“
I do," said Robin in a ringing voice, looking straight into the eyes, not of her stony-faced new husband, but of the battered and bloodied man who had just sent her flowers crashing to the floor.
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
Life is not so much what you accomplish as what you overcome.
”
”
Robin Roberts
“
Doctor: 'I am not a hero."
Robin Hood: 'Well, neither am I, but if we both keep pretending to be, perhaps others will be heroes in our name. Perhaps we will both be stories and may those stories never end.
”
”
Mark Gatiss
“
Being optimistic is like a muscle that gets stronger with use. Makes it easier when the tough times arrive. You have to change the way you think in order to change the way you feel.
”
”
Robin Roberts (Everybody's Got Something)
“
Life provides losses and heartbreak for all of us-but the greatest tragedy is to have the experience and miss the meaning.
”
”
Robin Roberts (Everybody's Got Something)
“
Sometimes I wish that I could sing or dance or paint or compose symphonies or build cathedrals to express somehow what all of this means to me. I wish I were a priest or a robin or a child or a sunset.
”
”
Robert Benson (Living Prayer)
“
Underneath this little stone
Lies Robert Earl of Huntington;
No other archer was so good -
And people called him Robin Hood.
Such outlaws as he and his men
Will England never see again.
”
”
Roger Lancelyn Green (The Adventures of Robin Hood (Puffin Classics))
“
Pretending you’re OK when you aren’t isn’t strength.”
“Well, that’s where you’re wrong,” Robin contradicted him. The champagne had fizzed on her tongue and seemed to give her courage even before it hit her brain. “Sometimes, acting as though you’re all right, makes you all right. Sometimes you’ve got to slap on a brave face and walk out into the world, and after a while it isn’t an act anymore, it’s who you are. If I’d waited to feel ready to leave my room after—you know,” she said, “I’d still be in there. I had to leave before I was ready.
”
”
Robert Galbraith (Lethal White (Cormoran Strike, #4))
“
Don’t compare your life to others’. You have no idea what their journey is all about. That’s why I always give people the benefit of the doubt; it’s one of my rules to live by.
”
”
Robin Roberts (Everybody's Got Something)
“
So here stood Cormoran Strike, slimmer, fitter, clearer of lung, alone in his attic, poking broccoli angrily with a wooden spoon, thinking about not thinking about Robin Ellacott.
”
”
Robert Galbraith (The Running Grave (Cormoran Strike, #7))
“
When you are down and you don’t know how to pick yourself up, start where you are. I can hear Pat’s voice saying the words in my head, “Left foot, right foot, breathe.
”
”
Robin Roberts (Everybody's Got Something)
“
Make your mess your message,” Momma liked to say. And I did.
”
”
Robin Roberts (Everybody's Got Something)
“
Robert again faced the sky. “That is a children’s dream, Marian. We are old enough that we must think of realities.”
“The reality is that I have no place, excepting I carve out one alone.
”
”
A.E. Chandler (The Scarlet Forest: A Tale of Robin Hood)
“
Robin was disposed to feel desperately sorry for anyone with a less fortunate love life than her own – if desperate pity could describe the exquisite pleasure she actually felt at the thought of her own comparative paradise.
”
”
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
“
Cancer was nothing more than a chapter in my life’s story. It would never be my life’s story.
”
”
Robin Roberts (Everybody's Got Something)
“
As suddenly as they had reached for each other, they broke apart. Tears were rolling down Robin's face. For one moment of madness, Strike yearned to say, “Come with me”, but there are words that can never be unsaid or forgotten, and those, he knew, were some of them.
”
”
Robert Galbraith (Lethal White (Cormoran Strike, #4))
“
Thank God I could say that I had truly enjoyed the journey, because if I had saved all of my joy for the destination, I would have missed it. We are all so focused on getting “there,” but you have to be careful. Sometimes, I sense a lot of times, “there” ends up feeling different than you expected.
”
”
Robin Roberts (Everybody's Got Something)
“
Make you mess your message.
”
”
Robin Roberts (Everybody's Got Something)
“
Venture outside your comfort zone. To stop growing is to stop living.
”
”
Robin Roberts (From the Heart: Seven Rules to Live By)
“
He was sorry, genuinely sorry, for the pain she was in. Yet the revelation had caused certain other feelings—feelings he usually kept under tight rein, considering them both misguided and dangerous—to flex inside him, to test their strength against their restraining bonds.
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
I feel it’s okay to get angry with God. He can take it. Just don’t stay angry. It takes courage to believe that the best is yet to come. I hold steadfast to that belief, especially when I come face-to-face with adversity.
”
”
Robin Roberts (Everybody's Got Something)
“
Strike had not been able to guard against warm feelings for Robin, who had stuck by him when he was at his lowest ebb and helped him turn his fortunes around; nor, having normal eyesight, could he escape the fact that she was a very good-looking woman.
”
”
Robert Galbraith (The Silkworm (Cormoran Strike, #2))
“
Cancer forced me out of my comfort zone. But the reality is that in life, there are no true comfort zones. Life comes at us in ways that we can't predict or control.
”
”
Robin Roberts (Everybody's Got Something)
“
Make your mess your message.
”
”
Robin Roberts (Everybody's Got Something)
“
But he was her best friend. This admission, held at bay for so long, caused an almost painful twist in Robin's heart, not least because she knew it would be impossible ever to tell Strike so.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
If I've taken you for granted," said Strike, "I'm sorry. You're the best I've got."
"Oh, for fuck's sake, Strike," said Robin, abandoning the pretense that she wasn't crying as she snorted back tears.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
Robin felt her luck, these days, at having two loving parents. Her work had taught her how many people weren’t that fortunate, how many people had families that were broken beyond repair, how many adults walked around carrying invisible scars from their earliest childhood, their perceptions and associations forever altered by lack of love, by violence, by cruelty.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
one of the mugs, robin saw, read keep clam and proofread
”
”
Robert Galbraith (The Silkworm (Cormoran Strike, #2))
“
There were no more heroes. Kennedy was dead, shot by an assassin in Dallas. Batman and Robin were dead... Superman was missing...
