Rocky Shores Quotes

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I knew I rode a rugged crest of turmoil that might crash on the rocky shore of irrational behavior.
Gabriel F.W. Koch (Death Leaves a Shadow (Marlowe Black Mystery, #2))
Dedication   This book is dedicated to Sir Terry Pratchett OBE who has stood like a wossname upon the rocky shores of our imaginations – the better to guide us safely into harbour.
Ben Aaronovitch (Foxglove Summer (Peter Grant, #5))
This royal throne of kings, this scepter’d isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall Or as a moat defensive to a house, Against the envy of less happier lands, This blessed plot, this earth, this realm, this England, This nurse, this teeming womb of royal kings, Fear’d by their breed and famous by their birth, Renowned for their deeds as far from home, For Christian service and true chivalry, As is the sepulchre in stubborn Jewry Of the world’s ransom, blessed Mary’s Son, This land of such dear souls, this dear dear land, Dear for her reputation through the world, Is now leased out, I die pronouncing it, Like to a tenement or pelting farm: England, bound in with the triumphant sea, Whose rocky shore beats back the envious siege Of watery Neptune, is now bound in with shame, With inky blots and rotten parchment bonds: That England, that was wont to conquer others, Hath made a shameful conquest of itself. Ah, would the scandal vanish with my life, How happy then were my ensuing death!
William Shakespeare (Richard II)
We were arrogant and naive, thinking we knew what we felt then was love. Love can be a cheap emotion, lightly given, thought it didn´t seem so to me at the time. Looking back, I know we were only filling in the holes in our soles, the way the tide rushes sand to fill in the crevices of a rocky shore. We-or maybe it was just I-bandaged our needswith what we declared was love. But, eventually, the tide draws out what it has swept in.
Alma Katsu (The Taker (The Taker, #1))
Dan moved forward and replaced Jonah at the helm. "I've got a plan!" "That's my man!" The famous grin disappeared as Jonah took in the grim determination in Dan's features. His expression was as flat and expressionless as a naked skull. Dan steered the hurtling boat directly toward the rocky shore. "Amy, hang onto that painting!" "That's not a plan!" Jonah shouted. "That's suicide!
Gordon Korman (The Medusa Plot (39 Clues: Cahills vs. Vespers, #1))
I didn't even notice that my shoes were full of mud by the time I reached the rocky shore. There was ragged yellow police tape tied to some branches, dancing in the wind. It was as if the tape was waving, welcoming me back to place where I would have died.
Richard P. Denney (What Lies Beneath)
But down below along the rocky shore, in the moonlight, I caught sight of him.
André Aciman (Call Me By Your Name (Call Me By Your Name, #1))
She'd learned many hard lessons about the peril of letting hope run away with you. It was the ultimate liar, an illusion turning smart people into fools, sundering their hearts from their chests when hope inevitably crashed them against the rocky shore.
T.A. White (Rules of Redemption (The Firebird Chronicles, #1))
Awash with trepidation, he was suddenly on the mattress, lured like an errant sailor onto a siren’s rocky shore.
Kevin Ansbro (The Fish That Climbed a Tree)
The dusk rapidly deepened; the glades grew dark; the crackling of the fire and the wash of little waves along the rocky lake shore were the only sounds audible. The wind had dropped with the sun, and in all that vast world of branches nothing stirred. Any moment, it seemed, the woodland gods, who are to be worshipped in silence and loneliness, might stretch their mighty and terrific outlines among the trees.
Algernon Blackwood (The Wendigo)
The name Alaska is probably an abbreviation of Unalaska, derived from the original Aleut word agunalaksh, which means "the shores where the sea breaks its back." The war between water and land is never-ending. Waves shatter themselves in spent fury against the rocky bulwarks of the coast; giant tides eat away the sand beaches and alter the entire contour of an island overnight; williwaw winds pour down the side of a volcano like snow sliding off a roof, building to a hundred-mile velocity in a matter of minutes and churning the ocean into a maelstrom where the stoutest vessels founder.
Corey Ford (Where the Sea Breaks Its Back: The Epic Story of the Early Naturalist Georg Steller and the Russian Exploration of Alaska)
And I liked the sound of the rain pounding with fury against the thin nylon umbrella, and the glass-like shatter of the waves hurling themselves at the rocky shore. It was all violence and temper, all passion. It made me feel human to sit there in the middle of it all and let nature batter me into feeling something.
Giana Darling (Dead Man Walking (The Fallen Men, #6))
People talk about grief coming and going like waves, but I am not a breakwater, I am not a boat, I am not a statue left on a rocky shore, tested for its endurance.
Yiyun Li (Where Reasons End)
The Tyrannosaurus rex was a creature of the jungle. She lived in the deepest forests and swamps of North America, not long after it had broken off from the ancient continent of Laurasia. Her territory encompassed more than five hundred square miles, and it stretched from the shores of the ancient Niobrara inland sea to the foothills of the newly minted Rocky Mountains.
Douglas Preston (Tyrannosaur Canyon (Wyman Ford #1))
I lost Ike,' Aunt Josephine said, 'and I lost Lake Lachrymose. I mean, I didn't really lose it, of course. It's still down in the valley. But I grew up on its shores. I used to swim in it every day. I know which beaches were sandy and which were rocky. I knew all the islands in the middle of its waters and all the caves alongside it's shore. Lake Lachrymose felt like a friend to me. But when it took poor Ike away from me I was too afraid to go near it anymore. I stopped swimming in it. I never went to the beach again. I even put away all my books about it. The only way I can bear to look at it is from the Wide Window in the Library.
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
The dragon is coming or I am a fool!” he cried. “Cut the bridges! To arms! To arms!” Then warning trumpets were suddenly sounded, and echoed along the rocky shores. The cheering stopped and the joy was turned to dread.
J.R.R. Tolkien (The Hobbit)
Surely it is obvious enough, if one looks at the whole world, that it is becoming daily better cultivated and more fully peopled than anciently. All places are now accessible, all are well known, all open to commerce; most pleasant farms have obliterated all traces of what were once dreary and dangerous wastes; cultivated fields have subdued forests; flocks and herds have expelled wild beasts; sandy deserts are sown; rocks are planted; marshes are drained; and where once were hardly solitary cottages, there are now large cities. No longer are (savage) islands dreaded, nor their rocky shores feared; everywhere are houses, and inhabitants, and settled government, and civilized life. What most frequently meets our view (and occasions complaint), is our teeming population: our numbers are burdensome to the world, which can hardly supply us from its natural elements; our wants grow more and more keen, and our complaints more bitter in all mouths, whilst Nature fails in affording us her usual sustenance. In very deed, pestilence, and famine, and wars, and earthquakes have to be regarded as a remedy for nations, as the means of pruning the luxuriance of the human race. . . .
