“
You're the girl who called me an asshole the first time we spoke. The girl who tried to pay for lunch even after you learned I have more money than God. You're the girl who risked her ass to save a dying dog, who makes my chest ache whether you're wearing green silk or ripped jeans. You're the girl that I--" Noah stopped, then took a step closer to me. "You are my girl.
”
”
Michelle Hodkin (The Unbecoming of Mara Dyer (Mara Dyer, #1))
“
He's naked except for those soft ripped jeans, top button casually undone. Jeez, he looks so freaking hot. My subconscious is frantically fanning herself, and my inner goddess is swaying and writhing to some primal carnal rhythm.
”
”
E.L. James (Fifty Shades of Grey (Fifty Shades, #1))
“
He was dressed just like on TV, with lots of silver chains and bracelets, ripped jeans, and a black muscle shirt (Which was kind of stupid, since he didn't have any muscles).
”
”
Rick Riordan (The Maze of Bones (The 39 Clues, #1))
“
Rule number one of anime," Simon said. He sat propped up against a pile of pillows at the foot of his bed, a bag of potato chips in one hand and the TV remote in the other. He was wearing a black T-shirt that said I BLOGGED YOUR MOM and a pair of jeans that were ripped in one knee. "Never screw with a blind monk.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Cause for a moment a band of theives in ripped up jeans got to rule the world!
”
”
Taylor Swift
“
Good evening, Mrs. Grey," Christian says softly. He's standing by the piano, dressed in a tight black T-shirt, and jeans...those jeans- the ones he wore in the playroom. Oh my. They are over washed pale-blue denim, snug, ripped at the knee and hot. He saunters over to me, his feet bare, the top button of the jeans undone, his smoldering eyes never leaving mine. "Good to have you home. I've been waiting for you.
”
”
E.L. James (Fifty Shades Freed (Fifty Shades, #3))
“
What did the Faerie that attacked you look like?"
"Super creepy. Ripped jeans, weird tattoos, bad hair. And, come to think of it, really nice boots..."
"Where?"
"On his feet."
Sonny winced and rubbed his temples. "Where were you attacked, Kelley?"
"Okay, see...that was a joke.
”
”
Lesley Livingston (Darklight (Wondrous Strange, #2))
“
And for once a band of thieves in ripped up jeans got to rule the world
”
”
Taylor Swift (Taylor Swift - Speak Now Songbook: Piano/Vocal/Guitar)
“
I was lucky to live in New York when it was dangerous and edgy and cheap enough to play host to young, penniless artists. That was the era of "coffee shops" as they were defined in New York—cheap restaurants open round the clock where you could eat for less than it would cost to cook at home. That was the era of ripped jeans and dirty T-shirts, when the kind of people who are impressed by material signs of success were not the people you wanted to know.
”
”
Edmund White (City Boy: My Life in New York in the 1960s and 70s)
“
Everything that burns, everything that rips me apart, I want to suffer with my body. I'd rather have a hundred wounds, whips, poisons - than this kind of suffering in the head, this phantom of suffering, which touches me softly and caresses me without ever really hurting.
”
”
Jean-Paul Sartre (No Exit)
“
Rule number one of anime," Simon said. He sat propped up against a pile of pillows at the foot of his bed, a bag of potato chips in one hand and the TV remote in the other. He was wearing a black T-shirt that said I BLOGGED YOUR MOM and a pair of jeans with a hole ripped in one knee. "Never screw with a blind monk."
"I know," Clary said, taking a potato chip and dunking it into the can of dip balanced on the TV tray between them. "For some reason they're always way better fighters than monks who can see." She peered at the screen. "Are those guys dancing?"
"That's not dancing. They're trying to kill each other. This is the guy who's the mortal enemy of the other guy, remember? He killed his dad. Why would they be dancing?
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed a red-painted finger down the center of his chest, over his abdomen, heading straight for the button on his jeans. And oh, hell to the no. “Get your hands off him.” Sadi’s head snapped in my direction. “Excuse me?” “I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.” One side of her plump red lips curled up. “You want to make me?” In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away. “Stop it,” he murmured, voice dropped low in that teasing way of his. I saw red. The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red—
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
Well, make up your mind. I don’t have all night.” Fidelia set her beer on the porch and removed a set of keys from her skirt pocket. She fumbled with the key, trying to release the trigger lock on her pistol.
“Don’t do that,” Heather warned her. “You’ve had too much to drink.”
Fidelia snorted. “I’m not drunk. I’m in complete control.” She tore off the trigger lock.
Bang! The gun fired, ripping into a nearby oak tree.
The women screamed. Jean-Luc winced.
A squirrel plummeted from the tree and landed in the yard with a thud.
Fidelia shrugged. “I meant to do that. Damned rodent’s been gnawing on the house. And stealing all the nuts from our pecan tree.”
Heather planted her hands on her hips. “Haven’t I told you a million times to keep the locks on?”
Fidelia hung her head, looking properly remorseful. “I’ll be more careful.” She switched on the safety, then shot Jean-Luc a pointed look. “I know how to deal with a scumbag with nuts.
”
”
Kerrelyn Sparks (The Undead Next Door (Love at Stake, #4))
“
He lounged on his side, bare-chested and barefooted, his jeans unbuttoned to show both the waistband of his underwear and the sleek lines of his ripped abs. His dark brown hair was sexily mussed and his emerald eyes were bright with mischief.
”
”
Sylvia Day (Entwined with You (Crossfire, #3))
“
Eventually she came. She appeared suddenly, exactly like she'd done that day- she stepped into the sunshine, she jumped, she laughed and threw her head back, so her long ponytail nearly grazed the waistband of her jeans.
After that, I couldn't think about anything else. The mole on the inside of her right elbow, like a dark blot of ink. The way she ripped her nails to shreds when she was nervous. Her eyes, deep as a promise. Her stomach, pale and soft and gorgeous, and the tiny dark cavity of her belly button.
I nearly went crazy.
”
”
Lauren Oliver (Requiem (Delirium, #3))
“
After a few minutes, he turns to my face slowly. Are his eyes lingering on my eyes, my lips? I’m not sure. I want them to. Then he says, “Let’s get home. We’ll take the Bug and go somewhere. Alice owes me.”
As we clamber back over the rocks, I can’t stop wondering what just happened there. I could swear he was looking at me like he wanted to kiss me. What’s stopping him? Maybe he isn’t attracted to me at all. Maybe he just wants to be friends? I’m not sure I can pull off being just friends with someone whose clothes I want to rip off.
Oh god. Did I actually just think that? I steal another look at Jase in his jeans. Yes. Yes, I did.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
You never quite appreciated the fit of a decent pair of jeans until you didn't have any that weren't bloodstained or ripped.
”
”
Melissa Grey (The Shadow Hour (The Girl at Midnight, #2))
“
Ripped Jeans & Twenty Dollar Shirt (The Sonnet)
Ripped jeans and twenty dollar shirt,
That's how we'll change the world.
It is okay if your outside is dirty,
Make sure your heart is without dirt.
Too many people wear suits and boots,
In order to cover up the filth within.
Those who have their character intact,
Care not whether their clothes are shinin'.
The world needs purpose, integrity, honor,
None of which is predicated on clothes.
Those who think clothes make the person,
Will never discover any of the civilized roads.
Heart makes the person, heart makes the world.
A world without dirt comes from a heart without dirt.
”
”
Abhijit Naskar (Making Britain Civilized: How to Gain Readmission to The Human Race)
“
Ojiugo wore orange lipstick and ripped jeans, spoke bluntly, and smoked in public, provoking vicious gossip and dislike from other girls, not because she did these things but because she dared to without having lived abroad, or having a foreign parent, those qualities that would have made them forgive her lack of conformity.
”
”
Chimamanda Ngozi Adichie (Americanah)
“
of the year. Ripped jeans, short sleeved black tee, tattooed upper arms, and pierced eyebrow. Then again, that had been Jett’s style, minus
”
”
J.C. Reed (Conquer Your Love (Surrender Your Love, #2))
“
You only just noticed she has one outfit?” “I don’t know! It’s ripped jeans and a leather jacket! Every lesbian I’ve ever met has that outfit!
”
”
Casey McQuiston (One Last Stop)
“
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
Simmer down, simmer down
They say we're too young now to amount to anything else
But look around
We work too damn hard for this just to give it up now
If you don't swim, you'll drown
But don't move, honey
You look so perfect standing there
In my American Apparel underwear
And I know now, that I'm so down
Your lipstick stain is a work of art
I got your name tattooed in an arrow heart
And I know now, that I'm so down (hey!)
Hey, hey!
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
Let's get out, let's get out
'Cause this deadbeat town's only here just to keep us down
While I was out, I found myself alone just thinking
If I showed up with a plane ticket
And a shiny diamond ring with your name on it
Would you wanna run away too?
'Cause all I really want is you
You look so perfect standing there
In my American Apparel underwear
And I know now, that I'm so down
I made a mixtape straight out of '94
I've got your ripped skinny jeans lying on the floor
And I know now, that I'm so down
Hey, hey!
