“
Sometimes it takes a wrong turn to get you to the right place.
”
”
Mandy Hale (The Single Woman–Life, Love, and a Dash of Sass: Embracing Singleness with Confidence)
“
There will always be rocks in the road ahead of us. They will be stumbling blocks or stepping stones; it all depends on how you use them.
”
”
Friedrich Nietzsche
“
He who is not everyday conquering some fear has not learned the secret of life.
”
”
Shannon L. Alder
“
Americans will put up with anything provided it doesn't block traffic.
”
”
Dan Rather
“
Sometimes your belief system is really your fears attached to rules.
”
”
Shannon L. Alder
“
This would be so much easier if [Allie] hadn't killed the jeep."
"For the last time," I growled at [Jackal]. "I just pointed out the street that wasn't blocked off. I didn't leave those nails on the road for you to drive over.
”
”
Julie Kagawa (The Forever Song (Blood of Eden, #3))
“
People have separated from each other with walls of concrete that blocked the roads to connection and love. and Nature has been defeated in the name of development.
”
”
Yasunari Kawabata
“
Literacy is a bridge from misery to hope. It is a tool for daily life in modern society. It is a bulwark against poverty, and a building block of development, an essential complement to investments in roads, dams, clinics and factories. Literacy is a platform for democratization, and a vehicle for the promotion of cultural and national identity. Especially for girls and women, it is an agent of family health and nutrition. For everyone, everywhere, literacy is, along with education in general, a basic human right.... Literacy is, finally, the road to human progress and the means through which every man, woman and child can realize his or her full potential.
”
”
Kofi Annan
“
Eyes that obstruct the road can be removed, but what happens when hearts block the passage?
”
”
Suman Pokhrel
“
No one sees trees. We see fruit, we see nuts, we see wood, we see shade. We see ornaments or pretty fall foliage. Obstacles blocking the road or wrecking the ski slope. Dark, threatening places that must be cleared. We see branches about to crush our roof. We see a cash crop. But trees - trees are invisible.
”
”
Richard Powers (The Overstory)
“
When this flood blocks the road
I am worried more
by my soil getting washed,
than by getting late
to reach my destination.
”
”
Suman Pokhrel
“
I want to be sitting in front of my computer, where you can press a button to block out your junk mail.
These two are my junk mail.
”
”
Melina Marchetta (On the Jellicoe Road)
“
The inner work that must be done will not always be easy and the road will not always be smooth, but it is vital to do the work of shedding the stories that are the true source of suffering.
”
”
Daniel Mangena (Money Game: A Wealth Manifestation Guide. Level Up Your Mindset Step-By-Step & Create An Abundant Life)
“
Problems are always there for those who are looking for them
So look for the solution, not the road block or the problem.
”
”
Debasish Mridha
“
It is hard work to control the workings of inclination and turn the bent of nature; but that it may be done, I know from experience. God has given us, in a measure, the power to make our own fate: and when our energies seem to demand a sustenance they cannot get--when our will strains after a path we may not follow--we need neither starve from inanition, not stand still in despair: we have but to seek another nourishment for the mind, as strong as the forbidden fruit it longed to taste--and perhaps purer; and to hew out for the adventurous foot a road as direct and broad as the one Fortune has blocked up against us, if rougher than it.
”
”
Charlotte Brontë (Jane Eyre)
“
A snowdrift is a beautiful thing-if it doesn't lie across the path you have to shovel or block the road that leads to your destination.
”
”
Hal Borland
“
Your mind is likewise blocked. But the right road awaits you still. Cast out your doubts, your fears and your desires, let go of grief and of hope as well, for where these rule the mind is their subject.
”
”
Boethius
“
Henry turned to give Edgar a look—a meaningful look—though Edgar couldn’t be sure exactly what its meaning was. It struck him again how there was something likable about the man’s defeatist sincerity. Henry Lamb saw the world as filled with road blocks and difficulties, or so it seemed. He conveyed, somehow, the impression that no bad news would surprise him, that every situation was a double-bind waiting to be discovered.
”
”
David Wroblewski (The Story of Edgar Sawtelle)
“
I gradually realized that I was seeing another example of creative ebb, another step by another art on the road that may indeed end in extinction.
”
”
Stephen King
“
Why is it that people usually find true direction in life at a time that seems the most confusing? My opinion is that when all roads seem to be blocked, there is only one way, and that is THROUGH!
”
”
Daniel Chidiac (Who Says You Can’t? YOU DO)
“
The white façades of the villas and apartment houses were like blocks of time that had crystallised beside the road.
”
”
J.G. Ballard (Cocaine Nights)
“
Are you so simple as to assume that the Big Surrender banished the concept of human slavery from the earth? What is the principle of slavery? Only the literal buying and selling of human flesh on the block? That was only an outside symbol. Real slavery is couched in the desire and the efforts of any man or community to live and advance their interests at the expense of the lives and interests of others. All of the outward signs come out of that.
”
”
Zora Neale Hurston (Dust Tracks on a Road)
“
One of the secrets to life, Epiphany, is to find your gifts and focus on those. Leave your liabilities in the dust of the road not taken. The world is an imperfect place. Everyone struggles. Successful people see trials as growth experiences, rather than stumbling blocks. You have everything you need for success. You're a beautiful young woman, and you're strong, and you have a clever mind. If you let anyone convince you otherwise, you steal from yourself.
”
”
Lisa Wingate (Dandelion Summer (Blue Sky Hill #4))
“
Some roads, once set out upon, reveal no possible path but forward. Every other track is blocked by snarls of thorns, steaming fissures or rearing walls of stone. What waits at the far end of the forward path is unknown, and since knowledge itself may prove a curse, the best course is simply to place one foot in front of the other, and think not at all of fate or the cruel currents of destiny.
”
”
Steven Erikson (Dust of Dreams (Malazan Book of the Fallen, #9))
“
The train bore me away, through the monstrous scenery of slag-heaps, chimneys, piled scrap-iron, foul canals, paths of cindery mud criss-crossed by the prints of clogs. This was March, but the weather had been horribly cold and everywhere there were mounds of blackened snow. As we moved slowly through the outskirts of the town we passed row after row of little grey slum houses running at right angles to the embankment. At the back of one of the houses a young woman was kneeling on the stones, poking a stick up the leaden waste-pipe which ran from the sink inside and which I suppose was blocked. I had time to see everything about her—her sacking apron, her clumsy clogs, her arms reddened by the cold. She looked up as the train passed, and I was almost near enough to catch her eye. She had a round pale face, the usual exhausted face of the slum girl who is twenty-five and looks forty, thanks to miscarriages and drudgery; and it wore, for the second in which I saw it, the most desolate, hopeless expression I have ever-seen. It struck me then that we are mistaken when we say that ‘It isn’t the same for them as it would be for us,’ and that people bred in the slums can imagine nothing but the slums. For what I saw in her face was not the ignorant suffering of an animal. She knew well enough what was happening to her—understood as well as I did how dreadful a destiny it was to be kneeling there in the bitter cold, on the slimy stones of a slum backyard, poking a stick up a foul drain-pipe.
”
”
George Orwell (The Road to Wigan Pier)
“
I pounded through the houses, staggering down the hallways, falling down the steps. It was a hot streaky dawn full of insecticides, exhaust, flowers that could make you sick or fall in love. My battered Impala was still parked there on the side of the road and I wanted to lie down on the shredded seats and sleep and sleep.
But I thought of the bones; I could hear them singing. They needed me to write their song.
”
”
Francesca Lia Block (The Rose and the Beast: Fairy Tales Retold)
“
There's a gang of boys on bikes blocking the road ahead. They've got their hoods up, cigarettes shielded. The sky's a really strange colour and there's hardly anyone else about. I slow right down.
"What shall I do?"
"Reverse," Zoey says. "They're not going to move."
I wind down the window. "Oi!" I yell "Move your arses!"
They turn languid, shift lazily to the edge of the road and grin as I blow kisses at them.
Zoey looks stunned, "What's got into you?"
"Nothing- I just haven't learned reversing yet.
”
”
Jenny Downham (Before I Die)
“
It’s important to understand that in the Third World most driving is done with the horn, or “Egyptian Brake Pedal,” as it is known. There is a precise and complicated etiquette of horn use. Honk your horn only under the following circumstances:
1. When anything blocks the road
2. When anything doesn’t.
3. When anything might.
4. At red lights
5. At green lights.
6. At all other times.
”
”
P.J. O'Rourke (Holidays in Hell: In Which Our Intrepid Reporter Travels to the World's Worst Places and Asks, "What's Funny about This?")
“
Groups of people who take up the entire sidewalk so you have to step onto the road to go around them are a definite pet peeve of mine. Oblivious people who block the entire sidewalk and walk slowly enough that you’re forced to dawdle, yet fast enough that you can’t walk around them? They make me fantasize about bringing swarms of bees down on their heads. Not that I would actually do it, of course.
”
”
Wildbow (Worm (Parahumans, #1))
“
boyfriends are stop signs, husbands are road blocks
”
”
Marlowe Granados (Happy Hour)
“
I wandered out like a haggard ghost, and there she was, Frisco - long, bleak streets with trolley wires all shrouded in fog and whiteness. I stumbled around a few blocks. Weird bums (Mission and Third) asked me for dimes in the dawn.
”
”
Jack Kerouac (On the Road)
“
You do not retreat from a road-block; you make your way around it, or look for another route to where you are going. And you learn to zigzag ... Take a different route, albeit a longer one.
”
”
Ruskin Bond (Potpourri)
“
The house was quiet. Silently, I walked down the stairs and passed the peacock room where I found Mr. Kadam sitting and waiting for me. He took my bag and walked with me out to the car, then he opened my door, and I slid in to the seat and buckled my seatbelt. Starting the car, he circled the stone driveway slowly. I turned to take one last look at the beautiful place that felt like home. As we started down the tree-lined road, I watched the house until the trees blocked my view.
Just then, a deafening, heartrending roar shook the trees. I turned in my seat and faced the desolate road ahead.
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
Well, if you’re a native Chicagoan, you know how dumb he [Dr. Robert Hartley] is. He gets on the Ravenswood El, he goes past his stop on Sheridan Road, he gets off in Evanston, where the El is on the ground, and then he walks back 55 blocks to his apartment. Now, would you want to have that man as a psychologist? A man who misses his stop every day?
”
”
Bob Newhart
“
She descended the steps two at a time, pushed away the gloom and counted the cracks in the cobbled road, trying to block out the cold and the stench of dishonesty bred in men.
”
”
Sharon Robards (A Woman Transported)
“
The waters of the dead, a clear road,
every lover in the form of stars, the road
blocked.
