Risen Sun Quotes

I believe in Christianity as I believe that the sun has risen: not only because I see it, but because by it I see everything else.

The risen sun too bright in her losing eyes.

I'm anything but fine. I feel like the sun has set and not risen for five days, Ana. I'm in perpetual night here".

I believe in that line from An Imperial Affliction. 'The risen sun too bright in her losing eyes.' That's God, I think, the rising sun, and the light is too bright and her eyes are losing but they aren't lost.

It's hard as hell to hold on to your dignity when the risen sun is too bright in your losing eyes, and that's what I was thinking about as we hunted for bad guys through the ruins of a city that didn't exist.

WHAT WOULD HAVE HAPPENED IF YOU HADN'T SAVED HIM? "Yes! The sun would have risen just the same, yes?" NO "Oh, come on. You can't expect me to believe that. It's an astronomical fact." THE SUN WOULD NOT HAVE RISEN. ... "Really? Then what would have happened, pray?" A MERE BALL OF FLAMING GAS WOULD HAVE ILLUMINATED THE WORLD.

It’s hard as hell to hold on to your dignity when the risen sun is too bright in your losing eyes

The sun rises every day. What is to love? Lock the sun in a box. Force the sun to overcome adversity in order to rise. Then we will cheer! I will often admire beautiful sunrise, but I will never consider the sun a champion for having risen.

It's hard as hell to hold onto your dignity when the risen sun is too bright in your losing eyes, and that's what I was thinking about as we hunted for bad guys through the ruins of a city that didn't exist.

How long does a building stand before it falls? How long does a contract last? How long will brothers share the inheritance before they quarrel? How long does hatred, for that matter, last? Time after time the river has risen and flooded. The insect leaves the cocoon to live but a minute. How long is the eye able to look at the sun? From the very beginning nothing at all has lasted.

The sun has just risen, weak and watery-looking, like it had just spilled itself over the horizon and is too lazy to clean itself up.

It was five o’clock when the stupid rooster started crowing relentlessly, robbing me of my sleep. The sun hadn’t even risen yet. Dumbass bird should be on Prozac.

Life has moments that feel as if the sun has blackened to tar and the entire world turned to ice.  It feels as if Hades and his vile demons have risen from the depths of Tartarus solely for the purpose of banding to personally torture you, and that their genuine intent of mental, emotional, and spiritual anguish is tearing you to shreds.  Your heart weighs as heavily as leaden legs which you would drag yourself forward with if not for the quicksand that pulls you down inch by inch, paralyzing your will and threatening oblivion.  And all the while fire and brimstone pour from the sky, pelting only you.   Truly, that is what it feels like. But that feeling is a trial that won't last forever.  Never give up.

I feel the sun has set and not risen for days..I'm in perpetual night here.

The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as with think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the light is not a part of the down itself as the hide is part of the horse itself. We take daylight for granted. But moonlight is another matter. It is inconstant. The full moon wanes and returns again. Clouds may obscure it to an extent to which they cannot obscure daylight. Water is necessary to us, but a waterfall is not. Where it is to be found it is something extra, a beautiful ornament. We need daylight and to that extent it us utilitarian, but moonlight we do not need. When it comes, it serves no necessity. It transforms. It falls upon the banks and the grass, separating one long blade from another; turning a drift of brown, frosted leaves from a single heap to innumerable flashing fragments; or glimmering lengthways along wet twigs as though light itself were ductile. Its long beams pour, white and sharp, between the trunks of trees, their clarity fading as they recede into the powdery, misty distance of beech woods at night. In moonlight, two acres of coarse bent grass, undulant and ankle deep, tumbled and rough as a horse's mane, appear like a bay of waves, all shadowy troughs and hollows. The growth is so thick and matted that event the wind does not move it, but it is the moonlight that seems to confer stillness upon it. We do not take moonlight for granted. It is like snow, or like the dew on a July morning. It does not reveal but changes what it covers. And its low intensity---so much lower than that of daylight---makes us conscious that it is something added to the down, to give it, for only a little time, a singular and marvelous quality that we should admire while we can, for soon it will be gone again.

The risen sun too bright in her losing eyes. That's God, I think, the rising sun and the light is too bright and her eyes are losing but they aren't lost. I don't believe we return to haunt or comfort the living or anything, but I think something becomes of us.

Falling in love slowly is like awakening one morning to find that the sun has risen in the west.

The sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually.

I leaned forward. “How did I turn out? Are you proud of the monster you made?” Roland smiled. Hugh and Landon were right. It was like the sun had risen. Like digging a hole in your backyard and finding a glittering jewel in the dirt. “Child, my dangerous one, my beautiful one. You’ve claimed your city. You shouldn’t have been able to do that for another hundred years. I’m so proud that my pride could topple mountains. If you let me, I would show you to the world. I would show the world to you.” “So I could see it through your eyes?” “So you could see it through your own.

I think something more mysterious might be happening, less articulate than any of the captioned and numeraled drawings in the 'The Spiritist's Telegraph.' Mothers burning inside the risen suns of their children.

Yes," Shannon said calmly. "I could have died. But so what? The stars would have come out tonight and the sun would have risen tomorrow morning. The only difference would be that I wouldn't see it." Shannon to Whip.

The Golden Light that will be diffused throughout all the happy world from the rays of the risen sun of Socialism.

It's hard as hell to hold on to your dignity when the risen sun is too bright in your eyes.

Now because 18 months ago the first dawn, 3 months ago broad daylight but a very few days ago the full sun of the most highly remarkable spectacle has risen — nothing holds me back. I can give myself up to the sacred frenzy, I can have the insolence to make a full confession to mortal men that I have stolen the golden vessel of the Egyptians to make from them a tabernacle for my God far from the confines of the land of Egypt. If you forgive me I shall rejoice; if you are angry, I shall bear it; I am indeed casting the die and writing the book, either for my contemporaries or for posterity to read, it matters not which: let the book await its reader for a hundred years; God himself has waited six thousand years for his work to be seen.