”
”
Robert Mayer
“
A leg?" repeated Detective Inspector Eric Wardle on the end of the line. "A fucking leg?"
"And it's not even my size," said Strike, a joke he would not have made had Robin been present.
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
And I think it’s often very hard for close friends to understand that sometimes you want them to be there but you don’t have to say anything, that their presence is as powerful as anything else.
”
”
Robin Roberts (Everybody's Got Something)
“
I bet if we all threw our problems in a huge pile and saw everyone else's, we'd grab ours back. Don't compare your life to others'. You have no idea what their journey is about. That's why I always give people the benefit of the doubt; it's one of my rules to live by. There may be a reason why someone is having a bad day, there's often something that we can't see. She is not necessarily a bad person, just someone facing a bad situation.
”
”
Robin Roberts
“
But people who fundamentally change are rare, in my experience, because it's bloody hard work compared to going on a march or waving a flag. Have we met a single person on this case who's radically different to the person they were forty years ago?"
"I don't know . . . I think I've changed," said Robin, then felt embarrassed to have said it out loud.
Strike looked at her without smiling for the space it took him to chew and swallow a chip, then said,
"Yeah. But you're exceptional, aren't you?
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
Nice beard," said Robin, as she pulled away from the curb in the rain. "You look like a guerilla leader who's just pulled off a successful coup."
"Feel like one," said Strike, and in fact, right now, reunited with Robin, he felt the straightforward sense of triumph that had eluded him for days.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
. . . you know who Polworth is?"
"Your best mate," said Robin.
"He's my oldest mate," Strike corrected her. "My best mate . . . "
For a split second he wondered whether he was going to say it, but the whisky had lifted the guard he usually kept upon himself: why not say it, why not let go?
" . . . is you."
Robin was so amazed, she couldn't speak. Never, in four years, had Strike come close to telling her what she was to him. Fondness had had to be deduced from offhand comments, small kindnesses, awkward silences or gestures forced from him under stress. She'd only once before felt as she did now, and the unexpected gift that had engendered the feeling had been a sapphire and diamond ring, which she'd left behind when she walked out on the man who'd given it to her.
She wanted to make some kind of return, but for a moment or two, her throat felt too constricted.
"I . . . well, the feeling's mutual," she said, trying not to sound too happy.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
You need to be surrounded by people whose voices echo your soul voice.
”
”
Robin Roberts
“
Thanks for the balloon donkey. Perfect timing. My old one's nearly deflated.
She received an answer sixty seconds later.
Great. I was worried it was so obvious, everybody would've got you one. See you at 5.
Light-hearted now, Robin drank tea, ate her toast and returned downstairs to open her family's presents.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
After a brief hesitation, the doctor accepted Strike’s proffered hand, and as the two men shook, Robin wondered how aware men were of the power dynamics that played out between them, while women stood watching.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
But the best part of the evening was that there were whole hours when we sat around the fire pit and didn’t say a word. We were together as a group, but they knew I needed silence. That can be very hard for friends.
”
”
Robin Roberts (Everybody's Got Something)
“
Going to fetch Uncle Analdas. Have you been by the Hill?"
Just left there," Robin answered. "Everybody's excited. Seems there's new Folks coming."
Yes, I know," cried Little Georgie eagerly. "I've just made a song about it. Wouldn't you like to hear it? It goes like -"
No, thanks," called Robin.
”
”
Robert Lawson (Rabbit Hill)
“
And so, given the musical sensibilities Hatcher treasured in his earthly life, it is hard to exaggerate the severity of his torture at standing naked in his tiny kitchen in Hell as former FBI director J. Edgar Hoover sings a Bee Gees disco song backed by a full studio orchestra and Robin and Maurice.
”
”
Robert Olen Butler (Hell)
“
But as I’m not going around killing people I don’t like, I don’t think there’s much wrong with admitting some people contribute more to the world than others.’ ‘So you don’t subscribe to “any man’s death diminishes me”?’ said Robin. ‘I wouldn’t feel remotely diminished by the deaths of some of the bastards I’ve met.
”
”
Robert Galbraith (The Ink Black Heart (Cormoran Strike, #6))
“
For all his determination to keep her at arm's length, they had literally leaned on each other. He could remember exactly what it felt like to have his arm around her waist as they had meandered towards Hazlitt's Hotel. She was tall enough to hold easily. He had never fancied very small women.
Matthew would not like this, she had said.
He would have liked it even less had he known how much Strike had liked it.
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
The roses, which were for Joan, were also for him: they said, you won't be alone, you have something you've built, and all right, it might not be a family, but there are still people who care about you waiting in London. Strike told himself 'people,' because there were five names on the card, but he turned away thinking only of Robin.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
He was well aware that he hadn't told Polworth the whole truth about his relationship with Robin Ellacott, which, after all, was nobody else's business. The truth was that his feelings contained nuances and complications that he preferred not to examine. For instance, he had a tendency, when alone, bored, or low-spirited, to want to hear her voice.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
Good Lord willing and the creek don’t rise.
”
”
Robin Roberts (Everybody's Got Something)
“
And don't," bellowed Robin from behind him, "buy me any more fucking flowers!"
"No danger of that!" yelled Strike over his shoulder, as he strode away into the darkness.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
Women liked Strike—she had come to realize that over the months they had worked together. She had not understood the appeal when she had started working for him. He was so very different from Matthew.
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
Neither of them could tell who had made the first move, or whether they acted in unison. They were holding each other tightly before they knew what happened, Robin's chin on Strike's shoulder, his face in her hair. He smelled of sweat, beer and surgical spirits, she, of roses and the faint perfume that he had missed when she was no longer in the office. The feel of her was both new and familiar, as though he had held her a long time ago, as though he had missed it without knowing it for year. Through the closed door upstairs the band playing on:
I'll go wherever you will go
If I could make you mine ...