”
”
Richard Siken (Crush)
“
The Darkling hurried up the hill and knelt beside me, blocking my view of the corpse. “Look at me,” he instructed. I tried to focus on his face, but all I could see was the assassin’s severed body, his blood pooling in the damp leaves. “What … what did you do to him?” I asked, my voice quavering. “What I had to do. Can you stand?” I nodded shakily. He took my hands and helped me to my feet. When my gaze slid back to the corpse, he took hold of my chin and drew my eyes back to his. “At me,” he commanded. I nodded and tried to keep my eyes trained on the Darkling as he led me down the hill and called out orders to his men. “Clear the road. I need twenty riders.” “The girl?” Ivan asked. “Rides with me,” said the Darkling. He
”
”
Leigh Bardugo (Shadow and Bone (The Shadow and Bone Trilogy, #1))
“
A romantic painting shows a heap of icy debris in a polar light; no man, no object inhabits this desolate space; but for this very reason, provided I am suffering an amorous sadness, this void requires that I fling myself into it; I project myself as a tiny figure, seated on a block of ice, abandoned forever. "I'm cold," the lover says, "Iet's go back"; but there is no road, no way, the boat is wrecked. There is a coldness particular to the lover, the chilliness of the child (or of any young animal) that needs maternal warmth.
”
”
Roland Barthes (A Lover's Discourse: Fragments)
“
You’ll have to take me to some museums,” he said. He was being the young man on the road, following the sun because gray weather made him suicidal, writing his poetry in his mind in diners and gas station men’s rooms across the country.
”
”
Francesca Lia Block (Echo)
“
The Roman Road is the greatest monument ever raised to human liberty by a noble and generous people. It runs across mountain, marsh and river. It is built broad, straight and firm. It joins city with city and nation with nation. It is tens of thousands of miles long, and always thronged with grateful travellers. And while the Great Pyramid, a few hundred feet high and wide, awes sight-seers to silence—though it is only the rifled tomb of an ignoble corpse and a monument of oppression and misery, so that no doubt in viewing it you may still seem to hear the crack of the taskmaster's whip and the squeals and groans of the poor workmen struggling to set a huge block of stone into position——
”
”
Robert Graves (Claudius the God and His Wife Messalina (Claudius, #2))
“
six obvious ways to make an activity less convenient: • Increase the amount of physical or mental energy required (leave the cell phone in another room, ban smoking inside or near a building). • Hide any cues (put the video game controller on a high shelf). • Delay it (read email only after 11:00 a.m.). • Engage in an incompatible activity (to avoid snacking, do a puzzle). • Raise the cost (one study showed that people at high risk for smoking were pleased by a rise in the cigarette tax; after London imposed a congestion charge to enter the center of the city, people’s driving habits changed, with fewer cars on the road and more use of public transportation). • Block it altogether (give away the TV set).
”
”
Gretchen Rubin (Better Than Before: What I Learned About Making and Breaking Habits--to Sleep More, Quit Sugar, Procrastinate Less, and Generally Build a Happier Life)
“
It was as if it never occurred to anyone that blocking the incoming roads was the same as blocking the escape routes.
”
”
Sara Nović (Girl at War)
“
My power is everywhere propping up illusions, but I'm taking it back by letting go of them & just riding the stallion into wonderland. Let's see what you've got to say about the darkness in the mountains, I wonder if you know you can just turn it all to light. As we ride through the valley can you see the same water flowing that I do, or do dust clouds conceal it and block up your nose & throat? You're so thirsty for the end of the journey but I don't want you to miss the magic on the road.
”
”
Jay Woodman
“
He squinted up at the straining muscular backs of the stone men supporing the dome. "You'll have to take me to some museums," he said. He was being the young man on the road, following the sun because gray weather made him suicidal, writing his poetry in his mind in diners and gas station men's rooms across the country. "But I did see a show of Hopper once. And I like his light. It was kind of lonely or something.
Or, "The world's a mess, it's in my kiss,' like John and Exene say," he mumbled. We were in a leather store on Market Street being punks on acid with skunk-striped hair and steel-toed boots.
”
”
Francesca Lia Block (Echo)
“
the most progressive minister must shipwreck if he has a block of reactionary bureaucrats against him. And in Germany the bureaucrats all have their jobs still. —These pen-pushing Napoleons are invincible.
”
”
Erich Maria Remarque (The Road Back)
“
Why is it so important for me to forgive that son-of-a-bitch? I’m not the one at fault here. It shouldn’t be about me. He’s the one that did wrong. Screw his feelings. He should feel like he’s hated for what he did.” Lisa added another used tissue to the growing pile on the table.
Lyn warmly smiled. “Forgiving Byron isn’t for his sake, it’s for yours. The block in your life’s road can only be removed if you forgive him for what he did. If you don’t, you’ll just keep bumping into that block again and again. The life you live will be miserable. You’ll never be able to break the chains of the past.”
Lisa listened and let the words sink into her subconscious. She realized the only way to get to the end of the road was to take the first step. There was a block preventing her from moving forward in life. She had to find a way past it.
”
”
Dane Hatchell (Resurrection X)
“
There were some that were of so rare a beauty that my pleasure on catching sight of them was enhanced by surprise. By what privilege, on one morning rather than another, did the window on being uncurtained disclose to my wondering eyes the nymph Glauconome, whose lazy beauty, gently breathing, had the transparence of a vaporous emerald beneath whose surface I could see teeming the ponderable elements that coloured it? She made the sun join in her play, with a smile rendered languorous by an invisible haze which was nought but a space kept vacant about her translucent surface, which, thus curtailed, became more appealing, like those goddesses whom the sculptor carves in relief upon a block of marble, the rest of which he leaves unchiselled. So, in her matchless colour, she invited us out over those rough terrestrial roads, from which, seated beside Mme. de Villeparisis in her barouche, we should see, all day long and without ever reaching it, the coolness of her gentle palpitation.
”
”
Marcel Proust (In the Shadow of Young Girls in Flower)
“
He has two antagonists: the first presses him from behind, from the origin. The second blocks the road ahead. He gives battle to both. To be sure, the first supports him in his fight with the second, for he wants to push him forward, and in the same way the second supports him in his fight with the first, since he drives him back. But it is only theoretically so. For it is not only the two antagonists who are there, but he himself as well, and who really knows his intentions? His dream, though, is that some time in an unguarded moment and this would require a night darker than any night has ever been yet he will jump out of the fighting line and be promoted, on account of his experience in fighting, to the position of umpire over his antagonists in their fight with each other.
”
”
Franz Kafka
“
The majority of my generation decides to move back in with their parents after college. Unemployment, for them, is twice the national average. According to one 2011 study by the University of Michigan, many graduates aren’t even bothering to learn how to drive. The road is blocked, they are saying, so why get a license I won’t be able to use? We whine and complain and mope when things won’t go our way. We’re crushed when what we were “promised” is revoked—as if that’s not allowed to happen. Instead of doing much about it, we sit at home and play video games or travel or worse, pay for more school with more loan debt that will never be forgiven. And then we wonder why it isn’t getting any better.
”
”
Ryan Holiday (The Obstacle Is the Way: The Timeless Art of Turning Trials into Triumph)
“
Apart from the peace and emptiness of the landscape, there is a special smell about winter in Provence which is accentuated by the wind and the clean, dry air. Walking in the hills, I was often able to smell a house before I could see it, because of the scent of woodsmoke coming from an invisible chimney. It is one of the most primitive smells in life, and consequently extinct in most cities, where fire regulations and interior decorators have combined to turn fireplaces into blocked-up holes or self-consciously lit "architectural features." The fireplace in Provence is still used - to cook on, to sit around, to warm the toes, and to please the eye - and fires are laid in the early morning and fed throughout the day with scrub oak from the Luberon or beech from the foothills of Mont Ventoux. Coming home with the dogs as dusk fell, I always stopped to look from the top of the valley at the long zigzag of smoke ribbons drifting up from the farms that are scattered along the Bonnieux road. It was a sight that made me think of warm kitchens and well-seasoned stews, and it never failed to make me ravenous.
”
”
Peter Mayle (A Year in Provence (Provence, #1))
“
It was a heavenly summer, the summer in which France fell and the British Expeditionary Force was evacuated from Dunkirk. Leaves were never such an intense and iridescent green; sunlight glinted on flower-studded meadows as the Germans encircled the Maginot Line and overran not only France but Belgium and Holland. Birdsong filled the air in the lull between bursts of gunfire and accompanied the fleeing refugees who blocked the roads. It was as though the weather was preparing a glorious requiem for the death of Europe.
”
”
Eva Ibbotson (A Song for Summer)
“
Bib Block was sure that in any part of the country at all, whenever the name of this road was mentioned, people's hearts pivoted like Moslems to the east and flopped over. Sooner of later, he believed, at one stage of the journey or another, all roads led to the New Jersey Turnpike.
”
”
Kathryn Kramer (A Handbook for Visitors from Outer Space: Novel)
“
The news about Shiraha spread through the store like wildfire. Every time I saw the manager he started pestering me with: “How’s Shiraha? When are you going to bring him out drinking with us?” I’d always had a lot of respect for manager #8. He was a hard worker and I’d thought of him as the perfect colleague, but now I was sick to death of him only ever talking about Shiraha whenever we met. Until now, we’d always had meaningful worker-manager discussions: “It’s been hot lately, so the sales of chocolate desserts are down,” or “There’s a new block of flats down the road, so we’ve been getting more customers in the evening,” or “They’re really pushing the ad campaign for that new product coming out the week after next, so we should do well with it.” Now, however, it felt like he’d downgraded me from store worker to female of the human species.
”
”
Sayaka Murata (Convenience Store Woman)
“
[To] mechanical progress there is apparently no end: for as in the past so in the future, each step in any direction will remove limits and bring in past barriers which have till then blocked the way in other directions; and so what for the time may appear to be a visible or practical limit will turn out to be but a bend in the road.
(Opening address to the Mechanical Science Section, Meeting of the British Association, Manchester.)
”
”
Osborne Reynolds
“
When I first took this job at the factory it was not my intention to work there very long, for I once possessed higher hopes for my life, although the exact nature of these hopes remained rather vague in my youthful mind. While the work was not arduous, and my fellow workers congenial enough, I did not imagine myself standing forever at my designated assembly block, fitting together pieces of metal into other pieces of metal, with a few interruptions throughout that day for breaks that were supposed to refresh our minds from the tedium of our work or for meal breaks to allow us to nourish our bodies. Somehow it never occurred to me that the nearby town where I and the others at the factory lived, travelling to and from our jobs along the same fog-strewn road, held no higher opportunities for me or anyone else, which no doubt accounts for the vagueness, the wispy insubstantiality, of my youthful hopes.
