Highland Dance Quotes

Why was she doing this to herself? She was too young to be locked away in this grim castle, weighed down with responsibility that was not hers to shoulder. She should be at parties, being feted, dancing, and enjoying herself. Or be surrounded by bairns. My bairns, he thought fiercely.

THE STOLEN CHILD Where dips the rocky highland Of Sleuth Wood in the lake, There lies a leafy island Where flapping herons wake The drowsy water rats; There we've hid our faery vats, Full of berrys And of reddest stolen cherries. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Where the wave of moonlight glosses The dim gray sands with light, Far off by furthest Rosses We foot it all the night, Weaving olden dances Mingling hands and mingling glances Till the moon has taken flight; To and fro we leap And chase the frothy bubbles, While the world is full of troubles And anxious in its sleep. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Where the wandering water gushes From the hills above Glen-Car, In pools among the rushes That scarce could bathe a star, We seek for slumbering trout And whispering in their ears Give them unquiet dreams; Leaning softly out From ferns that drop their tears Over the young streams. Come away, O human child! To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than you can understand. Away with us he's going, The solemn-eyed: He'll hear no more the lowing Of the calves on the warm hillside Or the kettle on the hob Sing peace into his breast, Or see the brown mice bob Round and round the oatmeal chest. For he comes, the human child, To the waters and the wild With a faery, hand in hand, For the world's more full of weeping than he can understand.

Her eyes narrowed, and her lips parted around a knowing laugh. "Oh. It's you." "Pardon?" He was taken aback. "Do we know each other, lass?" He was quite certain they didn't; he could never have forgotten this woman. The enticing manner in which her lips were currently pursed would have been seared into his memory. "The answer is no. I don't know you. But every other woman in this room does. Duncan Douglas, isn't it?" she said dryly. Duncan studied her face. Although she was young-perhaps no more than twenty-she had a regal bearing beyond her years. "I do have some reputation with the lasses," he conceded, downplaying his prowess, confident of her impending maidenly swoon. The look she gave him was far from admiring. He did a double take when he realized her gaze was downright disparaging. "Not something I care for in a man," she said coolly. "Thank you for your offer, but I'd sooner dance with last week's rushes. They would be less used. Who wants what everyone else has already had?" The words were delivered in a cool, modulated tone, shaped by an odd accent he couldn't place. Quite finished with him, she presented her back and resumed talking to her companion. Duncan was immobilized by shock.

On her head perched a pillbox hat with an absurd little veil. She'd pulled the dotted veil up out of her eyes, but not completely - it hung lopsidedly, dangling over her right brow. Her dark brown dress was filmed with dust she'd raised, and dust caught on her damp cheeks. One lock of hair had escaped her coiffure, a red snake dancing down her bodice. She was delightfully mussed, and dear God, he wanted her.

No man returns from Satan’s fire read to dance a reel.

One of my greatest pleasures there was enjoying the smell of bacon frying and coffee brewing and knowing that white folks were doing the preparing instead of me. There was swimming in the man-made lake, volleyball, square dancing. It was quite enjoyable to be with at Highlander. We forgot what color anybody was. I was forty-two years old, and it was one of the few times in my life up to that point when I did not feel any hostility from white people.

The old agility was still present and the passion was undeniable, but it was the wobbling of the gut, the puffing of the cheeks and the profuse sweating that lent the performance its true magic.

Another sharp pang stabbed him in the ribs and made him jolt with a grunt. "Are you in pain?" Alex smirked. 'I've been bludgeoned within an inch of me life, ye expecting me to jump up and dance a jig?

It’s two hundred year, in the Highland tales—when folk fall asleep on fairy duns and end up dancing all night wi’ the Auld Folk; it’s usually two hundred year later when they come back to their own place.

Drawing a vicious-looking dirk from within his linen sleeve, he leaned back in his chair. His legs stretched out in front of him and his plaid fell open to reveal brawny thighs. Firelight from the hearth danced along the dagger’s blade as he slowly played with it.

