Roast Sayings And Quotes

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We approach the house and I wave at Jimmy. "And if he thinks he's eating with us, he's got another thing coming," my dad says. Jimmy approaches us and takes the shopping bags from me, looking inside them. "Lamb roast. Am I invited?
Melina Marchetta (Saving Francesca)
I was not so comfortable with my new authority that I could say 'We eat the chicken now!' but the magus had seen that I was considering it... "My purse is full enough," said the magus, "to keep you supplied with roast chickens." "So, so, so," I said. "We know who the power behind the throne is," and the magus laughed. "You eat more than Gen did after prison," he said. "I have more sympathy with him all the time. Are you going to finish that drumstick?" I asked. "I am. Stop staring at it.
Megan Whalen Turner (A Conspiracy of Kings (The Queen's Thief, #4))
She also didn’t fail to note the hand Lorcan kept on Elide’s back. The glow on the lady’s face. Aelin could guess well enough what that glow was from. Even Lorcan’s dark eyes were bright. It didn’t stop Aelin from catching Lorcan’s stare. And giving him a warning look that conveyed everything she didn’t bother to say: if he broke the Lady of Perranth’s heart, she’d flambé him. And would invite Manon Blackbeak to roast some dinner over his burning corpse.
Sarah J. Maas (Kingdom of Ash (Throne of Glass, #7))
But her attention was on the prince across from her, who seemed utterly ignored by his father and his own court, shoved down near the end with her and Aedion. He ate so beautifully, she thought, watching him cut into his roast chicken. Not a drop moved out of place, not a scrap fell on the table. She had decent manners, while Aedion was hopeless, his plate littered with bones and crumbs scattered everywhere, even some on her own dress. She’d kicked him for it, but his attention was too focused on the royals down the table. So both she and the Crown Prince were to be ignored, then. She looked at the boy again, who was around her age, she supposed. His skin was from the winter, his blue-black hair neatly trimmed; his sapphire eyes lifted from his plate to meet hers. “You eat like a fine lady,” she told him. His lips thinned and color stained his ivory cheeks. Across from her, Quinn, her uncle’s Captain of the Guard, choked on his water. The prince glanced at his father—still busy with her uncle—before replying. Not for approval, but in fear. “I eat like a prince,” Dorian said quietly. “You do not need to cut your bread with a fork and knife,” she said. A faint pounding started in her head, followed by a flickering warmth, but she ignored it. The hall was hot, as they’d shut all the windows for some reason. “Here in the North,” she went on as the prince’s knife and fork remained where they were on his dinner roll, “you need not be so formal. We don’t put on airs.” Hen, one of Quinn’s men, coughed pointedly from a few seats down. She could almost hear him saying, Says the little lady with her hair pressed into careful curls and wearing her new dress that she threatened to skin us over if we got dirty. She gave Hen an equally pointed look, then returned her attention to the foreign prince. He’d already looked down at his food again, as if he expected to be neglected for the rest of the night. And he looked lonely enough that she said, “If you like, you could be my friend.” Not one of the men around them said anything, or coughed. Dorian lifted his chin. “I have a friend. He is to be Lord of Anielle someday, and the fiercest warrior in the land.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Thrown at Kuhawk at 460 mph while I was roasting a heart,” Maroc says, showing him a hover-tray. It holds something stone-hard and dead—a bird. A crow.
Misba (The Oldest Dance (Wisdom Revolution, #2))
Excellent,' said one of the Sanzas. "Soon he'll be fat, and we can butcher him like all the others for a Penance Day roast." "What my brother means to say," said the other twin, "is that all the others died of purely natural causes, and you have nothing to fear from us. Now have some more bread.
Scott Lynch (The Republic of Thieves (Gentleman Bastard, #3))
Thomas More syas that the imperial troops, for their enjoyment, are roasting live babies on spits. Oh, he would! says Thomas Cromwell. Listen, soldiers don't do that. They're too busy carrying away everything they can turn into ready money.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
Wow,” he says, shaking his head. “You’re kind of my hero. You just roasted a dead guy.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
I'm tired of hearing you men say that this and that and the other isn't woman's work. Any work is woman's work that a woman can do well.
Edna Ferber (Roast Beef Medium: The Business Adventures of Emma McChesney)
You’re implying that I’m not presentable in public unless I have a full face of makeup on.” “No. I absolutely did not imply that.” “I suppose I should take three hours to curl my hair, too, right?” I make my voice tremble. I am the victim of horrendous misdeeds. “Because I’m not pretty enough the way I am? I suppose you’re embarrassed to bring me around your family unless I conform to society’s impossible beauty standards for females?” His eyes narrow. “You’re right. Your hair’s an embarrassment in its natural state and your face is so anti–female beauty that if you go out like that, I’d insist on you walking backward and ten feet away from me. I want you to go upstairs right now and paint yourself unrecognizable.” He arches his eyebrows. “Did I do that right? Are those the words you’d like to put in my mouth?” My chin drops. He lowers his gaze to a newspaper and flicks the page. He did it for dramatic effect. I know he didn’t get a chance to finish reading the article he was on. “Actually, I’d like to put an apple in your mouth and roast you on a spit,” I say. “Go ahead and wear pajamas to dinner, Naomi. You think that would bother me? You can go out dressed as Santa Claus and I wouldn’t care.” Now I genuinely am insulted. “Why wouldn’t you care?” He raises his eyes to mine. “Because I think you’re beautiful no matter what.” Ugh. That’s really low, even for him.
Sarah Hogle (You Deserve Each Other (You Deserve Each Other, #1))
The sight of all the food stacked in those kitchens made me dizzy. It's not that we hadn't enough to eat at home, it's just that my grandmother always cooked economy joints and economy meat loafs and had the habit of saying, the minute you lifted the first forkful to your mouth, "I hope you enjoy that, it cost forty-one cents a pound," which always made me feel I was somehow eating pennies instead of Sunday roast.
Sylvia Plath (The Bell Jar)
Well, I’m sorry you might possibly be out a bit of money, Jack,” Isabel said. “Jesus, Isabel,” Holloway said. He opened the door. “A bit of money? Try at least a couple billion credits. That’s billion, with a b. Saying that’s a bit of money is like saying a forest fire is a nice way to roast some marshmallows.
John Scalzi (Fuzzy Nation)
Jung has said that to be in a situation where there is no way out, or to be in a conflict where there is no solution, is the classical beginning of the process of individuation. It is meant to be a situation without solution: the unconscious wants the hopeless conflict in order to put ego-consciousness up against the wall, so that the man has to realise that whatever he does is wrong, whichever way he decides will be wrong. This is meant to knock out the superiority of the ego, which always acts from the illusion that it has the responsibility of decision. Naturally, if a man says, "Oh well, then I shall just let everything go and make no decision, but just protract and wriggle out of [it]," the whole thing is equally wrong, for then naturally nothing happens. But if he is ethical enough to suffer to the core of his personality, then generally because of the insolubility of the conscious situation, the Self manifests. In religious language you could say that the situation without issue is meant to force the man to rely on an act of God. In psychological language the situation without issue, which the anima arranges with great skill in a man's life, is meant to drive him into a condition in which he is capable of experiencing the Self. When thinking of the anima as the soul guide, we are apt to think of Beatrice leading Dante up to Paradise, but we should not forget that he experienced that only after he had gone through Hell. Normally, the anima does not take a man by the hand and lead him right up to Paradise; she puts him first into a hot cauldron where he is nicely roasted for a while.
Marie-Louise von Franz (The Interpretation of Fairy Tales: Revised Edition (C. G. Jung Foundation Books Series))
(after Quigley deduces Duane is undead, and says he must not be a legitimate human.) Duane: "Legitimate?!" Plat, shall I legitimately drop you from another cliff?!
Ashley Cope (Unsounded - Volume 2: The Perils of Civilisation)
When we return from the north,” he promises, hand to his heart in an exaggerated way that lets me know he considers this a silly vow rather than a solemn one, “they will wake to find their shoes filled with fine, fat rubies. They can use them to buy new leggings and another roast chicken.” “How will they sell rubies?” I ask him. “Why not leave them something more practical?” He rolls his eyes. “As a prince of Faerie, I flatly refuse to leave cash. It’s inelegant.” Tiernan shakes his head at both of us, then pokes at the foodstuffs, selecting a handful of nuts. “Gift cards are worse,” Oak says when I do not respond. “I would bring shame on the entire Greenbriar line if I left a gift card.” At that, I can’t help smiling a little, despite my heavy heart. “You’re ridiculous.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
If someone tells you they love turkey smothered with cranberry sauce, that they love it more than anything else in the world, you might spend the day roasting that someone a turkey and smothering it with cranberry sauce. If that same someone then takes one little bite and says, 'That'll be all, thank you,' you'll likely go red in the face and hurl both these turkeys our the nearest window because clearly, this person never loved turkey smothered with cranberry sauce in the first place. Little bites are never enough when you love something. When you love something, you want it all. That's how it works. And that's how it was for Archer. Archer didn't want a little taste of adventure with a side of leftover discoveries. Archer wanted the whole turkey and he wanted it stuffed with enough salts and spices to turn his taste buds into sparklers.
Nicholas Gannon (The Doldrums (The Doldrums #1))
The very beginning of Genesis tells us that God created man in order to give him dominion over fish and foul and all creatures. Of course, Genesis was written by a man, not a horse. There is no certainty that God actually did grant man dominion over other creatures. What seems more likely, in fact, is that man invented God to sanctify the dominion that he had usurped for himself over the cow and the horse. Yes, the right to kill a deer or a cow is the only thing all of mankind can agree upon, even during the bloodiest of wars. The reason we take that right for granted is that we stand at the top of the hierarchy. But let a third party enter the game - a visitor from another planet, for example, someone to whom God says, "Thou shalt have dominion over creatures of all other other stars" - and all at once taking Genesis for granted becomes problematic. Perhaps a man hitched to the cart of a Martian or roasted on the spit by inhabitants of the Milky Way will recall the veal cutlet he used to slice on his dinner plate and apologize (belatedly!) to the cow.
Milan Kundera (The Unbearable Lightness of Being)
Well,” I say, “I once saw a show about a guy who bludgeoned his mother to death in the kitchen and then cooked a full meal of pot roast and mashed potatoes, so anything is possible.” “Iris,” Alice says wearily. “You seem like such a nice person and her your brain is full of horrible things.
Liz Lawson (The Agathas (The Agathas #1))
Some enterprising rabbit had dug its way under the stakes of my garden again. One voracious rabbit could eat a cabbage down to the roots, and from the looks of things, he'd brought friends. I sighed and squatted to repair the damage, packing rocks and earth back into the hole. The loss of Ian was a constant ache; at such moments as this, I missed his horrible dog as well. I had brought a large collection of cuttings and seeds from River Run, most of which had survived the journey. It was mid-June, still time--barely--to put in a fresh crop of carrots. The small patch of potato vines was all right, so were the peanut bushes; rabbits wouldn't touch those, and didn't care for the aromatic herbs either, except the fennel, which they gobbled like licorice. I wanted cabbages, though, to preserve a sauerkraut; come winter, we would want food with some taste to it, as well as some vitamin C. I had enough seed left, and could raise a couple of decent crops before the weather turned cold, if I could keep the bloody rabbits off. I drummed my fingers on the handle of my basket, thinking. The Indians scattered clippings of their hair around the edges of the fields, but that was more protection against deer than rabbits. Jamie was the best repellent, I decided. Nayawenne had told me that the scent of carnivore urine would keep rabbits away--and a man who ate meat was nearly as good as a mountain lion, to say nothing of being more biddable. Yes, that would do; he'd shot a deer only two days ago; it was still hanging. I should brew a fresh bucket of spruce beer to go with the roast venison, though . . . (Page 844)
Diana Gabaldon (Drums of Autumn (Outlander, #4))
Consider that, if you talk, if you babble, you will sacrifice the head of your master, who has so much confidence in your fidelity that he has answered for you to us. But remember also that if by any fault of yours any such calamity should befall d'Artagnanan I will hunt you out wherever you may be and completely perforate you." "Oh, sir!" cried Planchet, humiliated at the suspicion, and particularly alarmed by the calmness of the musketeer. "And I," said Porthos, rolling his great eyes, "remember, that I will skin you alive." "Ah, sir!" "And I," said Aramis, with his soft and melodious voice, "remember, that I will roast you at a slow fire, as if you were an untutored savage." "Ah, sir!" And Planchet began to cry; but we cannot venture to say whether it was from terror on account of the threats he had heard, or from being affected at seeing so close a union of hearts between the four friends.
Alexandre Dumas (The Three Musketeers)
If there's an invisible assassin in this place, I can only imagine it's the Devil himself, I dare say he feels quite at home.
Philip Pullman (The Amber Spyglass (His Dark Materials, #3))
On the other hand are the ungodly who want to have a full and secure belly. If anyone talks to them about faith and patience, they mock and despise Him and say, “Can this fool tell us what is good? Yes, you be patient until a roast chicken flies into your mouth. Trust in that and you will starve!
Martin Luther (Reading the Psalms with Luther: The Psalter for Individual & Family Devotions)
My family was big into teasing,” he says. “It’s basically the Florek love language.” I mellow. “I don’t speak Florek, so you’ll need to translate.” “The one thing you really need to know is that we only make fun of people we like.” “What happens when you fall in love? Do you stage a roast? Gift wrap a rubber chicken?
Carley Fortune (One Golden Summer)
ah yes I know them well who was the first person in the universe before there was anybody that made it all who ah that they dont know neither do I so there you are they might as well try to stop the sun from rising tomorrow the sun shines for you he said the day we were lying among the rhododendrons on Howth head in the grey tweed suit and his straw hat the day I got him to propose to me yes first I gave him the bit of seedcake out of my mouth and it was leapyear like now yes 16 years ago my God after that long kiss I near lost my breath yes he said I was a flower of the mountain yes so we are flowers all a womans body yes that was one true thing he said in his life and the sun shines for you today yes that was why I liked him because I saw he understood or felt what a woman is and I knew I could always get round him and I gave him all the pleasure I could leading him on till he asked me to say yes and I wouldnt answer first only looked out over the sea and the sky I was thinking of so many things he didnt know of Mulvey and Mr Stanhope and Hester and father and old captain Groves and the sailors playing all birds fly and I say stoop and washing up dishes they called it on the pier and the sentry in front of the governors house with the thing round his white helmet poor devil half roasted and the Spanish girls laughing in their shawls and their tall combs and the auctions in the morning the Greeks and the jews and the Arabs and the devil knows who else from all the ends of Europe and Duke street and the fowl market all clucking outside Larby Sharons and the poor donkeys slipping half asleep and the vague fellows in the cloaks asleep in the shade on the steps and the big wheels of the carts of the bulls and the old castle thousands of years old yes and those handsome Moors all in white and turbans like kings asking you to sit down in their little bit of a shop and Ronda with the old windows of the posadas glancing eyes a lattice hid for her lover to kiss the iron and the wineshops half open at night and the castanets and the night we missed the boat at Algeciras the watchman going about serene with his lamp and O that awful deepdown torrent O and the sea the sea crimson sometimes like fire and the glorious sunsets and the figtrees in the Alameda gardens yes and all the queer little streets and the pink and blue and yellow houses and the rosegardens and the jessamine and geraniums and cactuses and Gibraltar as a girl where I was a Flower of the mountain yes when I put the rose in my hair like the Andalusian girls used or shall I wear a red yes and how he kissed me under the Moorish wall and I thought well as well him as another and then I asked him with my eyes to ask again yes and then he asked me would I yes to say yes my mountain flower and first I put my arms around him yes and drew him down to me so he could feel my breasts all perfume yes and his heart was going like mad and yes I said yes I will Yes.
James Joyce (Ulysses)
Terence's idea of roughing it consisted of pork pie, veal pie, cold roast beef, a ham, pickles, pickled eggs, pickled beets, cheese, bread and butter, ginger beer and a bottle of port. It was possibly the best meal I had ever had in my life.
Connie Willis (To Say Nothing of the Dog (Oxford Time Travel, #2))
It was like this: you were happy, then you were sad, then happy again, then not. It went on. You were innocent or you were guilty. Actions were taken, or not. At times you spoke, at other times you were silent. Mostly, it seems you were silent—what could you say? Now it is almost over. Like a lover, your life bends down and kisses your life. It does this not in forgiveness— between you, there is nothing to forgive— but with the simple nod of a baker at the moment he sees the bread is finished with transformation. Eating, too, is a thing now only for others. It doesn't matter what they will make of you or your days: they will be wrong, they will miss the wrong woman, miss the wrong man, all the stories they tell will be tales of their own invention. Your story was this: you were happy, then you were sad, you slept, you awakened. Sometimes you ate roasted chestnuts, sometimes persimmons.
Jane Hirshfield (After)
We stood under a roadlamp, thumbing, when suddenly cars full of young kids roared by with streamers flying. 'Yaah! Yaah! we won! we won!' they all shouted. Then they yoohooed us and got great glee out of seeing a guy and a girl on the road. Dozens of such cars passed, full of young faces and 'throaty young voices,' as the saying goes. I hated every one of them. Who did they think they were, yaahing at somebody on the road just because they were little high-school punks and their parents carved the roast beef on Sunday afternoons? Who did they think they were, making fun of a girl reduced to poor circumstances with a man who wanted to belove?
Jack Kerouac (On the Road)
This is what you have to learn. Don’t backtalk. Don’t explain. Don’t protest. Don’t fight it out. Just say, ‘All right, honey,’ and do whatever the hell you want. For example, just this morning, Mark said, ‘Make tacos tonight, babe,’ before he kissed me good-bye. No ‘please’. No, ‘are you feeling like tacos?’ Just ‘make them.’” She tipped her head to the side. “Now, are we having tacos?” She shook her head. “Hell no. We had tacos two days ago. I get he loves my tacos, but eff that. My friend is coming over and I just had tacos. Furthermore, I have to make the damn things. So we’re having a roast. You serve company a good roast. Not freaking tacos.
Kristen Ashley (Raid (Unfinished Hero, #3))
Greek writers of the fifth century B.C. have a way of speaking of, an attitude towards, religion, as though it were wholly a thing of joyful confidence, a friendly fellowship with the gods, whose service is but a high festival for man. In Homer sacrifice is but, as it were, the signal for a banquet of abundant roast flesh and sweet wine; we hear nothing of fasting, of cleansing, and atonement. This we might perhaps explain as part of the general splendid unreality of the heroic saga, but sober historians of the fifth century B.C. express the same spirit. Thucydides is assuredly by nature no reveller, yet religion is to him in the main 'a rest from toil.' He makes Pericles say: 'Moreover we have provided for our spirit very many opportunities of recreation, by the celebration of games and sacrifices throughout the year.
Jane Ellen Harrison (Prolegomena to the Study of Greek Religion (Mythos Books))
such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference. 17 THE FALL AFTER the European trip,
E. Lockhart (We Were Liars)
It’s called “Caliban At Sunset”.’ ‘What at sunset?’ ‘Caliban.’ He cleared his throat, and began: I stood with a man Watching the sun go down. The air was full of murmurous summer scents And a brave breeze sang like a bugle From a sky that smouldered in the west, A sky of crimson, amethyst and gold and sepia And blue as blue as were the eyes of Helen When she sat Gazing from some high tower in Ilium Upon the Grecian tents darkling below. And he, This man who stood beside me, Gaped like some dull, half-witted animal And said, ‘I say, Doesn’t that sunset remind you Of a slice Of underdone roast beef?’ He
P.G. Wodehouse (Jeeves and the Feudal Spirit: (Jeeves & Wooster) (Jeeves & Wooster Series Book 11))
They don’t come to church on Sunday morning to think about new ideas or even the old important ones. They want to hear what they’ve been told before, with only some small variation on what they’ve been hearing all their lives, and then they want to go home and eat pot roast and say it was a good service and feel satisfied. But
Kent Haruf (Benediction)
ONCE UPON A time there was a king who had three beautiful daughters. As he grew old, he began to wonder which should inherit the kingdom, since none had married and he had no heir. The king decided to ask his daughters to demonstrate their love for him. To the eldest princess he said, “Tell me how you love me.” She loved him as much as all the treasure in the kingdom. To the middle princess he said, “Tell me how you love me.” She loved him with the strength of iron. To the youngest princess he said, “Tell me how you love me.” This youngest princess thought for a long time before answering. Finally she said she loved him as meat loves salt. “Then you do not love me at all,” the king said. He threw his daughter from the castle and had the bridge drawn up behind her so that she could not return. Now, this youngest princess goes into the forest with not so much as a coat or a loaf of bread. She wanders through a hard winter, taking shelter beneath trees. She arrives at an inn and gets hired as assistant to the cook. As the days and weeks go by, the princess learns the ways of the kitchen. Eventually she surpasses her employer in skill and her food is known throughout the land. Years pass, and the eldest princess comes to be married. For the festivities, the cook from the inn makes the wedding meal. Finally a large roast pig is served. It is the king’s favorite dish, but this time it has been cooked with no salt. The king tastes it. Tastes it again. “Who would dare to serve such an ill-cooked roast at the future queen’s wedding?” he cries. The princess-cook appears before her father, but she is so changed he does not recognize her. “I would not serve you salt, Your Majesty,” she explains. “For did you not exile your youngest daughter for saying that it was of value?” At her words, the king realizes that not only is she his daughter—she is, in fact, the daughter who loves him best. And what then? The eldest daughter and the middle sister have been living with the king all this time. One has been in favor one week, the other the next. They have been driven apart by their father’s constant comparisons. Now the youngest has returned, the king yanks the kingdom from his eldest, who has just been married. She is not to be queen after all. The elder sisters rage. At first, the youngest basks in fatherly love. Before long, however, she realizes the king is demented and power-mad. She is to be queen, but she is also stuck tending to a crazy old tyrant for the rest of her days. She will not leave him, no matter how sick he becomes. Does she stay because she loves him as meat loves salt? Or does she stay because he has now promised her the kingdom? It is hard for her to tell the difference.
E. Lockhart (We Were Liars)
And Grandma spooned in some beans. “We need one of them psychics,” Grandma said. “I saw on television where you can call them up, and they know everything. They find dead people all the time. I saw a couple of them on a talk show, and they were saying how they help the police with these serial murder cases. I was watching that show, and I was thinking that if I was a serial murderer I’d chop the bodies up in little pieces so those psychics wouldn’t have such an easy job of it. Or maybe I’d drain all the blood out of the body and collect it in a big bucket. Then I’d bury a chicken, and I’d take the victim’s blood and make a trail to the chicken. Then the psychic wouldn’t know what to make of it when the police dug up a chicken.” Grandma helped herself to the gravy boat and poured gravy over her pot roast. “Do you think that’d work?” Everyone but Grandma paused with forks in midair.
Janet Evanovich (High Five (Stephanie Plum, #5))
If man is a hunter, why does he sit around expecting other people to serve him? ‘By George,’ he says, ‘I could hunt the cow myself, but instead I’ll send the wife for roast beef.
Mia Vincy (A Beastly Kind of Earl (Longhope Abbey, #1))
Hey, Mama?” This is Willa, gentle. “This is a lot. It’s so, so much. But I wonder if you want to shift gears? Grandpa is telling you something about—about himself, really. More than he’s telling you something about you, I think.” “Thanks, honey,” I say, and Jamie smiles, says, “Did you just low-key roast Mama for being a narcissist?” I love these kids more every day.
Catherine Newman (Sandwich)
Have you never seen a horse before, lass? They doona answer to ‘horse.’ They have no idea they are horses. ’Tis like sauntering into the forest, saying, ‘Here, boar, boar, boar. I should like to roast you for dinner.
Karen Marie Moning (Kiss of the Highlander (Highlander, #4))
It is not, perhaps, entirely because the whale is so excessively unctuous that landsmen seem to regard the eating of him with abhorrence; that appears to result, in some way, from the consideration before mentioned: i.e. that a man should eat a newly murdered thing of the sea, and eat it too by its own light. But no doubt the first man that ever murdered an ox was regarded as murderer; perhaps he was hung; and if he had been put on his trial by oxen, he certainly would have been; and he certainly deserved it if any murderer does. Go to the meat-market of a Saturday night and see the crowds of live bipeds staring up at the long rows of dead quadrupeds. Does not that sight take a tooth out of the cannibal’s jaw? Cannibals? who is not a cannibal? I tell you it will be more tolerable for the Fejee that salted down a lean missionary in his cellar against a coming famine; it will be more tolerable for that provident Fejee, I say, in the day of judgment, than for thee, civilized and enlightened gourmand, who nailest geese to the ground and featest on their bloated livers in they pate-de-fois-gras. But Stubb, he eats the whale by its own light, does he? and that is adding insult to injury, is it? Look at your knife-handle, there, my civilized and enlightened gourmand dining off that roast beef, what is that handle made of?—what but the bones of the brother of the very ox you are eating? And what do you pick your teeth with, after devouring that fat goose? With a feather of the same fowl. And with what quill did the Secretary of the Society for the Suppression of Cruelty to Ganders formerly indite his circulars? It is only within the last month or two that that society passed a resolution to patronize nothing but steel pens.
Herman Melville (Moby Dick)
Mandy made pot roast for dinner," Vera says. "It was truly terrible. Do you want some?" Gabe rolls his eyes. "I'm so glad you're in retail, with pitches like that. You must be the best. 'Here try this product - it's awful.