”
”
Thomas Ligotti (Teatro Grottesco)
“
It’s amazing how alike and anonymous all suburbs are, as undistinguishae from one another as highways. Maybe that’s why I love cities. There’s not a row of houses in London that could possibly be mistaken for New York. There isn’t a square block in Manhattan that will ever for a moment remind you of London.
”
”
Helene Hanff (84 Charing Cross Road)
“
Consider the roads blocked up by robbers, the seas beset with pirates, wars scattered all over the earth with the bloody horror of camps. The whole world is wet with mutual blood; and murder, which in the case of an individual is admitted to be a crime, is called a virtue when it is committed wholesale. Impunity is claimed for the wicked deeds, not on the plea that they are guiltless, but because the cruelty is perpetrated on a grand scale.” - St. Cyprian, 250 AD
”
”
Norman Horn (Faith Seeking Freedom: Libertarian Christian Answers to Tough Questions)
“
Every telecomm company is as big a corporate welfare bum as you could ask for. Try to imagine what it would cost at market rates to go around to every house in every town in every country and pay for the right to block traffic and dig up roads and erect poles and string wires and pierce every home with cabling. The regulatory fiat that allows these companies to get their networks up and running is worth hundreds of billions, if not trillions, of dollars.
If phone companies want to operate in the “free market,” then let them: the FCC could give them 60 days to get all their rotten copper out of our dirt, or we’ll buy it from them at the going scrappage rates. Then, let’s hold an auction for the right to be the next big telecomm company, on one condition: in exchange for using the public’s rights-of-way, you have to agree to connect us to the people we want to talk to, and vice-versa, as quickly and efficiently as you can.
”
”
Cory Doctorow (Context: Further Selected Essays on Productivity, Creativity, Parenting, and Politics in the 21st Century)
“
When the Path Is Blocked When the path is blocked, back up and see more of the way. We are each a mountain for the other to climb, and often our path to love is interrupted by a mishap or a problem or something unexpected that needs attending. We tend to call these unexpected things in life “obstacles.” Often the thing in the way comes from another person: a stubbornness falls like a tree blocking where we want to go, or a sadness comes like a flash flood to muddy the road between us, or just as we go to rest in the clearing we have prepared, we are bitten by something hiding in the undergrowth. Thus, in daily ways, we have this constant choice: to see each other as the stubborn, muddy, biting thing that blocks our way, or to back up and take in the whole person as we would a mountain in its entirety, dizzy when looking up into its majesty. When we are blocked in our closeness with another, we have this constant opportunity: to raise our eyes and behold each other completely, then to kneel and lift the fallen tree, or cross the flooded path, or pluck and toss the biting thing. We have the chance to keep climbing, so we might cup the water that runs from each other, so we might quench our thirst as from a mountain stream, knowing that love like water comes softly through the hardest places.
”
”
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
“
Owing to the shape of a bell curve, the education system is geared to the mean. Unfortunately, that kind of education is virtually calculated to bore and alienate gifted minds. But instead of making exceptions where it would do the most good, the educational bureaucracy often prefers not to be bothered.
In my case, for example, much of the schooling to which I was subjected was probably worse than nothing. It consisted not of real education, but of repetition and oppressive socialization (entirely superfluous given the dose of oppression I was getting away from school). Had I been left alone, preferably with access to a good library and a minimal amount of high-quality instruction, I would at least have been free to learn without useless distractions and gratuitous indoctrination. But alas, no such luck.
Let’s try to break the problem down a bit. The education system […] is committed to a warm and fuzzy but scientifically counterfactual form of egalitarianism which attributes all intellectual differences to environmental factors rather than biology, implying that the so-called 'gifted' are just pampered brats who, unless their parents can afford private schooling, should atone for their undeserved good fortune by staying behind and enriching the classroom environments of less privileged students.
This approach may appear admirable, but its effects on our educational and intellectual standards, and all that depends on them, have already proven to be overwhelmingly negative. This clearly betrays an ulterior motive, suggesting that it has more to do with social engineering than education. There is an obvious difference between saying that poor students have all of the human dignity and basic rights of better students, and saying that there are no inherent educationally and socially relevant differences among students. The first statement makes sense, while the second does not.
The gifted population accounts for a very large part of the world’s intellectual resources. As such, they can obviously be put to better use than smoothing the ruffled feathers of average or below-average students and their parents by decorating classroom environments which prevent the gifted from learning at their natural pace. The higher we go on the scale of intellectual brilliance – and we’re not necessarily talking just about IQ – the less support is offered by the education system, yet the more likely are conceptual syntheses and grand intellectual achievements of the kind seldom produced by any group of markedly less intelligent people. In some cases, the education system is discouraging or blocking such achievements, and thus cheating humanity of their benefits.
”
”
Christopher Michael Langan
“
Let us look one another in the face. We are Hyperboreans—we know well enough how much out of the way we live. 'Neither by land nor sea shalt thou find the road to the Hyperboreans': Pindar already knew that of us. Beyond the North, beyond the ice, beyond death—our life, our happiness.... We have discovered happiness, we know the road, we have found the exit out of whole millennia of labyrinth. Who else has found it? Modern man perhaps? 'I know not which way to turn; I am everything that knows not which way to turn,' sighs modern man.... It was from this modernity that we were ill—from lazy peace, from cowardly compromise, from the whole virtuous uncleanliness of modern Yes and No. This tolerance and largeur of heart which 'forgives' everything because it 'Understands' everything is sirocco to us. Better to live among ice than among modern virtues and other south winds! ...We were brave enough, we spared neither ourselves nor others: but for long we did not know where to apply our courage. We became gloomy, we were called fatalists. Our fatality—was the plenitude, the tension, the blocking-up of our forces. We thirsted for lightning and action, of all things we kept ourselves furthest from the happiness of the weaklings, from 'resignation'.... There was a thunderstorm in our air, the nature which we are grew dark—for we had no road. Formula of our happiness: a Yes, a No, a straight line, a goal...
”
”
Friedrich Nietzsche (Twilight of the Idols / The Anti-Christ)
“
The missing remained missing and the portraits couldn't change that. But when Akhmed slid the finished portrait across the desk and the family saw the shape of that beloved nose, the air would flee the room, replaced by the miracle of recognition as mother, father, sister, brother, aunt, and cousin found in that nose the son, brother, nephew, and cousin that had been, would have been, could have been, and they might race after the possibility like cartoon characters dashing off a cliff, held by the certainty of the road until they looked down -- and plummeted is the word used by the youngest brother who, at the age of sixteen, is tired of being the youngest and hopes his older brother will return for many reasons, not least so he will marry and have a child and the youngest brother will no longer be youngest; that youngest brother, the one who has nothing to say about the nose because he remembers his older brother's nose and doesn't need the nose to mean what his parents need it to mean, is the one who six months later would be disappeared in the back of a truck, as his older brother was, who would know the Landfill through his blindfold and gag by the rich scent of clay, as his older brother had known, whose fingers would be wound with the electrical wires that had welded to his older brother's bones, who would stand above a mass grave his brother had dug and would fall in it as his older brother had, though taking six more minutes and four more bullets to die, would be buried an arm's length of dirt above his brother and whose bones would find over time those of his older brother, and so, at that indeterminate point in the future, answer his mother's prayer that her boys find each other, wherever they go; that younger brother would have a smile on his face and the silliest thought in his skull a minute before the first bullet would break it, thinking of how that day six months earlier, when they all went to have his older brother's portrait made, he should have had his made, too, because now his parents would have to make another trip, and he hoped they would, hoped they would because even if he knew his older brother's nose, he hadn't been prepared to see it, and seeing that nose, there, on the page, the density of loss it engendered, the unbelievable ache of loving and not having surrounded him, strong enough to toss him, as his brother had, into the summer lake, but there was nothing but air, and he'd believed that plummet was as close as they would ever come again, and with the first gunshot one brother fell within arms' reach of the other, and with the fifth shot the blindfold dissolved and the light it blocked became forever, and on the kitchen wall of his parents' house his portrait hangs within arm's reach of his older brother's, and his mother spends whole afternoons staring at them, praying that they find each other, wherever they go.
”
”
Anthony Marra (A Constellation of Vital Phenomena)
“
It's plain as day what they're up to, he says, they're trying to chase out like vermin ,that's what they're doing, they want to exterminate it's like rats, it's just a matter of time and effort, I used to work as a city planner you know, there's a finite number of roads and buildings in this city, drop enough ordinance and after a time you have put a hole in every road, you'll have struck every block of flats, every shop and house then you keep going night and day you just keep dropping more and more until you smashed every structure into the ground and you keep going until you turn the brickwork into dust and there's nothing left but the people who refuse to leave
”
”
Paul Lynch (Prophet Song)
“
On September 16, in defiance of the cease-fire, Ariel Sharon’s army
circled the refugee camps of Sabra and Shatila, where Fatima and
Falasteen slept defenselessly without Yousef. Israeli soldiers set up
checkpoints, barring the exit of refugees, and allowed their Lebanese
Phalange allies into the camp. Israeli soldiers, perched on rooftops,
watched through their binoculars during the day and at night lit the sky
with flares to guide the path of the Phalange, who went from shelter to
shelter in the refugee camps. Two days later, the first western
journalists entered the camp and bore witness. Robert Fisk wrote of it
in Pity the Nation:
They were everywhere, in the road, the laneways, in the
back yards and broken rooms, beneath crumpled masonry
and across the top of garbage tips. When we had seen a
hundred bodies, we stopped counting. Down every
alleyway, there were corpses—women, young men, babies
and grandparents—lying together in lazy and terrible
profusion where they had been knifed or machine-gunned to
death. Each corridor through the rubble produced more
bodies. The patients at the Palestinian hospital had
disappeared after gunmen ordered the doctors to leave.
Everywhere, we found signs of hastily dug mass graves.
Even while we were there, amid the evidence of such
savagery, we could see the Israelis watching us. From the
top of the tower block to the west, we could see them
staring at us through field-glasses, scanning back and forth
across the streets of corpses, the lenses of the binoculars
sometimes flashing in the sun as their gaze ranged through
the camp. Loren Jenkins [of the Washington Post] cursed a
lot. Jenkins immediately realized that the Israeli defense
minister would have to bear some responsibility for this
horror. “Sharon!” he shouted. “That fucker [Ariel] Sharon!
This is Deir Yassin all over again.