”
”
Robert Galbraith (Lethal White (Cormoran Strike, #4))
“
I’m grateful I had the strength to fight. It takes courage to believe the best is yet to come, especially when you are flat on your back and don’t know if you’re going to see tomorrow. I’m no Pollyanna, but I believe optimism is a choice — a muscle that gets stronger with use. Right foot, left foot…just keep moving.
”
”
Robin Roberts
“
Everyone liked Robin. He liked Robin. How could he fail to like her, after everything they had been through together? However, from the very first he had told himself: this far and no further. A distance must be maintained. Barriers must remain in place.
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
The problem wasn’t that Robin didn’t think she’d love her child. On the contrary, she thought it likely that she would love that child to the extent that this job, for which she had voluntarily sacrificed a marriage, her safety, her sleep and her financial security, would have to be sacrificed in return. And how would she feel, afterward, about the person who’d made that sacrifice necessary?
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
I was nearly christened Eric Bloom Strike,' he said and Robin choked on her water. He laughed as she coughed into a napkin. 'Let's face it, Cormoran's not much bloody better. Cormoran Blue—'
'Blue?'
'Blue Öyster Cult, aren't you listening?'
'God,' said Robin. 'You keep that quiet.'
'Wouldn't you?
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
...Robin felt a strange thrill of glory at the thought that he bore with him, in virtue of his priesthood only, so much consolation. He faces for the the first time that tremendous call of which he had heard so much in Rheims- that desolate cry of souls that longed and longed in vain for those gifts of which a priest of Christ could alone bestow...
”
”
Robert Hugh Benson (Come Rack! Come Rope!)
“
. . . Strike explained about his failed attempt to buy Robin perfume, the previous December.
' . . . so I asked the assistant, but he kept showing me things with names like . . . I dunno . . . "Shaggable You" . . . '
The laugh Robin failed to repress was so loud that people turned to look at her . . .
' . . . and I panicked,' Strike admitted . . .
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
Robin turned her iPad so that Strike could see it. He moved his chair in: Robin felt his knee bump hers.
”
”
Robert Galbraith (The Ink Black Heart (Cormoran Strike, #6))
“
Robin did not know why the announcement that Strike was off to meet Elin should lower her spirits.
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
You’ll flatten your debt and develop a natural resistance to spending more than you have for things you don’t want to impress people you don’t like (to paraphrase Robert Quillen).
”
”
Vicki Robin (Your Money or Your Life)
“
I've upset you, haven't I?" said Morris.
"No, you haven't upset me," said Robin. After all, "upset" wasn't quite the same as "enrage.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
Robin was thinking, is this where single people end up, people without children to look out for them, without double incomes? In small boxes, living vicariously through reality stars?
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
R’bin,” he said, giving up and gazing down at her. “R’bin, d’you know wadda kairos mo…” He hiccoughed. “Mo…moment is?”
“A kairos moment?” she repeated, hoping against hope it was not something sexual, something that she would not be able to forget afterwards, especially as the kebab shop owner was listening in and smirking behind them. “No, I don’t. Shall we go back to the office?”
“You don’t know whadditis?” he asked, peering at her.
“No.”
“ ’SGreek,” he told her. “Kairos. Kairos moment. An’ it means,” and from somewhere in his soused brain he dredged up words of surprising clarity, “the telling moment. The special moment. The supreme moment.”
Oh please, thought Robin, please don’t tell me we’re having one.
“An’ d’you know what ours was, R’bin, mine an’ Charlotte’s?” he said, staring into the middle distance, his unlit cigarette hanging from his hand. “It was when she walk’d into the ward—I was in hosp’tal f’long time an’ I hadn’ seen her f’two years—no warning—an’ I saw her in the door an’ ev’ryone turned an’ saw her too, an’ she walked down the ward an’ she never said a word an,” he paused to draw breath, and hiccoughed again, “an’ she kissed me aft’ two years, an’ we were back together. Nobody talkin’. Fuckin’ beautiful. Mos’ beaut’ful woman I’ve ’ver seen. Bes’ moment of the whole fuckin’—’fmy whole fuckin’ life, prob’bly. I’m sorry, R’bin,” he added, “f’r sayin’ ‘fuckin’.’ Sorry ’bout that.”
Robin felt equally inclined to laughter and tears, though she did not know why she should feel so sad.
”
”
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
“
Even if Heather had barely known her, as seemed to be the case, her frank enjoyment of her fancy lunch and her persistent eyeing-up of Strike seemed both inappropriate and distasteful to Robin.
”
”
Robert Galbraith (The Ink Black Heart (Cormoran Strike, #6))
“
He’d always been a bad loser. He had to emerge from this embarrassingly short marriage the winner, by walking away with all the money, and stigmatizing Robin as the sole reason for its failure.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
She's just tried to bloody knife me, Robin!"
"Well, she didn't manage it, did she?" commented Robin, busy with the kettle.
"Ineptitude," said Strike incredulously, "is no fucking defense under the law!
”
”
Robert Galbraith
“
Don’t say you didn’t mean to upset me,’ said Robin through gritted teeth. ‘That’s what men always say when – I’m angry, not sad. You don’t get it. You don’t know what that place does to people. I do, and
”
”
Robert Galbraith (The Running Grave (Cormoran Strike, #7))
“
Addy,” said Mrs. Kaur. “I’ll still have to log it, and account for it later.”
“Blame me,” said Robin at once.
One thick black eyebrow arched.
Miss Morrissey leaned forward and smiled at her sister. “Would you say Sir Robert is a threatening figure?”
“Er,” said Mrs. Kaur. It was the most diplomatic single syllable Robin had ever heard.
“Are you afraid for your maidenly virtue?”
“I’m married, Addy,” said Kitty Kaur dryly. “I have none.” She eyed Robin. “He does seem the kind of well-built, pugnacious fellow who would follow through on a threat of bodily harm.”
“I beg your pardon,” Robin began to protest, and then the penny dropped. “Oh. Would it help if I raised my voice?”