Tertullian (A Treatise On The Soul)
The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch,
Carl Safina (Beyond Words: What Animals Think and Feel)
Still, it was up to her to lure her victim to the rocky shore of loss by appealing to his vanity and challenging his manly pride.She smiled at herself in the mirror. "It isn't perfect, but 'twill have to do." "Och,miss! Ye look as pretty as a princess." Mary opened the door and stood to one side. "Careful going down the stairs; yer pa pried up a board in the third step." "On the steps? Someone could get injured." "So he's hopin'." Sophia frowned. "I'll have Angus fix it. I want MacLean to hate the house, not die in it." "Men never think,miss. 'Tis a sad fact 'o life." "Tell me about it," Sophia muttered. "Wish me luck. I've heard a lot about MacLean,none of it good.
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
What does a ship absolutely need to stay afloat? I’m not a mariner, so I can’t exactly say. . . but what I can tell you is that ships don’t absolutely need lighthouses—but they sure do help! When it comes to acting on inspired ideas, it’s easy to trick ourselves into thinking we don’t really need to do them, but that’s like a ship ignoring the beacon of light on a rocky shore.
Richie Norton
Methinks I am a prophet new inspired And thus expiring do foretell of him: His rash fierce blaze of riot cannot last, For violent fires soon burn out themselves; Small showers last long, but sudden storms are short; He tires betimes that spurs too fast betimes; With eager feeding food doth choke the feeder: Light vanity, insatiate cormorant, Consuming means, soon preys upon itself. This royal throne of kings, this scepter'd isle, This earth of majesty, this seat of Mars, This other Eden, demi-paradise, This fortress built by Nature for herself Against infection and the hand of war, This happy breed of men, this little world, This precious stone set in the silver sea, Which serves it in the office of a wall, Or as a moat defensive to a house, Against the envy of less happier lands, This blessed plot, this earth, this realm, this England, This nurse, this teeming womb of royal kings, Fear'd by their breed and famous by their birth, Renowned for their deeds as far from home, For Christian service and true chivalry, As is the sepulchre in stubborn Jewry, Of the world's ransom, blessed Mary's Son, This land of such dear souls, this dear dear land, Dear for her reputation through the world, Is now leased out, I die pronouncing it, Like to a tenement or pelting farm: England, bound in with the triumphant sea Whose rocky shore beats back the envious siege Of watery Neptune, is now bound in with shame, With inky blots and rotten parchment bonds: That England, that was wont to conquer others, Hath made a shameful conquest of itself. Ah, would the scandal vanish with my life, How happy then were my ensuing death!
William Shakespeare (Richard II)
You will come upon those who exude life, who burn bright. In their company, how are you to be? Proud to name them friend? Pleased to bask in their fire? Or, in the name of need, will you simply devour all that they offer, like a force of darkness swallowing light, warmth, life itself? Will you make yourself a rocky island, black and gnarled, a place of cold caves and littered bones? The bright waves do not soothe your shores, but crash instead, explode in a fury of foam and spray. And you drink in every swirl, sucked down into your caves, your bottomless caverns. ‘I do not describe a transitory mood. Not a temporary disposition, brought on by external woes. What I describe, in fashioning this island soul, so bleak and forbidding, is a place made too precious to be surrendered, too stolid to be dismantled. This island I give you, this soul in particular, is a fortress of need, a maw that knows only how to ease its eternal hunger. Within its twisted self, no true friend is acknowledged and no love is honest in its exchange. The self stands alone, inviolate as a god, but a besieged god … forever besieged.’ Gothos leaned forward, studied Arathan with glittering eyes. ‘Oddly, those who burn bright are often drawn to such islands, such souls. As friends. As lovers. They imagine they can offer salvation, a sharing of warmth, of love, even. And in contrast, they see in themselves something to offer their forlorn companion, who huddles and hides, who gives occasion to rail and loose venom. The life within them feels so vast! So welcoming! Surely there is enough to share! And so, by giving – and giving – they are themselves appeased, and made to feel worthwhile. For a time. ‘But this is no healthy exchange, though it might at first seem so – after all, the act of giving will itself yield a kind of euphoria, a drunkenness of generosity, not to mention the salve of protectiveness, of paternal regard.’ Gothos leaned back again, drank more from the cup in his hands, and closed his eyes. ‘The island is unchanging. Bones and corpses lie upon its wrack on all sides.’ Arathan
Steven Erikson (Fall of Light (The Kharkanas Trilogy, #2))
The three thousand miles in distance he put between himself and Emma tonight is nothing compared with the enormous chasm separating them when they sit next to each other in calculus. Emma's ability to overlook his existence is a gift-but not one that Poseidon handed down. Rachel insists this gift is uniquely a female trait, regardless of the species. Since their breakup, Emma seems to be the only female utilizing this particular gift. Even Rayna could learn a few lessons from Emma in the art of torturing a smitten male. Smitten? More like fanatical. He shakes his head in disgust. Why couldn't I just sift when I turned of age? Why couldn't I find a suitable mild-tempered female to mate with? Live a peaceful life, produce offspring, grow old, and watch my own fingerlings have fingerlings someday? He searches through his mind for someone he might have missed in the past. For a face he overlooked before but could now look forward to every day. For a docile female who would be honored to mate with a Triton prince-instead of a temperamental siren who mocks his title at every opportunity. He scours his memory for a sweet-natured Syrena who would take care of him, who would do whatever he asked, who would never argue with him. Not some human-raised snippet who stomps her foot when she doesn't get her way, listens to him only when it suits some secret purpose she has, or shoves a handful of chocolate mints down his throat if he lets his guard down. Not some white-haired angelfish whose eyes melt him into a puddle, whose blush is more beautiful than sunrise, and whose lips send heat ripping through him like a mine explosion. He sighs as Emma's face eclipses hundreds of mate-worthy Syrena. That's just one more quality I'll have to add to the list: someone who won't mind being second best. His just locks as he catches a glimpse of his shadow beneath him, cast by slithers of sterling moonlight. Since it's close to three a.m. here, he's comfortable walking around without the inconvenience of clothes, but sitting on the rocky shore in the raw is less than appealing. And it doesn't matter which Jersey shore he sits on, he can't escape the moon that connects them both-and reminds him of Emma's hair. Hovering in the shallows, he stares up at it in resentment, knowing the moon reminds him of something else he can' escape-his conscience. If only he could shirk his responsibilities, his loyalty to his family, his loyalty to his people. If only he could change everything about himself, he could steal Emma away and never look back-that is, if she'll ever talk to him again.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