Emma Mills (This Adventure Ends)
At some point, I figured that it would be more effective and far funnier to embrace the ugliest, most terrifying things in the world--the Holocaust, racism, rape, et cetera. But for the sake of comedy, and the comedian's personal sanity, this requires a certain emotional distance. It's akin to being a shrink or a social worker. you might think that the most sensitive, empathetic person would make the best social worker, but that person would end up being soup on the floor. It really takes someone strong--someone, dare I say, with a big fat wall up--to work in a pool of heartbreak all day and not want to fucking kill yourself. But adopting a persona at once ignorant and arrogant allowed me to say what I didn't mean, even preach the opposite of what I believed. For me, it was a funny way to be sincere. And like the jokes in a roast, the hope is that the genuine sentiment--maybe even a goodness underneath the joke (however brutal) transcends.
Sarah Silverman (The Bedwetter: Stories of Courage, Redemption, and Pee)
Thomas More says that the imperial troops, for their enjoyment, are roasting live babies on spits. Oh, he would! says Thomas Cromwell. Listen, soldiers don't do that. They're too busy carrying away everything they can turn into ready money.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
There’s never been, she says, a wedding like it. The pastries, the roasts, the tortes, the honey cakes, the strudels, the breads, the jams and the jellies—all for her wedding! Now the wedding is over and Brokheh owns a fur stole and a noodle sieve.
Sholom Aleichem (The Letters of Menakhem-Mendl and Sheyne-Sheyndl and Motl, the Cantor's Son)
I imagine the gods saying, We will make it up to you. We will give you three wishes, they say. Let me see the squirrels again, I tell them. Let me eat some of the great hog stuffed and roasted on its giant spit and put out, steaming, into the winter of my neighborhood when I was usually too broke to afford even the hundred grams I ate so happily walking up the cobbles, past the Street of the Moon and the Street of the Birdcage-Makers, the Street of Silence and the Street of the Little Pissing. We can give you wisdom, they say in their rich voices. Let me go at last to Hugette, I say, the Algerian student with her huge eyes who timidly invited me to her room when I was too young and bewildered that first year in Paris. Let me at least fail at my life. Think, they say patiently, we could make you famous again. Let me fall in love one last time, I beg them. Teach me mortality, frighten me into the present. Help me to find the heft of these days. That the nights will be full enough and my heart feral.
Jack Gilbert
Think of a nectarine, what we eat is the precious, sweet, nectar flesh that surrounds the stone/seed of the plant. The seed is clearly separate from the flesh. The flesh is the thing that is, so to say, given karmically freely. Think of a melon, what we eat is the deliciously tasting flesh of the melon. Not the seeds in the centre which generally get left out of the digestive experience. (Yes, I'm aware that some cultures roast them, but fresh out of the fruit they are none too appealing in my eyes). Think of a papaya, we eat the life giving, juicy, vibrantly colourful, sweet flesh of the papaya. the small black seeds get released back into nature. Or should. Think of an apple. The flesh is savoured, the core, discarded. I could continue ad infinitum.
Mango Wodzak (Destination Eden - Eden Fruitarianism Explained)
Allow me to introduce my shepherd,” The Under-King said from the mist ahead, standing beside a ten-foot-tall black dog. Each of its fangs were as long as one of her fingers. All hooked—like a shark’s. Designed to latch into flesh and hold tight while it ripped and shredded. Its eyes were milky white—sightless. Identical to the Under-King’s. Her light would have no effect on something that was already blind. The dog’s fur—sleek and iridescent enough that it almost resembled scales—flowed over bulky, bunched muscles. Claws like razor blades sliced into the dry ground. Hunt’s lightning crackled, skittering at Bryce’s feet. “That’s a demon,” he ground out. He’d fought enough of them to know. “An experiment of the Prince of the Ravine’s, from the First Wars,” the Under-King rasped. “Forgotten and abandoned here in Midgard during the aftermath. Now my faithful companion and helper. You’d be surprised how many souls do not wish to make their final offering to the Gate. The Shepherd…Well, it herds them for me. As it shall herd you.” “Fry this fucker,” Bryce muttered to Hunt as the dog snarled. “I’m assessing.” “Assess faster. Roast it like a—” “Do not make a joke about—” “Hot dog.” Bryce had no sooner finished saying the words than the hound lunged. Hunt struck, swift and sure, a lightning bolt spearing toward its neck.
Sarah J. Maas (House of Sky and Breath (Crescent City, #2))
She picked up salted butter, thick Greek yoghurt, and cream. The menu was not modest. Her basket was already heavy with Charlotte potatoes, fresh herbs, and a Duchy chicken. It was too hot for a roast chicken, but Piglet had once heard Nigella say something about a house only being home once a chicken was in the oven. And anyway, there would be salads: one chopped and scattered with feta and sumac, another leafy with soft herbs. New potatoes, boiled and dotted with a bright salsa verde. Bread and two types of butter: confit and Parmesan and black pepper.
Lottie Hazell (Piglet)
It was getting late, but sleep was the furthest thing from my racing mind. Apparently that was not the case for Mr. Sugar Buns. He lay back, closed his eyes, and threw an arm over his forehead, his favorite sleeping position. I could hardly have that. So, I crawled on top of him and started chest compressions. It seemed like the right thing to do. "What are you doing?" he asked without removing his arm. "Giving you CPR." I pressed into his chest, trying not to lose count. Wearing a red-and-black football jersey and boxers that read, DRIVERS WANTED. SEE INSIDE FOR DETAILS, I'd straddled him and now worked furiously to save his life, my focus like that of a seasoned trauma nurse. Or a seasoned pot roast. It was hard to say. "I'm not sure I'm in the market," he said, his voice smooth and filled with a humor I found appalling. He clearly didn't appreciate my dedication. "Damn it, man! I'm trying to save your life! Don't interrupt." A sensuous grin slid across his face. He tucked his arms behind his head while I worked. I finished my count, leaned down, put my lips on his, and blew. He laughed softly, the sound rumbling from his chest, deep and sexy, as he took my breath into his lungs. That part down, I went back to counting chest compressions. "Don't you die on me!" And praying. After another round, he asked, "Am I going to make it?" "It's touch-and-go. I'm going to have to bring out the defibrillator." "We have a defibrillator?" he asked, quirking a brow, clearly impressed. I reached for my phone. "I have an app. Hold on." As I punched buttons, I realized a major flaw in my plan. I needed a second phone. I could hardly shock him with only one paddle. I reached over and grabbed his phone as well. Started punching buttons. Rolled my eyes. "You don't have the app," I said from between clenched teeth. "I had no idea smartphones were so versatile." "I'll just have to download it. It'll just take a sec." "Do I have that long?" Humor sparkled in his eyes as he waited for me to find the app. I'd forgotten the name of it, so I had to go back to my phone, then back to his, then do a search, then download, then install it, all while my patient lay dying. Did no one understand that seconds counted? "Got it!" I said at last. I pressed one phone to his chest and one to the side of his rib cage like they did in the movies, and yelled, "Clear!" Granted, I didn't get off him or anything as the electrical charge riddled his body, slammed his heart into action, and probably scorched his skin. Or that was my hope, anyway. He handled it well. One corner of his mouth twitched, but that was about it. He was such a trouper. After two more jolts of electricity--it had to be done--I leaned forward and pressed my fingertips to his throat. "Well?" he asked after a tense moment. I released a ragged sigh of relief,and my shoulders fell forward in exhaustion. "You're going to be okay, Mr. Farrow." Without warning, my patient pulled me into his arms and rolled me over, pinning me to the bed with his considerable weight and burying his face in my hair. It was a miracle!
Darynda Jones (The Curse of Tenth Grave (Charley Davidson, #10))
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth [...]
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Mr. Leopold Bloom ate with relish the inner organs of beasts and fowls,'" he's saying, bending over to gaze down into the deli case. His breath is fogging the glass. I'm watching it suddenly. Watching him. "'He liked thick giblet soup, nutty gizzards, a stuffed roast heart-'" "'Liverslices fried with crustcrumbs, fried hencods' roes,'" I say, and I'm sure I sound a little stunned. I'm not used to boys coming into the deli to quote some of my favorite modernist literature. Even I can't resist that. A boy like him, who, from the first moment, seems to love the things I love.
Phoebe North (Hungry Hearts: 13 Tales of Food & Love)
Can I offer you a slice of this amazing caramelized white chocolate apricot brioche made by my favorite granddaughter?" "You may indeed." When you slice the rich, buttery bread topped with crunchy bits of pearl sugar, you get a swirl of white chocolate, which now also has hints of caramel flavor from having been roasted, and chunks of apricot. It is a good one. Herman loved it and immediately said we would have it in the rotation all summer and to order more apricots. Bubbles hands me two thick pieces of my bread, lightly toasted and lavished with butter. It is delicious, if I do say so myself.
Stacey Ballis (Wedding Girl)
"If you prefer it, Your Excellency, a private room will be free directly: Prince Golitsin with a lady. Fresh oysters have come in." "Ah, oysters!" Stepan Arkadyevich became thoughtful. "How if we were to change our program, Levin?" he said, keeping his finger on the bill of fare. And his face expressed serious hesitation. "Are the oysters good? Mind, now!" "They're Flensburg, Your Excellency. We've no Ostend." "Flensburg will do -- but are they fresh?" "Only arrived yesterday." "Well, then, how if we were to begin with oysters, and so change the whole program? Eh?" "It's all the same to me. I should like cabbage soup and porridge better than anything; but of course there's nothing like that here." "Porridge a la Russe, Your Honor would like?" said the Tatar, bending down to Levin, like a nurse speaking to a child. "No, joking apart, whatever you choose is sure to be good. I've been skating, and I'm hungry. And don't imagine," he added, detecting a look of dissatisfaction on Oblonsky's face, "that I shan't appreciate your choice. I don't object to a good dinner." "I should hope so! After all, it's one of the pleasures of life," said Stepan Arkadyevich. "Well, then, my friend, you give us two -- or better say three-dozen oysters, clear soup with vegetables..." "Printaniere," prompted the Tatar. But Stepan Arkadyevich apparently did not care to allow him the satisfaction of giving the French names of the dishes. "With vegetables in it, you know. Then turbot with thick sauce, then... roast beef; and mind it's good. Yes, and capons, perhaps, and then stewed fruit." The Tatar, recollecting that it was Stepan Arkadyevich's way not to call the dishes by the names in the French bill of fare, did not repeat them after him, but could not resist rehearsing the whole menu to himself according to the bill: "Soupe printaniere, turbot sauce Beaumarchais, poulard a l'estragon, Macedoine de fruits..." and then instantly, as though worked by springs, laying down one bound bill of fare, he took up another, the list of wines, and submitted it to Stepan Arkadyevich. "What shall we drink?" "What you like, only not too much. Champagne," said Levin. "What! to start with? You're right though, I dare say. Do you like the white seal?" "Cachet blanc," prompted the Tatar. "Very well, then, give us that brand with the oysters, and then we'll see." "Yes, sir. And what table wine?" "You can give us Nuits. Oh, no -- better the classic Chablis." "Yes, sir. And your cheese, Your Excellency?" "Oh, yes, Parmesan. Or would you like another?" "No, it's all the same to me," said Levin, unable to suppress a smile.
Leo Tolstoy (Anna Karenina)
For dinner, Victor makes roast chicken, potatoes, and a simple but elegant mâche salad, all with the ingredients we picked up at a market earlier. "The chicken," I say, after taking a bite, "is so good." "Just sea salt, olive oil, garlic, and a little rosemary," he says. "People overcomplicate chicken. That's really all you need.
Sarah Jio (All the Flowers in Paris)
Come hither and chat whilst I roast this pig. Afterward, you can join me in praying to our Redeemer to give thanks for our great victory to free your people. Then he added, "Half your people, since on account of your fair complexion, I reckon you is one half white or thereabouts. Which in and of itself, makes this world even more treacherous for you, sweet dear Onion, for you has to fight within yourself and outside yourself, too, being half a loaf on one side and half the other. Don't worry. The Lord don't have no contention with your condition, for Luke twelve, five says, 'Take not the breast of not just thine own mother into thy hand, but of both thy parents.
James McBride (The Good Lord Bird)
It's not that we hadn't enough to eat at home, it's just that my grandmother always cooked economy joints and economy meat loafs and had the habit of saying, the minute you lifted the first forkful to your mouth, 'I hope you enjoy that, it cost forty-one cents a pound,' which always made me feel I was somehow eating pennies instead of Sunday roast.
Sylvia Plath (The Bell Jar)
Hey, Mama?” This is Willa, gentle. “This is a lot. It’s so, so much. But I wonder if you want to shift gears? Grandpa is telling you something about—about himself, really. More than he’s telling you something about you, I think.” “Thanks, honey,” I say, and Jamie smiles, says, “Did you just low-key roast Mama for being a narcissist?” I love these kids more every day. “I’m sorry, Dad,” I say. “I’m so sorry. What a trauma—to grow up with so much pain in the house.” In his house. In everybody’s house. My god. All the motherless children. All the childless mothers. A canyon the size of a continent, and full of bones. “I can’t even imagine,” I say. “Forgive me.” I reach a hand across the table to him.
Catherine Newman (Sandwich)
When Radha and I were children, we used to play a game. She would ask, “What is the true color of the world, Didi?” And I would say, “Green.” “Why green?” “Because the trees are green. Grass is green. The new buds on the plants are green. Even the parrots are green. Green is the color of the world.” “But, Didi,” Radha would argue, “the wheat stalks are brown. My body is brown. The field mice are brown. No, the world is brown.” “What about blue?” I would say. “The sky is blue. And it covers the whole world, like a mother who loves and embraces all her children. Radha would fall silent, and I would remember that she had known our mother’s love for even fewer years than I did. So I would take her in my arms and hold her, to make her know what it feels like to be loved. Today I know the truth: The true color of the world is black. Anger is black. Shame and scandal are black. Betrayal is black. Hatred is black. And a roasted, smoking body is Black, Black, Black. The world, after witnessing such cruelty, goes black. The waking up to a changed world is black.
Thrity Umrigar (Honor)
Sherlock Holmes and his sidekick Watson decide to go camping one night, right? So they make a campfire, have a bottle of wine, roast some marshmallows. The usual. Then they bed down for the night. Later that night, Holmes wakes up and wakes up Watson. ‘Watson,’ he says, ‘look up at the sky and tell me what you see.’ And Watson says, ‘I can see the stars.’ ‘And what does that tell you?’ Holmes asks. And Watson starts listing things, like that there are millions of stars, and how a clear sky means good weather for the next day, and how the majesty of the cosmos is proof of a powerful God. When he’s done, he turns to Holmes and says ‘What does the night sky tell you, Holmes?’ And Holmes says, ‘That some bastard has stolen our tent!’” Cloud
John Scalzi (The Ghost Brigades (Old Man's War, #2))
Outer space is fucking terrifying. I’m thankful for the ozone layer and the gravitational pull of the moon and whatnot, but they’d have to tie me like a spit-roasted pig to send me out there. The universe keeps expanding and getting colder, chunks of our galaxy are sucked away, black holes hurl through space at millions of miles per hour, and solar superstorms flare up at the drop of a hat. Meanwhile NASA astronauts are out there in their frankly inadequate suits, drinking liters of their own recycled urine, getting alligator skin on the top of their feet, and shitting rubber balls that float around at eye level. Their cerebrospinal fluid expands and presses on their eyeballs to the point that their eyesight deteriorates, their gut bacteria are a shitshow—no pun intended—and gamma rays that could literally pulverize them in less than a second wander around. But you know what’s even worse? The smell. Space smells like a toilet full of rotten eggs, and there’s no escape. You’re just stuck there until Houston allows you to come back home. So believe me when I say: I’m grateful every damn day for those two extra inches.
Ali Hazelwood (Love on the Brain)
Annabelle wore a puzzled expression. “How did he break the chair? Does he have a foul temper? Did he throw it?” “He broke it by sitting on it,” Lillian said with a scowl. “Cousin Eustace is rather l-large boned,” Evie admitted. “Cousin Eustace has more chins than I’ve got fingers,” Lillian said impatiently. “And he was so busy filling his face during the ball that he couldn’t be bothered to make conversation.” “When I went to shake his hand,” Daisy added, “I came away with a half-eaten wing of roast chicken.” “He forgot that he was holding it,” Evie said apologetically. “He did say he was sorry for ruining your glove, as I recall.” Daisy frowned. “That didn’t bother me nearly as much as the question of where he was hiding the rest of the chicken.
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
The Black is roasted, browned, burned. But he deserves to die twice instead of once. He is therefore hanged, or more exactly, what is left of the corpse is hanged. And all those who were not able to help with the cooking applaud now. Hurrah! When everybody has had enough, the corpse is brought down. The rope is cut into small pieces which will be sold for three or five dollars each, souvenirs and lucky charms to be quarreled over by the ladies. "Popular justice," as they say over there, has been done. Calmed down, the crowd congratulate the "organizers," then stream away slowly and cheerfully, as if after a feast… While on the ground, stinking of fat and smoke, a black head, mutilated, roasted, deformed, grins horribly and seems to ask the setting sun, "Is this civilization?
Hồ Chí Minh (On Revolution: Selected Writings, 1920-1966)
Well heed me when ah say, if ye don’t show face on Saturday night, ah will go to that doocot. Ah will go to the doocot and ah will lock the papist in. Once ah have locked him in, ah will set fire to it with him inside. James Jamieson will scream for his mammy, but he will roast.” Hamish paused, and then he asked, “Do you understand me?” Mungo nodded, although Hamish did not turn around to see it.
Douglas Stuart (Young Mungo)
The sight of all the food stacked in those kitchens made me dizzy. It’s not that we hadn’t enough to eat at home, it’s just that my grandmother always cooked economy joints and economy meat loafs and had the habit of saying, the minute you lifted the first forkful to your mouth, “I hope you enjoy that, it cost forty-one cents a pound,” which always made me feel I was somehow eating pennies instead of Sunday roast.
Sylvia Plath (The Bell Jar)
Is the meeting over?” Grace asked. “Should I clean up?” Charlie knew exactly what was going to happen. “He’s going to say he doesn’t want a donut, but he totally does. Save him three. He’ll eat them before lunch and then pretend he didn’t. Oh, and he likes his coffee really black, like almost espresso like.” Grace stopped. “Seriously? I’ve been making it medium.” “He likes really dark roast.” Another swat hit her ass. “I hate everything.
Lexi Blake (Love and Let Die (Masters and Mercenaries, #5))
I really doubt my parents are going to let me stay the night in a remote cabin with a bunch of boys.” “Oh, please, Snow White, Mike’s dad’ll be there. He’s actually kinda funny…you know, in a weird dad kind of way. Don’t worry, your purity will remain intact. Scout’s honor.” She made some sort of gesture with her fingers that Violet assumed was supposed to be an oath, but since Chelsea had never actually been a Girl Scout, it ended up looking more like a peace sign. Or something. Violet maintained her dubious expression. But Chelsea wasn’t about to be discouraged, and she tried to be the voice of reason. “Come on, I think Jay’s checking to see if he can get the time off work. The least you can do is ask your parents. If they say no, then no harm, no foul, right? If they say yes, then we’ll have a kick-ass time. We’ll go hiking in the snow and hang out in front of the fireplace in the evening. We’ll sleep in sleeping bags and maybe even roast some marshmallows. It’ll be like we’re camping.” She beamed a superfake smile at Violet and clasped her hands together like she was begging. “Do it for me. Ple-eease.” Jules came back with their milk shake. It was strawberry, and Chelsea flashed Violet an I-told-you-so grin. Violet finished her tea, mulling over the idea of spending the weekend in a snowy cabin with Jay and Chelsea. Away from town. Away from whoever was leaving her dead animals and creepy notes. It did sound fun, and Violet did love the snow. And the woods. And Jay. She could at least ask. Like Chelsea said, No harm, no foul.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
Hey, ya'll should come home with us. Verdie has a pot roast in the oven that will melt in your mouth," Finn said. He was as tall as Sawyer and had the bluest eyes Jill had ever seen on a man. Callie nodded at his side as she corralled four kids, and Verdie poked her head out around Finn's shoulder to say, "Yes, we'd love to have you. Got plenty of food and plenty of these wild urchins to entertain you. If that don't keep you laughing, then there's a parrot that never shuts up and a bunch of dogs." "And a cat," a little girl said shyly.
Carolyn Brown (The Trouble with Texas Cowboys (Burnt Boot, Texas, #2))
Tell me," she said quietly. "If that [happiness] machine is like you say, has it got an answer to making babies in it somewhere? Can that machine make seventy-year-old people twenty? Also, how does death look when you hide in there with all that happiness?" "Hide!" "If you died from overwork, what should I do today, climb in that big box down there and be happy? Also tell me, Lee, how is our life? You know how our house is. Seven in the morning, breakfast, the kids; all of you gone by eight thirty and it's just me and washing and me and cooking and socks to be darned, weeds to be dug, or I run to the store or polish silver. Who's complaining? I'm just reminding you how the house is put together, Lee, what's in it! So now answer: How do you get all those things I said in one machine?" "That's not how it's built!" "I'm sorry. I got no time to look, then." And she kissed his cheek and went from the room and he lay smelling the wind that blew from the hidden machine below, rich with the odor of those roasted chestnuts that sold in the autumn streets of a Paris he had never known . . .
Ray Bradbury (Dandelion Wine)
have your fish guy remove gills, guts and scales and wash in cold water. Rub inside and out with kosher salt and crushed black pepper. Jam a clove of garlic, a slice of lemon and a few sprigs of fresh herb — say, rosemary and thyme — into the cavity where the guts used to be. Place on a lightly oiled pan or foil and throw the fish into a very hot oven. Roast till crispy and cooked through. Drizzle a little basil oil over the plate — you know, the stuff you made with your blender and then put in your new squeeze bottle? — sprinkle with chiffonaded parsley, garnish with basil top . . . See?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
a red snapper, striped bass, or dorade — have your fish guy remove gills, guts and scales and wash in cold water. Rub inside and out with kosher salt and crushed black pepper. Jam a clove of garlic, a slice of lemon and a few sprigs of fresh herb — say, rosemary and thyme — into the cavity where the guts used to be. Place on a lightly oiled pan or foil and throw the fish into a very hot oven. Roast till crispy and cooked through. Drizzle a little basil oil over the plate — you know, the stuff you made with your blender and then put in your new squeeze bottle? — sprinkle with chiffonaded parsley, garnish with basil top
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
I stood up there for two solid minutes without saying another word. There wasn't one great thing I could say about that man--so I just stared silently at the crowd until my mother realized what I was doing and had my uncle remove me from the podium." Ryle tilts his head. "Are you kidding me? You gave the anti-eulogy at your own father's funeral?" I nod. "I'm not proud of it. I don't think. I mean, if I had my way, he would have been a much better person and I would have stood up there and talked for an hour." Ryle lies back down. "Wow," he says, shaking his head. "You're kind of my hero. You just roasted a dead guy.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
Duck with Quince Sauce / Ánades con Membrillos Serve roast wild duck with a quince sauce: skin quinces, halve them, cut them in thin slices. Then cut up cured ham fat in small dice, fry them till opaque and, when the fat runs, add fine-cut onion, then cook the quinces till they are soft, season them with spices and cinnamon, add a little wine, vinegar, sugar and broth from the stewpot. Roast your duck with cured ham fat, arrange them on toasted slices of bread and pour the sauce over them. This sauce is good for other plump birds too, say curlews or sandgrouse or tender hares, and if you like, you can dress a leg of mutton or cow with it.
Vicky Hayward (New Art of Cookery: A Spanish Friar's Kitchen Notebook by Juan Altamiras)
Megan was able to get me the single most important item in this entire house.” “She got you that new vibrator?” “Jesus . . .” “Oh, the cookbook, right,” he said, remembering. Megan used to work for the Food Network, and was able to secure me a signed copy of the original Barefoot Contessa cookbook. By Ina Garten. Signed to me by the way; one of those “Best wishes, Ina” deals. It honest-to-God said: To Caroline— Best Wishes, Ina Go ahead and be jealous. I’ll wait. Simon, on the other hand, would not. “Okay, so you remember Megan.” “Remember her? Did you not hear me say single most important—” “I got it, babe. Are you at all curious about hearing what they’re up to, or are you just going to spend some head-space time dreaming of Ina and her kitchen?” “And me in her kitchen. If you’re going to get into my daydream, you have to set the scene correctly. I’m there with Ina, in her kitchen in the Hamptons, and we’re cooking up something wonderful for you and her husband, Jeffrey. Something with roasted chicken, which she’ll teach me how to carve perfectly. And roasted carrots, which she’ll pronounce with that subtle New York accent of hers, where it sounds like she’s saying kerrits.” “I worry about you sometimes,” Simon said, reaching over to feel my forehead. “I’m perfectly fine. Don’t worry about me, I’ll continue my fantasy later.
