River Nile Quotes

We've searched our database for all the quotes and captions related to River Nile. Here they are! All 100 of them:

And this is the east shore?" Sadie asked. "You said something about that in London--my grandparents living on the east shore." Amos smiled. "Yes. Very good, Sadie. In ancient times, the east bank of the Nile was always the side of the living, the side where the sun rises. The dead were buried west of the river. It was considered bad luck, even dangerous, to live there. The tradition is still strong among... our people." Our people?" I asked, but Sadie muscled in with another question. So you can't live in Manhattan?" she asked. Amos's brow furrowed as he looked across at the Empire State Building. "Manhattan has other problems. Other gods. It's best we stay separate.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins. My soul has grown deep like the rivers. I bathed in the Euphrates when dawns were young. I built my hut near the Congo and it lulled me to sleep. I looked upon the Nile and raised the pyramids above it. I heard the singing of the Mississippi when Abe Lincoln went down to New Orleans, and I've seen its muddy bosom turn all golden in the sunset. I've known rivers: Ancient, dusky rivers. My soul has grown deep like the rivers.
Langston Hughes
Everyone deserved a living wage. No human ought to be treated as if their work didn’t matter, or their choices, or their dreams.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Grief was like a memory keeper. It showed me moments I’d forgotten, and I was grateful, even as my stomach hollowed out. I never wanted to forget them, no matter how painful it was to remember.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Art should outlive its creator.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
That was the smile I didn’t trust—I just knew it came with consequences.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
I thought how lovely and how strange a river is. A river is a river, always there, and yet the water flowing through it is never the same water and is never still. It’s always changing and is always on the move. And over time the river itself changes too. It widens and deepens as it rubs and scours, gnaws and kneads, eats and bores its way through the land. Even the greatest rivers- the Nile and the Ganges, the Yangtze and he Mississippi, the Amazon and the great grey-green greasy Limpopo all set about with fever trees-must have been no more than trickles and flickering streams before they grew into mighty rivers. Are people like that? I wondered. Am I like that? Always me, like the river itself, always flowing but always different, like the water flowing in the river, sometimes walking steadily along andante, sometimes surging over rapids furioso, sometimes meandering wit hardly any visible movement tranquilo, lento, ppp pianissimo, sometimes gurgling giacoso with pleasure, sometimes sparkling brillante in the sun, sometimes lacrimoso, sometimes appassionato, sometimes misterioso, sometimes pesante, sometimes legato, sometimes staccato, sometimes sospirando, sometimes vivace, and always, I hope, amoroso. Do I change like a river, widening and deepening, eddying back on myself sometimes, bursting my banks sometimes when there’s too much water, too much life in me, and sometimes dried up from lack of rain? Will the I that is me grow and widen and deepen? Or will I stagnate and become an arid riverbed? Will I allow people to dam me up and confine me to wall so that I flow only where they want? Will I allow them to turn me into a canal to use for they own purposes? Or will I make sure I flow freely, coursing my way through the land and ploughing a valley of my own?
Aidan Chambers (This Is All: The Pillow Book of Cordelia Kenn)
One of the questions that surprised me most was this: “Mommy, if Jesus comes to live inside my heart, will I explode?” “No!” I proclaimed as the children and I headed to the Nile River for a few of them to be baptized that day. Then I thought about the question a bit more. “Yes, if Jesus comes to live in your heart, you will explode.” That is exactly what we should do if Jesus comes to live inside our hearts. We will explode with love, with compassion, with hurt for those who are hurting, and with joy for those who rejoice. We will explode with a desire to be more, to be better, to be close to the One who made us.
Katie Davis (Kisses from Katie)
Give a smile always, not once a while. Life's great when you wake up and ignore the scaring nightmares you had. Forget the bitter bile; life's sweet beyond River Nile. File your teeth out and smile!
Israelmore Ayivor (Dream big!: See your bigger picture!)
No human ought to be treated as if their work didn’t matter, or their choices, or their dreams.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
The Nile knew everything,had seen the best and worst if Egypt.
Isabel Ibañez (What the River Knows (Secrets of the Nile, #1))
I was sitting in the Temple of Karnak on the Nile, as the sun was going down, and I was all alone, and the great Hypostyle Hall was full of shadows and ghosts of the past, and suddenly I heard this little voice saying "my name is Taita, write my story"… and if you believe that you'll believe anything.
Wilbur Smith (River God (Ancient Egypt, #1))
Mamá called it stubbornness, my tutors thought it a flaw. But I named it what it was: persistence.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
The more I study religion,” he wrote, “the more I am convinced that man never worshiped anyone but himself.
Candice Millard (River of the Gods: Genius, Courage, and Betrayal in the Search for the Source of the Nile)
Is this it, Whit?” I whispered. He squeezed me and pressed his lips against mine lightly. “If it is, this where I want to be.
Isabel Ibañez (What the River Knows (Secrets of the Nile, #1))
In Egypt? We’re all looking for something.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Life's always sweeter behind River Nile! Cross it; forget the days of the bitter Bile! Leave the torture behind and give a Smile! Keep smiling; Don't just do it just for a While!