”
”
Susan Abulhawa (Mornings in Jenin)
“
He decided to go over a couple of blocks to Michael’s Tavern for something cold, and as he walked beside the road he felt his anger burning up in the heat of noon, and saw himself, as he often did when he was outdoors on hot days, being forged in enormous fires for some purpose beyond his imagining. He was only walking down a street toward a barroom, and yet in his own mind he took his part in the eternity of this place. It seemed to him—it was not the first time—that he belonged in Hell, and would always find himself joyful in its midst. It seemed to him that to touch James Houston was to touch one iota of the vast grit that made the desert and hid the fires at the centre of the earth.
”
”
Denis Johnson
“
Everything around me was changing so fast—my apartment block, the local shops, the alleys, the roads, the subway lines. Beijing was moving forwards like an express train, but my life was going nowhere. Okay, so I was getting lots of work, but it was all the same. Woman Waiting on the Platform, Lady in Waiting, Bored Waitress. I was only in my twenties, but I felt seventy. I had to do something, ask my brain to start working, so I could match this fast-moving city.
”
”
Xiaolu Guo (Twenty Fragments of a Ravenous Youth)
“
Those neurons, the brain’s soldiers, march for years, from the time we’re born, through the byways of the brain, setting actions into motion, rolling away boulders of all kinds, and then, with Alzheimer’s, they’re blocked by trees down at one end of the road, dangling wires at another. Over the years, the brain’s soldiers—this well-trained and reliable army, which has done so much, on so many different terrains, gone high and low, swum, climbed, strolled, and marched to all the different destinations of the mind—begin to falter, long before outsiders can see the troubles. Eventually (five years on for some, three for others, ten for some), the obstacles cannot be overcome. Messages cannot be received.
”
”
Amy Bloom (In Love: A Memoir of Love and Loss)
“
There was a legend on the road that the Mormon Tabernacle in Salt Lake City was a veritable storehouse of gold, silver, and precious stones and it was this that lured Smiler back to that city. At that time a high adobe wall surrounded the block on which stood the Tabernacle and the then unfinished Mormon Temple. We looked it over for several days and nights but could get nothing tangible to work on. Sunday we attended services and the plate was to be seen, silver and gold; more than we could carry away if we got it. At last we decided to go over the wall and give the place a good reconnaissance. If it looked feasible we could get a couple of other idle burglars and give it a thorough looting. On top of the wall we pulled up our light ladder and placed it inside. Smiler went down first. I barely had my feet off the ladder when a dozen men rose up out of the shrubbery armed with shotguns, and surrounded us. We stood still by the wall. One of them spoke, sternly, evenly: “Go back over that wall.” Little we knew the Mormons. We went up the ladder, pulled it up, and went down and away. When Smiler’s good humor returned he held up his hand. “Kid, I’ll never try to rob another Mormon. I’ll go to work first.
”
”
Jack Black (You Can't Win (Tramp Lit Series Book 1))
“
Your average genre novel is like a high speed car chase ending in a massive crash, with death, destruction, and balls of flame, from which the main characters (usually) emerge mostly unscathed. Everything builds up to the crash, and it’s the anticipation that keeps us turning pages.
Anthony Trollope, by contrast, is like a pleasant Sunday afternoon drive through the countryside in an open carriage behind a pair of matched horses. There’s conflict, sure; a herd of sheep blocks the road, two countrymen come to blows outside the pub, the cows in this field are looking daggers at the cows in that field. But the point of the drive is the drive itself, not the destination, because of course you’re just going to end up at home anyway.
”
”
Will Duquette
“
Silent, where you can't hear anything on the outside, but inside you are singing with every fiber of your being. And you're connected, through joy, to every stranger near you, even if nobody stops to speak. Not that I wish to talk, either. Instead, I stand still, mid-block, on Queens Boulevard, while listening for something that can't be quite heard physically. Yet somehow the sweetest silence is peeking out through the whoosh and rushing of other pedestrians, and despite how loudly the cars are squeaking, due to the wet roads.
”
”
Rose Rosetree (Bigger than All the Night Sky: The Start of Spiritual Awakening—A Memoir)
“
I pass a construction site, abandoned for the night, and a few blocks later, the playground of the elementary school my son attended, the metal sliding board gleaming under a streetlamp and the swings stirring in the breeze.
There's an energy to these autumn nights that touches something primal inside of me. Something from long ago. From my childhood in western Iowa. I think of high school football games and the stadium lights blazing down on the players. I smell ripening apples, and the sour reek of beer from keg parties in the cornfields. I feel the wind in my face as I ride in the bed of an old pickup truck down a country road at night, dust swirling in the taillights and the entire span of my life yawning out ahead o me.
It's the beautiful thing about youth.
There's a weightlessness that permeates everything because no damning choices have been made, no paths committed to, and the road forking out ahead is pure, unlimited potential.
I love my life, but I haven't felt that lightness of being in ages. Autumn nights like this are as close as I get.
”
”
Blake Crouch (Dark Matter)
“
I look up at her, rolling her mouth and smiling down. I look at the map. It’s not a brain, clearly; it’s a map; can’t she see the rivers and highways and interchanges? But I see how it could look like a brain, like if all roads were twisted neurons, pulling your emotions from one place to another, bringing the city to life. A working brain is probably a lot like a map, where anybody can get from one place to another on the freeways. It’s the nonworking brains that get blocked, that have dead ends, that are under construction like mine.
”
”
Ned Vizzini (It's Kind of a Funny Story)
“
BOWLS OF FOOD
Moon and evening star do their
slow tambourine dance to praise
this universe. The purpose of
every gathering is discovered:
to recognize beauty and love
what’s beautiful. “Once it was
like that, now it’s like this,”
the saying goes around town, and
serious consequences too. Men
and women turn their faces to the
wall in grief. They lose appetite.
Then they start eating the fire of
pleasure, as camels chew pungent
grass for the sake of their souls.
Winter blocks the road. Flowers
are taken prisoner underground.
Then green justice tenders a spear.
Go outside to the orchard. These
visitors came a long way, past all
the houses of the zodiac, learning
Something new at each stop. And
they’re here for such a short time,
sitting at these tables set on the
prow of the wind. Bowls of food
are brought out as answers, but
still no one knows the answer.
Food for the soul stays secret.
Body food gets put out in the open
like us. Those who work at a bakery
don’t know the taste of bread like
the hungry beggars do. Because the
beloved wants to know, unseen things
become manifest. Hiding is the
hidden purpose of creation: bury
your seed and wait. After you die,
All the thoughts you had will throng
around like children. The heart
is the secret inside the secret.
Call the secret language, and never
be sure what you conceal. It’s
unsure people who get the blessing.
Climbing cypress, opening rose,
Nightingale song, fruit, these are
inside the chill November wind.
They are its secret. We climb and
fall so often. Plants have an inner
Being, and separate ways of talking
and feeling. An ear of corn bends
in thought. Tulip, so embarrassed.
Pink rose deciding to open a
competing store. A bunch of grapes
sits with its feet stuck out.
Narcissus gossiping about iris.
Willow, what do you learn from running
water? Humility. Red apple, what has
the Friend taught you? To be sour.
Peach tree, why so low? To let you
reach. Look at the poplar, tall but
without fruit or flower. Yes, if
I had those, I’d be self-absorbed
like you. I gave up self to watch
the enlightened ones. Pomegranate
questions quince, Why so pale? For
the pearl you hid inside me. How did
you discover my secret? Your laugh.
The core of the seen and unseen
universes smiles, but remember,
smiles come best from those who weep.
Lightning, then the rain-laughter.
Dark earth receives that clear and
grows a trunk. Melon and cucumber
come dragging along on pilgrimage.
You have to be to be blessed!
Pumpkin begins climbing a rope!
Where did he learn that? Grass,
thorns, a hundred thousand ants and
snakes, everything is looking for
food. Don’t you hear the noise?
Every herb cures some illness.
Camels delight to eat thorns. We
prefer the inside of a walnut, not
the shell. The inside of an egg,
the outside of a date. What about
your inside and outside? The same
way a branch draws water up many
feet, God is pulling your soul
along. Wind carries pollen from
blossom to ground. Wings and
Arabian stallions gallop toward
the warmth of spring. They visit;
they sing and tell what they think
they know: so-and-so will travel
to such-and-such. The hoopoe
carries a letter to Solomon. The
wise stork says lek-lek. Please
translate. It’s time to go to
the high plain, to leave the winter
house. Be your own watchman as
birds are. Let the remembering
beads encircle you. I make promises
to myself and break them. Words are
coins: the vein of ore and the
mine shaft, what they speak of. Now
consider the sun. It’s neither
oriental nor occidental. Only the
soul knows what love is. This
moment in time and space is an
eggshell with an embryo crumpled
inside, soaked in belief-yolk,
under the wing of grace, until it
breaks free of mind to become the
song of an actual bird, and God.
”
”
Jalal ad-Din Muhammad ar-Rumi (The Soul of Rumi: A New Collection of Ecstatic Poems)
“
[What a great way to describe how a city takes its unique "shape"...beautiful turn-of-phrase by Kieran Shields(!)]:
"It was a city of slopes, curves, and dips carved by glaciers and now criss-crossed by a network of angled streets and blocks, unfettered by any sense of regularity and uniformity. Portland's maze of cobbled roads was the result of two and a half centuries of fisherman and merchants driven by immediate necessity and that economy of steps that occurs naturally in a place where winters often lasted five months out of the year.
”
”
Kieran Shields (The Truth of All Things (Archie Lean #1))
“
One day, soon after her disappearance, an attack of abominable nausea forced me to pull up on the ghost of an old mountain road that now accompanied, now traversed a brand new highway, with its population of asters bathing in the detached warmth of a pale-blue afternoon in late summer. After coughing myself inside out I rested a while on a boulder and then thinking the sweet air might do me good, walked a little way toward a low stone parapet on the precipice side of the highway. Small grasshoppers spurted out of the withered roadside weeds. A very light cloud was opening its arms and moving toward a slightly more substantial one belonging to another, more sluggish, heavenlogged system. As I approached the friendly abyss, I grew aware of a melodious unity of sounds rising like vapor from a small mining town that lay at my feet, in a fold of the valley. One could make out the geometry of the streets between blocks of red and gray roofs, and green puffs of trees, and a serpentine stream, and the rich, ore-like glitter of the city dump, and beyond the town, roads crisscrossing the crazy quilt of dark and pale fields, and behind it all, great timbered mountains. But even brighter than those quietly rejoicing colors - for there are colors and shades that seem to enjoy themselves in good company - both brighter and dreamier to the ear than they were to the eye, was that vapory vibration of accumulated sounds that never ceased for a moment, as it rose to the lip of granite where I stood wiping my foul mouth. And soon I realized that all these sounds were of one nature, that no other sounds but these came from the streets of the transparent town, with the women at home and the men away. Reader! What I heard was but the melody of children at play, nothing but that, and so limpid was the air that within this vapor of blended voices, majestic and minute, remote and magically near, frank and divinely enigmatic - one could hear now and then, as if released, an almost articulate spurt of vivid laughter, or the crack of a bat, or the clatter of a toy wagon, but it was all really too far for the eye to distinguish any movement in the lightly etched streets. I stood listening to that musical vibration from my lofty slope, to those flashes of separate cries with a kind of demure murmur for background, and then I knew that the hopelessly poignant thing was not Lolita's absence from my side, but the absence of her voice from that concord.
