Robert Stack Quotes

He trailed off as he saw the books. Piles and stacks of them beside the sofa, another stack on the coffee table, a sea of them on her dining table. Jesus Christ, Dane, you need treatment.

These are the things that life is all about. These moments. It’s not about the rituals. It’s not about getting by. It’s about the stack of tiny little moments of joy and love that add up to a lifetime that’s been worthwhile. You can’t measure them; you can only capture them, like snapshots in your mind.

The Armful For every parcel I stoop down to seize I lose some other off my arms and knees, And the whole pile is slipping, bottles, buns, Extremes too hard to comprehend at. once Yet nothing I should care to leave behind. With all I have to hold with hand and mind And heart, if need be, I will do my best. To keep their building balanced at my breast. I crouch down to prevent them as they fall; Then sit down in the middle of them all. I had to drop the armful in the road And try to stack them in a better load.

The room was a compact, informal library. Books stood or were stacked on the shelves that ran along two walls from floor to ceiling, sat on the tables like knickknacks, trooped around the room like soldiers. They struck Malory as more than knowledge or entertainment, even more than stories or information. They were colour and texture, in a haphazard yet somehow intricate decorating scheme. The short leg of the L-shaped room boasted still more books, as well as a small table that held the remains of Dana's breakfast. With her hands on her hips, Dana watched Malory's perusal of her space. She'd seen the reaction before. 'No I haven't read them all, but I will.And no I don't know how many I have. Want coffee?' Let me just ask this. Do you ever actually use the services of the library?' Sure, but I need to own them. If I don't have twenty or thirty books right here, waiting to be read, I start jonesing. That's my compulsion.

Reluctantly, he swept the evidence of their bliss back into a neat pile, nearer to where their misery was already neatly stacked. All of it to be sustenance for beasts anyway.

Thinking back, I don’t know how anyone else who grew up when I did didn’t become obsessed with true crime. The ’80s practically forced it down our throats in the name of TV ratings. There isn’t one person my age who doesn’t still get the chills when they hear the gravelly, soothing voice of Robert Stack or hear the creepy theme song from Unsolved Mysteries.

Here is my room, in the yellow lamplight and the space heater rumbling: Indian rug red as Cochise's blood, a desk with seven mystic drawers, a chair covered in material as velvety blue-black as Batman's cape, an aquarium holding tiny fish so pale you could see their hearts beat, the aforementioned dresser covered with decals from Revell model airplane kits, a bed with a quilt sewn by a relative of Jefferson Davis's, a closet, and the shelves, oh, yes, the shelves. The troves of treasure. On those shelves are stacks of me: hundreds of comic books- Justice League, Flash, Green Lantern, Batman, the Spirit, Blackhawk, Sgt. Rock and Easy Company, Aquaman, and the Fantastic Four... The shelves go on for miles and miles. My collection of marbles gleams in a mason jar. My dried cicada waits to sing again in the summer. My Duncan yo-yo that whistles except the string is broken and Dad's got to fix it.

So it enables the voice of Robert Stack or someone else like him to do for us what it needs to, which is remind us that every moment of our lives is plugged in. Every moment is crucial. And if we recognize this and embrace it, we will one day be able to look back and understand and feel and regret and reminisce and, if we are lucky, cherish.

It's not about getting by. It's about the stack of tiny little moments of joy and love that add up to a lifetime that's been worthwhile. You can't measure them; you can only capture them, like snapshots in your mind.

On those shelves are stacks of me: hundreds of comic books — Justice League, Flash, Green Lantern, Batman, the Spirit, Blackhawk, Sgt. Rock and Easy Company, Aquaman, and the Fantastic Four. There are Boy’s Life magazines, dozens of issues of Famous Monsters of Filmland, Screen Thrills, and Popular Mechanics. There is a yellow wall of National Geographics, and I have to blush and say I know where all the African pictures are.

But when I began researching Robert Moses’ expressway-building, and kept reading, in textbook after textbook, some version of the phrase “the human cost of highways” with never a detailed examination of what the “human cost” truly consisted of or of how it stacked up against the benefits of highways, I found myself simply unable to go forward to the next chapter. I felt I just had to try to show—to make readers not only see but understand and feel—what “human cost” meant.

