Robertson Davies Fifth Business Quotes

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If you don't hurry up and let life know what you want, life will damned soon show you what you'll get.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
It was as though she was an exile from a world that saw things her way
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
I was afraid and did not know what I feared, which is the worst kind of fear.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
On the whole, we treat the Devil shamefully, and the worse we treat Him the more He laughs at us.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
God, youth is a terrible time! So much feeling and so little notion of how to handle it!
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
My position was a common one; I wanted to do the right thing but could not help regretting the damnable expense.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
He [Jesus] had a terrible temper, you know, undoubtedly inherited from His Father.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
We have educated ourselves into a world from which wonder, and he fear and dread and splendor and freedom of wonder have been banished. Of course wonder is costly. You couldn't incorporate it into a modern state, beacuse it is the antithesis of the anxiously worshiped security which is what a modern state is asked to give. Wonder is marvellous but it is also cruel, cruel, cruel. It is undemocratic, discriminatory and pitiless.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Life itself is too great a miracle for us to make so much fuss about potty little reversals of what we pompously assume to be the natural order.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
There is really no such thing as a secret; everybody likes to tell, and everybody does tell.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
My lifelong involvement with Mrs Dempster began at 5:58 o'clock p.m. on 27 December 1908, at which time I was ten years and seven months old.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
But I was a lonely creature, and although I would have been very happy to have a friend I just never happened to meet one.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
If a boy can't have a good teacher, give him a psychological cripple or an exotic failure to deal with; don't just give him a bad, dull teacher. This is where the private schools score over state-run schools; they can accommodate a few cultured madmen on the staff without having to offer explanations.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Why do people all over the world, and at all times, want marvels that defy all verifiable facts? And are the marvels brought into being by their desire or is their desire an assurance rising from some deep knowledge, not to be directly experienced and questioned, that the marvelous is indeed an aspect of the real?
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
...the irrational will have its say, perhaps because 'irrational' is the wrong word for it.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Commanders and historians are the people who discuss wars; I was in the infantry, and most of the time I did not know where I was or what I was doing except that I was obeying orders and trying not to be killed in any of the variety of horrible ways open to me.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
I had schooled myself since the war-days never to speak of my enthusiasms; when other people did not share them, which was usual, I was hurt and my pleasure diminished; why was I always excited about things other people did not care about? But I could not hold in.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
They were anxious to make men of us, by which they meant making us like themselves.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
...so Leola thought that a modest romance with a hero in embryo could do no harm - might even be a patriotic duty.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
The older I grow the less Christ's teaching says to me. I am sometimes very conscious that I am following the path of a leader who died when He was less than half as old as I am now. I see and feel things He never saw or felt. I know things He seems never to have known. Everybody wants a Christ for himself and those who think like him. Very well, am I at fault for wanting a Christ who will show me how to be an old man? All Christ's teaching is put forward with the dogmatism, the certainty, and the strength of youth: I need something that takes account of the accretion of experience, the sense of paradox and ambiguity that comes with years!
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Forgive yourself for being a human creature, Ramezay. That is the beginning of wisdom; that is part of what is meant by the fear of God; and for you it is the only way to save your sanity. Begin now, or you will end up with your saint in the madhouse.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Having me in the dining-room was almost the equivalent of having a Raeburn on the walls; I was classy, I was heavily varnished, and I offended nobody.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Padre Blazon was almost shouting by this time, and I had to hush him. People in the restaurant were staring, and one or two of the ladies of devout appearance were heaving their bosoms indignantly. He swept the room with the wild eyes of a conspirator in a melodrama and dropped his voice to a hiss. Fragments of food, ejected from his mouth by this jet, flew about the table. [p.201]
