Ripe Book Quotes

I want a life that sizzles and pops and makes me laugh out loud. And I don't want to get to the end, or to tomorrow, even, and realize that my life is a collection of meetings and pop cans and errands and receipts and dirty dishes. I want to eat cold tangerines and sing out loud in the car with the windows open and wear pink shoes and stay up all night laughing and paint my walls the exact color of the sky right now. I want to sleep hard on clean white sheets and throw parties and eat ripe tomatoes and read books so good they make me jump up and down, and I want my everyday to make God belly laugh, glad that he gave life to someone who loves the gift.

As for my next book, I won't write it till it has grown heavy in my mind like a ripe pear; pendant, gravid, asking to be cut or it will fall.

Whoever you are: in the evening step out of your room, where you know everything; yours is the last house before the far-off: whoever you are. With your eyes, which in their weariness barely free themselves from the worn-out threshold, you lift very slowly one black tree and place it against the sky: slender, alone. And you have made the world. And it is huge and like a word which grows ripe in silence. And as your will seizes on its meaning, tenderly your eyes let it go...

Your passion is measured by the difference between your willingness to take actions and your desire to quit. When your desire to quit outweighs your willingness to persist, you are ripe for failure!

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunch-backed makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed form kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries' vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers, heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters' sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etiolated lacquerers; mottle-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men's wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of Last Chrysanthemum, where a puddle from last night's rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

He didn’t remember that a mere book might reek of sex, possibility, fecundity. Yet a book has a ripe furrow and a yielding spine, he thought, and the nuances to be teased from its pages are nearly infinite in their variety and coquettish appeal. And what new life can emerge from a book. Any book, maybe.

How many flutterings before they rest quietly in their graves! They that soared so loftily, how contentedly they return to dust again, and are laid low, resigned to lie and decay at the foot of the tree, and afford nourishment to new generations of their kind, as well as to flutter on high! They teach us how to die. One wonders if the time will ever come when men, with their boasted faith in immortality, will lie down as gracefully and as ripe,--with such an Indian-summer serenity will shed their bodies, as they do their hair and nails.

Yet here, this night, you might repose with me, On green leaves pillowed: apples ripe have I, Soft chestnuts, and of curdled milk enow. And, see, the farm-roof chimneys smoke afar, And from the hills the shadows lengthening fall!

He was a young man of savage & unexpected originality, a diseased genius & quite frankly, a mad genius. Imbeciles grow insane & in their insanity the imbecility remains stagnant or agitated; in the madness of a man of genius some genius often remains: the form & not the quality of intelligence has been affected; the fruit has been bruised in the fall, but has preserved all its perfume & all the savor of its pulp, hardly too ripe.

She was very pretty: exceedingly pretty. With a dimpled, surprised-looking, capital face; a ripe little mouth, that seemed made to be kissed — as no doubt it was; all kinds of good little dots about her chin, that melted into one another when she laughed; and the sunniest pair of eyes you ever saw in any little creature's head. Altogether she was what you would have called provoking, you know; but satisfactory, too. Oh, perfectly satisfactory.

We've already established my position on dillying and dallying, which right now is chaste with a chance for inveterate lust, depending on the ripeness of our first interactions.

Teenage Turn-Ons As played by Robert Pattinson in the Twilight Saga movies, Edward has a certain physical sex appeal thanks in part to the the actor's handsome features. but the appeal in both the movies and the novels has nothing to do with a bad-boy energy that so often translates into sexiness because, really, even when he's full-out vamp, there isn't that much of a bad boy to be found in his character. Curiously, the sexiness of the vampire Edward comes from his safeness. He is the ultimate fantasy man. Described in overly ripe prose, his physical perfection is glorious. He might be a little cool to the touch-but gosh! Look at him! He's youthful, with a perfect body, or the sort of man found in the pages of a million romance novels. And most important, he will do what ever it takes to keep his beloved Bella safe, whether the danger comes from the world or himself.

Some single trees, wholly bright scarlet, seen against others of their kind still freshly green, or against evergreens, are more memorable than whole groves will be by-and-by. How beautiful, when a whole tree is like one great scarlet fruit full of ripe juices, every leaf, from lowest limb to topmost spire, all aglow, especially if you look toward the sun! What more remarkable object can there be in the landscape? Visible for miles, too fair to be believed. If such a phenomenon occurred but once, it would be handed down by tradition to posterity, and get into the mythology at last.

On page 86, "This wasn't like Jim. Always before, the window slid up, Jim's head popped out, ripe with yells, secret hissings, giggles, riots and rebel charges." This quote shows that something isn't right, that this isn't what Will was expecting of Jim. This quote can foreshadow of what could happen later in the book.

Brrr, who had never admired books particularly...didn't remember that a mere book might reek of sex, possibility, fecundity. Yet a book has a ripe furrow and a yielding spine, he thought, and the nuances to be teased from its pages are nearly infinite in their variety and coquettish appeal. And what new life can emerge from a book. Any book, maybe.

that the time is always ripe, that the place is here and the time is now.

Change your environment and if the need be, change your company because it goes a long way to create another version for you which can easily ripe for decay!

And ye also, to whom life is rough labour and disquiet, are ye not very tired of life? Are ye not very ripe for the sermon of death?