Alice Clayton (Last Call (Cocktail, #4.5))
It is a machine which I invented, designed and built. It is a way of gaining access to a variety of realities. As I say, at the moment it leads to a world created from Henry’s imagination.’ ‘Does he know?’ ‘No, and I’d prefer it if you didn’t tell him. He might be offended.’ ‘What do you mean by variety of realities?’ ‘It means that for any given state of the universe, there are an infinite number of other possibilities. For example, we came to this restaurant and you ordered chicken. You could have ordered fish. A universe where you did order fish is a viable alternative to this one. One where you ordered roast Brontosaurus is more distant and more difficult to access.’ Rosie’s
Iain Pears (Arcadia)
One day Moses was walking in the mountains on his own when he saw a shepherd in the distance. The man was on his knees with his hands spread out to the sky, praying. Moses was delighted. But when he got closer, he was equally stunned to hear the shepherd’s prayer. “Oh, my beloved God, I love Thee more than Thou can know. I will do anything for Thee, just say the word. Even if Thou asked me to slaughter the fattest sheep in my flock in Thy name, I would do so without hesitation. Thou would roast it and put its tail fat in Thy rice to make it more tasty.” Moses inched toward the shepherd, listening attentively. “Afterward I would wash Thy feet and clean Thine ears and pick Thy lice for Thee. That is how much I love Thee.” Having heard enough, Moses interrupted the shepherd, yelling, “Stop, you ignorant man! What do you think you are doing? Do you think God eats rice? Do you think God has feet for you to wash? This is not prayer. It is sheer blasphemy.” Dazed and ashamed, the shepherd apologized repeatedly and promised to pray as decent people did. Moses taught him several prayers that afternoon. Then he went on his way, utterly pleased with himself. But that night Moses heard a voice. It was God’s. “Oh, Moses, what have you done? You scolded that poor shepherd and failed to realize how dear he was to Me. He might not be saying the right things in the right way, but he was sincere. His heart was pure and his intentions good. I was pleased with him. His words might have been blasphemy to your ears, but to Me they were sweet blasphemy.” Moses immediately understood his mistake. The next day, early in the morning, he went back to the mountains to see the shepherd. He found him praying again, except this time he was praying in the way he had been instructed. In his determination to get the prayer right, he was stammering, bereft of the excitement and passion of his earlier prayer. Regretting what he had done to him, Moses patted the shepherd’s back and said: “My friend, I was wrong. Please forgive me. Keep praying in your own way. That is more precious in God’s eyes.” The shepherd was astonished to hear this, but even deeper was his relief. Nevertheless, he did not want to go back to his old prayers. Neither did he abide by the formal prayers that Moses had taught him. He had now found a new way of communicating with God. Though satisfied and blessed in his naïve devotion, he was now past that stage—beyond his sweet blasphemy. “So you see, don’t judge the way other people connect to God,” concluded Shams. “To each his own way and his own prayer. God does not take us at our word. He looks deep into our hearts. It is not the ceremonies or rituals that make a difference, but whether our hearts are sufficiently pure or not.
Elif Shafak
A fire is not improbable, but one of the most likely occurrences. Should the building burn, the jailers or nurses would never think of releasing their crazy patients. This I can prove to you later when I come to tell of their cruel treatment of the poor things intrusted to their care. As I say, in case of fire, not a dozen women could escape. Everyone would be left to roast to death. Even if the nurses were kind, which they are not, it would require more presence of mind than women of their class possess to risk the flames and their own lives while they unlocked the hundred doors for the insane prisoners. Unless there is a change there will someday be a tale of horror never equaled.
Nellie Bly (Ten Days in a Mad-House)
How long is this going to take, Finnikin? Ask him if they have food. You promised me roast pork.” Finnikin rolled his eyes as Moss swung from side to side, trying to dislodge him from his back. “Woman, I’m trying to fight here! Or has that escaped your attention?” Moss reached over his shoulder, grabbed Finnikin by his jerkin, and swung him over his head. But then he stopped suddenly, sliding Finnikin back onto the ground, staring at him. “Finnikin? Did she say Finnikin?” Finnikin felt dizzy, the world spinning out of control. “Finn?” Moss asked again, and then something else seemed to occur to him. “Did you tell her to go get your . . .” He swung around to where the others stood. “Blessed day,” he murmured. “Oh, blessed day.
Melina Marchetta (Finnikin of the Rock (Lumatere Chronicles, #1))
Sherlock Holmes and his sidekick Watson decide to go camping one night, right? So they make a campfire, have a bottle of wine, roast some marshmallows. The usual. Then they bed down for the night. Later that night, Holmes wakes up and wakes up Watson. ‘Watson,’ he says, ‘look up at the sky and tell me what you see.’ And Watson says, ‘I can see the stars.’ ‘And what does that tell you?’ Holmes asks. And Watson starts listing things, like that there are millions of stars, and how a clear sky means good weather for the next day, and how the majesty of the cosmos is proof of a powerful God. When he’s done, he turns to Holmes and says ‘What does the night sky tell you, Holmes?’ And Holmes says, ‘That some bastard has stolen our tent!
John Scalzi (The Ghost Brigades (Old Man's War, #2))
Now, where will I come by a book on etiquette? You wouldn't know if his lordship's got on win the library, would you, love?' Her colour somewhat heightened, she disengaged herself from his embrace, saying: 'No, but I shouldn't think so. He has one about ranks and dignitaries and orders of precedency: is that what you mean?' 'Nay, that's no use to me! I want one that'll tell me how to behave correctly.' 'I am well aware that you are trying to roast me,' said Anthea, resigned to this fate, 'and also that you don't stand in any need of a book on etiquette - though one of *propriety* wouldn't come amiss!' 'I'm not trying to roast you!' declared Hugo. 'I want to know how long you must be acquainted with a lass before it's polite to propose to her!
Georgette Heyer (The Unknown Ajax)
A man on his deathbed left instructions For dividing up his goods among his three sons. He had devoted his entire spirit to those sons. They stood like cypress trees around him, Quiet and strong. He told the town judge, 'Whichever of my sons is laziest, Give him all the inheritance.' Then he died, and the judge turned to the three, 'Each of you must give some account of your laziness, so I can understand just how you are lazy.' Mystics are experts in laziness. They rely on it, Because they continuously see God working all around them. The harvest keeps coming in, yet they Never even did the plowing! 'Come on. Say something about the ways you are lazy.' Every spoken word is a covering for the inner self. A little curtain-flick no wider than a slice Of roast meat can reveal hundreds of exploding suns. Even if what is being said is trivial and wrong, The listener hears the source. One breeze comes From across a garden. Another from across the ash-heap. Think how different the voices of the fox And the lion, and what they tell you! Hearing someone is lifting the lid off the cooking pot. You learn what's for supper. Though some people Can know just by the smell, a sweet stew From a sour soup cooked with vinegar. A man taps a clay pot before he buys it To know by the sound if it has a crack. The eldest of the three brothers told the judge, 'I can know a man by his voice, and if he won't speak, I wait three days, and then I know him intuitively.' The second brother, 'I know him when he speaks, And if he won't talk, I strike up a conversation.' 'But what if he knows that trick?' asked the judge. Which reminds me of the mother who tells her child 'When you're walking through the graveyard at night and you see a boogeyman, run at it, and it will go away.' 'But what,' replies the child, 'if the boogeyman's Mother has told it to do the same thing? Boogeymen have mothers too.' The second brother had no answer. 'I sit in front of him in silence, And set up a ladder made of patience, And if in his presence a language from beyond joy And beyond grief begins to pour from my chest, I know that his soul is as deep and bright As the star Canopus rising over Yemen. And so when I start speaking a powerful right arm Of words sweeping down, I know him from what I say, And how I say it, because there's a window open Between us, mixing the night air of our beings.' The youngest was, obviously, The laziest. He won.
Jalal ad-Din Muhammad ar-Rumi
After his initial homecoming week, after he'd been taken to a bunch of sights by his cousins, after he'd gotten somewhat used to the scorching weather and the surprise of waking up to the roosters and being called Huascar by everybody (that was his Dominican name, something else he'd forgotten), after he refused to succumb to that whisper that all long-term immigrants carry inside themselves, the whisper that says You do not belong, after he'd gone to about fifty clubs and because he couldn't dance salsa, merengue, or bachata had sat and drunk Presidentes while Lola and his cousins burned holes in the floor, after he'd explained to people a hundred times that he'd been separated from his sister at birth, after he spent a couple of quiet mornings on his own, writing, after he'd given out all his taxi money to beggars and had to call his cousin Pedro Pablo to pick him up, after he'd watched shirtless shoeless seven-year-olds fighting each other for the scraps he'd left on his plate at an outdoor cafe, after his mother took them all to dinner in the Zona Colonial and the waiters kept looking at their party askance (Watch out, Mom, Lola said, they probably think you're Haitian - La unica haitiana aqui eres tu, mi amor, she retorted), after a skeletal vieja grabbed both his hands and begged him for a penny, after his sister had said, You think that's bad, you should see the bateys, after he'd spent a day in Bani (the camp where La Inca had been raised) and he'd taken a dump in a latrine and wiped his ass with a corn cob - now that's entertainment, he wrote in his journal - after he'd gotten somewhat used to the surreal whirligig that was life in La Capital - the guaguas, the cops, the mind-boggling poverty, the Dunkin' Donuts, the beggars, the Haitians selling roasted peanuts at the intersections, the mind-boggling poverty, the asshole tourists hogging up all the beaches, the Xica de Silva novelas where homegirl got naked every five seconds that Lola and his female cousins were cracked on, the afternoon walks on the Conde, the mind-boggling poverty, the snarl of streets and rusting zinc shacks that were the barrios populares, the masses of niggers he waded through every day who ran him over if he stood still, the skinny watchmen standing in front of stores with their brokedown shotguns, the music, the raunchy jokes heard on the streets, the mind-boggling poverty, being piledrived into the corner of a concho by the combined weight of four other customers, the music, the new tunnels driving down into the bauxite earth,
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
He’s eating. In the kitchen,” she says. I shake my head, not following what she’s laying down. “The next courses. The … food.” “That’s what most people eat. Food.” The color has drained from Sloane’s face. “Yeah … most …” “I don’t get it—” “You ate a fucking person,” she blurts out. I blink at Sloane once before pulling the bowl back to heave again. “Oh my God, Rowan, it was really gross. You stuffed it in. Couldn’t get enough.” I retch. “You passed out while chewing. I had to scrape it off your tongue so you wouldn’t choke.” I glare at her through watery eyes before vomiting again, though thankfully there’s not much left to get rid of. “Did you know it was a rump roast? I tortured Thorsten until he told me. I had to dig human ass out of your mouth.” “At least you didn’t fucking swallow it, Sloane. Why the fuck didn’t you stop me?” “I tried, but you just went for it. Don’t you remember?
Brynne Weaver (Butcher & Blackbird (The Ruinous Love Trilogy, #1))
Once there was a new bride who wanted to prepare a special roast for her husband. Before putting the roast in the oven, she cut half an inch of meat off each of the two ends, just as she had always seen her mother do. When her husband asked why on earth she would cut off the best part of the roast, the only thing she knew to say was ‘because my mother always made it that way.’ So the next day, the bride went to her mother’s house to ask why she cut the ends off the roast. Just like her daughter, the mother shrugged her shoulders and said, ‘Because my mother always made it that way.’ Now they were both curious. So the two found the bride’s grandmother and together asked, ‘Why do we cut off the ends of a roast before putting it in the oven?’ Shocked, the grandmother cried, ‘You’ve been doing that all these years? I only cut off the ends of my roasts because they never fit into my tiny pan!’
Rachel Held Evans (A Year of Biblical Womanhood)
The client had the boudin blanc, the roasted chicken and the cheesecake," he says. "Cheesecake?" I say, confused by this plain, alien-sounding list. "What sauce or fruits were on the roasted chicken? What shapes was it cut into?" "None, Patrick," he says, also confused. "It was… roasted." "And the cheesecake, what flavor? Was it heated?" I say. "Ricotta cheesecake? Goat cheese? Were there flowers or cilantro in it?" "It was just… regular," he says, and then, "Patrick, you're sweating." "What did she have?" I ask, ignoring him. "The client's bimbo." "Well, she had the country salad, the scallops and the lemon tart," Luis says. "The scallops were grilled? Were they sashimi scallops? In a ceviche of sorts?" I'm asking. "Or were they gratinized?" "No, Patrick," Luis says. "They were… broiled." It's silent in the boardroom as I contemplate this, thinking it through before asking, finally, "What's 'broiled,' Luis?" "I'm not sure," he says. "I think it involves… a pan.
Bret Easton Ellis (American Psycho)
To sit indoors was silly. I postponed the search for Savchenko and Ludmila till the next day and went wandering about Paris. The men wore bowlers, the women huge hats with feathers. On the café terraces lovers kissed unconcernedly - I stopped looking away. Students walked along the boulevard St. Michel. They walked in the middle of the street, holding up traffic, but no one dispersed them. At first I thought it was a demonstration - but no, they were simply enjoying themselves. Roasted chestnuts were being sold. Rain began to fall. The grass in the Luxembourg gardens was a tender green. In December! I was very hot in my lined coat. (I had left my boots and fur cap at the hotel.) There were bright posters everywhere. All the time I felt as though I were at the theatre. I have lived in Paris off and on for many years. Various events, snatches of conversation have become confused in my memory. But I remember well my first day there: the city electrified my. The most astonishing thing is that is has remained unchanged; Moscow is unrecognizable, but Paris is still as it was. When I come to Paris now, I feel inexpressibly sad - the city is the same, it is I who have changed. It is painful for me to walk along the familiar streets - they are the streets of my youth. Of course, the fiacres, the omnibuses, the steam-car disappeared long ago; you rarely see a café with red velvet or leather settees; only a few pissoirs are left - the rest have gone into hiding underground. But these, after all, are minor details. People still live out in the streets, lovers kiss wherever they please, no one takes any notice of anyone. The old houses haven't changed - what's another half a century to them; at their age it makes no difference. Say what you will, the world has changed, and so the Parisians, too, must be thinking of many things of which they had no inkling in the old days: the atom bomb, mass-production methods, Communism. But with their new thoughts they still remain Parisians, and I am sure that if an eighteen-year-old Soviet lad comes to Paris today he will raise his hands in astonishment, as I did in 1908: "A theatre!
Ilya Ehrenburg (Ilya Ehrenburg: Selections from People, Years, Life)
They look like glittering golden cubes!" "And they're melting across the chicken breasts?!" "Wait a minute... OH! MORPHING FURIKAKE RICE!" "WELL, WELL! WHAT HAVE WE HERE?!" "The chicken's already savory and robust aroma... ... is growing even richer and stronger!" "A Furikake topping? At a glance, these look like cubes of some variety of aspic..." "The First and Second Seats were already over the moon about this dish." "Are you saying it is now even more delicious?!" "Aah! Unbelievable! Already the rich scent of roasted chicken tickles the nose!" "Hmph..." "This...? This flavor! I can hardly believe it! The warmth of the chicken has caused the aspic cubes to begin melting into a thick jelly... ... adding new and luxuriant layers to both the flavor and the texture of the dish! The salty savoriness of its flavor seeps quietly into the crispy rice crackers... ... while the scrambled-egg sauce is infused with an even more decadently creamy texture! "The sheer perfect balance of the dish is positively divine! Flavors clash and meld, amplifying and accenting each other in complete harmony! What creative originality! Who would have thought that one simple addition would add so much depth and complexity to the entire dish?!
Yūto Tsukuda (食戟のソーマ 30 [Shokugeki no Souma 30] (Food Wars: Shokugeki no Soma, #30))
Today I've prepared roasted quail spiced with sumac, coriander, and chili, atop sweet corn cachapas, which, as you see, are griddle cakes made from corn. I've also battered and fried fresh courgette blossoms stuffed with farmer's cheese." Elijah swallowed again. It was a deceptively simple dish. The cachapas were perhaps the least complicated, and possibly something royalty might find rather humble, but his uncle Jonathan had gotten the recipe on a voyage that had put in at a port in Venezuela long ago, and Elijah had perfected it over the years whenever he could get enough sweet corn. Princess Adelaide eyed the dish, as though surprised it didn't look more elaborate. She looked up at him with a quizzical expression. He kept his gaze steady. He'd always thought that food was a great equalizer, for whatever someone's creed or race or religion, every person had to eat to survive. This exhibition seemed to confirm his belief. The Royal Exhibition was showcasing the different cultures and cuisines of over thirty countries, and from what Elijah had seen, everyone was welcome, no matter where they hailed from in the world. Elijah's first instinct had been to make something from his food culture, something that would subtly---or perhaps, not so subtly---say, I'm Jewish and there shouldn't be anything wrong with that.
Jennieke Cohen (My Fine Fellow)
Porridge is our soup, our grits, our sustenance, so it's pretty much the go-to for breakfast. For the first time, I ate with a bunch of other Taiwanese-Chinese kids my age who knew what the hell they were doing. Even at Chinese school, there were always kids that brought hamburgers, shunned chopsticks, or didn't get down with the funky shit. They were like faux-bootleg-Canal Street Chinamen. That was one of the things that really annoyed me about growing up Chinese in the States. Even if you wanted to roll with Chinese/Taiwanese kids, there were barely any around and the ones that were around had lost their culture and identity. They barely spoke Chinese, resented Chinese food, and if we got picked on by white people on the basketball court, everyone just looked out for themselves. It wasn't that I wanted people to carry around little red books to affirm their "Chinese-ness," but I just wanted to know there were other people that wanted this community to live on in America. There was on kid who wouldn't eat the thousand-year-old eggs at breakfast and all the other kids started roasting him. "If you don't get down with the nasty shit, you're not Chinese!" I was down with the mob, but something left me unsettled. One thing ABCs love to do is compete on "Chinese-ness," i.e., who will eat the most chicken feet, pig intestines, and have the highest SAT scores. I scored high in chick feet, sneaker game, and pirated good, but relatively low on the SAT. I had made National Guild Honorable Mention for piano when I was around twelve and promptly quit. My parents had me play tennis and take karate, but ironically, I quit tennis two tournaments short of being ranked in the state of Florida and left karate after getting my brown belt. The family never understood it, but I knew what I was doing. I didn't want to play their stupid Asian Olympics, but I wanted to prove to myself that if I did want to be the stereotypical Chinaman they wanted, I could. (189) I had become so obsessed with not being a stereotype that half of who I was had gone dormant. But it was also a positive. Instead of following the path most Asian kids do, I struck out on my own. There's nature, there's nurture, and as Harry Potter teaches us, there's who YOU want to be. (198) Everyone was in-between. The relief of the airport and the opportunity to reflect on my trip helped me realize that I didn't want to blame anyone anymore, Not my parents, not white people, not America. Did I still think there was a lot wrong with the aforementioned? Hell, yeah, but unless I was going to do something about it, I couldn't say shit. So I drank my Apple Sidra and shut the fuck up. (199)
Eddie Huang (Fresh Off the Boat)
As Merripen gave the ribbons to a stableman at the mews, Amelia glanced toward the end of the alley. A pair of street youths crouched near a tiny fire, roasting something on sticks. Amelia did not want to speculate on the nature of the objects being heated. Her attention moved to a group—three men and a woman—illuminated in the uncertain blaze. It appeared two of the men were engaged in fisticuffs. However, they were so inebriated that their contest looked like a performance of dancing bears. The woman’s gown was made of gaudily colored fabric, the bodice gaping to reveal the plump hills of her breasts. She seemed amused by the spectacle of two men battling over her, while a third attempted to break up the fracas. “’Ere now, my fine jacks,” the woman called out in a Cockney accent, “I said I’d take ye both on—no need for a cockfight!” “Stay back,” Merripen murmured. Pretending not to hear, Amelia drew closer for a better view. It wasn’t the sight of the brawl that was so interesting—even their village, peaceful little Primrose Place, had its share of fistfights. All men, no matter what their situation, occasionally succumbed to their lower natures. What attracted Amelia’s notice was the third man, the would-be peacemaker, as he darted between the drunken fools and attempted to reason with them. He was every bit as well dressed as the gentlemen on either side … but it was obvious this man was no gentleman. He was black-haired and swarthy and exotic. And he moved with the swift grace of a cat, easily avoiding the swipes and lunges of his opponents. “My lords,” he was saying in a reasonable tone, sounding relaxed even as he blocked a heavy fist with his forearm. “I’m afraid you’ll both have to stop this now, or I’ll be forced to—” He broke off and dodged to the side just as the man behind him leaped. The prostitute cackled at the sight. “They got you on the ’op tonight, Rohan,” she exclaimed. Dodging back into the fray, Rohan attempted to break it up once more. “My lords, surely you must know”—he ducked beneath the swift arc of a fist—“that violence”—he blocked a right hook—“never solves anything.” “Bugger you!” one of the men said, and butted forward like a deranged goat. Rohan stepped aside and allowed him to charge straight into the side of the building. The attacker collapsed with a groan and lay gasping on the ground. His opponent’s reaction was singularly ungrateful. Instead of thanking the dark-haired man for putting a stop to the fight, he growled, “Curse you for interfering, Rohan! I would’ve knocked the stuffing from him!” He charged forth with his fists churning like windmill blades. Rohan evaded a left cross and deftly flipped him to the ground. He stood over the prone figure, blotting his forehead with his sleeve. “Had enough?” he asked pleasantly. “Yes? Good. Please allow me to help you to your feet, my lord.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
Nice shack," I tell him. "Trade you." "Any day." "Really? You like it?" He seems genuinely pleased. "What's not to like?" He stands back and studies it as if for the first time. He nods. "Huh. Good to know." We climb the three steps on the porch, but I grab his arm as he reaches for the door handle. The contact sends heat through my body, roasting me to the core. "Wait." He pauses mid-motion and stares at my hand. "What? Is something wrong? You're not changing your mind are you?" "No. I just...have to tell you something." "What?" I forced a nervous laugh. "Well, the good news is, you don't have to worry about me rejecting you anymore." He shakes his head. "That is good news. But you say it like it's not." I take a deep breath. Where is a good lightning bolt when you need one? Because even if I take a hundred deep breaths, this will still be humiliating... "Emma?" "I told my mom we were dating," I blurt. There. Doesn't that feel better? Nope. Nope, it doesn't. While his smile surprises me, it mostly mesmerizes me beyond rational thought. "Are you kidding?" he says. I shake my head. "It's the only thing she would believe. So now...now you have to pretend that we're dating if you come to my house. But don't worry, you don't ever have to go over there again. And in a few days, I'll pretend that we broke up." He laughs. "No, you won't. I told her the same thing." "Shut. Up." "Why? What'd I say?" "No, I mean, did you really tell her that? Why would you do that?" He shrugs. "Same reason you did. She wouldn't take no for an answer.
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
Ah yes, the people concerned. That is very important. You remember, perhaps, who they were?’ Depleach considered. ‘Let me see-it’s a long time ago. There were only five people who were really in it, so to speak-I’m not counting the servants-a couple of faithful old things, scared-looking creatures-they didn’t know anything about anything. No one could suspect them.’ ‘There are five people, you say. Tell me about them.’ ‘Well, there was Philip Blake. He was Crale’s greatest friend-had known him all his life. He was staying in the house at the time.He’s alive. I see him now and again on the links. Lives at St George’s Hill. Stockbroker. Plays the markets and gets away with it. Successful man, running to fat a bit.’ ‘Yes. And who next?’ ‘Then there was Blake’s elder brother. Country squire-stay at home sort of chap.’ A jingle ran through Poirot’s head. He repressed it. He mustnot always be thinking of nursery rhymes. It seemed an obsession with him lately. And yet the jingle persisted. ‘This little pig went to market, this little pig stayed at home…’ He murmured: ‘He stayed at home-yes?’ ‘He’s the fellow I was telling you about-messed about with drugs-and herbs-bit of a chemist. His hobby. What was his name now? Literary sort of name-I’ve got it. Meredith. Meredith Blake. Don’t know whether he’s alive or not.’ ‘And who next?’ ‘Next? Well, there’s the cause of all the trouble. The girl in the case. Elsa Greer.’ ‘This little pig ate roast beef,’ murmured Poirot. Depleach stared at him. ‘They’ve fed her meat all right,’ he said. ‘She’s been a go-getter. She’s had three husbands since then. In and out of the divorce court as easy as you please. And every time she makes a change, it’s for the better. Lady Dittisham-that’s who she is now. Open anyTatler and you’re sure to find her.’ ‘And the other two?’ ‘There was the governess woman. I don’t remember her name. Nice capable woman. Thompson-Jones-something like that. And there was the child. Caroline Crale’s half-sister. She must have been about fifteen. She’s made rather a name for herself. Digs up things and goes trekking to the back of beyond. Warren-that’s her name. Angela Warren. Rather an alarming young woman nowadays. I met her the other day.’ ‘She is not, then, the little pig who cried Wee Wee Wee…?’ Sir Montague Depleach looked at him rather oddly. He said drily: ‘She’s had something to cry Wee-Wee about in her life! She’s disfigured, you know. Got a bad scar down one side of her face. She-Oh well, you’ll hear all about it, I dare say.’ Poirot stood up. He said: ‘I thank you. You have been very kind. If Mrs Crale didnot kill her husband-’ Depleach interrupted him: ‘But she did, old boy, she did. Take my word for it.’ Poirot continued without taking any notice of the interruption. ‘Then it seems logical to suppose that one of these five people must have done so.’ ‘One of themcould have done it, I suppose,’ said Depleach, doubtfully. ‘But I don’t see why any of themshould. No reason at all! In fact, I’m quite sure none of themdid do it. Do get this bee out of your bonnet, old boy!’ But Hercule Poirot only smiled and shook his head.
