Ripper Street Quotes

Those who deserve respect are given it freely. If one must demand such a thing, he’ll never truly command it. I am your daughter, not your horse, sir.” I stepped closer, enjoying the way Father leaned away from me as if he were just now discovering that a cat, while precious and cute, also had sharp claws. “I’d rather be a lowly wretch on the streets than live in a house full of cages. Do not lecture me on propriety when it’s a virtue you so grossly lack.

When a woman steps out of line and contravenes the feminine norm, whether on social media on on the Victorian street, there is a tacit understanding that somone must put her back in her place. Labelling the victims as 'just prostitutes' permits writing about Polly, Annie, Elizabeth, Kate and Mary Jane even today to continue to disparage, sexualize and dehumanize them; to continue to reinforce values of madonna/whore.

He glanced first at me, and then at his devastated flowerbed; all plowed up and butchered, like a Ripper victim- like Pearly Poll, lying gutted in Hanway Street, Spitalfields.

When a woman steps out of line and contravenes the feminine norm, whether on social media or on the Victorian street, there is a tacit understanding that someone must put her back in her place.

The fire-eater? The swordsman? The gentleman who nearly drowns each night… do you believe they’d be welcomed into the circles you belong to?” He shook his head. “Society scorned them, turned them into freak shows and curiosities, and now they are only interested in cheering because of the glamour of those velvet curtains. The allure of magic and mysticism. Should they encounter those same performers on the street, they would not be so kind or accepting. It is a sad truth that we do not live in a world where differences are accepted. And until such a time, Miss Wadsworth, I will provide a home to the misfits and unwanteds, even if it means losing bits of my soul to that hungry, unsatisfied beast Mr. Barnum has called show business.

She had been brought into the world along the Street of Ink, and it is to there, riding on its column inches, its illustrated plates, its rumor and scandal, that she would return: a name in print.

When a woman steps out of line and contravenes accepted norms of feminine behavior, whether on social media or on the Victorian street, there is a tacit understanding that someone must put her back in her place.

No amount of women’s labor in a factory, a sweatshop, or a laundry, selling items on the street or doing piecework from home, would ever bring in an amount adequate to cover a family’s needs and keep it from the workhouse.

The door flew open, revealing a wrinkled, forward-thrusting face wreathed with a nimbus of wispy white hair, a face resembling nothing so much as a mole emerging from its burrow. Her spectacles were so dirty that I could hardly see the use of them. She peered at us as if at two scabrous street dogs and tightened her grasp on her cane. "What do you want? I don't let rooms, and if you've business with my sons or my husband, they work for a living.

According to the writer Jerome K. Jerome, who lived there as a child in the 1860s, it was a place of contrasts, where “town and country struggled for supremacy,” where the surrounding marshes were still dotted with farms, and where herds of goats and cows might be driven through the streets.

The family, now six in number, took a house at 131 Trafalgar Street, on what was described as “a terrace of two-story brick cottages.” Although the road and its dwellings had been constructed relatively recently, shortly after 1805, they had not weathered the passage of sixty years especially well.

Elisabeth Stride, who was found in Dutfield’s Yard, off Berner Street, and Catherine “Kate” Eddowes, who was killed in Mitre Square. After a brief pause in his spree, he committed his final atrocity on November 9: a complete mutilation of the body of Mary Jane Kelly as she lay in her bed at 13 Miller’s Court.

Much as anticipated, three months after the nuptials, Polly was expecting the couple’s first child. On December 17, 1864, the cries of William Edward Walker Nichols filled the rooms of 17 Kirby Street.7 By the autumn of 1865, Mrs. Nichols was pregnant once more, and the need for larger accommodation grew as obvious as her maternal belly.

If you're going to live in London, you might as well live in London. For me, that's what this city is all about. You can feel the Dickensian grit, the ghosts of Jack the Ripper and Fagin. The bright lights of the City, the gaslights of the back streets. It's the ultimate melting pot - everyone has lived here - the Huguenots, the Jews, Bangladeshis... You can buy the best bagels, the best curry, in London.

Additionally, in the case of each murder there were no signs of struggle and the killings appear to have taken place in complete silence. There were no screams heard by anyone in the vicinity. The autopsies concluded that all of the women were killed while in a reclining position. In at least three of the cases, the victims were known to sleep on the street and on the nights they were killed did not have money for a lodging house.