His mouth descended upon hers and swallowed up her cry. She'd been kissed sweetly before, stylized expressions of courtship during some of the dances favored by Queen Mary's court. This kiss bore no resemblance to those. This was a ravishment, a demanding plunder of her mouth. He stole her breath, but she was so surprised by the sudden invasion, she didn't think to pull away. She froze like a coney confronted by a fox. He filled her with breath from his own body, warming her to her toes. 'I should be revolted. I should be screaming to get away.' But then his mouth went suddenly soft and beguiling on hers. Elspeth had never imagined the like. 'How strange, this shared breath, this mingling of souls.

Micheil growled an oath and shoved through the crowd into the circle. “They’re too young to take up fighting,” he argued. “No one would accost them.” “Were those lads on the whisky wagon too young to be waving their dirks at brigands armed with claymores, then?” That stopped Micheil in his tracks. He drew his weapon. Donal grinned. “That’s better. Let’s dance, shall we?

That was the moment Anna felt something inside her trip and fall, something come clean away from all the snares and traps and tangles of the propriety in which she’d been steeped all these years. And as he began to move, she pressed into him as he had shown her, looked up at him from beneath her lashes as he’d directed, and said, in a purring voice, “My, my, sir, how well you move us about the dance floor! One can’t help but wonder if you move as well in other, more intimate circumstances,” she said, and let her lips stretch into a soft smile. It worked. Grif’s grin faded; he slowed his step a little and blinked down at her for a moment. But that dangerous smile slowly appeared again, starting in his eyes and casually reaching his lips. “If ye were to pose such a question to me, lass, I’d say, ‘As fast or as slow, as soft or as hard as ye’d want, leannan. Pray tell, how would ye want?’” The tingling in her groin was a signal that she was on perilous ground. Anna looked into his green eyes, so dark and so deep that she couldn’t quite determine if this was a game they were playing or something far more dangerous. And her good sense, shaped and controlled from years of living among high society, quietly shut down, allowing the real Anna, the Anna who yearned to be loved, to be held and caressed and adored and know all manner of physical pleasure, to slide deeper into the circle of his arms. “I don’t rightly know how I’d want, sir, other than to say…” Her voice trailed away as she let her gaze roam his face, the perfectly tied neckcloth, the breadth of his shoulders, his thick arms. And then she lifted her gaze to his, saw something smoldering there, and recklessly whispered, “… that I’d most definitely want.” He said nothing. The muscles in his jaw bulged as if he refrained from speaking, and she realized that they had come to a halt. But then his hand spread beneath hers, his palm pressed to her palm, and he laced his fingers between hers, one by one, and with the last one, he closed his hand, gripping hers tightly. “Tha sin glè mhath,” he whispered hoarsely. Anna smiled, lifted a curious brow. “I said, that’s very good, lass. Very good indeed

These things matter. It’s tedious, I know. Any writer worth his weight in pulp would by now have set the hero along a definable journey, or at least created some kind of goal against which to measure his progress as we move forward. I assure you, the foundation has been laid. Characters have been established and the scene is set. Dim the lights and let’s dance. Who says I’m even the hero? Get off my fucking back. I’m no journalist, I’m a musician, for Christ’s sake! Still, the ultimate truth, for our purposes anyway, whether these events are factual or not, is better revealed through the words I choose to describe them. I’d never cheat you of that. I only wish I could see through the back of the page as you make the connections.

Ye are stirring up a lot of trouble, arenae ye?” “Me? I just came to explore this building. She is the one stirring up trouble. She wants Cathal, I think.” “She does, e’en though his Outsider blood sickens her. Edmee would like to be the lady of Cambrun. She has ne’er been able to convince Cathal of that, however. It doesnae help her cause that she makes her contempt of his mother so verra clear. Cathal has ne’er intended to wed with a MacNachton, either. He wants bairns.” Bridget frowned at him. “There is a wee bit more to me than a womb, ye ken.” “Och, aye, a wee bit.” He laughed when she softly hissed in annoyance, then grew serious. “O’er the last few days ’tis evident neither of ye will suffer in the making of a bairn.” He only briefly smiled at her blushes. “Tis a blessing, that. And where is the insult in a mon thinking a woman a good choice as mother to his bairns?” None, she supposed, but she was not about to admit it. “There should be more.” “Ah, poor lass, so unsure of yourself.” He nimbly danced out of her reach when she tried to hit him. “The only thing I will say is that, compared to the rest of us, Cathal is nearly a monk. He isnae one to be caught in embraces with a lass round every corner. And, aye, mayhap he thinks too much on a bairn, but ’tisnae just an heir he seeks, is it? Tis the salvation of his people. Tis no small thing that. So, do ye cease teasing the fool and say aye?” Bridget sighed. “Tisnae an easy thing to decide. Tisnae just my fate, but that of my children I must consider and ye ask me to do it in but a week.” “We are but a wee bit different.” “Och, aye, ye are that.” “But, that shouldnae trouble a Callan, I think.” He sighed when she did not respond to that remark. “We arenae what ye think we are, lass. Nay exactly. I dinnae believe the soulless dead breed bairns.” He smiled gently at the look of consternation that briefly crossed her face. “We are but different. Cursed in some ways, blessed in others, but ’tis Cathal who must tell ye the tale.