The cryptek bowed, obsequious. "The stacks are full, my lord. We are over capacity. I have humbly suggested that we expand the collection into the space currently occupied by the wine cellars". "But then where would I put my wine, librarian?" "You... you do not drink wine, my lord." "Of course I don't,' Trazyn snapped. "It's far too valuable. Request denied.

Chris reflected that a horrific place like this, with all the odds so grotesquely stacked against him, was where the Doctor magnificently belonged.

New Beat Books, 2016. Kindle. Sullivan, Harry Stack, and Helen Swick Perry.

Work by Martha Farah of the University of Pennsylvania, Tom Boyce of UCSF, and others demonstrates something outrageous: By age five, the lower a child’s socioeconomic status, on the average, the (a) higher the basal glucocorticoid levels and/or the more reactive the glucocorticoid stress response, (b) the thinner the frontal cortex and the lower its metabolism, and (c) the poorer the frontal function concerning working memory, emotion regulation, impulse control, and executive decision making; moreover, to achieve equivalent frontal regulation, lower-SES kids must activate more frontal cortex than do higher-SES kids. In addition, childhood poverty impairs maturation of the corpus callosum, a bundle of axonal fibers connecting the two hemispheres and integrating their function. This is so wrong—foolishly pick a poor family to be born into, and by kindergarten, the odds of your succeeding at life’s marshmallow tests are already stacked against you.34

Her son seemed to be belatedly rebelling against all his celebrated accomplishments- as well as the responsibilities inherent in them, the obligations to own his talents.In that rebellion, she saw a young man who was confused and upset that his life wasn't stacking up to be what he and everyone around him had always assumed it would.

The connection between childhood adversity and frontocortical maturation pertains to childhood poverty. Work by Martha Farah of the University of Pennsylvania, Tom Boyce of UCSF, and others demonstrates something outrageous: By age five, the lower a child’s socioeconomic status, on the average, the (a) higher the basal glucocorticoid levels and/or the more reactive the glucocorticoid stress response, (b) the thinner the frontal cortex and the lower its metabolism, and (c) the poorer the frontal function concerning working memory, emotion regulation, impulse control, and executive decision making; moreover, to achieve equivalent frontal regulation, lower-SES kids must activate more frontal cortex than do higher-SES kids. In addition, childhood poverty impairs maturation of the corpus callosum, a bundle of axonal fibers connecting the two hemispheres and integrating their function. This is so wrong—foolishly pick a poor family to be born into, and by kindergarten, the odds of your succeeding at life’s marshmallow tests are already stacked against you.

Strike's eyes followed her hand, but what caught his attention was not the small stack of neatly written papers she was showing him, but the sapphire engagement ring. There was a pause. Robin wondered why her heart was pummeling her ribs. How ridiculous to feel defensive . . . it was up to her whether she married Matthew . . . ludicrous even to feel she had to state that to herself . . .