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
You look so perfect standing there
In my American Apparel underwear
And I know now, that I'm so down
Your lipstick stain is a work of art
I got your name tattooed in an arrow heart
And I know now, that I'm so down
Hey, hey!
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
Hey, hey, hey, hey
You look so perfect standing there
In my American Apparel underwear
And I know now, that I'm so down (hey)
Your lipstick stain is a work of art (hey, hey)
I got your name tattooed in an arrow heart (hey, hey)
And I know now, that I'm so down (hey, hey)
Hey
”
”
5 Seconds of Summer
“
The entire room turns and stares. There’s no doubt what they see—ripped jeans, a black T-shirt, tattoos and earrings. I don’t care what they see. All I care about is what she sees: a person unwelcomed or the guy she loves.
A tear flows down her face, and the hand wrapped at her waist tells me she’s paralyzed. In a long gold ball gown that’s more skirt than dress, Rachel is truly the angel I believe her to be. A man in a tuxedo stands. “Son, I think you have the wrong room.”
“No. I don’t.” I stride between the tables, keeping my eyes locked with hers. The closer I get, the more she straightens. Her hand falls from her stomach, and the tear clears from her face. Rachel gazes at me as if I’m a dream. I extend my hand, palm out. “I need help.”
Her blue eyes lose their glaze, and the hue of violet I love so much returns. “So do I.”
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
He had second thoughts because I didn’t own a tiara I didn’t wear gowns I wore ripped jeans and kicks I slurped my soup and let my hair hang loosely, wildly off my shoulders I wasn’t a damsel in distress and didn’t need a prince to sweep me off my feet
”
”
Emily Curtis (in the absence of the sun)
“
But time is too large, it can't be filled up. Everything you plunge into it is stretched and disintegrates. That gesture, for instance, the red hand picking up the cards and fumbling: it is all flabby. It would have to be ripped apart and tailored inside.
”
”
Jean-Paul Sartre (Nausea)
“
I don’t know what to . . . to think.” There was a horrifying burn of tears crawling up my throat.
“This is all overwhelming for you, I imagine. The whole world as you know it is on the brink of great change, and you’re here and don’t even know my name.” The man smiled so broadly, I wondered if it hurt. “You can call me Rolland.” Then he extended a hand.
My gaze dropped to it and I made no attempt to take it.
Rolland chuckled as he turned and strolled back to the desk. “So, you’re a hybrid? Mutated and linked to him on such an intense level that if one of you dies, so does the other?”
His question caught me off guard, but I kept quiet.
He sat on the edge of the desk. “You’re actually the first hybrid I’ve seen.”
“She really isn’t anything special.” The redhead sneered. “Frankly, she’s rather filthy, like an unclean animal.”
As stupid as it was, my cheeks heated, because I was filthy, and Daemon had just physically removed me from him. My pride—my everything—was officially wounded.
Rolland chuckled. “She’s had a rough day, Sadi.”
At her name, every muscle in my body locked up, and my gaze swung back to her. That was Sadi? The one Dee said was trying to molest Daemon—my Daemon? Anger punched through the confusion and hurt. Of course it would have to be a freaking walking and talking model and not a hag.
“Rough day or not, I can’t imagine she cleans up well.” Sadi looked at Daemon as she placed a hand on his chest. “I’m kind of disappointed.”
“Are you?” Daemon replied.
Every hair on my body rose as my arms unfolded.
“Yes,” she purred. “I really think you can do better. Lots better.” As she spoke, she trailed red-painted fingers down the center of his chest, over his abdomen, heading straight for the button on his jeans.
And oh, hell to the no. “Get your hands off him.”
Sadi’s head snapped in my direction. “Excuse me?”
“I don’t think I stuttered.” I took a step forward. “But it looks like you need me to repeat it. Get your freaking hands off him.”
One side of her plump red lips curled up. “You want to make me?”
In the back of my head, I was aware that Sadi didn’t move or speak like the other Luxen. Her mannerisms were too human, but then that thought was quickly chased away when Daemon reached down and pulled her hand away.
“Stop it,” he murmured, voice dropped low in that teasing way of his.
I saw red.
The pictures on the wall rattled and the papers on the desk started to lift up. Static charged over my skin. I was about to pull a Beth right here, seconds away from floating to the ceiling and ripping out every strand of red—
“And you stop it,” Daemon said, but the teasing quality was gone from his words. There was a warning in them that took the wind right out of my pissed-off sails.
The pictures settled as I gaped at him. Being slapped in the face would’ve been better.
”
”
Jennifer L. Armentrout (Opposition (Lux, #5))
“
However much he may tell her he loves her and thinks her beautiful, his loving gaze could never console her. Because the gaze of love is the gaze that isolates. Jean-Marc thought about the loving solitude of two old persons become invisible to other people: a sad solitude that prefigures death. No, what she needs is not a loving gaze but a flood of alien, crude, lustful looks settling on her with no good will, no discrimination, no tenderness or politeness - settling on her fatefully, inescapably. Those are the looks that sustain her within human society. The gaze of love rips her out of it.
”
”
Milan Kundera (Identity)
“
Oh, don’t be afraid of dreams,” a voice said right next to me. I looked over. Somehow, I wasn’t surprised to find the homeless guy from the rail yard sitting in the shotgun seat. His jeans were so worn out they were almost white. His coat was ripped, with stuffing coming out. He looked kind of like a teddy bear that had been run over by a truck. “If it weren’t for dreams,” he said, “I wouldn’t know half the things I know about the future. They’re better than Olympus tabloids.” He cleared his throat, then held up his hands dramatically: “Dreams like a podcast, Downloading truth in my ears. They tell me cool stuff.” “Apollo?” I guessed, because I figured nobody else could make a haiku that bad. He put his finger to his lips. “I’m incognito. Call me Fred.” “A god named Fred?” “Eh, well…Zeus insists on certain rules. Hands off, when there’s a human quest. Even when something really major is wrong. But nobody messes with my baby sister. Nobody.” “Can
”
”
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
“
Dylan looked promising. Tomboy. Tall and deliciously rangy. Her raven hair was unevenly sliced, streaked auburn in a patch or two. A thatch of black hair hung like a flag of bad-girl honor over Dylan’s right eye. She was delightfully loud. Her black, paint-splattered jeans were ripped at both knees. She wore a red T-shirt that proclaimed: “Ask Me About My Big Pink Pussy.
”
”
Ana B. Good (The Big Sugarbush)
“
I’m going to drag you down to the basement, kneel at your feet, rip your jeans down and I’m going to make you come so hard with my tongue the whole damn pub will think you’re being murdered.
”
”
Amy Andrews (Seduced by the Baron (Fairy Tales of New York, #4))
“
It’s a physical urge, stronger than thirst or sex. Halfway back on the left side of my head there is a spot that longs for the jolt of a bullet, that yearns for that fire, that final empty rip. I want to be let out of this cavern, to open myself up to the ease of not-living. I am tired of sorrow and struggle and worry. I am tired of my sad sister. I want to turn out the last light.
”
”
Jean Hegland (Into the Forest)
“
I’m not sure I can pull off being just friends with someone whose clothes I want to rip off.
Oh god. Did I actually just think that? I steal another look at Jase in his jeans. Yes. Yes, I did.
”
”
Huntley Fitzpatrick (My Life Next Door)
“
While other girls were blurry, displaying cracks or, at the very least, seams
—
ripped jeans, coffee-stained T-shirts, hair that poufed up in the rain
—
Sophia always looked sharp, clear, as if the resolution had been turned up on a microscope and angled straight at her, as if the money had formed a kind of shrink wrap that kept her protected from the normal destruction of the everyday.
”
”
Lauren Oliver (Panic Origin Story (Panic #0.5))
“
Jax wears angst like an accessory. Black tends to be his aesthetic unless he needs to wear McCoy’s white branding. His daily wardrobe includes Doc Martens, T-shirts, and ripped jeans. He rocks jackets with slogans and decorates his tattooed fingers with rings. To put it lightly, he’s bad to the last British bone in his body. No matter how attractive he is, his guarded hazel eyes scream to stay the hell out of his way. Not to mention his attitude toward me is about as friendly as walking down a dark alley at midnight.
”
”
Lauren Asher (Wrecked (Dirty Air, #3))
“
Part of her wanted to comfort him, to tell him everything was going to be okay. But the rest of her just wanted to throw him to the ground and rip those jeans off him. Funny how she could be so jealous of a pair of pants. They covered the sinfully male body she longed to explore.
”
”
Rosalie Lario (Heart of an Angel (The Fallen Warriors #5))
“
I looked over. Somehow, I wasn’t surprised to find the homeless guy from the rail yard sitting in the shotgun seat. His jeans were so worn out they were almost white. His coat was ripped, with stuffing coming out. He looked kind of like a teddy bear that had been run over by a truck.
”
”
Rick Riordan (The Titan's Curse (Percy Jackson and the Olympians, #3))
“
In English sometimes they call a mentally disabled person a retard, and there is a kind of accidental poetry in naming a human being with this quality of latency or absence, like a clock left behind in an empty room, a page someone forgot to rip out of a calendar, the walking embodiment of jet lag.