Agatha Christie (Five Little Pigs (Hercule Poirot, #25))
Fukuoka, more than any other city in Japan, is responsible for ramen's rocket-ship trajectory, and the ensuing shift in Japan's cultural identity abroad. Between Hide-Chan, Ichiran, and Ippudo- three of the biggest ramen chains in the world- they've brought the soup to corners of the globe that still thought ramen meant a bag of dried noodles and a dehydrated spice packet. But while Ichiran and Ippudo are purveyors of classic tonkotsu, undoubtedly the defining ramen of the modern era, Hideto has a decidedly different belief about ramen and its mutability. "There are no boundaries for ramen, no rules," he says. "It's all freestyle." As we talk at his original Hide-Chan location in the Kego area of Fukuoka, a new bowl arrives on the table, a prototype for his borderless ramen philosophy. A coffee filter is filled with katsuobushi, smoked skipjack tuna flakes, and balanced over a bowl with a pair of chopsticks. Hideto pours chicken stock through the filter, which soaks up the katsuobushi and emerges into the bowl as clear as a consommé. He adds rice noodles and sawtooth coriander then slides it over to me. Compared with other Hide-Chan creations, though, this one shows remarkable restraint. While I sip the soup, Hideto pulls out his cell phone and plays a video of him layering hot pork cheeks and cold noodles into a hollowed-out porcelain skull, then dumping a cocktail shaker filled with chili oil, shrimp oil, truffle oil, and dashi over the top. Other creations include spicy arrabbiata ramen with pancetta and roasted tomatoes, foie gras ramen with orange jam and blueberry miso, and black ramen made with bamboo ash dipped into a mix of miso and onions caramelized for forty-five days.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
Our streets have days, and even hours. Where I was born, and where my baby will be born, you look down the street and you can almost see what's happening in the house: like, say, Saturday, at three in the afternoon, is a very bad hour. The kids are home from school. The men are home from work. You'd think that this might be a very happy get together, but it isn't. The kids see the men. The men see the kids. And this drives the women, who are cooking and cleaning and straightening hair and who see what men won't see, almost crazy. You can see it in the streets, you can hear it in the way the women yell for their children. You can see it in the way they come down out of the house - in a rush, like a storm - and slap the children and drag them upstairs, you can hear it in the child, you can see it in the way the men, ignoring all this, stand together in front of a railing, sit together in the barbershop, pass a bottle between them, walk to the corner to the bar, tease the girl behind the bar, fight with each other, and get very busy, later, with their vines. Saturday afternoon is like a cloud hanging over, it's like waiting for a storm to break. But, on Sunday mornings the clouds have lifted, the storm has done its damage and gone. No matter what the damage was, everybody's clean now. The women have somehow managed to get it all together, to hold everything together. So, here everybody is, cleaned, scrubbed, brushed, and greased. Later, they're going to eat ham hocks or chitterlings or fried or roasted chicken, with yams and rice and greens or combread or biscuits. They're going to come home and fall out and be friendly: and some men wash their cars, on Sundays, more carefully than they wash their fo­reskins.
James Baldwin (If Beale Street Could Talk (Vintage International))
According to his closest disciple who served him while patriarch, Fr Raphael Ava Mina, Kyrillos' diet was meager and austere. When he broke his fast around midday—having started the day with psalmody at three in the morning—it would inevitably be with a piece of bread (qorban) and dukkah. With much pleading, he could occasionally be convinced to add a few small spoons of beans. Often Kyrillos would be delayed by meetings and then he would have his breakfast only after three in the afternoon. For lunch, he would usually have some dried bread with a small number of cooked vegetables—but, Fr Raphael recalls, he would never actually eat the vegetables, but only dip his bread in their sauce. Before he slept, he would usually be satisfied with some fruit or bread at most. "I never saw him touch a piece of chicken or meat, or even have a sip of milk." That was during the non-fasting days. In fasting times, especially that of Lent and the Theotokos fast, even though he had been awake since the earliest hours of the morning, he would eat only once later in the evening. At one point during the fifty days of Resurrection, Kyrillos gave his regular cook a few days of leave, upon which Fr Raphael, who in his own words "did not know how to cook," thought to take care of the kitchen. Each evening he would lay out roasted chicken, a few small pieces of meat, rice, bread and cheese; only to find the chicken and meat untouched, with the bread and cheese eaten. Given the poor refrigeration of the day, each evening would see a new meal largely wasted. "I need to tell you something...I don't think he likes chicken," the disciple recalls telling the cook when he returned. Confused, the cook rebuked Fr Raphael, saying, "He would never eat it like that....You need to cut chicken so fine and mix it with the rice so that he cannot see it!" A man of sixty, physically large and athletic, and yet they had to trick him, lest he eat only bread and cumin.
Daniel Fanous (A Silent Patriarch)
The store smells of roasted chicken and freshly ground coffee, raw meat and ripening stone fruit, the lemon detergent they use to scrub the old sheet-linoleum floors. I inhale and feel the smile form on my face. It's been so long since I've been inside any market other than Fred Meyer, which smells of plastic and the thousands of people who pass through every day. By instinct, I head for the produce section. There, the close quarters of slim Ichiban eggplant, baby bok choy, brilliant red chard, chartreuse-and-purple asparagus, sends me into paroxysms of delight. I'm glad the store is nearly empty; I'm oohing and aahing with produce lust at the colors, the smooth, shiny textures set against frilly leaves. I fondle the palm-size plums, the soft fuzz of the peaches. And the berries! It's berry season, and seven varieties spill from green cardboard containers: the ubiquitous Oregon marionberry, red raspberry, and blackberry, of course, but next to them are blueberries, loganberries, and gorgeous golden raspberries. I pluck one from a container, fat and slightly past firm, and pop it into my mouth. The sweet explosion of flavor so familiar, but like something too long forgotten. I load two pints into my basket. The asparagus has me intrigued. Maybe I could roast it with olive oil and fresh herbs, like the sprigs of rosemary and oregano poking out of the salad display, and some good sea salt. And salad. Baby greens tossed with lemon-infused olive oil and a sprinkle of vinegar. Why haven't I eaten a salad in so long? I'll choose a soft, mild French cheese from the deli case, have it for an hors d'oeuvre with a beautiful glass of sparkling Prosecco, say, then roast a tiny chunk of spring lamb that I'm sure the nice sister will cut for me, and complement it with a crusty baguette and roasted asparagus, followed by the salad. Followed by more cheese and berries for dessert. And a fruity Willamette Valley Pinot Noir to wash it all down. My idea of eating heaven, a French-influenced feast that reminds me of the way I always thought my life would be.
Jennie Shortridge (Eating Heaven)
Sancho asked the landlord what he had to give them for supper. To this the landlord replied that his mouth should be the measure; he had only to ask what he would; for that inn was provided with the birds of the air and the fowls of the earth and the fish of the sea. "There's no need of all that," said Sancho; "if they'll roast us a couple of chickens we'll be satisfied, for my master is delicate and eats little, and I'm not over and above gluttonous." The landlord replied he had no chickens, for the kites had stolen them. "Well then," said Sancho, "let senor landlord tell them to roast a pullet, so that it is a tender one." "Pullet! My father!" said the landlord; "indeed and in truth it's only yesterday I sent over fifty to the city to sell; but saving pullets ask what you will." "In that case," said Sancho, "you will not be without veal or kid." "Just now," said the landlord, "there's none in the house, for it's all finished; but next week there will be enough and to spare." "Much good that does us," said Sancho; "I'll lay a bet that all these short-comings are going to wind up in plenty of bacon and eggs." "By God," said the landlord, "my guest's wits must be precious dull; I tell him I have neither pullets nor hens, and he wants me to have eggs! Talk of other dainties, if you please, and don't ask for hens again." "Body o' me!" said Sancho, "let's settle the matter; say at once what you have got, and let us have no more words about it." "In truth and earnest, senor guest," said the landlord, "all I have is a couple of cow-heels like calves' feet, or a couple of calves' feet like cowheels; they are boiled with chick-peas, onions, and bacon, and at this moment they are crying 'Come eat me, come eat me." "I mark them for mine on the spot," said Sancho; "let nobody touch them; I'll pay better for them than anyone else, for I could not wish for anything more to my taste; and I don't care a pin whether they are feet or heels." "Nobody shall touch them," said the landlord; "for the other guests I have, being persons of high quality, bring their own cook and caterer and larder with them.
Miguel de Cervantes Saavedra (Don Quixote)
Every once in a while at a restaurant, the dish you order looks so good, you don't even know where to begin tackling it. Such are HOME/MADE's scrambles. There are four simple options- my favorite is the smoked salmon, goat cheese, and dill- along with the occasional special or seasonal flavor, and they're served with soft, savory home fries and slabs of grilled walnut bread. Let's break it down: The scramble: Monica, who doesn't even like eggs, created these sublime scrambles with a specific and studied technique. "We whisk the hell out of them," she says, ticking off her methodology on her fingers. "We use cream, not milk. And we keep turning them and turning them until they're fluffy and in one piece, not broken into bits of egg." The toast: While the rave-worthiness of toast usually boils down to the quality of the bread, HOME/MADE takes it a step further. "The flame char is my happiness," the chef explains of her preference for grilling bread instead of toasting it, as 99 percent of restaurants do. That it's walnut bread from Balthazar, one of the city's best French bakeries, doesn't hurt. The home fries, or roasted potatoes as Monica insists on calling them, abiding by chefs' definitions of home fries (small fried chunks of potatoes) versus hash browns (shredded potatoes fried greasy on the griddle) versus roasted potatoes (roasted in the oven instead of fried on the stove top): "My potatoes I've been making for a hundred years," she says with a smile (really, it's been about twenty). The recipe came when she was roasting potatoes early on in her career and thought they were too bland. She didn't want to just keep adding salt so instead she reached for the mustard, which her mom always used on fries. "It just was everything," she says of the tangy, vinegary flavor the French condiment lent to her spuds. Along with the new potatoes, mustard, and herbs de Provence, she uses whole jacket garlic cloves in the roasting pan. It's a simple recipe that's also "a Zen exercise," as the potatoes have to be continuously turned every fifteen minutes to get them hard and crispy on the outside and soft and billowy on the inside.
Amy Thomas (Brooklyn in Love: A Delicious Memoir of Food, Family, and Finding Yourself)
In theory, toppings can include almost anything, but 95 percent of the ramen you consume in Japan will be topped with chashu, Chinese-style roasted pork. In a perfect world, that means luscious slices of marinated belly or shoulder, carefully basted over a low temperature until the fat has rendered and the meat collapses with a hard stare. Beyond the pork, the only other sure bet in a bowl of ramen is negi, thinly sliced green onion, little islands of allium sting in a sea of richness. Pickled bamboo shoots (menma), sheets of nori, bean sprouts, fish cake, raw garlic, and soy-soaked eggs are common constituents, but of course there is a whole world of outlier ingredients that make it into more esoteric bowls, which we'll get into later. While shape and size will vary depending on region and style, ramen noodles all share one thing in common: alkaline salts. Called kansui in Japanese, alkaline salts are what give the noodles a yellow tint and allow them to stand up to the blistering heat of the soup without degrading into a gummy mass. In fact, in the sprawling ecosystem of noodle soups, it may be the alkaline noodle alone that unites the ramen universe: "If it doesn't have kansui, it's not ramen," Kamimura says. Noodles and toppings are paramount in the ramen formula, but the broth is undoubtedly the soul of the bowl, there to unite the disparate tastes and textures at work in the dish. This is where a ramen chef makes his name. Broth can be made from an encyclopedia of flora and fauna: chicken, pork, fish, mushrooms, root vegetables, herbs, spices. Ramen broth isn't about nuance; it's about impact, which is why making most soup involves high heat, long cooking times, and giant heaps of chicken bones, pork bones, or both. Tare is the flavor base that anchors each bowl, that special potion- usually just an ounce or two of concentrated liquid- that bends ramen into one camp or another. In Sapporo, tare is made with miso. In Tokyo, soy sauce takes the lead. At enterprising ramen joints, you'll find tare made with up to two dozen ingredients, an apothecary's stash of dried fish and fungus and esoteric add-ons. The objective of tare is essentially the core objective of Japanese food itself: to pack as much umami as possible into every bite.
Matt Goulding (Rice, Noodle, Fish: Deep Travels Through Japan's Food Culture)
Say you’ll marry me, angel. You have to marry me.” With his tale of heartbreak in her mind, she feared that he wanted this for all the wrong reasons. “You just want to save me from Nathan.” “Nothing so unselfish, I assure you.” He trailed his mouth down her throat. “I want you. I need you. God, how I need you.” He spoke of need, but not of love. Then again, he didn’t believe in love. And though that stung, at least he was honest about it. He’d always been perfectly frank about what he wanted. “You need me in your bed, you mean.” “Not just there, and you know it.” He drew back, firm resolve sharpening his features. Cupping her head in his large hands, he met her gaze with an intense look. “I’ll prove it. Agree to marry me, and I’ll leave you to sleep alone tonight and every night until we’re joined in matrimony. I’ll behave like a respectable gentleman. And I’ve never done that for anyone.” Her blood thundered in her ears. She could well believe it. And something beyond desire shone in his face. Or was she just wishing on rainbows? “I don’t know, Oliver. Until I can find Nathan-“ “Nathan!” A change came over him, dark and tempestuous. “Forget about Nathan. I won’t let him have you.” His eyes smoldered with a passion like the one seething in her own breast. “I won’t.” He started backing her toward the bed in an unconscious imitation of his blatantly sensual steps in the waltz earlier, and a thrill shot through her. “You said you would leave me to sleep alone.” “Not so you can think about him and what you owe him. I’ll make love to you before I let that happen. Because one way or the other, I mean to have you as my wife.” Raw determination shone in his harsh features. “Even if I have to ruin you to manage it.” That errant thrill made her shiver again, no matter how she tried to suppress it. “Then you won’t need to marry me. You’ll have everything you desire from me.” A ragged laugh escaped his lips. “It will take a lifetime to have everything I desire from you.” His words gave her pause. Perhaps he really did need her. Perhaps he felt something even more. “Besides,” he said with a wry smile as he shucked his coat, then his waistcoat, “my family will roast my ballocks on a spit if I ruin you without making an honest woman of you.” “I haven’t agreed to let you ruin me,” she pointed out. His black eyes glittered in the candlelight. “Ah, but you will.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
We've been here three days already, and I've yet to cook a single meal. The night we arrived, my dad ordered Chinese takeout from the old Cantonese restaurant around the corner, where they still serve the best egg foo yung, light and fluffy and swimming in rich, brown gravy. Then there had been Mineo's pizza and corned beef sandwiches from the kosher deli on Murray, all my childhood favorites. But last night I'd fallen asleep reading Arthur Schwartz's Naples at Table and had dreamed of pizza rustica, so when I awoke early on Saturday morning with a powerful craving for Italian peasant food, I decided to go shopping. Besides, I don't ever really feel at home anywhere until I've cooked a meal. The Strip is down by the Allegheny River, a five- or six-block stretch filled with produce markets, old-fashioned butcher shops, fishmongers, cheese shops, flower stalls, and a shop that sells coffee that's been roasted on the premises. It used to be, and perhaps still is, where chefs pick up their produce and order cheeses, meats, and fish. The side streets and alleys are littered with moldering vegetables, fruits, and discarded lettuce leaves, and the smell in places is vaguely unpleasant. There are lots of beautiful, old warehouse buildings, brick with lovely arched windows, some of which are now, to my surprise, being converted into trendy loft apartments. If you're a restaurateur you get here early, four or five in the morning. Around seven or eight o'clock, home cooks, tourists, and various passers-through begin to clog the Strip, aggressively vying for the precious few available parking spaces, not to mention tables at Pamela's, a retro diner that serves the best hotcakes in Pittsburgh. On weekends, street vendors crowd the sidewalks, selling beaded necklaces, used CDs, bandanas in exotic colors, cheap, plastic running shoes, and Steelers paraphernalia by the ton. It's a loud, jostling, carnivalesque experience and one of the best things about Pittsburgh. There's even a bakery called Bruno's that sells only biscotti- at least fifteen different varieties daily. Bruno used to be an accountant until he retired from Mellon Bank at the age of sixty-five to bake biscotti full-time. There's a little hand-scrawled sign in the front of window that says, GET IN HERE! You can't pass it without smiling. It's a little after eight when Chloe and I finish up at the Pennsylvania Macaroni Company where, in addition to the prosciutto, soppressata, both hot and sweet sausages, fresh ricotta, mozzarella, and imported Parmigiano Reggiano, all essential ingredients for pizza rustica, I've also picked up a couple of cans of San Marzano tomatoes, which I happily note are thirty-nine cents cheaper here than in New York.
Meredith Mileti (Aftertaste: A Novel in Five Courses)
So, what did you want to watch?’ ‘Thought we might play a game instead,’ he said, holding up a familiar dark green box. ‘Found this on the bottom shelf of your DVD cupboard … if you tilt the glass, the champagne won’t froth like that.’ Neve finished pouring champagne into the 50p champagne flutes she’d got from the discount store and waited until Max had drunk a good half of his in two swift swallows. ‘The thing is, you might find it hard to believe but I can be very competitive and I have an astonishing vocabulary from years spent having no life and reading a lot – and well, if you play Scrabble with me, I’ll totally kick your arse.’ Max was about to eat his first bite of molten mug cake but he paused with the spoon halfway to his mouth. ‘You’re gonna kick my arse?’ ‘Until it’s black and blue and you won’t be able to sit down for a week.’ That sounded very arrogant. ‘Really, Max, Mum stopped me from playing when I was thirteen after I got a score of four hundred and twenty-seven, and when I was at Oxford, I used to play with two Linguistics post-grads and an English don.’ ‘Well, my little pancake girlfriend, I played Scrabble against Carol Vorderman for a Guardian feature and I kicked her arse because Scrabble has got nothing to do with vocabulary; it’s logic and tactics,’ Max informed her loftily, taking a huge bite of the cake. For a second, Neve hoped that it was as foul-tasting as she suspected just to get Max back for that snide little speech, but he just licked the back of the spoon thoughtfully. ‘This is surprisingly more-ish, do you want some?’ ‘I think I’ll pass.’ ‘Well, you’re not getting out of Scrabble that easily.’ Max leaned back against the cushions, the mug cradled to his chest, and propped his feet up on the table so he could poke the Scrabble box nearer to Neve. ‘Come on, set ’em up. Unless you’re too scared.’ ‘Max, I have all the two-letter words memorised, and as for Carol Vorderman – well, she might be good at maths but there was a reason why she wasn’t in Dictionary Corner on Countdown so I’m not surprised you beat her at Scrabble.’ ‘Fighting talk.’ Max rapped his knuckles gently against Neve’s head, which made her furious. ‘I’ll remind you of that little speech once I’m done making you eat every single one of those high-scoring words you seem to think you’re so good at.’ ‘Right, that does it.’ Neve snatched up the box and practically tore off the lid, so she could bang the board down on the coffee table. ‘You can’t be that good at Scrabble if you keep your letters in a crumpled paper bag,’ Max noted, actually daring to nudge her arm with his foot. Neve knew he was only doing it to get a rise out of her, but God, it was working. ‘Game on, Pancake Boy,’ she snarled, throwing a letter rack at Max, which just made him laugh. ‘And don’t think I’m going to let you win just because it’s your birthday.’ It was the most fun Neve had ever had playing Scrabble. It might even have been the most fun she had ever had. For every obscure word she tried to play in the highest scoring place, Max would put down three tiles to make three different words and block off huge sections of the board. Every time she tried to flounce or throw a strop because ‘you’re going against the whole spirit of the game’, Max would pop another Quality Street into her mouth because, as he said, ‘It is Treat Sunday and you only had one roast potato.’ When there were no more Quality Street left and they’d drunk all the champagne, he stopped each one of her snits with a slow, devastating kiss so there were long pauses between each round. It was a point of honour to Neve that she won in the most satisfying way possible; finally getting to use her ‘q’ on a triple word score by turning Max’s ‘hogs’ into ‘quahogs’ and waving the Oxford English Dictionary in his face when he dared to challenge her.
Sarra Manning (You Don't Have to Say You Love Me)
In many ways, turnips are the unsung heroes of the root crop universe. They don't have the ad budget potatoes have, or the glamorous appearance of carrots, but they shouldn't be underestimated. They're high in vitamins and minerals, low in sugar, and taste delicious roasted, caramelized, or mashed with a pound of butter. Pliny the Elder considered the turnip the most important vegetable of his day, because "its utility surpasses that of any other plant's." Say what you want about Pliny the Elder... he was a man who knew his vegetables.
Abbi Waxman (The Garden of Small Beginnings)
We also ate well in the kitchen, and I found that I had inherited my father's palate and appreciation of good food. Our cuisine at home always been rather basic, even in the days when we had a cook, and I became fascinated with the process of creating such wonderful flavors. "Show me how you made that parsley sauce, those meringues, that oyster stew," I'd say to Mrs Robbins, the cook. And if she had a minute to spare, she would show me. After a while, seeing my willingness as well as my obvious aptitude for cooking, she suggested to Mrs Tilley that her old legs were not up to standing for hours any more and that she needed an assistant cook. And she requested me. Mrs Tilley agreed, but only if she didn't have to pay me more money and I should still be available to do my party piece whenever she entertained. And so I went to work in the kitchen. Mrs Robbins found me a willing pupil. After lugging coal scuttles up all those stairs, it felt like heaven to be standing at a table preparing food. We had a scullery maid who did all the most menial of jobs, like chopping the onions and peeling the potatoes, but I had to do the most basic of tasks- mashing the potatoes with lots of butter and cream until there wasn't a single lump, basting the roast so that the fat was evenly crisp. I didn't mind. I loved being amongst the rich aromas. I loved the look of a well-baked pie. The satisfaction when Mrs Robbins nodded with approval at something I had prepared. And of course I loved the taste of what I had created. Now when I went home to Daddy and Louisa, I could say, "I roasted that pheasant. I made that apple tart." And it gave me a great rush of satisfaction to say the words. "You've a good feel of it, I'll say that for you," Mrs Robbins told me, and after a while she even sought my opinion. "Does this casserole need a touch more salt, do you think? Or maybe some thyme?" The part I loved the best was the baking. She showed me how to make pastry, meringues that were light as air, all sorts of delicate biscuits and rich cakes.
Rhys Bowen (Above the Bay of Angels)
Do you remember that time he caught us hiding in the maize field?” Sunshine asks. I smile. “With those boys, what were their names?” “Tinga and Judo. Dad was so, so mad! Remember how he chased them through that field?” “With a panga above his head.” “We weren’t even doing anything!” she exclaims. “We were roasting maize,” we say in unison and burst out laughing.
Mona Ombogo (D for Darien (The Visa, #2))
This particular shop uses three types of Sicilian pistachios and slow roasts them for twenty-four hours. Forty-seven judges from a gelato university crossed the world trying to find the absolute best, and they picked this one. So how could I not do that?" "'Gelato university'?" He chuckles. "I know, right? I definitely missed my calling," I reply, and I love how his laugh gets a little deeper. "But at least you didn't miss the gelato." "Exactly!" I smile, relishing the lightness between us once again. "What else is on your list?" he asks. "Definitely more lentils, and this region is known for truffles, so I have to do that. But they're also known for their meats here, which is interesting. Obviously the cured meats we're used to when we think of Italian charcuteries is here, but also a lot of roasted pork as well, and boar. And sausage! I read a recipe for amatriciana with sausage instead of guanciale. Umbria's actually one of the few regions of Italy without any coastline---" "So you did no research at all before coming?" he says, sarcasm peppered in with a smile. "Please, I'm just getting warmed up. I haven't even gotten into the olive oil varietals. And pesto! That pesto we had at the dinner last night on the lamb chops--- that pesto that has marjoram and walnuts instead of the one we're used to from Liguria, with basil and pine nuts.
Ali Rosen (Recipe for Second Chances)
Maybe I don’t want to be snapped up,” I said. “Did that occur to you?” Needless to say, I wanted it very much: I wanted to get married and sleep in a bed with a man at night, I wanted to hold his hand while walking downtown, to prepare the meals for him that were too much trouble for one person—roast beef, and lasagna. I wanted children, and I knew I would be a good mother, not perfect but good, and I’d already decided I wouldn’t let my daughters have hair longer than chin-length because I’d seen in my students how it made them vain, the maintenance of one’s locks as a family project. Still, despite all this, it felt gratifying to lie to Charlie Blackwell.