Irrelevant’ Chris Fogle turns a page. Howard Cardwell turns a page. Ken Wax turns a page. Matt Redgate turns a page. ‘Groovy’ Bruce Channing attaches a form to a file. Ann Williams turns a page. Anand Singh turns two pages at once by mistake and turns one back which makes a slightly different sound. David Cusk turns a page. Sandra Pounder turns a page. Robert Atkins turns two separate pages of two separate files at the same time. Ken Wax turns a page. Lane Dean Jr. turns a page. Olive Borden turns a page. Chris Acquistipace turns a page. David Cusk turns a page. Rosellen Brown turns a page. Matt Redgate turns a page. R. Jarvis Brown turns a page. Ann Williams sniffs slightly and turns a page. Meredith Rand does something to a cuticle. ‘Irrelevant’ Chris Fogle turns a page. Ken Wax turns a page. Howard Cardwell turns a page. Kenneth ‘Type of Thing’ Hindle detaches a Memo 402-C(1) from a file. ‘Second-Knuckle’ Bob McKenzie looks up briefly while turning a page. David Cusk turns a page. A yawn proceeds across one Chalk’s row by unconscious influence. Ryne Hobratschk turns a page. Latrice Theakston turns a page. Rotes Group Room 2 hushed and brightly lit, half a football field in length. Howard Cardwell shifts slightly in his chair and turns a page. Lane Dean Jr. traces his jaw’s outline with his ring finger. Ed Shackleford turns a page. Elpidia Carter turns a page. Ken Wax attaches a Memo 20 to a file. Anand Singh turns a page. Jay Landauer and Ann Williams turn a page almost precisely in sync although they are in different rows and cannot see each other. Boris Kratz bobs with a slight Hassidic motion as he crosschecks a page with a column of figures. Ken Wax turns a page. Harriet Candelaria turns a page. Matt Redgate turns a page. Ambient room temperature 80° F. Sandra Pounder makes a minute adjustment to a file so that the page she is looking at is at a slightly different angle to her. ‘Irrelevant’ Chris Fogle turns a page. David Cusk turns a page. Each Tingle’s two-tiered hemisphere of boxes. ‘Groovy’ Bruce Channing turns a page. Ken Wax turns a page. Six wigglers per Chalk, four Chalks per Team, six Teams per group. Latrice Theakston turns a page. Olive Borden turns a page. Plus administration and support. Bob McKenzie turns a page. Anand Singh turns a page and then almost instantly turns another page. Ken Wax turns a page. Chris ‘The Maestro’ Acquistipace turns a page. David Cusk turns a page. Harriet Candelaria turns a page. Boris Kratz turns a page. Robert Atkins turns two separate pages. Anand Singh turns a page. R. Jarvis Brown uncrosses his legs and turns a page. Latrice Theakston turns a page. The slow squeak of the cart boy’s cart at the back of the room. Ken Wax places a file on top of the stack in the Cart-Out box to his upper right. Jay Landauer turns a page. Ryne Hobratschk turns a page and then folds over the page of a computer printout that’s lined up next to the original file he just turned a page of. Ken Wax turns a page. Bob Mc-Kenzie turns a page. Ellis Ross turns a page. Joe ‘The Bastard’ Biron-Maint turns a page. Ed Shackleford opens a drawer and takes a moment to select just the right paperclip. Olive Borden turns a page. Sandra Pounder turns a page. Matt Redgate turns a page and then almost instantly turns another page. Latrice Theakston turns a page. Paul Howe turns a page and then sniffs circumspectly at the green rubber sock on his pinkie’s tip. Olive Borden turns a page. Rosellen Brown turns a page. Ken Wax turns a page. Devils are actually angels. Elpidia Carter and Harriet Candelaria reach up to their Cart-In boxes at exactly the same time. R. Jarvis Brown turns a page. Ryne Hobratschk turns a page. ‘Type of Thing’ Ken Hindle looks up a routing code. Some with their chin in their hand. Robert Atkins turns a page even as he’s crosschecking something on that page. Ann Williams turns a page. Ed Shackleford searches a file for a supporting document. Joe Biron-Maint turns a page. Ken Wax turns a page.

Great diggings and foundations spread across what had been the Warders’ practice yard, tall wooden cranes and stacks of cut marble and granite. Masons and laborers swarmed over the workings like ants, and endless streams of wagons trailed through the gates onto the Tower grounds, bringing more stone. To one side stood a wooden “working model,” as the masons called it, big enough for men to enter crouching on their heels and see every detail, where every stone should go. Most of the workmen could not read, after all—neither words nor mason’s drawn plans. The “working model” was as large as some manor houses. When any king or queen had a palace, why should the Amyrlin Seat be relegated to apartments little better than those of many ordinary sisters? Her palace would match the White Tower for splendor, and have a great spire ten spans higher than the Tower itself. The blood had drained from the chief mason’s face when he heard that. The Tower had been Ogier-built, with assistance from sisters using the Power. One look at Elaida’s face, however, set Master Lerman bowing and stammering that of course all would be done as she wished. As if there had been any question. Her mouth tightened with exasperation. She had wanted Ogier masons again, but the Ogier were confining themselves to their stedding for some reason. Her summons to the nearest, Stedding Jentoine, in the Black Hills, had been met with refusal. Polite, yet still refusal, without explanation, even to the Amyrlin Seat.