The Chorus Line: The Birth of Telemachus, An Idyll Nine months he sailed the wine-red seas of his mother's blood Out of the cave of dreaded Night, of sleep, Of troubling dreams he sailed In his frail dark boat, the boat of himself, Through the dangerous ocean of his vast mother he sailed From the distant cave where the threads of men's lives are spun, Then measured, and then cut short By the Three Fatal Sisters, intent on their gruesome handcrafts, And the lives of women also are twisted into the strand. And we, the twelve who were later to die by his hand At his father's relentless command, Sailed as well, in the dark frail boats of ourselves Through the turbulent seas of our swollen and sore-footed mothers Who were not royal queens, but a motley and piebald collection, Bought, traded, captured, kidnapped from serfs and strangers. After the nine-month voyage we came to shore, Beached at the same time as he was, struck by the hostile air, Infants when he was an infant, wailing just as he wailed, Helpless as he was helpless, but ten times more helpless as well, For his birth was longed-for and feasted, as our births were not. His mother presented a princeling. Our various mothers Spawned merely, lambed, farrowed, littered, Foaled, whelped and kittened, brooded, hatched out their clutch. We were animal young, to be disposed of at will, Sold, drowned in the well, traded, used, discarded when bloomless. He was fathered; we simply appeared, Like the crocus, the rose, the sparrows endangered in mud. Our lives were twisted in his life; we also were children When he was a child, We were his pets and his toythings, mock sisters, his tiny companions. We grew as he grew, laughed also, ran as he ran, Though sandier, hungrier, sun-speckled, most days meatless. He saw us as rightfully his, for whatever purpose He chose, to tend him and feed him, to wash him, amuse him, Rock him to sleep in the dangerous boats of ourselves. We did not know as we played with him there in the sand On the beach of our rocky goat-island, close by the harbour, That he was foredoomed to swell to our cold-eyed teenaged killer. If we had known that, would we have drowned him back then? Young children are ruthless and selfish: everyone wants to live. Twelve against one, he wouldn't have stood a chance. Would we? In only a minute, when nobody else was looking? Pushed his still-innocent child's head under the water With our own still-innocent childish nursemaid hands, And blamed it on waves. Would we have had it in us? Ask the Three Sisters, spinning their blood-red mazes, Tangling the lives of men and women together. Only they know how events might then have had altered. Only they know our hearts. From us you will get no answer.
Margaret Atwood (The Penelopiad)
Silver The liquid ebony stretches out and mingles with the midnight sky where high above, as on a throne, is perched that perfect sphere of silver. She looks upon the lapping waves, the calm, all serene; She looks upon the rocky shore, watching dark nothing break in two and become tiny globs of light. The soft white foam creeps upon the smooth beige land to darken it but for a moment, only to retreat back to its blackened home and hide among the vastness. The silver moon smiles openly, casting a healthy grin upon the rippled water below, sending gifts of silver to float on seas of woe.
Rebecca Harris (Bony Fingered Limbs)
Love is not a shining star. Love is not the warm glow of the sun. Love is a river. Sometimes it’s shallow and other times a mile deep. It flows toward some and away from others. It’s rocky, slippery, and you can drown in it if you’re not careful. It creates ripples in the lives around us, and all we can hope for is to be a part of that river, no matter where it leads or how short the journey may be. I hoped one day to be deep in the waters of a river that flowed back to me, one that spanned such a distance that I couldn’t see the shore. But I knew in my heart I would always be the one standing on the outside, watching others fall into the deep end.
Dannika Dark
Along the Oregon coast an arm of the Pacific shushes softly against rocky shores. Above the waves, dripping silver in the moonlight, old trees, giant trees, few now, thrust their heads among low clouds, the moss thick upon their boles and shadow deep around their roots. In these woods nights are quiet, save for the questing hoot of an owl, the satin stroke of fur against a twig, the tick and rasp of small claws climbing up, clambering down. In these woods, bear is the big boy, the top of the chain, but even he goes quietly and mostly by day. It is a place of mosses and liverworts and ferns, of filmy green that curtains the branches and cushions the soil, a wet place, a still place.
Sheri S. Tepper (The Fresco)
Song You’re wondering if I’m lonely: OK then, yes, I’m lonely as a plane rides lonely and level on its radio beam, aiming across the Rockies for the blue-strung aisles of an airfield on the ocean. You want to ask, am I lonely? Well, of course, lonely as a woman driving across country day after day, leaving behind mile after mile little towns she might have stopped and lived and died in, lonely If I’m lonely it must be the loneliness of waking first, of breathing dawn’s first cold breath on the city of being the one awake in a house wrapped in sleep If I’m lonely it’s with the rowboat ice-fast on the shore in the last red light of the year that knows what it is, that knows it’s neither ice nor mud nor winter light but wood, with a gift for burning.
Adrienne Rich (Diving Into the Wreck)
Our island is two leagues long and one league wide, and if you were standing on one of the hills that rise in the middle of it, you would think that it looked like a fish. Like a dolphin lying on its side, with its tail pointing toward the sunrise, its nose pointing to the sunset, and its fins making reefs and the rocky ledges along the shore. Whether someone did stand there on the low hills in the days when the earth was new and, because of its shape, called it the Island of the Blue Dolphins, I do not know.
Scott O'Dell (Island of the Blue Dolphins)
Some twenty minutes later, I was back at the river, and my son and father were waiting on the far side.  Crossing the swift river with my dad was something I was really dreading.  I helped him check his bandages, and he was under the impression that his injury was a compound fracture—bone sticking through flesh.  While I didn’t get a good look at the foot itself, I noticed there were blood blisters everywhere on his lower leg.  It was a shockingly bad injury, and I worried he might lose his foot.  It was time to cross the stream.  My son took my father’s left side, where he could keep close watch on the placement of the improvised wooden cane.  I took my father’s right arm in mine and silently prayed as our feet hit the water together.  Our footing held firm on the stream’s rocky bottom, and the rushing water didn’t rise above our knees.  I was so tremendously grateful at that final step onto the rocky shore, but there was lots of work still requiring our attention before my son and I could make the final journey to the trailhead beyond Lake Pamelia.