There was love, a reliable and real love grown in a handful of days, and Tristan did not know why it was: friendship had happened to both of them, on the sudden, completely aside from Tristan's both endangering and saving Crissand's life. It was no reason related to that, it was no reason that either of them quite knew. Crissand had simply risen on his horizon like the sun of his banner...and that was that....They were together, and there was a great deal right with the day simply in that.

The sun of that chilishness goes on shining even when the larger bodies of hotter stars have risen to smelt you and cover you with their influence. The recenter stars may be more critical, more in the eye, but that earlier sun still remains a long time.

I believe in Christianity as I believe that the Sun has risen, not only because I see it, but because by it I see everything else.

Once upon a time the sun hadn’t risen without her thinking about Nick’s smile, and the wind hadn’t blown without it whispering his name.

Mothers burning inside the risen suns of their children.

It’s hard as hell to hold on to your dignity when the risen sun is too bright in your losing eyes,

I heard the footsteps of my fathers steel-toed boots as he left before the sun had risen and I thought for a moment that I took for granted how hard he works How dedicated he is

I looked through the Gideon Bible in my motel room for tales of great destruction. The sun was risen upon the Earth when Lot entered into Zo-ar, I read. Then the Lord rained upon Sodom and upon Gomorrah brimstone and fire from the Lord out of Heaven; and He overthrew those cities, and all the plain, and all the inhabitants of the cities, and that which grew upon the ground. So it goes. Those were vile people in both those cities, as is well known. The World was better off without them. And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned to a pillar of salt. So it goes.

Adjusting to a world that is continually inconsistent and untrustworthy is a major problem for the borderline. The borderline’s universe lacks pattern and predictability. Friends, jobs, and skills can never be relied upon. The borderline must keep testing and retesting all of these aspects of his life; he is in constant fear that a trusted person or situation will change into the total opposite—absolute betrayal. A hero becomes a devil; the perfect job becomes the bane of his existence. The borderline cannot conceive that individual or situational object constancy can endure. He has no laurels on which to rest. Every day he must begin anew trying desperately to prove to himself that the world can be trusted. Just because the sun has risen in the East for thousands of years does not mean it will happen today. He must see it for himself each and every day. CASE

Songs of the Soul On a dark night, Inflamed by love-longing - O exquisite risk! - Undetected I slipped away. My house, at last, grown still. Secure in the darkness, I climbed the secret ladder in disguise - O exquisite risk! - Concealed by the darkness. My house, at last, grown still. That sweet night: a secret. Nobody saw me; I did not see a thing. No other light, no other guide Than the one burning in my heart. This light led the way More clearly than the risen sun To where he was waiting for me - The one I knew so intimately - In a place where no one could find us. O night, that guided me! O night, sweeter than sunrise! O night, that joined lover with Beloved! Lover transformed in Beloved! Upon my blossoming breast, Which I cultivated just for him, He drifted into sleep, And while I caressed him, A cedar breeze touched the air. Wind blew down from the tower, Parting the locks of his hair. With his gentle hand He wounded my neck And all my senses were suspended. I lost myself. Forgot myself. I lay my face against the Beloved's face. Everything fell away and I left myself behind, Abandoning my cares Among the lilies, forgotten.

She hesitated slightly. “I’ve seen what was called telekinesis with dice—but I’m no mathematician and I could not testify that what I saw was telekinesis.” “Hell’s bells, you wouldn’t testify that the sun had risen if the day was cloudy.

Early one morning, before the sun had fully risen over the horizon, he sent two messengers on horseback, each to deliver the royal decree to Laird Armstrong and Laird Montgomery. He only hoped to hell that they didn’t kill each other at the wedding.

The sunrise flickers against the sky in shades of gore as the night is eaten away, scavenged clean by the circling rooks. The light is painful against window and roof-tile, for if there was any scrap of mercy in this old cold earth, the sun would not have risen again.

Appearances can be deceptive,” he says quietly. “I’m anything but fine. I feel like the sun has set and not risen for five days, Ana. I’m in perpetual night here.

Its hard as hell to hold on to your dignity when the risen sun is too bright in your losing eyes.

risen sun too bright in her losing eyes,

Dawn broke over Ellingham Academy in a swirl of rose pink going into a bloodless blue. Stevie watched the newly risen sun come up over the Great House like a celestial game of peekaboo.

The truly religious person controls nothing, represses nothing. If you are a truly religious person you try to understand, not to control. You become more meditative, you watch your anger, your sex, your greed, your jealousy, your possessiveness. You watch all these poisonous things that surround you, simply watch, try to understand what anger is, and in that very understanding you transcend. You become a witness, and in that witnessing the anger melts as if the sun has risen and the snow has started melting. Understanding

NOVEMBER Now chill & grey November Come slowly o'er the plain, Drearily the winter wind Sings songs of future pain. Wrapped closely in deep grey, She scarcely will let pass A little ray of sun To cheer the sodden grass. She scatters with her hand The leaves dried up and brown, The few that yet remain From gay October's crown. Her eyes and dark and sad, Sad for the dying year, And often in the mist There falls a silent tear. Beneath a cheerless sky The trees are standing bare, The fog has risen thick And she is no more there.