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Who are you? Where do you fit into poetry and myth? Do you know who I think you are, Ramsay? I think you are Fifth Business. You don't know what that is? Well, in opera in a permanent company of the kind we keep up in Europe you must have a prima donna -- always a soprano, always the heroine, often a fool; and a tenor who always plays the lover to her; and then you must have a contralto, who is a rival to the soprano, or a sorceress or something; and a basso, who is the villain or the rival or whatever threatens the tenor. "So far, so good. But you cannot make a plot work without another man, and he is usually a baritone, and he is called in the profession Fifth Business, because he is the odd man out, the person who has no opposite of the other sex. And you must have Fifth Business because he is the one who knows the secret of the hero's birth, or comes to the assistance of the heroine when she thinks all is lost, or keeps the hermitess in her cell, or may even be the cause of somebody's death if that is part of the plot. The prima donna and the tenor, the contralto and the basso, get all the best music and do all the spectacular things, but you cannot manage the plot without Fifth Business! It is not spectacular, but it is a good line of work, I can tell you, and those who play it sometimes have a career that outlasts the golden voices. Are you Fifth Business? You had better find out.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Schoolmastering kept me busy by day and part of each night. I was an assistant housemaster, with a fine big room under the eaves of the main building, and a wretched kennel of a bedroom, and rights in a bathroom used by two or three other resident masters. I taught all day, but my wooden leg mercifully spared me from the nuisance of having to supervise sports after school. There were exercises to mark every night, but I soon gained a professional attitude towards these woeful explorations of the caves of ignorance and did not let them depress me. I liked the company of most of my colleagues, who were about equally divided among good men who were good teachers, awful men who were awful teachers, and the grotesques and misfits who drift into teaching and are so often the most educative influences a boy meets in school. If a boy can't have a good teacher, give him a psychological cripple or an exotic failure to cope with; don't just give him a bad, dull teacher. This is where the private schools score over state-run schools; they can accommodate a few cultured madmen on the staff without having to offer explanations.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
He liked to make his hearers jump, now and then, and he said that our gravel pit was much the same sort of place as Gehenna. My elders thought this far-fetched, but I saw no reason why hell should not have, so to speak, visible branch establishments throughout the earth, and I have visited quite a few of them since.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
You are still young enough to think that torment of the spirit is a splendid thing, a sign of a superior nature. But you are no longer a young man; you are a youngish middle aged man, and it is time you found out that these spiritual athletics do not lead to wisdom.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Sometimes fear could be forgotten, but never for long.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Of course some of us had some geography in school and had studied maps, but a school map is a terribly uncommunicative thing.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Men have this climacteric, you know, like women. Doctors deny it, but I have met some very menopausal persons in their profession.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
I seemed to be the only person I knew without a plan that would put the world on its feet and wipe the tear from every eye.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
When I had to leave she kissed me on both cheeks - a thing she had never done before - and said, 'There's just one thing to remember; whatever happens, it does no good to be afraid.' So I promised not to be afraid, and may even have been a fool enough to think I could keep my promise.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
...I managed to make it clear that what I most wanted was time to grow up. The war had not matured me; I was like a piece of meat that is burned on one side and raw on the other, and it was on the raw side I needed to work,. I thanked her, as well as I could, for what she had done for me.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Faustina is a great work of the Creator. She has nothing of what you call brains; she doesn't need them for her destiny... It is to be glorious for a few years: not to outlive some dull husband and live on his money till she is eighty, going to lectures and comparing the attractions of winter tours that offer the romance of the Caribbean.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
I thought I was in love with Leola, by which I meant that if I could have found her in a quiet corner, and if I had been certain that no one would ever find out, and if I could have summoned up the courage at the right moment, I would have kissed her. But, looking back on it now, I know that I was in love with Mrs Dempster. Not as some boys are in love with grown-up women, adoring them from afar and enjoying a fantasy life in which the older woman figures in an idealized form, but in a painful and immediate fashion; I saw her every day, I did menial tasks in her house, and I was charged to watch her and keep her from doing foolish things. Furthermore, I felt myself tied to her by the certainty that I was responsible for her straying wits, the disorder of her marriage, and the frail body of the child who was her great delight in life. I had made her what she was, and in such circumstances I must hate her or love her. In a mode that was far too demanding for my age or experience, I loved her.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Once it was the fashion to represent villages as places inhabited by laughable, livable simpletons, unspotted by the worldliness of city life, though occasionally shrewd in rural concerns. Later it was the popular thing to show villages as rotten with vice, and especially such sexual vice...incest, sodomy, bestiality, sadism, and masochism were supposed to rage behind lace curtains and in the haylofts, while a rigid piety was professed in the streets.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Despite these afternoon misgivings and self-reproaches I clung to my notion, ill-defined though it was, that a serious study of human knowledge, or theory, or belief, if undertaken with a critical but not a cruel mind, would in the end yield some secret, some valuable permanent insight, into the nature of life and the true end of man.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