If this were done of old, in a green tree Allowed in the Spring rawness of our kind, What may be licensed in the Autumn dry And ripe, the latter harvest-tide of man?

If I had my way, the trip’s every moment would be a Moment—ripe with meaning, worthy of at least a sidebar or infographic in my personal history book. I looked back to the road, followed the pavement

For instance, the previous run-on sentence is a sentence fragment, and it happened in part because of the really nice time my body was having making this lavender Le Pen make the loop-de-looping we call language. I mean writing. The point: I’d no sooner allow that fragment to sit there like a ripe zit if I was typing on a computer. And consequently, some important aspect of my thinking, particularly the breathlessness, the accruing syntax, the not quite articulate pleasure that evades or could give a fuck about the computer’s green corrective lines (how they injure us!) would be chiseled, likely with a semicolon and a proper predicate, into something correct, and, maybe, dull. To be sure, it would have less of the actual magic writing is, which comes from our bodies, which we actually think with, quiet as it’s kept.

In the restaurant kitchen, August meant lobsters, blackberries, silver queen corn, and tomatoes, tomatoes, tomatoes. In honor of the last year of the restaurant, Fiona was creating a different tomato special for each day of the month. The first of August (two hundred and fifty covers on the book, eleven reservation wait list) was a roasted yellow tomato soup. The second of August (two hundred and fifty covers, seven reservation wait list) was tomato pie with a Gruyère crust. On the third of August, Ernie Otemeyer came in with his wife to celebrate his birthday and since Ernie liked food that went with his Bud Light, Fiona made a Sicilian pizza- a thick, doughy crust, a layer of fresh buffalo mozzarella, topped with a voluptuous tomato-basil sauce. One morning when she was working the phone, Adrienne stepped into the kitchen hoping to get a few minutes with Mario, and she found Fiona taking a bite out of red ripe tomato like it was an apple. Fiona held the tomato out. "I'd put this on the menu," she said. "But few would understand.

In one opinion, the house in which you stay, the church you attend and the town in which you reside may not determine the size of your dreams, but they can influence the rate of maturity of what you have planted.

I was ripe for the first escapist avenue that came my way. I will forever be grateful that it came in the form of books. When my world became too much to handle alone, I always had a way out. Even if only for a little while.

A dark flask dangled from the bedpost like a ripe fruit.   Someone he could not see was seated beside his bed. He turned his head and craned his neck to no avail. At last he extended a hand toward the visitor; and the visitor took it between his own, which were large and hard and warm. As soon as their hands touched, he knew. You said you weren’t going to help, he told the visitor. You said I wasn’t to expect help from you, yet here you are. The visitor did not reply, but his hands were clean and gentle and full of healing.

When voters got a chicken in every pot at election time, they usually liked the incumbent party’s ideology just fine, whatever it happened to be. But when incomes eroded and unemployment escalated, they became ripe for defection to anyone who promised to bring home the poultry.

If you’re some stranger who stumbled over this book by chance—perhaps rotting in some foreign garbage pile or locked in a dusty traveling trunk or published by some small, misguided press and shelved mistakenly under Fiction—I hope to every god you have the guts to do what needs doing. I hope you will find the cracks in the world and wedge them wider, so the light of other suns shines through; I hope you will keep the world unruly, messy, full of strange magics; I hope you will run through every open Door and tell stories when you return. But that’s not really why I wrote this, of course. I wrote it for you. So that you might read it and remember the things you were told to forget. Now at least you can look clear-eyed into your own future, and choose: stay safe and sane at home, as any rational man would—I swear I’ll understand— Or run away with me toward the glimmering, mad horizon. Dance through this eternal green orchard, where ten thousand worlds hang ripe and red for the plucking; wander with me between the trees, tending them, clearing away the weeds, letting in the air. Opening the Doors.

I was pregnable once,” Merill thought to contribute. She remembered how troublesome it made getting around, having a ripe belly. Couldn’t roll properly, couldn’t hop properly, couldn’t romp or flop properly. There were the cravings for roasted cabbage—she loathed cabbage, with its leaves and growing in rows. And labor! Merill passed out during childbirth. She’d endured burns, lacerations, rips, serrated teeth, nails, hooks and a trove of unmentionable harm-inflictors. Labor trounced them all and wriggled gleefully in the spray of blood and gore. “Being pregnable is no good. No good at all. Like growing a bitter melon in your belly.

A diary, the first of a long succession, was given to me for Christmas 1920, and the entry for New Year’s Day might have been written by a child of five. Here was no budding woman, ripe for sex instruction, but someone who perhaps had been left behind on the Never Never Island in Peter Pan. I quote: ‘New Year’s Day. I oversleep myself. We go for a long walk in the morning and stay indoors in the afternoon. It is my teddy-bear’s birthday. I give a party for her. Angela is very annoying. Jeanne and I box, and then I pretend I am a midshipman hunting slaves. Daddy says I have a stoop. I begin to read a book called With Allenby in Palestine.

