map in her hand the way other girls carried handkerchiefs. She always knew the way. Her feet were little wings. And her beautiful head was a compass.
β
β
Roman Payne
β
I like the posture, but not the yoga.
I like the inebriated morning, but not the opium. I like the flower but not the garden, the moment but not the dream. Quiet, my love. Be still. I am sleeping.
β
β
Roman Payne
β
When I touched her body,
I believed she was God.
In the curves of her form
I found the birth of Man,
the creation of the world,
and the origin of all life.
β
β
Roman Payne
β
I regained my soul through literature after those times I'd lost it to wild-eyed gypsy girls on the European streets.
β
β
Roman Payne (Rooftop Soliloquy)
β
We were hooked when we woke.
We had arms for each other.
But I yearned to resume
My dreams of another.
β
β
Roman Payne
β
To wander is to be alive.
β
β
Roman Payne (The Love of Europa: Limited Time Edition (Only the First Chapters))
β
As for you girls, you must risk everything for Freedom, and give everything for Passion, loving everything that your hearts and your bodies love. The only thing higher for a girl and more sacred for a young woman than her freedom and her passion should be her desire to make her life into poetry, surrendering everything she has to create a life as beautiful as the dreams that dance in her imagination.
β
β
Roman Payne
β
This was how it was with travel: one city gives you gifts, another robs you. One gives you the heartβs affections, the other destroys your soul. Cities and countries are as alive, as feeling, as fickle and uncertain as people. Their degrees of love and devotion are as varying as with any human relation. Just as one is good, another is bad.
β
β
Roman Payne (Cities & Countries)
β
Alexander the Great slept with 'The Iliad' beneath his pillow. During the waning moon, I cradle Homerβs 'Odyssey' as if it were the sweet body of a woman.
β
β
Roman Payne (Rooftop Soliloquy)
β
She was a free bird: queen of the world and laughing.
β
β
Roman Payne (The Wanderess)
β
All I want in this life are three...
a moonlit beach on the starlit sea,
a breath of opium,
and thee.
β
β
Roman Payne
β
From all that I saw, and everywhere I wandered, I learned that time cannot be spent. It can only be squandered.
β
β
Roman Payne
β
She was so delicate that, while we sat beneath the linden branches, a leaf would fall and drift down and touch her skin, and it would leave a bruise. So as we sat in the afternoon hour, beneath that fragrant linden bower, I had to chase all of the leafs that fell away.
β
β
Roman Payne
β
She called herself an angel, and wandered the world from girlhood till death. She lived every kind of life and dreamt every kind of dream. She was wild in her wandering, a drop of free water. She believed only in her life and in her dreams. She called herself an angel, and her god was Beauty.
β
β
Roman Payne
β
Our lips were for each other and our eyes were full of dreams. We knew nothing of travel and we knew nothing of loss. Ours was a world of eternal spring, until the summer came.
β
β
Roman Payne (Hope and Despair)
β
With her enchanting songs, her rare beauty, and clever tricks, this wild 'wanderess' ensnared my soul like a gypsy-thief, and led me foolish and blind to where you find me now. The first time I saw her, fires were alight. It was a spicy night in Barcelona. The air was fragrant and free.
β
β
Roman Payne (The Wanderess)
β
I'm a wanderess
I'm a one night stand
Don't belong to no city
Don't belong to no man
(Note: These lyrics were inspired by Roman Payne's quote from his novel "The Wanderess".)
β
β
Halsey
β
In my errant life I roamed
To learn the secrets of women and men,
Of gods and dreams.
I've known all the countries of our world,
I've lived a thousand lives:
Many lives I lived in love,
Other lives I squandered.
For in my life I never traveled,
All I did was wander.
β
β
Roman Payne (The Wanderess)
β
I was surrounded by friends, my work was immense, and pleasures were abundant. Life, now, was unfolding before me, constantly and visibly, like the flowers of summer that drop fanlike petals on eternal soil. Overall, I was happiest to be alone; for it was then I was most aware of what I possessed. Free to look out over the rooftops of the city. Happy to be alone in the company of friends, the company of lovers and strangers. Everything, I decided, in this life, was pure pleasure.
β
β
Roman Payne (Rooftop Soliloquy)
β
Just as a painter paints,
and a ponderer ponders,
a writer writes,
and a wanderer wanders.
β
β
Roman Payne
β
I know a girl from whose body sunbeams rose to the clouds as if theyβd fallen from the sun.
Her laugh was like a bangle of bells.
βYour hair is wet,β I told her one day, βDid you take a bath?β
βIt is dew!β she laughed, βIβve been lying in the grass. All morning long, I lay here waiting for the dawn.