In the tumultuous business of cutting-in and attending to a whale, there is much running backwards and forwards among the crew. Now hands are wanted here, and then again hands are wanted there. There is no staying in any one place; for at one and the same time everything has to be done everywhere. It is much the same with him who endeavors the description of the scene. We must now retrace our way a little. It was mentioned that upon first breaking ground in the whale’s back, the blubber-hook was inserted into the original hole there cut by the spades of the mates. But how did so clumsy and weighty a mass as that same hook get fixed in that hole? It was inserted there by my particular friend Queequeg, whose duty it was, as harpooneer, to descend upon the monster’s back for the special purpose referred to. But in very many cases, circumstances require that the harpooneer shall remain on the whale till the whole flensing or stripping operation is concluded. The whale, be it observed, lies almost entirely submerged, excepting the immediate parts operated upon. So down there, some ten feet below the level of the deck, the poor harpooneer flounders about, half on the whale and half in the water, as the vast mass revolves like a tread-mill beneath him. On the occasion in question, Queequeg figured in the Highland costume—a shirt and socks—in which to my eyes, at least, he appeared to uncommon advantage; and no one had a better chance to observe him, as will presently be seen. Being the savage’s bowsman, that is, the person who pulled the bow-oar in his boat (the second one from forward), it was my cheerful duty to attend upon him while taking that hard-scrabble scramble upon the dead whale’s back. You have seen Italian organ-boys holding a dancing-ape by a long cord. Just so, from the ship’s steep side, did I hold Queequeg down there in the sea, by what is technically called in the fishery a monkey-rope, attached to a strong strip of canvas belted round his waist. It was a humorously perilous business for both of us. For, before we proceed further, it must be said that the monkey-rope was fast at both ends; fast to Queequeg’s broad canvas belt, and fast to my narrow leather one. So that for better or for worse, we two, for the time, were wedded; and should poor Queequeg sink to rise no more, then both usage and honor demanded, that instead of cutting the cord, it should drag me down in his wake. So, then, an elongated Siamese ligature united us. Queequeg was my own inseparable twin brother; nor could I any way get rid of the dangerous liabilities which the hempen bond entailed. So strongly and metaphysically did I conceive of my situation then, that while earnestly watching his motions, I seemed distinctly to perceive that my own individuality was now merged in a joint stock company of two; that my free will had received a mortal wound; and that another’s mistake or misfortune might plunge innocent me into unmerited disaster and death. Therefore, I saw that here was a sort of interregnum in Providence; for its even-handed equity never could have so gross an injustice. And yet still further pondering—while I jerked him now and then from between the whale and ship, which would threaten to jam him—still further pondering, I say, I saw that this situation of mine was the precise situation of every mortal that breathes; only, in most cases, he, one way or other, has this Siamese connexion with a plurality of other mortals. If your banker breaks, you snap; if your apothecary by mistake sends you poison in your pills, you die. True, you may say that, by exceeding caution, you may possibly escape these and the multitudinous other evil chances of life. But handle Queequeg’s monkey-rope heedfully as I would, sometimes he jerked it so, that I came very near sliding overboard. Nor could I possibly forget that, do what I would, I only had the management of one end of it.

Well dammit. Trulie hooked her hand into the crook of his elbow and turned toward the bridge. The chilling height of the structure spanning the ravine could no longer be blamed for the tingling dizziness pinging across her senses. Fear of heights was nothing compared to this subtle emotional dance with a heart-stopping Highlander.