Israelmore Ayivor (Daily Drive 365)
[Dialogue between Solon and an Egyptian Priest] In the Egyptian Delta, at the head of which the river Nile divides, there is a certain district which is called the district of Sais [...] To this city came Solon, and was received there with great honour; he asked the priests who were most skilful in such matters, about antiquity, and made the discovery that neither he nor any other Hellene knew anything worth mentioning about the times of old. On one occasion, wishing to draw them on to speak of antiquity, he began to tell about the most ancient things in our part of the world-about Phoroneus, who is called "the first man," and about Niobe; and after the Deluge, of the survival of Deucalion and Pyrrha; and he traced the genealogy of their descendants, and reckoning up the dates, tried to compute how many years ago the events of which he was speaking happened. Thereupon one of the priests, who was of a very great age, said: O Solon, Solon, you Hellenes are never anything but children, and there is not an old man among you. Solon in return asked him what he meant. I mean to say, he replied, that in mind you are all young; there is no old opinion handed down among you by ancient tradition, nor any science which is hoary with age.
Plato (Timaeus and Critias)
Grief was like a memory keeper.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
He eyed me warily. “Have I told you how much I live in terror of your ideas?” “That’s rude.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
I did love my dresses, but did they have to be so delicate?
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Their death was a truth that was both strange, and yet profoundly ordinary.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Inez,” he whispered, his voice hoarse, “it goes both ways.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
How melancholy a thing is success,” he would later write. “Whilst failure inspires a man, attainment reads the sad prosy lesson that all our glories ‘are shadows, not substantial things.’ 
Candice Millard (River of the Gods: Genius, Courage, and Betrayal in the Search for the Source of the Nile)
The world dimmed, narrowed to the barrel of her weapon. ‘I know you’re the type of person who would leave the safety of the camp with a near stranger, even knowing they carried a weapon.’ I backed away a step. ‘What are you playing at? Lower it.’ Isadora rolled her eyes. ‘Now you’re scared. A little too late, Inez.
Isabel Ibañez (What the River Knows (Secrets of the Nile, #1))
Tendrils of mist began to creep into the landscape, like the slow fingers of a dream. They covered the river's surface and blanketed the air so thoroughly that Musashi had to reach down with a pole to reassure himself that he was still on the Nile.
F.J. Doucet (Short Tales from Earth's Final Chapter: Book 4)
no river in North America except the Mississippi is more powerful than the Columbia; it carries a quarter-million cubic feet of water per second to the ocean, ten times the flow of the Colorado, twice the discharge of the Nile into the Mediterranean.
Timothy Egan (The Good Rain: Across Time & Terrain in the Pacific Northwest (Vintage Departures))
In Metaphysics, Aristotle wrote that Egypt is the “cradle of mathematics—that is, the country of origin for Greek mathematics.” Some historians believe that when European societies eventually began enslaving Africans, they also started downplaying the major contributions of both the ancient Nile River Valley civilizations and the kemetic culture, as well as concealing its African lineage.
Alicia Keys (More Myself: A Journey)
Egypt has been called the Gift of the Nile. Once every year the river overflows its banks, depositing a layer of rich alluvial soil on the parched ground. Then it recedes and soon the whole countryside, as far as the eye can reach, is covered with Egyptologists.
Will Cuppy (The Decline and Fall of Practically Everybody: Great Figures of History Hilariously Humbled)
I call on you, Beloved, merge with me in Love, heal this heart and teach me of all we deem Above I lose the I to find You, to drink from Endless Well, the one that seems so far when all we see is shell Pour this jug and fill it, may it overflow, may it run like river Nile, may it forever grow. Who am I without my Home, without my Source, my Love? A wanderer lost in desert land, a bird, but ... Mourning dove I've traveled long and traveled far, seeking you in skin, when all along you've been right here, calling from within
Petra Poje - Keeper of The Eye
CLEOPATRA TO THE ASP The bright mirror I braved: the devil in it Loved me like my soul, my soul: Now that I seek myself in a serpent My smile is fatal. Nile moves in me; my thighs splay Into the squalled Mediterranean; My brain hides in that Abyssinia Lost armies foundered towards. Desert and river unwrinkle again. Seeming to bring them the waters that make drunk Caesar, Pompey, Antony I drank. Now let the snake reign. A half-deity out of Capricorn, This rigid Augustus mounts With his sword virginal indeed; and has shorn Summarily the moon-horned river From my bed. May the moon Ruin him with virginity! Drink me, now, whole With coiled Egypt's past; then from my delta Swim like a fish toward Rome.
Ted Hughes (Lupercal)
I’m guessing this isn’t the Mississippi,” I said. “The River of Night,” Bloodstained Blade hummed. “It is every river and no river—the shadow of the Mississippi, the Nile, the Thames. It flows throughout the Duat, with many branches and tributaries.” “Clears that right up,” I muttered.
Rick Riordan (The Red Pyramid (The Kane Chronicles, #1))
No matter the border, the Mekong has been an indiscriminate giver and taker of life in Southeast Asia for thousands of years. It’s a paradox like civilization’s other great rivers—be it the Nile, Indus, Euphrates, Ganges or China’s Sorrow the Huang He—for without its waters life is a daily struggle for survival; yet with its waters life is a daily bet that natural disasters and diseases will visit someone else’s village, because it’s not if, but when it’s going to happen that’s the relevant question.
Tucker Elliot (The Rainy Season)
What I didn’t understand was what he actually did. Was he a treasure hunter? A student of Egyptian history? A lover of sand and blistering days out in the sun?
