Robert Traver Quotes

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I fish because I love to. Because I love the environs where trout are found, which are invariably beautiful, and hate the environs where crowds of people are found, which are invariably ugly. Because of all the television commercials, cocktail parties, and assorted social posturing I thus escape. Because in a world where most men seem to spend their lives doing what they hate, my fishing is at once an endless source of delight and an act of small rebellion. Because trout do not lie or cheat and cannot be bought or bribed, or impressed by power, but respond only to quietude and humility, and endless patience. Because I suspect that men are going this way for the last time and I for one don't want to waste the trip. Because mercifully there are no telephones on trout waters. Because in the woods I can find solitude without loneliness. ... And finally, not because I regard fishing as being so terribly important, but because I suspect that so many of the other concerns of men are equally unimportant and not nearly so much fun.
Robert Traver
Plot these days is anti-intellectual and verboten, the mark of the Philistine, the huckster with a pen. There mustn't be too much story and that should be fog-bound and shrouded in heavy symbolism, including the phallic, like a sort of covoluted charade. Symbolism now carries the day, it's the one true ladder of literary heaven.
Robert Traver (Anatomy of a Murder)
animals are strictly dry, they sinless live and swiftly die, but sinful, ginful, rum-soaked men, survive for three-score years and ten.
Robert Traver (Anatomy of a Murder)
A lawyer caught in the toils of a murder case is like a man newly fallen in love: his involvement is total.
Robert Traver
In the polyglot Upper Peninsula of Michigan calling a man, say, an Irishman is rarely an effort to demean or stigmatize him
Robert Traver (Anatomy of a Murder)
The prosecutor’s by obligation is a special mind,” he had written, “mongoose quick, bullying, devious, unrelenting, forever baited to ensnare. It is almost duty bound to mislead, and by instinct dotes on confusing and flourishes on weakness. Its search is for blemishes it can present as scars, its obligation to raise doubts or sour with suspicion. It asks questions not to learn but to convict, and can read guilt into the most innocent of answers. Its hope, its aim, its triumph is to addle a witness into confession by tricking, exhausting, or irritating him into a verbal indiscretion which sounds like a damaging admission. To natural lapses of memory it gives the appearance either of stratagems for hiding misdeeds or, worse still, of lies, dark and deliberate. Feigned and wheedling politeness, sarcasm that scalds, intimidation, surprise, and besmirchment by innuendo, association, or suggestion, at the same time that any intention to besmirch is denied—all these as methods and devices are such staples in the prosecutor’s repertory that his mind turns to them by rote.
Robert Traver (Anatomy of a Murder)
Judges, like most people, may be divided roughly into four classes: judges with neither head nor heart—they are to be avoided at all costs; judges with head but no heart—they are almost as bad; then judges with heart but no head—risky but better than the first two, and finally, those rare judges who possess both head and a heart. ROBERT TRAVER Anatomy of a Murder (1958) The
Tony Lyons (The Little Black Book of Lawyer's Wisdom)
I swung around downtown and slowed down to miss a solitary drunk emerging blindly from the Tripoli bar and out upon the street in a sort of gangling somnambulistic trot, pursued on his way by the hollow roar of the juke box from the ghastly lit and empty bar. 'Sunstroke,' I murmured absently. 'Simply a crazed victim of the midnight sun.' As I parked my mud-spattered Coupe alongside the Miners' State Bank, across from my office over the dime store, I reflected that there were few more forlorn and lonely sounds than the midnight wail of a jukebox in a deserted small town, those raucous proclamations of joy and fun where, instead, there dwelt only fatigue and hangover and boredom. To me the wavering hoot of an owl sounded utterly gay by comparison.
Robert Traver (Anatomy of a Murder)
I saw that I had forgotten how beautiful the drive to Thunder Bay was; the towering sighing groves of fragrant Norway pines, the broad expanses of clean white sand, the sea gulls, always the endlessly wheeling sea gulls; an occasional bald eagle seeming bent on soaring straight up to heaven; the intermittent craggy and pine-clad granite or sandstone hills, sometimes rising gauntly to the dignity of small mountains, then again, sudden stretches of sand or more majestic Norway pines -- and always, of course, the vast glittering heaving lake, the world's largest inland sea, as treacherous and deceitful as a spurned woman, either caressing or raging at the shore, more often turbulent than not, but today on its best company manners, presenting the falsely placid aspect of a mill pond.
Robert Traver (Anatomy of a Murder)
C’est vrai, je n’ai jamais repensé à mon enfance. À présent cependant, elle se trouve soudain à nouveau devant moi, et je suis à nouveau un enfant. Mon père est là à nouveau, son pas lourd résonne, comme jadis, revenant à la maison, il apporte la sécurité, la tranquillité et la protection avec lui. Ma mère est là à nouveau ; elle s’empresse laborieusement à travers les chambres, sans cesse en activité, sans cesse à se soucier de ses enfants et de sa maison. Et dans la cuisine les domestiques travaillent, ils nettoient et rangent et cuisinent les merveilleux gâteaux de fête. L’odeur du gâteau remplit à nouveau la maison, cette odeur, dans laquelle toute l’enfance est celée. Je roule à nouveau, comme jadis, dans les rues hivernales, je me plonge profondément dans les sièges mous de la voiture, autour de moi règnent le tourbillon des flocons de neige, le tintement des grelots et le bruit de l’agitation de la rue. À ma droite et à ma gauche cependant se trouvent mes parents qui m’entourent de leur amour et de leur protection. Tout cela est là à nouveau, mais ce ne sont pas que des souvenirs isolés ou des images, au contraire ils forment un tout, une seule sensation, une seule odeur…
Robert Flinker (Le Voyageur)
for all its lurching and shambling imbecilities, the law—and only the law—is what keeps our society from bursting apart at the seams, from becoming a snarling jungle. While the law is not perfect, God knows, no other system has yet been found for governing men except violence. The law is society’s safety valve, its most painless way to achieve social catharsis; any other way lies anarchy.
Robert Traver (Anatomy of a Murder)
the main trouble with the world was the people in
Robert Traver (Anatomy of a Murder)
Bien sûr que la valeur est produite par le travail ! Quoique... Ne rejoint-on pas le credo solennel du marxisme du mouvement ouvrier, son "point de vue du travail", sa glorification du prolétariat "créateur de valeur" ? L'ironie de l'affaire veut du reste que le marxisme traditionnel comprenne son propre "point de vue" complètement de travers, puisque tout en affirmant que la "classe qui crée la valeur" est celle des producteurs, il cantonne néanmoins l'abstraction valeur à la sphère de la circulation.
Robert Kurz (The Substance of Capital (The Life and Death of Capitalism))