”
”
Vladimir Nabokov (Lolita)
“
There was a time—the year after leaving, even five years after when this homely street, with its old-fashioned high crown, its sidewalk blocks tugged up and down by maple roots, its retaining walls of sandstone and railings of painted iron and two-family brickfront houses whose siding imitates gray rocks, excited Rabbit with the magic of his own existence. These mundane surfaces had given witness to his life; this cup had held his blood; here the universe had centered, each downtwirling maple seed of more account than galaxies. No more. Jackson Road seems an ordinary street anywhere. Millions of such American streets hold millions of lives, and let them sift through, and neither notice nor mourn, and fall into decay, and do not even mourn their own passing but instead grimace at the wrecking ball with the same gaunt facades that have outweathered all their winters. However steadily Mom communes with these maples—the branches’ misty snake-shapes as inflexibly fixed in these two windows as the leading of stained glass—they will not hold back her fate by the space of a breath; nor, if they are cut down tomorrow to widen Jackson Road at last, will her staring, that planted them within herself, halt their vanishing. And the wash of new light will extinguish even her memory of them. Time is our element, not a mistaken invader. How stupid, it has taken him thirty-six years to begin to believe that.
”
”
John Updike (Rabbit Redux (Rabbit Angstrom, #2))
“
Others Exonerated the plebs and threw the blame upon the patricians: it was owing to their artful canvassing that the plebeians found the road to office blocked; if the plebs might have a breathing-spell from the mingled prayers and menaces of the nobles, they would think of their friends when they went to vote, and to the protection they had already won would add authority. It was resolved in order to do away with canvassing, that the tribunes should propose a law forbidding anyone to whiten his toga, for the purpose of announcing himself a candidate. This may now appear a trivial thing and one scarcely to be considered seriously, but at the time it kindled a furious struggle between the patricians and the plebs. Yet the tribunes prevailed and carried their law: and it was clear that the plebeians in their irritated mood would support the men of their own order.
”
”
Livy (The History of Rome, Books 1-5: The Early History of Rome)
“
It was in December. I stood in the back of the tram, all the way in the back. It drove through the country and stopped and started again, it took hours, the countryside was endless. And the sky got bluer and bluer and the sun shone until it seemed like flowers would have to start sprouting out of the country bumpkins. And the red roofs in the villages and the black trees and the fields, most of them covered with straw, had it nice and warm, and the dunes sat bareheaded in the sun. And the road lay there, white and smarting, it couldn't bear the sunlight, and the glass panes of the village streetlamp flashed, they had trouble withstanding the glare too.
But I got colder and colder. And the tram ran as long as the sun shone. It's a long ride from Hillegom to Leiden and the days are short in December. By the end, a block of ice was standing there on the tram staring into the big stupid cold sun that was flaming red as though the revolution was finally starting, as though offices were being blown up all over Amsterdam, but still it couldn't bring a spark of life back to my cold feet and stiff legs. And it kept getting bigger and colder, the sun, and I got colder and stayed the same size, and the blue sky looked down very disapprovingly: What are you doing on that tram?
”
”
Nescio (Amsterdam Stories)
“
My name is Lev," said Lev.
"My name is Lydia," said the woman. And they shook hands, Lev's hand holding the scrunched-up kerchief and Lydia's hand rough with salt and smelling of egg, and then Lev asked, "What are you planning to do in En gland?" and Lydia said, "I have some interviews in London for jobs as a translator."
"That sounds promising."
"I hope so. I was a teacher of English at School 237 in Yarbl, so my language is very colloquial."
Lev looked at Lydia. It wasn't difficult to imagine her standing in front of a class and writing words on a blackboard. He said, "I wonder why you're leaving our country when you had a good job at School 237 in Yarbl?"
"Well," said Lydia, "I became very tired of the view from my window. Every day, summer and winter, I looked out at the schoolyard and the high fence and the apartment block beyond, and I began to imagine I would die seeing these things, and I didn't want this. I expect you understand what I mean?
”
”
Rose Tremain (The Road Home)
“
Luz leaned her head against the window. The bus was already on the outskirts of Mexico City and the endless urban landscape had never seemed so gray and or so harsh. Most of the city was nothing like the old money enclave of Lomas Virreyes where the Vegas lived or Polanco where the city’s most expensive restaurants and clubs catered to the wealthy.
The bus passed block after block of sooty concrete cut into houses and shops and shanties and parking garages and mercados and schools and more shanties where people lived surrounded by hulks of old cars and plastic things no one bothered to throw away. Sometimes there wasn’t concrete for homes, just sheets of corrugated metal and big pieces of cardboard that would last until the next rainy season. It was the detritus of millions upon millions of people who had nowhere to go and nothing to do and were angry about it.
The Reforma newspaper had reported a few weeks ago that the city’s population was in excess of 28 million--more than 25 percent of the country’s entire population--and Luz believed it. All of those people were clawing at each other in a huge fishbowl suspended 7500 feet above sea level, where there was never enough oxygen and the air was thin and dirty.
The city was hemmed in by mountains on all sides; mountains like Popocatépetl and Iztaccíhuatl that sometimes spewed smoke and ash and prevented the contaminatión from cars and factories and sewers from escaping. Luz privately thought of it as la sopa--a white soup that often blotted out the stars and prevented the night sky from getting dark.
The bus slowed in traffic. As they crept along Luz saw a car stopped on the side of the road, pulled over by a transito traffic cop. As Luz watched, the driver handed the cop a peso bill from his wallet. The transito accepted it but kept talking, gesturing at the car. The motorist handed him another bill. La mordida--the bite--of the traffic cop, right under her nose.
Los Hierros was crap.
”
”
Carmen Amato (The Hidden Light of Mexico City)
“
There were once three brothers who were traveling along a lonely, winding road at twilight--’”
“Midnight, our mum always told us,” said Ron, who had stretched out, arms behind his head, to listen. Hermione shot him a look of annoyance.
“Sorry, I just think it’s a bit spookier if it’s midnight!” said Ron.
“Yeah, because we really need a bit more fear in our lives,” said Harry before he could stop himself. Xenophilius did not seem to be paying much attention, but was staring out of the window at the sky. “Go on, Hermione.”
“‘In time, the brothers reached a river too deep to wade through and too dangerous to swim across. However, these brothers were learned in the magical arts, and so they simply waved their wands and made a bridge appear across the treacherous water. They were halfway across it when they found their path blocked by a hooded figure.
“‘And Death spoke to them--’”
“Sorry,” interjected Harry, “but Death spoke to them?”
“It’s a fairy tale, Harry!”
“Right, sorry. Go on.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Mist and the smoke of guns lie breast-high over the fields. The moon is shining. Along the road troops file. Their helmets gleam softly in the moonlight. The heads and the rifles stand out above the white mist, nodding heads, rocking barrels. Farther on the mist ends. Here the heads become figures; coats, trousers, and boots appear out of the mist as from a milky pool. They become a column. The column marches on, straight ahead, the figures resolve themselves into a block, individuals are no longer recognizable, the dark wedge presses onward, fantastically topped by the heads and the weapons floating on the milky pool. A column—not men at all. Guns and munition wagons are moving along a cross-road. The backs of the horses shine in the moonlight, their movements are beautiful, they toss their heads, and their eyes gleam. The guns and the wagons float past the dim background of the moonlit landscape, the riders in their steel helmets resemble knights of a forgotten time; it is strangely beautiful and arresting.
”
”
Erich Maria Remarque (All Quiet on the Western Front)
“
All at once he found his mind drawing a parallel between that destiny and his own existence; all at once questions of life arose before his vision, like owls in an ancient ruin flushed from sleep by a stray ray of sunlight. Somehow he felt pained and grieved at his arrested development, at the check which had taken place in his moral growth, at the weight which appeared to be pressing upon his every faculty. Also gnawing at his heart there was a sense of envy that others should be living a life so full and free, while all the time the narrow, pitiful little pathway of his own existence was being blocked by a great boulder. And in his hesitating soul there arose a torturing consciousness that many sides of his nature had never yet been stirred, that others had never even been touched, and that not one of them had attained complete formation. Yet with this there went an aching suspicion that, buried in his being, as in a tomb, there still remained a moribund element of sweetness and light, and that it was an element which, though hidden in his personality, as a nugget lies lurking in the bowels of the earth, might once have become minted into sterling coin. But the treasure was now overlaid with rubbish--was now thickly littered over with dust. 'Twas as though some one had stolen from him, and besmirched, the store of gifts with which life and the world had dowered him; so that always he would be prevented from entering life's field and sailing across it with the aid of intellect and of will.
Yes, at the very start a secret enemy had laid a heavy hand upon him and diverted him from the road of human destiny. And now he seemed to be powerless to leave the swamps and wilds in favour of that road.
All around him was a forest, and ever the recesses of his soul were growing dimmer and darker, and the path more and more tangled, while the consciousness of his condition kept awaking within him less and
less frequently--to arouse only for a fleeting moment his slumbering faculties. Brain and volition alike had become paralysed, and, to all appearances, irrevocably--the events of his life had become whittled
down to microscopical proportions. Yet even with them he was powerless to cope--he was powerless to pass from one of them to another. Consequently they bandied him to and fro like the waves of the ocean. Never was he able to oppose to any event elasticity of will; never was he able to conceive, as the result of any event, a reasoned-out impulse. Yet to confess this, even to himself, always cost him a bitter pang: his fruitless regrets for lost opportunities, coupled with burning reproaches of conscience, always pricked him like needles, and led him to strive to put away such reproaches and to discover a scapegoat.