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Hurt pinched my heart and I tried not to think about how we might have laughed harder if she had behaved more like herself around me.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Have a care for your reputation,” he said, towering over me. “As if you care about mine,” I snapped. “I’m just a job to you.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Have you not heard of the bar at Shepheard’s? It’s legendary. The best of humanity gathered round to gossip, deal, manipulate, and inebriate
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
It begins as barely a rivulet, this, the mightiest river in the world, mightier than the Nile and the Ganges, mightier than the Mississippi and all the rivers in China.
David Grann (The Lost City of Z: A Tale of Deadly Obsession in the Amazon)
A light that filled the pit not with the scent of burning sesame oil but with the rich, wet smell of a great river that could only be the Nile.
Garth Nix (Out of the Mirror, Darkness (Into Shadow, #7))
Nevertheless the Yellow River is to China what the Nile is to Egypt – the cradle of its civilisation, where its people learnt to farm, to make paper and gunpowder.
Tim Marshall (Prisoners of Geography: Ten Maps That Tell You Everything You Need to Know About Global Politics)
You’re terribly decent,” I said. “Despite pretending to be otherwise.” “Just as long as you don’t tell anyone,” he said with a slight smile. Then he ducked out of my room.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
What game are you playing now, Whit?” I asked, unable to keep the anger from my voice. “No game,” Whit countered. “Only clearing the air. Dance with me.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
For the readers who stayed up all night agonizing over the epilogue in What the River Knows: This one is dedicated to you.
Isabel Ibañez (Where the Library Hides (Secrets of the Nile #2))
Khaemwaset’s eyes remained on the riverbank as the green confusion of spring glided by. Beyond the fecund, brilliant life of the bank with its choked river growth, its darting, piping birds, its busy insects and occasionally its sleepy grinning crocodiles, was a wealth of rich black soil in which the fellahin were struggling, knee-deep, to strew the fresh seed.
Pauline Gedge (Scroll of Saqqara)
Traveling alone was an education. I discovered I didn’t like to eat alone, reading on boats made me ill, and I was terrible at cards. But I learned that I had a knack for making friends.
Isabel Ibañez (What the River Knows (Secrets of the Nile, #1))
I won’t let him get away with it. I want him to know it was me that ruined him. The person he underestimated, the sister he believed insignificant and not smart enough to understand his work.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
I don’t have those anymore,” Mr. Hayes said matter-of-factly. “Why on earth would you think so?” A deep flush burned my cheeks. “You’ve just saved my life. We’ve dined together. You kissed me goodbye?
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
It’s like trying to explain to the Amazon River, the Mississippi, the Congo, and the Nile how the coming of the Atlantic Ocean will affect them. The first thing to understand is that river rules will no longer apply.
Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time (Dirk Gently, #3))
If love was a river, then Martha's was the Nile: enormous, life-giving, and at regular intervals capable of drowning you in murk for reasons you didn't understand. But you couldn't do without it. And no one expected you to.
Nan Willard Cappo
The Negro Speaks of Rivers I've known rivers: I've known rivers ancient as the world and older than the flow of human blood in human veins. My soul has grown deep like the rivers. I bathed in the Euphrates when dawns were young. I built my hut near the Congo and it lulled me to sleep. I looked upon the Nile and raised the pyramids above it. I heard the singing of the Mississippi when Abe Lincoln went down to New Orleans, and I've seen its muddy bosom turn all golden in the sunset. I've known rivers: Ancient, dusky rivers. My soul has grown deep like the rivers.
Langston Hughes
He knew more about my parents, truths he wouldn’t share. He drank too much and probably flirted with every woman he met. It was hard to feel special if I was just a drop in the bucket. But he had saved my life. Cared to make sure if I was comfortable. Took my side in arguments with my uncle.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
When I'm not writing, I'm thinking about writing. Filling pages and people with inspiration. When my thoughts don't want to rest on a page, we argue. We argue that one merely is ready just too comfortable playing in The Nile [denial] river. So we compromise. We grow, water metaphors and plant simile trees of golden-almond manifested love dreams. Then at that moment, we forgot what we were arguing about. Beauty can do that for you. That's the beauty of writing.
Antonia Perdu
By his account, Faquarl’s first summoning was in Jericho, 3015 BC, approximately five years before my initial appearance in Ur. This “made him, allegedly, the ‘senior’ djinni in our partnership. However, since Faquarl also swore blind he’d invented hieroglyphs by ‘doodling with a stick in the Nile river-mud’ and claimed to have devised the abacus by impaling two dozen imps along the branches of an Asiatic cedar, I regarded all his stories with a certain scepticism.
Jonathan Stroud (The Ring of Solomon (Bartimaeus, #0.5))
At this point...my body's so worn out that the important stuff just kind of washes past me. But I'll tell you what. I'll never look at home the same way again. I'll never look at education the same way again. That's what's been missing here, the whole way, from Kampala to Juba. It's education. How are you supposed to want something if you've never seen it? And we totally take that for granted. I do, anyway. So, yeah, let's give it another day, but not much more than that. 'Cause I'm tired.