Interestingly, a point that never emerged in the press but that Tim Donovan revealed to the police was that Annie had specifically "asked him to trust her" for that night's doss money. This "he declined to do." Had this incident become common knowledge, it's likely that Donovan would have faced an even worse public backlash for his role in Annie's demise. "You can find money for your beer, and you can't find money for your bed." the deputy keeper is said to have spoken in response to her request. Annie, not quite willing to admit defeat, or perhaps in a show of pride, responded with a sigh: "Keep my bed for me. I shan't be long." Ill and drunk, she went downstairs and "stood in the door for two or three minutes," considering her options. Like the impecunious lodger described by Goldsmith, she too would have been contemplating from whom among her "pals" it might have been "possible to borrow the halfpence necessary to complete {her} doss money." More likely, Annie was mentally preparing "to spend the night with only the sky for a canopy." She then set off down Brushfield Street, toward Christ Church, Spitalfields, where the homeless regularly bedded down. Her thoughts as she stepped out onto Dorest Street, as the light from Crossingham's dimmed at her back, can never be known. What route she wove through the black streets and to whom she spoke along the will never be confirmed. All that is certain is her final destination. Of the many tragedies that befell Annie Chapman in the final years of her life, perhaps one of the most poignant was that she needn't have been on the streets on that night, or on any other. Ill and feverish, she needn't have searched the squalid corners for a spot to sleep. Instead, she might have lain in a bed in her mother's house or in her sisters' care, on the other side of London. She might have been treated for tuberculosis; she might have been comforted by the embraces of her children or the loving assurances of her family. Annie needn't have suffered. At every turn there had been a hand reaching to pull her from the abyss, but the counter-tug of addiction was more forceful, and the grip of shame was just as strong. It was this that pulled her under, that had extinguished her hope and then her life many years earlier. What her murderer claimed on that night was simply all that remained of what drink had left behind.

When a woman steps out of line and contravenes the feminine norm, whether on social media or on the Victorian street, there is a tacit understanding that someone must put her back in her place. Labelling the victims as ‘just prostitutes’ permits those writing about Polly, Annie, Elizabeth, Kate and Mary Jane even today to continue to disparage, sexualize and dehumanize them; to continue to reinforce the values of madonna/whore. It allows authors to rank the women’s level of attractiveness based on images of their murdered bodies and to declare ‘pulchritude was, it appears, of no interest to the Whitechapel Murderer’,

Hundreds, each with a similar tale to tell, came to Trafalgar Square to lay their head against the paving stones. It did not take long for political agitators to recognize that this congregation of the downtrodden was a ready-made army of the angry with nothing to lose. Londoners had long realized that Trafalgar Square sat on an axis between the east and west of the city, the dividing line between rich and poor; an artificial boundary, which, like the invisible restraints that kept the disenfranchised voiceless, could be easily breached. In 1887, the possibility of social revolution felt terrifyingly near for some, and yet for others it did not seem close enough. At Trafalgar Square, the daily speeches given by socialists and reformers such as William Morris, Annie Besant, Eleanor Marx, and George Bernard Shaw led to mobilization, as chanting, banner-waving processions of thousands spilled onto the streets. Inevitably, some resorted to violence. The Metropolitan Police and the magistrate’s court at Bow Street, in Covent Garden, worked overtime to contain the protesters and clear the square of those whom they deemed indigents and rabble-rousers. But like an irrepressible tide, soon after they were pushed out, they returned once more.

He'd come a rather long way to experience life within the beating heart of London. Now, stalking the streets of the Chapel, experimenting with how much such a heart can take before it stops beating altogether.