Karl Erickson (Mt. Jefferson Wilderness (Oregon, My Oregon, A Photographic Journey))
YOU WISH TO STRIKE A BARGAIN, and so you come north, until the land ends, and you can go no farther. You stand on the rocky coast and face the water, see the waves break upon two great islands, their coastlines black and jagged. Maybe you pay a local to help you find a boat and a safe place to launch it. You wrap yourself in sealskins to keep the cold and wet away, chew whale fat to keep your mouth moist beneath the hard winter sun. Somehow you cross that long stretch of stone-colored sea and find the strength to scale the angry cliff face, breath tight in your chest, fingers nearly numb in your gloves. Then, tired and trembling, you traverse the island and find the single crescent of gray sand beach. You make your way to a circle of rocks, to a little tide pool, your wish burning like a sun in your mortal heart. You come as so many have before—lonely, troubled, sick with avarice. A thousand desperate wishes have been spoken on these shores, and in the end they are all the same: Make me someone new.
Leigh Bardugo (The Language of Thorns: Midnight Tales and Dangerous Magic (Grishaverse, #0.5 & 2.5 & 2.6))
There was nothing in Nesta's head but screaming. Nothing in her heart but love and hatred and fury as she let go of everything inside her and the entire world exploded. The baying of her magic was a beast with no name. Avalanches cascaded down the cliffs in seas of glittering white. Trees bent and ruptured in the wake of the power that shattered from her. Distant seas drew back from their shores, then raced in waves toward them again. Glasses shook and shattered in Velaris, books tumbled off the shelves in Helion's thousand libraries, and the remnants of a run-down cottage in the human lands crumbled into a pile of rubble. But all Nesta saw was Briallyn. All she saw was the slack-jawed crone as Nesta leaped upon her, throwing her frail body to the rocky ground. All she knew was screaming as she clutched Briallyn's face, the Crown glowing blindingly white, and roared her fury to the mountains, to the stars, to the dark places between them. Gnarled hands turned young. A lined face became beautiful and lovely. White hair darkened to raven black. But Nesta bellowed and bellowed, letting her magic rage, unleashing every ember. Erasing the queen beneath her from existence. The young hands turned to ash. The pretty face dissolved into nothing. The dark hair withered into dust. Until all that was left of the queen was the Crown on the ground.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Tito looked eagerly toward the dark crest of the mountain, behind which the sky pulsed in the morning light. Now a fragment of the rocky ridge flashed violently like a glowing metal beginning to melt. The crest blurred and seemed suddenly lower, as if it were melting down, and from the fiery gap the dazzling sun appeared. Simultaneously, the ground, the house, and their shore of the lake were illuminated, and the two, standing in the strong radiance, instantly felt the delightful warmth of this light. The boy, filled with the solemn beauty of the moment and the glorious sensation of his youth and strength, stretched his limbs with rhythmic arm movements, which his whole body soon took up, celebrating the break of day in an enthusiastic dance and expressing his deep oneness with the surging, radiant elements. His steps flew in joyous homage toward the victorious sun and reverently retreated from it; his outspread arms embraced mountain, lake, and sky; kneeling, he seemed to pay tribute to the earth mother, and extending his hands, to the waters of the lake; he offered himself, his youth, his freedom, his burning sense of is own life, like a festive sacrifice to the powers. The sunlight gleamed on his tanned shoulders; his eyes were half-closed to the dazzle; his young face stared masklike with an expression of inspired, almost fanatical gravity.
Hermann Hesse (The Glass Bead Game)
Today Judith was dealing with the problem of grief. Her longtime editor at Harvard University Press who had published all her seminal texts and others not so seminal had died in a freak accident. He had gone out for a walk on the Cape (his second home) at the height of the afternoon, when the glare off the water was most intense. His foot had lost contact with the rocky footpath, sending his body over the edge. He was discovered the next day by a group of high school students who had gone to a cove to smoke angel dust, a fact that had come out when the parents took a closer look at why their children were on the shore in the middle of the day instead of in school. “Some people have been saying he did it on purpose, but that’s because they can’t accept the real tragedy: the accidental nature of the world,” Judith said, motioning to the waiter for another round of piña coladas. “It’s all very sordid.” Objectively that had to be so, although it was hard, while reclining in her luxuriously sturdy plastic chaise, poolside with a second piña colada on the way, for Dorothy to feel the impact of the story, to be there on the New England coastline with the angel-dust-smoking teenagers, the bloated editorial body, the cold gray ocean, the tragic inexorability of mischance. It wasn’t that the pool seemed real and the dead body seemed false; it was that nothing seemed real.
Christine Smallwood (The Life of the Mind)
NIAGARA FALLS. Niagara, thou mighty flood. I've seen thee fall, I've heard thee roar, And on the frightful verges stood, That overhang thy rocky shore. I've sailed o'er surging waves below, And view'd the rainbow's colour'd light, And felt the spray, thy waters throw, When leaping, with resistless might. I've seen the rapids in their course, Like madden'd, living things rush on, With wild, unhesitating force, To where thy mighty chasms yawn. And there to take the awful leap, And fall, with hoarse and sullen roar, Into th' unfathomable deep, Which rolleth on, from shore to shore. Niagara, thou'rt mighty, grand, Thou fill'st human souls with awe, For thee, and for that mighty Hand, Which maketh thee, by nature's law. Thou'rt great, thou mighty, foaming mass Of water, plunging, roaring down, But so are we, yea, we surpass Thee, and we wear a nobler crown. Thy mighty head is crowned with foam, And rainbows wreathe thy robes of blue; Our earthly forms—our present home— Are insignificant to you. But look, thou mighty thund'rer, thou, Tho' puny be our forms to thine, These forms possess, yea, even now, A spark, a ray of life divine. Rush on, O waters! proudly hurl Thyself to roaring depths below, And let the mists of ages curl, And generations come and go. But know, stupendous wonder, know, Thy rocks would crumble, at the nod Of Him, who lets thy waters flow; Thy Maker, but our Friend and God. Thy rocks shall crumble, fall they must; Thy waters, then, shall plunge no more, But we shall rise, e'en from the dust, To live upon another shore.
Thomas Frederick Young (Canada and Other Poems)
On the outside, I appeared happy and giddy, but on the inside, my soul had died. Everything that had ever mattered to me had been abandoned, but what was even more depressing was the fact that I didn’t even seem to care. I was content in my washed-up 40-something body, looking like a has-been. And then, when the ride was over, when I was no longer good for his image, I washed out with the tide, out to sea, silently screaming as I crashed against the rocky shores.