β
β
Roman Payne
β
I was forced to wander, having no one, forced by my nature to keep wandering because wandering was the only thing that I believed in, and the only thing that believed in me.
β
β
Roman Payne
β
She wakes in a puddle of sunlight.
Her hands asleep beside her.
Her hair draped on the lawn
like a mantle of cloth.
β
β
Roman Payne (Hope and Despair)
β
A woman must prefer her liberty over a man. To be happy, she must.
A man to be happy, however, must yearn for his woman more than his liberty.
This is the rightful order.
β
β
Roman Payne (Hope and Despair)
β
She was free in her wildness. She was a wanderess, a drop of free water. She belonged to no man and to no city.
β
β
Roman Payne (The Wanderess)
β
When she was a child,
my love carried a road map in her hand
the way other girls carried handkerchiefs.
β
β
Roman Payne (The Wanderess)
β
People wonder why so many writers come to live in Paris. Iβve been living ten years in Paris and the answer seems simple to me: because itβs the best place to pick ideas. Just like Italy, Spain.. or Iran are the best places to pick saffron. If you want to pick opium poppies you go to Burma or South-East Asia. And if you want to pick novel ideas, you go to Paris.
β
β
Roman Payne (Crepuscule)
β
To wish a healthy man to die is the wish from a mind of sickness. To wish an ailing man to die is the wish of the ambitious.
β
β
Roman Payne
β
In my experience, when a woman's cruelty is combined with love and devotion, it is almost always without exception an act performed not out of treachery, but as a painful self-sacrifice for the good of her beloved, to obtain for him a future bounty where he would not know how to obtain it for himself, or have the courage, patience, or foresight to obtain it. Womankind always seems to be able to see a dozen steps into the future, far ahead of what men are able to see. And they have strength where we do not.
β
β
Roman Payne (The Wanderess)
β
The lot of the bride
to be wed before bed
desired until rotten.
The lot of the author
to be read before bed
admired then forgotten.
β
β
Roman Payne
β
SAUL: 'We made love outdoors, my favorite place to make love, assuming the weather be fair and balmy, and the earth beneath be clean. Our souls intertwined and dripping with sweat.
β
β
Roman Payne
β
Who is better off? The one who writes to revel in the voluptuousness of the life that surrounds them? Or the one who writes to escape the tediousness of that which awaits them outside? Whose flame will last longer?
β
β
Roman Payne
β
Why do we mortals wonder if it is through 'human chaos' or through 'divine perfection' when the world guides us to some magical event? In either case, is not the result the same? Is the result not 'divine perfection?
β
β
Roman Payne (The Wanderess)
β
They say Alexander the Great slept with 'The Iliad' beneath his pillow. Though I have never led an army, I am a wanderer. During the waning moon, I cradle Homerβs 'Odyssey' as if it were the sweet body of a woman.
β
β
Roman Payne (Rooftop Soliloquy)
β
We all die in the middle of something.
β
β
Roman Payne
β
When a Wanderess has been caged,
or perched with her wings clipped,
She lives like a Stoic,
She lives most heroic,
smiling with ruby, moistened lips
once her cup of Death is welcome sipped.
β
β
Roman Payne
β
Women are extraordinary creatures!
β
β
Roman Payne
β
It is growing cold. Winter is putting footsteps in the meadow. What whiteness boasts that sun that comes into this wood! One would say milk-colored maidens are dancing on the petals of orchids. How coldly burns our sun! One would say its rays of light are shards of snow, one imagines the sun lives upon a snow crested peak on this day. One would say she is a woman who wears a gown of winter frost that blinds the eyes. Helplessness has weakened me. Wandering has wearied my legs.
β
β
Roman Payne
β
The youthful body untouched decays the fastest, for no living hands record its splendor; and here youth and time are wasted.
β
β
Roman Payne (Hope and Despair)
β
Iβve seen knives pierce the chest,
Children dying in the road
Crawling things hooked and baited,
Rapists bound and then castrated,
Villains singed in public square.
Yet none these sights did make me cringe
Like when my Love cut all her hair.
β
β
Roman Payne
β
The day came when she discovered sex, sensuality, and literature; she said, 'I submit! Let my life be henceforth ruled by poetry. Let me reign as the queen of my dreams until I become nothing less than the heroine of God.
β
β
Roman Payne
β
I fear it is my lot, to bide my days in hunchbacked thought, to find what I forgot.
β
β
Roman Payne
β
From all that I saw,
and everywhere I wandered,
I learned that time cannot be spent,
It only can be squandered.