Quinces are ripe...when they are the yellow of canary wings in midflight. they are ripe when their scent teases you with the snap of green apples and the perfumed embrace of coral roses. but even then quinces remain a fruit, hard and obstinate--useless...until they are simmered, coddled for hours above a low, steady flame. add honey and water and watch their dry, bone-colored flesh soak-up the heat, coating itself in an opulent orange, not of the sunrises that you never see but of the insides of tree-ripened papayas, a color you can taste. to answer your question__love is not a bowl of quinces yellowing in a blue and white china bowl, seen but untouched__. ~The Book of Salt

Where is his father? When will his mother be home? How is he going to explain the moon taken hostage, the sea risen to fill up all the mirrors? How is he going to explain the branches beginning to grow from his ribs and throat, the cries and trills starting in his own mouth? And now that ancient sorrow between his hips, his body’s ripe listening; the planet knowing itself at last.

The tired intellectual sums up the deformities and the vices of a world adrift. He does not act, he suffers; if he favors the notion of tolerance, he does not find in it the stimulant he needs. Tyranny furnishes that, as do the doctrines of which it is the outcome. If he is the first of its victims, he will not complain: only the strength that grinds him into the dust seduces him. To want to be free is to want to be oneself; but he is tired of being himself, of blazing a trail into uncertainty, of stumbling through truths. “Bind me with the chains of Illusion,” he sighs, even as he says farewell to the peregrinations of Knowledge. Thus he will fling himself, eyes closed, into any mythology which will assure him the protection and the peace of the yoke. Declining the honor of assuming his own anxieties, he will engage in enterprises from which he anticipates sensations he could not derive from himself, so that the excesses of his lassitude will confirm the tyrannies. Churches, ideologies, police—seek out their origin in the horror he feels for his own lucidity, rather than in the stupidity of the masses. This weakling transforms himself, in the name of a know-nothing utopia, into a gravedigger of the intellect; convinced of doing something useful, he prostitutes Pascal’s old “abêtissezvous,” the Solitary’s tragic device. A routed iconoclast, disillusioned with paradox and provocation, in search of impersonality and routine, half prostrated, ripe for the stereotype, the tired intellectual abdicates his singularity and rejoins the rabble. Nothing more to overturn, if not himself: the last idol to smash … His own debris lures him on. While he contemplates it, he shapes the idol of new gods or restores the old ones by baptizing them with new names. Unable to sustain the dignity of being fastidious, less and less inclined to winnow truths, he is content with those he is offered. By-product of his ego, he proceeds—a wrecker gone to seed—to crawl before the altars, or before what takes their place. In the temple or on the tribunal, his place is where there is singing, or shouting—no longer a chance to hear one’s own voice. A parody of belief? It matters little to him, since all he aspires to is to desist from himself. All his philosophy has concluded in a refrain, all his pride foundered on a Hosanna! Let us be fair: as things stand now, what else could he do? Europe’s charm, her originality resided in the acuity of her critical spirit, in her militant, aggressive skepticism; this skepticism has had its day. Hence the intellectual, frustrated in his doubts, seeks out the compensations of dogma. Having reached the confines of analysis, struck down by the void he discovers there, he turns on his heel and attempts to seize the first certainty to come along; but he lacks the naiveté to hold onto it; henceforth, a fanatic without convictions, he is no more than an ideologist, a hybrid thinker, such as we find in all transitional periods. Participating in two different styles, he is, by the form of his intelligence, a tributary of the one of the one which is vanishing, and by the ideas he defends, of the one which is appearing. To understand him better, let us imagine an Augustine half-converted, drifting and tacking, and borrowing from Christianity only its hatred of the ancient world. Are we not in a period symmetrical with the one which saw the birth of The City of God? It is difficult to conceive of a book more timely. Today as then, men’s minds need a simple truth, an answer which delivers them from their questions, a gospel, a tomb.

SOCIAL/GENERAL ICEBREAKERS 1. What do you think of the movie/restaurant/party? 2. Tell me about the best vacation you’ve ever taken. 3. What’s your favorite thing to do on a rainy day? 4. If you could replay any moment in your life, what would it be? 5. What one thing would you really like to own? Why? 6. Tell me about one of your favorite relatives. 7. What was it like in the town where you grew up? 8. What would you like to come back as in your next life? 9. Tell me about your kids. 10. What do you think is the perfect age? Why? 11. What is a typical day like for you? 12. Of all the places you’ve lived, tell me about the one you like the best. 13. What’s your favorite holiday? What do you enjoy about it? 14. What are some of your family traditions that you particularly enjoy? 15. Tell me about the first car you ever bought. 16. How has the Internet affected your life? 17. Who were your idols as a kid? Have they changed? 18. Describe a memorable teacher you had. 19. Tell me about a movie/book you’ve seen or read more than once. 20. What’s your favorite restaurant? Why? 21. Tell me why you were named ______. What is the origin of your last name? 22. Tell me about a place you’ve visited that you hope never to return to. get over your mom’s good intentions. 23. What’s the best surprise you’ve ever received? 24. What’s the neatest surprise you’ve ever planned and pulled off for someone else? 25. Skiing here is always challenging. What are some of your favorite places to ski? 26. Who would star as you in a movie about your life? Why that person? 27. Who is the most famous person you’ve met? 28. Tell me about some of your New Year’s resolutions. 29. What’s the most antiestablishment thing you’ve ever done? 30. Describe a costume that you wore to a party. 31. Tell me about a political position you’d like to hold. 32. What song reminds you of an incident in your life? 33. What’s the most memorable meal you’ve eaten? 34. What’s the most unforgettable coincidence you’ve experienced or heard about? 35. How are you able to tell if that melon is ripe? 36. What motion picture star would you like to interview? Why? 37. Tell me about your family. 38. What aroma brings forth a special memory? 39. Describe the scariest person you ever met. 40. What’s your favorite thing to do alone? 41. Tell me about a childhood friend who used to get you in trouble. 42. Tell me about a time when you had too much to eat or drink. 43. Describe your first away-from-home living quarters or experience. 44. Tell me about a time that you lost a job. 45. Share a memory of one of your grandparents. 46. Describe an embarrassing moment you’ve had. 47. Tell me something most people would never guess about you. 48. What would you do if you won a million dollars? 49. Describe your ideal weather and why. 50. How did you learn to ski/hang drywall/play piano?