“Yes, that would do nicely. Sir Robert strong-armed my sister into bringing him here to seek my help, and threatened us with harm unless I abused my access to the lockroom in order to locate Mr. Courcey. Overcome by concern for his friend, of course, but still. Most brutish behavior.”
“And we are but feeble women,” said Miss Morrissey. “Woe.”
“Your sister is a magician,” Robin said, pointing out what seemed the largest hole in this story.
“Woe,” said Mrs. Kaur firmly, and Robin recalled what Miss Morrissey had said about the assumptions made by men.
”
”
Freya Marske (A Marvellous Light (The Last Binding, #1))
“
Erudite, for a woman who confuses “you’re” and “your” and goes in for random capitalisation.’ ‘We can’t all be literary geniuses,’ said Robin reproachfully. ‘Thank Christ for that, from all I’m hearing about them.
”
”
Robert Galbraith (The Silkworm (Cormoran Strike, #2))
“
Strike was becoming steadily more taciturn, his expression brooding. Robin wondered whether this was because he was hungry—he was a man who needed regular sustenance to maintain an equable mood—or for some darker reason.
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
All Summer in a Day” by Ray Bradbury Because of Winn-Dixie by Kate DiCamillo Big Nate series by Lincoln Peirce The Black Cauldron (The Chronicles of Prydain) by Lloyd Alexander The Book Thief by Markus Zusak Brian’s Hunt by Gary Paulsen Brian’s Winter by Gary Paulsen Brown Girl Dreaming by Jacqueline Woodson Bud, Not Buddy by Christopher Paul Curtis The Call of the Wild by Jack London The Cat in the Hat by Dr. Seuss Charlotte’s Web by E. B. White The Chronicles of Narnia series by C. S. Lewis Diary of a Wimpy Kid series by Jeff Kinney Fahrenheit 451 by Ray Bradbury The Giver by Lois Lowry Goodnight Moon by Margaret Wise Brown Harry Potter series by J. K. Rowling Hatchet by Gary Paulsen The High King (The Chronicles of Prydain) by Lloyd Alexander The Hobbit by J. R. R. Tolkien Holes by Louis Sachar The Hunger Games by Suzanne Collins I Am LeBron James by Grace Norwich I Am Stephen Curry by Jon Fishman Island of the Blue Dolphins by Scott O’Dell Johnny Tremain by Esther Hoskins Forbes Julie of the Wolves by Jean Craighead George Kidnapped by Robert Louis Stevenson LeBron’s Dream Team: How Five Friends Made History by LeBron James and Buzz Bissinger The Lightning Thief (Percy Jackson and the Olympians) by Rick Riordan A Long Walk to Water by Linda Sue Park The Merry Adventures of Robin Hood by Howard Pyle Number the Stars by Lois Lowry The Outsiders by S. E. Hinton The River by Gary Paulsen The Sailor Dog by Margaret Wise Brown Sarah, Plain and Tall by Patricia MacLachlan Shiloh by Phyllis Reynolds Naylor “A Sound of Thunder” by Ray Bradbury Star Wars Expanded Universe novels (written by many authors) Star Wars series (written by many authors) The Swiss Family Robinson by Johann D. Wyss Tales from a Not-So-Graceful Ice Princess (Dork Diaries) by Rachel Renée Russell Tales of a Fourth Grade Nothing by Judy Blume “The Tell-Tale Heart” by Edgar Allan Poe Treasure Island by Robert Louis Stevenson Tuck Everlasting by Natalie Babbitt Under the Blood-Red Sun by Graham Salisbury The Very Hungry Caterpillar by Eric Carle When You Reach Me by Rebecca Stead A Wrinkle in Time by Madeleine L’Engle
”
”
Andrew Clements (The Losers Club)
“
La mancanza di critiche, o anche solo di una silenziosa disapprovazione da parte di Robin, era una cosa davvero singolare per Strike. Era l'unica persona di sesso femminile nella sua vita che non avesse cercato di migliorarlo o correggerlo.
”
”
Robert Galbraith (The Silkworm (Cormoran Strike, #2))
“
One of the earliest and most vivid memories of Robin’s childhood was of the day that the family dog had been put down. She herself had been too young to understand what her father was saying; she took the continuing existence of Bruno, her oldest brother’s beloved Labrador, for granted. Confused by her parents’ solemnity, she had turned to Stephen for a clue as to how to react, and all security had crumbled, for she had seen, for the first time in her short life, happiness and comfort drain out of his small and merry face, and his lips whiten as his mouth fell open. She had heard oblivion howling in the silence that preceded his awful scream of anguish, and then she had cried, inconsolably, not for Bruno, but for the terrifying grief of her brother.
”
”
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
“
When, Strike wondered, would he next enjoy a pint on a Friday with friends? The notion seemed to belong to a different universe, a life left behind. The strange limbo in which he was living, with Robin his only real human contact, could not last, but he was still not ready to resume a proper social life. He had lost the army, and Charlotte and half a leg; he felt a need to become thoroughly accustomed to the man he had become, before he felt ready to expose himself to other people's surprise and pity.
”
”
Robert Galbraith (The Cuckoo's Calling (Cormoran Strike, #1))
“
Give up all the wild ideas that buzz round you like wasps. Or like bluebottles. […] Find a nice, ordinary girl, not too attractive or you’ll be jealous all the time, not too bright or you’ll be anxious all the time, not too rich or you’ll have nothing to strive for, not too original or she’ll upset people. There are plenty of them, and all of them are available to a young postman like you. Those are the terms offered.”
The terrier had come to a sudden standstill, as if he had been a white gun dog on one of the estates.
“You don’t live like that,” said Robin from the bed.
“I don’t live at all,” replied Rosetta. “Haven’t you realized?”
“Perhaps I have.” Now Robin was staring at her: momentarily still that muggy evening; for seconds rigid as the dog.
Rosetta smiled. “I am the person every postman meets in the end.”