”
”
Ivan Goncharov (Oblomov)
“
It was one of those great iron afternoons in London: the yellow sun being teased apart by a thoasand chimneys breathing, fawning upward without shame. This smoke is more than the day’s breath, more than dark strength--it is an imperial presence that lives and moves. People were crossing the streets and squares, going everywhere. Busses were grinding off, hundreds of them, down the long concrete viaducts, smeared with years’ pitiless use and no pleasure, into haze-gray, grease black, red lead and pale aluminum, between scrap heaps that towered high as blocks of flats, down side-shoving curves into roads clogged with Army convoys, other tall busses and canvas lorries, bicycles and cars, hitching now and then, over it all the enormous gas ruin of the sun among the smokestacks, the barrage balloons, power lines and chimneys brown as aging indoor wood, brown growing deeper, approaching black through an instant-- perhaps the true turn of the sunset-- that is wine to you, wine and comfort.
The Moment was 6:43:16 British Double Summer Time: the sky beaten like Death’s drum, still humming, and Slothrop’s cock--say what? yes lookit inside his GI undershorts here’s a sneaky hardon stirring, ready to jump-- well great God where’d that come from?
There is in his history, and likely, God help him, in his dossier, a peculiar sensitivity to what is revealed in the sky. (But a harden?)
”
”
Thomas Pynchon (Gravity’s Rainbow)
“
Read. You should read Bukowski and Ferlinghetti, read Sylvia Plath and Anne Sexton, and listen to Coltrane, Nina Simone, Hank Williams, Loretta Lynn, Son House, Robert Johnson, Howlin’ Wolf, Lightnin’ Hopkins, Miles Davis, Lou Reed, Nick Drake, Bobbie Gentry, George Jones, Jimmy Reed, Odetta, Funkadelic, and Woody Guthrie. Drive across America. Ride trains. Fly to countries beyond your comfort zone. Try different things. Join hands across the water. Different foods. New tasks. Different menus and tastes. Talk with the guy who’s working in construction on your block, who’s working on the highway you’re traveling on. Speak with your neighbors. Get to know them. Practice civil disobedience. Try new resistance. Be part of the solution, not the problem. Don’t litter the earth, it’s the only one you have, learn to love her. Care for her. Learn another language. Trust your friends with kindness. You will need them one day. You will need earth one day. Do not fear death. There are worse things than death. Do not fear the reaper. Lie in the sunshine but from time to time let the neon light your way. ZZ Top, Jefferson Airplane, Spirit. Get a haircut. Dye your hair pink or blue. Do it for you. Wear eyeliner. Your eyes are the windows to your soul. Show them off. Wear a feather in your cap. Run around like the Mad Hatter. Perhaps he had the answer. Visit the desert. Go to the zoo. Go to a county fair. Ride the Ferris wheel. Ride a horse. Pet a pig. Ride a donkey. Protest against war. Put a peace symbol on your automobile. Drive a Volkswagen. Slow down for skateboarders. They might have the answers. Eat gingerbread men. Pray to the moon and the stars. God is out there somewhere. Don’t worry. You’ll find out where soon enough. Dance. Even if you don’t know how to dance. Read The Four Agreements. Read the Bible. Read the Bhagavad Gita. Join nothing. It won’t help. No games, no church, no religion, no yellow-brick road, no way to Oz. Wear beads. Watch a caterpillar in the sun.
”
”
Lucinda Williams (Don't Tell Anybody the Secrets I Told You: A Memoir)
“
At that distance, peacefully eating, the elephant looked no more dangerous than a cow. I thought then and I think now that his attack of “must” was already passing off; in which case he would merely wander harmlessly about until the mahout came back and caught him. Moreover, I did not in the least want to shoot him. I decided that I would watch him for a little while to make sure that he did not turn savage again, and then go home.
But at that moment I glanced round at the crowd that had followed me. It was an immense crowd, two thousand at the least and growing every minute. It blocked the road for a long distance on either side. I looked at the sea of yellow faces above the garish clothes-faces all happy and excited over this bit of fun, all certain that the elephant was going to be shot. They were watching me as they would watch a conjurer about to perform a trick. They did not like me, but with the magical rifle in my hands I was momentarily worth watching. And suddenly I realized that I should have to shoot the elephant after all. The people expected it of me and I had got to do it; I could feel their two thousand wills pressing me forward, irresistibly. And it was at this moment, as I stood there with the rifle in my hands, that I first grasped the hollowness, the futility of the white man’s dominion in the East. Here was I, the white man with his gun, standing in front of the unarmed native crowd — seemingly the leading actor of the piece; but in reality I was only an absurd puppet pushed to and fro by the will of those yellow faces behind. I perceived in this moment that when the white man turns tyrant it is his own freedom that he destroys. He becomes a sort of hollow, posing dummy, the conventionalized figure of a sahib. For it is the condition of his rule that he shall spend his life in trying to impress the “natives,” and so in every crisis he has got to do what the “natives” expect of him. He wears a mask, and his face grows to fit it. I had got to shoot the elephant. I had committed myself to doing it when I sent for the rifle. A sahib has got to act like a sahib; he has got to appear resolute, to know his own mind and do definite things. To come all that way, rifle in hand, with two thousand people marching at my heels, and then to trail feebly away, having done nothing — no, that was impossible. The crowd would laugh at me. And my whole life, every white man’s life in the East, was one long struggle not to be laughed at.
”
”
George Orwell (Shooting an Elephant)
“
It was 1977. Bob Marley was in a foreign studio, recovering from an assassin’s ambush and singing: “Many more will have to suffer. Many more will have to die. Don’t ask me why.” Bantu Stephen Biko was shackled, naked and comatose in the back of a South African police Land Rover. The Baader-Meinhof gang lay in suicide pools in a German prison. The Khmer Rouge filled their killing fields. The Weather Underground and the Young Lords Party crawled toward the final stages of violent implosion. In London, as in New York City, capitalism’s crisis left entire blocks and buildings abandoned, and the sudden appearance of pierced, mohawked, leather-jacketed punks on Kings Road set off paroxysms of hysteria. History behaved as if reset to year zero. In the Bronx, Herc’s time was passing. But the new culture that had arisen around him had captured the imagination of a new breed of youths in the Bronx. Herc had stripped down and let go of everything, save the most powerful basic elements—the rhythm, the motion, the voice, the name. In doing so, he summoned up a spirit that had been there at Congo Square and in Harlem and on Wareika Hill. The new culture seemed to whirl backward and forward—a loop of history, history as loop—calling and responding, leaping, spinning, renewing.
”
”
Jeff Chang (Can't Stop Won't Stop: A History of the Hip-Hop Generation (PICADOR USA))
“
A full moon, although less splendid than that earlier on,lit everything around. Before I reached the point where I would have to leave the road and set off across country, the narrow path I was following seemed suddenly to end and disappear behind a large hedge, and there before me, as if blocking my way, stood a single, tall tree, very dark at first against the transparently clear night sky. Out of nowhere, a breeze got up. It set the tender stems of the grasses shivering, made the green blades of the reeds shudder and sent a ripple across the brown waters of a puddle. Like a wave, it lifted up the spreading branches of the tree and, murmuring, climbed the trunk, and then, suddenly, the leaves turned their undersides to the moon and the whole beech tree (because it was a beech) was covered in white as far as the topmost branch.It was only a moment, no more than that, but the memory of it will last as long as my life lasts.
”
”
José Saramago
“
That was our first home. Before I felt like an island in an ocean, before Calcutta, before everything that followed. You know it wasn’t a home at first but just a shell. Nothing ostentatious but just a rented two-room affair, an unneeded corridor that ran alongside them, second hand cane furniture, cheap crockery, two leaking faucets, a dysfunctional doorbell, and a flight of stairs that led to, but ended just before the roof (one of the many idiosyncrasies of the house), secured by a sixteen garrison lock, and a balcony into which a mango tree’s branch had strayed. The house was in a building at least a hundred years old and looked out on a street and a tenement block across it. The colony, if you were to call it a colony, had no name. The house itself was seedy, decrepit, as though a safe-keeper of secrets and scandals. It had many entries and exits and it was possible to get lost in it. And in a particularly inspired stroke of whimsy architectural genius, it was almost invisible from the main road like H.G. Wells’ ‘Magic Shop’. As a result, we had great difficulty when we had to explain our address to people back home. It went somewhat like this, ‘... take the second one from the main road….and then right after turning left from Dhakeshwari, you will see a bird shop (unspecific like that, for it had no name either)… walk straight in and take the stairs at the end to go to the first floor, that’s where we dwell… but don’t press the bell, knock… and don't walk too close to the cages unless you want bird-hickeys…’’
('Left from Dhakeshwari')
”
”
Kunal Sen
“
She was a hunchback with a sweet smile. She smiled sweetly at anything; she couldn't help it; the trees, me, the grass, anything. The basket pulled her down, dragging her toward the ground. She was such a tiny woman, with a hurt face, as if slapped forever. She wore a funny old hat, an absurd hat, a maddening hat, a hat to make me cry, a hat with faded red berries on the brim. And there she was, smiling at everything, struggling across the carpet with a heavy basket containing Lord knew what, wearing a plumed hat with red berries.
I got up. It was so mysterious. There I was, like magic, standing up, my two feet on the ground, my eyes drenched.
I said, "Let me help."
She smiled again and gave me the basket. We began to walk. She led the way. Beyond the trees it was stifling. And she smiled. It was so sweet it nearly tore my head off. She talked, she told me things I never remembered. It didn't matter. In a« dream she held me, in a dream I followed under the blinding sun. For blocks we went forward. I hoped it would never end. Always she talked in a low voice made of human music. What words! What she said! I remembered nothing. I was only happy. But in my heart I was dying. It should have been so. We stepped from so many curbs, I wondered why she did not sit upon one and hold my head while I drifted away. It was the chance that never came again.
That old woman with the bent back! Old woman, I feel so joyfully your pain. Ask me a favor, you old woman you! Anything. To die is easy. Make it that. To cry is easy, lift your skirt and let me cry and let my tears wash your feet to let you know I know what life has been for you, because my back is bent too, but my heart is whole, my tears are delicious, my love is yours, to give you joy where God has failed. To die is so easy and you may have my life if you wish it, you old woman, you hurt me so, you did, I will do anything for you, to die for you, the blood of my eighteen years flowing in the gutters of Wilmington and down to the sea for you, for you that you might find such joy as is now mine and stand erect without the horror of that twist.
I left the old woman at her door.
The trees shimmered. The clouds laughed. The blue sky took me up. Where am I? Is this Wilmington, California? Haven't I been here before? A melody moved my feet. The air soared with Arturo in it, puffing him in and out and making him something and nothing. My heart laughed and laughed. Goodbye to Nietzsche and Schopenhauer and all of you, you fools, I am much greater than all of you! Through my veins ran music of blood. Would it last? It could not last. I must hurry. But where? And I ran toward home. Now I am home. I left the book in the park. To hell with it. No more books for me. I kissed my mother. I clung to her passionately. On my knees I fell at her feet to kiss her feet and cling to her ankles until it must have hurt her and amazed her that it was I.