”
”
Jean-Christophe Valtat (03)
“
He gave her one last kiss before walking toward his truck. She watched his beautiful sculpted ass in his fitted jeans and suppressed a groan. She had never felt the urge to rip a man's clothes off, but ripping Shea Adler's jeans off would be a magical experience if she ever got the balls and confidence to do it.
”
”
Toni Aleo (Taking Shots (Assassins, #1))
“
Encounter w/ strange man June 3, approx. 2 a.m. White, 5'9", slightly scruffy, shaggy brown hair. Ripped T-shirt, jeans, no shoes. Origin and destination unknown, believed to be night wanderer.
I chewed on the end of the pen, wondering if I should include any other details. It had been too dark to tell what color his eyes were. His voice had been deep, with a rasp, almost... but I couldn't write that. If my body was found in the woods behind the house, and investigators were competent enough to do a forensic analysis of this notebook, I didn't want editorializing words complicating the narrative. Words like compelling, or god forbid, sexy.
”
”
Alicia Thompson (Love in the Time of Serial Killers)
“
So what happened?"
"I don't know." Another glance to ensure his continued state of Not Looking, and then I rip off my clothes in one fast swoop. I am now officially stark naked in the room with the most beautiful boy I know. Funny,but this isn't how I imagined this moment.
No.Not funny.One hundred percent the exact opposite of funny.
"I think I maybe,possibly, vaguely remember hitting the snooze button." I jabber to cover my mortification. "Only I guess it was the off button.But I had the alarm on my phone set,too, so I don't know what happened."
Underwear,on.
"Did you turn the ringer back on last night?"
"What?" I hop into my jeans, a noise he seems to determinedly ignore.His ears are apple red.
"You went to see a film,right? Don't you set your mobile to silent at the theater?"
He's right.I'm so stupid. If I hadn't taken Meredith to A Hard Day's Night, a Beatles movie I know she loves, I would have never turned it off. We'd already be in a taxi to the airport. "The taxi!" I tug my sweater over my head and look up to find myself standing across from a mirror.
A mirror St. Clair is facing.
"It's all right," he says. "I told the driver to wait when I came up here. We'll just have to tip him a little extra." His head is still down. I don't think he saw anything.I clear my throat, and he glances up. Our eyes meet in the mirror,and he jumps. "God! I didn't...I mean,not until just now..."
"Cool.Yeah,fine." I try to shake it off by looking away,and he does the same. His cheeks are blazing.I edge past him and rinse the white crust off my face while he throws my toothbrush and deodorant and makeup into my luggage, and then we tear downstairs and into the lobby.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
And why can't I have an ignore button like my phone? As I hit it, his calls disappear from the screen and the ringing stops. But the tingles are still at my fingertips, as if he sent them through the phone to grab me. Shoving it in my purse-the pockets on skinny jeans must just be for show 'cause nothing else is fitting in there-I smile at Mark.
Ah, Mark. The blue-eyed, blond-haired, all-American quarterback. Who knew he had a crush on me all these years? Not Emma McIntosh, that's for dang sure. And not Chloe. Which is weird, because Chloe was a collector of this kind of information. Maybe it's not true. Maybe Mark's only interested in me because Galen was-who wouldn't want to date the girl who dated the hottest guy in school? But that's just fine with me. Mark is...well, Mark isn't as fantabulous as I always imagined he would be.
Still, he's good-looking, a star quarterback, and he's not trying to hook me up with his brother. So why am I not excited?
The question must be all over my face because Mark's got his eyebrow raised. Not in a judgmental arch, more like an arch of expectation. If he's waiting for an explanation, his puny human lungs can't hold their breath long enough for an answer.
Aside from not being his business, I can't exactly explain the details of my relationship with Galen-fake or otherwise. The truth is, I don't know where we can go from here. He ripped holes in my pride like buckshot. And did I mention he broke my heart?
He's not just a crush. Not just a physical attraction, someone who can make me forget my own name by pretending to kiss me. Not just a teacher or a snobby fish with Royal blood. Sure, he's all of those things. But he's more than that. He's who I want. Possibly forever.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
I rolled my eyes at the newcomer. "Hello, Carter." I'd known the angel was lurking in the kitchen, just as Peter had felt me coming down the hall. "Where's your better half tonight? I just saw him. I thought he was coming too."
Carter strolled in and gave me one of his mocking smiles, gray eyes alight with secrets and mirth. He wore his usual transient ware, ripped jeans and a faded T-shirt. ... "Am I my brother's keeper?"
Classic Carter answer. I looked to Hugh, who was, in a manner of speaking, our boss's keeper. Or at least a sort of administrative assistant.
"He had to take off for a meeting," said the imp, stacking twenties. "Some kind of team building thing in L.A."
I tried to imagine Jerome participating in a ropes course. "What kind of team building do demons do exactly?
”
”
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
“
For example: Suppose Circa-2000 David Beckham were to strut across this busy Los Angeles Metro station platform wearing nothing except his ripped abs and jeans? He’d seductively squeeze his way through the crowd of downtown-bound commuters, his gaze glued to mine as he makes a beeline toward me, professing Victoria—what’s-her-face—has left him and he wants to be with me. Then, of course, I’d forgo swearing off men.
”
”
Joslyn Westbrook (Cinderella-ish (Razzle My Dazzle, #1))
“
He is a beribboned wedding feast skipping, with the violin in front and orange blossoms on the black of the jackets, down a sunken April road. He feels himself, youngster that he is, leaping from flowery vale to flowery vale, straight to the mattress where the old man has tucked away his little pile. He turns it over, turns it back, rips it open, pulls out the wool, but he finds nothing, for nothing is so hard to find as money after a premeditated murder.
”
”
Jean Genet (Our Lady of the Flowers)
“
Again, this week as I walked on Broadway, in front of giant photographs of voluptuous supermodels at a Victoria Secret mega-store, who was rebuilding the sidewalks? With sweaty headbands, ripped-up jeans, and dust on their brown faces? Their muscled hands quivered as they worked the jack-hammers and lugged the concrete chunks into dump trucks. Two men from Guanajuato. Undocumented workers. They both shook my hand vigorously, as if they were relieved I wasn’t an INS officer.
I imagined how much money Victoria Secret was making off these poor bastards. I wondered why passersby didn’t see what was in front of their faces. We use these workers. We profit from them. In the shadows, they work to the bone, for pennies. And it’s so easy to blame them for everything and nothing simply because they are powerless, and dark-skinned,and speak with funny accents. Illegal is illegal. It is a phrase, shallow and cruel, that should prompt any decent American to burn with anger.
”
”
Sergio Troncoso (Crossing Borders: Personal Essays)
“
What's going on, miscreant?" Logan stood in the doorway, wearing his favorite frock coat as usual, but there were rips in his jeans.
I lifted my eyebrows at his pants. "Holes?" He was impeccable about his fancy goth clothes.
"Isabeau," he admitted ruefully. "The Hounds are a great tribe, but they have no sense of fashion."
"So she tore your jeans?"
He grinned. "No, she tore at a Hel-Blar. I just happened to get in the way."
I grinned back at him. "Cool." Have I mentioned? Our girlfriends are fierce.
”
”
Alyxandra Harvey (Blood Moon (Drake Chronicles, #5))
“
I think you're in love,' she said. And with a sort of shock, Nickie realized it was true. She had definitely fallen in love with Otis. This was being in love, wasn't it? Looking forward to seeing him every day, feeling like a hole was ripped in her heart when he was gone, jumping for joy when he came back, not minding if he smelled bad, wanting to take care of him? Surely it was being in love. It was true that she hadn't fallen in love with...the obvious candidate. She'd fallen in love with a dog instead of a person. But that didn't matter. It was still love. She'd apply it to a person later on.
”
”
Jean Duprat
“
Where are my clothes?”
He grinned unexpectedly, a perfect male smirk. “I got carried away and ripped your jeans. Just stay with me tonight, and I will get you new clothes tomorrow.”
“It’s nearly morning now,” she pointed out, unwilling to lie down with him again. She couldn’t lie beside him and not burn for him. “Besides, I want a shower.”
Before Mikhail had a chance to protest, Raven slid off the bed, wrapped safely in the old-fashioned quilt, clearly thinking herself safe from him now that she’d put a little distance between them.
Mikhail kept his smile to himself. Let her feel safe--it cost him nothing. No way was she leaving his house, not with the assassins residing at her inn.
”
”
Christine Feehan (Dark Prince (Dark, #1))
“
You're wrong. Jacob knows we're just friends," Jess says.
Mark snorts. "You fucking get paid to be his friend!"
I stand up abruptly. "Is that true?"
I guess I have never thought about it. My mother arranged for me to meet with Jess.
I assumed Jess wanted to do it because she (a) is writing that paper and (b) likes my company, but now I can picture my mother ripping another check out of the checkbook and complaining like always that we don't have enough to cover our expenses.