For it must be understood that this is a children’s book only in the sense that the first of many readings can be undertaken in the nursery. Alice is read gravely by children and with laughter by grown-ups; The Hobbit, on the other hand, will be funniest to its youngest readers, and only years later, at a tenth or a twentieth reading, will they begin to realize what deft scholarship and profound reflection have gone to make everything in it so ripe, so friendly, and in its own way so true.

rich, ripe, dark, deep, zippy, zesty, wicked, wonderful, delicious, delightful, delectable and even electable (if he could vote), vibrant, vivacious, seductive, addictive, oh-so-very-attractive, nourishing, flourishing, rather ravishing, beautiful, buttery, sometimes bittersweet but never bitter, gorgeous and worth gorging on, berry-ish, cherry-ish, meaty yet fruity, elemental yet complex, mellow yet electric, soothing yet energizing, earthy yet heavenly, melt-in-your-mouth pleasure of chocolate?

It is now July 2015, the midpoint of a summer that feels like no other in Supreme’s memory. Two weeks earlier, a white supremacist had gunned down nine Black worshippers at a historic church in Charleston. The country seems ripe for another civil war, with a cohort of white Americans defending their Confederate flags while Black activists mount a movement that has enshrined Eric Garner’s name. In Texas public schools, new social studies textbooks have minimized the role of slavery in the Civil War, while a geography book depicts slaves as “workers” who came by way of “immigration” from Africa.

While he was still repeating the Confiteor amid the indulgent laughter of his hearers and while the scenes of that malignant episode were still passing sharply and swiftly before his mind he wondered why he bore no malice now to those who had tormented him. He had not forgotten a whit of their cowardice and cruelty but the memory of it called forth no anger from him. All the descriptions of fierce love and hatred which he had met in books had seemed to him therefore unreal. Even that night as he stumbled homewards along Jones's Road he had felt that some power was divesting him of that suddenwoven anger as easily as a fruit is divested of its soft ripe peel.

While he was still repeating the Confiteor amid the indulgent laughter of his hearers and while the scenes of that malignant episode were still passing sharply and swiftly before his mind he wondered why he bore no malice now to those who had tormented him. He had not forgotten a whit of their cowardice and cruelty but the memory of it called forth no anger from him. All the descriptions of fierce love and hatred which he had met in books had seemed to him therefore unreal. Even that night as he stumbled homewards along Jones's Road he had felt that some power was divesting him of that suddenwoven anger as easily as a fruit is divested of its soft ripe peel.

Samantha Earle is a philosopher at the University of East Anglia who specializes in liminal spaces. She firmly believes that Western civilization is currently ripe for radical change. Talking with her was the most transformative conversation I had while putting together this book. Philosophers like to speak of an “imaginary,” or a guiding framework, for organizing society. Earle isn’t under any illusions that this process is going to be easy. But just as climate scientists are certain that our current path will lead to inevitable destruction of our planet’s fundamental life-support systems, Earle is certain that our prevailing guiding frameworks for civilization cannot last. “We’re at that time where the problems of the world just can’t be answered by the prevailing imaginary,” she told me. “We are in a time of breakdown.

THE BOOK OF A MONK’S LIFE I live my life in circles that grow wide And endlessly unroll, I may not reach the last, but on I glide Strong pinioned toward my goal. About the old tower, dark against the sky, The beat of my wings hums, I circle about God, sweep far and high On through milleniums. Am I a bird that skims the clouds along, Or am I a wild storm, or a great song? Many have painted her. But there was one Who drew his radiant colours from the sun. My God is dark- like woven texture flowing, A hundred drinking roots, all intertwined; I only know that from His warmth I'm growing. More I know not: my roots lie hidden deep My branches only are swayed by the wind. Dost thou not see, before thee stands my soul In silence wrapt my Springtime's prayer to pray? But when thy glance rests on me then my whole Being quickens and blooms like trees in May. When thou art dreaming then I am thy Dream, But when thou art awake I am thy Will Potent with splendour, radiant and sublime, Expanding like far space star-lit and still Into the distant mystic realm of Time. I love my life's dark hours In which my senses quicken and grow deep, While, as from faint incense of faded flowers Or letters old, I magically steep Myself in days gone by: again I give Myself unto the past:- again I live. Out of my dark hours wisdom dawns apace, Infinite Life unrolls its boundless space ... Then I am shaken as a sweeping storm Shakes a ripe tree that grows above a grave ' Round whose cold clay the roots twine fast and warm- And Youth's fair visions that glowed bright and brave, Dreams that were closely cherished and for long, Are lost once more in sadness and in song.