...What was wrong between Diana and me was that she was too much a mother to me, and as I had had one mother, and lost her, I was not in a hurry to acquire another--not even a young and beautiful one with whom I could play Oedipus to both our hearts' content. If I could manage it, I had no intention of being anybody's own dear laddie, ever again.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
I was a talking lover, which most women hate.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
I saw no reason why hell should not have, so to speak, visible branch establishments throughout the earth, and I have visited quite a few of them since.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
There was a moment, however, when the King and I were looking directly into each other's eyes, and in that instant I had a revelation that takes much longer to explain than to experience. Here am I, I reflected, being decorated as a hero, and in the eyes of everybody here I am indeed a hero; but I know that my heroic act was rather a dirty job I did when I was dreadfully frightened; I could just as easily have muddled it and been ingloriously killed. But it doesn't much matter, because people seem to need heroes; so long as I don't lose sight of the truth, it might as well be me as anyone else. And here before me stands a marvellously groomed little man who is pinning a hero's medal on me because some of his forebears were Alfred the Great, and Charles the First, and even King Arthur, for anything I know to the contrary. But I shouldn't be surprised if inside he feels as puzzled about the fate that brings him here as I.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
That was what stuck in the craws of all the good women of Deptford: Mrs Dempster had not been raped, as a decent woman would have been—no, she had yielded because a man wanted her. The subject was not one that could be freely discussed even among intimates, but it was understood without saying that if women began to yield for such reasons as that, marriage and society would not last long. Any man who spoke up for Mrs Dempster probably believed in Free Love. Certainly he associated sex with pleasure, and that put him in a class with filthy thinkers like Cece Athelstan.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
I have been very miserable since - miserable not for an hour but for months on end - but I can still feel that hour's misery in its perfect desolation, if I am fool enough to call it up in my mind.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
I liked the company of most of my colleagues, who were about equally divided among good men who were good teachers, awful men who were awful teachers, and the grotesques and misfits who drift into teaching and are so often the most educative influences a boy meets in school. If a boy can't have a good teacher, give him a psychological cripple or an exotic failure to cope with; don't just give him a bad, dull teacher.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
I'm trying to be kind, you know, for I admired your parents. Fine people, and your father was a fair-minded man to every faith. But there are spiritual dangers you Protestants don't even seem to know exist, and this monkeying with difficult, sacred things is a sure way to get yourself into a real old mess. Well I recall, when I was a seminarian, how we were warned one day about a creature called a fool-saint. Ever hear of a fool-saint? I thought not. As a matter of fact, it's a Jewish idea, and the Jews are no fools, y'know. A fool-saint is somebody who seems to be full of holiness and loves everybody and does every good act he can, but because he's a fool it all comes to nothing—to worse than nothing, because it is virtue tainted with madness, and you can't tell where it'll end up. Did you know that Prudence was named as one of the Virtues? There's the trouble with your fool-saint, y'see—no Prudence. Nothing but a lotta bad luck'll rub off on you from one of them. Did you know bad luck could be catching? There's a theological name for it, but I misremember it right now.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
When it came time for me to go to bed, my mother beckoned me to her, and kissed me, and whispered, "I know I'll never have another anxious moment with my own dear laddie." I pondered these words before I went to sleep. How could I reconcile this motherliness with the screeching fury who had pursued me around the kitchen with a whip, flogging me until she was gorged with — what? Vengeance? What was it? Once, when I was in my thirties and reading Freud for the first time, I thought I knew. I am not so sure I know now. But what I knew then was that nobody— not even my mother— was to be trusted in a strange world that showed very little of itself on the surface.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
In later life I have been sometimes praised, sometimes mocked, for my way of pointing out the mythical elements that seem to me to underlie our apparently ordinary lives. Certainly that cast of mind had some of its origin in our pit, which had much the character of a Protestant Hell. I was probably the most entranced listener to a sermon the Reverend Andrew Bowyer preached about Gehenna, the hateful valley outside the walls of Jerusalem, where outcasts lived, and where their flickering fires, seen from the city walls, may have given rise to the idea of a hell of perpetual burning. He liked to make his hearers jump, now and then, and he said that our gravel pit was much the same sort of place as Gehenna. My elders thought this far-fetched, but I saw no reason then why hell should not have, so to speak, visible branch establishments throughout the earth, and I have visited quite a few of them since.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