Bowing, he offered his hand. "I cannot bear to watch you dance with any other than me." That must have satisfied her curiosity, because she giggled and grasped his hand. "I care not to dance with any other than you...if you can manage to keep up with me." "Are you questioning my stamina?

Lerner held that Brigadoon was one of Minnelli’s least vivacious efforts, despite the potential offered by CinemaScope. Only the wedding scene and the chase that follows reveal Minnelli’s unique touch. Before shooting began, Freed rushed to inform Lerner that “Vincente is bubbling over with enthusiasm about Brigadoon.” But, evidently, his heart was not in this film. Early on, Minnelli made a mistake and confessed to Kelly that he really hadn’t liked the Broadway show. As a film, Brigadoon was curiously flat and rambling, lacking in warmth or charm, and the direction lacks Minnelli’s usual vitality and smooth flow. Admittedly, Lerner’s fairy-tale story was too much of a wistful fancy. Two American hunters go astray in the Scottish hills, landing in a remote village that seems to be lost in time. One of the fellows falls in love with a bonnie lass from the past, which naturally leads to some complications. Minnelli thought that it would be better to set the story in 1774, after the revolts against English rule had ended. For research about the look of the cottages, he consulted with the Scottish Tourist Board in Edinburgh. But the resulting set of the old highland village looks artificial, despite the décor, the Scottish costumes, the heather blossoms, and the scenic backdrops. Inexplicably, some of the good songs that made the stage show stand out, such as “Come to Me, Bend to Me,” “My Mother’s Wedding Day,” and “There But for You Go I,” were omitted from the film. Other songs, such as “The Heather on the Hill” and “Almost Like Being in Love,” had some charm, though not enough to sustain the musical as a whole. Moreover, the energy of the stage dances was lost in the transfer to the screen, which was odd, considering that Kelly and Charisse were the dancers. For some reason, their individual numbers were too mechanical. What should have been wistful and lyrical became an exercise in trickery and by-now-predictable style. With the exception of “The Chase,” wherein the wild Scots pursue a fugitive from their village, the ensemble dances were dull. Onstage, Agnes de Mille’s choreography gave the dance a special energetic touch, whereas Kelly’s choreography in the film was mediocre at best and uninspired at worst. It didn’t help that Kelly and Charisse made an odd, unappealing couple. While he looks thin and metallic, she seems too solemn and often just frozen. The rest of the cast was not much better. Van Johnson, as Kelly’s friend, pouts too much. As Scottish villagers, Barry Jones, Hugh Laing, and Jimmy Thompson act peculiarly, to say the least.

Then she would eat what she liked, wear what she liked, and no one would tell her she had the body of a strumpet and had better take care not to look like one. She almost laughed. Some strumpet she was, considering she spent most of her evenings standing or sitting by a wall while other ladies danced or mingled.

And then I want to write him a letter describing in intricate detail the way the heather on the hills sways rhythmically with the wind, almost like it’s dancing. To make my point: I’m obsessed with Scotland. I came to that realization about five minutes ago, when Dakota slowly pulled around a bend on a narrow road that opens up to a valley. My heart caught in my throat as the landscape unfolded before us.

Isn’t language the backbone of cultural identity? Should I not be able to speak Scottish Gaelic, or at least speak freely in my Scots brogue?

6. Embrace the midge Everyone has a theory on what attracts the Highland midge to certain people. What can be agreed upon is that these miniscule biting insects are the greatest hindrance to enjoying life outdoors in Scotland. The midge is most common in any location where water meets land. They prefer acidic soils, peaty and rich in nutrients, and dance over rushes and reeds in a fast-paced mating ritual. Science suggests some people are more attractive to the midge because of the taste of their blood. Researchers deduced that the blood of subjects with the fewest numbers of bites contained high levels of ketone, a chemical produced when the body burns fat. Personally, I think it's worth running the gamut of midges to sip at least one hot drink on the patio.

As George MacDonald Fraser put it in The General Danced at Dawn: ‘The native highlanders, the Englishmen, and the lowlanders played football on Saturday afternoons and talked about it on Saturday evenings, but the Glaswegians, men apart in this as in most things, played, slept, ate, drank and lived it seven days a week.