Cheating in a game of cards can involve “stacking the deck”—arranging the cards in a way that advantages yourself while ensuring your opponent loses. It is almost certain that this is the way special counsel Robert Mueller approached his investigation. He chose to hire for his staff a group of lawyers who are Democrats and others, like Strzok and Page, who vented in their messages their hostility toward Trump. Factor into the equation Mueller and Rosenstein’s own disqualifying conflicts of interest, and you have an investigation that bears no resemblance to fairness.

We make a right down a smaller corridor and head to the very last door on the left. He grips the handle and swings it open, revealing a bedroom beyond, lit only by the moonlight streaming through the window. If I thought my room was magnificent, it pales in comparison to this. It's easily twice the size of my own, making it seem more like a house than a single bedroom. Though it's filled with a four-poster bed, dresser, and a desk-just as mine is-this room seems lived in. The shelf is overflowing, books stacked at odd angles to make them fit. Several of their worn covers tell me they consist of strategy, combat, and...poetry. Interesting. Everything filling this room is nicer than my own, yet used and worn. This is his room-his real room.

Did you have a kid in your neighborhood who always hid so good, nobody could find him? We did. After a while we would give up on him and go off, leaving him to rot wherever he was. Sooner or later he would show up, all mad because we didn't keep looking for him. And we would get mad back because he wasn't playing the game the way it was supposed to be played. There's hiding and there's finding, we'd say. And he'd say it was hide-and-seek, not hide-and-give-UP, and we'd all yell about who made the rules and who cared about who, anyway, and how we wouldn't play with him anymore if he didn't get it straight and who needed him anyhow, and things like that. Hide-and-seek-and-yell. No matter what, though, the next time he would hide too good again. He's probably still hidden somewhere, for all I know. As I write this, the neighborhood game goes on, and there is a kid under a pile of leaves in the yard just under my window. He has been there a long time now, and everybody else is found and they are about to give up on him over at the base. I considered going out to the base and telling them where he is hiding. And I thought about setting the leaves on fire to drive him out. Finally, I just yelled, "GET FOUND, KID!" out the window. And scared him so bad he probably wet his pants and started crying and ran home to tell his mother. It's real hard to know how to be helpful sometimes. A man I know found out last year he had terminal cancer. He was a doctor. And knew about dying, and he didn't want to make his family and friends suffer through that with him. So he kept his secret. And died. Everybody said how brave he was to bear his suffering in silence and not tell everybody, and so on and so forth. But privately his family and friends said how angry they were that he didn't need them, didn't trust their strength. And it hurt that he didn't say good-bye. He hid too well. Getting found would have kept him in the game. Hide-and-seek, grown-up style. Wanting to hide. Needing to be sought. Confused about being found. "I don't want anyone to know." "What will people think?" "I don't want to bother anyone." Better than hide-and-seek, I like the game called Sardines. In Sardines the person who is It goes and hides, and everybody goes looking for him. When you find him, you get in with him and hide there with him. Pretty soon everybody is hiding together, all stacked in a small space like puppies in a pile. And pretty soon somebody giggles and somebody laughs and everybody gets found. Medieval theologians even described God in hide-and-seek terms, calling him Deus Absconditus. But me, I think old God is a Sardine player. And will be found the same way everybody gets found in Sardines - by the sound of laughter of those heaped together at the end. "Olly-olly-oxen-free." The kids out in the street are hollering the cry that says "Come on in, wherever you are. It's a new game." And so say I. To all those who have hid too good. Get found, kid! Olly-olly-oxen-free.

Starting with Theodor Adorno in the 1950s, people have suggested that lower intelligence predicts adherence to conservative ideology. Some but not all studies since then have supported this conclusion. More consistent has been a link between lower intelligence and a subtype of conservatism, namely right-wing authoritarianism (RWA, a fondness for hierarchy). ... The standard, convincing explanation for the link is that RWA provides simple answers, ideal for people with poor abstract reasoning skills. The literature has two broad themes. One is that rightists are relatively uncomfortable with ambiguity; ... . The other is that leftists, well, think harder, have a greater capacity for what the political scientist Philip Tetlock of the University of Pennsylvania calls "integrative complexity". In one study, conservatives and liberals, when asked about the causes of poverty, both tended toward personal attributions (“They’re poor because they’re lazy”). But only if they had to make snap judgments. Give people more time, and liberals shifted toward situational explanations (“Wait, things are stacked against the poor”). In other words, conservatives start gut and stay gut; liberals go from gut to head. ... Why? Some have suggested it’s a greater respect for thinking, which readily becomes an unhelpful tautology. Linda Skitka of the University of Illinois emphasizes how the personal attributions of snap judgments readily feel dissonant to liberals, at odds with their principles; thus they are motivated to think their way to a more consonant view. In contrast, even with more time, conservatives don’t become more situational, because there’s no dissonance.

it’s a single stack .45 Auto. Glock has not moved to produce such a pistol.