Hush!’ said the Cabby. They all listened. In the darkness something was happening at last. A voice had begun to sing. It was very far away and Digory found it hard to decide from what direction it was coming. Sometimes it seemed to come from all directions at once. Sometimes he almost thought it was coming out of the earth beneath them. Its lower notes were deep enough to be the voice of the earth herself. There were no words. There was hardly even a tune. But it was, beyond comparison, the most beautiful noise he had ever heard. It was so beautiful he could hardly bear it… ‘Gawd!’ said the Cabby. ‘Ain’t it lovely?’ Then two wonders happened at the same moment. One was that the voice was suddenly joined by other voices; more voices than you could possibly count. They were in harmony with it, but far higher up the scale: cold, tingling, silvery voices. The second wonder was that the blackness overhead, all at once, was blazing with stars. They didn’t come out gently one by one, as they do on a summer evening. One moment there had been nothing but darkness; next moment a thousand, thousand points of light leaped out – single stars, constellations, and planets, brighter and bigger than any in our world. There were no clouds. The new stars and the new voices began at exactly the same time. If you had seen and heard it , as Digory did, you would have felt quite certain that it was the stars themselves who were singing, and that it was the First Voice, the deep one, which had made them appear and made them sing. ‘Glory be!’ said the Cabby. ‘I’d ha’ been a better man all my life if I’d known there were things like this.’ …Far away, and down near the horizon, the sky began to turn grey. A light wind, very fresh, began to stir. The sky, in that one place, grew slowly and steadily paler. You could see shapes of hills standing up dark against it. All the time the Voice went on singing…The eastern sky changed from white to pink and from pink to gold. The Voice rose and rose, till all the air was shaking with it. And just as it swelled to the mightiest and most glorious sound it had yet produced, the sun arose. Digory had never seen such a sun…You could imagine that it laughed for joy as it came up. And as its beams shot across the land the travellers could see for the first time what sort of place they were in. It was a valley through which a broad, swift river wound its way, flowing eastward towards the sun. Southward there were mountains, northward there were lower hills. But it was a valley of mere earth, rock and water; there was not a tree, not a bush, not a blade of grass to be seen. The earth was of many colours: they were fresh, hot and vivid. They made you feel excited; until you saw the Singer himself, and then you forgot everything else. It was a Lion. Huge, shaggy, and bright it stood facing the risen sun. Its mouth was wide open in song and it was about three hundred yards away.

Out here the sun hangs as wonderfully fat in the sky as it did in Florence, but it doesn’t scorch. It soaks into the hills like oil into thick, well-risen bread, and we spread ourselves across them like happy little figs.

It was even better than yesterday, partly because everyone was feeling so fresh, and partly because the newly risen sun was at their backs and, of course, everything looks nicer when the light is behind you. It was a wonderful ride.

The risen sun too bright in her losing eyes’ “That’s God, I think, the rising sun, and the light is too bright and her eyes are losing but they aren’t lost. I don’t believe we return to haunt or comfort the living or anything, but I think something becomes of us.

The risen sun too bright in her losing eyes.' That's God, I think, the rising sun, and the light is too bright and her eyes are losing but they aren't lost. I don't believe we return to haunt or comfort the living or anything, but i think something becomes of us.

In these silent sunless galleries he'd come to feel that another went before him and each glade he entered seemed just quit by a figure who'd been sitting there and risen and gone on. Some doublegoer, some othersuttree eluded him in these woods and he feared that should that figure fail to rise and steal away and were he therefore to come to himself in this obscure wood he'd neither be mended nor made whole but rather set mindless to dodder drooling with his ghosty clone from sun to sun across a hostile hemisphere forever.

The full moon, well risen in a cloudless eastern sky, covered the high solitude with its light. We are not conscious of daylight as that which displaces darkness. Daylight, even when the sun is clear of clouds, seems to us simply the natural condition of the earth and air. When we think of the downs, we think of the downs in daylight, as we think of a rabbit with its fur on. Stubbs may have envisaged the skeleton inside the horse, but most of us do not: and we do not usually envisage the downs without daylight, even though the

The air is still and freezing cold. The sky is a perfect, pale blue. The sun has just risen, weak and watery-looking, like it has just spilled itself over the horizon and it's too lazy to clean itself up.

My only armor is my belief that life has meaning and that, when my last sun has set and my last moon has risen, when the dawn comes that marks the moment when I am born with the dead, there will be mercy.

The sun had risen for me -for me alone- and turned the sky into the painted milk of a soggy bowl of leftover off-brand Lucky Charms. The soft roses and lavenders went on to burn blood orange on the underbellies of clouds. I told my shadow I wanted to keep the sun. My shadow whispered back the instructions for making a memory. I watched the light of day ascend until it hurt my eyes, then I closed them, and taught myself to remember.

Love, is it morning risen or night deceased That makes the mirth of this triumphant east? Is it bliss given or bitterness put by That makes most glad men's hearts at love's high feast? Grief smiles, joy weeps, that day should live and die. "Is it with soul's thirst or with body's drouth That summer yearns out sunward to the south, With all the flowers that when thy birth drew nigh Were molten in one rose to make thy mouth? O love, what care though day should live and die? "Is the sun glad of all love on earth, The spirit and sense and work of things and worth? Is the moon sad because the month must fly And bring her death that can but bring back birth? For all these things as day must live and die. "Love, is it day that makes thee thy delight Or thou that seest day made out of thy light? Love, as the sun and sea are thou and I, Sea without sun dark, sun without sea bright; The sun is one though day should live and die. "O which is elder, night or light, who knows? And life or love, which first of these twain grows? For life is born of love to wail and cry, And love is born of life to heal his woes, And light of night, that day should live and die. "O sun of heaven above the wordly sea, O very love, what light is this of thee! My sea of soul is deep as thou art high, But all thy light is shed through all of me, As love's through love, while day shall live and die.

The sun was hardly risen, but already time was running out.

He never understood those who woke up even before the sun had risen, donned their fancy expensive sneakers, and went running on purpose. It was most unusual.