Mercy and truth are met together; righteousness and peace have kissed each other. —Psalm 85:10 (KJV) When my husband, David, made the heart-wrenching decision to leave his post as senior minister at Hillsboro Presbyterian Church, the church was strong, thriving, and ripe for new leadership. But leaving was complicated. No one has ever loved a congregation more than David, and the congregation responded in kind. So it was infinitely sad when an influential person began working to erase David’s legacy. We had looked forward to returning to Hillsboro after the proper transition period, but now amid the confusion, the outlook was cloudy. Would it work for David to come back? Would we lose our church family forever? Finally, a new minister was chosen. For me, I wasn’t sure how I would feel until I met Chris. My reaction was immediate. I have a pastor! But what about David? I would never go back to Hillsboro without him. Well, it seems God had planned ahead. Chris sent out a letter to the congregation, addressing the misperception that “it’s not possible to love the new pastor if you still love the previous pastor.” He dispelled that notion with five simple words: “It’s okay to love both.” Chris went on to describe his meetings with David and to announce that he had invited him to come back to Hillsboro where the two of them “share a love for the church and its people.” And so it was finished. We had a church home once again, where we could come and worship with our family and friends, a place where there’s enough love for everyone, and a new minister wise enough to know that’s true. Father, I pray for the day when all of us grasp the unlimited reservoir of Your love and can finally see its regenerating power. —Pam Kidd Digging Deeper: Ps 132:7; Eph 4:15–16; Col 3:14–17

What is especially striking about the earth is the way in which it contains time capsules nested within time capsules, like a Russian doll. Individual biological cells (properly interpreted) are time capsules from which biologists read genetic time. Organs within the body are again time capsules, and contain traces of the history and morphogenesis of our bodies. The body itself is a time capsule. History is written in a face, which carries a date - the approximate date of our birth. We can all tell the rough age of a person from a glance at their face. Wherever we look, we find mutually consistent time capsules - in grains of sand, in ripe cherries, in books in libraries. This consistent meshing of stories even extends far from the Earth and into the outermost reaches of the universe. The abundances of the chemical elements and isotopes in the gas of stars and the waters of the oceans tell the story of the stars and a Big Bang that created the lightest elements. It all fits together so well.

A misty vision of Francesca gazed down at me from a corner of the window. She gave me her wicked-sweet smile and the stars sparked in her pale hair. I wanted to call to her, but I had no voice. I smelled the mixed scents of her, and I imagined the lush, tropical feast I'd prepare for her on our wedding night. I'd slip raw oysters between her lips. We'd share ripe figs and plump, dewy cherries. I'd offer her sweetmeats and honeyed milk, blood oranges peeled and ready, salty artichokes stripped down to the heart. I'd pry open a lobster shell and feed her tender morsels of meat, slowly, slowly. The flavors would mingle and mount and burst inside us like soft explosions. I wanted to believe it would all be possible. I imagined her staring into my eyes while she dragged a buttered artichoke leaf between her teeth and sucked on the flesh. It was good. I rode through the long, lovely night on wave upon wave of pleasure, smelling her, tasting her, touching her... I heard myself moan, and in that fierce embrace, I believed.

Eena worried to Ian in her thoughts. (You’re not going to let him walk away thinking what I think he’s thinking, are you?) (You won't change his mind. The evidence is a little suggestive. You should have just stayed behind me.) (Oh, this is all my fault?) (Well, you were the one swimming in your underwear.) (And you’re the one who took your shirt off!) (You think the alternative would have been better?) She shuttered at the thought of the Braetic stumbling across her in her underclothes. “Cale,” Eena said in another attempt to convince the stranger. Somehow she managed to sidestep Ian’s effort to halt her, and she approached the man. “I am not messing around with my protector. I am, and always have been, true and faithful to Derian. It’s just……a lot of weird things have happened lately.” The Braetic looked willing to consider a good excuse. “Such as?” “Well,” she started, casting a furtive glance at Ian. He was shaking his head, conveying strong disapproval. She ignored him. “Okay, well…..I’ve been fighting these immortals who are bent on using me to break free from an imprisoning gem where they were sentenced to stayed locked up for eternity. They nearly annihilated a world of Viiduns—that’s how awful they are! But one of these immortals has control over my necklace, and her brother keeps transporting me and my protector all over Moccobatra in search of pieces to a star-shaped platform they intend to use to free their bodies which have been trapped for over three-thousand years now. We were sent here at an inopportune—and highly embarrassing—moment to find the final piece to the platform. It’s been a nightmare just trying to stay alive!” “Wow,” Cale breathed, not looking half as concerned as Eena thought he ought to. “So these immortals are using you and trying to kill you at the same time?” She shook her head. “No, no, only the dragons are trying to kill me…or they were trying to kill me until Naga put a stop to them.” Eena heard Ian’s hand smack against his forehead. She saw humor sweep over the Braetic’s face. It made her angry. “Dragons too, huh?” Cale snickered. “It’s the truth!” she insisted. (Eena, just forget it. You’re only making it worse.) She ignored her protector’s advice again. “Cale, I’m telling you the honest-to-goodness truth. Do you know the story of Wanyaka Cave? The red-gemmed prison and the two spirit sisters?” Completely out of patience, Ian broke into the conversation, rudely speaking over his queen. “We’ll be on our way now, sir. We apologize for trespassing.” With a big grin on his face, the Braetic offered a friendly alternative. “Why don’t the pair of you accompany me home. I’m sure my wife can round up some suitable clothing for you. Those immortals must have a ripe sense of humor, leaving you alone in the woods without any decent attire.” He caught a chuckle in his throat. “That is unless it was the dragons who took the shirt off your back.” “Dragons are immortals!” Eena snapped, as if any fool ought to know it. Ian flashed her a harsh look. “We would greatly appreciate the help, sir.” “Oh, it’ll cost you something,” Cale informed them, “but we can discuss that on our way.

