Roaming Around The City Quotes

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For their holidays: the rich’s kids travel the world; the poor’s kids roam around their grandparents’ yard.
Mokokoma Mokhonoana
...it seems to me the Land of Oz is a little ahead of the United States in some of its laws. For here, if one can’t talk clearly, and straight to the point, they send him to Rigmarole Town; while Uncle Sam lets him roam around wild and free, to torture innocent people.
L. Frank Baum (The Emerald City of Oz (Oz, #6))
I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid's mind to tell an adult to fuck off. There was plenty of bad there, I don't forget that, but we all knew exactly where we stood and we didn't break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old-fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero. Sometime since then, we started turning feral. Wild got into the air like a virus, and it's spreading. Watch the packs of kids roaming inner-city estates, mindless and brakeless as baboons, looking for something or someone to wreck. Watch the businessmen shoving past pregnant women for a seat on the train, using their 4x4s to force smaller cars out of their way, purple-faced and outraged when the world dares to contradict them. Watch the teenagers throw screaming stamping tantrums when, for once, they can't have it the second they want it. Everything that stops us being animals is eroding, washing away like sand, going and gone.
Tana French (Broken Harbour (Dublin Murder Squad, #4))
Fictional Characters" Do they ever want to escape? Climb out of the white pages and enter our world? Holden Caulfield slipping in the movie theater to catch the two o'clock Anna Karenina sitting in a diner, reading the paper as the waitress serves up a cheeseburger. Even Hector, on break from the Iliad, takes a stroll through the park, admires the tulips. Maybe they grew tired of the author's mind, all its twists and turns. Or were finally weary of stumbling around Pamplona, a bottle in each fist, eating lotuses on the banks of the Nile. For others, it was just too hot in the small California town where they'd been written into a lifetime of plowing fields. Whatever the reason, here they are, roaming the city streets rain falling on their phantasmal shoulders. Wouldn't you, if you could? Step out of your own story, to lean against a doorway of the Five & Dime, sipping your coffee, your life, somewhere far behind you, all its heat and toil nothing but a tale resting in the hands of a stranger, the sidewalk ahead wet and glistening. "Fictional Characters" by Danusha Laméris from The Moons of August. © Autumn House Press, 2014. Reprinted with permission
Danusha Laméris
In every way there is, murder is chaos. Our job is simple, when you get down to it: we stand against that, for order. I remember this country back when I was growing up. We went to church, we ate family suppers around the table, and it would never even have crossed a kid’s mind to tell an adult to fuck off. There was plenty of bad there, I don’t forget that, but we all knew exactly where we stood and we didn’t break the rules lightly. If that sounds like small stuff to you, if it sounds boring or old-fashioned or uncool, think about this: people smiled at strangers, people said hello to neighbors, people left their doors unlocked and helped old women with their shopping bags, and the murder rate was scraping zero. Sometime since then, we started turning feral. Wild got into the air like a virus, and it’s spreading. Watch the packs of kids roaming inner-city estates, mindless and brakeless as baboons, looking for something or someone to wreck. Watch the businessmen shoving past pregnant women for a seat on the train, using their 4x4s to force smaller cars out of their way, purple-faced and outraged when the world dares to contradict them. Watch the teenagers throw screaming stamping tantrums when, for once, they can’t have it the second they want it. Everything that stops us being animals is eroding, washing away like sand, going and gone. The final step into feral is murder.
Tana French (Broken Harbor (Dublin Murder Squad, #4))
it seems to me the Land of Oz is a little ahead of the United States in some of its laws. For here, if one can't talk clearly, and straight to the point, they send him to Rigmarole Town; while Uncle Sam lets him roam around wild and free, to torture innocent people.
L. Frank Baum (The Emerald City of Oz (Oz, #6))
I settled down to long sweet sleeps, day-long meditations in the house, writing, and long walks around beloved old Manhattan a half hour subway ride away. I roamed the streets, the bridges, Times Square, cafeterias, the waterfront, I looked up all my poet beatnik friends and roamed with them, I had love affairs with girls in the Village, I did everything with that great mad joy you get when you return to New York City.