Put that down, you ornery old fool.” Melanie swatted at Darcy with a dishtowel, uncaring that her southern roots were showing. “Och, I’m neither auld nor foolish, and I dinna ken what ornery means,” he answered with a grin as he danced away with the pie that had been cooling on the windowsill. Curse the man’s long reach! “That’s a lie. If I’ve told you what ornery means once, I’ve told you a dozen times. The fact that you claim not to remember just proves how apt a description it is.

She clung to Darcy’s arm around her waist with one hand and to the horse’s mane with the other, and tried not to contemplate how disastrous a fall from this height would be to her and her baby. “Dinna fash, Malina,” he said in her ear as the wind licked locks of hair out of her up-do. “Rand willna let you fall. Nor will I.” Her racing heart had the gall to calm at his assurance, and her body had the gall to settle into the cradle of his chest, arms and thighs. She wasn’t enjoying the security of his embrace, she told herself. She was merely trusting her safety to an experienced horseman. Those weren’t giddy butterflies dancing in her tummy each time his fists brushed her lap. It was just a side effect of trying not to hyperventilate.

The tree witches kept to themselves, a self-sufficient coven specializing in certain skills. The witches sang, played music, and danced at the gatherings around the fire, but nothing like what she'd experienced when the gargoyles transformed. After the first night, she was hooked.It was a risk to return but one she was willing to take. She'd ventured to that different world to hear the unique groups, especially to watch the guitarist with hair as black as midnight.

some 2,200ft up, and two miles distant. As if that weren’t enough, Seana Bhraigh and Meall Glac an Ruighe tore into the sky, attempting to upstage Gleann a’ Chadha Dheirg itself. It appeared the sky wanted in on the action too. The clouds had merged into one huge mass which sported virtually every possible variation of black, white and grey. It rippled and undulated as though alive, breathing, and then, as if I couldn’t take any more, the sun appeared again. Through the tiniest break in this veil high above, chinks of light streamed through, flashes raced down to meet me as I appreciated their warmth. The Highlands came alive, light and shadow danced over the lowlands and tore up the mountains. Dark then light, in shadow then illumination, it was the ultimate cinematic experience, and I was the only one there to bear witness. I sat there, open-mouthed for an hour. No-one shared my corner, nobody experienced what I had seen. It was all mine.

Odd in what way?” “She hisses and verra weel, too. She scratches, swipes at one with those verra sharp nails of hers when ye startle her. Ye didnae see her run, but, trust me, she is verra swift and sure of foot. E’en with the full moon, most Outsiders move cautiously. The night and the shadows didnae slow her down at all. She kenned I was there ere she saw me. And, the fact that she saw me in the shadows is, weel, unusual. She dances in the moonlight. E’en though there was no sound to warn her, she kenned something had happened to her people. I watched her tense, crouch, and look about. Tis as if she scented danger upon the air.” And she purrs, Cathal thought, but only said, “Some people have keener senses about such things.” “There

The waiter brought the drinks. After he had moved silently away, I looked at her and said, “You’re not involved in any of this?” She looked into her glass. Several seconds went by. “You want an honest answer, or a really honest answer?” she asked. “Give me both.” “Okay,” she said, nodding. “The honest answer is no.” She took a sip of the Highland Park. Closed her eyes. “The really honest answer is, is…” “Is, not yet,” I said quietly. Her eyes opened and she looked at me. “How do you know?” I watched her for a moment, feeling her distress, seeing an opportunity. “You’re being suborned,” I said. “It’s a process, a series of techniques. If you even half realize it, you’re smarter than most. You’ve also got a chance to do something about it, if you want to.” “What do you mean?” I sipped from my glass, watching the amber liquid glowing in the candlelight, remembering. “You start slow. You find the subject’s limits and get him to spend some time there. He gets used to it. Before long, the limits have moved. You never take him more than a centimeter beyond. You make it feel it’s his choice.” I looked at her. “You told me when you first got to the club you were so shy you could hardly move on the stage.” “Yes, that’s true.” “At that point you would never have done a lap dance.” “No.” “But now you can.” “Yes.” Her voice was low, almost a whisper. “When you did your first lap dance, you probably said you would never let a customer touch you.” “I did say that,” she said. Her voice had gone lower. “Of course you did. I could go on. I could tell you where you’ll be three months from now, six months, a year. Twenty years, if you keep going where you’re going. Naomi, you think this is all an accident? It’s a science. There are people out there who are experts at getting others to do tomorrow what was unthinkable today.” But for her breath, moving rapidly in and out through her nostrils, she was silent, and I wondered if she was fighting tears. I needed to push it just a little further before backing off. “You want to know what’s next for you?” I asked. She looked at me but said nothing.