Dan Morrison (The Black Nile: One Man's Amazing Journey Through Peace and War on the World's Longest River)
I’ve known rivers ancient as the world and older than the flow of human blood in human veins. My soul has grown deep like the rivers. I bathed in the Euphrates when dawns were young. I built my hut near the Congo and it lulled me to sleep. I looked upon the Nile and raised the pyramids above it. I heard the singing of the Mississippi when Abe Lincoln went down to New Orleans, and I’ve seen its muddy bosom turn all golden in the sunset. I’ve known rivers: Ancient, dusky rivers. My soul has grown deep like the rivers.
Victoria Christopher Murray (Harlem Rhapsody)
The bodily ascension of Jesus in Roman Christianity -which has not been granted to David- is a calendrical event which takes place in synchronicity with (i.e. in reference to) the solar culmination on the Summer Solstice when the Sun/Son reaches its highest point in the sky; as the circular zodiac of Dendera reveals to us through its illustrated decanic structure. The Passover on the other hand occurs - as we see on the zodiac and the decanic calendar- during the low tide of the Nile river; which is due around the time of the Winter Solstice.
Ibrahim Ibrahim (The Mill of Egypt: The Complete Series Fused)
In some cases, the materials at stake will be viewed as so essential to national survival or economic well-being that compromise is unthinkable. It is difficult, for example, to imagine that the United States will ever allow the Persian Gulf to fall under the control of a hostile power, or that Egypt will allow Sudan or Ethiopia to gain control over the flow of the Nile River. In such situations, national security considerations will always prevail over negotiated settlements that could be perceived as entailing the surrender of vital national interests.
Michael T. Klare (Resource Wars: The New Landscape of Global Conflict)
He had not colored the leaves in yet, and the trunk and its branches looked for the moment less like a tree and more like a great brown river, the Nile, the Amazon, the Benedetto and Flynn river of blood, and there at its isthmus was this one child, so that it seemed that all of these people, from Poland, from Italy, from Ireland and the Bronx and Brooklyn, had come together for no other reason than to someday produce Robert Benedetto, in an event as meant, as important as that one in Bethlehem that he had learned about in catechism class at St. Stannie's.
Anna Quindlen (Black and Blue)
Unlike most mathematical discoveries, however, no one was looking for a theory of groups or even a theory of symmetries when the concept was discovered. Quite the contrary; group theory appeared somewhat serendipitously, out of a millenia-long search for a solution to an algebraic equation. Befitting its description as a concept that crystallized simplicity out of chaos, group theory was itself born out of one of the most tumultuous stories in the history of mathematics. Almost four thousand years of intellectual curiosity and struggle, spiced with intrigue, misery, and persecution, culminated in the creation of the theory in the nineteenth century. This amazing story, chronicled in the next three chapters, began with the dawn of mathematics on the banks of the Nile and Euphrates rivers.
Mario Livio (The Equation That Couldn't Be Solved: How Mathematical Genius Discovered the Language of Symmetry)
Teacher, where will I come to if I start walking that way?" ... and I pointed. He laughed. "Little man," he said, "that way is North. If you start walking that way and just keep on walking, and your legs don't give in, you will see all of Africa! Yes, Africa, little man! You will see the great rivers of the continent: The Vaal, the Zambezi, the Limpopo, the Congo, and then the mighty Nile. You will see the mountains: the Drakensburg, Kilimanjaro, Kenya, and the Ruwenzori. And you will meet all our brothers: the little Pygmies of the forests, the proud Masai, the Watusi ... tallest of the tall, and the Kikuyu standing on one leg like herons in a pond waiting for a frog. " "Has teacher seen all that?" I asked, "No," he said. "Then how does teacher know it's there?" "Because it is all in the books and I have read the books and if you work hard in school, little man, you can do the same without worrying about your legs giving in.
Athol Fugard (My Children! My Africa!)
Seven days west of Katañga flows another Lualaba, the dividing line between Rua and Lunda or Londa; it is very large, and as the Lufira flows into Chibungo, it is probable that the Lualaba West and the Lufira form the Lake. Lualaba West and Lufira rise by fountains south of Katañga, three or four days off. Luambai and Lunga fountains are only about ten miles distant from Lualaba West and Lufira fountains: a mound rises between them, the most remarkable in Africa. Were this spot in Armenia it would serve exactly the description of the garden of Eden in Genesis, with its four rivers, the Gihon, Pison, Hiddekel, and Euphrates; as it is, it possibly gave occasion to the story told to Herodotus by the Secretary of Minerva in the City of Saïs, about two hills with conical tops, Crophi and Mophi. "Midway between them," said he, "are the fountains of the Nile, fountains which it is impossible to fathom: half the water runs northward into Egypt; half to the south towards Ethiopia.
David Livingstone (The Last Journals of David Livingstone, in Central Africa, from 1865 to His Death: 1869-1873)
In 1498, Vasco da Gama the Portuguese navigator explored this eastern coast of Africa flanking the Indian Ocean. This led him to open a trade route to Asia and occupy Mozambique to the Portuguese colony. In 1840, it came under the control of the Sultan of Zanzibar and became a British protectorate in 1895, with Mombasa as its capital. Nairobi, lying 300 miles to the northwest of Mombasa is the largest city in Kenya. It became the capital in 1907 and is the fastest growing urban area in the Republic having become independent of the United Kingdom on December 12, 1963 and declared a republic the following year on December 12, 1964. Kenya is divided by the 38th meridian of longitude into two very different halves. The eastern half of Kenya slopes towards the coral-backed seashore of the Indian Ocean while the western side rises through a series of hills to the African Shear Zone or Central Rift. West of the Rift, the lowest part of a westward-sloping plateau contains Lake Victoria. This, the largest lake in Africa, receives most of its water from rain, the Kagera River and countless small streams. Its only outlet is the White Nile River which is part of the longest river on Earth. Combined, the Blue Nile and the White Nile, stretches 4,160 miles before emptying into the Mediterranean Sea.