I arrived in Bucksport Maine on the day of Maine Maritime Academy’s 2018 Graduation. Little wonder that all the hotel rooms for miles around were taken but I had lucked out again when I booked a room at the Spring Fountain Motel, just east from Bucksport, on the coastal route, U.S. Hwy 1. It had been a long day meeting, greeting and talking to owners of bookstores between here and Portland but I was happy at how successful my day was. Bucksport had not changed much from 60 years prior. I remembered how my friend and classmate Robert Kane, and I hitch-hiked through here in 1953. Add it up and you’ll see that a lot of water has flowed under the Verona Island Bridge that dominates the landscape but the town of Bucksport has steadfastly refused to change. Read on from page 376 in “Seawater One – Going to Sea” or pages 121 in “Salty & Saucy Maine –Sea Stories from Castine” and now yet another class of midshipmen have graduated! Talking to the new Innkeeper of the Spring Fountain Motel, I found that he had been a professional soccer player in South Africa and had recently lived in New York City. An interesting young man, originally for Pakistan he was working hard to live the American Dream! When I told him my story he didn’t hesitate to order a dozen copies of my books. Displaying the popular “Salty & Saucy Maine” near his cash register is just the latest way my book will become available to the summer tourists. In Bucksport it is also available at Andy Larcher’s cozy bookstore “Book Stacks” and is also at the local library which has all of my books on its shelves. “Salty & Saucy Maine!” Is catching on as a bestselling book in Maine!

He took memory sticks and an external drive from his desk, and cables from the mess on the floor. Pike loaded his gear into the backpack, and we made our way toward the garage. Pike stopped when we reached the living room. “The fish.” The aquarium stood on its stand, bubbling. I said, “What about them?” Tyson said, “We gotta feed them.” We waited while Pike fed the fish, then followed him into the garage. The walls were lined with gray metal shelving units. The shelves were crowded with different-sized boxes and the clutter that accumulates as time passes, and more boxes were stacked on the floor in front of the shelves. Handwriting identified their contents: Christmas/ornaments, Christmas/lights, Tyson—baby clothes, Mom’s lamp. Pike pointed out a small black box clipped to the outside of the garage door’s track, up high by the ceiling and difficult to see. “Transmitter.

As prevalent as disks once were, they are now a dying breed. Soon they will have gone the way of tape drives, floppy drives, and CDs. They are being replaced by RAM. Ask yourself this question: When all the disks are gone, and all your data is stored in RAM, how will you organize that data? Will you organize it into tables and access it with SQL? Will you organize it into files and access it through a directory? Of course not. You’ll organize it into linked lists, trees, hash tables, stacks, queues, or any of the other myriad data structures, and you’ll access it using pointers or references—because that’s what programmers do.

This was a startup. We worked 70 to 80 hours per week. We had the vision. We had the motivation. We had the will. We had the energy. We had the expertise. We had equity. We had dreams of being millionaires. We were full of shit. The C code poured out of every orifice of our bodies. We slammed it here, and shoved it there. We constructed huge castles in the air. We had processes, and message queues, and grand, superlative architectures. We wrote a full seven-layer ISO communications stack from scratch—right down to the data link layer. We wrote GUI code. GOOEY CODE! OMG! We wrote GOOOOOEY code. I personally wrote a 3000-line C function named gi(); its name stood for Graphic Interpreter. It was a masterpiece of goo. It was not the only goo I wrote at Clear, but it was my most infamous. Architecture? Are you joking? This was a startup. We didn’t have time for architecture. Just code, dammit! Code for your very lives!