Jack Kerouac (Lonesome Traveler)
show me your face i crave flowers and gardens open your lips i crave the taste of honey come out from behind the clouds i desire a sunny face your voice echoed saying "leave me alone" i wish to hear your voice again saying "leave me alone" i swear this city without you is a prison i am dying to get out to roam in deserts and mountains i am tired of flimsy friends and submissive companions i die to walk with the brave am blue hearing nagging voices and meek cries i desire loud music drunken parties and wild dance one hand holding a cup of wine one hand caressing your hair then dancing in orbital circle that is what i yearn for i can sing better than any nightingale but because of this city's freaks i seal my lips while my heart weeps yesterday the wisest man holding a lit lantern in daylight was searching around town saying i am tired of all these beasts and brutes i seek a true human we have all looked for one but no one could be found they said yes he replied but my search is for the one who cannot be found
Jalal ad-Din Muhammad ar-Rumi (Rumi: Fountain of Fire)
The city’s streets coiled around him, writhing like serpents, London had grown unstable once again, revealing its true, capricious, tormented nature, its anguish of a city that had lost its sense of itself and wallowed, accordingly, in the impotence of its selfish, angry present of masks and parodies, stifled and twisted by the insupportable, unrejected burden of its past, staring into the bleakness of its impoverished future. He wandered its streets through that night and the next day, and the next night, and on until the light and dark ceased to matter. He no longer seemed to need food or rest, but only to move constantly through that tortured metropolis whose fabric was now utterly transformed, the houses in the rich quarters being built of solidified fear, the government buildings partly of vainglory and partly of scorn, and the residences of the poor of confusion and material dreams. When you looked through an angel’s eyes you saw essences instead of surfaces, you saw the decay of the soul blistering and bubbling on the skins of people in the street, you saw the generosity of certain spirits resting on their shoulders in the form of birds. As he roamed the metamorphosed city he saw bat-winged imps sitting on the corners of buildings made of deceits and glimpsed goblins oozing wormily through the broken tilework of public urinals for men. As once the thirteenth-century German monk Richalmus would shut his eyes and instantly see clouds of minuscule demons surrounding every man and woman on earth, dancing like dustspecks in the sunlight, so now Gibreel with open eyes and by the light of the moon as well as the sun detected everywhere the presence of his adversary, his—to give the old word back its original meaning—shaitan.
Salman Rushdie (The Satanic Verses)
THIS IS WHAT they want. The words tumbled through Sophie’s mind as she raced up the spiral staircase, counting her steps, trying to guess which door to take. The first handle she tried was locked. Another opened into darkness. A third revealed a path that glowed with eerie blue balefire sconces. The floor shook as she hesitated and threads of dust slipped through the ceiling, scratching her throat and making it hurt to breathe. She followed the flames. Back and forth the halls snaked—a careful maze, designed to deceive. Swallow. Separate. The tremors grew with every step, the shifting subtle but unmistakable. And too far away. No one else would feel the ripples swelling, like waves gathering speed. They were too focused on their celebration. Too caught up in their imagined victory. Too trusting. Too blind. Too late. The ground rattled harder, the first fissures crackling the stones. This is what they want. ONE THIS IS A security nightmare!” Sandor grumbled, keeping his huge gray hand poised over his enormous black sword. His squeaky voice reminded Sophie more of a talking mouse than a deadly bodyguard. Several prodigies raced past, and Sandor pulled Sophie closer as the giggling group jumped to pop the candy-filled bubbles floating near the shimmering crystal trees. All around them, kids were running through the confetti-covered atrium in their amber-gold Level Three uniforms, capes flying as they caught snacks and bottles of lushberry juice and stuffed tinsel-wrapped gifts into the long white thinking caps dangling from everyone’s lockers. The Midterms Celebration was a Foxfire Academy tradition—hardly the impending doom Sandor was imagining. And yet, Sophie understood his concern. Every parent roaming the streamer-lined halls. Every face she didn’t recognize. Any of them could be a rebel.