Hank Bracker
The United States dollar took another pounding on German, French, and British exchanges this morning, hitting the lowest point ever known in West Germany. It has declined there by 41% since 1971, and this Canadian thinks it is time to speak up for the Americans as the most generous, and possibly the least-appreciated, people in all the earth. As long as sixty years ago, when I first started to read newspapers, I read of floods on the Yellow River and the Yangtze. Well who rushed in with men and money to help? The Americans did, that's who. They have helped control floods on the Nile, the Amazon, the Ganges, and the Niger. Today, the rich bottom land of the Mississippi is under water and no foreign land has sent a dollar to help. Germany, Japan, and, to a lesser extent, Britain and Italy, were lifted out of the debris of war by the Americans who poured in billions of dollars and forgave other billions in debts. None of those countries is today paying even the interest on its remaining debts to the United States. When the franc was in danger of collapsing in 1956, it was the Americans who propped it up, and their reward was to be insulted and swindled on the streets of Paris. And I was there -- I saw that. When distant cities are hit by earthquake, it is the United States that hurries into help, Managua,
David Nordmark (America: Understanding American Exceptionalism (America, democracy in america, politics in america Book 1))
The river’s isolation and secrecy, however, were only part of what made it superlative. There was also its vertical drop. The Colorado’s watershed encompasses a series of high-desert plateaus that stretch across the most austere and hostile quarter of the West, an area encompassing one-twelfth the landmass of the continental United States, whose breadth and average height are surpassed only by the highlands of Tibet. Each winter, storms lumbering across the Great Basin build up a thick snowpack along the crest of the mountains that line the perimeter of this plateau—an immense, sickle-shaped curve of peaks whose summits exceed fourteen thousand feet. As the snowmelt cascades off those summits during the spring and spills toward the Sea of Cortés, the water drops more than two and a half miles. That amounts to eight vertical feet per horizontal mile, an angle that is thirty-two times steeper than that of the Mississippi. The grade is unequaled by any major waterway in the contiguous United States and very few long stretches of river beyond the Himalayas. (The Nile, in contrast, falls only six thousand feet in its entire four-thousand-mile trek to the Mediterranean.) Also unlike the Nile, whose discharge is generated primarily by rain, the engine that drives almost all of this activity is snow. This means that the bulk of the Colorado’s discharge tends to come down in one headlong rush. Throughout the autumn and the winter, the river might trickle through the canyonlands of southern Utah at a mere three thousand cubic feet per second. With the melt-out in late May and early June, however, the river’s flow can undergo spectacular bursts of change. In the space of a week, the level can easily surge to 30,000 cfs, and a few days after that it can once again rocket up, surpassing 100,000 cfs. Few rivers on earth can match such manic swings from benign trickle to insane torrent. But the story doesn’t end there, because these savage transitions are exacerbated by yet another unusual phenomenon, one that is a direct outgrowth of the region’s unusual climate and terrain. On
Kevin Fedarko
Show me." He looks at her, his eyes darker than the air. "If you draw me a map I think I'll understand better." "Do you have paper?" She looks over the empty sweep of the car's interior. "I don't have anything to write with." He holds up his hands, side to side as if they were hinged. "That's okay. You can just use my hands." She smiles, a little confused. He leans forward and the streetlight gives him yellow-brown cat eyes. A car rolling down the street toward them fills the interior with light, then an aftermath of prickling black waves. "All right." She takes his hands, runs her finger along one edge. "Is this what you mean? Like, if the ocean was here on the side and these knuckles are mountains and here on the back it's Santa Monica, Beverly Hills, West L.A., West Hollywood, and X marks the spot." She traces her fingertips over the backs of his hands, her other hand pressing into the soft pads of his palm. "This is where we are- X." "Right now? In this car?" He leans back; his eyes are black marble, dark lamps. She holds his gaze a moment, hears a rush of pulse in her ears like ocean surf. Her breath goes high and tight and shallow; she hopes he can't see her clearly in the car- her translucent skin so vulnerable to the slightest emotion. He turns her hands over, palms up, and says, "Now you." He draws one finger down one side of her palm and says, "This is the Tigris River Valley. In this section there's the desert, and in this point it's plains. The Euphrates runs along there. This is Baghdad here. And here is Tahrir Square." He touches the center of her palm. "At the foot of the Jumhurriya Bridge. The center of everything. All the main streets run out from this spot. In this direction and that direction, there are wide busy sidewalks and apartments piled up on top of shops, men in business suits, women with strollers, street vendors selling kabobs, eggs, fruit drinks. There's the man with his cart who sold me rolls sprinkled with thyme and sesame every morning and then saluted me like a soldier. And there's this one street...." He holds her palm cradled in one hand and traces his finger up along the inside of her arm to the inner crease of her elbow, then up to her shoulder. Everywhere he touches her it feels like it must be glowing, as if he were drawing warm butter all over her skin. "It just goes and goes, all the way from Baghdad to Paris." He circles her shoulder. "And here"- he touches the inner crease of her elbow-"is the home of the Nile crocodile with the beautiful speaking voice. And here"- his fingers return to her shoulder, dip along their clavicle-"is the dangerous singing forest." "The dangerous singing forest?" she whispers. He frowns and looks thoughtful. "Or is that in Madagascar?" His hand slips behind her neck and he inches toward her on the seat. "There's a savanna. Chameleons like emeralds and limes and saffron and rubies. Red cinnamon trees filled with lemurs." "I've always wanted to see Madagascar," she murmurs: his breath is on her face. Their foreheads touch. His hand rises to her face and she can feel that he's trembling and she realizes that she's trembling too. "I'll take you," he whispers.