She was a romantic, and as I had never met a female romantic before it was a delight to me to explore her emotions. She wanted to know all about me, and I told her as honestly as I could; but as I was barely twenty, and a romantic myself, I know now that I lied in every word I uttered—lied not in fact but in emphasis, in colour, and in intention.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
We come to God in little steps, not a leap, and that love of police-court truth you think so much of comes very late on the way, if it comes at all. What is truth? as Pilate asked; I've never pretended that I could have told him. I'm just glad when a boozer sobers up, or a man stops beating his woman, or a crooked lad tries to go straight. If it makes him boast a bit, that's not the worst harm it can do. You unbelieving people apply cruel, hard standards to us who believe.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
...the Conservative party found him an embarrassment because he was apt to criticize the party leader in public, the Liberals naturally wanted to defeat him, and the newspapers were out to get him. It was a dreadful campaign on his part, for he lost his head, bullied his electors when he should have wooed them, and got into a wrangle with a large newspaper, which he threatened to sue for libel. He was defeated on election day so decisively that it was obviously a personal rather than a political rejection.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
And here before me stands a marvelously groomed little man who is pinning a hero's medal on me because some of his forebears were Alfred the Great and Charles the First, and even King Arthur, for anything I knew to the contrary. But I shouldn't be surprised if inside he feels as puzzled about the fate that brings him here as I. we are public icons, we two: he an icon of kingship, and I an icon of heroism, unreal yet very necessary; we have obligations above what is merely personal, and to let personal feelings obscure the obligations would be failing in one's duty. This was clearer still afterward, at lunch at the Savoy....; they all seemed to accept me as a genuine hero, and I did my best to behave decently, neither believing in it too obviously, nor yet protesting that I was just a simple chap who had done his duty when he saw it--a pose that has always disgusted me. Ever since, I have tried to think charitably of people in prominent positions of one kind or another. We cast them in roles, and it is only right to consider them as players, without trying to discredit them with knowledge of their off-stage life--unless they drag it into the middle of the stage themselves.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
В операта непременно трябва да има примадона – винаги сопрано, често глупава; тенор в ролята на нейния любовник; трябва да има и контраалт – съперница на сопраното, нещо като магьосница; и бас – злодеят, съперникът, онзи, който заплашва тенора… Сюжетът обаче няма да се развие без присъствието на още един, обикновено баритон – именно него наричат Петия в карето, защото той е излишният, без съответствие от другия пол. Обаче Петия е задължителен, защото именно той знае тайната на произхода на героя или се притичва на помощ на героинята, когато тя е решила, че всичко е загубено, а може дори да бъде причина за нечия смърт, ако това е част от сюжета. Без Петия в карето няма сюжет! В тази роля няма блясък, но е съдържателна, и кариерата на хората, които я изпълняват, често е по-продължителна от съдбата на славеите. Ти Петия ли си?
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Look at what I wrote at the beginning of this memoir. Have I caught anything at all of the extraordinary night when Paul Dempster was born? I am pretty sure that my little sketch of Percy Boyd Staunton is accurate, but what about myself? I have always sneered at autobiographies and memoirs in which the writer appears at the beginning as a charming, knowing little fellow, possessed of insights and perceptions beyond his years, yet offering these with false naivete to the reader, as though to say, 'What a little wonder I was, but All Boy.' Have the writers any notion or true collection of what a boy is? I have and I have reinforced it by forty-five years of teaching boys. A boy is a man in miniature, and though he may sometimes exhibit notable virtue, as well as characteristics that seem to be charming because they are childlike, he is also schemer, self-seeker, traitor, Judas, crook, and villain - in short, a man. Oh these autobiographies in which the writer postures and simpers as a David Copperfield or a Huck Finn! False, false as harlots' oaths! Can I write truly of my boyhood? Or will that disgusting self-love which so often attaches itself to a man's idea of his youth creep in and falsify the story? I can but try. And to begin I must give you some notion of the village in which Percy Boyd Staunton and Paul Dempster and I were born.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
His imitations of the parsons were finely observed, and he was very good as the Reverend Andrew Bowyer: “O Lord, take Thou a live coal from off Thine altar and touch our lips,” he would shout, in a caricature of our minister’s fine Edinburgh accent; then, with a howl of laughter, “Wouldn’t he be surprised if his prayer was answered!” If he hoped to make an atheist of me, this was where he went wrong; I knew a metaphor when I heard one, and I liked metaphor better than reason. I have known many atheists since Sam, and they all fall down on metaphor.