Curtis Sittenfeld (American Wife)
Suicide’s Note: An Annual I hope you’ve been taken up by Jesus though so many decades have passed, so far apart we’d grown between love transmogrifying into hate and those sad letters and phone calls and your face vanishing into a noose that I couldn’t today name the gods you at the end worshipped, if any, praise being impossible for the devoutly miserable. And screw my church who’d roast in Hell poor suffering bastards like you, unable to bear the masks of their own faces. With words you sought to shape a world alternate to the one that dared inscribe itself so ruthlessly across your eyes, for you could not, could never fully refute the actual or justify the sad heft of your body, earn your rightful space or pay for the parcels of oxygen you inherited. More than once you asked that I breathe into your lungs like the soprano in the opera I loved so my ghost might inhabit you and you ingest my belief in your otherwise-only-probable soul. I wonder does your death feel like failure to everybody who ever loved you as if our collective cpr stopped too soon, the defib paddles lost charge, the corpse punished us by never sitting up. And forgive my conviction that every suicide’s an asshole. There is a good reason I am not God, for I would cruelly smite the self-smitten. I just wanted to say ha-ha, despite your best efforts you are every second alive in a hard-gnawing way for all who breathed you deeply in, each set of lungs, those rosy implanted wings, pink balloons. We sigh you out into air and watch you rise like rain. Source: Poetry (September 2012)
Mary Karr
Atticus: I've been working there four fucking weeks! I'm going to be eating ramen noodles for the rest of my life. Asher: Never tried them. Atticus: Dude, fucking disgusting. Trust me. Asher: Matilda's making roast au jus for dinner tonight with those homemade Yorkshire puddings you like. Atticus: I hate you. Loathe. Despise. Basically every synonym for hate there is. Asher: Call me? My phone rang a minute later, and I whined long and loud into the receiver in place of saying hello. I'd been accused of being overly dramatic in the past. There might be some truth behind it. Asher chuckled. "You're pathetic." "Why have you not run away with me? We've been separated. I can't stand it. It's like the individual cells in my body are trying to divide again and make another you. It hurts. I can't do it twice." I whimpered again for emphasis. "Ash, I'm screwed, and not in the bend me over the hood of the Jag and pound my ass type of way. The bad way. The painful way. The oh-crap-my-bank-account-is-in-the-negative way. I'm fast running out of ideas, and you're over there living the high life and eating roast au jus with my goddamn Yorkshire puddings." "I get the sense you're trying to tell me something, but whatever it is, it's getting lost in translation. You're rambling. What's going on? Speak-a the English. What's the problem?" "What isn't the problem? I'm poor and miserable. I was not ready for adulthood this soon. Tell Mom and Dad it was all lies. It was a phase. I'm over it. Ha, good joke, right?" "Riiight, and how do you propose I magically make the burned image of your mouth around Ryan Vector's cock disappear from Matilda's mind?" "Fuck. You know what? We don't need a housekeeper. Fire her ass! Tell Mom and Dad she's a big fat liar who lies and hates me. Tell them she's stealing from them. She's an illegal immigrant! No, tell them, she's a housekeeper by day and a hooker by night. I saw her walking the streets of Fifth Avenue after sundown in a mini skirt and fishnet stockings." I paused, envisioning our sixty-year-old housekeeper/used-to-be-nanny in that kind of attire. Asher and I both audibly ewwed at the exact same time. "Dude, that's fucking gross as shit, and you know it. I just threw up in my mouth. Why would you put that image in my head?" "I regret many of my life decisions. Add it to the list. Ash, I'm serious. Just make something up. Get rid of her. We don't need a housekeeper, and we're long past requiring a nanny. Especially one who walks into rooms without knocking. What was she thinking?" "The door wasn't closed." "Not the time, Ash!" "Okay, so let's pretend for five minutes Matilda dies in a horrible car crash." "We could make that happen.
Nicky James (End Scene)
She picked up salted butter, thick Greek yoghurt, and cream. The menu was not modest. Her basket was already heavy with Charlotte potatoes, fresh herbs, and a Duchy chicken. It was too hot for a roast chicken, but Piglet had once heard Nigella say something about a house only being home once a chicken was in the oven. And anyway, there would be salads: one chopped and scattered with feta and sumac, another leafy with soft herbs. New potatoes, boiled and dotted with a bright salsa verde. Bread and two types of butter: confit garlic, and Parmesan and black pepper.
Lottie Hazell (Piglet)
I’m talking mashed potatoes. Roast potatoes. Sweet potatoes. Potato casserole. Those thinly sliced potatoes with that cheese sauce on them. Potato salad, even.” “Jimmy?” Dallas says with a startlingly sweet smile. “Yeah?” “Shut the hell up about potatoes.” “But they’re the best part of Thanksgiving dinner! Everyone knows that.” “It’s my Irish blood, makes me love the things. Can’t get enough of ‘em.” “Binge-watching Collin Farrell movies while youeat Lucky Charms doesn’t make you Irish, dumbass,” he grouches. “I dress up for St. Patrick’s day, too,” Triple J responds, defensive. I swivel from where I’m removing my shin guards to peer at him. “What the hell do you dress up as for St. Patrick’s day?” He shakes his head at me like I’m incredibly stupid for asking this. “A leprechaun, of course.” Dallas grins. “Surely you don’t even need a costume for that one.
Katie Bailey (Season's Schemings (Cyclones Christmas, #1))
There is something about the first frost that brings out the caveman--- one might even say the vampire--- in me. I want to wear fur and suck the meat off lamb bones, and on comes my annual craving for boudin noir, otherwise known as blood sausage. You know you've been in France for nearly a decade when the idea of eating congealed blood sounds not only normal, but positively delightful. When I was pregnant, my body craved iron in silly amounts. I could have eaten a skyscraper. It's a shame that it's not on the French pregnancy diet--- forbidden along with charcuterie, liver, and steak tartare. It's true that boudin noir is not the sort of thing I'd buy at any old supermarket. Ideally, you want a butcher who prepares his own. I bought mine from the mustached man with the little truck in Apt market, the same one I'd spotted during our first picnic in Provence. Since our first visit, I'd returned many times to buy his delicious, very lean, saucisses fraîches and his handmade andouillettes, which I sauté with onions, Dijon mustard, and a bit of cream. I serve my boudin with roasted apples--- this time, some Golden Delicious we picked up from a farm stand by the side of the road. I toasted the apple slices with olive oil, sprinkled the whole lot with sea salt, and added a cinnamon stick and a star anise to ground the dish with cozy autumn spices. Boudin is already cooked through when you buy it, but twenty minutes or so in a hot oven gives it time to blister, even burst. I'm an adventurous eater, but the idea of boiled (or cold) boudin makes me think about moving back to New Jersey. No, not really. I admit, when you first take it out of the oven, there are some visual hurdles. There's always a brief moment--- particularly when I serve the dish to guests--- that I think, But that looks like large Labrador shit on a plate. True enough. But once you get past the aesthetics, you have one of the richest savory tastes I can imagine. Good boudin has a velveteen consistency that marries perfectly with the slight tartness of the roasted apples. Add mashed potatoes (with skin and lumps), a bottle of Châteauneuf-du-Pape, and wake me in the spring.
Elizabeth Bard (Picnic in Provence: A Memoir with Recipes)
I don’t even have a sister, ignoramus,” Alternate Virgil would say. Then he’d grab the Bull’s shirt collar in his skinny little hand, the one with the fingers of a gifted pianist, and shove him against the nearest tree. “Take it back,” he’d say. But the Bull wouldn’t be able to talk because his collar would be too tight, so Virgil would lift him up with one hand and throw him across the neighborhood. The Bull would fly over thirty rooftops before landing on top of someone’s chimney, which would be burning hot even though it was summer and no one was using their fireplace. And he’d get stuck there and start cooking like a lump of pot roast.
Erin Entrada Kelly (Hello, Universe)
People don’t want to be disturbed. They want assurance. They don’t come to church on Sunday morning to think about new ideas or even the old important ones. They want to hear what they’ve been told before, with only some small variation on what they’ve been hearing all their lives, and then they want to go home and eat pot roast and say it was a good service and feel satisfied.
Kent Haruf (Benediction)
I've roasted in a hell of sexual deprivation since you abandoned me." "Abandoned?" she repeated in surprise. He gave her a severe glance. "You vanished in the middle of the night." "It was morning," she protested. "Without saying a word about where you were going." "You arranged for the t-tickets!" "I didn't even have a chance to say good-bye." "You did," Evie protested. "You took two hours, and nearly made me miss the train." Sebastian muffled a quiet laugh against her glowing curls. "Oh, yes. I remember that part.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))
Before I forget to say it: Thank you. This is… This is…” He shook his head once more, setting down his glass, and she caught a glimmer of silver in his eyes that made her heart clench. He blinked it away and looked back at her with a small smile. “No one has ever thrown me a birthday party since I was a child.” She scoffed, fighting past the tightness in her chest. “I’d hardly call this a party—” “Stop trying to downplay it. It’s the greatest gift I’ve been given in a long while.” “Dorian got you an Asterion stallion.” “But Dorian doesn’t know what my favorite stew is, does he?” he glanced up at her and she bit her lip. “How long have you been paying attention?” She became very interested in her stew. “Don’t flatter yourself. I just bullied the castle’s head cook to tell me what dishes you favored.” He snorted. “You might be Adarlan’s Assassin, but even you couldn’t bully Meghra. If you’d tried, I think you’d be sitting there with two black eyes and a broken nose.” She smiled, taking a bite of stew. “Well, you might think you’re mysterious and brooding and stealthy, Captain, but once you know where to look, you’re a fairly easy book to read. Every time we have roast boar stew, I can barely get a spoonful before you’ve eaten the whole tureen.” He tipped his head back and laughed, and the sound sent heat coursing through every part of her. “And here I was, thinking I’d managed to hide my weaknesses so well.” She gave him a wicked grin. “Just wait until you see the other courses.
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
It's just the two of us. She shows me more secret passageways through the woods until the trees clear to reveal a large, moonlit meadow. We stop at the edge. Emma's looking at me expectantly, and at first I'm not sure what I'm supposed to see. I see tall, unkempt grass surrounded by trees. Then, like my eyes are playing tricks on me, fluorescent green lights flash on and off in the field, some of them rising up like bubbles in a pot of boiling water, some shooting across and lighting up the ground below them. "Whoa." "Pretty, right?" Emma says, turning her neck slowly from me to the meadow. "I almost never see fireflies." "I did some research, and they're not even supposed to exist west of Kansas. I have no idea why there's so many of them here." We walk through the field together, and in the blinking green lights I can see Emma's hand inches from my own, I see the curves and dips of her face in profile and I wonder how it is that I can find the space between things beautiful. Emma stops for a second and reaches into the waist-high grass, her hand disappearing in the dark. She pulls it back out to reveal a berry I have never seen before, not in the smorgasbord of rainbow-colored fruit at American grocery stores and definitely not anywhere in Mexico. It is the size of a child's fist, and the skin is prickly, like a lychee's. "When I was a kid, if I was mad at my mom, I'd hide out here for the day, picking out berries," Emma says. "I had no way of knowing if they were poisonous, but I'd feast on them anyway." She digs her thumb into the skin to reveal a pulpy white interior. She takes a bite out of it and then hands it to me. It's sweet and tangy and would be great in a vinaigrette, as a sauce, maybe along with some roasted duck. "I don't even think anyone else knows about these, because I've never seen them anywhere else. I'm sure she'd put it on her menu if she found out about them, but I like keeping this one thing to myself." We grab them by the handful, take them with us down the hill toward the lake. Sitting on the shore, gentle waves lapping at our ankles, we peel the berries one by one. A day or two ago, I thought of Emma as pretty. Tonight, her profile outlined by a full moon, she looks beautiful to me. I wish I could drive the thought away, but there it is anyway. The water---or something else about these nights---really does feel like it can cure hopelessness.
Adi Alsaid (North of Happy)
Instead, whenever I get home from the road, I cook. Nothing fancy. Comfort food: stews, shepherd’s pie, potato salad, red curry, roast chicken. Then I make chicken soup with the bones. Like, really good chicken soup. I eat some and freeze the rest. I deliver it to friends with new babies or head colds or deadlines or final exams or breast cancer. A fairly wide selection of East Vancouver residents owe me my Tupperware back. “Shut up and show up,” my grandma Pat once said to me after her neighbour’s husband died and she was making her a pot of macaroni and cheese. “That’s what your great-grandmother Monica used to say during the Depression.
Ivan E. Coyote (Rebent Sinner)
for in Arabia coffee is freshly roasted for every pot. As soon as the beans are lightly tanned, he places them in a brass mortar and pounds them. Thereupon he pours some of the boiling water from the larger pot into the smaller, empties the ground coffee into it and places the pot near the fire to let it slowly simmer. When the brew is almost ready, he adds a few cardamon seeds to make it more bitter, for, as the saying goes in Arabia, coffee, in order to be good, must be 'bitter like death and hot like love'. But
Muhammad Asad (The Road To Mecca)
You look good enough to eat.” “There’s pot roast if you’re hungry,” she says dismissively.
Cora Kent (Cruel Intentions (Blackmore University, #1))
They were the last state to say “I love you” to their kids. It’s not that Minnesotans don’t love their kids; they just believe you say it through work.
Colin Quinn (Overstated: A Coast-to-Coast Roast of the 50 States)
My grandmother used to say that mint could heat up a man's blood. She told me that it was used in love potions in the olden times and soldiers weren't allowed to eat it lest they run amuck with lust. I remember her expounding on this subject over the Sunday roast and the cautionary look that she gave my grandfather as he reached for another spoonful of mint sauce.
Caroline Scott (Good Taste)
The Tanakh directs many polemics against Israelites who practice polytheism and idolatry. Isaiah 44:9 declares, “All who make idols are nothing, and the things they delight in do not profit.” The polemic continues when the chapter mocks the construction of such images: He cuts down cedars [to be used as fuel]. . . . Part of it he takes and warms himself; he kindles a fire and bakes bread. Then he makes a god and worships it, makes it a carved image and bows down before it. Half of it he burns in the fire; over this half he roasts meat, eats it and is satisfied. . . . The rest of it he makes into a god, his idol, bows down to it and worships it; he prays to it and says, “Save me, for you are my god!” (44:14–17) The unit concludes by stating about anyone who would worship such idols that “a deluded mind has led him astray” (44:20). We suspect, were there a Canaanite Anti-Defamation League, they would protest such claims as bigoted polemic. We have heard these verses deployed against Roman Catholics, for whom art can function as a focus of prayer, and Hindus, who depict their gods through artwork. We find such deployments equally unhealthy.
Amy-Jill Levine (The Bible With and Without Jesus: How Jews and Christians Read the Same Stories Differently)
Slowly Shane took his hands from his pockets and reached for her. Dani held her breath, not sure what was to come, afraid and yet not really fearful. His hands settled on her shoulders, and his arms drew her closer as he bent down to her mouth. The kiss was more gentle than Dani had expected, and far more hungry. It haunted her in ways that had nothing to do with her fear of large men. “What about that?” Shane asked softly. “Does that change your mind?” “Should it?” “You’re damned right it should.” He kissed her again, less gently this time. She sensed the barely restrained passion in him and trembled. But not with fear. Suddenly she found herself kissing him fiercely, almost fighting him for the embrace with a passion that demanded more from him than a warrior’s restraint. Shane made a thick sound. His arms closed around her, lifting her, holding her so close there was barely room between them for the heat of their bodies to mingle. Finally, reluctantly, he let her slide down the length of his body. He made no effort to hide his arousal. He simply looked at her with a raw desire that made her want to be close to him again. Very close. “That’s what I’ve been trying to tell you,” he said bluntly. “We want each other. There’s nothing worse for a covert operation than sex.” For a moment longer Dani savored the warmth of his hands, the caressing pressure of his thumbs against the underside of her breasts, and the undisguised hunger in his eyes. Then she drew a long, ragged breath and slowly let it out. “Then we’ll just have to say no, won’t we?” Dani said. Shane said something in Tibetan. Dani didn’t ask for a translation. “You still insist on going?” he asked, but without real hope. “Yes.” “It’s going to be hell, lady. I promise that you’ll roast in the fires with me.
Ann Maxwell (Shadow and Silk)
Arin was in the still room, trying to soothe the anxiety of a woman who was saying that she had just preserved the jams, and must all of them be used for the banquet, every last one? She didn’t think the Dacrans appreciated ilea fruit. Why serve something they wouldn’t love as much as the Herrani did? It would be best, surely, to keep at least those jars for winter. Trying to explain the politics of such lavish consumption tangled Arin up in frustrated half sentences, because it didn’t make much sense to him, either, to consume every edible thing in one night. And then he heard Roshar’s accented voice in Herrani drifting down the hall from the ktichens. “…you don’t understand. The piece of meat must be the finest, cut from the loin, seasoned with this spice, not that one…” Arin excused himself, told the woman he’d discuss jams later, and followed the prince’s voice. “…and it must be well roasted on the outside, almost charred, yet bloody inside. Bright pink. Listen. This is crucial. If anything goes wrong, the banquet will be ruined.” Arin entered the main kitchen to find the prince haranguing the head cook, who slid a half-lidded look of annoyed sufferance at Arin. “There you are.” Roshar beamed. “I need your help, Arin.” “For the preparation of meat?” “It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.” “Because of meat.” “It’s for his tiger,” said the cook. Arin palmed his face, eyes squeezed shut. “Your tiger.” “He’s very particular,” said Roshar. “You can’t bring the tiger to the banquet.” “Little Arin has missed me. I will not be parted from him.” “Would you consider changing his name?” “No.” “What if I begged?” “Not a chance.” “Roshar, the tiger has grown.” “And what a sweet big boy he is.” “You can’t bring him into a dining hall filled with hundreds of people.” “He’ll behave. He has the mien and manners of a prince.” “Oh, like you?” “I resent your tone.” “I’m not sure you can control him.” “Has he ever been aught but the gentlest of creatures? Would you deny your namesake the chance to bear witness to our victorious celebration? And, of course, to the vision of you and Kestrel: side by side, Herrani and Valorian, a love for the ages. The stuff of songs, Arin! How you’ll get married, and make babies--” “Gods, Roshar, shut up.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Arin was in the still room, trying to soothe the anxiety of a woman who was saying that she had just preserved the jams, and must all of them be used for the banquet, every last one? She didn’t think the Dacrans appreciated ilea fruit. Why serve something they wouldn’t love as much as the Herrani did? It would be best, surely, to keep at least those jars for winter. Trying to explain the politics of such lavish consumption tangled Arin up in frustrated half sentences, because it didn’t make much sense to him, either, to consume every edible thing in one night. And then he heard Roshar’s accented voice in Herrani drifting down the hall from the ktichens. “…you don’t understand. The piece of meat must be the finest, cut from the loin, seasoned with this spice, not that one…” Arin excused himself, told the woman he’d discuss jams later, and followed the prince’s voice. “…and it must be well roasted on the outside, almost charred, yet bloody inside. Bright pink. Listen. This is crucial. If anything goes wrong, the banquet will be ruined.” Arin entered the main kitchen to find the prince haranguing the head cook, who slid a half-lidded look of annoyed sufferance at Arin. “There you are.” Roshar beamed. “I need your help, Arin.” “For the preparation of meat?” “It’s very important. You must impress this importance upon your cook here. The fate of political relations between my country and yours hangs in the balance.
Marie Rutkoski (The Winner's Kiss (The Winner's Trilogy, #3))
Entertaining is a way of life for the Southern girl. We’ve been doing it for over three hundred years now, and we’re not too shy to say we’re just about the best in the world at it. There really doesn’t have to be an occasion to entertain in the South. Just about any excuse will do, from the anniversary of your friend’s divorce (a “comfort” party) to national flag day (Southern girls are always eager to show the flag the respect it’s due). Parties in the South have always been big affairs. In pre--Civil War days, it was a long way between plantations on bad roads (or no roads at all), so parties lasted for days on end. The hostess spared no expense, with lavish dances, beautiful dresses, and meals that went on and on, with all the best dishes the South had to offer: from whole roast pig to wild game stew. After all, plantation parties were a circuit. You might go to twenty parties a year, but you were only going to throw one--so you better make it memorable, darlin’. Grits work hard to keep this tradition alive. The Junior League and Debutante balls are not just coming out parties for our daughters, god bless them, they are the modern version of old Southern plantation balls. The same is true of graduation, important birthdays, yearly seasonal galas, and of course our weddings.
Deborah Ford (Grits (Girls Raised in the South) Guide to Life)
Oh Finn, thought Maia, I know I should be glad you’re free and happy, and I am glad. Only I really don’t know what to do here anymore. But Finn wasn’t happy. Both he and the boat seemed somehow sluggish, and he couldn’t quite get rid of the knot in his stomach. He had moored by a huge dyewood tree. The water flowed quietly in a deep channel; nowhere better could be found. So why? He’d had his supper of beans and roasted maize; the deck was piled with chopped wood; the dog had gone ashore to find his own supper and came back with a smug expression and blood on his jaws. Everything was fine. A group of howler monkeys came swinging through the trees, making their evening racket, half screech, half laughter, and stopped when they saw the Arabella. Perhaps I should have gone to Westwood, thought Finn. “They’d have knocked all this rubbish out of me. Foreseeing disasters…” What did he think could happen to Maia in the Carters’ bungalow? The whole point about the Carters’ bungalow was that nothing happened in it. It was the most boring house in the world--and the Indians had promised to look after her. “No harm will come to your friend,” Furo had said. So why did the unease get worse all the time? He remembered saying good-bye to Maia. She had come out of the house in her dressing gown; she ran so lightly, but when he’d hugged her she felt wonderfully solid. No, Maia would be all right. “I’m not going back,” said Finn aloud. And in the trees, the monkeys threw back their heads and roared.
Eva Ibbotson (Journey to the River Sea)
Here,” he says, removing my camera from its dry home and handing it to me to turn on. “I want to take a picture of you.” I spin all the way around to fully face him, my back to the village, and smile. He takes way more than one, zooming in and out, aiming up and down, every possible angle and frame width. He mumbles a few things in Italian between shots, and judging by the look on his face, he’s up to no good. Is this why he wanted me to wear my sundress? The temperature is suddenly roasting, my cheeks blazing. There’s a reason I like being on the other side of the camera. Finally I put my hand out in front of my face. “Okay, okay. I think you got enough.” He sets it down in his lap and cocks his head to the side, studying me. “You could belong here,” he says, his tone surprisingly serious. I turn from him and look back at the cluster of buildings, one on top of the other. A beautiful and unique place to visit, but to live long term? “I don’t know about that,” I say. “This could be your life.” He spreads his arms out as if to encompass the whole of Cinque Terre. And him.
Kristin Rae (Wish You Were Italian (If Only . . . #2))
I'm making lunch. Who wants pasta?" "We have leftover caramelized cauliflower and some cannellini beans soaking," Lois says. "There's a chunk of pancetta in there," Benji pipes in. "I roasted a mess of garlic yesterday," Andrea offers. "Perfect," I say, smiling, the dish coming together in my head.
Stacey Ballis (Out to Lunch)
Sunday dinner at the Marsdens’ is more than a meal--it’s an occasion. I’m dressed accordingly, wearing a pale green sundress with a sweater to ward off the chill of the air-conditioning. “Well, I blame my mama, God rest her soul,” Laura Grace says with a sigh. “She never taught me how to cook. You have no idea how lucky you are, Jemma--you and Nan both. Your mama’s a great cook, and she made sure to teach you. You girls’ husbands are surely going to thank her one day.” It’s impossible to miss the pointed look she gives Ryder. He ignores her and continues to attack his own roast. He’s rolled up the sleeves of his white button-down shirt, but his tie is neat and his khakis perfectly pressed. He cuts off a slice of rare meat and brings it to his mouth. Chewing slowly, he fixes his gaze on the wall directly above my mother’s head. It’s clear that he, too, would rather be anywhere else right now--anywhere but here, a helpless victim of our mothers’ machinations. Laura Grace glances from him to me and back to him again. “Next year, when the two of you are off at Oxford, you better promise to drive over together each week for Sunday dinner, you hear?” “Now, c’mon, Laura Grace,” Mr. Marsden chides. “You know Ryder hasn’t made his decision yet. You’ve got to give the boy some space to figure it out.” She waves one hand in dismissal. “I know. But a mama can hope, can’t she? I’m sorry, but I just can’t imagine the two of them going off in different directions.” “There’s only one choice for the both of them, as far as I’m concerned,” my mom says. “It’s about time the Rebels get their football program back on track, and Ryder’s just the boy to do it--with Jemma cheering him on.” I can’t help but cringe, staring down at my plate. I mean, is this really what my mom dreams about? Is this the best she can imagine for me? For a moment, everyone continues to eat silently. The tension in the air is so thick you could cut it with a knife, but I doubt Mama or Laura Grace even notice.
Kristi Cook (Magnolia (Magnolia Branch, #1))
Some people smoked when they were upset, some did yoga, or drank, or paced, or picked fights, or counted to one hundred. Georgia cooked. As a small girl growing up in Massachusetts, she'd spent most of her time in her grandmother's kitchen, watching wide-eyed as Grammy kneaded the dough for her famous pumpernickel bread, sliced up parsnips and turnips for her world-class pot roast, or, if she was feeling exotic, butterflied shrimp for her delicious Thai basil seafood. A big-boned woman of solid peasant stock, as she herself used to say, Grammy moved around the cramped kitchen with grace and efficiency, her curly gray hair twisted into a low bun. Humming pop songs from the forties, her cheeks a pleasing pink, she turned out dish after fabulous dish from the cranky Tappan stove she refused to replace. Those times with Grammy were the happiest Georgia could remember. It had been almost a year since she died, and not a day passed that Georgia didn't miss her. She pulled out half a dozen eggs, sliced supermarket Swiss and some bacon from the double-width Sub-Zero. A quick scan of the spice rack yielded a lifetime supply of Old Bay seasoning, three different kinds of peppercorns, and 'sel de mer' from France's Brittany coast. People's pantries were as perplexing as their lives.