I believe in Christianity as I believe that the sun has risen: not only because I see it, but because by it I see everything else.” - C.S. Lewis. Other

If a thousand suns had risen in the sky all at once, such brilliance would be the brilliance of that great self.

Awake before the sun is risen, I call for my pen and papers and desk.

I’m anything but fine. I feel like the sun has set and not risen for five days, Ana. I’m in perpetual night here.” I

I feel like the sun has set and not risen for five days, Ana.

Never had the sun risen so beautifully, and never had the world seemed so lovely as it did to the heavy eyes of Meg and Jo

The essence of meditation practice in Dzogchen is encapsulated by these four points: ▪ When one past thought has ceased and a future thought has not yet risen, in that gap, in between, isn’t there a consciousness of the present moment; fresh, virgin, unaltered by even a hair’s breadth of a concept, a luminous, naked awareness? Well, that is what Rigpa is! ▪ Yet it doesn’t stay in that state forever, because another thought suddenly arises, doesn’t it? This is the self-radiance of that Rigpa. ▪ However, if you do not recognize this thought for what it really is, the very instant it arises, then it will turn into just another ordinary thought, as before. This is called the “chain of delusion,” and is the root of samsara. ▪ If you are able to recognize the true nature of the thought as soon as it arises, and leave it alone without any follow-up, then whatever thoughts arise all automatically dissolve back into the vast expanse of Rigpa and are liberated. Clearly this takes a lifetime of practice to understand and realize the full richness and majesty of these four profound yet simple points, and here I can only give you a taste of the vastness of what is meditation in Dzogchen. … Dzogchen meditation is subtly powerful in dealing with the arisings of the mind, and has a unique perspective on them. All the risings are seen in their true nature, not as separate from Rigpa, and not as antagonistic to it, but actually as none other–and this is very important–than its “self-radiance,” the manifestation of its very energy. Say you find yourself in a deep state of stillness; often it does not last very long and a thought or a movement always arises, like a wave in the ocean.  Don’t reject the movement or particulary embrace the stillness, but continue the flow of your pure presence. The pervasive, peaceful state of your meditation is the Rigpa itself, and all risings are none other than this Rigpa’s self-radiance. This is the heart and the basis of Dzogchen practice. One way to imagine this is as if you were riding on the sun’s rays back to the sun: …. Of couse there are rough as well as gentle waves in the ocean; strong emotions come, like anger, desire, jealousy. The real practitioner recognizes them not as a disturbance or obstacle, but as a great opportunity. The fact that you react to arisings such as these with habitual tendencies of attachment and aversion is a sign not only that you are distracted, but also that you do not have the recognition and have lost the ground of Rigpa. To react to emotions in this way empowers them and binds us even tighter in the chains of delusion. The great secret of Dzogchen is to see right through them as soon as they arise, to what they really are: the vivid and electric manifestation of the energy of Rigpa itself. As you gradually learn to do this, even the most turbulent emotions fail to seize hold of you and dissolve, as wild waves rise and rear and sink back into the calm of the ocean. The practitioner discovers–and this is a revolutionary insight, whose subtlety and power cannot be overestimated–that not only do violent emotions not necessarily sweep you away and drag you back into the whirlpools of your own neuroses, they can actually be used to deepen, embolden, invigorate, and strengthen the Rigpa. The tempestuous energy becomes raw food of the awakened energy of Rigpa. The stronger and more flaming the emotion, the more Rigpa is strengthened.

The air was calm and insects had not yet risen off the water, that crisp time of morning before the sun strikes, when it is still cool enough to work out solutions to sticky problems.

We travelers, walking to the sun, can’t see Ahead, but looking back the very light That blinded us shows us the way we came, Along which blessings now appear, risen As if from sightlessness to sight, and we, By blessing brightly lit, keep going toward That blessed light that yet to us is dark. Sabbaths 1999 VI

Linus, for all that he was capable of, didn't like to chase anything. Chasing implied running, and Linus had decided long ago that running wasn't something he liked very much. He never understood those who woke up even before the sun had risen, donned their fancy expensive sneakers, and went running on purpose. It was most unusual.

To say that the frozen silence contracted itself into a yet higher globe of ice were to under-rate the exquisite tension and to shroud it in words. The atmosphere had become a physical sensation. As when, before a masterpiece, the acid throat contracts, and words are millstones, so when the supernaturally outlandish happens and a masterpiece is launched through the medium of human gesture, then all human volition is withered at the source and the heart of action stops beating. Such a moment was this. Irma, a stalagmite of crimson stone, knew, for all the riot of her veins that a page had turned over. At chapter forty? O no! At chapter one, for she had never lived before save in a pulseless preface. How long did they remain thus? How many times had the earth moved round the sun? How many times had the great blue whales of the northern waters risen to spurt their fountains at the sky? How many reed-bucks had fallen to the claws of how many leopards, while that sublime unit of two-figure statuary remained motionless? It is fruitless to ask. The clocks of the world stood still or should have done.

Never before had a person of the Sun Court risen to Blood Hunter status....Yet here she was. The first Sun Court Blood Hunter: Warrior for the weak and the powerless. A great honor. And still it was not enough to pay her debt or quell her nightmare.

Sunlight was everywhere, glittering gold off the bright green leaves of the garden. A blackcap, concealed within the foliage of a nearby willow, sang a sweet fanfare and a pair of mallards fought over a particularly juicy snail. The orchestra was rehearsing a dance number and music skimmed across the surface of the lake. How lucky they were to get a day like this one! After weeks of agonizing, of their studying the dawn, of consulting Those Who Ought to Know, the sun had risen, burning off any lingering cloud, just as it should on Midsummer's Eve. The evening would be warm, the breeze light, the party as bewitching as ever.