These are the things that life is all about. These moments. It's not about the rituals. It's not about getting by. It's about the stack of tiny little moments of joy and love that add up to a lifetime that's been worthwhile. You can't measure them; you can only capture them, like snapshots in your mind. All that joy, all that greatness, that's God.

I followed them out. The street at the end of the walk was jammed with media people and broadcast vans and uniformed cops trying to clear a path. Hernandez and Flutey flanked Jonathan and we crossed under the tape, and the media people surged around us, pushing their cameras and microphones at Jonathan and shouting their questions. There were so many broadcast vans that it looked as if we were in a forest of transmitters, each spindly stack pointing at the same invisible satellite 22,500 miles above in geosynchronous orbit, like so many coyotes crying at the moon. I said, “This is nuts.

But how could she have forgotten who he was—a man who could lose himself in a single book, not to mention a world-class, open-stack library, for hours on end?

After the Four Courts bombardment he made his way through the tunnelled buildings to the Gresham Hotel where he found Art O’Connor, de Valera, Robert Barton, Countess Markievicz, Austin Stack, Oscar Traynor and Brugha, ‘all apparently without purpose’.3 The anti-Treaty leaders were courageous, but woefully bad tacticians, disorganised and lacking any overall strategy.

These are the things that life is all about. These moments. It's not about the rituals. It's not about getting by. It's about the stack of tiny little moments of joy and love that add up to a lifetime that's been worthwhile. You can't measure them; you can only capture them, like snapshots in your mind.

The cryptek bowed, obsequious. "The stacks are full, my lord. We are over capacity. I have humbly suggested that we expand the collection into the space currently occupied by the wine cellars". "But then where would I put my wine, librarian?" You... you do not drink wine, my lord." "Of course I don't,' Trazyn snapped. "It's far too valuable. Request denied.

Sun so generous it shall be you, Vapors lighting and shading my face it shall be you, You sweaty brooks and dew it shall be you, Winds whose soft-tickling genitals rub against me it shall be you, Broad muscular fields, branches of liveoak, loving lounger in my winding paths, it shall be you, Hands I have taken, face I have kissed, mortal I have ever touched, it shall be you." Robert stopped, and surveyed her face. Waiting, Lavender supposed, for a response. "The passage strikes me as amorous and carnal, Sir. The parlor grows cold. We need more fire." She rose quickly and scratched around with kindling and sticks Arlo Snook had, in his habitual way, stacked neatly by the fireplace. The task allowed her to turn away from Robert, for in truth, Whitman's words unsettled her, their anatomy parts she'd heard only in ladies' physical education at Cobourg Academy.

The art critic Robert Hughes pointed out that if you were to take the pile of bricks that compromises Carl Andre’s minimalist sculpture Equivalent VIII (1966) out of the museum and place it in a parking lot, it would no longer be a work of art but a neat stack of building materials. If you were to put a sculpture by Rodin in a parking lot, by contrast, it would be a ‘misplaced’ work of art. Hughes was emphasizing that the Rodin is identified as art by its form, while the Andre (which Hughes also admired) is identified as art by the idea behind it. For all that I have issues with this tendency to draw battle lines between form and content, to trust in the aura of an artwork and to assume that art should be found in museums and never parking lots, it does identify a useful distinction: a large part of the contemporary art I like does not aspire to independence from the everyday world but to alert us to it.

A shopping bag from a local hobby store contained kits for making buzzers and doorbells. Jugs of liquid resin and rolls of plastic food wrap sat beside the bag, and a mini-loaf baking pan was wedged between the jugs. Plastic sewing kits were stacked next to X-Acto knives, and so many arts and crafts supplies Amy could open a hobby shop. The

about to commit an unspeakable betrayal. Noise inside the cabin indicated someone moving about. Instinctively, Tracy reached across her body and gripped the butt of her gun. Orr didn’t wait for the door to open. She pushed it in and called out, “Andrea?” Andrea Strickland had been smiling when Orr opened the door. That smile fell quickly, and her expression changed from bewilderment to the purest expression of pain and resignation. “I’m sorry,” Penny Orr said. So was Tracy. She now understood what Orr had been alluding to, why Andrea Strickland had been so desperate to get away. The inside of the small cabin looked like an independent bookstore that had outgrown its space. Stacks