I can picture Jess opening the envelope in her dorm room and tucking that check into the back pocket of her jeans. I can picture her taking Mark out for pizza, using cash that came from my mother's bank account. Gluten-rich mushroom pizza.
”
”
Jodi Picoult (House Rules)
“
After school, I hurry out the front doors to catch him. He’s on his motorcycle, getting ready to leave.
“Alex, wait!”
Feeling fidgety, I curl my hair behind my ears.
“Hop on,” he orders.
“What?”
“Hop on. If you want to thank me for savin’ your ass in Mrs. P.’s class, come home with me. I wasn’t kiddin’ yesterday. You showed me a glimpse into your life, I’m gonna show you a glimpse of mine. It’s only fair, right?”
I scan the parking lot. Some people are looking our way, probably ready to spread the gossip that I’m talking to Alex. If I actually leave with him, rumors will fly.
The sound of Alex revving his motorcycle brings my attention back to him. “Don’t be afraid of what they think.”
I take in the sight of him, from his ripped jeans and leather jacket to the red and black bandana he just tied on top of his head. His gang colors.
I should be terrified. Then I remember how he was with Shelley yesterday.
To hell with it.
I shift my book bag around to my back and straddle his motorcycle.
“Hold on tight,” he says, pulling my hands around his waist. The simple feel of his strong hands resting on top of mine is intensely intimate. I wonder if he’s feeling these emotions, too, but dismiss the thought. Alex Fuentes is a hard guy. Experienced. The mere touch of hands isn’t going to make his stomach flutter.
He deliberately brushes the tips of his fingers over mine before reaching for the handlebars. Oh. My. God. What am I getting myself into?
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
From the very beginning she had felt clear-eyed, aware that in a matter of weeks it would end. In another two weeks everything would be wiped clean—they would be in different countries, the keys to both Kaushik’s and Giovanna’s apartments in the hands of other people. And this knowledge allowed her once more to step out of her jeans as Navin’s voice spoke into the room. Even the fact that Kaushik had to wear a condom helped to keep him in his place, reminding her, whenever he paused to rip open the little packet, that in spite of what they were about to do, they would remain separate. Such thinking was a consequence of Julian, she knew. She supposed that all those years of loving a person who was dishonest had taught her a few things.
”
”
Jhumpa Lahiri (Unaccustomed Earth)
“
Maybe we should do some more homework.”
Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone.
But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her.
Jay growled from deep in his throat. “Okay, homework it is.”
He pulled her against him, until they were lying face-to-face, stretched across the length of the couch. It wasn’t long before she was restless, her hands moving impatiently, exploring him. She shuddered when she felt his fingers slip beneath her shirt and brush over her bare skin. He stroked her belly and higher, the skin of his hands rough against her soft flesh. His thumb brushed the base of her rib cage, making her breath catch.
And then, like so many times before, he stopped, abruptly drawing back. He shifted only inches, but those inches felt like miles, and Violet felt the familiar surge of frustration.
He didn’t say a word; he didn’t have to. Violet understood perfectly. They’d gone too far. Again. But Violet was frustrated, and it was getting harder and harder to ignore her disappointment. She knew they couldn’t play this unsatisfying game forever.
“So you’re going to Seattle tomorrow?” He used the question to fill the rift between them, but his voice shook and Violet was glad he wasn’t totally unaffected.
She wasn’t as quick to pretend that everything was okay, especially when what she really wanted to do was to rip his shirt off and unbutton his jeans.
But they’d talked about this. And, time and time again, they’d decided that they needed to be sure. One hundred percent. Because once they crossed that line…
She and Jay had been best friends since the first grade, and up until last fall that’s all they’d ever been. Now that she was in love with him, she couldn’t imagine losing him because they made the wrong decision.
Or made it too soon.
She decided to let Jay have his small talk. For now.
“Yeah, Chelsea wants to go down to the waterfront and maybe do some shopping. It’s easier to be around her when it’s just the two of us. You know, when she’s not always…on.”
“You mean when she’s not picking on someone?”
“Exactly.
”
”
Kimberly Derting (Desires of the Dead (The Body Finder, #2))
“
Letters to the Dead"
We read the letters of the dead like puzzled gods --
gods nevertheless, because we know what happened later.
We know what money wasn’t repaid,
the widows who rushed to remarry.
Poor, unseeing dead,
deceived, fallible, toiling in solemn foolery.
We see the signs made behind their backs,
catch the rustle of ripped-up wills.
They sit there before us, ridiculous
as things perched on buttered bread,
or fling themselves after whisked-away hats.
Their bad taste -- Napoleon, steam and electricity,
deadly remedies for curable diseases,
the foolish apocalypse of St. John,
the false paradise on earth of Jean-Jacques . . .
Silently, we observe their pawns on the board
-- but shifted three squares on.
Everything they foresaw has happened quite differently,
or a little differently -- which is the same thing.
The most fervent stare trustingly into our eyes;
by their reckoning, they’ll see perfection there.
”
”
Wisława Szymborska (Wszelki wypadek)
“
You are in his car and your words taste like honey. The suns yolk is stretching over the road, with hues of pink and red ribbon pressed against the bruises of the sky. He is talking about mechanics or sugar factories, and you are touching the rings on your fingers. The windows are open and the wind is making a home in your bones. Your jeans are ripped, your perfume smells like lilacs, your nails painted the color of sea weed. You forget about noise. You forget about color. It’s your lungs - I think, it’s your lungs that are morphing into purple butter. You are in his car and you are Mozart composing art, Claude Monet painting Water Lilies, you are Aphrodite, you are Shakespeare. You are in his car and you can’t remember what salt feels like against your tongue. You are in his car and you are ocean, fire - lip, tongue, breath, sweat. You are in his car and you are telling him you love him. You are in his car and he is telling you he loves you back.
”
”
Poem 506 by Irynka
“
Unlike some of his buddies, Truely had never been afraid of books. Following his daddy's example, he had read the newspaper every day of his life since the sixth grade, starting with the sports page. He had a vague idea what was going on in the world. It was true that Truely could generally nail a test, took a certain pride in it, but he was also a guy who like to dance all night to throbbing music in makeshift clubs off unlit country roads. He liked to drink a cold beer on a hot day, maybe a flask of Jack Daniel's on special occasions. He wore his baseball cap backwards, his jeans ripped and torn--because they were old and practically worn-out, not because he bought them that way. His hair was a little too long, his boots a little too big, his aspirations modest. He preferred listening to talking--and wasn't all that great at either. He like barbecue joints more than restaurants. Catfish and hush puppies or hot dogs burned black over a campfire were his favorites. He preferred simple food dished out in large helpings. He liked to serve himself and go for seconds.
”
”
Nanci Kincaid (Eat, Drink, and Be From Mississippi)
“
No matter where you are on the pathway of your life, please don’t let the pain of an imperfect past hinder the glory of your fabulous future. You are so much more powerful than you may currently understand. Splendid victories—and outright blessings—are coming your way. And you’re exactly where you need to be to receive the growth necessary for you to lead the unusually productive, extremely prodigious and exceptionally influential life that you’ve earned through your harshest trials. Nothing is wrong at this moment, even if it feels like everything’s falling apart. If you sense your life’s a mess right now, this is simply because your fears are just a little stronger than your faith. With practice, you can turn down the volume of the voice of your scared self. And increase the tone of your most triumphant side. The truth is that every challenging event you’ve experienced, each toxic person that you’ve encountered and all the trials you’ve endured have been perfect preparation to make you into the person that you now are. You needed these lessons to activate the treasures, talents and powers that are now awakening within you. Nothing was an accident. Zero was a waste. You’re definitely exactly where you need to be to begin the life of your most supreme desires. One that can make you an empire-builder along with a world-changer. And perhaps even a history-maker.” “This all sounds easy but it’s a lot harder in reality,” shouted a man in a red baseball cap, seated in the fifth row. He sported a gray t-shirt and ripped jeans, the type you can buy torn at your local shopping mall. Though this outburst could have seemed disrespectful, the pitch of the participant’s voice and his body language displayed genuine admiration for The Spellbinder. “I agree with you, you wonderful human being,” responded The Spellbinder, his grace influencing all participants and his voice sounding somewhat stronger, as he stood up from his chair. “Ideas are worth nothing unless backed by application. The smallest of implementations is always worth more than the grandest of intentions. And if being an amazing person and developing a legendary life was easy, everyone would be doing it. Know what I mean?
”
”
Robin Sharma (The 5AM Club: Own Your Morning. Elevate Your Life.)
“
Now there is this song on the saxophone. And I am ashamed. A glorious little suffering has just been born, an exemplary suffering. Four notes on the saxophone. They come and go, they seem to say: You must be like us, suffer in rhythm. All right! Naturally, I’d like to suffer that way, in rhythm, without complacence, without self-pity, with an arid purity. But is it my fault if the beer at the bottom of my glass is warm, if there are brown stains on the mirror, if I am not wanted, if the sincerest of my sufferings drags and weighs, with too much flesh and the skin too wide at the same time, like a sea-elephant, with bulging eyes, damp and touching and yet so ugly? No, they certainly can’t tell me it’s compassionate—this little jewelled pain which spins around above the record and dazzles me. Not even ironic: it spins gaily, completely self-absorbed; like a scythe it has cut through the drab intimacy of the world and now it spins and all of us, Madeleine, the thick-set man, the patronne, myself, the tables, benches, the stained mirror, the glasses, all of us abandon ourselves to existence, because we were among ourselves, only among ourselves, it has taken us unawares, in the disorder, the day to day drift: I am ashamed for myself and for what exists in front of it.