Alice Ward (RECKLESS - Part 2 (The RECKLESS, #2))
The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man.… Early afternoon. They were coming to this place, to this tall grass, all along. They will feed here for a while and then, because there’s no water right here, go down to where those egrets are. There’s water there. After they’ve had a good drink, they might make a big loop and come back here again later to feed some more. It will be a one-family-at-a-time choice as the adults decide when to drink and bathe. When elephants are finally ready to make a significant move, everyone points in the same direction. But they do wait until the matriarch decides. “I’ve seen families cued up waiting for half an hour,” comments Vicki, “waiting for the matriarch to signal, ‘Okay.’” And now they go. Makelele, eleven years old, walks with a deep limp. Five years ago he showed up with a broken right rear leg. It must have been agony, and it’s healed at a horrible angle, almost as if his knee faces backward, shaping that leg like the hock on a horse. Yet he is here, surviving with a little help from his friends. “He’s slow,” Vicki acknowledges. “It’s remarkable that he’s managing, but his family seems to wait for him.” Another Amboseli elephant, named Tito, broke a leg when he was a year old, probably from falling into a garbage pit.
Carl Safina (Beyond Words: What Animals Think and Feel)
The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man
Carl Safina (Beyond Words: What Animals Think and Feel)
the waves slapped the rocky shore in gentle rhythm. Their song was lulling. Spell-binding.
Veronica Bale (Legend of the Mist)
After the girls had stepped onto firm sand, the four boys tied their mooring ropes to trees at the edge of the beach. All went ashore and gazed at the lonely spot. “This is a spooky place,” commented Iola, looking around her uneasily. “It does give one the creeps,” Callie agreed. The boys laughed but felt they should proceed carefully. With Frank and Joe in the lead, they set off on a faint path that wound along the shore at the base of the steep, rocky hill which formed the heart of the island. Above the searchers loomed jagged cliffs, cut here and there by deep ravines, thick with pines and coarse grass.
Franklin W. Dixon (The Missing Chums (Hardy Boys, #4))
Our island is two leagues long and one league wide, and if you were standing on one of the hills that rise in the middle of it, you would think that it looked like a fish. Like a dolphin lying on its side, with its tail pointing toward the sunrise, its nose pointing to the sunset, and its fins making reefs and the rocky ledges along the shore. Whether someone did stand there on the low hills in the days when the earth was new and, because of its shape, called it the Island of the Blue Dolphins,
Scott O'Dell (Island of the Blue Dolphins)
I have four pets,’ Bjørnar Nicolaisen tells me at 69.31°N, ‘two cats and two sea eagles. I feed them all together on the shore, there by the throne, with the best fish in the world!’ He gives a huge laugh, and points east through the window of his living room: snow-filled fields sloping away to a rocky beach that borders a fjord several miles in width. Steel-blue water in the fjord, choppy where the currents are running. Far across the fjord, ranks of smooth-snowed peaks gleam in the late sunlight. They are shaped more wildly than any mountains I have ever seen before. Witches’ hats and shark fins and jabbing fingers, all polished white as porcelain. I cannot see a throne on the shore, though. ‘Here, try these.’ He hands me a pair of binoculars. Black leather-clad barrels, weathered in places to brown. Polished eye-pieces – and a Nazi eagle engraved into the left-hand barrel-back. ‘Wehrmacht-issue,’ says Bjørnar. ‘Beautiful lenses. An officer’s. When my father was dying, he asked me what I wanted from his possessions. “One thing only,” I told him, “the binoculars you took from the Germans.”‘ I lift the binoculars and the shoreline leaps to my eyes, close enough to touch. Calibrated cross-hairs float in my vision. I pan right along the beach. Nothing. I switch back left. Yes, there, a chair of some kind – but six or seven feet tall, built from driftwood lashed and nailed together. It looks like something the ironborn of Westeros might have made. ‘I take the eagles a cod or a saithe whenever I come back from a good day’s fishing. I feed them by my chair, there.’ ‘Bjørnar, you are the only person I know who counts sea eagles among his pets.’ ‘I am more of a cat person,’ Bjørnar replies. ‘Than a dog person or than an eagle person?’ ‘Than a people person!’ Bjørnar laughs and laughs – a deep, explosive laugh coming from far inside his chest.
Robert Macfarlane (Underland: A Deep Time Journey)
riverrun, past Eve and Adam's, from swerve of shore to bend of bay, rings
us by a commodius vicus of recirculation back to Howth Castle and Environs. Eve and Adam are human forms of the yin/yang balance; the river Anna Liffey and Howth hill are geographic forms of the same polarity (the Chinese consider rivers yin and mountains yang); there may even be masculine energy in the rocky "swerve of shore" and female energy in the smooth "bend of bay." This yin/yang runs through the book in countless forms:
Robert Anton Wilson (Coincidance: A Head Test)
to land, they would have spotted penguins, sea lions, and even huge elephant seals lolling on the rocky shores.
Laurence Bergreen (Over the Edge of the World: Magellan's Terrifying Circumnavigation of the Globe)
What these creative professionals understand is that focus not only requires keeping distraction out; it also necessitates keeping ourselves in. After we’ve learned to master internal triggers, make time for traction, and hack back external triggers, the last step to becoming indistractable involves preventing ourselves from sliding into distraction. To do so, we must learn a powerful technique called a “precommitment,” which involves removing a future choice in order to overcome our impulsivity. Although researchers are still studying why it is so effective, precommitment is, in fact, an age-old tactic. Perhaps the most iconic precommitment in history appears in the ancient telling of the Odyssey. In the story, Ulysses must sail his ship and crew past the land of the Sirens, who sing a bewitching song known to draw sailors to their shores. When sailors approach, they wreck their ships on the Sirens’ rocky coast and perish. Knowing the danger ahead, Ulysses hatches a clever plan to avoid this fate. He orders his men to fill their ears with beeswax so they cannot hear the Sirens’ call. Everyone follows Ulysses’s orders, with the exception of Ulysses, who wants to hear the beautiful song for himself. But Ulysses knows that he will be tempted to either steer his ship toward the rocks or jump into the sea to reach the Sirens. To safeguard himself and his men, he instructs his crew to tie him to the mast of the ship and instructs them not to set him free nor change course until the ship is in the clear, no matter what he says or does. The crew follows Ulysses’s commands, and as the ship passes the Sirens’ shores, he is driven temporarily insane by their song. In an angry rage, he calls for his men to let him go, but since they cannot hear the Sirens nor their captain, they navigate past the danger safely.