Shannon Messenger (Lodestar (Keeper of the Lost Cities, #5))
He wants to hold himself to this and not just disappear into the underground, burying himself beneath a city he no long looks at. Tomorrow he'll walk or take a bus – there must be a bus that follows a direct route across the city from his house to his work instead of describing the peculiar horseshoe around which he travels every day beneath the earth – he will make a journey overland, allowing him to look up and take stock of all that each street has to offer. He will roam from one side of town to the other, like a treasure seeker but with no map or coordinates, with no references or clues, leaving chance to do its work, letting an invisible hand carry him through the city, guiding his determination to rediscover something that, until recently, he didn't even realize he had lost.
Claudia Piñeiro (Las grietas de Jara)
For most of our history, walking wasn’t a choice. It was a given. Walking was our primary means of locomotion. But, today, you have to choose to walk. We ride to work. Office buildings and apartments have elevators. Department stores offer escalators. Airports use moving sidewalks. An afternoon of golf is spent riding in a cart. Even a ramble around your neighborhood can be done on a Segway. Why not just put one foot in front of the other? You don’t have to live in the country. It’s great to take a walk in the woods, but I love to roam city streets, too, especially in places like New York, London, or Rome, where you can’t go half a block without making some new discovery. A long stroll slows you down, puts things in perspective, brings you back to the present moment. In Wanderlust: A History of Walking (Viking, 2000), author Rebecca Solnit writes that, “Walking, ideally, is a state in which the mind, the body, and the world are aligned, as though they were three characters finally in conversation together, three notes suddenly making a chord.” Yet in our hectic, goal-oriented culture, taking a leisurely walk isn’t always easy. You have to plan for it. And perhaps you should. Walking is good exercise, but it is also a recreation, an aesthetic experience, an exploration, an investigation, a ritual, a meditation. It fosters health and joie de vivre. Cardiologist Paul Dudley White once said, “A vigorous five-mile walk will do more good for an unhappy but otherwise healthy adult than all the medicine and psychology in the world.” A good walk is anything but pedestrian. It lengthens your life. It clears, refreshes, provokes, and repairs the mind. So lace up those shoes and get outside. The most ancient exercise is still the best.
Alexander Green (Beyond Wealth: The Road Map to a Rich Life)
Areli kicked her dragon upwards and followed Aquilina and Fides through the lanterns and rock, out into clean mountain air. Aquilina had picked only the two, whom she said were hands down the greatest riders on the team, to ride with her. Areli didn’t know how to respond to that, except to turn red and cover her mouth with surprise. And now she was flying, not in an arena, but in free air, a privilege given to only the best professional riders. They flew over the city. The buildings looked like small blocks and the carriages looked like gold-colored ants roaming about. The sweep of the cool air was refreshing against Areli’s face. They flew over the trees leading to Emperor Abhiraja’s forest, which looked like nothing but a tossed salad from their view. And then they were over Emperor Abhiraja’s trees. Back at the boarding facility, before they left, Aquilina told them there was only one rule if they were to ride with her . . . keep up. Aquilina veered down towards the trees. Fides took after her and Areli followed. Areli sat hard into her seat and pulled the reins to her right. She leaned her leg into Kaia’s left shoulder and held on tight to the saddle horn. Kaia leaned her body and they knifed through the air. Areli shifted her legs and hands, chasing after Fides and Aquilina. They slipped through a tiny gap in the tops of the massive trees. Areli saw the red of Fidelja’s dragon ahead of her, and then it disappeared. She saw shades of brown and green coming up fast. Areli pulled on the reins, keeping her hands light, and sunk into the seat, leveling off their descent into the forest. She immediately started kicking Kaia forward as she saw Fides dragon’s tail wrap past a tree. Areli commanded Kaia in a way she never had before. Using every skill she ever learned, she cued Kaia right, then left, then into a roll to get through two narrowly placed trees, and then up, always following the blur of red in front of her. They came out above the trees again and then they swooped back down. This time it was into the Columns of Abhi. They curved around the large rock structures like a knife full of butter caressing a freshly baked roll. Areli didn’t think she could feel this exhilarated. But there was something utterly breathtaking about flying without walls, without spectators or trainers. This was true freedom, according to Areli. Freedom from homework, freedom from fears, freedom from worries. This was the place where she could be . . . just to be.