It does not exist. It is even an annoyance; if I were to get up and rip this record from the table which holds it, if I were to break it in two, I wouldn’t reach it. It is beyond—always beyond something, a voice, a violin note. Through layers and layers of existence, it veils itself, thin and firm, and when you want to seize it, you find only existants, you butt against existants devoid of sense. It is behind them: I don’t even hear it, I hear sounds, vibrations in the air which unveil it. It does not exist because it has nothing superfluous: it is all the rest which in relation to it is superfluous. It is.
And I, too, wanted to be. That is all I wanted; this is the last word. At the bottom of all these attempts which seemed without bonds, I find the same desire again: to drive existence out of me, to rid the passing moments of their fat, to twist them, dry them, purify myself, harden myself, to give back at last the sharp, precise sound of a saxophone note. That could even make an apologue: there was a poor man who got in the wrong world. He existed, like other people, in a world of public parks, bistros, commercial cities and he wanted to persuade himself that he was living somewhere else, behind the canvas of paintings, with the doges of Tintoretto, with Gozzoli’s Florentines, behind the pages of books, with Fabrizio del Dongo and Julien Sorel, behind the phonograph records, with the long dry laments of jazz. And then, after making a complete fool of himself, he understood, he opened his eyes, he saw that it was a misdeal: he was in a bistro, just in front of a glass of warm beer. He stayed overwhelmed on the bench; he thought: I am a fool. And at that very moment, on the other side of existence, in this other world which you can see in the distance, but without ever approaching it, a little melody began to sing and dance: “You must be like me; you must suffer in rhythm.
”
”
Jean-Paul Sartre (Nausea)
“
But then, as I’m leaving school, I see John parked out front. He’s standing in front of his car; he hasn’t seen me yet. In this bright afternoon light, the sun warms John’s blond head like a halo, and suddenly I’m struck with the visceral memory of loving him from afar, studiously, ardently. I so admired his slender hands, the slope of his cheekbones. Once upon a time I knew his face by heart. I had him memorized.
My steps quicken. “Hi!” I say, waving. “How are you here right now? Don’t you have school today?”
“I left early,” he says.
“You? John Ambrose McClaren cut school?”
He laughs. “I brought you something.” John pulls a box out of his coat pocket and thrusts it at me. “Here.”
I take it from him, it’s heavy and substantial in my palm. “Should I…should I open it right now?”
“If you want.”
I can feel his eyes on me as I rip off the paper, open the white box. He’s anxious. I ready a smile on my face so he’ll know I like it, no matter what it is. Just the fact that he thought to buy me a present is so…dear.
Nestled in white tissue paper is a snow globe the size of an orange, with a brass bottom. A boy and girl are ice-skating inside. She’s wearing a red sweater; she has on earmuffs. She’s making a figure eight, and he’s admiring her. It’s a moment caught in amber. One perfect moment, preserved under glass. Just like that night it snowed in April.
“I love it,” I say, and I do, so much. Only a person who really knew me could give me this gift. To feel so known, so understood. It’s such a wonderful feeling, I could cry. It’s something I’ll keep forever. This moment, and this snow globe.
I get on my tiptoes and hug him, and he wraps his arms around me tight and then tighter. “Happy birthday, Lara Jean.
”
”
Jenny Han (P.S. I Still Love You (To All the Boys I've Loved Before, #2))
“
The perfect girl what can I say; to be so close yet, feel miles away. I want to run to her, but have to walk out the door going the other way. The only words spoken to her are- ‘Have a nice day.’ I think about her and the summer, and what it could have been with her. It reminds me of- sixteen, you are on my mind all the time. I think about you. It is like a vision of the stars shining, ribbon wearing, bracelet making, and holding hands forever.
All the sunflowers in the hayfields and kissing in the rain, no more brick walls, no more falling teardrops of pain, and no more jigsaw puzzle pieces would remain. True love should not be such a game; does she feel the same. She is everything that I cannot have, and everything I lack. What if every day could be like this- Diamond rings, football games, and movies on the weekends? It is easy to see she belongs to me; she is everything that reminds me of ‘sixteen’ everything that is in my dreams. Everything she does is amazing, but then again, I am just speculating, and fantasizing about Nevaeh Natalie, who just turned the age of sixteen!
Nevaeh- I recall my first boy kiss was not at all, what I thought it was going to be like. I was wearing a light pink dress, and flip-flops that were also pink with white daisy flowers printed on them. I loosened my ponytail and flipped out my hair until my hair dropped down my back, and around my shoulders. That gets A guy going every time, so I have read online. He was wearing ripped-up jeans and a Led Zeppelin t-shirt.
He said that- ‘My eyes sparkled in blue amazement, which was breathtaking, that he never saw before.’ Tell me another line… I was thinking, while Phil Collins ‘Take Me Home’ was playing in the background. I smiled at him, he began to slowly lean into me, until our lips locked. So, enjoy, he kissed me, and my heart was all aflutter.
When it happened, I felt like I was floating, and my stomach had butterflies.
My eyes fastened shut with no intentions of me doing so during the whole thing. When my eyes unfastened my feelings of touch engaged, and I realized that his hands are on my hips. His hands slowly moved up my waist, and my body. I was trembling from the exhilaration. Plus, one thing led to another. It was sort of my first time, kissing and playing with him you know a boy, oh yet not really, I had gotten to do some things with Chiaz before like, in class as he sat next to me. I would rub my hand on it under the desks- yeah, he liked that, and he would be.
Oh, how could I forget this… there was this one time in the front seat of his Ford pickup truck, we snuck off… and this was my first true time gulping down on him, for a lack of a better term. As I had my head in his lap and was about to move up for him to go in me down there, I was about to get on top and let him in me. When we both heard her this odd, yet remarkably loud scream of bloody murder! Ava was saying- ‘You too were going to fuck! What the fuck is going on here? Anyways, Ava spotted us before he got to ‘Take me!
”
”
Marcel Ray Duriez (Nevaeh The Miracle)
“
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)— SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon. God bless the children of this picture, this bookmovie. I’m going on into the Shade.
”
”
Jack Kerouac (Dr. Sax)
“
SCENE 24 “Tiens, Ti Jean, donne ce plat la a Shammy,” my father is saying to me, turning from the open storage room door with a white tin pan. “Here, Ti Jean, give this pan to Shammy.” My father is standing with a peculiar French Canadian bowleggedness half up from a crouch with the pan outheld, waiting for me to take it, anxious till I do so, almost saying with his big frowning amazed face “Well my little son what are we doing in the penigillar, this strange abode, this house of life without roof be-hung on a Friday evening with a tin pan in my hand in the gloom and you in your raincoats—” “II commence a tombez de la neige” someone is shouting in the background, coming in from the door (“Snow’s startin to fall”)—my father and I stand in that immobile instant communicating telepathic thought-paralysis, suspended in the void together, understanding something that’s always already happened, wondering where we were now, joint reveries in a dumb stun in the cellar of men and smoke … as profound as Hell … as red as Hell.—I take the pan; behind him, the clutter and tragedy of old cellars and storage with its dank message of despair–mops, dolorous mops, clattering tear-stricken pails, fancy sprawfs to suck soap suds from a glass, garden drip cans–rakes leaning on meaty rock–and piles of paper and official Club equipments– It now occurs to me my father spent most of his time when I was 13 the winter of 1936, thinking about a hundred details to be done in the Club alone not to mention home and business shop–the energy of our fathers, they raised us to sit on nails– While I sat around all the time with my little diary, my Turf, my hockey games, Sunday afternoon tragic football games on the toy pooltable white chalkmarked … father and son on separate toys, the toys get less friendly when you grow up–my football games occupied me with the same seriousness of the angels–we had little time to talk to each other. In the fall of 1934 we took a grim voyage south in the rain to Rhode Island to see Time Supply win the Narragansett Special–with Old Daslin we was … a grim voyage, through exciting cities of great neons, Providence, the mist at the dim walls of great hotels, no Turkeys in the raw fog, no Roger Williams, just a trolley track gleaming in the gray rain– We drove, auguring solemnly over past performance charts, past deserted shell-like Ice Cream Dutchland Farms stands in the dank of rainy Nov.—bloop, it was the time on the road, black tar glisten-road of thirties, over foggy trees and distances, suddenly a crossroads, or just a side-in road, a house, or bam, a vista gray tearful mists over some half-in cornfield with distances of Rhode Island in the marshy ways across and the secret scent of oysters from the sea–but something dark and rog-like.— J had seen it before … Ah weary flesh, burdened with a light … that gray dark Inn on the Narragansett Road … this is the vision in my brain as I take the pan from my father and take it to Shammy, moving out of the way for LeNoire and Leo Martin to pass on the way to the office to see the book my father had (a health book with syphilitic backs)—
SCENE 25 Someone ripped the pooltable cloth that night, tore it with a cue, I ran back and got my mother and she lay on it half-on-floor like a great poolshark about to take a shot under a hundred eyes only she’s got a thread in her mouth and’s sewing with the same sweet grave face you first saw in the window over my shoulder in that rain of a late Lowell afternoon.