β
β
Roman Payne (Rooftop Soliloquy)
β
Iβve decided the act that cannot wait / is the important will to create / But, ah, if my belly is ignored / the pantry door I shall implore / But Iβve been known to reach the bed / ideas still famished in my head.
β
β
Roman Payne (Cities & Countries)
β
I care not that this momentβs lot was thin and sparsely dealt; all pleasures sweet can be forgot the instant they are felt.
β
β
Roman Payne
β
Wine gives one 'ideas,' whereas champagne gives one 'strategies.
β
β
Roman Payne
β
I once had a love who folded secrets between her thighs like napkins
and concealed memories in the valley of her breasts.
There was no match for the freckles on her chest,
and no one could mistake them for a field of honeysuckles.
Upon her lips, a thousand lies were spread in sweet gloss.
Her kiss was like a storybook from ancient history.
She was at home with the body of a man inside her, beside her.
At night, when she lay in bed crying,
no one could mistake the tears she wept for a summer shower
She is gone, my love. She was a wanderess, a wildflower.
β
β
Roman Payne
β
What a face this girl possessed!βcould I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born.
β
β
Roman Payne (The Wanderess)
β
Be there a picnic for the devil,
an orgy for the satyr,
and a wedding for the bride.
β
β
Roman Payne (The Basement Trains: A 21st Century Poem (English and French Edition))
β
A girl without braids is like a city without bridges.
β
β
Roman Payne (Rooftop Soliloquy)
β
She is my morning, she is my evening; we have a love that blooms over and again, more beautifully each time than the last. You will see that we are not lovers like others, for whom love is both a punishment and a gift⦠Our love has never punished, only rewarded. Such love therein lies the eudaimonic life.
β
β
Roman Payne (The Wanderess)
β
There are hours for rest, and hours for wakefulness; nights for sobriety and nights for drunkennessβ(if only so that possession of the former allows us to discern the latter when we have it; for sad as it is, no human body can be happily drunk all the time).
β
β
Roman Payne (Rooftop Soliloquy)
β
Wandering is the activity of the child, the passion of the genius; it is the discovery of the self, the discovery of the outside world, and the learning of how the self is both "at one with" and "separate from" the outside world. These discoveries are as fundamental to the soul as "learning to survive" is fundamental to the body. These discoveries are essential to realizing what it means to be human. To wander is to be alive.
β
β
Roman Payne (The Love of Europa: Limited Time Edition (Only the First Chapters))
β
When she was a child, my love carried a road-map in her hand the way other girls carried handkerchiefs.
β
β
Roman Payne
β
When no possessions keep us, when no countries contain us, and no time detains us, man becomes a heroic wanderer, and woman, a wanderess.
β
β
Roman Payne (The Wanderess)
β
We look up to see if it is day or night. If stars burn cool and moon does shine, we take to smoke divine and wine.
If breath of sun does belch its heat,
we boil coffee and prepare to eat.
β
β
Roman Payne
β
My Love wakes in a puddle of sunlight.
Her hands asleep beside her.
Her hair draped on the lawn
like a mantle of cloth.
I give her my life
for our love is whole
I sing her beauty
in my soul.
β
β
Roman Payne
β
Rich will be my life if I
can keep my memories full
and brimming, and record
them on clear-eyed
mornings while I set
joyously to work setting
pen to holy craft.
β
β
Roman Payne (Rooftop Soliloquy)
β
Sexual frenzy is our compensation for the tedious moments we must suffer in the passage of life. 'Nothing in excess,' professed the ancient Greeks. Why if I spend half the month in healthy scholarship and pleasant sleep, shouldn't I be allowed the other half to howl at the moon and pillage the groins of Europe's great beauties?
β
β
Roman Payne
β
I'm not ashamed of heroic ambitions. If man and woman can only dance upon this earth for a few countable turns of the sun... let each of us be an Artemis, Odysseus, or Zeus... Aphrodite to the extent of the will of each one.
β
β
Roman Payne (Rooftop Soliloquy)
β
Rest in Peace?β Why that phrase? Thatβs the most ridiculous phrase Iβve ever heard! You die, and they say βRest in Peace!β β¦Why would one need to βrestβ when theyβre dead?! I spent thousands of years of world history resting. While Agamemnon was leading his ships to Troy, I was resting. While Ovid was seducing women at the chariot races, I was resting. While Jeanne dβArc was hallucinating, I was resting. I wait until airplanes are scuttling across the sky to burst out onto the scene, and Iβm only going to be here for a short while, so when I die, I certainly wonβt need to rest again! Not while more adventures of the same kind are going on.