Jenny Nelson (Georgia's Kitchen)
The endowment would make a second serendipitous investment when Robert Noyce, a Grinnell trustee and alumnus, offered Grinnell stock in his then-private start-up, NM Electronics.22 Noyce had almost been expelled from Grinnell for stealing a pig and roasting it at a campus luau.23 He would have been expelled but for the intervention of his physics professor who felt that Noyce was the best student he’d ever taught. 24 The professor managed to persuade the school to reduce the expulsion to a one-semester suspension.25 Noyce never forgot the favor, and made the stock available to the school if it wanted it.26 Rosenfield told Noyce that the endowment would take all the stock he’d let it have.27 Grinnell’s endowment took 10 percent of the $3 million private placement (Grinnell put up $100,000, and Rosenfield and another trustee put up $100,000 each).28 Shortly thereafter the company, then renamed Intel, went public in 1971. Grinnell started selling the stake in 1974, at which time it was worth $14 million, more than half the value of the $27 million endowment. Noyce was concerned that Grinnell should have so much exposure to a single name associated with him, and cajoled Rosenfield to sell. He recalls, “Bob [Noyce] was trembling about it. He’d say, ‘I don’t want the college to lose any money on account of me.’ But I’d say, “We’ll worry about that, Bob. We’ll take the risk.”29 Noyce eventually wore Rosenfield down, however, and Grinnell fully exited the stake by 1980. On its sale, the Intel investment had generated a profit of 4,583 percent. Rosenfield told Zweig, “I wish we’d kept it. That was the biggest mistake we ever made. Selling must have cost us $50 million, maybe more.”30 Zweig didn’t have the heart to tell the then 96-year-old Rosenfield that the shares he sold would have been worth several billion dollars in 2000. Perhaps this is why Rosenfield “considers selling to be indistinguishable from error.
Allen C. Benello (Concentrated Investing: Strategies of the World's Greatest Concentrated Value Investors)
Contemporary demonologist Jean Bodin argued that, in crisis conditions such as these, standards of evidence must be lowered. Witchcraft was so serious, and so hard to detect using normal methods of proof, that society could not afford to adhere too much to “legal tidiness and normal procedures.” Public rumor could be considered “almost infallible”: if everyone in a village said that a particular woman was a witch, that was sufficient to justify putting her to the torture. Medieval techniques were revived specifically for such cases, including “swimming” suspects to see if they floated, and searing them with red-hot irons. The numbers of convicted witches kept rising as standards of evidence went down, and the increase amounted to further proof that the crisis was real and that further adjustment of the law was necessary. As history has repeatedly suggested, nothing is more effective for demolishing traditional legal protections than the combined claims that a crime is uniquely dangerous, and that those behind it have exceptional powers of resistance. It was all accepted with hardly a murmur, except by a few writers such as Montaigne, who pointed out that torture was useless for getting at the truth since people will say anything to stop the pain—and that, besides, it was “putting a very high price on one’s conjectures” to have someone roasted alive on their account.
Sarah Bakewell (How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer)
When Kieran turned to face him, Nathan said, 'Who says roasts are only for Sundays, eh?
Michael Obiora
What could I say about Bellingrath Junior High? Not much, except it was named after my secret hero, Bernard Bellingrath. But Barney wasn’t the kind of hero who rescued a kid from a burning building or found a cure for a disease. Barney dropped a big load of money on our school to build the gym, stadium, and later the library annex. As his reward, a faded portrait hung on the wall of the visitors’ area inside the main entrance. But that wasn’t the reason he was my hero. According to legend, Barney had been born with a tail. A tail. Grand-mere Robichaud, who’d once seen such a tail on a baby’s pink bottom, said he could’ve been mistaken for the main course at a cochon de lait—a Cajun pig roast. But Barney’s parents were very religious, so they refused to have the tail removed. In spite of that decision, Barney grew up to be the richest and most powerful man in town. But that still wasn’t the reason he was my hero. The fact that he decided to keep the tail anyway—that was the reason. Now, all these years later, you’d think physical imperfections would be tolerated at a school practically founded by someone with a tail. But no.
Cynthia T. Toney (Bird Face)
Dr. Pym,” Emma huffed, “what happened back there? What’s going on?” “I told you that we are here to see a man. What I did not say was that I have been searching for this individual for nearly a decade. Only recently did I finally track him to this village. You heard me asking the signora how to find his house.” “That’s it? That’s what made her drop the plate?” “Yes, it appears that he is regarded by the locals as something of a devil. Or perhaps the Devil. The signora was a bit flustered.” “Is he dangerous?” Michael asked. Then he added, “Because I’m the oldest now, and I’m responsible for Emma’s safety.” “Oh, please,” Emma groaned. “I wouldn’t say he’s dangerous,” the wizard said. “At least, not very.” They hiked on, following a narrow, twisting trail. They could hear goats bleating in the distance, the bells around their necks clanking dully in the still air. Stalks of dry grass scratched at the children’s ankles. The light was dying, and soon Michael could no longer see the town behind them. The trail ended at a badly maintained rock wall. Affixed to the wall was a piece of wood bearing a message scrawled in black paint. “What’s it say?” Emma asked. The wizard bent forward to translate. “It says, ‘Dear Moron’—oh my, what a beginning—‘you are about to enter private property. Trespassers will be shot, hanged, beaten with clubs, shot again; their eyeballs will be pecked out by crows, their livers roasted’—dear, this is disgusting, and it goes on for quite a while.…” He skipped to the bottom. “ ‘So turn around now, you blithering idiot. Sincerely, the Devil of Castel del Monte.’ ” Dr. Pym straightened up. “Not very inviting, is it? Well, come along.” And he climbed over the wall. Michael
John Stephens (The Fire Chronicle (The Books of Beginning, #2))
The world of Shindana—of top Mattel brass working side by side with the founders of Operation Bootstrap, the Watts-based job training program under whose auspices the toy company was formed—was a far cry from the way the thirtieth-anniversary issue of Barbie magazine depicted Barbie's world in 1966. "Our inner cities burned but the pot roast couldn't," the caption says under a picture of Barbie at a Tupperware party. "Mom and Dad and the leaders they elected tried to keep a lid on things." As I said in this book's opening chapter, studying Barbie sometimes requires the ability to hold contradictory ideas in one's head at the same time. When it comes to Mattel and representations of racial diversity, this is especially true. Although the Handlers have not been part of Mattel for twenty years, the company can still be viewed as a cousin to the Hollywood studios. Mattel actually did get into the movie business in the seventies, when its Radnitz Productions produced the Academy Award-winning Sounder, another multicultural product that predated the multicultural vogue.
M.G. Lord (Forever Barbie: The Unauthorized Biography of a Real Doll)
They say revenge is a dish best served cold. This isn’t correct. Revenge is a dish best served lukewarm or at room temperature (depending on the room) with a side of sauerkraut lightly sprinkled with pepper, a generous helping of golden brown roasted potatoes, and a large loaf of marble rye, washed down with any kind of unfiltered wheat beer. But whatever you do—and remember this, as it can be a matter of life or death—don’t put any sort of fruit in the beer. Fruit doesn’t belong in beer.
Brian South (The Zombie Sheriff Takes Tucson: A Love Story)
There is no hell. The Witnesses believe hell is a mistranslation of Gehenna, which was an ancient garbage dump. They say that nonbelievers simply die at Armageddon, rather than being thrown into an inferno. “How can you have a kind and loving God who also roasts people?” he asks. I
A.J. Jacobs (The Year of Living Biblically)
That’s so sweet.” “So says the romance novel reader.” “You have something against romance, Callahan?” “Not at all. I have something against schmaltz.” “Schmaltz! That wasn’t schmaltz.” “Darlin’, that picnic was the epitome of schmaltz.” “All right then, Casanova. What should Harry have done to romance his lady?” Gabe stretched his legs out and crossed them at the ankles. He linked his hands behind his head and considered the question. “The bouquet was way overdone. A single rose would be okay, or even better, whatever flower she considered her favorite. Hiring a violinist to ride behind the courting buggy ruined the whole thing.” “Now, why would you say that? It’s terribly romantic.” “You like threesomes, do you?” “What? No!” Gabe chuckled and continued, “A mountain meadow picnic was good, but a linen-draped table? Fine china? Roast duckling? No. Way too formal. Too stuffy. All you need for a romantic mountain meadow picnic is a quilt to spread on the grass and a picnic basket with finger foods. The champagne was a good idea, but it’d have been better if he’d put it to chill in the creek.” “That’s a good idea,” Nic agreed. “What about the poetry and the dancing?” “Depends on the woman, of course. If she’s into that, then yeah. Nothing’s wrong with poetry or dancing.” “What do you do for music if you’ve left the violinist back in town?” “If a guy can carry a tune at all, he can sing softly, or hum. You can dance to birdsong or music in your mind, as far as that goes.” She let that sit a minute, then said, “That’s not bad, Callahan. Not bad at all.” He
Emily March (Angel's Rest (Eternity Springs, #1))
The zombie fell over the generator, too, and laid on the ground next to me—its eyes seemed to glow in the dark. I was so scared, I almost lost it. Shaking, I sprayed it in the face and rolled away. It started smoking the same way the other zombies had, but then did something unexpected—it caught fire. Instantly, the entire area went up in flames. I stepped back, and still standing, jumped up and down, kicking my gas-soaked pants and shoes off. The flames sprouted up as if they had a life of their own.  I shot them with the Super Soaker, but it didn't do any good. The flames spread up the side of a rack of cheesy Hawaiian shirts. I knew I had to put the fire out fast. I ran to the aisle with the fire extinguishers and stopped. I'd dropped my flashlight back by the generator. A couple aisles over, something moved in the shadows. I started to lift my Super Soaker when I got hit in the face. "Oww, it burns," I cried, "Darn it. It burns." My eyes started watering like a busted drinking fountain. "Nathan, is that you? Were you bit? Did I kill you?" "No, no. I'm fine, it's just the lemonade; that stuff burns." "What's going on? You're burning the place down." I could hear panic in her voice. "Grab a fire extinguisher and follow me." My eyes dribbled lemonade-flavored tears as I grabbed two of the largest fire extinguishers and ran back. It took four extinguishers, but we managed to put the fire out. "Wow, the generator's still running," I said. Charred clothes were everywhere. Smoke filled the place—it smelled like fresh-roasted zombie. And I'd thought my day couldn't get any worse. "What the heck happened?" Misty held her nose and looked around at the blackened remains. "Security zombie in the bathroom; it was a close call." "I'll say. We're lucky the fire sprinklers didn't come on." "If this is lucky, I'd hate to see cursed." "Umm, Nate?" "Yeah?" I exhaled in relief. It would have been embarrassing if I'd burnt the place down. "Where's your pants?
M.J.A. Ware (Super Zombie Juice Mega Bomb (A Zombie Apocalypse Novel Book 1))
Roasted sweet potatoes are like illicit sex in the old Chinese saying, "Having it isn't as good as not having it." The smell is better than the taste. When you smell it, you feel you must have one, but once you actually sink your teeth into it, you find it's not really anything special.
Qian Zhongshu (Fortress Besieged)
Every winter, the Latin Club celebrated Saturnalia ... We wore togas ... and wreaths made out of pipe cleaners, and we had a feast of whole roast chickens and carbonated grape juice, which we ate with our hands, like the Romans. We toasted each other by saying "Io Saturnalia!" and pretended to be drunk emperors in the teachers' multipurpose room. You know, just the typical stuff you do when you are really cool in high school.
Mindy Kaling (Why Not Me?)
You think you know everything about Thanksgiving, don’t you? …How the Native Americans saved the Pilgrims from starving… How the Pilgrims held a big feast to celebrate and say thank you: turkey, pumpkin pie, cranberries--the works. Well, listen up. I have a news flash… WE ALMOST LOST…THANKSGIVING! Didn’t know that, did you? It’s true. Way, way back, when skirts were long and hats were tall, Thanksgiving was fading away. Sure, the folks up in New England celebrated it. They’d roast a turkey and invite the relatives when the harvest came in. But not in the South, not in the West, not even in the Middle Atlantic states. More and more, people ignored the holiday. Thanksgiving was in trouble. It needed… A SUPERHERO!
Laurie Halse Anderson (Thank You, Sarah: The Woman Who Saved Thanksgiving)
Oh, Nick, you’re here at last. We were just wondering what had happened to you.” Nick glared at his brother while he caught his breath. “I’ll get you next time—I didn’t eat much of a breakfast today.” “Is that your excuse for all the other times you’ve lost to him in a footrace?” Alex said teasingly. “Really, Nick…I should think you’d have learned your lesson by now. He’s faster than you.” Kit smirked at his brother. “See? Even our baby sister knows it.” Taking a glass of lemonade from Ella, Alex continued, “However, given the choice between speed and intelligence, I’d say you made away with the better part of that deal.” Everyone laughed at Kit’s narrowed eyes and, with a smile, Alex extended a plate of roasted quail to him as a peace offering.
Sarah MacLean (The Season)
The three ladies perused the menu. Muriel let out a sigh. "I don't like it when they give too much detail about the meat," she said, "It says here the roast pork is made from Gloucester Old Spot pigs that were raised at Tyler's Green Farm. I've been there and can picture the little piglets running around. It's put me off ordering that." "And the beef," Diana told her, not looking up, "They're serving Daisy. She had a happy life on the farm until an unfortunate accident with the combine harvester led to her being something delicious on your plate today." "Oh God," Muriel replied, "I think I'll have the spinach quiche.
Stuart Bone, Nothing Ventured
To say that an area has been “gentrified” is to invoke the racially coded language of an “urban” neighborhood where muggings are down and espresso beans are roasted—a place that has been “discovered,” as though no one had been living there.
Andrea Elliott (Invisible Child: Poverty, Survival & Hope in an American City)
It was a pretty great picnic, if I do say so myself. I’d helped Mrs. B prepare it, and I enjoyed listening to Karina and my father ooh and ah as I took out tiny cherry tomatoes stuffed with spicy cheese filling; avocado, spinach, and red onion sandwiches with walnut oil vinaigrette on seven grain bread; mozzarella sandwiches with roasted red peppers and pickled mushrooms on Italian bread; peanut butter and apple butter sandwiches on whole wheat bread; new potato salad with dill; and grapes and strawberries and kiwi fruit salad with poppy seed dressing. Plus granola bars for snacks. “And for dessert we have cheesecake with raspberry sauce,” I announced, taking the last bottle of sparkling water out of the cooler.
Ann M. Martin (Dawn and Whitney, Friends Forever (The Baby-Sitters Club, #77))
I find a filter, shove it into the blessedly intact coffeemaker, and pour in half the damn bag of French roast. “I hope you like yours strong.” “Like the Rock of Gibraltar,” Samael says. And looks around. “A bit of a step up for you.
Richard Kadrey (Ballistic Kiss (Sandman Slim, #11))
Oh,” said Hazel, “they reacted just about the way the grownups did. They just looked at it and didn’t say anything, just moved on to see what the next thing was.” “What was the next thing?” “It was an iron chair a man had been roasted alive in,” said Crosby. “He was roasted for murdering his son.” “Only, after they roasted him,” Hazel recalled blandly, “they found out he hadn’t murdered his son after all.
Kurt Vonnegut Jr. (Cat’s Cradle)
For one, the lomo saltado was so delicious I thought I might forget my own name. It was beef tenderloin stir-fried so that the sugars in the marinade caramelized on the outside, making it crispy and chewy and as tender as the name in the middle, on a big blue platter piled high with roasted tomatoes, various salsas and chiles, and crispy fries. The idea was to wrap pieces of beef and the toppings in the scallion pancakes that came along with it. What resulted were flavor bombs, savory and spicy and fatty and crispy, all accentuated by the sweet, tangy pop of tomato. Flakes of scallion pancakes drifted from my lips down to my plate as my teeth crunched through each bite. "I can't even handle how good this is," I said, then swallowed because I couldn't wait to say it. The other two dishes we'd ordered were pretty great, too----a whole branzino marinated and charred so that we picked it clean off its spindly bones and ate it with greens and roasted peppers; a half chicken roasted with aji amarillo chile paste and served over shiitake mushrooms and a lime crema---but the lomo saltado was the true star of the table. I could already picture how it was going to look on my page. The golden-brown fries glistening with oil. The beef shaded from light pink in the center to deep brown on the edges. The ruby red tomatoes nestled among them. And the scallion pancakes serving as a lacy backdrop.
Amanda Elliot (Best Served Hot)
Cheese by Maisie Aletha Smikle and Abigail LaTonya Waugh Cheese Cheese Cheese I must get some cheese A rat I must appease And put Micky mouse at ease I need cheese for the steak To shred and bake To make bread and cake While I'm awake Warm cheese is so gooey Heat it longer it melts to oil Floating when it’s boiled Water and oil they just won’t jive When they’re together They are still apart Oil refuses to be absorbed or victimized Frozen cheese is frozen oil hard as ice Grill cheese on toasts Stuff cheese in a roast Cubed cheese on fried rice Tasty and filled with spice While I play ball All I could think of was cheese ball O how I would love to munch On a very big bunch Pizza and cheese went to the circus fair It was indeed a festive affair In the cool breeze Pizza got married to cheese Clown brought the tux and gown On his way into town Pizza and cheese profess their love for each other And swore they'll forever be together Cheese promised pizza never to leave So to cheese, pizza cleave Pizza stuck to cheese like glue And vowed to bond after saying I do
Maisie Aletha Smikle and Abigail LaTonya Waugh
Nobody wants to be judged on their twenty-year-old tramp stamp as they lean over to slap their eight-year-old daughter who’s wearing a shirt that says JAILBAIT.
Colin Quinn (Overstated: A Coast-to-Coast Roast of the 50 States)
On the “large market trap”: It's easy to become beguiled by large and potentially attractive markets, as Tuninvest was. Nespresso, too, in its early days, eyeing the 70 percent of the coffee market served by roasted and ground coffee that it did not sell. “If I can only sell my widget to 1 percent of the people in China, I'll be rich,” some say. Market size is important, of course, as there's more room in large markets for multiple companies to be successful. But, as a starting point, I'll take a very narrow target market having a compelling problem that I can solve, and solve better than anyone else. My advice: think narrow at the outset. Moving the needle can come later, once progress is in hand.
John Mullins (Break the Rules!: The Six Counter-Conventional Mindsets of Entrepreneurs That Can Help Anyone Change the World)
Many persons knowingly violate the laws of nature against their better impulses, for the sake of fashion. For instance, there is one thing that nothing living except a vile worm ever naturally loved, and that is tobacco; yet how many persons there are who deliberately train an unnatural appetite, and overcome this implanted aversion for tobacco, to such a degree that they get to love it. They have got hold of a poisonous, filthy weed, or rather that takes a firm hold of them. Here are married men who run about spitting tobacco juice on the carpet and floors, and sometimes even upon their wives besides. They do not kick their wives out of doors like drunken men, but their wives, I have no doubt, often wish they were outside of the house. Another perilous feature is that this artificial appetite, like jealousy, "grows by what it feeds on;" when you love that which is unnatural, a stronger appetite is created for the hurtful thing than the natural desire for what is harmless. There is an old proverb which says that "habit is second nature," but an artificial habit is stronger than nature. Take for instance, an old tobacco-chewer; his love for the "quid" is stronger than his love for any particular kind of food. He can give up roast beef easier than give up the weed.
P.T. Barnum (The Art Of Money Getting By P. T. Barnum Annotated: Literary Classic)
In this way we will be reminded of their true nature and come to a more ‘objective’ judgement. It is, Marcus says, like: ‘seeing roasted meat and other dishes in front of you and suddenly realizing: This is a dead fish. A dead bird. A dead pig. Or that this noble vintage is grape juice, and the purple robes are sheep wool dyed with shellfish blood. Or making love – something rubbing against your penis, a brief seizure and a little cloudy liquid.
Antonia Macaro (More Than Happiness: Buddhist and Stoic Wisdom for a Sceptical Age)
Jonathan had been celebrated at his original Jams restaurant for the deboned, grilled half chicken he served with fries. "But it was a different beast," he says, in comparison to the pollo al forno at Barbuto, which is now one of the city's most iconic dishes. "I wanted to not waste anything," he says of the choice to roast the bird on the bone at Barbuto. Placing two halves of a chicken in a skillet, he dresses them with olive oil, sea salt, and fresh cracked pepper. He then roasts it in the wood-burning oven, basting it along the way to make succulent, brown, and crispy skin. Beneath, the meat becomes tender and juicy. After letting the pieces rest for a few minutes, he tops them with salsa verde, a mixture of smashed garlic, capers, cured anchovies, olive oil, salt, pepper, and a mash of herbs- such as parsley, tarragon, and oregano- and serves it so simply and yet it's so spectacular. "It became one of my greatest hits," Jonathan acknowledges. "And when people love something, you don't deny them.
Amy Thomas (Brooklyn in Love: A Delicious Memoir of Food, Family, and Finding Yourself)
Our take on a rhubarb and custard," Susan announces. "Rhubarb sorbet on the bottom, topped with whipped custard and a candied rhubarb sweet." It's served in small egg-shaped glasses, so you can see the layers: bright pink sorbet on the bottom, rich lemon-yellow custard, whipped to airy delicacy, topped with a wafer-thin, jewel-like disc of rhubarb that's been roasted, pressed flat, and encased in rhubarb-flavored praline. The chef takes two bites of it, then sits back, sighs, and looks at his plate for a while. Susan feels like melting into the floor. He hates it! What went wrong? Is it too simple? She worried about that. Maybe she should have done a tart or a mille-feuille. "This tastes of summer," the chef says at last. "Every bit of it is delightful and delicious- it's so light and airy and enjoyable." "I totally agree," says the presenter. "It's the perfect follow-up to something as heavy as those ribs, and the flavors remind me of rhubarb and custard sweets, which really takes me back." "Yeah, me too." The blogger nods. "Raiding the sweet shop after school.
Brianne Moore (All Stirred Up)
Roast beef and trifle,” said Grace in a daze of food and punch. “And all authentically Mughal, you say?
Helen Simonson (Major Pettigrew's Last Stand)
ON MY RETURN to our camping place, I make the camels kneel down and hobble their forelegs to prevent them from straying at night. Zayd has already lit a fire and is busy making coffee. Water boils in a tall brass coffeepot with a long, curved spout; a smaller pot of a similar shape stands ready at Zayd's elbow. In his left hand he holds a huge, flat iron spoon with a handle two feet long, on which he is roasting a handful of coffee beans over the slow fire, for in Arabia coffee is freshly roasted for every pot. As soon as the beans are lightly tanned, he places them in a brass mortar and pounds them. Thereupon he pours some of the boiling water from the larger pot into the smaller, empties the ground coffee into it and places the pot near the fire to let it slowly simmer. When the brew is almost ready, he adds a few cardamon seeds to make it more bitter, for, as the saying goes in Arabia, coffee, in order to be good, must be 'bitter like death and hot like love'.
Muhammad Asad (The Road To Mecca)
Don’t know if you have any hobbies.” She nodded. “I do. I may have to take a break from it for a bit while I’m out here, but normally when I have a light day on campus, I go to a class . . .” I waited. “It’s . . . pole dancing.” I stopped breathing, but at least I didn’t choke. Nodding, I took a sip of my wine to block my face, which I was pretty sure had turned the shade of a beet. “So, like Flashdance? Welder by day, dancer by night?” I barked out, feeling a stirring in my pants that was wholly inappropriate for my roomie, who’d been talking about diode lasers a minute earlier. She’s a goddamn pole dancer. She chuckled and crossed her arms over her chest as though trying to keep me from picturing her dancing. “Excellent movie reference. But no, that’s not even close to what I do.” It hardly mattered. My brain was stuck. Like a white-hot strobe had blinded me to everything except Sarah wearing lingerie and grinding on a pole under hot lights. For me. Stop picturing it. Fuck! “Cool,” I finally managed to say with a straight face. Like it meant nothing. She nodded. Like it meant nothing. Then she spread some brie cheese on a cracker and took a bite. I choked out an excuse and went to the bathroom to get a grip. This will be okay. It will. It has to be. In the bathroom, I splashed some cold water on my face and took a hard look at myself in the mirror. What was happening? I hadn’t been this jacked up over a woman anytime in the past two years. My emotions had been buried in caverns so deep I felt confident they were gone for good. I was fine with that. It made no sense. Or . . . maybe it did. I’ve always been competitive as fuck. If I’m told I can’t have something, I want it all the more and do anything in my power to make it mine. That had to be what was happening here. It was all in my head. I knew she was off limits, so the competitive motherfucker in me started bucking against that. I just needed to get my head together and think of her like any other human who happened to be using my second bedroom. When I got back to the table, Sarah looked up at me with a thin slice of Parma ham twirled around her fork and put the bit into her mouth. I had no defensible reason to focus on her lips or the soft contour of her jaw while she chewed. She swallowed and smiled at me. “I figured I should get a head start on eating while you were gone. In case you had more questions.” “Good plan. Maybe we should focus on the food for a few minutes, or we could be here all night.” I bit into a slider and closed my eyes at how delicious the slow-roasted meat tasted on the brioche bun. Who needed to cook when someone else could make food that tasted like this? It was how I’d become addicted to takeout and why I rarely ate at home anymore. That, and I spent a lot of time at work. Sarah finished the last of the cheesy bread and wiped her lips gingerly on a napkin before looking right at me with those gorgeous eyes. “This is weird, right? It’s not just me?” I tilted my head, trying to read her expression and decipher her meaning. “Could you be specific? She waved her hands between us. “This. Us. We’re in our thirties and we’re roommates. I don’t know about you, but I haven’t had a roommate for about ten years. Does it freak you out a little bit?” Yes, but not for the reasons she meant.