God bless the children of this picture, this bookmovie.
I’m going on into the Shade.
”
”
Jack Kerouac (Dr. Sax)
“
I’m Zeke.” The golden-eyed-boy gracefully stood to his feet. His v-neck t-shirt revealed an array of knotted hemp necklaces, his black jeans stylishly ripped, black-on-black Converse on his feet. But it was his thick mess of black curls that had her gripping the side of her skirt to keep from touching him.
He held out his hand. “Zeke D’Angelo. Drummer. And you are?”
Dry-mouthed. Speechless. Yours?
”
”
Tracy Joy Jones
“
We didn’t believe when we first heard because you know how church folk can gossip. Like the time we all thought First John, our head usher, was messing around on his wife because Betty, the pastor’s secretary, caught him cozying up at brunch with another woman. A young, fashionable woman at that, one who switched her hips when she walked even though she had no business switching anything in front of a man married forty years. You could forgive a man for stepping out on his wife once, but to romance that young woman over buttered croissants at a sidewalk café? Now, that was a whole other thing. But before we could correct First John, he showed up at Upper Room Chapel that Sunday with his wife and the young, hip-switching woman—a great-niece visiting from Fort Worth—and that was that. When we first heard, we thought it might be that type of secret, although, we have to admit, it had felt different. Tasted different too. All good secrets have a taste before you tell them, and if we’d taken a moment to swish this one around our mouths, we might have noticed the sourness of an unripe secret, plucked too soon, stolen and passed around before its season. But we didn’t. We shared this sour secret, a secret that began the spring Nadia Turner got knocked up by the pastor’s son and went to the abortion clinic downtown to take care of it. She was seventeen then. She lived with her father, a Marine, and without her mother, who had killed herself six months earlier. Since then, the girl had earned a wild reputation—she was young and scared and trying to hide her scared in her prettiness. And she was pretty, beautiful even, with amber skin, silky long hair, and eyes swirled brown and gray and gold. Like most girls, she’d already learned that pretty exposes you and pretty hides you and like most girls, she hadn’t yet learned how to navigate the difference. So we heard all about her sojourns across the border to dance clubs in Tijuana, the water bottle she carried around Oceanside High filled with vodka, the Saturdays she spent on base playing pool with Marines, nights that ended with her heels pressed against some man’s foggy window. Just tales, maybe, except for one we now know is true: she spent her senior year of high school rolling around in bed with Luke Sheppard and come springtime, his baby was growing inside her. — LUKE SHEPPARD WAITED TABLES at Fat Charlie’s Seafood Shack, a restaurant off the pier known for its fresh food, live music, and family-friendly atmosphere. At least that’s what the ad in the San Diego Union-Tribune said, if you were fool enough to believe it. If you’d been around Oceanside long enough, you’d know that the promised fresh food was day-old fish and chips stewing under heat lamps, and the live music, when delivered, usually consisted of ragtag teenagers in ripped jeans with safety pins poking through their lips.
”
”
Brit Bennett (The Mothers)
“
While I was grateful for the progress made and the blessings I had received, there was no gratitude toward this enemy. This was war. I didn't want this to define me, to color how I saw the world, but it was not easy. It literally cloaked me like Peter Pan's wayward shadow. I felt it's presence with every step, with the electrical currents that stabbed occasionally through my feet, with ripping-like pain in my tendons, with every glass that I dropped, with every quiet moment that now rang in my ears. On days when the walls closed in, I was aware. Even in sleep, it frequently tormented me. My dreams were filled with situations in which I couldn't walk, I couldn't function. Unconscious reminders that reinforced loss and an unknown future thereby undoing the day's progress and gratitude work. I was different. And so was my world.
”
”
Rhonda Jean Bolton (Praying Through Plies: Living With Lupus and Surviving An Antibiotic Called Levaquin)
“
The clurichaun wasn’t going to be winning any beauty contests. Not only was he short—four feet at best—but he was rather squat. Not brawny, but of a sturdy build with shorter-than-average legs and overly long arms. His face, which could best be described as having been sculpted by a young child, didn’t improve upon his unusual proportions. His nose was bulbous and lumpy, his ears stuck out from his head, and his short hair shot out from his head in uneven spikes. His clothes were another matter entirely. The stained and ripped jeans were held up by a twine belt, and the faded plaid shirt was half-untucked, missing buttons, and one arm was holding on to the body of the shirt by a thread. “Oh,
”
”
N.E. Conneely (A Witch's Trial (A Witch's Path, #3))
“
I want to get some fresh air,” I say, and move around him, stepping off onto the stone slabs and promptly sinking with one heel into the narrow space between them.
“Oops!” I say idiotically, ignoring the hand that Luca is stretching out to help me. The last thing I need right now is to touch him, for all sorts of reasons. I keep walking, pulling my heel out from between the paving stones; mercifully, it comes out without catching or ripping off. I honestly think that even if it did, I would keep going; I’d walk on a sandal without a heel all night, balance on my toes, pretend nothing had happened, and think it a fair price to pay for my flight into the comparative darkness of the chill-out area, where Luca can’t see the sweat on my face.
He’s following me. I can hear his leather-soled shoes on the stone. And I have no idea where I’m going. I feel ridiculous. Luckily, ahead of me I see a terrace with tables, and I walk toward it as if I’d planned to head there all along.
“You want a drink?” he asks. He gestures over to the right, and I see the white gleam of the long bar, the translucent milky-white pillars shining as if we’re underwater.
I don’t need to drink any more alcohol tonight. Especially in the company of Luca. “Maybe some water. I’m really thirsty.”
He nods, turns, and walks toward the bar. I watch him go. Tall, lean, with a nice firm bum in his black jeans. Exactly what I like in a boy. And then I feel my face flaming, because this isn’t just some boy at an airport, or viewed from a car. This is real. He’s real. He’ll be back in just a few minutes, and I won’t have the faintest idea what to say to him…
”
”
Lauren Henderson (Flirting in Italian (Flirting in Italian #1))
“
Metallica are too proud to dress up; their uniform is the uniform of their average fan, the teenage American slob: sneakers, ripped jeans, T-shirts.
”
”
Paul Brannigan (Birth School Metallica Death, Volume 1: The Biography)
“
Is this really a demigod? I don’t exactly know what my expectations were – it’s not like I have anything to compare it to. But I certainly did not expect a demigod to be walking around in ripped jeans with a beat up face and complaining about a headache. I didn’t expect someone with such sad, tired eyes. But I also know that under normal circumstances, that same face is flawless.
”
”
Beatrice Sand (House of Guardians (The Ambrosia Trilogy #1))
“
Keyboard of Revolution (The Sonnet)
I wrote most of my works,
On broken down laptops.
Perhaps that's why they work well,
With this broken down world.
I don't write to butter the assheads of pomposity,
My duty is to till the soil of grassroots reform.
That's why I feel at home creating on humble machines,
The very thought of fancy devices makes my stomach turn.
I once said to you, ripped jeans and twenty dollar shirt,
That's how we change the world, how we build the world.
Often a fancy exterior is indicative of a rotten interior,
It's a simple life that facilitates a magnificent world.
I don't need thousand dollar machines to cause ascension.
Give me a keyboard, I'll give you revolution.
”
”
Abhijit Naskar (Amantes Assemble: 100 Sonnets of Servant Sultans)
“
He’s wearing ripped skinny jeans, a white band tee with his leather jacket, and all black Converse. His hair is styled in an effortless way, with curly ringlets sitting in a perfect mess on his head.
”
”
Ashley James (Barred Desires (The Deepest Desires, #1))
“
I began by dividing my clothes into two groups. I dubbed one pile WORK and the other FABULOUS. The work group comprised dull basic items: jeans, sweaters, dungarees, flannel shirts, and T-shirts. These were my schlepping clothes, garments that, if spattered with paint or ripped by nails, would not be lamented. The fabulous group comprised my party clothes. These garments—punk couture, sharkskin suits, fluorescent shirts, brothel-creeper shoes, and new-wave neckties—were the clothes I wore when I was shrieking and boozing and going to Bowie concerts and to the Blitz to watch my roommate perform with his singing partner, whose name was Eve Ferret. These were the clothes I wore when I was having fun.
”
”
Simon Doonan (Eccentric Glamour: Creating an Insanely More Fabulous You)
“
Oh, just let it out. I don’t care how it looks; it’ll be hidden in the back of my cloak anyway. We can pretty it up later.”