Nir Eyal (Indistractable: How to Control Your Attention and Choose Your Life)
From Alan Thein Duening: Picture North America from space. Look at the upper left and start an imaginary line on the rugged coast of southern Alaska. Climb the ridges that encircle Prince William Sound. Cross the snowy teeth of the Chugach Mountains and descend through kettle-pond country to the feet of the towering Alaska Range. Rise again to the bitter heights and turning southeast along the crest, clip the corner of the Yukon Territory. Enter British Columbia and veer east through its folding north. Turn your line south when you reach the Continental Divide in the Rocky Mountains. Follow the divide down the thousand-mile spine of British Columbia, across Montana, along the buttressed ridges of the Idaho border and into Wyoming as far as Jackson Hole. There, leave the divide and turn westward toward the coast. Following the swells and benches that limit the Columbia Basin, dip southward into Utah and Nevada, then northward again around the high desert of central Oregon. When you approach the Cascade Mountains, veer southwest through the tangled topography of northern California to the crest of the Coast Range. Just north of San Francisco Bay, descend to the shores of the Pacific. The line you have drawn is an unfamiliar one. You won’t find it on maps. But it shows a geographical unit more real, in ecological sense, than any of the lines governments draw. You have drawn a biological region, a bioregion. Specifically, you have outlines the watersheds of rivers flowing into the Pacific Ocean through North America’s temperate rain forest zone with a fifteen-hundred-mile belt of rain forests along the coast. The unity of this diverse bioregion is the movement of its water; every ounce of moisture that the ocean throws into the sky and the sky hurls down on the land inside this region’s borders tumbles toward the rain forest coast. If it does not evaporate or get trapped in underground aquifers along the way, water will reach that dripping shoreline through one of several hundred swift, cold rivers. Most likely, it will travel through the Columbia or the Fraser rivers, home to the Earth’s greatest population of migrating salmon. This place, defined by water running to woodlands, has no perfect name. You can call it Rain Forest Province, the North Pacific Slope, or Cascadia… Natural units of place such as this have always mattered more to people than has humanity in general or the planet in its entirety. Indeed, history is unequivocal; people will sacrifice for villages, homelands, or nations, even giving their lives. But humans seem unwilling to sacrifice for their planet, despite the fact that it is now suffering proportionately greater losses from social decay and environmental destruction than most countries at war.
David Landis Barnhill (At Home on the Earth: Becoming Native to Our Place: A Multicultural Anthology)
The haunting bellow of the sentry horns sounded across the Greenland Fjords as the night mists settled between the jagged, rocky, half-frozen shores. Ifar the Shepherd hurried from his flock. Beyond the coast skirted by his grazing land he could see the shadowy shape of the incoming knarr as it pushed through the deepening fog. Slowly the masts emerged above it. Ifar turned toward the hilltop. There stood the magnificent earthen Mead Hall of King Lief, son of Eirik the Red. Though the karls who worked the lands already came running from the fishing houses and the farms and the lumber sites, Ifar could not pass up the opportunity. He gathered his horn from hip and blew with all his might.
Max Davine (Spirits of the Ice Forest)
Her son’s voice is like a piece of thread being slowly pulled away from this room, out of this house that she loves, this house filled with books and firewood and simple comforts. She follows his voice over the hide of the nearby mountains, into snowy forests stripped of their leaves, along the rugged shores of ancient lakes, across vast, unending plains of wheat and corn and lentil, through rocky mountains, deserts, canyons, and on into blue oceans of infinity.
Adam Rapp (Wolf at the Table)
The gray-blue water, the patchwork of sandy and rocky shore--- it was breathtaking. I had the urge to run out there right at that moment and dig for clams, or lift up rocks and look for crabs, or strip down and swim to the buoy the way I had done in the summers of my childhood. I wanted to immerse myself in that big, beautiful, mysterious body of water.
Sarah Jio (The Violets of March)
Charles Spurgeon once said, “I have learned to kiss the waves that throw me up against the Rock of Ages” [45]. Life is inconsistent, the planet itself turns infernally. The waves of time beat against the rocky shores of our lives, as we age to sand through every fleeting trial and experience. The only constant is change. And change, by definition, means inconsistency: highs and lows, good times and bad ones, safety and accidents, tragedy and triumph. On this earth, hope, joy, and peace are temporary things. They come one moment and recede the next, battering the shores of our lives with taunting impermanence.
Michael J Heil (Pursued: God’s relentless pursuit and a drug addict’s journey to finding purpose)
I see the stars,” I continued, rolling against her gently, moving like the spilling waves against Connecticut’s rocky shore. “I see the way they pierce the darkness with light, making the night beautiful when it would otherwise be haunting and terrible.
Kelsey Kingsley (Saving Rain)
Hearing the rising tide, I think how it is pressing also against other shores I know — rising on a southern beach where there is no fog, but a moon edging all the waves with silver and touching the wet sands with lambent sheen, and on a still more distant shore sending its streaming currents against the moonlit pinnacles and the dark caves of the coral rock. Then in my thoughts these shores, so different in their nature and in the inhabitants they support, are made one by the unifying touch of the sea. For the differences I sense in this particular instant of time that is mine are but the differences of a moment, determined by our place in the stream of time and in the long rhythms of the sea. Once this rocky coast beneath me was a plain of sand; then the sea rose and found a new shore line. And again in some shadowy future the surf will have ground these rocks to sand and will have returned the coast to its earlier state. And so in my mind’s eye these coastal forms merge and blend in a shifting, kaleidoscopic pattern in which there is no finality, no ultimate and fixed reality — earth becoming fluid as the sea itself.
Rachel Carson (The Edge of the Sea)
The word "experiment" is loosely applied in western science, probably in part because it suggests that impressive or important research is being accomplished and also because that word provides a vowel essential for sexy acronyms.
Robert T. Paine (Marine Rocky Shores and Community Ecology: An Experimentalist's Perspective (Excellence in Ecology #4))
Families were bound by the oyaku-shinju (parent-child death pact). The were obligated to take their own lives and those of their kin by any means at hand. Cyanide capsules were given out until there were no more. Soldiers offered to shoot civilians in turn and did not always wait to be invited. In a crowded cave, one grenade might do the work of twenty bullets. Sword-wielding officers beheaded dozens of willing victims. There were reports of children forming into a circle and tossing a live hand-grenade, one to another, until it exploded and killed them all. In cave filled with Japanese soldiers and civilians, Yamauchi recalled, a sergeant ordered mothers to keep their infants quiet, and when they were unable to do so, he told them "Kill them yourself or I'll order my men to do it." Several mothers obeyed. As the Japanese perimeter receded toward the island's northern terminus at Marpi Point, civilians who had thus far resisted the suicide order were forced back to the edge of a cliff that dropped several hundred feet onto a rocky shore. In a harrowing finale, many thousands of Japanese men, women and children took that fateful last step.