Stacy Travis (The Spark Between Us (Berkeley Hills, #4))
She is never going to let me live down that stupid Thanksgiving," Kai says. I can't help but take the bait. "You made prime rib!" "It was delicious," Kai says, shrugging. "IT WAS BEEF! You can't have beef on Thanksgiving, except for appetizers like meatballs or something. You have TURKEY on Thanksgiving." Last Thanksgiving I spent with Phil and Kai, since I was orphaned and separated and Gilly couldn't make it from London. Everything was delicious, but it was like a dinner party and not Thanksgiving. The prime rib wasn't the only anomaly. No mashed potatoes or stuffing or sweet potatoes with marshmallows or green bean casserole. He had acorn squash with cippolini onions and balsamic glaze. Asparagus almondine. Corn custard with oyster mushrooms. Wild rice with currants and pistachios and mint. All amazing and perfectly cooked and balanced, and not remotely what I wanted for Thanksgiving. When I refused to take leftovers, his feelings were hurt, and when he got to the store two days later, he let me know. "Look," Kai says with infinite patience. "For a week we prepped for the Thanksgiving pickups." He ticks off on his fingers the classic menu we developed together for the customers who wanted a traditional meal without the guilt. "Herb-brined turkey breasts with apricot glaze and roasted shallot jus. Stuffing muffins with sage and pumpkin seeds. Cranberry sauce with dried cherries and port. Pumpkin soup, and healthy mashed potatoes, and glazed sweet potatoes with orange and thyme, and green beans with wild mushroom ragu, and roasted brussels sprouts, and pumpkin mousse and apple cake. We cooked Thanksgiving and tasted Thanksgiving and took Thanksgiving leftovers home at the end of the day. I just thought you would be SICK OF TURKEY!
Stacey Ballis (Good Enough to Eat)
I was of the opinion that a good heart was not money in the bank. You couldn't buy a bowl of rice with sympathy, I used to say. But two baht worth of rice with love at the supper table is a feast, and I know, because we starved on roast pork.
Botan (Letters from Thailand)
Katherine sits at a table of four. She's a defensive diner, with her back to the wall like Al Capone. James asks for her order. Tea. Spicy tofu. Does she want it with, or without pork? She wants the pork. Would she like brown rice? No, she says, brown rice is an affectation of Dagou's, not authentic. White rice is fine. Whatever her complications, James thinks, they're played out in the real world, not in her palate. But Katherine's appetite for Chinese food is hard-won. She's learned to love it, after an initial aversion, followed by disinclination, and finally, exploration. Everyone knows she grew up in Sioux City eating peanut-butter-and-jelly sandwiches, carrot sticks, and "ants on a log" (celery sticks smeared with peanut butter, then dotted with raisins). Guzzling orange juice for breakfast, learning to make omelets, pancakes, waffles, and French toast. On holidays, family dinners of an enormous standing rib roast served with cheesy potatoes, mashed potatoes, and sweet potatoes with marshmallows, Brussels sprouts with pecans, creamed spinach, corn casserole, and homemade cranberry sauce. Baking, with her mother, Margaret Corcoran, Christmas cookies in the shapes of music notes, jingle bells, and double basses. Learning to roll piecrust. Yet her immersion in these skills, taught by her devoted mother, have over time created a hunger for another culture. James can see it in the focused way she examines the shabby restaurant. He can see it in the way she looks at him. It's a clinical look, a look of data collection, but also of loss. Why doesn't she do her research in China, where her biological mother lived and died? Because she works so hard at her demanding job in Chicago. In the meantime, the Fine Chao will have to do.
Lan Samantha Chang (The Family Chao)
One can even say that we require at all times a certain quantity of care or sorrow or want, as a ship requires ballast, in order to keep on a straight course. Work, worry, toil and trouble are indeed the lot of almost all men their whole life long. And yet if every desire were satisfied as soon as it arose how would men occupy their lives, how would they pass the time? Imagine this race transported to a Utopia where everything grows of its own accord and turkeys fly around ready-roasted, where lovers find one another without any delay and keep one another without any difficulty: in such a place some men would die of boredom or hang themselves, some would fight and kill one another, and thus they would create for themselves more suffering than nature inflicts on them as it is. Thus for a race such as this no stage, no form of existence is suitable other than the one it already possesses.
Arthur Schopenhauer (Essays and Aphorisms)
What a contrast: the paleness of those buds— strung with needle and thread into a fluffy bracelet—against the darkness of that lady’s skin! And what a contrast, again: the delicacy of their perfume against the robust smell of roasting meat! It is remarkable indeed how we human beings are capable of delighting in the mating call of a flower while we are surrounded by the charred carcasses of our fellow animals—but then we are remarkable creatures. Perhaps it is in our nature to recognize subconsciously the link between mortality and procreation—between, that is to say, the finite and the infinite—and we are in fact driven by reminders of the one to seek out the other.
Mohsin Hamid (The Reluctant Fundamentalist)
Suddenly everybody was talking and whispering to one another. “They’ve gotta be kidding!” said Michael. “I’ll die without junk food.” “Life will be horrible,” said Neil, who we call Neil the nude kid even though he wears clothes. “This is gonna be worse than National Poetry Month!” said Ryan. “This is gonna be worse than TV Turnoff Week!” I said. “You boys are silly,” said Andrea. “I think ‘Say Good-bye to Sugar’ is a great idea. I like healthy food. My favorite foods are herb-roasted chicken, fresh fruit, and baked soy chips.”**** “Could you possibly be any more boring?” I asked her. “You’ll feel a lot better once you start eating less junk food,” Mrs. Cooney told us. “How about we give up vegetables instead?” I suggested. “Arlo, you probably never even tasted a vegetable,” said Andrea. “I did too,” I told her. “I tasted one once. Then I spit it out.” My friend Billy who lives around the corner told me that if you eat too many vegetables, you get a disease called vegetitus. So I stay away from that stuff. Besides, green is a weird color. It’s the same color as boogers. You shouldn’t eat stuff that’s green. That’s the first rule of being a kid. I was so depressed about ‘Say Good-bye to Sugar’ that I could hardly pay attention during social studies, math, reading, and
Dan Gutman (Mrs. Yonkers Is Bonkers! (My Weird School, #18))
13 The carpenter stretcheth out his rule; he marketh it [the idol he is making] out with a line; he fitteth it with planes, and he marketh it out with the compass [your craftsmen exercise great care and skill in manufacturing your idols], and maketh it after the figure of a man, according to the beauty of a man; that it may remain in the house [your craftsmen put great care into making your idols; implication: if you were as careful worshipping God as you are in making idols . . .]. 14 He heweth him down cedars, and taketh the cypress and the oak, which he strengtheneth [cultivates and grows] for himself among the trees of the forest: he planteth an ash [tree], and the rain doth nourish it. 15 Then shall it be for a man to burn: for he will take thereof, and warm himself; yea, he kindleth it, and baketh bread; yea, he maketh a god, and worshippeth it [you use most of the tree’s wood for normal daily needs; how can you possibly turn around and worship wood from the same tree in the form of idols!]; he maketh it a graven image, and falleth down thereto. 16 He burneth part thereof in the fire; with part thereof he eateth flesh; he roasteth roast, and is satisfied: yea, he warmeth himself, and saith, Aha, I am warm, I have seen the fire [normal uses]: 17 And the residue thereof [with the rest of the tree] he maketh a god, even his graven image: he falleth down unto it, and worshippeth it, and prayeth unto it, and saith, Deliver [save] me; for thou art my god [Isaiah is saying how utterly ridiculous it is to assign part of a tree to have powers over yourselves]. 18 They [idol worshipers; see 45:20] have not known [German: know nothing] nor understood [German: understand nothing]: for he hath shut their eyes [German: they are blind], that they cannot see [are spiritually blind]; and their hearts, that they cannot understand [they are as blind and unfeeling, insensitive, as the idols they make and worship]. 19 And none considereth in his heart [if idol worshipers would just stop and think], neither is there knowledge nor understanding [they don’t have enough common sense] to say, I have burned part of it [the tree spoken of in verse 44] in the fire; yea, also I have baked bread upon the coals thereof; I have roasted flesh, and eaten it: and shall I make the residue thereof an abomination [is it reasonable to make the leftover portion into an abominable idol]? shall I fall down to the stock of a tree [is it rational to worship a chunk of wood]? 20 He [the idol worshiper] feedeth on ashes [German: takes pleasure in ashes, perhaps referring to ashes left over from some forms of idol worship]: a [German: his own] deceived heart hath turned him aside [German: leads him astray], that he cannot deliver [save] his soul, nor say [wake up and think], Is there not a lie in my right hand [covenant hand—am I not making covenants with false gods]? 21 ¶ Remember these, O Jacob and Israel; for thou art my servant: I have formed thee [the exact opposite of idol worshipers who form their gods]; thou art my servant: O Israel, thou shalt not be forgotten of me.
David J. Ridges (Your Study of Isaiah Made Easier in the Bible and the Book of Mormon)
Are you all right, my queen?” Lutian asked as he drew near her “I am crushed, Lutian. Crushed. There’s nothing to be done for it, I fear. Christian has broken my heart.” “What has he done? Say the word and I shall go and…well, he will beat my posterior all the way back to this tent. But I shall muss his clothes for the effort and bleed on him for spite.” Adara smiled at his noble words. “I told him that I’m with child and he wasn’t happy to hear my news. Should he not be overjoyed?” She never expected Lutian to disagree with her. “Perhaps not, my queen.” “Excuse me?” Lutian looked a bit sheepish. “’Tis quite a burden to place on any man. Even I would be fretful over it.” “Why should one baby be worth fretting over when he leads hundreds of men? You don’t see me fretting, do you?” “Actually, my queen, I do.” She narrowed her eyes on him. “What is it with you men, that you take up for each other on such a matter? May you roast for eternity, too!” Adara immediately reversed course and left the tent, only to run headlong into Phantom. She glared at him. “Out of my way, male, and to the devil with you and all of your ilk.” Phantom arched a single brow as she pushed past him. Completely amused, he watched her walk away. “My queen!” Lutian said as he left his tent. She didn’t pause. “So when is she expecting the child?” Phantom asked. Lutian paused. “How did you know she’s pregnant?” “An emotional outburst for no apparent reason, in which she curses all men? Pregnant, no doubt.” He shook his head. “Poor Christian. I pity any man who has a pregnant wife to contend with. They can be most irrational.” “As would you if you had something kicking you every time you moved.” They turned to see Corryn behind them. She gave both men a chiding glare. “You should both be ashamed of yourselves. ’Tis a fearful time when a woman finds herself in such a condition. Know either of you how many women die in childbirth?” That sobered both men instantly. Phantom felt his gullet knot over the realization and he wondered if the same thing had occurred to Christian.
Kinley MacGregor (Return of the Warrior (Brotherhood of the Sword, #6))
Three Rabbis Walk into a Wine Bar An Orthodox, Conservative and Reform Rabbi walk into a wine bar. The wine steward says, "Gentlemen. What will you have?" The Orthodox Rabbi says, "Nothing. Your wine isn't Kosher." The Conservative Rabbi says, "I guess I'll have some water, please." The Reform Rabbi, perusing the menu, says, "Bring me a Carmen Gran Reserva. I like it because it's dense and full bodied, with notes of ripe berry, tobacco and anise, and pairs nicely with a dish of roasted ham hock." The jokes on the wine steward. Nobody leaves a tip.
Beryl Dov
I wanted to tell her to stuff it. I was done with that crap. Hope wasn’t worth a damn. I didn’t say it, though, because the bed upstairs might’ve been the most comfortable thing I’d ever lain on. I’d tell her tomorrow as we were leaving where she could stick her hope, right after I ate some more of her roast for breakfast. Or maybe I’d say nothing. She seemed nice. I just wish she’d stop with all the good thoughts. I didn’t have time for that nonsense.
Donna Augustine (Savage One (Born Wild, #2))
If there is an invisible assassin in this place, I can only imagine it's the Devil himself, I dare say he feels quite at home
Marisa Coulter
I keep getting drunk. There’s no more interesting way to say it. Only drunk does the volume crank down. Liquor no longer lets me bullshit myself that I’m taller, faster, funnier. Instead, it shrinks me to a plodding zombie state in which one day smudges into every other—it blurs time. Swaying on the back landing in the small hours, I stare at the boxy garage and ghostly replicas of it multiplying along either side, like playing cards spread against the slate sky. Though this plural perspective is standard, I’m surprised by my own shitfaced state. The walkman sends punk rock banging across the tiny bones of my ears. And with the phonebook-sized stack of papers on my lap still unmarked, I—once more, with feeling—take the pledge to quit drinking. Cross my heart. Pinky swear to myself. This is it, I say, the last night I sit here. Okay, I say in my head. I give. You’re right. (Who am I talking to? Fighting with?) By the next afternoon, while I’m lugging the third armload of groceries up the back stairs, Dev, who’s bolted ahead to the living room, shrieks like he’s been stabbed, and I drop the sack on the kitchen floor, hearing as it hits what must be a jar of tomato sauce detonating. In the living room, I find Dev has leaped—illicitly, for the nine hundredth time—off the sofa back, trying to land in the clothes basket like a circus diver into a bucket of water. He’s whapped his noggin on the coffee table corner. Now dead center on his pale, formerly smooth forehead, there’s a blue knot like a horn trying to break through. I gather him up and rush to the kitchen, aiming to grab a soothing bag of frozen peas. But I step on a shard of tomato sauce jar, gash my instep, slide as on a banana peel, barely hanging on to Dev till we skid to a stop. I tiptoe across the linoleum, dragging a snail of blood till I can plop him in a kitchen chair, instructing him to hold the peas to his head and not move an inch while I bunny-hop upstairs to bandage my foot. Coming back, I find he’s dragged the formerly white laundry into the kitchen to mop up the tomato sauce. I’m helping, he says, albeit surrounded by gleaming daggers of glass while on his forehead the blue Bambi horn seems to throb. Minutes later, my hand twists off a beer cap as I tell myself that a beer isn’t really a drink after all. So I have another after that to speed preparing the pot roast, and maybe even a third. Before we head to the park, I tuck two more beer bottles in my coat pocket, plus one in my purse alongside a juice box.
Mary Karr (Lit)
Reports from witnesses including the landlady of the King’s Head in Ratcliffe say that the Protestants met in a back room of the inn, ordered a fire, beer and a roasted pig, and then sat and stood around the table, while one read a selection of psalms and the minister preached and shared bread and wine. The staff also noticed that deacons collected money for the poor and prisoners, and that members called each other ‘brother’.
Stephen Tomkins (The Journey to the Mayflower: God's Outlaws and the Invention of Freedom)
There is the standing prime rib roast, which I salted three days ago and have left uncovered in the extra fridge to dry out. I place the roast in a large Ziploc bag and put it in the bottom of the first rolling cooler, and then the tray of twice-baked potatoes enriched with cream, butter, sour cream, cheddar cheese, bacon bits, and chives, and topped with a combination of more shredded cheese and crispy fried shallots. My coolers have been retrofitted with dowels in the corners so that I can put thin sheets of melamine on them to create a second level of storage; that way items on the bottom don't get crushed. On the top layer of this cooler I placed the tray of stuffed tomatoes, bursting with a filling of tomato pudding, a sweet-and-sour bread pudding made with tomato paste and orange juice and lots of butter and brown sugar, mixed with toasted bread cubes. I add a couple of frozen packs, and close the top. "That is all looking amazing," Shawn says. "Why, thank you. Can you grab me that second cooler over there, please?" He salutes and rolls it over. I pull the creamed spinach out of the fridge, already stored in the slow cooker container, and put it in the bottom of the cooler, and then add three large heads of iceberg lettuce, the tub of homemade ranch dressing and another tub of crispy bacon bits, and a larger tub of popover batter. I made the pie at Lawrence's house yesterday morning before heading to the airport- it was just easier than trying to transport it- and I'll make the whipped cream topping and shower it with shards of shaved chocolate just before serving. I also dropped off three large bags of homemade salt-and-pepper potato chips, figuring that Lawrence can't eat all of them in one day and that there will hopefully be at least two bags still there when we arrive. Lawrence insisted that he would pick up the oysters himself.
Stacey Ballis (How to Change a Life)
I've got a leftover cooked pork chop from dinner last night, an acorn squash, pistachio nuts, and honey vinegar." "Okay," I say, practically watching the wheels turning in his little head. "Time starts... now!" Ian gets down to business, steeling his little chef's knife. "Talk me through it as you go," I say. "I'm going to do a pork chop and roasted squash quesadilla with pistachio chimichurri and honey vinegar crema." "That seems smart. Tell me why as you prep." Ian begins slicing the acorn squash into rings, laying them on a baking sheet and drizzling with olive oil. "Well, the pork chop is already cooked, and quesadillas are a smart use for leftovers because they cook fast so things don't have time to dry out or get tough. The squash has good sweetness, which will go well with the pork, and will also be friends with the honey vinegar." "Good. Why not just toss the pistachios into the quesadilla?" He seasons the acorn squash rings expertly with kosher salt, taking a pinch from the bowl and holding his hand at eye level, raining the salt crystals down evenly over the squash, and then pops the tray in the oven. "Because the heat of cooking would make them lose their snap and you need that textural element for contrast with the soft quesadilla." "Excellent. Tell me about the chimichurri." He throws the pistachios into a small nonstick sauté pan and starts to toast them. "Well, I'm toasting the nuts to bring out the flavor and intensify the crunch, and I'm going to chop them roughly and mix them with minced green olives, mint, parsley, shallots, olive oil, a touch of the honey vinegar, maybe some red pepper flakes for heat.
Stacey Ballis (How to Change a Life)
I watched as Ian pulls the cooked squash out of the oven and drops it on the part of the cooktop that is currently not in use to let it cool for a moment while he mixes honey vinegar and a touch of brown sugar into thick crème fraîche, tasting along the way with the spoons I keep in a little cup on the stovetop. Satisfied with the crema, he turns back to the food processor, where he has chopped the pistachios, shallots, olives, and herbs, and empties out the contents into a bowl, adding a splash of the honey vinegar, a pinch of red pepper flakes, and a healthy glug of olive oil. He tastes, adds salt and a good grinding of black pepper, tastes again, and nods, pleased with himself. "Ten minutes to go," I say, checking my phone. "Keep talking me through things." Ian reaches for a large flour tortilla and places it in a dry nonstick skillet. "I'm going to assemble the quesadilla now," he says, sprinkling shredded fontina cheese over the whole surface of the tortilla. He dots the shredded cheese with small bits of fresh goat cheese. "I'm using fontina because it melts well and is mild, and some chèvre for a bit of punch and creaminess. Now the pork." He has sliced the pork thin, and layers it over the cheeses, following with cubes of the roasted squash.
Stacey Ballis (How to Change a Life)
Thursday night is pasta night," I say. "I left you guys a lasagna Bolognese, garlic knots, and roasted broccolini. Ian is going to make the Caesar salad table side." Thursday is the day I come in only to train Ian, so on Wednesdays I always leave something for an easy pasta night. Either a baked dish, or a sauce and parboiled pasta for easy finishing, some prepped salad stuff, and a simple dessert. "Awesome. Does the lasagna have the chunks of sausage in it?" I narrow my eyes at him. "Robert Adam Farber, would I leave you a lasagna without chunks of sausage in it?" I say with fake insult in my voice. "No, El, you totally have my back on all things meat. What's for dessert?" "Lemon olive oil cake with homemade vanilla bean gelato.
Stacey Ballis (How to Change a Life)
The waitress comes over with a tray of the official cocktail of the evening, the ELT French 40. It's a riff on a French 75, adjusted to suit us, with bourbon instead of gin, champagne, lemon juice, and simple syrup, with a Luxardo cherry instead of a lemon twist. "Here you go, ladies. As soon as your guests are here we will start passing hors d'oeuvres, but I thought you might want a little sampler plate before they arrive." "That is great, thanks so much!" I say, knowing that in a half hour when people start to come in, we'll have a hard time eating and mingling. We accept the flutes and toast each other. The drink is warming and refreshing at the same time. The platter she has brought us contains three each of all the passed appetizers we chose: little lettuce cups with spicy beef, mini fish tacos, little pork-meatball crostini, fried calamari, and spoons with creamy burrata topped with grapes and a swirl of fig balsamic. There will also eventually be a few of their signature pizzas set up on the buffet, and then, for dinner, everyone has their choice of flat-iron steak, roasted chicken, or grilled vegetables, served with roasted fingerlings. For dessert, there is either a chocolate chunk or apple oatmeal cookie, served toasty warm with vanilla ice cream and either hot fudge or caramel on top, plus there will be their famous Rice Krispies Treats on the tables to share.
Stacey Ballis (How to Change a Life)
The inside of the tavern was well lit and filled with men and women in plain but sturdy clothes, most covered with some kind of fur, as though everyone worked with animals. They didn’t have the look of farmers. An odd stink rode under the scents of roasted meat and bread, but the food made his stomach grumble loudly. It was all he could do to keep from launching himself onto the nearest plate. Conversation died as everyone stopped what they were doing and turned to look at him. “Ah, hello.” He gathered his courage. This was just like reading poetry, but subtract poems and add people casually placing hunting knives and daggers on their tables. One of the women was filing her fingernails into sharp points, like claws. Just like reading poetry. G regathered his courage and strode to the far end of the room, toward the bar. He had to squeeze in between two burly men with tear-shaped scars on their faces. They all smelled vaguely like wet dog. A young man at the end of the bar leaned forward and smirked at him in a decidedly unpleasant manner. The bartender eyed him. “What do you want?” “I—” G had never needed to admit to not having money before. “I don’t suppose you have any work that needs doing around here?” “Work?” This fellow clearly had not so much brain as ear wax. “I could clean the tables or scrub the floor.” The bartender pointed to a haggard-looking serving wench, who scowled at him. “Nell here does that.” “Or I could peel potatoes. Or carrots. Or onions. Or any root vegetable, really.” G had never peeled anything before, but how hard could it be? “We have someone who does that, too,” the man said. “Why don’t you push off. This isn’t the place for you.” G would have suggested yet more menial tasks he’d never attempted, but at that moment, he put together the hints: the wet-dog smell; the fur on everyone’s clothes; the defensive/protective behavior when he, a stranger, entered. That, and they were eating beef. Cow. Possibly that village’s only cow. All at once, he knew. This was the Pack. “Er, yes, perhaps I should be pushing off, as you suggest—” he started to say. “Rat!” Someone near the door lurched from his chair, making it topple over behind him. “There’s a rat!” It couldn’t be Jane, he thought. He’d told her to stay put. “It’s not a rat, you daft idiot,” cried another. “It’s a squirrel!” “It’s some kind of weasel!” Bollocks. It was his wife. “It’s dinner, that’s what it is.” That was the man directly to G’s right. “And he’s a spy. Asking all those questions about vegetables.” “She’s clearly a ferret!” G yelled as he lunged toward the dear little creature dashing about on the floor. 
Cynthia Hand (My Lady Jane (The Lady Janies, #1))
I should say that a manual worker, if he is in steady work and drawing good wages — an ‘if which gets bigger and bigger — has a better chance of being happy than an ‘educated’ man. His home life seems to fall more naturally into a sane and comely shape. I have often been struck by the peculiar easy completeness, the perfect symmetry as it were, of a working-class interior at its best. Especially on winter evenings after tea, when the fire glows in the open range and dances mirrored in the steel fender, when Father, in shirt-sleeves, sits in the rocking chair at one side of the fire reading the racing finals, and Mother sits on the other with her sewing, and the children are happy with a pennorth of mint humbugs, and the dog lolls roasting himself on the rag mat — it is a good place to be in, provided that you can be not only in it but sufficiently of it to be taken for granted.
George Orwell (Essais, articles, lettres T. 1: (1920-1940))
HOBAMISO Miso on a magnolia leaf Serves 2-4 Preparation time: 15 mins Cooking time: 10 mins 100g (3½ oz) shinshu (light brown) miso 35g (1¼ oz) sugar 8g (¼ oz) mature ginger, coarsely grated and then drained of liquid by squeezing through muslin (cheesecloth) 1 tbsp vegetable oil 80g (2¾ oz) spring onions (scallions), thinly sliced 2 hoba leaves (newly fallen leaves that are at least 25cm/10 in in length), or parchment paper cooked rice, to serve 1 Prepare a shichirin (a small tabletop grill) and get the charcoal red hot. If you don’t have a shichirin or hoba leaves, you can also make this dish on the stove in a roasting tin lined with parchment paper. 2 In a bowl, combine the miso, sugar, ginger, and vegetable oil to form a paste. Stir in the spring onions. 3 Rinse the hoba leaves in water and drain, but don’t wipe them dry. Place the leaves on the grill, over the very hot charcoal, and spread the miso mixture over the centre of the leaf, making sure not to cover more than about a third of the leaf’s surface. 4 Allow to simmer for 2 minutes, cooking until the spring onion becomes tender and the miso caramelised. When it is ready, the leaf will release a slightly smoky, autumnal aroma. 5 Serve with a bowl of rice. Nobuko says this also goes very well with a crisp sake.