Diana Abu-Jaber (Crescent)
The twanging of life Thirteenth part : The essence of the beauty is unity in variety We are only able to contempt and treat people in a bad way, when we forget that the other person belongs to us and to the society as well as we too, when we only forget that in the form of doing the action, there is a strong relationship between the subject and the object so avarice, violence, egoism, sadness and looking at others as pawns of market's chess to get money arise from losing their unity, from forgetting their spirit of cooperation and collaboration and then starting perceiving others in terms of their individual differences. A humanitarian action that isn't intended to be done can make a huge storm of humanity, a single word can give people the feeling of unity, just like every time when a person passes by you and you say for him "السلام عليكم" both of you start to feel like there is a candle within both of you turning into clemency, the more love, the more mercy and the more salaam you show on your face the more light is reflected form that candle, you should start thinking that, greeting the people is proclamations of peace, every time you say "السلام عليكم" to a stranger your heart admits over and over again that we are all united, what I am trying to say is, in your heart's deepest place where the onus of your ego are fallen to pieces and the enigma of your soul is infiltrated, you find the awareness isn't different in any way from what all others may find, the mutuality of Sudanese people is appeared as the sun in the morning but only when our own humanness is surpassed our own dishumanness by accepting that we are all one in the fact that we are all made of diversified differences. We are all equal in the fact that our own society is made by different tribes, we are all the same in the fact that we will never have the same colour, life, thinking, dreams, feelings and luxury, we are united by the reality that Sudan is able to combine all colours, all cultures, all tribes and all of us in the fact that every one believes his tribe and culture are distinguished and individual, we are compatible in the reality that we are all recaptured to this country by the same history, the same conditions of living and the longest river in the world that all of them together give us a light to shine the darkness that covers the sky to allow for us to walk as one hand in the right direction, we don't share the colours but we share the blood, we aren't equal in existence of happiness but we drink River Nile's water that keeps us alive, we are different in existence of tribes but we share the same air that is blended by our breath, so I am you as much as I am me and you are me as much as I am you. Finally swingeing internal ructions and overmuch narcissism of a society devastate the tissue of its unity, not the differences of that society, Lord Robin said that unity begins at home within family is the strength to survive and win the fight of life.
Omer Mohamed
I know Sudan is far from the perfect country and I am not the type to mistake a streetlight for the moon. I know our wounds are deep as The River Nile .. but every river has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands .. to wake the music in our bones .. to place one fearless kiss on the mouth of that new born river that has to run through the center of our hearts to find its way home .
Omer Mohamed
onto a bus with an eager group of American and British tourists decked out in plaid shorts and sun hats and made the fourteen-kilometer trip from the hotel, across the Nile River,
James Patterson (Danger Down The Nile (Treasure Hunters, #2))
There are many Christians who reverence the faith of Islam and yet regard the Mahdi merely as a commonplace religious impostor whom force of circumstances elevated to notoriety. In a certain sense, this may be true. But I know not how a genuine may be distinguished from a spurious Prophet, except by the measure of his success. The triumphs of the Mahdi were in his lifetime far greater than those of the founder of the Mohammedan faith; and the chief difference between orthodox Mohammedanism and Mahdism was that the original impulse was opposed only by decaying systems of government and society and the recent movement came in contact with a mighty civilisation and the machinery of science. Recognising this,I do not share the popular opinion, and I believe that if in future years prosperity should come to the peoples of the Upper Nile, and learning and happiness follow in its train, then the first Arab historian who shall investigate the early annals of that new nation, will not forget, foremost among the heroes of his race, to write the name of Mohammed Ahmed .
Winston Churchill (The River War)
The River Between, by James Ngugi (later Ngugi wa Thiongo), redoes Heart of Darkness by inducing life into Conrad’s river on the very first page. ‘The river was called Honia, which meant cure, or bring-back-to-life. Honia river never dried: it seemed to possess a strong will to live, scorning droughts and weather changes. And it went on in the very same way, never hurrying, never hesitating. People saw this and were happy.’51 Conrad’s images of river, exploration, and mysterious setting are never far from our awareness as we read, yet they are quite differently weighted, differently—even jarringly—experienced in a deliberately understated, self-consciously unidiomatic and austere language. In Ngugi the white man recedes in importance—he is compressed into a single missionary figure emblematically called Livingstone—although his influence is felt in the divisions that separate the villages, the riverbanks, and the people from one another. In the internal conflict ravaging Waiyaki’s life, Ngugi powerfully conveys the unresolved tensions that will continue well after the novel ends and that the novel makes no effort to contain. A new pattern, suppressed in Heart of Darkness, appears, out of which Ngugi generates a new mythos, whose tenuous course and final obscurity suggest a return to an African Africa. And in Tayb Salih’s Season of Migration to the North, Conrad’s river is now the Nile, whose waters rejuvenate its peoples, and Conrad’s first-person British narrative style and European protagonists are in a sense reversed, first through the use of Arabic; second in that Salih’s novel concerns the northward voyage of a Sudanese to Europe; and third, because the narrator speaks from a Sudanese village.