It is still early as I get out of bed. The sun has not yet risen. I feel a sense of control that I sometimes get when I wake up before the rest of the world. I have the feeling that the day’s events are mine to determine, that I hold everything in the palm of my hand.

As the dawn loves the sunlight that must cease Ere dawn again may rise and pass in peace; Must die that she being dead may live again, To be by his new rising nearly slain. So rolls the great wheel of the great world round, And no change in it and no fault is found, And no true life of perdurable breath, And surely no irrevocable death. Day after day night comes that day may break, And day comes back for night’s reiterate sake. Each into each dies, each of each is born: Day past is night, shall night past not be morn? Out of this moonless and faint-hearted night That love yet lives in, shall there not be light? Light strong as love, that love may live in yet? Alas, but how shall foolish hope forget How all these loving things that kill and die Meet not but for a breath’s space and pass by? Night is kissed once of dawn and dies, and day But touches twilight and is rapt away. So may my love and her love meet once more, And meeting be divided as of yore. Yea, surely as the day-star loves the sun And when he hath risen is utterly undone, So is my love of her and hers of me— And its most sweetness bitter as the sea.

It is, indeed, in accordance with the nature of the invisible God that He should be thus known through His works; and those who doubt the Lord's resurrection because they do not now behold Him with their eyes, might as well deny the very laws of nature. They have ground for disbelief when works are lacking; but when the works cry out and prove the fact so clearly, why do they deliberately deny the risen life so manifestly shown? Even if their mental faculties are defective, surely their eyes can give them irrefragable proof of the power and Godhead of Christ. A blind man cannot see the sun, but he knows that it is above the earth from the warmth which it affords; similarly, let those who are still in the blindness of unbelief recognize the Godhead of Christ and the resurrection which He has brought about through His manifested power in others.

She quietly stretched out a hand, and Tengo took it. The two of them stood there, side by side, as one, wordlessly watching the moon over the buildings. Until the newly risen sun shone upon it, robbing it of its nighttime brilliance. Until it was nothing more than a gray paper moon, hanging in the sky.

Eva sipped her coffee. Today, her hair was bound back in a singular knot, the sides rolled in smooth twists, the knot itself in the shape of the figure eight, which Delphine knew was the ancient sign for eternity. Eva rose and turned away, walked across the green squares of linoleum to punch some risen dough and cover it with towels. As Delphine watched, into her head there popped a strange notion: the idea that perhaps strongly experienced moments, as when Eva turned and the sun met her hair and for that one instant the symbol blazed out, those particular moments were eternal. Those moments actually went somewhere. Into a file of moments that existed out of time's range..

Let the lowly brother glory in his exaltation, but the rich in his humiliation, because as a flower of the field he will pass away. For no sooner has the sun risen with a burning heat than it withers the grass; its flower falls, and its beautiful appearance perishes. So the rich man also  will fade away in his pursuits." (James 1:9-11)   James

I believe in Christianity as I believe that the sun has risen, not only because I see it, but because by it I see everything else.

Your hope is not in a sun rise, but in a Son risen!

believe in Christianity as I believe that the sun has risen. Not only because I see it, but because by it I see everything else.

I believe in Christianity as I believe that the Sun has risen, not because I see it, but because, by it, I see everything else.

To fill the days up of his dateless year Flame from Queen Helen to Queen Guenevere? For first of all the sphery signs whereby Love severs light from darkness, and most high, In the white front of January there glows The rose-red sign of Helen like a rose: And gold-eyed as the shore-flower shelterless Whereon the sharp-breathed sea blows bitterness, A storm-star that the seafarers of love Strain their wind-wearied eyes for glimpses of, Shoots keen through February's grey frost and damp The lamplike star of Hero for a lamp; The star that Marlowe sang into our skies With mouth of gold, and morning in his eyes; And in clear March across the rough blue sea The signal sapphire of Alcyone Makes bright the blown bross of the wind-foot year; And shining like a sunbeam-smitten tear Full ere it fall, the fair next sign in sight Burns opal-wise with April-coloured light When air is quick with song and rain and flame, My birth-month star that in love's heaven hath name Iseult, a light of blossom and beam and shower, My singing sign that makes the song-tree flower; Next like a pale and burning pearl beyond The rose-white sphere of flower-named Rosamond Signs the sweet head of Maytime; and for June Flares like an angered and storm-reddening moon Her signal sphere, whose Carthaginian pyre Shadowed her traitor's flying sail with fire; Next, glittering as the wine-bright jacinth-stone, A star south-risen that first to music shone, The keen girl-star of golden Juliet bears Light northward to the month whose forehead wears Her name for flower upon it, and his trees Mix their deep English song with Veronese; And like an awful sovereign chrysolite Burning, the supreme fire that blinds the night, The hot gold head of Venus kissed by Mars, A sun-flower among small sphered flowers of stars, The light of Cleopatra fills and burns The hollow of heaven whence ardent August yearns; And fixed and shining as the sister-shed Sweet tears for Phaethon disorbed and dead, The pale bright autumn's amber-coloured sphere, That through September sees the saddening year As love sees change through sorrow, hath to name Francesca's; and the star that watches flame The embers of the harvest overgone Is Thisbe's, slain of love in Babylon, Set in the golden girdle of sweet signs A blood-bright ruby; last save one light shines An eastern wonder of sphery chrysopras, The star that made men mad, Angelica's; And latest named and lordliest, with a sound Of swords and harps in heaven that ring it round, Last love-light and last love-song of the year's, Gleams like a glorious emerald Guenevere's.

The sun still hadn't risen. Maybe it never would. Maybe the sky was sick of these endless costume changes: Casting off cloak after cloak, but never revealing what it wore under all those cloaks.