“I’m a provisional postman only. I told you that clearly,” remarked Robin, starting once more to relax.
“Do what I tell you. What else is there for you? Only wasps and bluebottles.
”
”
Robert Aickman
“
I am not going to apologize for the idyllic childhood and the wonderful siblings and the Christian home I grew up in. I know how blessed I am and I am thankful, but I also know it's not that way for everyone. I was talking to a young woman recently who was going through her something and she said, "I don't have sisters to watch my back like you do. I didn't have the kind of mother you did." And I said to her what I've begun saying to people across the country, "Then why not let the legacy of love and support start with you?
”
”
Robin Roberts (Everybody's Got Something)
“
And there was something more, something highly unusual. Strike had never once made her feel physically uncomfortable. Two of them in the office, for a long time the only workers at the agency, and while Robin was a tall woman, he was far bigger, and he'd never made her feel it, as so many men did . . .
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
I opened the curtain and entered the confessional, a dark wooden booth built into the side wall of the church. As I knelt on the small worn bench, I could hear a boy's halting confession through the wall, his prescribed penance inaudible as the panel slid open on my side and the priest directed his attention to me.
"Yes, my child," he inquired softly.
"Bless me, Father, for I have sinned. This is my First Confession."
"Yes, my child, and what sins have you committed?"
....
"I talked in church twenty times, I disobeyed my mother five times, I wished harm to others several times, I told a fib three times, I talked back to my teacher twice." I held my breath.
"And to whom did you wish harm?"
My scheme had failed. He had picked out the one group of sins that most troubled me. Speaking as softly as I could, I made my admission.
"I wished harm to Allie Reynolds."
"The Yankee pitcher?" he asked, surprise and concern in his voice. "And how did you wish to harm him?"
"I wanted him to break his arm."
"And how often did you make this wish?"
"Every night," I admitted, "before going to bed, in my prayers."
"And were there others?"
"Oh, yes," I admitted. "I wished that Robin Roberts of the Phillies would fall down the steps of his stoop, and that Richie Ashburn would break his hand."
"Is there anything else?"
"Yes, I wished that Enos Slaughter of the Cards would break his ankle, that Phil Rizzuto of the Yanks would fracture a rib, and that Alvin Dark of the Giants would hurt his knee." But, I hastened to add, "I wished that all these injuries would go away once the baseball season ended."
...
"Are there any other sins, my child?"
"No, Father."
"For your penance, say two Hail Mary's, three Our Fathers, and," he added with a chuckle, "say a special prayer for the Dodgers. ...
”
”
Doris Kearns Goodwin (Wait Till Next Year)
“
Zorro also is part of the bandido tradition, most closely associated with the possibly mythical Joaquin Murrieta and the historical Tiburcio Vasquez. As well as these local California legendary figures, Zorro is an American version of Robin Hood and similar heroes whose stories blend fiction and history, thus moving Zorro into the timeless realm of legend. The original story takes place in the Romantic era, but, more important, Zorro as Diego adds an element of poetry and sensuality, and as Zorro the element of sexuality, to the traditional Western hero. Not all Western heroes are, as D. H. Lawrence said of Cooper's Deerslayer, "hard, isolate, stoic, and a killer," but in the Western genre the hero and villain more often than not share these characteristics. What distinguishes Zorro is a gallantry, a code of ethics, a romantic sensibility, and most significant, a command of language and a keen intelligence and wit.
”
”
Robert E. Morsberger (The Mark of Zorro (Zorro, #1))
“
So where—?" asked Robin.
"I'm taking you to the Ritz for champagne," said Strike.
"Are you serious?"
"Yeah. It's why I'm wearing you a suit."
For a moment Robin simply looked at him, then she reached up and hugged him tightly. Surrounded by banked flowers, both remembered the hug they'd shared at the top of the stairs on her wedding day, but this time, Robin turned her face and kissed Strike deliberately on the cheek, lips to stubble.
"Thanks, Strike. This really means a lot."
And that, thought her partner, as the two of them headed away toward the Ritz in the golden glow of the early evening, really was well worth sixty quid and a bit of an effort . . .
Out of his subconscious rose the names Mazankov and Krupov, and it was a second or two before he remembered where he'd heard them, why they sounded Cornish, and why he thought of them now. The corners of his mouth twitched, but as Robin didn't see him smiling, he felt no compulsion to explain.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
When she (Marjorie) was at her prayers (which was pretty often just now), and at other times, when the air lightened suddenly about her and the burdens of earth were lifted as if another hand were put to them, why, then, all was glory, and she saw Robin as transfigured and herself beneath him all but adoring. Little visions came and went before her imagination. Robin riding, like some knight on an adventure, to do Christ's work; Robin at the altar, in his vestments; Robin absolving penitents- all in a rosy light of faith and romance. She saw him even on the scaffold, undaunted and resolute, with God's light on his face, and the crowd awed beneath him; she saw his soul entering heaven, with all the harps ringing to meet him, and eternity begun...and then, at other times, when the heaviness came down on her, as clouds upon the Derbyshire hills, she understood nothing but that she had lost him; that she was not to be hers, but Another's; that a loveless and empty life lay before her, and a womanhood that was without its fruition. And it was this latter mood that fell on her, swift and entire, when, looking out from her window a little before dinnertime, she saw suddenly his hat, and his horse's head, jerking up the steep path to the house.
She fell on her knees by her bedside.
'Jesu!' She cried. 'Jesu! Give me strength to meet him.
”
”
Robert Hugh Benson (Come Rack! Come Rope!)
“
Now, for the first time, Robin truly appreciated the bravery it must have taken for Kevin Pirbright, who’d lived at the farm since the age of three, to break free and walk out into what must have seemed to him a strange and overwhelming world of which he didn’t know the rules, with hardly any money, no job, and only the tracksuit he was wearing.