“We?” Jean snorted as he loosened the doublet with a few strategic rips and slashes. “Me, more like. You mend clothes like dogs write poetry.
”
”
Scott Lynch (The Lies of Locke Lamora (Gentleman Bastard, #1))
“
He taught them how to play chess and they taught him how to sew patches over the rips in his jeans until the air turned warm and they taught him how to cut his jeans into shorts instead.
”
”
Tegan Anderson (Paper Forests)
“
To my shock, and delight, there was nothing in that suitcase but bare essentials. Shorts, ripped jeans and snacks. And a yoga mat.
”
”
Prince Harry (Spare)
“
ripped jeans held together by the grace of God,
”
”
Freida McFadden (Suicide Med)
“
The rest of us wear our battle armour—ripped jeans and band t-shirts, leather jackets and bad attitudes.
”
”
J. Rose (Desecrated Saints (Blackwood Institute, #3))
“
Her hand slides into her jeans, and she fucking touches herself. She tips her head back and lets out a soft moan like a quiet porn star, and I rip my hand out from under her shirt to cover her mouth.
”
”
S. Massery (Devious Obsession)
“
He had a pale complexion, tousled black hair, and rich brown eyes like melted chocolate. He was dressed in black jeans, combat boots (like mine!), a ripped T-shirt, and a black leather jacket that suited him quite nicely. He was long and lean like a jackal. His ears, like a jackal’s, stuck out a bit (which I found cute), and he wore a gold chain around his neck.
”
”
Rick Riordan (The Kane Chronicles (The Kane Chronicles #1-3))
“
Good thing ’bout being a cowboy is you don’t need to be ripped to get ladies. Dirty jeans and a hat make ’em feral.
”
”
Bailey Hannah (Seeing Red (Wells Ranch, #2))
“
One of our great problems today is that we have gotten caught up in our culture-wide quest for authenticity. We want our jeans authentic (pre-ripped at the factory), we want our apples authentic (grown locally instead of somewhere else), we want our music authentic (underground bands nobody ever heard of), we want our lettuce authentic (organically manured), we want our literature authentic (full of angst), we want our movies authentic (subtitles), and we want our coffee tables authentic (purchased from a genuine peasant while we were on some eco-tour). In short, we are a bunch of phonies. We are superficial all the way down.
”
”
Douglas Wilson (Wordsmithy: Hot Tips for the Writing Life)
“
That definitely wasn’t a bunch of keys in your pocket getting jiggy with my thigh. I thought you were about to rip a hole in my jeans, you were grinding so hard.
”
”
Josephine Myles (Stuff (The Bristol Collection, #2))
“
Paris came down the stairs looking incredible. He‘d gone with the simple classic look of the tight white T-shirt,
the low-slung jeans that showed off a glimpse of his flat belly, and a black leather jacket. His hair was perfectly mussed, a
calculated look that seemed natural and sexy. At the bottom of the staircase, he turned around slowly, holding his arms out
to his sides. "Well, how do I look?"
Damn. "Like I want to rip your clothes off right this second. You‘re gonna kill that kid. He‘s going to explode, and they‘re going
to have to scrape his remains off the wall."
"Yeesh, I was with you until you got descriptive."
"Can‘t help it. You make me poetic."
"I thought I made you horny."
"Same damn thing.
”
”
Andrea Speed (Bloodlines (Infected, #2))
“
I wanted a knight in shining armor, but what I got were douchebags in ripped jeans.
”
”
Jason Lloyd (Queer Dirty Laundry)
“
The sound of Alex revving his motorcycle brings my attention back to him. “Don’t be afraid of what they think.”
I take in the sight of him, from his ripped jeans and leather jacket to the red and black bandana he just tied on top of his head. His gang colors.
I should be terrified. Then I remember how he was with Shelley yesterday.
To hell with it.
I shift my book bag around to my back and straddle his motorcycle.
“Hold on tight,” he says, pulling my hands around his waist. The simple feel of his strong hands resting on top of mine is intensely intimate. I wonder if he’s feeling these emotions, too, but dismiss the thought. Alex Fuentes is a hard guy. Experienced. The mere touch of hands isn’t going to make his stomach flutter.
He deliberately brushes the tips of his fingers over mine before reaching for the handlebars. Oh. My. God. What am I getting myself into?
As we speed away from the school parking lot, I grab Alex’s rock-hard abs tighter. The sped of the motorcycle scares me. I feel light-headed, like I’m riding a roller coaster with no lap bar.
The motorcycle stops at a red light. I lean back.
I hear him chuckle when he guns the engine once more as the light turns green. I clutch his waist and bury my face in his back.
When he finally stops and puts the kickstand down, I survey my surroundings. I’ve never been on his street. The homes are so…small. Most are one level. A cat can’t fit in the space between them. As hard as I try to fight it, sorrow settles in the pit of my stomach.
My house is at least seven, maybe even eight or nine times Alex’s home’s size. I know this side of town is poor, but…
“This was a mistake,” Alex says. “I’ll take you home.”
“Why?”
“Among other things, the look of disgust on your face.”
“I’m not disgusted. I guess I feel sorry--”
“Don’t ever pity me,” he warns. “I’m poor, not homeless.”
“Then are you going to invite me in? The guys across the street are gawking at the white girl.”
“Actually, around here you’re a ‘snow girl.’”
“I hate snow,” I say.
His lips quirk up into a grin. “Not for the weather, querida. For your snow-white skin. Just follow me and don’t stare at the neighbors, even if they stare at you.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
I had the dream again. I was leaning in the back corner of the elevator in my building looking down at the bundle of keys in my hand. Below my hand were the blurred outlines of my black leather lace-up boots and my frayed black jeans. There was ink all over my legs from the screen-printers in my shop. There was ink on the skin beneath the rips at my knee and my thigh where the rough edge of my work table had worn through... The detail was vivid, but there was an ethereal sparkle to everything around the edges. The periphery washed out of focus as if I was looking through a narrow lens... Then the elevator stopped and the door opened. A woman climbed on board. Her face was concealed behind large sunglasses. The realism of the dream became unsteady and I lost grip. The images became fleeting close-ups, stills, and sensations. She was looking at me and my heart began to race... A part of me worried that I was drunk and about to make an embarrassing pass at some poor woman from my building. But when I reached for her, she reached for me too... She pulled my hand down and then the elevator began to plummet. I realized I didn’t have much time. I was surrounded by her scent and warmth... I was so overwhelmed with the sensuality of everything that I lost myself in her... Then I watched her eyes fade into the blackness of my apartment as I woke up.
”
”
Giselle Fox (Rock Candy)
“
Myron cut east on 50th Street. An albino wearing a Mets cap and yellow boxer shorts on the outside of ripped jeans played an Indian sitar. He was singing the seventies classic “The Night Chicago Died” in a voice that reminded Myron of elderly Chinese women in the back of a laundromat. The albino also had a tin cup and a stack of cassettes. A sign read “The Original Benny and His Magical Sitar, only $10.” The original. Oh. Wouldn’t want that imitation albino, sitar, AM seventies music, no sir. Benny
”
”
Harlan Coben (Fade Away (Myron Bolitar, #3))
“
A scraping sound across the room startled her. Jake emerged from the fireplace grate. Soot covered his hands and streaked his cheek. “Want to come look?” Her mind still on the message from the teacher, she approached the fireplace. Jake made room on the hearth. “See these cracks? Crumbling mortar, loose stone. Feel this.” He reached for a river rock, and she touched it. He placed his hand over hers and wobbled the rock, but she barely felt the movement for the jolt that went through her at his touch. She jerked her hand away. His eyes scanned her face, which grew warmer by the second. She studied the blackened rocks as if mesmerized by them. “So the, uh, loosened rocks caused it to smoke?” Was that her squeaky voice? “Right.” She still felt his touch on her hand, though it was now cradled safely in her lap. She ran her other palm over it and felt the protrusion of her ring. Stephen. Wonderful, steady Stephen. She still felt Jake watching her. She was probably glowing like hot coals by now. Confound it. “So, you can, uh, patch it or something?” “Or something.” She wondered if the amusement in his tone was caused by her question or the fact that she’d ripped her hand away as if he’d jabbed her with a poker. She flickered a glance at him, but it stuck and held. The amusement slid slowly from his face, replaced by something else. Something that made her stomach feel as if it contained a batch of quickly rising dough. You just had to look. Heat radiated off his arm, inches away, and flowed over her skin. She could smell the faint scent of pine and musk. She looked away. Told her heart to stay put. Deep breaths. She sucked in a lungful of his woodsy scent. Ix-nay on the eath-bray. Meridith jumped to her feet and put distance between them. Jake cleared his throat, then leaned into the grate. “Don’t see any daylight.” Back to business. “That’s good, right?” “Not if you want to use this thing. Flue’s blocked. Debris or bird’s nest, could be anything.” “You can fix it?” He pulled out of the grate, wiping his hands on his jeans. “Sure.” Meridith hated how unsettled she felt around him. And the faulty fireplace only prolonged his presence. Why did he have to make her feel this way? Why did she have to keep reminding herself this was business? “Can
”
”
Denise Hunter (Driftwood Lane (Nantucket, #4))
“
Wait. Your mom is Victoria Lane!?” Lucky asked.
