Robots Cartoon Quotes

Monsters look like giant spiders," Joan said. "Or like robots." She'd seen enough cartoons to know. Gran sometimes told jokes without smiling. Maybe this was one of those times. But Gran's eyes weren't shiny with a held-in joke. They were serious. "That's pretend monsters," she said. "Real monsters look like me and you.

Dimitri walks slowly into the kitchen. I follow, a few paces behind. He pulls out a chair, sits down at my breakfast table, and closes his eyes. My avatar pops up on the kitchen wallscreen. She’s back to her cartoon robot self. “You’re not going to let me go,” she says, “are you?” “No,” Dimitri says. “I am not.” “If I can’t go, you can’t either,” says the avatar. He stands, lifts his chair, and smashes my back window. He uses the chair back to poke the remaining glass out of the frame, then leans out and looks down. “It’s a long way down,” my avatar says. “I am aware,” says Dimitri. It’s actually about thirty feet to the ground from here. There’s a flat-roofed building across the alley, maybe ten feet below the level of my window and fifteen or twenty feet away. Dimitri glances back at me, then across the alley. He heaves a deep sigh, and sits down again. “Excuse me,” I say, “but would someone please explain to me what, exactly, is going on?” “You called in a crowbar,” says my avatar. Dimitri leans back, and knits his hands behind his head. “I did.

WITH THE ADVENT of the computer and the dawn of the space race, the sixties brought futuristic visions of life to the mainstream consciousness. The Soviet satellite Sputnik had led to the formation of NASA to oversee America’s space program. In prime time on ABC, Americans could tune in to catch the animated cartoon The Jetsons, about a space-age family who lived with their housekeeping robot, Rosie, and dog, Astro. A couple of years later, Desilu, I Love Lucy’s production company, premiered Star Trek on CBS. Stanley Kubrick’s 2001: A Space Odyssey had a near-omniscient computer named Hal manipulating its astronauts. By the midsixties, the concepts of artificial intelligence and self-driving cars were no longer in the realm of magic or science fiction—they were seen as the logical, inevitable outcome of the American trajectory.

The Soviet satellite Sputnik had led to the formation of NASA to oversee America’s space program. In prime time on ABC, Americans could tune in to catch the animated cartoon The Jetsons, about a space-age family who lived with their housekeeping robot, Rosie, and dog, Astro. A couple of years later, Desilu, I Love Lucy’s production company, premiered Star Trek on CBS. Stanley Kubrick’s 2001: A Space Odyssey had a near-omniscient computer named Hal manipulating its astronauts. By the midsixties, the concepts of artificial intelligence and self-driving cars were no longer in the realm of magic or science fiction—they were seen as the logical, inevitable outcome of the American trajectory.

The cartoon was about a blue cat and an orange fish. There was a hotdog and a robot and a floating eyeball—humans were so fucking mystifying.