Edward W. Said (Culture and Imperialism)
The dog that refuses the Governmental crumb shall never be allowed by a retributive destiny to pound with his teeth the Governmental loaf.
Candice Millard (River of the Gods: Genius, Courage, and Betrayal in the Search for the Source of the Nile)
But I know how much you love it when I write about you,” he teases, squeezing my fingers. “So this is my heart given to you in the words I wrote.” His smile fades until his mouth rests in a sober line. “My heart given to you completely,” he adds so softy, I’m not sure the congregation hears before he launches into what he has prepared. “It’s called ‘Still.’” You ask me today if I love you, if I take you as my own to have and to hold, and my heart replies yes. Always, evermore, even after. Still. Not just today before a crowd, but when we are alone, you and I, through years, through pain, My heart will answer again and again, still. Ask me in a million seconds, ask me in a billion years, Do you love me? And I will say still. Ask me when we toil, when we rest, when we fuss and fight. With the taste of anger burning my lips, I will say still. Ask me when your belly is full like the moon, and our love has stretched your body with my child, leaving your skin, once flawless, now silvered, traced, scarred, I will worship you. My eyes will never stray. My heart will never wander, gladly leashed to you all my days. I am fixed on you. Our love is a great river, the Amazon, the Nile, the river Euphrates, and my heart is a violent churning in my chest, swimming upstream, defying every odd, accepting any dare To reach you. To rush you, to hold you, to keep you. You ask me if I love you? God, yes. My lover, you are the single star in a universe void before you came. And when the years have passed, and we have watched a thousand sunsets, and we are bent, our bodies crooked with age ask me again. In the twilight, in the shadow of the life we have shared, ask me if I love you, and my heart will answer before my lips can part. My love, my life, my heart never left your hands. Always, evermore, even after. Still.
Kennedy Ryan (Grip Trilogy Box Set (Grip, #0.5-2))
So the Yellow River is a constant, unpredictable and often terrifying character in the story of China, nothing like the benign life-bearing flood of the Egyptian Nile, whose rising was celebrated each year with unerring predictability on 15 August, or the Tigris in Mesopotamia, whose summer rising was greeted into the twentieth century with liturgies and food offerings, even in Muslim households.
Michael Wood (The Story of China: A portrait of a civilisation and its people)
At the moment she was reading a story about an archaeologist who had uncovered a plot to kill an Egyptian nobleman when he read the hieroglyphics in a previously unopened tomb in the Valley of the Kings. They revealed a curse on the nobleman’s family through time, all the way back to Ramesses. She’d had a marvellous time reading up about the tombs across the Nile from Luxor in Egypt and saw some truly graphic pictures of people who were now blind because of the river blindness caused by the blackfly there.
Jean Grainger (Last Port of Call)
For a year, he’d been carrying the guilt of something that wasn’t his. It had burdened him when it wasn’t his to own. I understood why he hid behind a mask that tried to convince everyone that he didn’t care about the world or what happened to it.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
My parents chose her and my two cousins to keep me company during their monthslong travels, and my aunt meant well, but sometimes her iron ways grated.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
My aunt and cousins loved Buenos Aires, a glamorous city with its European-style architecture and wide avenues and cafés. My father’s side of the family hailed from Spain originally, and they came to Argentina nearly a hundred years ago, surviving a harrowing journey but ultimately making a success in the railroad industry.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Well, of course you do. You’ll do whatever Inez says or wants,” my aunt muttered, exasperated. “What did I say about nosy ladies who can’t mind their own business? Amaranta never gives me this much trouble.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Mamá and Papá were fantastic storytellers, spinning words into tales, creating woven masterpieces that were immersive and unforgettable.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Driving along the highway from the airport, they had passed mile upon mile of grain elevators, marking the most productive land in Mexico, but when they reached the place where Google Maps said the river should be, there was nothing but a dusty, toxic-looking trickle. The river — that great, fertile river that the first Spaniards had compared to the Nile — had been dammed long ago, diverted by a huge aqueduct to the factories in Hermosillo and Ciudad Obregón, and all that remained in the traditional villages was polluted, unsafe for irrigation or to drink.
Anna Hope (The White Rock)
Are you all right?” I didn’t know how to answer that question. My words came out hushed. “I’m not hurt.” But I wasn’t all right.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Mr. Hayes, whatever you and my uncle are—” “What’s legal and illegal in this country is very fluid, Señorita Olivera.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
That was the smile I didn’t trust—I just knew it came with consequences. He was the kind of person who could charm someone while robbing them blind.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
I deplored empty conversation and my uncle clearly had a reason for dining with people he didn’t seem to like. I wasn’t going to let my presence distract him from what he was after.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
I sensed his profound dislike of the two men. It was in the way he clutched his flatware, the way the corners of his eyes tightened whenever either Monsieur Maspero or Sir Evelyn spoke.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
And the money will eventually end up in Britain. Isn’t that how it works, Sir Evelyn?