”
”
John Fante (The Road to Los Angeles (The Saga of Arturo Bandini, #2))
“
We crossed the street and turned left into one of the side streets, which was only slightly less wide. Here the traffic was lighter. To the left and slightly in front of us, two men walked shoulder to shoulder. The first wore leather pants, a white shirt with wide sleeves, and a leather vest over it. A wide leather bracer enclosed his left forearm. His hair, a rare blond shade, almost gold, hung in a ponytail down his back. He moved with a casual aristocratic elegance, perfectly balanced. Watching him, you had a feeling that if the road suddenly became a tightrope, he would just keep on walking without breaking a stride. My father moved like that. I sped up a little. We drew even and I saw a slender sword on his waist. That's what I thought. An expert swordsman.
I glanced at his face and blinked. He was remarkably handsome.
The man to his left was larger, his shoulders broader, his body emanating contained aggression. He didn't walk, he stalked, and you could tell by the way he moved that he would be very strong. His auburn hair looked like he'd rolled out of bed, dragged his hand through it, and gone on about his day. He wore dark pants and a black leather jacket that was more doublet than motorcycle. A ragged scar crossed his left cheek and when he turned his head, his eyes shone with yellow. Interesting.
"It's always work with you," the russet-haired man said.
"Some of us have to mind the safety of the realm," the blond said. A narrow smile curled his lips.
"I've given the realm eight years of my life. It can bite me," his stocky companion retorted. "How far is it?"
The slim man raised his left arm. A hawk dropped out of the sky and landed on his bracer. "We're almost there. Two blocks left."
"Good. Let's get this crap and go home."
They turned into the side street.
"That bird smelled dead," Sean said.
”
”
Ilona Andrews (Clean Sweep (Innkeeper Chronicles, #1))
“
After we eat of the Apple of Knowledge, however, all of us start to be aware of ourselves, and our consciousness starts to be divided from our being. We start to have an image of ourselves which blocks our true expression.
How do we go from there? There are two ways of dealing with this situation. The first is to find a self-image one is comfortable with. This is what most people do. It has some advantages since it causes the mind to operate reasonably undisturbed and it brings some peace to most people. People who find and maintain a self-image they are comfortable with are generally known as ‘happy people’.
It doesn’t mean a whole lot, because in fact this image they are comfortable with is completely fake. There is another road, the road of learning to get rid of all self-imagery. This is a hard road however and requires one to pretty much battle for the rest of ones life (which isn’t a bad thing at all since the sense and meaning of life are essentially to put up a good battle). One develops techniques to stop identifying with ones self-image. The more these mechanisms behind self-imagery are mastered the more easy it becomes to switch and correct ones identities. At some point we can simply get rid of the self-image and be reborn as the child we once were, but a different child who has the triumph of knowledge in his pocket.
”
”
Martijn Benders
“
War means endless waiting, endless boredom. There is no electricity, so no television. You can't read. You can't see friends. You grow depressed but there is no treatment for it and it makes no sense to complain — everyone is as badly off as you. It's hard to fall in love, or rather, hard to stay in love. If you are a teenager, you seem halted in time.
If you are critically ill — with cancer, for instance — there is no chemotherapy for you. If you can't leave the country for treatment, you stay and die slowly, and in tremendous pain. Victorian diseases return — polio, typhoid and cholera. You see very sick people around you who seemed in perfectly good health when you last saw them during peacetime. You hear coughing all the time. Everyone hacks — from the dust of destroyed buildings, from disease, from cold.
As for your old world, it disappears, like the smoke from a cigarette you can no longer afford to buy. Where are your closest friends? Some have left, others are dead. The few who remain have nothing new to talk about. You can't get to their houses, because the road is blocked by checkpoints. Or snipers take a shot when you leave your door, so you scurry back inside, like a crab retreating inside its shell. Or you might go out on the wrong day and a barrel bomb, dropped by a government helicopter, lands near you.
Wartime looks like this.
”
”
Janine Di Giovanni (The Morning They Came for Us: Dispatches from Syria)
“
Life sometimes is like tossing a coin in the air calling heads or tails, but it doesn’t matter what side it lands on; life goes on.
It is hard when you’ve lost the will to fight because you’ve been fighting for so long. You are smothered by the pain. Mentally, you are drained. Physically, you are weak. Emotionally, you are weighed down. Spiritually, you do not have one tiny mustard seed of faith. The common denominator is that other people’s problems have clouded your mind with all of their negativity. You cannot feel anything; you are numb. You do not have the energy to surrender, and you choose not to escape because you feel safe when you are closed in.
As you move throughout the day, you do just enough to get by. Your mindset has changed from giving it your all to—well, something is better than nothing. You move in slow motion like a zombie, and there isn’t any color, just black and white, with every now and then a shade of gray. You’ve shut everyone out and crawled back into the rabbit hole. Life passes you by as you feel like you cannot go on.
You look around for help; for someone to take the pain away and to share your suffering, but no one is there. You feel alone, you drift away when you glance ahead and see that there are more uphill battles ahead of you. You do not have the option to turn around because all of the roads are blocked.
You stand exactly where you are without making a step. You try to think of something, but you are emotionally bankrupt.
Where do you go from here? You do not have a clue.
Standing still isn’t helping because you’ve welcomed unwanted visitors; voices are in your head, asking, “What are you waiting for? Take the leap. Jump.” They go on to say, “You’ve had enough. Your burdens are too heavy.”
You walk towards the cliff; you turn your head and look at the steep hill towards the mountain. The view isn’t helping; not only do you have to climb the steep hill, but you have to climb up the mountain too.
You take a step; rocks and dust fall off the cliff. You stumble and you move forward. The voices in your head call you a coward. You are beginning to second-guess yourself because you want to throw in the towel. You close your eyes; a tear falls and travels to your chin. As your eyes are closed the Great Divine’s voice is louder; yet, calmer, soothing; and you feel peace instantly. Your mind feels light, and your body feels balanced. The Great Divine whispers gently and softly in your ear:
“Fallen Warrior, I know you have given everything you’ve got, and you feel like you have nothing left to give.
Fallen Warrior, I know it’s been a while since you smiled.
Fallen Warrior, I see that you are hurting, and I feel your pain.
Fallen Warrior, this is not the end. This is the start of your new beginning.
Fallen Warrior, do not doubt My or your abilities; you have more going for you than you have going against you.
Fallen Warrior, keep moving, you have what it takes; perseverance is your middle name.
Fallen Warrior, you are not the victim! You are the victor!
You step back because you know why you are here. You know why you are alive. Sometimes you have to be your own Shero.
As a fallen warrior, you are human; and you have your moments. There are days when you have more ups than downs, and some days you have more downs than ups. I most definitely can relate.
I was floating through life, but I had to change my mindset. During my worst days, I felt horrible, and when I started to think negatively I felt like I was dishonoring myself. I felt sick, I felt afraid, fear began to control my every move. I felt like demons were trying to break in and take over my life.
”
”
Charlena E. Jackson (A Woman's Love Is Never Good Enough)
“
When it passes us, the driver tips his cap our way, eying us as if he thinks we're up to no good-the kind of no good he might call the cops on. I wave to him and smile, wondering if I look as guilty as I feel. Better make this the quickest lesson in driving history. It's not like she needs to pass the state exam. If she can keep the car straight for ten seconds in a row, I've upheld my end of the deal.
I turn off the ignition and look at her. "So, how are you and Toraf doing?"
She cocks her head at me. "What does that have to do with driving?"
Aside from delaying it? "Nothing," I say, shrugging. "Just wondering."
She pulls down the visor and flips open the mirror. Using her index finger, she unsmudges the mascara Rachel put on her. "Not that it's your business, but we're fine. We were always fine."
"He didn't seem to think so."
She shoots me a look. "He can be oversensitive sometimes. I explained that to him."
Oversensitive? No way. She's not getting off that easy. "He's a good kisser," I tell her, bracing myself.
She turns in her seat, eyes narrowed to slits. "You might as well forget about that kiss, Emma. He's mine, and if you put your nasty Half-Breed lips on him again-"
"Now who's being oversensitive?" I say, grinning. She does love him.
"Switch places with me," she snarls. But I'm too happy for Toraf to return the animosity.
Once she's in the driver's seat, her attitude changes. She bounces up and down like she's mattress shopping, getting so much air that she'd puncture the top if I hadn't put it down already. She reaches for the keys in the ignition. I grab her hand. "Nope. Buckle up first."
It's almost cliché for her to roll her eyes now, but she does. When she's finished dramatizing the act of buckling her seat belt-complete with tugging on it to make sure it won't unclick-she turns to me in pouty expectation. I nod.
She wrenches the key and the engine fires up. The distant look in her eyes makes me nervous. Or maybe it's the guilt swirling around in my stomach. Galen might not like this car, but it still feels like sacrilege to put the fate of a BMW in Rayna's novice hands. As she grips the gear stick so hard her knuckles turn white, I thank God this is an automatic.
"D is for drive, right?" she says.
"Yes. The right pedal is to go. The left pedal is to stop. You have to step on the left one to change into drive."
"I know. I saw you do it." She mashes down on the brake, then throws us into drive. But we don't move.
"Okay, now you'll want to step on the right pedal, which is the gas-"
The tires start spinning-and so do we. Rayna stares at me wide-eyed and mouth ajar, which isn't a good thing since her hands are on the wheel. It occurs to me that she's screaming, but I can't hear her over my own screeching. The dust wall we've created whirls around us, blocking our view of the trees and the road and life as we knew it.
"Take your foot off the right one!" I yell. We stop so hard my teeth feel rattled.
"Are you trying to get us killed?" she howls, holding her hand to her cheek as if I've slapped her. Her eyes are wild and glassy; she just might cry.
"Are you freaking kidding me? You're the one driving!
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
A Safety Travel with Sinclair James International
Traveling to somewhere completely foreign to you may be challenging but that is what travelers always look for. It can be a good opportunity to find something new and discover new places, meet new people and try a different culture. However, it can involve a lot of risk as well. You may be surprised to find yourself naked and penniless on the side of the road trying to figure out what you did wrong. These kinds of situations come rarely when you are careful and cautious enough but it is not impossible.