I’ve been allowed to read more grown-up books lately. Eva’s Youth by Nico van Suchtelen is currently keeping me busy. I don’t think there’s much of a difference between this and books for teenage girls. Eva thought that children grew on trees, like apples, and that the stork plucked them off the tree when they were ripe and brought them to the mothers. But her girlfriend’s cat had kittens and Eva saw them coming out of the cat, so she thought cats laid eggs and hatched them like chickens, and that mothers who wanted a child also went upstairs a few days before their time to lay an egg and brood on it. After the babies arrived, the mothers were pretty weak from all that squatting. At some point, Eva wanted a baby too. She took a wool scarf and spread it on the ground so the egg could fall into it, and then she squatted down and began to push. She clucked as she waited, but no egg came out. Finally, after she’d been sitting for a long time, something did come, but it was a sausage instead of an egg. Eva was embarrassed. She thought she was sick. Funny, isn’t it?

She had the startled eyes of a wild bird. This is the kind of sentence I go mad for. I would like to be able to write such sentences, without embarrassment. I would like to be able to read them without embarrassment. If I could only do these two simple things, I feel, I would be able to pass my allotted time on this earth like a pearl wrapped in velvet. She had the startled eyes of a wild bird. Ah, but which one? A screech owl, perhaps, or a cuckoo? It does make a difference. We do not need more literalists of the imagination. They cannot read a body like a gazelle’s without thinking of intestinal parasites, zoos and smells. She had a feral gaze like that of an untamed animal, I read. Reluctantly I put down the book, thumb still inserted at the exciting moment. He’s about to crush her in his arms, pressing his hot, devouring, hard, demanding mouth to hers as her breasts squish out the top of her dress, but I can’t concentrate. Metaphor leads me by the nose, into the maze, and suddenly all Eden lies before me. Porcupines, weasels, warthogs and skunks, their feral gazes malicious or bland or stolid or piggy and sly. Agony, to see the romantic frisson quivering just out of reach, a dark-winged butterfly stuck to an over-ripe peach, and not to be able to swallow, or wallow. Which one? I murmur to the unresponding air. Which one?

"Listen," he said, reaching for her wrist distractedly, eyes on the page of the book as he pulled her closer. Holding the Dark, the title read. By a poet named Melanie Cameron. Emeline leaned back against the shelves, watching him. " 'I didn't know it would go like this,' " he recited. " 'I didn't know I would find you in the dark...' " Emeline stared at his mouth, captivated by the cadence of his voice. His expression was hungry as he read on, as if he'd discovered some delicious secret and wanted to feed it to her. Like a ripe red strawberry dipped in chocolate. "When I lie against you with my eyes closed, I bring your body with me, into the darkness, I bring your whole body inside me. And in that darkness I know you so much better than hands and mouth can know, I know you, as though you were the darkness inside me." He glanced up from the page, fixing her in place with that same hungry gaze. Warmth pooled in her belly. "It's nice," she murmured. He raised an eyebrow. "Nice?" The corner of his mouth turned up as he lifted his hand, bracing it against the shelf beside her. She wrinkled her nose at him. "Pretty, then." "How about tender. And..." His eyes dropped to her mouth. "Intimate." There was the oddest feeling in Emeline's chest. Like a million tiny stars on the cusp of bursting. Sparks crackled in the air between them.

Gulls wheel through spokes of sunlight over gracious roofs and dowdy thatch, snatching entrails at the marketplace and escaping over cloistered gardens, spike-topped walls and treble-bolted doors. Gulls alight on whitewashed gables, creaking pagodas and dung-ripe stables; circle over towers and cavernous bells and over hidden squares where urns of urine sit by covered wells, watched by mule-drivers, mules and wolf-snouted dogs, ignored by hunchbacked makers of clogs; gather speed up the stoned-in Nakashima River and fly beneath the arches of its bridges, glimpsed from kitchen doors, watched by farmers walking high, stony ridges. Gulls fly through clouds of steam from laundries’ vats; over kites unthreading corpses of cats; over scholars glimpsing truth in fragile patterns; over bath-house adulterers; heartbroken slatterns; fishwives dismembering lobsters and crabs; their husbands gutting mackerel on slabs; woodcutters’ sons sharpening axes; candle-makers, rolling waxes; flint-eyed officials milking taxes; etoliated lacquerers; mottled-skinned dyers; imprecise soothsayers; unblinking liars; weavers of mats; cutters of rushes; ink-lipped calligraphers dipping brushes; booksellers ruined by unsold books; ladies-in-waiting; tasters; dressers; filching page-boys; runny-nosed cooks; sunless attic nooks where seamstresses prick calloused fingers; limping malingerers; swineherds; swindlers; lip-chewed debtors rich in excuses; heard-it-all creditors tightening nooses; prisoners haunted by happier lives and ageing rakes by other men’s wives; skeletal tutors goaded to fits; firemen-turned-looters when occasion permits; tongue-tied witnesses; purchased judges; mothers-in-law nurturing briars and grudges; apothecaries grinding powders with mortars; palanquins carrying not-yet-wed daughters; silent nuns; nine-year-old whores; the once-were-beautiful gnawed by sores; statues of Jizo anointed with posies; syphilitics sneezing through rotted-off noses; potters; barbers; hawkers of oil; tanners; cutlers; carters of night-soil; gate-keepers; bee-keepers; blacksmiths and drapers; torturers; wet-nurses; perjurers; cut-purses; the newborn; the growing; the strong-willed and pliant; the ailing; the dying; the weak and defiant; over the roof of a painter withdrawn first from the world, then his family, and down into a masterpiece that has, in the end, withdrawn from its creator; and around again, where their flight began, over the balcony of the Room of the Last Chrysanthemum, where a puddle from last night’s rain is evaporating; a puddle in which Magistrate Shiroyama observes the blurred reflections of gulls wheeling through spokes of sunlight. This world, he thinks, contains just one masterpiece, and that is itself.