I knew you forever and you were always old, soft white lady of my heart. Surely you would scold me for sitting up late, reading your letters, as if these foreign postmarks were meant for me. You posted them first in London, wearing furs and a new dress in the winter of eighteen-ninety. I read how London is dull on Lord Mayor's Day, where you guided past groups of robbers, the sad holes of Whitechapel, clutching your pocketbook, on the way to Jack the Ripper dissecting his famous bones. This Wednesday in Berlin, you say, you will go to a bazaar at Bismarck's house. And I see you as a young girl in a good world still, writing three generations before mine. I try to reach into your page and breathe it back… but life is a trick, life is a kitten in a sack. This is the sack of time your death vacates. How distant your are on your nickel-plated skates in the skating park in Berlin, gliding past me with your Count, while a military band plays a Strauss waltz. I loved you last, a pleated old lady with a crooked hand. Once you read Lohengrin and every goose hung high while you practiced castle life in Hanover. Tonight your letters reduce history to a guess. The count had a wife. You were the old maid aunt who lived with us. Tonight I read how the winter howled around the towers of Schloss Schwobber, how the tedious language grew in your jaw, how you loved the sound of the music of the rats tapping on the stone floors. When you were mine you wore an earphone. This is Wednesday, May 9th, near Lucerne, Switzerland, sixty-nine years ago. I learn your first climb up Mount San Salvatore; this is the rocky path, the hole in your shoes, the yankee girl, the iron interior of her sweet body. You let the Count choose your next climb. You went together, armed with alpine stocks, with ham sandwiches and seltzer wasser. You were not alarmed by the thick woods of briars and bushes, nor the rugged cliff, nor the first vertigo up over Lake Lucerne. The Count sweated with his coat off as you waded through top snow. He held your hand and kissed you. You rattled down on the train to catch a steam boat for home; or other postmarks: Paris, verona, Rome. This is Italy. You learn its mother tongue. I read how you walked on the Palatine among the ruins of the palace of the Caesars; alone in the Roman autumn, alone since July. When you were mine they wrapped you out of here with your best hat over your face. I cried because I was seventeen. I am older now. I read how your student ticket admitted you into the private chapel of the Vatican and how you cheered with the others, as we used to do on the fourth of July. One Wednesday in November you watched a balloon, painted like a silver abll, float up over the Forum, up over the lost emperors, to shiver its little modern cage in an occasional breeze. You worked your New England conscience out beside artisans, chestnut vendors and the devout. Tonight I will learn to love you twice; learn your first days, your mid-Victorian face. Tonight I will speak up and interrupt your letters, warning you that wars are coming, that the Count will die, that you will accept your America back to live like a prim thing on the farm in Maine. I tell you, you will come here, to the suburbs of Boston, to see the blue-nose world go drunk each night, to see the handsome children jitterbug, to feel your left ear close one Friday at Symphony. And I tell you, you will tip your boot feet out of that hall, rocking from its sour sound, out onto the crowded street, letting your spectacles fall and your hair net tangle as you stop passers-by to mumble your guilty love while your ears die.

She’s a country forged in pain and glory, her soil is tainted with the blood of those who fought and died for her. She’s the conqueror of the old world and the streets of this here London Town weave spells around those from foreign lands. She’s opportunity and history and culture. She’s beauty and fucking grace, darlin’, and she’ll leave her mark on you forever now, because you’ve already placed your feet upon her pavements, and once you walk in the footsteps of the people who’ve lived here, it’ll alter you in ways you can’t even imagine yet. This city was a kingdom of brutality, from the cutthroat royals who publicly executed countless unfortunate sods at Tower Hill, to louts like Jack the Ripper who spilled the guts of his victims all over Whitechapel - the very place you find yourself in right now. This city’s been burned to the ground, bombed by the Luftwaffe, and still she stands. It’s survived plagues and winters cold enough to freeze your heart in your very chest. It ain’t easy to leave a mark on this place, but it sure leaves a mark on you. And you’re marked Anya Volkov, it’s already too late for you.

Jack the Ripper was a frenzy killer, who seemed to kill because he took exception to ladies who lived on the street in the Whitechapel area. He used a knife and seemed to be enraged at several of the murder scenes. On the other hand, Holmes seemed to be a very calculated killer. He would gas people and did not prefer to use a knife, until after death, where he would dismember the bodies for disposal or sale. This is still the most compelling argument against Holmes being Jack the Ripper.

You’ll recall,” said Sickert, brushing dust from his trousers with the back of his hand, “that a year or two ago I was chased through the back streets of King’s Cross by a posse of prostitutes all crying ‘Jack the Ripper!’ after me.

This world disappoints you, does it not?” Quinn asked. “Your crusade was intended to create something exceptional, exquisite even. But you have become lost amongst your own desires, my friend. What you are doing no longer falls under the rubric of surgery… you work in darker hues. Kelly must be the last. Any more and the East End of London will explode. We already have Lusk and his Vigilante Committee roaming the streets, accosting every fletcher, leather apron and anyone trading with a knife. Warren is poised to retire, people are afraid. What you have accomplished cannot be understated. We have large plans for this city and our vision of social reform has been led by you… you should be proud. But the increased enthusiasm for your work threatens to undermine those plans. You are upsetting the status quo, for want of a better word.

The city reeked of death, and the savages that resided within its imposing starkness existed in fear of their lives. They had been shocked by the recent bloody Whitechapel murders, as if starvation, disease, moral degradation, and perpetual smog drowning all color in gray wasn’t enough to bring home the pathetic reality of their miserable existence. The police were no nearer to capturing the monster that lurked in the crevices, and London seemed stiller in the dark, the streets devoid of hope.

I had no words. The women he murdered did matter. They weren’t rubbish to be tossed away in the streets. They were daughters and wives and mothers and sisters. And they were loved as we’d loved our own mother. How dare he pass such judgment. My brother was so lost to his own fantastical science and sense of justice that he totally missed the mark of what it meant to be human.