Behind the parking lot was a larger, two-story corrugated-steel building. The front building blocked most of what lay behind it from view, but Pike could see that the grounds were crowded with stacked auto chassis, rusting pipes, and other types of scrap metal. Two new sedans were parked out front on the street, and two more sedans and a large truck were in the parking lot, but the gravel drive was chained off, and a sign in the front office window read CLOSED. As Pike watched, a man in a blue shirt came out of the front office building, and crunched across the parking lot to the corrugated building. As he reached the door, he spoke to someone Pike didn’t see, and then that man stepped out from behind the parked truck. He was a big man with a big gut, and thick legs to carry it. The two men laughed about something, then the man in the blue shirt went into the building. The big man studied the passing traffic, then slowly returned to his place behind the truck. Everything

Puckett's Stacks was not the sort of bookshop one happened upon; it was the sort of bookshop for which one looked deliberately.

The man gave me a stack of papers and said that one of the most painful things about death was the paperwork. I

IT WAS THE COUNTRY OF HER BLOOD, AND AS SHE WATCHED it rise and fall and spread outside the truck window, Iona understood it was the country of her heart. It settled into her like a sip of whiskey on a cold night, warm and comforting. Green hills rolled under a sky layered with clouds, stacked like sheets of linen. The sun shimmered through them, making intermittent swirls of blue luminous as opals. Fat

One of Satya’s first moves was to abolish stack ranking. He worked to reverse the traditional emphasis on rewarding the smartest person in the room, who dominates and pushes around others. He encouraged people to ask questions and listen—to be “learn-it-alls” not know-it-alls. He pressed people to live the One Microsoft philosophy, that the company is not to be “a confederation of fiefdoms” because “innovation and competition don’t respect our silos, so we need to transcend those barriers.” To support this new culture, Satya changed the reward system so that the superstars were people who worked across silos and teams to build products and services with pieces that meshed together well. And so that people deemed as superstars were those who helped others succeed in their careers. The backstabbers who’d flourished under Ballmer changed their ways, left the company voluntarily, or were shown the door.

I found the mass grave at Gate of Heaven cemetery in Hawthorne, New York,” she told me. “I couldn’t believe my eyes. It was a very large pit with AstroTurf thrown over it, which you could actually lift up. Under it one could see dozens of plain wooden coffins, haphazardly stacked. There may have been 100 of them. I learned there was more than one child’s body in each.

I never see any grow. I never see one a-growen.’ ‘I never see one a-growen neither, but they grow all the same. You pick up all the rocks offen this-here hill and in a year there’s as many out again. I lay there’ll be a stack to pick up right here again next year.’ ‘I can’t seem to think it! Rocks a-growen now! They don’t seem alive. They seem dead-like. Maybe they’ve got another kind of way to be alive.’ ‘Maybe they have. All I know is they grow.

According to a story I got from F For Fake — and which probably therefore never happened (or did it?) — an art dealer once went to Picasso and asked him to look over some alleged Picassos he’d been offered, and pick out the fakes. Picasso obligingly stacked the paintings into two piles, “real” and “fake.” Then, as he threw one canvass into the fake pile, the art dealer cried, “But no, Pablo. That’s not a fake. I was visiting here the weekend you painted it.

I will never be afraid to raise my voice and suggest Bitcoin. It brings honesty, truth, and compassion to combat injustices, lies, and greed. If people all over the world would stack Satoshis, it would force change in our NUMEROUS corrupt financial systems.

He’s sitting on the other side of the couch with a stack of paperwork and a laptop.

With young Bobby Stack as her coach, Lombard learned the ways of the shotgun. It was a skill that would pay off later as would her association with the boy who would grow up to be Academy Award-nominated actor Robert Stack. Until the day he died, Stack would be in love with her and never attempt to hide it.

By the time Uncle Ulysses and the sheriff arrived and pushed through the crowd, the lunchroom was a calamity of doughnuts! Doughnuts in the window, doughnuts piled high on the shelves, doughnuts stacked on plates, doughnuts lined up twelve deep all along the counter, and doughnuts still rolling down the little chute, just as regular as a clock can tick.