Holy shit!
That’s where he knew her from. That’s why her lips looked so familiar. That’s why he’d felt like he’d looked into her eyes before.
He had.
“Yep.”
“You were in a perfume or clothing ad with her when you were a teenager!”
Lucky had ripped out every ad he’d found in magazines his senior year. He’d never particularly thought that Victoria was that hot, but when he’d seen her daughter beside her, Lucky had been one smitten kitten.
In fact, Deanna had been his first and only crush. He just hadn’t known it was her.
Deanna didn’t share his enthusiasm. “Yeah, I was.”
“I knew you looked familiar. God, I was obsessed with you. I stole every ad I could find and I would fold it in half and pin it up on my wall so only you were showing.”
Her head spun around, and she looked…mad. “No, you didn’t.”
Oh well. He wasn’t about to try to dig himself out of this one. His only move was to dig in deeper.
“Yes. I did. I thought you were so damn hot—”
Her hand rose defensively. “Lucky, stop. I know that’s not true—”
“You don’t know shit,” he snapped back, still feeling the adrenaline from earlier. His tone made him cringe, so he softened his voice. “Sorry, but you don’t.”
“Whatever.” She crossed her arms in front of her.
Lucky saw it for what it was: a protective stance. But he’d be damned if she was going to feel she had to protect herself from him. He would never hurt her.
“Look, I’m sorry if it pisses you off that I had hundreds of pictures of you all over my wall and I used to jack it to you morning and night—”
“What!?” she screeched.
Glancing over, he saw the horror in her beautiful expressive eyes, but her lips were curled a little at the edges and not set in a grim expression. So he hadn’t pissed her off that bad by his oh-so-shocking admission.
“Sorry to burst your bubble, but I don’t think there was a red-blooded teenage boy who wasn’t jerking it to those pictures.” He’d said it to lighten the mood, but he was getting the same feeling he’d gotten when he’d seen Casey heading towards Deanna on the dance floor. One word filled his mind.
Mine.
Deanna let out a harsh laugh. “Yeah, maybe, but it wasn’t me they were looking at.”
Lucky took his eyes off the road just long enough to see in the set of her jaw and her protective body language that she wasn’t joking. She really believed that she wasn’t hot. Or beautiful. And her mom was.
Then it hit him.
She’d grown up the daughter of a supermodel and a professional baseball player. Maybe living in the shadows all of those years had caused her not to see herself for who she really was. It was time to shed some light on that subject.
Instead of arguing with her, Lucky decided to enlighten her. “My favorite was the one with you wearing a white tank top and jeans. Just a tiny sliver of your stomach was showing, and I used to imagine running my finger along that area and how soft your skin would feel. I loved how that one piece of your hair fell over your shoulder. Your eyes were looking right in the camera, and your lips were so full and… I won’t even tell you what I pictured you doing with them.”
Deanna sounded breathless as she said, “Oh.”
“Do you believe me now?” he asked as he kept his eyes on the winding, dark highway illuminated only by his headlights.
“Yes,” she said quietly. Then he felt her turn towards him, and her voice sounded lighter and hell of a lot sassier as she asked, “You know I was only thirteen when I shot that, right?”
“You were what!?” Lucky’s voice rose in shock, and it took everything in his power not to swerve the truck into the other lane. Now, he was the one who didn’t believe her. “No way. There is no way you were thirteen!”
“Yep. I really was. Whatever you were picturing me doi—”
“Stop!” If Lucky could’ve, he would have covered his ears and said, “Na-na-na-na-na! I’m not listening to you.
”
”
Melanie Shawn
“
We were the neoromantic dance freaks of the eighties, proudly displaying our blow-dried mullets. Among us, you also found the stud-bracelet-wearing punk rockers with sky-high Mohawks. Pastel-colored, shoulder-padded fashion met ripped-jeans-and-leather-jacket anti-fashion.
”
”
Gudjon Bergmann (More Likely to Quote Star Wars than the Bible: Generation X and Our Frustrating Search for Rational Spirituality)
“
He was a jerk. A jerk with a nice butt and a rip in his jeans that strategically showed an inch of muscular thigh.
”
”
Megan Erickson (Make it Right (Bowler University, #2))
“
Children read their favorite books to death, she said. They are careless in their devotions. They rip the pages, scribble, and spill things on them. And they are demon book thieves.
”
”
Jean Nathan (The Secret Life of the Lonely Doll: The Search for Dare Wright)
“
Harper became a little distracted watching her. This morning she wore a soft t-shirt he didn’t recognize and a pair of blue jeans he seemed to remember ripping off her a time or two. His anger faded away as he watched her lean body move. There was no wasted motion with her. It was one of the things that had drawn his eye when he first met her. She hadn’t been through the training he had, but she had a natural grace to her that was spellbinding. Cat was competent and controlled in all things, body, mind and spirit. Even at twenty-two when he’d first met her, he knew he’d been none of those things. His body had been maturing faster than his mind. His spirit had never caught up. The most complete his spirit had ever been had been when he was living with her. All of the fucked up shit he’d grown up with had faded away. There were a couple of brief, shining moments he remembered being completely content with everything in his life. Stupid things like watching her cook him a monster dinner after being deployed for months. Real food made with loving hands after living on government supplied freeze-dried crap made by machines. Playing in the snow on a trip up north, Cat pregnant with Dillon at the time. Watching her tinker under the hood of the truck with him, grease streaked on her cheek. Cat had been at the center of all of those. The past year and a half had been hard. Remembering those brilliant moments had kept him moving through his monotonous life. “I miss watching you,” he admitted. She paused long enough to smile at him, hand propped on her hip. “And I miss feeling the weight of your gaze on me.” Arousal
”
”
J.M. Madden (Embattled SEAL (Lost and Found #4))
“
She spotted him about twenty yards away at a table that sat among a stand of river birch, its four legs submerged in an inch or two of water. Clustered around the table were ten or so of the most wild-looking, barely clothes, heavily muscled men and women she'd ever seen. And at the head, standing on a branch a foot about them all was Parish. He was barefoot and tanned, and wearing only a pair of faded jeans, which rested just below his hipbones. His hair was wild and the scar near his mouth winked in the sunlight. Julia's gaze moved covetously over every inch of him. His narrow waist and ripped stomach that widened to a broad chest, powerful shoulders and lean, muscular arms. he looked ready to spring. And the muscles in Julia's belly turned to liquid fire as she watched him watch her.
”
”
Alexandra Ivy (Raphael/Parish (Bayou Heat, #1-2))
“
I don’t know,” she said quietly. “A guy in a pair of ripped jeans who takes off his shirt because he’s all sweaty is kind of hot.
”
”
Samantha Chase (One More Kiss (Band on the Run #1))
“
One is the Ripped Jeans brand pair of ripped jeans that you’ve been waiting for.
”
”
Jen Calonita (12 to 22: POV You Wake Up in the Future!)
“
What am I going to do? I’m but a mere mortal standing in the way of a cresting tidal wave. I can’t stop the inevitable, so I’m just going with the flow.” The shrug paired with his ‘what can you do?’ look is laughable.
“Uh-huh. You just know she’s going to dress you in your favorite ripped jeans and a tight black t-shirt that shows off your guns, so you don’t care. Who knows how long my neckline is going to be?”
He looks down at the arm he’s bent into a flex. “What, these?
”
”
Nikki Jewell (The Comeback (Lakeview Lightning #1))
“
In the backseat, George wore a gray hoodie with a pocket in front and ripped jeans that needed to be thrown away. Kaldar had also bought him a used skateboard, a plank of wood on four wheels. George caught him looking. “What?” “You look ridiculous,” Jack told him. “This from a guy who strips naked and runs around in the woods.
”
”
Ilona Andrews (Fate's Edge (The Edge, #3))
“
She came downstairs in black ripped skinny jeans, a tight blue shirt, a black leather jacket that hid her holster, and her high-heeled boots with spikes on the heels she always wears. I asked her why once, and she said it’s to remind these assholes they’re dealing with a woman of power that can still kick your ass in heels.
”
”
Ames Mills (Riches to Riches: Part One (Abbs Valley, #1))
“
Josh’s idea of a costume is a white T-shirt with the words The Liberal Elite and ripped jeans. Very on-brand.
”
”
Lisa Springer (There's No Way I'd Die First)
“
gaze down at my little doll still in her pristine uniformed shirt and plaid skirt with the mask in place, on her knees before her God, ready to confess all her sins with her throat. “Take it out,” I demand, widening my stance. She grips the button of my jeans, popping them open before practically ripping the zipper open to release her favorite toy. Her eyes light up with fascination, as they always do when she sees my length, and her thumb immediately flicks the stud of my piercing as her soft fingers wrap around me. A deviant growl leaves my throat and my cock pulses in her soft palm, feeling the sensation travel across my body as blood floods the region to harden me like steel.
”
”
Jescie Hall (That Sik Luv)