Ian W. Toll (The Conquering Tide: War in the Pacific Islands, 1942–1944 (The Pacific War Trilogy, 2))
In a crowded cave, one grenade might do the work of twenty bullets. Sword-wielding officers beheaded dozens of willing victims. There were reports of children forming into a circle and tossing a live hand grenade, one to another, until it exploded and killed them all. In a cave filled with Japanese soldiers and civilians, Yamauchi recalled, a sergeant ordered mothers to keep their infants quiet, and when they were unable to do so, he told them, “Kill them yourself or I’ll order my men to do it.” Several mothers obeyed.94 As the Japanese perimeter receded toward the island’s northern terminus at Marpi Point, civilians who had thus far resisted the suicide order were forced back to the edge of a cliff that dropped several hundred feet onto a rocky shore. In a harrowing finale, many thousands of Japanese men, women, and children took that fateful last step. The self-destructive paroxysm could not be explained by deference to orders, or by obeisance to the death cult of imperial bushido. Suicide, the Japanese of Saipan earnestly believed, was the sole alternative to a fate worse than death. The Americans were not human beings—they were something akin to demons or beasts. They were the “hairy ones,” or the “Anglo-American Demons.” They would rape the women and girls. They would crush captured civilians under the treads of their tanks. The marines were especially dreaded. According to a story circulated widely among the Japanese of Saipan, all Marine Corps recruits were compelled to murder their own parents before being inducted into service. It was said that Japanese soldiers taken prisoner would suffer hideous tortures—their ears, noses, and limbs would be cut off; they would be blinded and castrated; they would be cooked and fed to dogs. Truths and half-truths were shrewdly wedded to the more outrageous and far-fetched claims. Japanese newspapers reproduced photographs of Japanese skulls mounted on American tanks. A cartoon appearing in an American servicemen’s magazine, later reproduced and translated in the Japanese press, had suggested that marine enlistees would receive a “Japanese hunting license,” promising “open season” on the enemy, complete with “free ammunition and equipment—with pay!”95 Other cartoons, also reproduced in Japan, characterized the Japanese as monkeys, rats, cockroaches, or lice. John Dower’s study War Without Mercy explored the means by which both American and Japanese propaganda tended to dehumanize the enemy. Among the Japanese, who could not read or hear any dissenting views, the excesses of American wartime rhetoric and imagery lent credibility to the implication that a quick suicide was the path of least suffering. Saipan was the first Pacific battlefield in which Americans had encountered a large civilian population. No one had known what to expect. Would women and children take up weapons and hurl themselves at the Americans?
Ian W. Toll (The Conquering Tide: War in the Pacific Islands, 1942–1944)
She could read Hal's thoughts, evident in the lines of his body, his tensed shoulders and narrowed eyes: I will hurt you. And she smiled even more widely, knowing that he couldn't. For once, finally, she was the one with the power, the knowledge, the upper hand. His life was an oyster, dropped from a great height onto a rocky shore. Now his shell had been cracked open and the soft, defenseless meat had been exposed. Hal couldn't protect himself. Not from this. The only question left was how much damage she would do.
Jennifer Weiner (That Summer)
While much of the Connecticut shore is privately owned, the coastal tidelands actually belong to all the people—not just in terms of our environmental and cultural heritage, but in a specific legal sense as well. Under the common law public trust doctrine, a body of law dating back to Roman times, coastal states (as sovereigns) hold the submerged lands and waters waterward of the mean high water line in trust for the public. The general public may freely use these intertidal and subtidal lands and waters, whether they are beach, rocky shore, or open water, for traditional public trust uses such as fishing, shellfishing, boating, sunbathing, or simply walking along the beach. In Connecticut, a line of state Supreme Court cases dating back to the earliest days of the republic confirms that in virtually every case private property ends at the mean high water line (the line on the shore established by the average of all high tides)
David Fasulo (Sea Kayaking and Stand Up Paddling Connecticut, Rhode Island, and the Long Island Sound)
Imagine you throw a rock in the sea off the coast of the United Kingdom. After the initial big splash, the ripples dissipate and apparently disappear. But of course, they have not really disappeared. The ripples have decreased in size as they have mixed and interfered with other waves, but they have not disappeared. Two weeks later, on the rocky shore of Tierra del Fuego off the Argentinean coast, one of the small waves washing to shore is maybe an imperceptible fraction of one micron higher because of that rock you threw.
Andrew Thomas (Hidden In Plain Sight: The simple link between relativity and quantum mechanics)
With battle-weary arms, Sheridan slugged his way across the luminous waves sending light-filled droplets splashing into the air like Fourth of July sparklers. Stumbling onto the lake’s rocky banks, he clawed desperately at the animal skin suit, yanking at the fastenings and peeling back the suffocating shroud in a fitful temper tantrum. He collapsed onto the glitter washed shore, his chest heaving, his forehead pulsing with pumped up veins. “That was a nightmare!” Sheridan rasped between gulps of air. “Like some sort of freaked-out acid trip!” “All suffering comes bearing a gift. Every pain is a portal. You must look at the hand of your suffering to see the gift it offers and peer into your pain to see where it may lead.” Kunchen said calmly.
Phillip White
It is no wonder that historians trace the birth of Western civilization to these jewels of the Aegean, Ionian, and Mediterranean seas. The Greek Isles are home to wide-ranging and far-reaching cultural traditions and mythic tales, not to mention the colorful history and unforgettable vistas that still draw thousands of tourists to the region every year. Minoan ruins stand alongside Byzantine churches and Crusader fortresses. Terra-cotta pots spilling over with hibiscus flowers adorn blinding-white stucco houses that reflect the sun’s dazzling light. Fishing villages perched upon craggy cliffs overlook clusters of colorful boats in island harbors. Centuries-old citrus and olive groves dot the hillsides. Lush vegetation and rocky shores meet isolated stretches of sand and an azure sea. Masts bob left and right on sailboats moored in secluded inlets. Each island is a world unto itself. Although outsiders and neighbors have inhabited, visited, and invaded these islands throughout the centuries, the islands’ rugged geography and small size have also ensured a certain isolation. In this environment, traditional ways of life thrive. The arts--pottery, glass blowing, gem carving, sculpture, and painting, among others--flourish here today, as contemporary craft artists keep alive techniques begun in antiquity. In the remote hilltop villages of Kárpathos, for example, artisans practice crafts that date back eons, and inhabitants speak a dialect close to ancient Greek. Today, to walk along the pebbled pathways of a traditional Greek mountain village or the marbled streets of an ancient acropolis is to step back in time. To meander at a leisurely pace through these island chains by boat is to be captivated by the same dramatic landscapes and enchanted islets that make the myths of ancient Greece so compelling. To witness the Mediterranean sun setting on the turquoise sea is to receive one of life’s greatest blessings.