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
I notice how you don’t mention how Ismail Pasha sank Egypt into debt,” Sir Evelyn said dryly. “He’s the reason for Europe’s involvement in this country’s affairs. Egypt must pay back what it owes.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Have you forgotten what you do for a living, Mr. Marqués?” Sir Evelyn asked. “You’re a treasure hunter like all the rest of them, and a terrible one at that. Bleeding money every month.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
His shoulders were too broad, his hands too calloused and rough to detract from his ruffian appearance. He seemed like the sort to survive a bar fight.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
He thrived in academia, quite at home in a library, but was scrappy enough to survive a bar fight.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
But I kept quiet in case Elvira was with her older sister, Amaranta.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Doesn’t he look as if he’d win a fistfight?” Her voice had taken on a dreamlike quality.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Very little,” I admitted. “I’ve read Shakespeare.” “And you shall see in him, the triple pillar of the world transformed into a strumpet’s fool,
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Civilizations never start off as civilizations. Like Sumer, Egypt sprouted from a cluster of river settlements. Sumer had the Tigris and Euphrates, and Egypt had the Nile.
Tom Head (World History 101: From ancient Mesopotamia and the Viking conquests to NATO and WikiLeaks, an essential primer on world history (Adams 101 Series))
The most important mystery of ancient Egypt was presided over by a priesthood. That mystery concerned the annual inundation of the Nile flood plain. It was this flooding which made Egyptian agriculture, and therefore civilisation, possible. It was the centre of their society in both practical and ritual terms for many centuries; it made ancient Egypt the most stable society the world has ever seen. The Egyptian calendar itself was calculated with reference to the river, and was divided into three seasons, all of them linked to the Nile and the agricultural cycle it determined: Akhet, or the inundation, Peret, the growing season, and Shemu, the harvest. The size of the flood determined the size of the harvest: too little water and there would be famine; too much and there would be catastrophe; just the right amount and the whole country would bloom and prosper. Every detail of Egyptian life was linked to the flood: even the tax system was based on the level of the water, since it was that level which determined how prosperous the farmers were going to be in the subsequent season. The priests performed complicated rituals to divine the nature of that year’s flood and the resulting harvest. The religious elite had at their disposal a rich, emotionally satisfying mythological system; a subtle, complicated language of symbols that drew on that mythology; and a position of unchallenged power at the centre of their extraordinarily stable society, one which remained in an essentially static condition for thousands of years. But the priests were cheating, because they had something else too: they had a nilometer. This was a secret device made to measure and predict the level of flood water. It consisted of a large, permanent measuring station sited on the river, with lines and markers designed to predict the level of the annual flood. The calibrations used the water level to forecast levels of harvest from Hunger up through Suffering through to Happiness, Security and Abundance, to, in a year with too much water, Disaster. Nilometers were a – perhaps the – priestly secret. They were situated in temples where only priests were allowed access; Herodotus, who wrote the first outsider’s account of Egyptian life the fifth century BC, was told of their existence, but wasn’t allowed to see one. As late as 1810, thousands of years after the nilometers had entered use, foreigners were still forbidden access to them. Added to the accurate records of flood patters dating back centuries, the nilometer was an essential tool for control of Egypt. It had to be kept secret by the ruling class and institutions, because it was a central component of their authority. The world is full of priesthoods. The nilometer offers a good paradigm for many kinds of expertise, many varieties of religious and professional mystery. Many of the words for deliberately obfuscating nonsense come from priestly ritual: mumbo jumbo from the Mandinka word maamajomboo, a masked shamanic ceremonial dancer; hocus pocus from hoc est corpus meum in the Latin Mass. On the one hand, the elaborate language and ritual, designed to bamboozle and mystify and intimidate and add value; on the other the calculations that the pros make in private. Practitioners of almost every métier, from plumbers to chefs to nurses to teachers to police, have a gap between the way they talk to each other and they way they talk to their customers or audience. Grayson Perry is very funny on this phenomenon at work in the art world, as he described it in an interview with Brian Eno. ‘As for the language of the art world – “International Art English” – I think obfuscation was part of its purpose, to protect what in fact was probably a fairly simple philosophical point, to keep some sort of mystery around it. There was a fear that if it was made understandable, it wouldn’t seem important.
John Lanchester (How to Speak Money: What the Money People Say — And What It Really Means)
Your curiosity will get you in trouble one day.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
Frost Fairs nearly a century ago, when the entire Thames would freeze solid and merchants would move out onto the river with their carts and makeshift booths and stay there for weeks.
Will Thomas (Heart of the Nile (Barker Llewelyn #14))
Her beauty doesn’t turn my head, trust me. I have zero intention of courting her.” “Inez is off-limits to you,” my uncle pressed. “She’s my niece, do you understand?
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
I stare at many pretty ladies, Olivera. Don’t make anything of it,” he said, but the words came out stern, without their usual teasing lilt.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))
It was as if Cleopatra had left an imprint of herself behind, a woman who had lived over two millennia ago. I could feel her presence and her emotions. She was alluring and earthy, a woman who knew how to provoke, a woman who knew how to lead.
Isabel Ibañez (What the River Knows (Secrets of the Nile #1))