But even more than by the filth of its organs, the flower is betrayed by the fragility of its corolla: thus, far from answering the demands of human ideas, it is the sign of their failure. In fact, after a very short period of glory the marvelous corolla rots indecently in the sun, thus becoming, for the plant, a garish withering. Risen from the stench of the manure pile---even though it seemed for a moment to have escaped it in a flight of angelic and lyrical purity---the flower seems to relapse abruptly into its original squalor: the most ideal is rapidly reduced to a wisp of aerial manure. For flowers do not age honestly like leaves, which lose nothing of their beauty, even after they have died; flowers wither like old and overly made-up dowagers, and they die ridiculously on stems that seemed to carry them to the clouds.

She is waiting. Each spring the hard rains come and the creek rises and quickens, and more of the bank peels off, silting the water brown ad bringing to light another layer of dark earth, Decades pass. She is patient, shelled inside the blue tarp. Each spring the water laps closer, paling roots, loosening stones, scuffing and smoothing. She is waiting and one day a bit of blue appears in the bank and then more blue. The rain pauses and the sun appears but she is ready now and the bank trembles a moment and heaves the stands of tarp unfurl and she spills into the stream and is free. Bits of bone gather in an eddy, form a brief necklace. The current moves on toward the sea.

As I stand cloaked in some seemingly perpetual darkness desperately hoping for a scant ray of light, I ask, “Why has the sun never risen?” And I realize that it rose a long, long time ago. I just refused to open my eyes sufficiently to see it.

I generally rested during the day and travelled only when I was secured by night from the view of man. One morning, however, finding that my path lay through a deep wood, I ventured to continue my journey after the sun had risen; the day, which was one of the first of spring, cheered even me by the loveliness of its sunshine and the balminess of the air. I felt emotions of gentleness and pleasure, that had long appeared dead, revive within me. Half surprised by the novelty of these sensations, I allowed myself to be borne away by them, and forgetting my solitude and deformity, dared to be happy. Soft tears again bedewed my cheeks, and I even raised my humid eyes with thankfulness towards the blessed sun, which bestowed such joy upon me.

Chasing implied running, and Linus had decided long ago that running wasn’t something he liked very much. He never understood those who woke up even before the sun had risen, donned their fancy expensive sneakers, and went running on purpose. It was most unusual.

Has the sun set? Don't be sad, the moon has risen! When the moon has set, don't be sad, the stars have appeared! Have the stars disappeared too, but don't worry, light a candle, now there is a candle in front of you! We can only hold on to life with this philosophy!

After hours of wearing stifling suits while seated on rigid pews and high-backed dining chairs, to enter water and splay our limbs was freeing. The midday sun fell full on the pool, so when we waded in up to our waists, heat and cold balanced as if by a carpenter's level. That was the best sensation, knowing in a moment, but not quite yet, I'd dive into cold but emerge into warmth. Years later at Wake Forest, when I still believed I might create literature, I'd write a mediocre poem about those mornings in church and afterward the 'baptism of nature.

Pearl comes over, to a shell.... so beautiful, that hard to spell.... even seems, like an angel eye.... relation with whom, gonna tie.... with Sun, it gets its reflection.... explained all without words neither any action.... such a day, as here has risen.... by heart wanna love, not by vision.... Samar Sudha

prior probability that the sun will rise, since it’s prior to seeing any evidence. It’s not based on counting the number of times the sun has risen on this planet in the past, because you weren’t there to see it; rather, it reflects your a priori beliefs about what will happen, based on your general knowledge of the universe. But now the stars start to fade, so your confidence that the sun does rise on this planet goes up, based on your experience on Earth. Your confidence is now a posterior probability, since it’s after seeing some evidence. The sky begins to lighten, and the posterior probability takes another leap. Finally, a sliver of the sun’s bright disk appears above the horizon and perhaps catches “the Sultan’s turret in a noose of light,” as in the opening verse of the Rubaiyat. Unless you’re hallucinating, it is now certain that the sun will rise. The crucial question is exactly how the posterior probability should evolve as you see more evidence. The answer is Bayes’ theorem. We can think of it in terms of cause and effect. Sunrise causes the stars to fade and the sky to lighten, but the latter is stronger evidence of daybreak, since the stars could fade in the middle of the night due to, say, fog rolling in. So the probability of sunrise should increase more after seeing the sky lighten than after seeing the stars fade. In mathematical notation, we say that P(sunrise | lightening-sky), the conditional probability of sunrise given that the sky is lightening, is greater than P(sunrise | fading-stars), its conditional probability given that the stars are fading. According to Bayes’ theorem, the more likely the effect is given the cause, the more likely the cause is given the effect: if P(lightening-sky | sunrise) is higher than P(fading-stars | sunrise), perhaps because some planets are far enough from their sun that the stars still shine after sunrise, then P(sunrise | lightening sky) is also higher than P(sunrise | fading-stars).

I’m sorry,” she said. “You guys have been through so much. It’s such an awful time to be giving you news like this…” My heart sank. I knew what it could be. I knew what it could only be. “No,” I said. “Don’t tell me Todd–” She nodded again– But then broke into a smile so bright it was like the sun had newly risen. “He’s awake,” she said, tears of joy still streaming. “Lee, Wilf. He’s awake.

We blame the sun for skin cancer, but it’s not that simple. If it were, our years of slathering sunscreen and avoiding the sun would have resulted in a decrease in skin cancer diagnoses. But since sun protection factor (SPF) sunscreens received FDA approval in the 1970s, the incidence of melanoma in children has risen nearly 3 percent per year—throughout the 1970s and 1980s, the incidence of melanoma in the United States increased faster than that of any other cancer. Since the 1960s, rates of skin cancer in lighter-skinned populations—those at highest risk for skin cancer—have continued to increase by between 5 and 8 percent every single year. First-time melanoma diagnoses overall have tripled over the past thirty-five years, and just between 2000 and 2013 there was a nearly 2 percent increase each year.