Jeffrey Johnson (The Column Racer (Column Racer, #1))
When- when are you taking me there?' If I had to go underground, had to see those kinds of horrors again... I'd beg him- beg him not to take me. I didn't care how pathetic it made me. I'd lost any sort of qualms about what lines I'd cross to survive. 'I'm not.' He rolled his shoulders. 'This is my home, and the court beneath it is my... occupation, as you mortals call it. I do not like for the two to overlap very often.' My brows rose slightly. '"You mortals"?' Starlight danced along the planes of his face. 'Should I consider you something different?' A challenge, I shoved away my irritation at the amusement again tugging at the corners of his lips, and instead said, 'And the other denizens of your court?' The Night Court territory was enormous- bigger than any other in Prythian. And all around us were those empty, snow-blasted mountains. No sign of towns, cities, or anything. 'Scattered throughout, dwelling as they wish. Just as you are now free to roam where you wish.' 'I wish to roam home.' Rhys laughed.
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
They're kidding themselves, of course. Our sky can go from lapis to tin in the blink of an eye. Blink again and your latte's diluted. And that's just fine with me. I thrive here on the certainty that no matter how parched my glands, how anhydrous the creek beds, how withered the weeds in the lawn, it's only a matter of time before the rains come home. The rains will steal down from the Sasquatch slopes. They will rise with the geese from the marshes and sloughs. Rain will fall in sweeps, it will fall in drones, it will fall in cascades of cheap Zen jewelry. And it will rain a fever. And it will rain a sacrifice. And it will rain sorceries and saturnine eyes of the totem. Rain will primitivize the cities, slowing every wheel, animating every gutter, diffusing commercial neon into smeary blooms of esoteric calligraphy. Rain will dramatize the countryside, sewing pearls into every web, winding silk around every stump, redrawing the horizon line with a badly frayed brush dipped in tea and quicksilver. And it will rain an omen. And it will rain a trance. And it will rain a seizure. And it will rain dangers and pale eggs of the beast. Rain will pour for days unceasing. Flooding will occur. Wells will fill with drowned ants, basements with fossils. Mossy-haired lunatics will roam the dripping peninsulas. Moisture will gleam on the beak of the Raven. Ancient shamans, rained from their rest in dead tree trunks, will clack their clamshell teeth in the submerged doorways of video parlors. Rivers will swell, sloughs will ferment. Vapors will billow from the troll-infested ditches, challenging windshield wipers, disgusing intentions and golden arches. Water will stream off eaves and umbrellas. It will take on the colors of beer signs and headlamps. It will glisten on the claws of nighttime animals. And it will rain a screaming. And it will rain a rawness. And it will rain a disorder, and hair-raising hisses from the oldest snake in the world. Rain will hiss on the freeways. It will hiss around the prows of fishing boats. It will hiss in the electrical substations, on the tips of lit cigarettes, and in the trash fires of the dispossessed. Legends will wash from desecrated burial grounds, graffiti will run down alley walls. Rain will eat the old warpaths, spill the huckleberries, cause toadstools to rise like loaves. It will make poets drunk and winos sober, and polish the horns of the slugs. And it will rain a miracle. And it will rain a comfort. And it will rain a sense of salvation from the philistinic graspings of the world. Yes, I am here for the weather. And when I am lowered at last into a pit of marvelous mud, a pillow of fern and skunk cabbage beneath my skull, I want my epitaph to read, IT RAINED ON HIS PARADE, AND HE WAS GLAD!