β
β
Roman Payne (Rooftop Soliloquy)
β
So the nymphs they spoke,
we kissed and laid.
By noontimeβs hour
our love was made.
Like braided chains of crocus stems,
we lay entwined, I laid with them.
Our breath, one glassy, tideless sea,
our bodies draping wearily,
we slept, I slept so lucidly,
with hopes to stay this memory.
β
β
Roman Payne (Rooftop Soliloquy)
β
It was a time I slept in many rooms, called myself by many names. I wandered through the quarters of the city like alluvium wanders the river banks. I knew every kind of joy, ascents of every hue. Mine was the twilight and the morning. Mine was a world of rooftops and love songs.
β
β
Roman Payne (Rooftop Soliloquy)
β
I met Anne in the autumn... Autumn, that wild season when rural men rack orchard trees with sticks and weep with the desire to kiss faraway Demeterβs supple breastsβto set lips to her travel-swollen eyes. They seek goddesses, but I desired only Anne.
β
β
Roman Payne (Rooftop Soliloquy)
β
Fueled by my inspiration, I ran across the room to steal the cup of coffee the bookshelf had taken prisoner. Lapping the black watery brew like a hyena, I tossed the empty cup aside. I then returned to the chair to continue my divine act of creation. Hot blood swished in my head as my mighty pen stole across the page.
β
β
Roman Payne (Rooftop Soliloquy)
β
I will always know the glory of the beautiful and rare, as they will know security from labour and prayer. As they will hear the laughter of the children they gave life, I will know the torments of the song born under knife.
β
β
Roman Payne
β
She is free in her wildness, she is a wanderess, a drop of free water. She belongs to no man and to no city. She knows nothing of borders and invents her own rules and customs. 'Time' for her isnβt something to fight against. Her life flows clean, with passion, like fresh water.
β
β
Roman Payne
β
I fancied my luck to be witnessing yet another full moon. True, Iβd seen hundreds of full moons in my life, but they were not limitless. When one starts thinking of the full moon as a common sight that will come again to oneβs eyes ad-infinitum, the value of life is diminished and life goes by uncherished. βThis may be my last moon,β I sighed, feeling a sudden sweep of sorrow; and went back to reading more of The Odyssey.
β
β
Roman Payne
β
Champagne arrived in flΓ»tes on trays, and we emptied them with gladness in our hearts... for when feasts are laid and classical music is played, where champagne is drunk once the sun has sunk and the season of summer is alive in spicy bloom, and beautiful women fill the room, and are generous with laughter and smiles... these things fill men's hearts with joy and remind one that lifeβs bounty is not always fleeting but can be captured, and enjoyed. It is in writing about this scene that I relive this night in my soul.
β
β
Roman Payne
β
This was how it was with travel: one city gives you gifts, another robs you. One gives you the heartβs affections, the other destroys your soul. Cities and countries are as alive and feeling, as fickle and uncertain as people. Their degrees of love and devotion are as varying as with any human relation. Just as one is good, another is bad.
β
β
Roman Payne (Cities & Countries)
β
When I met a truly beautiful girl, I would tell her that if she spent the night with me, I would write a novel or a story about her. This usually worked; and if her name was to be in the title of the story, it almost always worked. Then, later, when we'd passed a night of delicious love-making together, after sheβd gone and Iβd felt that feeling of happiness mixed with sorrow, I sometimes would write a book or story about her. Sometimes her character, her way about herself, her love-making, it sometimes marked me so heavily that I couldn't go on in life and be happy unless I wrote a book or a story about that woman, the happy and sad memory of that woman. That was the only way to keep her, and to say goodbye to her without her ever leaving.
β
β
Roman Payne
β
Without knowing why or how, I found myself in love with this strange Wanderess. Maybe I was just in love with the dream she was selling me: a life of destiny and fate; as my own life up until we met had been so void of enchantment. Those things: mystery, fate, enchantment... they are things that young people offer us as soon as we get close to them. And if we're not careful, we can be seduced by, and drawn back into, the youthful world they preside over.
β
β
Roman Payne (The Wanderess)
β
Somewhere Iβd heard, or invented perhaps, that the only pleasures found during a waning moon are misfortunes in disguise. Superstition aside, I avoid pleasure during the waning or absent moon out of respect for the bounty this world offers me. I profit from great harvests in life and believe in the importance of seasons.
β
β
Roman Payne (Rooftop Soliloquy)
β
As for girls, they must risk everything for freedom, and give everything for passion... loving everything that their hearts and their bodies love. The only thing higher for a girl and more sacred for a young woman than her freedom and her passion should be her desire to make her life into poetry, surrendering everything she has to create a life as beautiful as the dreams that dance in her imagination.