”
”
Robert Galbraith (The Running Grave (Cormoran Strike, #7))
“
The argument had been in full swing when Matthew’s father telephoned with the news that a funny turn Matthew’s mother had suffered the previous week had been diagnosed as a mini-stroke. After this, she and Matthew felt that squabbling about Strike was in bad taste, so they went to bed in an unsatisfactory state of theoretical reconciliation, both, Robin knew, still seething. It was
”
”
Robert Galbraith (The Silkworm (Cormoran Strike, #2))
“
Do you know that some women actually refuse to be treated for fear of losing their hair? In the words of my friend India Arie: “Hey, I am not my hair. I am not this skin. I am a soul that lives within.” I wanted to make a statement that I wasn’t ashamed to have cancer or be bald. I was absolutely stunned by the reaction to my video diary. The outpouring of support was overwhelming.
”
”
Robin Roberts (Everybody's Got Something)
“
I explored the literature of tree-climbing, not extensive, but so exciting. John Muir had swarmed up a hundred-foot Douglas Spruce during a Californian windstorm, and looked out over a forest, 'the whole mass of which was kindled into one continuous blaze of white sun-fire!' Italo Calvino had written his The Baron in the Trees, Italian editionmagical novel, The Baron in the Trees, whose young hero, Cosimo, in an adolescent huff, climbs a tree on his father's forested estate and vows never to set foot on the ground again. He keeps his impetuous word, and ends up living and even marrying in the canopy, moving for miles between olive, cherry, elm, and holm oak. There were the boys in B.B.'s Brendan Chase, who go feral in an English forest rather than return to boarding-school, and climb a 'Scotch pine' in order to reach a honey buzzard's nest scrimmed with beech leaves. And of course there was the realm of Winnie the Pooh and Christopher Robin: Pooh floating on his sky-blue balloon up to the oak-top bee's nest, in order to poach some honey; Christopher ready with his pop-gun to shoot Pooh's balloon down once the honey had been poached....
”
”
Robert Macfarlane (The Wild Places)
“
. . . he inwardly acknowledged the irony that, had Ilsa not been so keen to act as midwife to a romantic relationship between himself and Robin, he might now have been sitting in Nick and Ilsa's flat in Octavia Road, enjoying a laugh with two of his old friends and indeed with Robin herself, whose company had never yet palled on him, through the many long hours they had worked together.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
Strike's eyes followed her hand, but what caught his attention was not the small stack of neatly written papers she was showing him, but the sapphire engagement ring.
There was a pause. Robin wondered why her heart was pummeling her ribs. How ridiculous to feel defensive . . . it was up to her whether she married Matthew . . . ludicrous even to feel she had to state that to herself . . .
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
A stab of cold shock, an electric charge to the brain: Robin couldn’t quite believe what she’d just heard. The passing seconds seemed to slow. She waited for Strike to say ‘which was her spite, obviously,’ or, ‘because she never understood that a man and a woman could just be friends’, or to make a joke. Yet he said nothing to defuse the grenade he’d just thrown, but simply looked at her.
”
”
Robert Galbraith (The Running Grave (Cormoran Strike, #7))
“
She said that even though I was a bastard to her, she still loved me. That I’d know one day what I’d given up, that I’d never be happy, deep down, without her. That—’
Strike and Robin had once before sat in this office, after dark and full of whisky, and he’d come dangerously close to crossing the line between friend and lover. He’d felt then the fatalistic daring of the trapeze artist, preparing to swing out into the spotlight with only black air beneath him, and he felt the same now.
‘—she knew I was in love with you.
”
”
Robert Galbraith (The Running Grave (Cormoran Strike, #7))
“
[Robert] Newell's recommendation of walking is also interesting:
'The best way undoubtedly of seeing a country is on foot. It is the safest, and most suited to every variety of road; it will often enable you to take a shorter track, and visit scenes (the finest perhaps) not otherwise accessible; it is healthy, and, with a little practice, easy; it is economical: a pedestrian is content with almost any accommodations; he, of all travellers, wants but little, 'Nor wants that little long'. And last, though not least, it is perfectly independent.'
Newell cites independence, as do a number of the 'first generation' of Romantic walkers I have already surveyed; more striking are his commendation of walking as the safest option, which reflects a very altered perception of the security of travel from that which prevailed in the eighteenth century, and his advocacy of the practical and health benefits of pedestrianism, which against suggests its institutionalisation as a form of tourism and its extension to lower reaches of the middle classes.
”
”
Robin Jarvis (Romantic Writing and Pedestrian Travel)
“
Hi," said Robin, and at the sound of her voice Strike felt, as he had known he would, a slight easing of the knot of tension in his stomach. "What's happened?"
"Nothing," he said, slightly surprised, before he recollected that it was half past five in the morning. "Oh—yeah, sorry, this isn't an emergency call, I've just got off the sleeper. Wondered whether you fancied getting breakfast before you head home to bed."
"Oh, that'd be wonderful," said Robin, with such genuine pleasure that Strike felt a little less tired . . .
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
With those words, the busy night seemed to slow again around Cormoran Strike, and the constant growl of traffic seemed suddenly muted. This time he wasn’t staring down into Robin’s face, full of alcohol and desire: the seismic change had happened inside him because he felt something break and he knew, at last, that there was no putting it back together.
It wasn’t that he saw the truth of Charlotte in that instant, because he’d come to believe that there was no single, static truth about any human being, but he understood, once and for all, that something he’d taken to be true wasn’t.
”
”
Robert Galbraith (The Ink Black Heart (Cormoran Strike, #6))
“
Whether she was engaged, married or single, nothing could or ever would come of the weakness he was forced to acknowledge that he had developed. He would re-establish the professional distance that had somehow ebbed away with her drunken confessions and the camaraderie of their trip up north, and temporarily shelve his half-acknowledged plan to end the relationship with Elin. It felt safer just now to have another woman within reach, and a beautiful one at that, whose enthusiasm and expertise in bed ought surely to compensate for an undeniable incompatibility outside it.
He fell to wondering how long Robin would continue working for him after she became Mrs. Cunliffe. Matthew would surely use every ounce of his husbandly influence to pry her away from a profession as dangerous as it was poorly paid. Well, that was her lookout: her bed, and she could lie in it.