In the years following daysdeath, most of the green places of the empire had withered, starved of the sun that had once gifted them life. But that wasn’t to say nothing grew in Elidaen anymore. There’s no end of successors waiting for old monarchs to fall, and in the breach left by those towering giants in their robes of whispering green, a new king had risen. “Fungus. “Luminous flowers of maryswort. Long, strangling tendrils of asphyxia. Bloated pustules of beggarbelly and jagged, crawling runs of shadespine. These were the new sovereigns of the forest, the grand lords of decay, building castles on the rotting tombs of the kings who’d come before. Mushroom and toadstool, moldweave and whitespore, running thick across the ground or flowering on the still-standing corpses, so thick you could barely see the shape of the tree beneath.

Consider the roots of a simple and mundane action, for instance, buying bread for your breakfast. A farmer has grown the grain in a field carved from wilderness by his ancestors; in the ancient city a miller has ground the flour and a baker prepared the loaf; the vendor has transported it to your house in a cart built by a cartwright and his apprentices. Even the donkey that draws the cart, what stories could she not tell if you could decipher her braying? And then you yourself hand over a coin of copper dug from the very heart of the earth, you who have risen from a bed of dreams and darkness to stand in the light of the vast and terrifying sun. Are there not a thousand strands woven together into this tapestry of a morning meal? How then can you expect that the omens of great events should be easy to unravel? The Pseudo-Iamblichus Scroll

Letter 4 As I lay dreaming, Montezuma introduced himself and put his hand on my shoulder. The palm of the Aztec king felt like ancient papyrus. When I looked up at him, I saw that his nose was chipped like that of a sphinx. His arms were like long ivory ropes that frayed into hands. He led me down to the river, where we sat together and shared the river’s silence. Then he spoke: „Allow me to tell you my story. It may help you understand your own. At dusk, in the year of one thousand rivers, the Spanish explorer Cortés arrived at the gates of my city. I welcomed him with open arms. I showed Cortés hundreds of aviaries that had built in the city, and finally I took him to the most aviary of sighs. These birds carried only love letters. Cortes laughed and said that all the bird songs made him feel like a virgin bride who is drunk with faith as she walks down the aisle of the church. On her wedding night, she undresses for her husband and he takes her in his arms. She believes everything is possible. When Cortés stared straight into my eyes and said 'It is a night that is always colored in blood'." He paused for a long time before he spoke. Then he said, „Cortés returned with a small army of soldiers on horseback. When they ransacked the city, I was Cortes's own hand that lit the torch that set fire to the aviary of sighs. The fires raged. The birds painted the blue sky black with the ashes of their wings. The gardens were reddened with the blood of our children. The sun rose behind a sky filled with plumes of dark smoke. But during night, three birds of phoenix had risen from the burning aviaries. They closed their eyes and soared straight up into the dark clouds. When they opened their eyes they could see the stars clearly, though they could not see the ground below.

It is said,’ said the Aga Morat, ‘that blindness of the eyes is a lighter thing than blindness of the perceptive faculties of the mind. The sun is high: the perception is dazzled. One has made divers chambers available to us in these poor houses for an hour. Let us retire and, by giving ease to the flesh, bring new light also to the proper functions of the mind. There, for the Hakim’s servant Mr Blyth, and the lady. In this chamber, Crawford Efendi and I shall have much to discuss.… Sweet to be taken up, you say, as medicine is by the lip. Such a creature I enjoy, thin-skinned, tender and delicate, light of flesh and goodly in make, impulsive in walk and beautiful in the justness of stature. Communing thus, shall not our dreaming souls melt?’ For a moment, Lymond did not reply. Then he said, in the same level voice, ‘It is written before God, that after this hour we depart all four, in good health to Djerba?’ The Aga Morat had risen. Looking down, his heavy face creased in a smile. ‘It is written,’ he said. Slowly, Lymond rose also. He looked neither at Jerott nor at Marthe, but stepped straight out from under the awning and confronted the Aga. In the blinding white light, the fine lines of his skin were all suddenly visible, and his eyes by contrast quite dark. But his hair, uncut since Marseilles, shone mint-gold in the sun. ‘If it is so agreed,’ Lymond said, ‘I am solicitous for thee, as thou art for me.’ And without pausing, he followed the Aga Morat into the house.

The Jewel in Her Crown, which showed the old Queen (whose image the children now no doubt confused with the person of Miss Crane) surrounded by representative figures of her Indian Empire: princes, landowners, merchants, moneylenders, sepoys, farmers, servants, children, mothers, and remarkably clean and tidy beggars. The Queen was sitting on a golden throne, under a crimson canopy, attended by her temporal and spiritual aides: soldiers, statesmen and clergy. The canopied throne was apparently in the open air because there were palm trees and a sky showing a radiant sun bursting out of bulgy clouds such as, in India, heralded the wet monsoon. Above the clouds flew the prayerful figures of the angels who were the benevolent spectators of the scene below. Among the statesmen who stood behind the throne one was painted in the likeness of Mr. Disraeli holding up a parchment map of India to which he pointed with obvious pride but tactful humility. An Indian prince, attended by native servants, was approaching the throne bearing a velvet cushion on which he offered a large and sparkling gem. The children in the school thought that this gem was the jewel referred to in the title. Miss Crane had been bound to explain that the gem was simply representative of tribute, and that the jewel of the title was India herself, which had been transferred from the rule of the British East India Company to the rule of the British Crown in 1858, the year after the Mutiny when the sepoys in the service of the Company (that first set foot in India in the seventeenth century) had risen in rebellion, and attempts had been made to declare an old Moghul prince king in Delhi, and that the picture had been painted after 1877, the year in which Victoria was persuaded by Mr. Disraeli to adopt the title Empress of India.