But I need living companions, who will follow me because they want to follow themselves—and to the place where I will. A light hath dawned upon me. Not to the people is Zarathustra to speak, but to companions! Zarathustra shall not be the herd's herdsman and hound! To allure many from the herd—for that purpose have I come. The people and the herd must be angry with me: a robber shall Zarathustra be called by the herdsmen. Herdsmen, I say, but they call themselves the good and just. Herdsmen, I say, but they call themselves the believers in the orthodox belief. Behold the good and just! Whom do they hate most? Him who breaketh up their tables of values, the breaker, the lawbreaker:—he, however, is the creator. Behold the believers of all beliefs! Whom do they hate most? Him who breaketh up their tables of values, the breaker, the law-breaker—he, however, is the creator. Companions, the creator seeketh, not corpses—and not herds or believers either. Fellow-creators the creator seeketh—those who grave new values on new tables. Companions, the creator seeketh, and fellow-reapers: for everything is ripe for the harvest with him. But he lacketh the hundred sickles: so he plucketh the ears of corn and is vexed. Companions, the creator seeketh, and such as know how to whet their sickles. Destroyers, will they be called, and despisers of good and evil. But they are the reapers and rejoicers.

It is worth noting that in the further course of his argument the question of the play instinct retires into the background in favour of the aesthetic mood, which seems to have acquired an almost mystical value. This, I believe, is no accident, but has a quite definite cause. Often it is the best and most profound ideas in a man’s work which most obstinately resist a clear formulation, even though they are hinted at in various places and should therefore really be ripe enough for a lucid synthesis to be possible. It seems to me that we are faced with some such difficulty here. To the concept of an aesthetic mood as a mediating creative state Schiller himself brings thoughts which at once reveal its depth and seriousness. And yet, quite as clearly, he picks on the play instinct as the long-sought mediating activity. Now it cannot be denied that these two concepts are in some sort opposed, since play and seriousness are scarcely compatible. Seriousness comes from a profound inner necessity, but play is its outward expression, the face it turns to consciousness. It is not, of course, a matter of wanting to play, but of having to play; a playful manifestation of fantasy from inner necessity, without the compulsion of circumstance, without even the compulsion of the will.95 It is serious play. And yet it is certainly play in its outward aspect, as seen from the standpoint of consciousness and collective opinion. That is the ambiguous quality which clings to everything creative.

Those who do not carry within them the soul of everything the world can show them, will do well to watch it: they will not recognize it, each thing being beautiful only according to the thought of him who gazes at it & reflects it in himself. Faith is essential in poetry as in religion, & faith has no need of seeing with corporeal eyes to contemplate that which it recognizes much better in itself. Such ideas were many times, under multiple forms, always new, expressed by Villiers de L'Isle-Adam in his works. Without going as far as Berkley's pure negations, which nevertheless are but the extreme logic of subjective idealism, he admitted in his conception of life, on the same plan, the Interior & the Exterior, Spirit & Matter, with a very visible tendency to give the first term domination over the second. For him the idea of progress was never anything but a subject for jest, together with the nonsense of the humanitarian positivists who teach, reversed mythology, that terrestrial paradise, a superstition if we assign it the past, becomes the sole legitimate hope if we place it in the future. On the contrary, he makes a protagonist (Edison doubtless) say in a short fragment of an old manuscript of l'Eve future: "We are in the ripe age of Humanity, that is all! Soon will come the senility & decrepitude of this strange polyp, & the evolution accomplished, his mortal return to the mysterious laboratory where all the Ghosts eternally work their experiments, by grace of some unquestionable necessity.