Robertson Davies (Fifth Business (Deptford Trilogy))
A truly mythological wish,' I said. 'I'll save you the trouble of reading my book to find out what it means: you want to pass into oblivion with your armour on, like King Arthur, but modern medical science is too clever to allow it. You must grow old, Boy; you'll have to find out what age means, and how to be old. A dear old friend of mine once told me he wanted a God who would teach him how to grow old. I expect he found what he wanted. You must do the same, or be wretched. Whom the gods hate they keep forever young.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Hubbard was a notoriously queer American
Robertson Davies (Fifth Business (Deptford Trilogy))
It is not hard to be popular with any group, whether composed of the most conventional Canadians or of Central European freaks, if one is prepared to talk to people about themselves.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Ti si Boga stvorio po sopstvenoj slici, pa kad si otkrio da nije dobar, prestao si da veruješ u Njega. To je sasvim uobičajen vid psihološkog samoubistva
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
My own idea is that when He comes again it will be to continue his ministry as an old man. I am an old man and my life has been spent as a soldier of Christ, and I tell you that the older I grow the less Christ's teachings says to me. I am sometimes very conscious that I am following the path of a leader who died when He was less than half as old as I am now. I see and feel things He never saw or felt. I know things He seems to never have known. Everybody wants a Christ for himself and those who think like him. Very well, am I at fault for wanting a Christ who will show me how to be an old man? All Christ's teaching is put forth with the dogmatism, the certainty, and the strength of youth: I need something that takes account of the accretion of experience, the sense of paradox and ambiguity that comes with years! I think after forty we should recognize Chirst politely but turn for our comfort and guidance to God the Father, who knows the good and evil of life, and to the Holy Ghost, who posses a widsom beyond that of the incarnated Christ. After all, we worship a Trinigty, of which Christ is but one Person. I think when He comes again it will be to declare the unity of the life of the flesh and the life of the spirit. And then perhaps we shall make some sense of this life of the marvels, cruel circumstances, obscenities, and commonplaces. Who can tell? — we might even make it bearable for everybody.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
We come to God in little steps, not in a leap.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
Who is she? That is what you must discover, Ramezay, and you must find your answer in psychological truth, not in objective truth. You will not find out quickly, I am sure. And while you are searching, get on with your own life and accept the possibility that it may be purchased at the price of hers and that this may be God's plan for you and her.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
My own idea is that when He comes again it will be to continue his ministry as an old man. I am an old man and my life has been spent as a soldier of Christ, and I tell you that the older I grow the less Christ's teachings says to me. I am sometimes very conscious that I am following the path of a leader who died when He was less than half as old as I am now. I see and feel things He never saw or felt. I know things He seems to never have known. Everybody wants a Christ for himself and those who think like him. Very well, am I at fault for wanting a Christ who will show me how to be an old man? All Christ's teaching is put forth with the dogmatism, the certainty, and the strength of youth: I need something that takes account of the accretion of experience, the sense of paradox and ambiguity that comes with years! I think after forty we should recognize Christ politely but turn for our comfort and guidance to God the Father, who knows the good and evil of life, and to the Holy Ghost, who possesses a widsom beyond that of the incarnated Christ. After all, we worship a Trinity, of which Christ is but one Person. I think when He comes again it will be to declare the unity of the life of the flesh and the life of the spirit. And then perhaps we shall make some sense of this life of the marvels, cruel circumstances, obscenities, and commonplaces. Who can tell? — we might even make it bearable for everybody.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
At school I was a nuisance, for my father was now Chairman of our Continuation School Board, and I affected airs of near-equality with the teacher that must have galled her; I wanted to argue about everything, expand everything, and generally turn every class into a Socratic powwwow instead of getting on with the curriculum. Probably I made her nervous, as a pupil full of green, fermenting information is so well able to do. I have dealt with many innumerable variations of my younger self in classrooms since then, and have mentally apologized for my tiresomeness.
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))
and his goose would be cooked; probably suicide would be his only way out.
Robertson Davies (Fifth Business (Deptford Trilogy))
This is where the private schools score over state-run schools; they can accommodate a few cultured madmen on the staff without having to offer explanations.
Robertson Davies (Fifth Business (Deptford Trilogy))
her physical coordination was so poor that she tended to knock things off tables that were quite a distance from her.
Robertson Davies (Fifth Business (Deptford Trilogy))
Why was I always excited about things other people did not care about?
Robertson Davies (Fifth Business (The Deptford Trilogy, #1))