β
β
Roman Payne
β
Did I live the spring Iβd sought?
Itβs true in joy, I walked along,
took part in dance,
and sang the song.
and never tried to bind an hour
to my borrowed garden bower;
nor did I once entreat
a day to slumber at my feet.
Yet days arenβt lulled by lyric song,
like morning birds they pass along,
oβer crests of trees, to none belong;
oβer crests of trees of drying dew,
their larking flight, my hands, eschew
Thus Iβll say it once and trueβ¦
From all that I saw,
and everywhere I wandered,
I learned that time cannot be spent,
It only can be squandered.
β
β
Roman Payne (Rooftop Soliloquy)
β
Wanderess, Wanderess, weave us a story of seduction and ruse. Heroic be the Wanderess, the world be her muse.'
...I jot this phrase of invocation in my old leather-bound notebook on a bright, cold morning at the CafΓ© **** in Paris, and with it Iβm inspired to take the reader back to the time I first met and became acquainted with the girl I call The Wanderessβas well as a famous adventurer named Saul, the Son of Solarus.
β
β
Roman Payne (The Wanderess)
β
The green-eyed angel came in less than a half hour and fell docile as a lamb into my arms. We kissed and caressed, I met no resistance when I unlaced the strings to free her dress and fill myself in the moist and hot bed nature made between her thighs. We made love outdoorsβwithout a roof, I like most, without stove, my favorite place, assuming the weather be fair and balmy, and the earth beneath be clean. Our souls intertwined and dripping with dew, and our love for each other was seen. Our love for the world was new.
β
β
Roman Payne
β
The season was waning fast
Our nights were growing cold at last
I took her to bed with silk and song,
'Lay still, my love, I wonβt be long;
I must prepare my body for passion.'
'O, your body you give, but all else you ration.'
'It is because of these dreams of a sylvan scene:
A bleeding nymph to leave me serene...
I have dreams of a trembling wench.'
'You have dreams,' she said, 'that cannot be quenched.'
'Our passion,' said I, 'should never be feared;
As our longing for love can never be cured.
Our want is our way and our way is our will,
We have the love, my love, that no one can kill.'
'If night is your love, then in dreams youβll fulfill...
This love, our love, that no one can kill.'
Yet want is my way, and my way is my will,
Thus I killed my love with a sleeping pill.
β
β
Roman Payne
β
She was a free bird one minute: queen of the world and laughing. The next minute she would be in tears like a porcelain angel, about to teeter, fall and break. She was brave, and I never once saw her cry out of fear. She never cried because she was afraid that something would happen; she would cry because she feared something that could render the world more beautiful, would not happen⦠She believed if I gave in to make her fortune become realized, the world would be ultimately profound and beautiful. I guess I held out because I feared the realization of her fortune would mean the destruction of us together. And each time she cried, I fell a little more deeply in love with her.
β
β
Roman Payne (The Wanderess)
β
The word "travel" comes from the Old French word "travail" (or "travailler"), which means "to work, to labor; a suffering or painful effort, an arduous journey, a tormenting experience." ("Travel," thus, is "a painful and laborious journey"). Whereas "to wander" comes from the West Germanic word "wandran," which simply means "to roam about." There is no labor or torment in "wandering." There is only "roaming." Wandering is the activity of the child, the passion of the genius; it is the discovery of the self, the discovery of the outside world, and the learning of how the self is both "at one with" and "separate from" the outside world. These discoveries are as fundamental to the soul as "learning to survive" is fundamental to the body. These discoveries are essential to realizing what it means to be human. To wander is to be alive.
β
β
Roman Payne (The Love of Europa: Limited Time Edition (Only the First Chapters))
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What a face this girl possessed!βcould I not gaze at it every day I would need to recreate it through painting, sculpture, or fatherhood until a second such face is born. Her face, at once innocent and feral, soft and wild! Her mouth voluptuous. Eyes deep as oceans, her eyes as wide as planets. I likened her to the slender PsychΓ© and judged that the perfection of her face ennobled everything unclean around her: the dusty hems of her bunched-up skirt, the worn straps of her nightshirt; the blackened soles of her tiny bare feet, the coal-stained balcony bricks upon which she sat, and that dusty wrought-ironwork that framed her perch. All this and the pungent air!βalmost foul, with so many odors. Γ, that and the spicy night! β¦Pungency, spice, filth and night, dust and light; all things dark did blossom in sight; flower and bloom, the night has its pearl tooβthe moon! And once a month it will make the face of this tender girl bloom.
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Roman Payne