Except that once you had broken up, it was much easier to do so again. He ought to know. How many times had he and Charlotte split? How many times had they tried to reassemble the wreckage? There had been more cracks than substance by the end: they had lived in a spider's web of fault lines, held together by hope, pain, and delusion.
Robin and Matthew had just two months to go before the wedding.
There was still time.
”
”
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
“
As for Alan, his face grew dark and hot, and he sat and gnawed his fingers, like a man under some deep affront. “Enough!” he cried. “Ye can blow the pipes—make the most of that.” And he made as if to rise.
But Robin only held out his hand as if to ask for silence, and struck into the slow measure of a pibroch. It was a fine piece of music in itself, and nobly played; but it seems, besides, it was a piece peculiar to the Appin Stewarts and a chief favourite with Alan. The first notes were scarce out, before there came a change in his face; when the time quickened, he seemed to grow restless in his seat; and long before that piece was at an end, the last signs of his anger died from him, and he had no thought but for the music.
”
”
Robert Louis Stevenson
“
Well," said Robin at last, "again, in future, maybe we could try the talking thing, before you die of a stress-induced heart attack or, you know end up killing someone we need to question?"
Strike grinned ruefully.
"Yeah. We could try that, I s'pose . . . "
Silence closed around them again, a silence that seemed to the slightly drunk Strike to thicken like honey, comforting and sweet, but slightly dangerous if you sank too far into it. Full of whisky, contrition and a powerful feeling he preferred at all times not to dwell upon, he wanted to make some kind of statement about Robin's kindness and tact, but all the words that occurred to him seemed clumsy and unserviceable: he wanted to express something of the truth, but the truth was dangerous.
”
”
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
“
Christmas,” said Robin, with a faint grin but without apology. “I was going to put it up yesterday, but after Leonora was charged I didn’t feel very festive. Anyway, I’ve got you an appointment to see her at six. You’ll need to take photo ID—” “Good work, thanks.” “—and I got you sandwiches and I thought you might like to see this,” she said. “Michael Fancourt’s given an interview about Quine.” She passed him a pack of cheese and pickle sandwiches and a copy of The Times, folded to the correct page. Strike lowered himself onto the farting leather sofa and ate while reading the article, which was adorned with a split photograph. On the left-hand side was a picture of Fancourt standing in front of an Elizabethan country house. Photographed from below, his head
”
”
Robert Galbraith (The Silkworm (Cormoran Strike, #2))
“
I am indebted to the following colleagues for their advice, assistance, or support: Dr. Alfred Lerner, Dori Vakis, Robin Heck, Dr. Todd Dray, Dr. Robert Tull, and Dr. Sandy Chun. Thanks also to Lynette Parker of East San Jose Community Law Center for her advice about adoption procedures, and to Mr. Daoud Wahab for sharing his experiences in Afghanistan with me. I am grateful to my dear friend Tamim Ansary for his guidance and support and to the gang at the San Francisco Writers Workshop for their feedback and encouragement. I want to thank my father, my oldest friend and the inspiration for all that is noble in Baba; my mother who prayed for me and did nazr at every stage of this book’s writing; my aunt for buying me books when I was young. Thanks go out to Ali, Sandy, Daoud
”
”
Khaled Hosseini (The Kite Runner)
“
ROBERT DEVEREAUX, EARL OF ESSEX, was taken to the place of execution at Tower Green on February 25, 1601. Standing before the crowd in a scarlet waistcoat, Essex made his last speech—a rather long one—with eloquence and dignity, claiming his sins “more numerous than the hairs on his head.” He was still speaking when the executioner struck his first blow. It took two more to sever Devereaux’s head. Despite his undisputed treason, Essex was remembered kindly by the English people. Nearly two years after his death, Londoners were still singing a ballad lauding their “great and celebrated noble warrior,” called “Essex’s Last Good Night.” In Ireland he was likewise revered, considered by many rebel chiefs as an ally, and by the common people as the only one of the queen’s commanders who had come over to their side.
”
”
Robin Maxwell
“
This book is fiction and all the characters are my own, but it was inspired by the story of the Dozier School for Boys in Marianna, Florida. I first heard of the place in the summer of 2014 and discovered Ben Montgomery’s exhaustive reporting in the Tampa Bay Times. Check out the newspaper’s archive for a firsthand look. Mr. Montgomery’s articles led me to Dr. Erin Kimmerle and her archaeology students at the University of South Florida. Their forensic studies of the grave sites were invaluable and are collected in their Report on the Investigation into the Deaths and Burials at the Former Arthur G. Dozier School for Boys in Marianna, Florida. It is available at the university’s website. When Elwood reads the school pamphlet in the infirmary, I quote from their report on the school’s day-to-day functions. Officialwhitehouseboys.org is the website of Dozier survivors, and you can go there for the stories of former students in their own words. I quote White House Boy Jack Townsley in chapter four, when Spencer is describing his attitude toward discipline. Roger Dean Kiser’s memoir, The White House Boys: An American Tragedy, and Robin Gaby Fisher’s The Boys of the Dark: A Story of Betrayal and Redemption in the Deep South (written with Michael O’McCarthy and Robert W. Straley) are excellent accounts. Nathaniel Penn’s GQ article “Buried Alive: Stories From Inside Solitary Confinement” contains an interview with an inmate named Danny Johnson in which he says, “The worst thing that’s ever happened to me in solitary confinement happens to me every day. It’s when I wake up.” Mr. Johnson spent twenty-seven years in solitary confinement; I have recast that quote in chapter sixteen. Former prison warden Tom Murton wrote about the Arkansas prison system in his book with Joe Hyams called Accomplices to the Crime: The Arkansas Prison Scandal. It provides a ground’s-eye view of prison corruption and was the basis of the movie Brubaker, which you should see if you haven’t. Julianne Hare’s Historic Frenchtown: Heart and Heritage in Tallahassee is a wonderful history of that African-American community over the years. I quote the Reverend Martin Luther King Jr. a bunch; it was energizing to hear his voice in my head. Elwood cites his “Speech Before the Youth March for Integrated Schools” (1959); the 1962 LP Martin Luther King at Zion Hill, specifically the “Fun Town” section; his “Letter from Birmingham Jail”; and his 1962 speech at Cornell College. The “Negroes are Americans” James Baldwin quote is from “Many Thousands Gone” in Notes of a Native Son. I was trying to see what was on TV on July 3, 1975. The New York Times archive has the TV listings for that night, and I found a good nugget.