Pretend mic in hand, she danced into the bedroom, singing Rod Stewart's "Do Ya Think I'm Sexy." She executed a few dance steps she'd read about in books on modern dance. Losing herself to the groove of the music, she swayed and gyrated as she belted out the lyrics. She toed off her shoes and shimmied out of her jeans, bending to slip them over her feet... "I'm thinking this is a sight and a sound I could get used to.

He moved to stand behind her, put his arms around her, and pulled her close to his chest. "I just want to be alone with the girl I love." "Oh, Will." She ought to pull away from him. If she didn't it would only make things harder on both of them, but she couldn't seem to help herself. She sank back into his embrace, soaking up his warmth and the strength of his bond. "That's more like it." He kissed her neck just the way she liked for him to. A little pleasure-sprite danced over her skin.

Is Love such a Common Thing that we, mere men in this God’s World, should deign to turn our Backs to it when it appears before us?

will need to get through the coming cold in a frantic race to survive. When the snows finally come, the weak and the old will sleep forever.

How different this view was from her parent’s croft, where her evening vantage from the doorway was peppered with trees. From there, north of the village and off the main road, she would hear sheep baying the night, and some nights, if the breeze was just right, she could catch the smell of the sea she had never seen. How different this life was than the one she had grown up in. She still worked hard, cooked, cleaned, and sewed, but something else persisted. Here she was in the center of the MacLeod’s, where everything bustled in a way nonexistent at the remote croft of her parents.

We are beautiful in the gifts God gives us,” Meg could hear her mother’s voice echo in her head.

It was a gift from her husband, Prince Albert--though he neglected to wrap it--in 1852, and soon Queen Victoria had dubbed Balmoral, a remote 50,000-acre Scottish estate, “my dear paradise in the highlands.” For generations since, usually in summer, the royals have immersed themselves in local culture: donning kilts, downing kippers and eggs and waking each morning to a lone piper playing outside the Queen’s bedroom window. Removed from many of their daily duties and the paparazzi, the royals are free to mix with the locals: e.g., playing in cricket matches organized by Prince Edward and showing off their Scottish folk-dancing skills at an annual ball for the estate’s workers. Sound like fun? You can do it too. For many years the Queen has rented out several historic cottages on the grounds--some within 300 yards of the castle--for up to $2,000 a week.

Cathal almost smiled at the way Bridget was attempting to act as if nothing had happened. “Ye have naught to say, m’lady?” “I have heard it said that ’tis best to nay indulge the deluded,” she murmured. “And ye think I am deluded?” “What else could one call it when ye tell all who will listen that ye intend to marry a woman ye have just met? One who hasnae said aye, either.” “And why do ye hesitate to say aye? I dinnae think I am hard to look upon. I am wealthy enough to keep ye weel clothed and fed. I am a laird, have good lands, and those lands are weel protected. Ye couldnae find much better at court, although it sounds vain of me to say so.” It might sound vain, but it was the truth, Bridget mused as she took a long drink of cider to wash down the last of her meal. She had no intention of agreeing with that view, however. Neither did she intend to be dragged into a marriage with a man she had just met, one who was knee deep in plots that were stirring up rebellion within his clan. She slowly stood up and looked at Sir Cathal. “I was going to court to see a world outside of the walls of Dunsmuir, to be entertained by the elegant clothes and intriguing gossip, and to dance until my feet hurt. If some fine gentlemon decided to woo me, I might have taken a husband. Please note the use of the word might. Now, if ye will excuse me, I believe I will go and compose a letter to my cousin to explain my delay and let her ken that I will arrive for my visit with her as soon as possible.” “Aye, ye do that, m’lady.” Cathal enjoyed the gentle sway of her slim hips as she walked away. “I am certain we can arrange to visit your kinswoman at some time after we are married.” He grinned when she clenched her hands into tight fists, hesitated briefly, then continued out of the great hall. Mora flashed him a wide grin and hurried after Bridget. “She