The postman handed over a stack of letters, along with a box with a clear cellophane window, through which Robin saw a life-size and very realistic plastic fetus. The legend across the top read: It Is Legal To Murder Me. “Oh God, that’s horrible,” said Robin.

The cards are stacked, against any original mind, and perhaps properly so.

In all Mary had 283 protestants killed. Most of them burned at the stack. For ever after the queen will be known as Bloody Mary. Though given the methods involved Crispy Mary what is the more appropriate.

That damned dissertation, stuck in the same place for over a week while he struggled to elucidate the connections between Walter Pater and Oscar Wilde, only to find the whole thing, even what he thought were his most original points, laid out, item for item, in a monograph over twenty years old. What was the point, he thought, of sitting in that stuffy library all day, every day, grinding out dozens of pages of useless “scholarly” prose, to be read by dyspeptic Frank Dunlop, and three other people in the department, and then buried forever in the stacks of the university library. Why was he wasting his time, his mind, his life itself. When he’d tried to explain what he was doing to Leah, one day when she brought him his lunch on a tray, she’d regarded him with a look of such utter incomprehension—not confused, not respectful, not derogatory, just uncomprehending—that he’d been paralyzed in his chair for hours after. Maybe hers was the legitimate, the reasonable, reaction to what he was doing, the reaction of anyone who knew what life was all about—that it wasn’t dropping into a chair each day, banished from the sun and the sky and the trees, to pound a tinny machine and clutter up sheets of paper. More and more, he had been feeling the urge to spend his time outdoors, to breathe the air off the water, to bask in the sun, even to run, barefoot, across the lawns and through the groves of trees.

These are the things that life is all about. These moments. It’s not about the rituals. It’s not about getting by. It’s about the stack of tiny little moments of joy and love that add up to a lifetime that’s been worthwhile. You can’t measure them; you can only capture them, like snapshots in your mind. All that joy, all that greatness, that’s God.

THE 1934 MAVERICK CAMPAIGN also marked Lyndon Johnson’s first involvement with one of the more pragmatic aspects of politics. Awakening early one morning a day or two before the election, in the big room in San Antonio’s Plaza Hotel that he shared with Johnson, L. E. Jones experienced an awakening of another sort. Johnson was sitting at a table in the center of the room—and on the table were stacks of five-dollar bills. “That big table was just covered with money—more money than I had ever seen,” Jones says. Jones never learned who had given the cash to Johnson—so secretive was his boss that he had not even known Johnson had it—but he saw what Johnson did with it. Mexican-American men would come into the room, one at a time. Each would tell Johnson a number—some, unable to speak English, would indicate the number by holding up fingers—and Johnson would count out that number of five-dollar bills, and hand them to him. “It was five dollars a vote,” Jones realized. “Lyndon was checking each name against lists someone had furnished him with. These Latin people would come in, and show how many eligible voters they had in the family, and Lyndon would pay them five dollars a vote.

With his ideas going nowhere and Michael Eisner essentially icing him out of any significant role at the company, Ovitz became angry and embarrassed. Even if he’d been given the authority to genuinely function in his role, though, I think he still would have failed at Disney, because he was just not wired for corporate culture. I would give him a stack of materials in advance of a meeting, and the next day he’d come in not having read any of them and say, “Give me the facts,” then render a fast opinion. There was no sense that he was acting fast because he’d processed all the information. The opposite was the case. He was covering up for not being prepared, and in a company like Disney, if you don’t do the work, the people around you detect that right away and their respect for you disappears. You have to be attentive. You often have to sit through meetings that, if given the choice, you might choose not to sit through. You have to learn and absorb. You have to hear out other people’s problems and help find solutions. It’s all part of being a great manager. The problem was, Michael Ovitz wasn’t a manager, he was still an agent. He knew that business better than anyone, but that’s not the business we were in.

I've got a system." He reached under a stack on the left corner of his desk, pulled out a file. "It's like the magician's tablecloth trick," she commented. "Nicely done." "Want to see me pull a rabbit out of my hat?

I don’t know. Gaeton is pretty stacked. Malone has more cocks than anyone else I know. And there’s Beast’s pretty jewelry. A girl likes options.” His smile doesn’t so much as flicker. “And yet you called my name when you lost control.” Jameson.