Tom Robbins (Wild Ducks Flying Backward)
Reengineering consultants like to tell the story of how, in the seventeenth century, cows roamed around Boston Common and the neighboring areas. Over time, these cow paths became well-worn, and as shops and homes were constructed, people used the same paths for their carts and carriages. Eventually cobblestones were installed, and by the twentieth century most of the paths had been paved over with asphalt, with no more cows to be seen. As anyone who’s tried to drive in Boston can appreciate, having traffic flow designed by cows may not be the best way to lay out a modern city.
Erik Brynjolfsson (The Second Machine Age: Work, Progress, and Prosperity in a Time of Brilliant Technologies)
Before leaving town he might pass up one or two trains just to linger a bit longer in the station. The city, its centers and its sights, didn’t interest him; he’d never really get to know a city, but he knew the stations, he recognized the stations in the most obscure places, even if he’d last roamed them a year or two before. – Once the bookstores had still enticed him, the used book dealers around the station; soon he preferred to stand at the window of a fast-food restaurant on the edge of the station building and watch the world go by, gazing out from inside this refuge that was not entirely part of that world, though it was usually located on a central square around which the city’s activity gathered in an arc. That activity was closely tied to the station, but he himself had already broken away; in the station he didn’t stand out with his particular form of restlessness; on the contrary, here he found composure, here all he had to signify was flight and transience. Perhaps most of the people here, those who’d taken flight into the fortress of the station, were perpetually searching for an alibi to cling to some illusory notion of life. Someday they’d change their ways—they constantly told themselves—but it’s virtually impossible to change your ways in a train station. In the arrival and departure halls change was constantly being projected, yet everything always stayed the same, the minute in which everything would suddenly be different kept receding before your eyes. The plethora of orientation devices, clocks, information from loudspeakers, electronic departure boards, the perpetual semblance of reliability only anchored in the mind the provisional and fragmentary nature of human existence.
Wolfgang Hilbig (The Interim)
Niger by Maisie Aletha Smikle From the banks of the river Flows the Niger From whence the people came From the East to the West People flooded the fertile plains And flocked the hills around the river Niger Humble Nomads and animals roamed the fertile lands Along the river banks people grew grains of rice And offered praise for the river Niger Around the river cities bloomed And were named after the great river Niger Cities and people of the Niger flourished People were sustained People were maintained People thrived and flourished Catching boat loads of fish They traded They docked They bartered Along the banks of the great river Niger A nation was born around the river Niger From the river a nation arose A nation birthed by the river Niger Cities grew along the borders of the great river Niger A great nation arose called Nigers The people of the river Named after the great river Niger That made the Nigers flourish And became the envy of the undevelop West Oh Niger dear river Niger On your banks we flourish From your depths we nourish And your flowing fountains we will always cherish
Maisie Aletha Smikle
A male now seated before them, on a throne seemingly crafted from a single set of antlers. The beast who’d grown them had to have been colossal, the likes of which didn’t exist elsewhere on Midgard. Did stags that big roam around here?
Sarah J. Maas (House of Flame and Shadow (Crescent City, #3))
A newcomer to a city should first look for a suitable room for resting at night. After securing the room and keeping the luggage there, he or she may go out for sightseeing. Otherwise it'll be a lot of suffering to find a place to rest in the darkness of the night. Similarly, upon securing the eternal resting place in Self, one can freely roam around doing his or her daily works.
Abhijit Naskar
The most surreal consequence of melting ice and rising seas is that together they are a kind of time machine, so real that they are altering the length of our days. It works like this: As the glaciers melt and the seas rise, gravity forces more water toward the equator. This changes the shape of the Earth ever so slightly, making it fatter around the middle, which in turns slows the rotation of the planet similarly to the way a ballet dancer slows her spin by spreading out her arms. The slowdown isn’t much, just a few thousandths of a second each year, but like the barely noticeable jump of rising seas every year, it adds up. When dinosaurs roamed the Earth, a day lasted only about twenty-three hours.
Jeff Goodell (The Water Will Come: Rising Seas, Sinking Cities, and the Remaking of the Civilized World)