”
”
Colson Whitehead (The Nickel Boys)
“
...I shall let [Anne] Wallace put the case herself, at what I think is necessary length:
'As travel in general becomes physically easier, faster, and less expensive, more people want and are able to arrive at more destinations with less unpleasant awareness of their travel process. At the same time the availability of an increasing range of options in conveyance, speed, price, and so forth actually encouraged comparisons of these different modes...and so an increasingly positive awareness of process that even permitted semi-nostalgic glances back at the bad old days...Then, too, although local insularity was more and more threatened...people also quite literally became more accustomed to travel and travellers, less fearful of 'foreign' ways, so that they gradually became able to regard travel as an acceptable recreation. Finally, as speeds increased and costs decreased, it simply ceased to be true that the mass of people were confined to that circle of a day's walk: they could afford both the time and the money to travel by various means and for purely recreational purposes...And as walking became a matter of choice, it became a possible positive choice: since the common person need not necessarily be poor. Thus, as awareness of process became regarded as advantageous, 'economic necessity' became only one possible reading (although still sometimes a correct one) in a field of peripatetic meanings that included 'aesthetic choice'.'
It sounds a persuasive case. It is certainly possible that something like the shift in consciousness that Wallace describes may have taken place by the 'end' (as conventionally conceived) of the Romantic period, and influenced the spread of pedestrianism in the 1820s and 1830s; even more likely that such a shift was instrumental in shaping the attitudes of Victorian writing in the railway age, and helped generate the apostolic fervour with which writers like Leslie Stephen and Robert Louis Stevenson treated the walking tour. But it fails to account for the rise of pedestrianism as I have narrated it.
”
”
Robin Jarvis (Romantic Writing and Pedestrian Travel)
“
They kept in touch for years and years. Momma believed in the goodness of people and she believed in the prayer of protection, that wherever she was, God was, too. Mom had a way of taking people under her wing and making you feel special when you were talking to her. Your story mattered. And whenever she thought I was getting a little too full of myself, she’d remind me: “Robin, your story is no more important than anybody else’s story. When you strut, you stumble.” Meaning: When you think that you’re all that and a bag of chips, you’re gonna fall flat on your face. Thank you, Momma, for that invaluable lesson. We were overwhelmed with the outpouring of love for our mother. President and Michelle Obama sent a beautiful flower arrangement to our house. It was the first time I had seen Mom’s grandchildren smile in days. It was a proud moment for them. The president of the United States. They asked if they could take pictures of the flowers and Instagram them to their friends. It was painful to make the final arrangements for Mom. The owners of the Bradford-O’Keefe Funeral Home were incredibly kind and gentle. Our families have known each other for decades, and they also handled my father’s homegoing service. Mom had always said she wanted to be laid to rest in a simple pine box. We were discussing what to put on her tombstone. I had been quiet up to that point, just numb. Mom and Dad were both gone. I was left with such an empty feeling. Grandma Sally had passed when Mom was in her seventies, and I remember Mom saying she now felt like an orphan. I thought that was strange. But now I knew exactly what Mom meant. There was a lot of chatter about what words to use on Mom’s tombstone. I whispered it should simply read: A CHILD OF GOD. Everyone agreed.
”
”
Robin Roberts (Everybody's Got Something)
“
Who really benefited from the death of President Kennedy? Oswald only served as a straw man.[86] Unbeknownst to him, he was being prepared by the CIA and the FBI for his role as a scapegoat. Do not forget that there are often mind control elements at work in these kinds of political assassinations (See chapter 44, Josef Mengele and Monarch Mind Control). Lyndon B. Johnson had foreknowledge of the plan to kill Kennedy. His longtime lover, Madeleine Brown, wrote about Johnson’s foreknowledge of the assassination in her book Texas in the Morning (see also Benjamin Bradlee, Conversations with Kennedy 1975). One day before Kennedy was killed, Johnson said: “Tomorrow those goddamn Kennedys will never embarrass me again. That’s no threat, that’s a promise.” Why John Kennedy choosed Lyndon Johnson as his running mate is unknown. He and his brother Robert did not like Johnson at all. They knew that Johnson stole the election that put him in the US Senate. There were also many scandals swirled around Johnson as vice president and a string of murders that may be associated with him. To his assistant Hyman Raskin, Kennedy once said: “You know, we had never considered Lyndon. But I was left with no choice. Those bastards were trying to frame me. They threatened me with problems.” Who were those bastards? Did he refer to the Illuminati? There is no doubt that Kennedy had been submitted to blackmail. Kennedy excused his choice of Johnson several times: “The whole story will never be known. And it’s just as well that it won’t be.” Lyndon Johnson, who was an Illuminati mole, was up to his neck into the conspiracy. He had orders to cover everything up. Within hours of the killing, he placed all the weight of his newly acquired authority to obstruct the quest for the truth. He received the full support of the CIA and FBI director Edgar Hoover, who circulated a memo asserting his conviction that Oswald had acted on his own initiative. Harvey Oswald fired just three bullets from above and behind. Did he really wound all the limousine’s occupants with these shots? The killing of Kennedy is more complex than is usually admitted. Officially, one of Oswald´s bullets hit Kennedy twice and Governor John Connally who was sitting in the front seat of the limousine, three times!
”
”
Robin de Ruiter (Worldwide Evil and Misery - The Legacy of the 13 Satanic Bloodlines)