Sinclair James International Travel and Tours, your Australian based traveling guide can help you travel safely through the following tips:
1. Pack all Security Items
In case of emergencies, you should have all the safety tools and security items with you. Carry a card with your name and number with you and don’t forget to scribble down the numbers of local police station, fire department, list of hospitals and other necessary numbers that you may need. Place them in each compartment and on your pockets. If ever you find yourself being a victim of pick pocketing in Manila, Philippines or being driven around in circles in the streets of Bangkok, Thailand, you will definitely find these numbers very helpful. It is also advisable to put your name and an emergency number in case you are in trouble and may need someone else to call.
2. Protect your Passport
Passports nowadays have RFID which can be scanned from a distance. We have heard some complaints from fellow travelers of being victims of scams which involves stealing of information through passports. An RFID blocking case in a wallet may come in handy to prevent hackers from stealing your information.
3. Beware of Taxis
When you exit the airport, taxis may all look the same but some of them can be hiding a defective scam to rob tourists during their drive. It is better to ask an official before taking a taxi as many unmarked ones claim that they are legitimate. Also, if the fare isn’t flat rate, be sure you know the possible routes. Some drivers will know better and will take good care of you, but others will take longer routes to increase the fare. If you know your options, you can suggest a different route to avoid paying too much.
4. Be aware of your Rights
Laws change from state to state, and certainly from country to country, but ignorance to them will get you nowhere. In fact, in many cases you can get yourself out of trouble by knowing the laws that will affect you. When traveling to other countries, make sure to review the laws and policies that can affect your activities. There are a lot of misconceptions and knowing these could save you a headache. Sinclair James International
”
”
James Sinclair
“
He spent the morning at the beach. He had no idea which one, just some open stretch of coastline reaching out to the sea. An unbroken mantle of soft grey clouds was sitting low over the water. Only on the horizon was there a glimmer of light, a faint blue band of promise. The beach was deserted, not another soul on the vast, wide expanse of sand that stretched out in front of him. Having come from the city, it never ceased to amaze Jejeune that you could be that alone in the world. He walked along the beach, feeling the satisfying softness as the sand gave way beneath his slow deliberate strides. He ventured as close to the tide line as he dared, the white noise of the waves breaking on the shingles. A set of paw prints ran along the sand, with an unbroken line in between. A small dog, dragging a stick in its mouth. Always the detective, even if, these days, he wasn’t a very good one.
Jejeune’s path became blocked by a narrow tidal creek carrying its silty cargo out to the sea. On each side of it were shallow lagoons and rock pools. When the tide washed in they would teem with new life, but at the moment they looked barren and empty. Jejeune looked inland, back to where the dark smudge of Corsican pines marked the edge of the coast road. He traced the creek’s sinuous course back to where it emerged from a tidal salt flat, and watched the water for a long time as it eddied and churned, meeting the incoming tide in an erotic swirl of water, the fresh intermingling with the salty in a turbulent, roiling dance, until it was no longer possible to tell one from the other.
He looked out at the sea, at the motion, the color, the light. A Black-headed Gull swooped in and settled on a piece of driftwood a few feet away. Picture complete, thought Jejeune. For him, a landscape by itself, no matter how beautiful, seemed an empty thing. It needed a flicker of life, a tiny quiver of existence, to validate it, to confirm that other living things found a home here, too.
Side by side, they looked out over the sea, the man and the bird, two beating hearts in this otherwise empty landscape, with no connection beyond their desire to be here, at this time. Was it the birds that attracted him to places like this, he wondered, or the solitude, the absence of demands, of expectations? But if Jejeune was unsure of his own motives, he knew this bird would have a purpose in being here. Nature always had her reasons.
He chanced a sidelong glance at the bird, now settled to his presence. It had already completed its summer molt, crisp clean feathers having replaced the ones abraded by the harsh demands of eking out a living on this wild, windswept coastline. The gull stayed for a long moment, allowing Jejeune to rest his eyes softly, unthreateningly, upon it. And then, as if deciding it had allowed him enough time to appreciate its beauty, the bird spread its wings and effortlessly lifted off, wheeling on the invisible air currents, drifting away over the sea toward the horizon.
p. 282-3
”
”
Steve Burrows (A Siege of Bitterns (Birder Murder Mystery, #1))
“
per hour. Handbrake knew that he could keep up with the best of them. Ambassadors might look old-fashioned and slow, but the latest models had Japanese engines. But he soon learned to keep it under seventy. Time and again, as his competitors raced up behind him and made their impatience known by the use of their horns and flashing high beams, he grudgingly gave way, pulling into the slow lane among the trucks, tractors and bullock carts. Soon, the lush mustard and sugarcane fields of Haryana gave way to the scrub and desert of Rajasthan. Four hours later, they reached the rocky hills surrounding the Pink City, passing in the shadow of the Amber Fort with its soaring ramparts and towering gatehouse. The road led past the Jal Mahal palace, beached on a sandy lake bed, into Jaipur’s ancient quarter. It was almost noon and the bazaars along the city’s crenellated walls were stirring into life. Beneath faded, dusty awnings, cobblers crouched, sewing sequins and gold thread onto leather slippers with curled-up toes. Spice merchants sat surrounded by heaps of lal mirch, haldi and ground jeera, their colours as clean and sharp as new watercolor paints. Sweets sellers lit the gas under blackened woks of oil and prepared sticky jalebis. Lassi vendors chipped away at great blocks of ice delivered by camel cart. In front of a few of the shops, small boys, who by law should have been at school, swept the pavements, sprinkling them with water to keep down the dust. One dragged a doormat into the road where the wheels of passing vehicles ran over it, doing the job of carpet beaters. Handbrake honked his way through the light traffic as they neared the Ajmeri Gate, watching the faces that passed by his window: skinny bicycle rickshaw drivers, straining against the weight of fat aunties; wild-eyed Rajasthani men with long handlebar moustaches and sun-baked faces almost as bright as their turbans; sinewy peasant women wearing gold nose rings and red glass bangles on their arms; a couple of pink-faced goras straining under their backpacks; a naked sadhu, his body half covered in ash like a caveman. Handbrake turned into the old British Civil Lines, where the roads were wide and straight and the houses and gardens were set well apart. Ajay Kasliwal’s residence was number
”
”
Tarquin Hall (The Case of the Missing Servant (Vish Puri, #1))
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It is hard to overestimate the importance of the Catholic church’s value for European culture and for the whole world. It Christianized and civilized barbaric peoples and for a long time was the only guardian of science and art. Here the church’s cloisters were preeminent. The Catholic church developed a spiritual power unequaled anywhere, and today we still admire the way it combined the principle of catholicism with the principle of one sanctifying church, as well as tolerance with intolerance. It is a world in itself. Infinite diversity flows together, and this colorful picture gives it its irresistible charm (Complexio oppositorum). A country has seldom produced so many different kinds of people as has the Catholic church. With admirable power, it has understood how to maintain unity in diversity, to gain the love and respect of the masses, and to foster a strong sense of community. . . . But it is exactly because of this greatness that we have serious reservations. Has this world [of the Catholic church] really remained the church of Christ? Has it not perhaps become an obstruction blocking the path to God instead of a road sign on the path to God? Has it not blocked the only path to salvation? Yet no one can ever obstruct the way to God. The church still has the Bible, and as long as she has it we can still believe in the holy Christian church. God’s word will never be denied (Isa. 55:11), whether it be preached by us or by our sister church. We adhere to the same confession of faith, we pray the same Lord’s Prayer, and we share some of the same ancient rites. This binds us together, and as far as we are concerned we would like to live in peace with our disparate sister. We do not, however, want to deny anything that we have recognized as God’s word. The designation Catholic or Protestant is unimportant. The important thing is God’s word. Conversely, we will never violate anyone else’s faith. God does not desire reluctant service, and God has given everyone a conscience. We can and should desire that our sister church search its soul and concentrate on nothing but the word [1 Cor. 2:12– 13]. Until that time, we must have patience. We will have to endure it when, in false darkness, the “only holy church” pronounces upon our church the “anathema” (condemnation). She doesn’t know any better, and she doesn’t hate the heretic, only the heresy. As long as we let the word be our only armor we can look confidently into the future.
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Eric Metaxas (Bonhoeffer: Pastor, Martyr, Prophet, Spy)
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Situation awareness means possessing an explorer mentality A general never knows anything with certainty, never sees his enemy clearly, and never knows positively where he is. When armies are face to face, the least accident in the ground, the smallest wood, may conceal part of the enemy army. The most experienced eye cannot be sure whether it sees the whole of the enemy’s army or only three-fourths. It is by the mind’s eye, by the integration of all reasoning, by a kind of inspiration that the general sees, knows, and judges. ~Napoleon 5 In order to effectively gather the appropriate information as it’s unfolding we must possess the explorer mentality. We must be able to recognize patterns of behavior. Then we must recognize that which is outside that normal pattern. Then, you take the initiative so we maintain control. Every call, every incident we respond to possesses novelty. Car stops, domestic violence calls, robberies, suspicious persons etc. These individual types of incidents show similar patterns in many ways. For example, a car stopped normally pulls over to the side of the road when signaled to do so. The officer when ready, approaches the operator, a conversation ensues, paperwork exchanges, and the pulled over car drives away. A domestic violence call has its own normal patterns; police arrive, separate involved parties, take statements and arrest aggressor and advise the victim of abuse prevention rights. We could go on like this for all the types of calls we handle as each type of incident on its own merits, does possess very similar patterns. Yet they always, and I mean always possess something different be it the location, the time of day, the person you are dealing with. Even if it’s the same person, location, time and day, the person you’re dealing who may now be in a different emotional state and his/her motives and intent may be very different. This breaks that normal expected pattern. Hence, there is a need to always be open-minded, alert and aware, exploring for the signs and signals of positive or negative change in conditions. In his Small Wars journal article “Thinking and Acting like an Early Explorer” Brigadier General Huba Wass de Czege (US Army Ret.) describes the explorer mentality: While tactical and strategic thinking are fundamentally different, both kinds of thinking must take place in the explorer’s brain, but in separate compartments. To appreciate this, think of the metaphor of an early American explorer trying to cross a large expanse of unknown terrain long before the days of the modern conveniences. The explorer knows that somewhere to the west lies an ocean he wants to reach. He has only a sketch-map of a narrow corridor drawn by a previously unsuccessful explorer. He also knows that highly variable weather and frequent geologic activity can block mountain passes, flood rivers, and dry up desert water sources. He also knows that some native tribes are hostile to all strangers, some are friendly and others are fickle, but that warring and peace-making among them makes estimating their whereabouts and attitudes difficult.6
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Fred Leland (Adaptive Leadership Handbook - Law Enforcement & Security)