THE sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually. As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose breath comes and goes unconsciously. Gradually the dark bar on the horizon became clear as if the sediment in an old wine-bottle had sunk and left the glass green. Behind it, too, the sky cleared as if the white sediment there had sunk, or as if the arm of a woman couched beneath the horizon had raised a lamp and flat bars of white, green and yellow, spread across the sky like the blades of a fan. Then she raised her lamp higher and the air seemed to become fibrous and to tear away from the green surface flickering and flaming in red and yellow fibres like the smoky fire that roars from a bonfire. Gradually the fibres of the burning bonfire were fused into one haze, one incandescence which lifted the weight of the woollen grey sky on top of it and turned it to a million atoms of soft blue. The surface of the sea slowly became transparent and lay rippling and sparkling until the dark stripes were almost rubbed out. Slowly the arm that held the lamp reused it higher and then higher until a broad flame became visible; an arc of fire burnt on the rim of the horizon, and all round it the sea blazed gold. The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpened the walls of the house, and rested like the tip of a fan upon a white blind and made a blue fingerprint of shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.

Dr. Sherman VanMeter has made a career of unpacking the densest areas of scientific endeavor in accessible—if not polite—terms. You’ve written books on everything from astrophysics to zoology. How are you able to achieve expertise in so many disparate fields? There’s a perception that scientific disciplines are separate countries, when in fact science is a universal passport. It’s about exploring and thinking critically, not memorization. A question mark, not a period. Can you give me an example? Sure. Kids learn about the solar system by memorizing the names of planets. That’s a period. It’s also scientifically useless, because names have no value. The question mark would be to say instead, “There are hundreds of thousands of sizable bodies orbiting the sun. Which ones are exceptional? What makes them so? Are there similarities? What do they reveal?” But how do you teach a child to grasp that complexity? You teach them to grasp the style of thinking. There are no answers, only questions that shape your understanding, and which in turn reveal more questions. Sounds more like mysticism than science. How do you draw the line? That’s where the critical thinking comes in. I can see how that applies to the categorization of solar objects. But what about more abstract questions? It works there too. Take love, for example. Artists would tell you that love is a mysterious force. Priests claim it’s a manifestation of the divine. Biochemists, on the other hand, will tell you that love is a feedback loop of dopamine, testosterone, phenylethylamine, norepinephrine, and feel-my-pee-pee. The difference is, we can show our work. So you’re not a romantic, then? We’re who we are as a species because of evolution. And at the essence, evolution is the steady production of increasingly efficient killing machines. Isn’t it more accurate to say “surviving machines”? The two go hand in hand. But the killing is the prime mover; without that, the surviving doesn’t come into play. Kind of a cold way to look at the world, isn’t it? No, it’s actually an optimistic one. There’s a quote I love from the anthropologist Robert Ardrey: “We were born of risen apes, not fallen angels, and the apes were armed killers besides. And so what shall we wonder at? Our murders and massacres and missiles, and our irreconcilable regiments? Or our treaties whatever they may be worth; our symphonies however seldom they may be played; our peaceful acres, however frequently they may be converted to battlefields; our dreams however rarely they may be accomplished. The miracle of man is not how far he has sunk but how magnificently he has risen.” You used that as the epigraph to your new book, God Is an Abnorm. But I noticed you left out the last line, “We are known among the stars by our poems, not our corpses.” Why? That’s where Ardrey’s poetic license gets the better of his science, which is a perilous mistake. We aren’t “known among the stars” at all. The sun isn’t pondering human nature, the galaxy isn’t sitting in judgment. The universe doesn’t care about us. We’ve evolved into what we are because humanity’s current model survived and previous iterations didn’t. Simple as that. Why is a little artistic enthusiasm a perilous mistake? Because artists are more dangerous than murderers. The most prolific serial killer might have dozens of victims, but poets can lay low entire generations.

The sun had not yet risen. The sea was indistinguishable from the sky, except that the sea was slightly creased as if a cloth had wrinkles in it. Gradually as the sky whitened a dark line lay on the horizon dividing the sea from the sky and the grey cloth became barred with thick strokes moving, one after another, beneath the surface, following each other, pursuing each other, perpetually. As they neared the shore each bar rose, heaped itself, broke and swept a thin veil of white water across the sand. The wave paused, and then drew out again, sighing like a sleeper whose breath comes and goes unconsciously. Gradually the dark bar on the horizon became clear as if the sediment in an old wine-bottle had sunk and left the glass green. Behind it, too, the sky cleared as if the white sediment there had sunk, or as if the arm of a woman couched beneath the horizon had raised a lamp and flat bars of white, green and yellow spread across the sky like the blades of a fan. Then she raised her lamp higher and the air seemed to become fibrous and to tear away from the green surface flickering and flaming in red and yellow fibres like the smoky fire that roars from a bonfire. Gradually the fibres of the burning bonfire were fused into one haze, one incandescence which lifted the weight of the woolen grey sky on top of it and turned it to a million atoms of soft blue. The surface of the sea slowly became transparent and lay rippling and sparkling until the dark stripes were almost rubbed out. Slowly the arm that held the lamp raised it higher and then higher until a broad flame became visible; an arc of fire burnt on the rim of the horizon, and all round it the sea blazed gold. The light struck upon the trees in the garden, making one leaf transparent and then another. One bird chirped high up; there was a pause; another chirped lower down. The sun sharpened the walls of the house, and rested like the tip of a fan upon a white blind and made a blue finger-print of shadow under the leaf by the bedroom window. The blind stirred slightly, but all within was dim and unsubstantial. The birds sang their blank melody outside.