Lonely Planet Food (From the Source - Japan (Lonely Planet))
The sun starts to sink lower over the ocean, and Zach somehow magics up a fire from driftwood and kindling. And then he brings out the marshmallows. Not a bag of mass-produced, uniform white cylinders of sugar. But two not-quite-square, hand-made, artisanal marshmallows. I look up at him. “Are you kidding me right now?” The right side of his mouth kicks up in a smirk that says I gave him exactly the reaction he was looking for. “Nope,” he says. “I asked the baker and she made these special for us. After all, I did promise you.” He grabs a forked stick and roasts them for us. When they’re perfectly golden brown and sagging off the stick, he slides it onto a graham cracker, and adds a square of chocolate. I put the entire thing in my mouth. “Ohmigod!” I murmur. “This is amazing!” “Transcendent?” he teases. “Absolutely.” I agree, licking some of the sugar off my fingers. He grabs my wrist and the next thing I know, he’s licking the sugar off my fingers. Oh God, and now I’m thinking of last night and what else he licked. As I watch, his eyes get intense; he’s thinking the same. “We can’t have sex on the beach,” I say breathlessly. “Too sandy.” “You have a one-track mind, don’t you?” he teases. “I only brought you here for the sunset.” Aaaand now I feel like an idiot. “Right,” I cough, blushing. “Well, thank you.” “But …” He adds, his mouth curving into that sexy smile that kills me. “That doesn’t mean we can’t … kiss.” His hand comes up to push a stray lock of hair behind my ear. I nod because resistance is futile. The best I can do is make light of it so he can’t see the emotion coursing through me. “I’m pretty sure it’s the law that when you drink wine and eat artisanal marshmallows on the beach, you have to kiss.” I wave vaguely toward where we left the car. “I saw it on the sign by the parking lot.” “Well, if it’s a law,” he grins. A second later, his lips find mine. He tastes like wine and sugar, and pure Zach. I sigh in pleasure. This picnic, the marshmallows—everything—just might be the most romantic thing anyone’s ever done for me. But that perfect sunset? We totally miss it. After all, there are better things to do.
Lila Monroe (How to Choose a Guy in 10 Days (Chick Flick Club, #1))
The first time the Pirahãs brought me something to eat, roasted fish, they asked me, “Gíxai soxóá xobáaxáaí. Kohoaipi?” (Do you already know how to eat this?) It is a great phrase, because if you really don’t want something, it gives you a way out without causing offense. All you have to say is “No, I don’t know how to eat this.
Daniel L. Everett (Don't Sleep, There Are Snakes: Life and Language in the Amazonian Jungle)
They get so busy, Victor Hernandez starts to help out as a sous chef, chopping up bowls of onions and garlic and peppers, making salads and mixing marinades. He brings in a bagful of chili peppers one day, some long and narrow and shriveled as old fingers, some petite and glossy as young fingers. He roasts them under the broiler and in a dry skillet, then slides off the charred outer skins. And Sirine uses slices of the soft inner hearts puréed into the baba ghannuj and marinades for the kabobs. "They say that pepper is good for love," Victor tells her, then raises his eyebrows at Mireille, who turns pink. "It brings heat to the blood.
Diana Abu-Jaber (Crescent)
Renzo from Roddino leaves us on the doorstep of Osteria da Gemma, a Langhe culinary landmark in a village scarcely large enough to fill the restaurant. Before we can shake off the wet and the cold, before we can see a menu or catch our breath, the waiter comes by and drops a cutting board full of salumi between us. Prego. Then another plate comes out- carne cruda, a soft mound of hand-chopped veal dressed with nothing but olive oil and a bit of lemon, a classic warm-up to a Piedmont meal. The plates continue, and it soon becomes very clear that we have no say in the matter. Insalata russa, a tricolore of toothsome green peas, orange carrots, and ivory potatoes, bound in a cloak of mayonnaise and crumbled egg yolk. Vitello tonnato, Piedmont's famous take on surf and turf: thin slices of roast beef with a thick emulsion of mayo and tuna. Each bite brings us slowly out of the mist of emotion and into the din of the dining room.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
I told her one of the few stories that she'd told me of myself as a child. We'd gone to a park by a lake. I was no older than two. Me, my father, and my mother. There was an enormous tree with branches so long and droopy that my father moved the picnic table from underneath it. He was always afraid of me getting crushed. My mother believed that kids had stronger bones than grownups. "There's more calcium in her forearm than in an entire dairy farm," she liked to say. That day, my mother had made roasted tomato and goat cheese sandwiches with salmon she'd smoked herself, and I ate, she said, double my weight of it. She was complimenting me when she said that. I always wondered if eating so much was my best way of complimenting her. The story went that all through lunch I kept pointing at a gaping hole in the tree, reaching for it, waving at it. My parents thought it was just that: a hole, one that had been filled with fall leaves, stiff and brown, by some kind of ferrety animal. But I wasn't satisfied with that explanation. I wouldn't give up. "What?" my father kept asking me. "What do you see?" I ate my sandwiches, drank my sparkling hibiscus drink, and refused to take my eyes off the hole. "It was as if you were flirting with it," my mother said, "the way you smiled and all." Finally, I squealed, "Butter fire!" Some honey upside-down cake went flying from my mouth. "Butter fire?" they asked me. "Butter fire?" "Butter fire!" I yelled, pointing, reaching, waving. They couldn't understand. There was nothing interesting about the leaves in the tree. They wondered if I'd seen a squirrel. "Chipmunk?" they asked. "Owl?" I shook my head fiercely. No. No. No. "Butter fire!" I screamed so loudly that I sent hundreds of the tightly packed monarchs that my parents had mistaken for leaves exploding in the air in an eruption of lava-colored flames. They went soaring wildly, first in a vibrating clump and then as tiny careening postage stamps, floating through the sky. They were proud of me that day, my parents. My father for my recognition of an animal so delicate and precious, and my mother because I'd used a food word, regardless of what I'd actually meant.
Jessica Soffer (Tomorrow There Will Be Apricots)
It was like this: you were happy, then you were sad, then happy again, then not. It went on. You were innocent or you were guilty. Actions were taken, or not. At times you spoke, at other times you were silent. Mostly, it seems you were silent - what could you say? Now it is almost over. Like a lover, your life bends down and kisses your life. It does this not in forgiveness- between you, there is nothing to forgive- but with the simple nod of a baker at the moment he sees the bread is finished with transformation. Eating, too, is a thing now only for others. It doesn't matter what they will make of you or your days; they will be wrong, they will miss the wrong woman, miss the wrong man, all the stories they tell will be tales of their own invention. Your story was this: you were happy, then you were sad, you slept, you awakened. Sometimes you ate roasted chestnuts, sometimes persimmons.
Jane Hirshfield (After)
She looks over, still smiling, to Sirine behind the counter, and says, "Roasted lamb, rice and pine nuts, tabbouleh salad, apricot juice." Then she blows a kiss. Hanif glances at Sirine. She looks down, quick, a bunch of parsley pinched in her fingertips, rocks the big cleaver through a profusion of green leaves, onions, cracked wheat. Suddenly she remembers the leben and hurries to the big potful of yogurt sauce, which is just on the verge of curdling.
Diana Abu-Jaber (Crescent)
Life aboard ship was like living in paradise for my agile friend and he could have continued this way forever if he hadn't discovered a splendid new game. When the stevedores were loading or discharging the ship, Peanut would hop onto the edge of the hatch and urinate down on them. Oh what great fun he had, never thinking that they would object to what he was doing. At first they would try to catch him but he was far too agile for them. Not that I understood what they were saying but I knew enough to know that the stevedores were shouting Bassa swearwords at him. Frustrated they would flip him the bird as they climbed down into the hold, foiled again. What a wonderful time Peanut had! His safest refuge was on top of the Wheel House, where the stevedores couldn’t go. Sometimes as a place of last resort he would dive through the open porthole into my state room. He didn’t like the Engine Room, as an alternate route to safety, since it was too hot and noisy. Besides the engineers didn’t much like a monkey messing with their things and who knows what trouble he could get into down there? Peanut, was wonderful entertainment when visitors came aboard. The Pan American flight attendants, they were called stewardesses back then, thought him adorable. I always had roasted peanuts for them to feed him, which he would pick and chew apart, littering the deck. The stewardess’s that came for my famous pizza parties always tried to pick him up and cuddle with him. Monkeys are unpredictable so I cautioned them to be careful but being such a cute little guy they seldom were. Ear rings were a favorite piece of jewelry to tug on, causing the ladies to scream. Most often he would let go but the wings above their pockets was another matter. Peanut would yank and pull on the insignia until it was his. I knew where he usually hid his loot and so could return their stuff but some of the stewardesses flew home without their wings.
Hank Bracker
Here,” Crispin continued, “the war is waged in the forest mostly, in the unmapped wilderness. Soldiers go into the forest and are never seen again. Settlers go in, entire families, and disappear. Sometimes it’s French troops, but mostly it’s the red savages raiding from the north, Huron and Abenaki, the French allies. The lucky ones are killed. You can read the stories of what the Indians do to prisoners, and hear more in the markets. Men hung over fires and roasted alive, fathers butchered alive in front of their children. They cut away scalps. Some say when a man loses his scalp, his spirit just spills out into the dirt and dries up,” he added in a hollow tone.
Eliot Pattison (Bone Rattler (Duncan McCallum, #1))
It is equally silly of these Christians to suppose that when their god applies the fire (like a common cook!) all the rest of mankind will be thoroughly roasted, and that they alone will escape unscorched — not just those alive at the time, mind you, but they say those long since dead will rise up from the earth possessing the same bodies as they did before. I ask you: Is this not the hope of worms? For what sort of human soul is it that has any use for a rotted corpse of a body? The very fact that some Jews and even some Christians reject this teaching about rising corpses shows just how repulsive it is; it is nothing less than nauseating and impossible. I mean, what sort of body is it that could return to its original nature or become the same as it was before it rotted away? And of course they have no reply for this one, and as in most cases where there is no reply they take cover by saying 'Nothing is impossible with God.'[
Tim Freke (The Jesus Mysteries: Was The Original Jesus A Pagan God?)
My favorite idea to come out of the world of cultured meat is the 'pig in the backyard.' I say 'favorite' not because this scenario seems likely to materialize but because it speaks most directly to my own imagination. In a city, a neighborhood contains a yard, and in that yard there is a pig, and that pig is relatively happy. It receives visitors every day, including local children who bring it odds and ends to eat from their family kitchens. These children may have played with the pig when it was small. Each week a small and harmless biopsy of cells is taken from the pig and turned into cultured pork, perhaps hundreds of pounds of it. This becomes the community's meat. The pig lives out a natural porcine span, and I assume it enjoys the company of other pigs from time to time. This fantasy comes to us from Dutch bioethicists, and it is based on a very real project in which Dutch neighbourhoods raised pigs and then debated the question of their eventual slaughter. The fact that the pig lives in a city is important, for the city is the ancient topos of utopian thought. The 'pig in the backyard' might also be described as the recurrence of an image from late medieval Europe that has been recorded in literature and art history. This is the pig in the land of Cockaigne, the 'Big Rock Candy Mountain' of its time, was a fantasy for starving peasants across Europe. It was filled with foods of a magnificence that only the starving can imagine. In some depictions, you reached this land by eating through a wall of porridge, on the other side of which all manner of things to eat and drink came up from the ground and flowed in streams. Pigs walked around with forks sticking out of backs that were already roasted and sliced. Cockaigne is an image of appetites fullfilled, and cultured meat is Cockaigne's cornucopian echo. The great difference is that Cockaigne was an inversion of the experience of the peasants who imagined it: a land where sloth became a virtue rather than a vice, food and sex were easily had, and no one ever had to work. In Cockaigne, delicious birds would fly into our mouths, already cooked. Animals would want to be eaten. By gratifying the body's appetites rather than rewarding the performance of moral virtue, Cockaigne inverted heaven. The 'pig in the backyard' does not fully eliminate pigs, with their cleverness and their shit, from the getting of pork. It combines intimacy, community, and an encounter with two kinds of difference: the familiar but largely forgotten difference carried by the gaze between human animal and nonhuman animal, and the weirder difference of an animal's body extended by tissue culture techniques. Because that is literally what culturing animal cells does, extending the body both in time and space, creating a novel form of relation between an original, still living animal and its flesh that becomes meat. The 'pig in the backyard' tries to please both hippies and techno-utopians at once, and this is part of this vision of rus in urbe. But this doubled encounter with difference also promises (that word again!) to work on the moral imagination. The materials for this work are, first, the intact living body of another being, which appears to have something like a telos of its own beyond providing for our sustenance; and second, a new set of possibilities for what meat can become in the twenty-first century. The 'pig in the backyard' is only a scenario. Its outcomes are uncertain. It is not obvious that the neighbourhood will want to eat flesh, even the extended and 'harmless' flesh, of a being they know well, but the history of slaughter and carnivory on farms suggests that they very well might. The 'pig in the backyard' is an experiment in ethical futures. The pig points her snout at us and asks what kind of persons we might become.
Benjamin Aldes Wurgaft (Meat Planet: Artificial Flesh and the Future of Food (California Studies in Food and Culture) (Volume 69))
One day Moses was walking in the mountains on his own when he saw a shepherd in the distance. The man was on his knees with his hands spread out to the sky, praying. Moses was delighted. But when he got closer, he was equally stunned to hear the shepherd’s prayer. “Oh, my beloved God, I love Thee more than Thou can know. I will do anything for Thee, just say the word. Even if Thou asked me to slaughter the fattest sheep in my flock in Thy name, I would do so without hesitation. Thou would roast it and put its tail fat in Thy rice to make it more tasty.” Moses inched toward the shepherd, listening attentively. “Afterward I would wash Thy feet and clean Thine ears and pick Thy lice for Thee. That is how much I love Thee.” Having heard enough, Moses interrupted the shepherd, yelling, “Stop, you ignorant man! What do you think you are doing? Do you think God eats rice? Do you think God has feet for you to wash? This is not prayer. It is sheer blasphemy.” Dazed and ashamed, the shepherd apologized repeatedly and promised to pray as decent people did. Moses taught him several prayers that afternoon. Then he went on his way, utterly pleased with himself. But that night Moses heard a voice. It was God’s. “Oh, Moses, what have you done? You scolded that poor shepherd and failed to realize how dear he was to Me. He might not be saying the right things in the right way, but he was sincere. His heart was pure and his intentions good. I was pleased with him. His words might have been blasphemy to your ears, but to Me they were sweet blasphemy.” Moses immediately understood his mistake. The next day, early in the morning, he went back to the mountains to see the shepherd. He found him praying again, except this time he was praying in the way he had been instructed. In his determination to get the prayer right, he was stammering, bereft of the excitement and passion of his earlier prayer. Regretting what he had done to him, Moses patted the shepherd’s back and said: “My friend, I was wrong. Please forgive me. Keep praying in your own way. That is more precious in God’s eyes.” The shepherd was astonished to hear this, but even deeper was his relief. Nevertheless, he did not want to go back to his old prayers. Neither did he abide by the formal prayers that Moses had taught him. He had now found a new way of communicating with God. Though satisfied and blessed in his naïve devotion, he was now past that stage—beyond his sweet blasphemy.
Elif Shafak (The Forty Rules of Love)
Should he tell him about the best things he'd ever eaten, the detail of their component parts? Or was that cheating? The best things, after all, weren't things that he had technically eaten. He'd only tasted them secondhand; they weren't animal or vegetable or mineral, but memory--- comestible desires, the fantasy food porn of anonymous ghosts. To describe those to the chef would be a kind of lie. The other option--- the honest option--- was to just let it go, to slink back and confirm this Wüsthof toolbag's cutting observations about his intentions, his experience, and his palate. "What's the matter?" Beauchêne prompted. "Can't decide between a Big Mac and a Whopper?" Something inside Kostya, deep in his gut, lunged. He could take the digs about being unqualified and a liar and even a bad cook--- all those things were true--- but he couldn't let this guy insult his taste buds. His tongue was special. It was maybe the only special thing about him. "Nevermind. I can see that we're not going to---" "Duck." Kostya spat it at him like another four-letter word. "Duck ragout. It had this thick sauce, cinnamon cognac. A demi-glace, I think." Kostya closed his eyes, remembering where the aftertaste had happened, trying to reincarnate it. He'd been on the sidewalk outside his mother's apartment two New Years' ago, pacing around and nursing tea that had gone cold, delaying the inevitable argument about how he was living his life when it had hit him. "The onions were sliced so thin they fell apart to almost nothing in the stew. And these dried fruits that reconstituted in the duck fat--- peaches and apricots and plums and cherries--- they exploded my teeth like tapioca pearls." Kostya's eyes were still closed, but the stony silence from Beauchêne invited him to keep going. "And a couple years ago, there was this coconut curry and Kaffir lime fried chicken." That one happened to him at a Gristedes. He'd been in the refrigerated section, his fingers closing around the handle of a gallon of milk. "The skin was so crispy, paper-thin, covered in these tiny, burnt coconut shavings and desiccated slivers of zest, and underneath, the chicken was so moist. The juices dribbled down my chin." He'd invented that last part for effect, and it seemed to be working. Kostya could feel the air change around him, sizzling. He thought he heard the chef swallow. "I have to say, I wasn't expecting---" "I once had young goat," Kostya cut him off, his eyes squeezing tight in focus. "The whole thing was fire-roasted, charred, the meat brined and rubbed with garlic, thyme, rosemary. Hand-crushed juniper." This one had choked him awake one morning in bed a few months prior, he'd drooled so much he nearly drowned in his own spit. "It fell apart in my mouth. Every bite, I got a little of the ash from the fire pit, the grit of the sand, the scent of pine from the dried needles on the lumber burned to cook the thing." "Who are you?" the chef wondered aloud.
Daria Lavelle (Aftertaste)
Have to keep your ass in tip-top shape for all those screen flashes?" He pauses, and the air becomes too close as his gaze glides over me, a smile oozing out--- smug and heated. "Why, Delilah, have you been watching my ass on screen?" "No. But Sam has. Can't say it was enough to keep her around, though, eh?
Kristen Callihan (Dear Enemy)
You might want me to loosen you up a bit first,” he says. “Before, you know, the spit-roasting. Riv’s pretty big.” “Eli…” Riv sounds exasperated. “What? Am I supposed to pretend not to notice? I don’t go temporarily blind every time you take your clothes off.
Lily Gold (Three Swedish Mountain Men)
I opened my eyes to find a pair of eyes the color of matcha infused with lightly roasted cocoa beans, and framed by incredibly long lashes, peering down at me. From memory, I knew that the frown on his face hid a lone dimple on the left cheek. A faint scar cut through his right eyebrow, making him look like he'd been in a knife fight. Some people had argued that the overall combination could be called hot, but I wouldn't go that far. Maybe he could be classified as cute, at best, but I certainly wouldn't be caught dead saying that--- at least not within hearing distance. He smelled as nice as I remembered, too, like citrus, spice, and sunshine. Him. The last person on Earth I had expected to see.
Cynthia Timoti (Salty, Spiced, and a Little Bit Nice)
Roasting a nice chicken for people is such a good way to say, 'I love you.
Alison Roman (Nothing Fancy: Unfussy Food for Having People Over)
pork shank hash with fingerling potatoes and fried egg stinco di maiale con patate e uova fritte ½ pound fingerling potatoes ¼ cup olive oil Kosher salt and freshly ground black pepper 4 tablespoons unsalted butter 1 large red bell pepper, julienned 2 yellow onions, diced ¾ pound Braised Pork Shank, shredded (recipe follows) ½ cup braising liquid from the pork (recipe follows) 4 large eggs 4 teaspoons chopped fresh flat-leaf parsley 1 Preheat the oven to 350°F. 2 Toss the potatoes with the olive oil and season to taste with salt and pepper. Spread the potatoes on a baking sheet and roast for about 25 minutes, or until tender. Let the potatoes cool to room temperature and then slice into ½-inch slices. Set aside. 3 In a large sauté pan, melt the butter over high heat. 4 Add the potatoes, bell pepper, and onions and sauté for about 5 minutes, or until the bell pepper softens and the potatoes begin to get crispy. 5 Add the pork shank and braising liquid to the pan, stir well, and cook just until heated through. Season to taste with salt and pepper. 6 Meanwhile, fry the eggs in a separate skillet, sunny side up. 7 Divide the hash evenly among 4 shallow bowls or plates and top each serving with 1 egg. Garnish with the chopped parsley and serve. Classic hash and eggs has long been an American diner staple and is one of my all-time favorites. Making hash is also a good way to use meat left over from Saturday-night dinner. I never get up in the morning and say “Let’s braise a shank for breakfast,” but if one is in the refrigerator or freezer, I go for it!  serves 4 braised pork shank makes about ¾ pound meat 2 pounds pork shank (2 shanks) Kosher salt and freshly ground black pepper ½ onion, cut into large dice 1 small carrot, cut into thick rounds ½ celery rib, cut into large dice 2 tablespoons white wine 1 teaspoon olive oil 1 small garlic clove, smashed 2 black peppercorns 1 teaspoon chopped fresh flat-leaf parsley 1 sprig fresh thyme ½ fresh bay leaf 2 cups chicken stock 2 cups veal stock or chicken stock (see Note)
Rick Tramonto (Osteria: Hearty Italian Fare from Rick Tramonto's Kitchen: A Cookbook)
pork shank hash with fingerling potatoes and fried egg stinco di maiale con patate e uova fritte ½ pound fingerling potatoes ¼ cup olive oil Kosher salt and freshly ground black pepper 4 tablespoons unsalted butter 1 large red bell pepper, julienned 2 yellow onions, diced ¾ pound Braised Pork Shank, shredded (recipe follows) ½ cup braising liquid from the pork (recipe follows) 4 large eggs 4 teaspoons chopped fresh flat-leaf parsley 1 Preheat the oven to 350°F. 2 Toss the potatoes with the olive oil and season to taste with salt and pepper. Spread the potatoes on a baking sheet and roast for about 25 minutes, or until tender. Let the potatoes cool to room temperature and then slice into ½-inch slices. Set aside. 3 In a large sauté pan, melt the butter over high heat. 4 Add the potatoes, bell pepper, and onions and sauté for about 5 minutes, or until the bell pepper softens and the potatoes begin to get crispy. 5 Add the pork shank and braising liquid to the pan, stir well, and cook just until heated through. Season to taste with salt and pepper. 6 Meanwhile, fry the eggs in a separate skillet, sunny side up. 7 Divide the hash evenly among 4 shallow bowls or plates and top each serving with 1 egg. Garnish with the chopped parsley and serve. Classic hash and eggs has long been an American diner staple and is one of my all-time favorites. Making hash is also a good way to use meat left over from Saturday-night dinner. I never get up in the morning and say “Let’s braise a shank for breakfast,” but if one is in the refrigerator or freezer, I go for it!  serves 4 braised pork shank makes about ¾ pound meat 2 pounds pork shank (2 shanks) Kosher salt and freshly ground black pepper ½ onion, cut into large dice 1 small carrot, cut into thick rounds ½ celery rib, cut into large dice 2 tablespoons white wine 1 teaspoon olive oil 1 small garlic clove, smashed 2 black peppercorns 1 teaspoon chopped fresh flat-leaf parsley 1
Rick Tramonto (Osteria: Hearty Italian Fare from Rick Tramonto's Kitchen: A Cookbook)
pork shank hash with fingerling potatoes and fried egg stinco di maiale con patate e uova fritte ½ pound fingerling potatoes ¼ cup olive oil Kosher salt and freshly ground black pepper 4 tablespoons unsalted butter 1 large red bell pepper, julienned 2 yellow onions, diced ¾ pound Braised Pork Shank, shredded (recipe follows) ½ cup braising liquid from the pork (recipe follows) 4 large eggs 4 teaspoons chopped fresh flat-leaf parsley 1 Preheat the oven to 350°F. 2 Toss the potatoes with the olive oil and season to taste with salt and pepper. Spread the potatoes on a baking sheet and roast for about 25 minutes, or until tender. Let the potatoes cool to room temperature and then slice into ½-inch slices. Set aside. 3 In a large sauté pan, melt the butter over high heat. 4 Add the potatoes, bell pepper, and onions and sauté for about 5 minutes, or until the bell pepper softens and the potatoes begin to get crispy. 5 Add the pork shank and braising liquid to the pan, stir well, and cook just until heated through. Season to taste with salt and pepper. 6 Meanwhile, fry the eggs in a separate skillet, sunny side up. 7 Divide the hash evenly among 4 shallow bowls or plates and top each serving with 1 egg. Garnish with the chopped parsley and serve. Classic hash and eggs has long been an American diner staple and is one of my all-time favorites. Making hash is also a good way to use meat left over from Saturday-night dinner. I never get up in the morning and say “Let’s braise a shank for breakfast,” but if one is in the refrigerator or freezer, I go for it!  serves 4 braised pork shank makes about ¾ pound meat 2 pounds pork shank (2 shanks) Kosher salt and freshly ground black pepper ½ onion, cut into large dice 1 small carrot, cut into thick rounds ½ celery rib, cut into large dice 2 tablespoons white wine 1 teaspoon olive oil 1 small garlic clove, smashed 2 black peppercorns 1 teaspoon chopped fresh flat-leaf parsley 1 sprig fresh thyme ½ fresh bay leaf 2 cups chicken stock 2 cups veal stock or chicken stock (see Note) 1 Preheat the oven to 300°F. Put an empty roasting
Rick Tramonto (Osteria: Hearty Italian Fare from Rick Tramonto's Kitchen: A Cookbook)