She has a temper,” murmured Jankyn. “She set Edmee back on her heels for a moment.” “Aye,” agreed Cathal. “If Lady Bridget was frightened, she hid it weel. Tis good. She will need courage and strength to be my wife.” “I think she will try to escape.” Cathal nodded. “We will watch for it.” “What if she continues to refuse you? Ye cannae want an unwilling bride.” “She willnae be unwilling.” “Ye sound verra sure of that.” “I am. There is an attraction. I feel it and, when I held her hand, I kenned that she felt it, too. Twill take but a wee while for her to understand and accept it.” “Then I hope ye listened carefully to what she said as she left. There were two words ye must needs remember.” “Aye, woo and dance.” “Exactly. Woo and dance. Do ye ken how to dance?” Cathal grimaced. “Nay, but if my wooing isnae enough, I suspect I can learn. Lady Bridget can hiss and scratch all she likes, but, in the end, she will be my wife.

Ah, so ye will escort me to my cousin’s then, will ye?” she said in a voice so sweet she was surprised it did not make her teeth ache. “Nay, they willnae,” drawled an all too familiar voice from behind her. Inwardly cursing, Bridget turned to face Cathal. “I have decided ’tis time for me to continue on my journey.” “And ye decided ye had to do it now? Right now? Without most of your belongings?” “Aye. I got to thinking—” “A dangerous thing for a lass to do. Ow!” Jankyn rubbed his stomach where Bridget had just hit him with her sack of belongings, and grinned at her. “Why are ye nay out with the others, howling at the moon?” “At least I am nay dancing beneath it.” He laughed when she blushed. “Ye were watching me?” “I heard ye singing.” “That was so rude.” If he had been drawn by her singing then he could not have seen her naked, Bridget mused, and relaxed. “I had left the camp to seek a few moments of privacy.” Cathal grasped Bridget by the arm, turning her attention back to him. “Why were ye leaving?” Bridget could feel the blunt truth on the tip of her tongue, but could not bring herself to speak it. It was as if she feared that, in speaking the words, the truth could no longer be ignored. That was absurd. She knew the truth. By the way the three men looked at her, they knew she had guessed all their secrets. It made no difference. She simply could not utter the dark, terrifying name aloud. In some odd, twisted way, she was actually concerned about offending them. “I decided I wasnae going to play your game any longer,” she replied. “I was going to my cousin’s.” “Alone? At night?” “Tis the best time for an escape.” But not here, she realized, and inwardly cursed her own stupidity. At Cambrun high noon on a sunny day would have been a better choice. “I have prepared for a visit with Barbara for months. I want to go to court, to see all the fine clothes, and to watch all the courtiers and their ladies. I want to sit down to a feast and listen to all the whispers about who is sinning with whom. I want to hear the minstrels sing and I want to dance with some fine, courtly gentlemon who will tell me all manner of sweet lies about how bonnie I am. I want—” A squeak of surpise and outrage escaped her when Cathal suddenly picked her up and slung her over his shoulder. The soft laughter of Jankyn and Raibeart only added to her anger over being so roughly handled. Bridget dropped her belongings and proceeded to pound her fists against his broad back. Cathal did not even flinch as he continued to take her back to her bedchamber and that, too, increased her fury. Under her breath she cursed him and his stubborness. “Tis nay just me who is blindly stubborn,” muttered Cathal as he entered the bedchamber and kicked the door shut behind him. “Tis ye who refuses to give up this plan to go to court. And for what? To hear empty flatteries and malicious tales?” He paused by the bed. “Undo your cloak.” Even as she blindly obeyed that terse command, Bridget wondered why she did so. Such quick obedience was not in her nature. She growled softly when her cloak was pulled from her and tossed to the floor. Before she could say anything, she was tossed down onto the bed. Her body was still bouncing slightly when Cathal sprawled on top of her, gently but firmly pinning her down. Bridget scowled at him, more angry than afraid, and tried not to let the beauty of his face distract her. She had a right to be angry and she would hold fast to that feeling no matter how warm and itchy he made her feel. “Ye are staying here,” Cathal said. “I am going to woo ye and then we will be married.” “Oh! What arrogance! Ye may woo me, but that doesnae necessarily mean ye will win me.” Bridget