Laura Brooks (Greek Isles (Timeless Places))
He would never shrug and go along with someone else's plan. He was like the ocean ceaselessly throwing itself against a rocky shore...
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
Most people have liberty. They can go where they want and do the things they feel like doing. But too many people are also slaves to their impulses. They have grown reactive rather than proactive, meaning that they are like seafoam pounding against a rocky shore, going in whatever direction the tide might take them.
Robin S. Sharma (The Monk Who Sold His Ferrari: A Fable About Fulfilling Your Dreams & Reaching Your Destiny)
The tide was coming in at Cosmo Bay and the sky bubbled with a vivid orange before smoothing out to a fading lilac over the calm sea. The late-surfers were heading back to shore, laughing and shivering slightly at the chilly breeze. A few stragglers walked, hunch-shouldered, along the rocky beach with a dog or two, or simply alone. They looked to be personal victims of the sky-god's wrath. Imprisoned by the aquatic borders oppressing them and containing them. Limiting their freedoms and joys the same way the ocean limits the sky itself. In a small coastal town like Caprice, the times only grew more depressing during the late autumn months. The locals died and shrivelled with the leaves and trees as their plastic smiles faded with the last few holidaymakers.
Moonie
Remember when we took that trip to Puglia?" He knows that I do. We'd gone for our anniversary a few years ago. We had stayed on the top floor of a small hotel impossibly cantilevered over an expanse of rocky shore. We'd eaten burrata, a Pugliese specialty, every morning for breakfast, with a slab of bread- arguably the best in Italy, still warm from baking overnight in the dying embers of the ancient oven. The cheese would arrive each morning on a tray outside our room, still warm, and wrapped in the customary thick blade of grass, swollen like a ripe piece of fruit.
Meredith Mileti (Aftertaste: A Novel in Five Courses)
The state of New Hampshire boasts a mere eighteen miles of Atlantic Ocean coastline. The Piscataqua River separates the state's southeastern corner from Maine and empties into the Atlantic. On the southwestern corner of this juncture of river and ocean is Portsmouth, New Hampshire. The smaller town of Kittery, Maine, is on the opposite side of the river. The port of Piscataqua is deep, and it never freezes in winter, making it an ideal location for maritime vocations such as fishing, sea trade, and shipbuilding. Four years before the founding of Jamestown, Virginia, in 1603, Martin Pring of England first discovered the natural virtues of Piscataqua harbor. While on a scouting voyage in the ship Speedwell, Pring sailed approximately ten miles up the unexplored Piscataqua, where he discovered “goodly groves and woods replenished with tall oakes, beeches, pine-trees, firre-trees, hasels, and maples.”1 Following Pring, Samuel de Champlain, Captain John Smith, and Sir Ferdinando Gorges each sailed along the Maine-New Hampshire coastline and remarked on its abundance of timber and fish. The first account of Piscataqua harbor was given by Smith, that intrepid explorer, author, and cofounder of the Jamestown settlement, who assigned the name “New-England” to the northeast coastline in 1614. In May or June of that year, he landed near the Piscataqua, which he later described as “a safe harbour, with a rocky shore.”2 In 1623, three years after the Pilgrim founding of Plymouth, an English fishing and trading company headed by David Thomson established a saltworks and fishing station in what is now Rye, New Hampshire, just west of the Piscataqua River. English fishermen soon flocked to the Maine and New Hampshire coastline, eventually venturing inland to dry their nets, salt, and fish. They were particularly drawn to the large cod population around the Piscataqua, as in winter the cod-spawning grounds shifted from the cold offshore banks to the warmer waters along the coast.
Peter Kurtz (Bluejackets in the Blubber Room: A Biography of the William Badger, 1828-1865)
Time and circumstances could batter away at it, like waves on a rocky shore, but for some people, love never died.
Susan Wiggs (The Apple Orchard (Bella Vista Chronicles #1))
The sensation I was feeling on the clifftop was some sort of reverberation in the air itself.… The whale had submerged and I was still feeling something. The strange rhythm seemed now to be coming from behind me, from the land, so I turned to look across the gorge … where my heart stopped.… Standing there in the shade of the tree was an elephant … staring out to sea!… A female with a left tusk broken off near the base.… I knew who she was, who she had to be. I recognized her from a color photograph put out by the Department of Water Affairs and Forestry under the title “The Last Remaining Knysna Elephant.” This was the Matriarch herself.… She was here because she no longer had anyone to talk to in the forest. She was standing here on the edge of the ocean because it was the next, nearest, and most powerful source of infrasound. The underrumble of the surf would have been well within her range, a soothing balm for an animal used to being surrounded by low and comforting frequencies, by the lifesounds of a herd, and now this was the next-best thing. My heart went out to her. The whole idea of this grandmother of many being alone for the first time in her life was tragic, conjuring up the vision of countless other old and lonely souls. But just as I was about to be consumed by helpless sorrow, something even more extraordinary took place.… The throbbing was back in the air. I could feel it, and I began to understand why. The blue whale was on the surface again, pointed inshore, resting, her blowhole clearly visible. The Matriarch was here for the whale! The largest animal in the ocean and the largest living land animal were no more than a hundred yards apart, and I was convinced that they were communicating! In infrasound, in concert, sharing big brains and long lives, understanding the pain of high investment in a few precious offspring, aware of the importance and the pleasure of complex sociality, these rare and lovely great ladies were commiserating over the back fence of this rocky Cape shore, woman to woman, matriarch to matriarch, almost the last of their kind. I turned, blinking away the tears, and left them to it. This was no place for a mere man.
Carl Safina (Beyond Words: What Animals Think and Feel)
A majestic tidal wave of temper and domination, looking to break on my rocky shores. He would annihilate me.
Jill Ramsower (Blood Always (The Five Families, #3))
A majestic tidal wave of temper and domination, looking to break on my rocky shores. He would annihilate me. Batter my jagged defenses until he’d smoothed all my hard edges and whittled me away to my foundations. He pretended to be a simple passing storm in the distance, but I knew the devastation he could wreak. I could feel it, not just in my bones, but in my core where fissures of lust uncoiled and warmed me from the inside out.
Jill Ramsower (Blood Always (The Five Families, #3))