See? I long to be your spiritual guide. I really do, and I will. Love is my motive, rather than any elevated belief in my own knowledge, contemplative work, experience, or maturity. And may God correct what I get wrong. For he knows everything, and I only know in part.1 Now to satisfy your proud intellect, I will praise the work of contemplation. You should know that if those engaged in this work had the linguistic talent to express exactly what they’re experiencing, then every scholar of Christianity would be amazed by their wisdom. It’s true! In comparison, all theological erudition would look like total nonsense. No wonder, then, that my clumsy human speech can’t describe the immense value of this work to you, and God forbid that the limitations of our finite language should desecrate and distort it. No, this must not and will not happen. God forbid that I would ever want that! For our analysis of contemplation and the exercise itself are two entirely different things. What we say of it is not it, but merely a description. So, since we can’t define it, let’s describe it. This will baffle all intellectual conceit, especially yours, which is the sole reason I’m writing this letter. I want to start off by asking you a question. What is the essence of human spiritual perfection, and what are its qualities? I’ll answer this for you. On earth, spiritual perfection is only possible through the union between God and the human soul in consummate love. This perfection is pure and so sublime that it surpasses our human understanding, and that’s why it can’t be directly grasped or observed. But wherever we see its consequences, we know that the essence of contemplation abounds there. So, if I tell you that this spiritual discipline is better than all others, then I must first prove it by describing what mature love looks like. This spiritual exercise grows virtues. Look within yourself as you contemplate and also examine the nature of every virtue. You’ll find that all virtues are found in and nurtured by contemplation with no distortion or degeneration of their purposes. I’m not going to single out any particular virtue here for discussion. I don’t need to because you can find them described in other things I’ve written.2 I’ll only comment here that contemplative prayer, when done right, is the respectful love and ripe fruit that I discuss in your little Letter on Prayer. It’s the cloud of unknowing, the hidden love-longing offered by a pure spirit. It’s the Ark of the Covenant.3 It’s the mystical theology of Dionysius, the wisdom and treasure of his “bright darkness” and “unknown knowing.” It takes you into silence, far from thoughts and words. It makes your prayer very short. In it, you learn how to reject and forget the world.

Her brother really was devastatingly handsome in a disheveled, wise-ass sort of way. Females followed him around like he was the Pied Piper of sex. Sydney constantly cautioned him about his choice in women and using protection. After all, he came from wealth. That made him ripe pickings to be some money hungry girl's sugar daddy. Especially since he went through those women like toilet paper.

Nineteenth-century print culture shared with the Protestantism that sparked it a democratizing impulse rooted in the ideology of the priesthood of all believers. In the vastly expanded world of print this impulse led to what one might call a priesthood of all readers, a situation ripe for religious turmoil rooted in interpretive chaos.

I'm never stale, sweetie. I may be ripe, but never stale.

disparity between Louie and Woody is most pronounced. In Woody Allen comedies, the Woody protagonist or surrogate takes it upon himself to tutor the young women in his wayward orbit and furnish their cultural education, telling them which books to read (in Annie Hall’s bookstore scene, Allen’s Alvy wants Annie to occupy her mind with Death and Western Thought and The Denial of Death—“You know, instead of that cat book”), which classic films to imbibe at the revival houses back when Manhattan still had a rich cluster of them. In Crimes and Misdemeanors, it’s a 14-year-old female niece who dresses like a junior-miss version of Annie Hall whom Woody’s Clifford squires to afternoon showings at the finer flea pits, advising her to play deaf for the remaining years of her formal schooling. “Don’t listen to what your teachers tell ya, you know. Don’t pay attention. Just, just see what they look like, and that’s how you’ll know what life is really gonna be like.” A more dubious nugget of avuncular wisdom would be hard to imagine, and it isn’t just the Woody stand-in who does the uncle-daddy-mentor-knows-best bit for the benefit of receptive minds in ripe containers. In Hannah and Her Sisters, Max von Sydow’s dour painter-philosophe Frederick is the Old World “mansplainer” of all time, holding court in a SoHo loft which he shares with his lover, Lee, played by Barbara Hershey, whose sweaters abound with abundance. When Lee groans with enough-already exasperation when Frederick begins droning on about an Auschwitz documentary—“You missed a very dull TV show on Auschwitz.

the swift daring strength of his youth and the steady hand of his ripe manhood we have had, but the wisdom of his deep age is taken from us and that we will never have, spilled with the blood he shed for us! Mourn, then, mourn! For he is lost and gone and we will send him to the sky and the earth and the sea.

Targets, as you will learn throughout this book, are blessed/cursed with a strong work ethic. They just want to be “left alone” to do their work. In the most bullying-prone industries, we’ve found that many employees share a prosocial orientation. They are the “do-gooders.” They want to heal the sick, teach and develop the young, care for the elderly, work with the addicted and abused in society. They are ripe for exploitation. While they focus on doing good and noble things and wait to be rewarded for their quality work, they expose their backs for the bully to sink her or his claws into.

From the Bridge” by Captain Hank Bracker Nesting Dolls The first stacked dolls better known as Russian Nesting Dolls, matryoshka dolls or Babushka Dolls, were first made in 1890 by Vasily Zvyozdochkin. Much of the artistry is in the painting of the usual 5 dolls, although the world record is 51 dolls. Each doll, which when opened reveals a smaller doll of the same type inside ending with the smallest innermost doll, which is considered the baby doll and is carved from a single piece of wood. Frequently these dolls are of a woman, dressed in a full length traditional Russian peasant dress called a sarafan. When I served with the Military Intelligence Corps of the U.S.Army, the concept of onion skins was a similar metaphor used to denote that we were always encouraged to look beyond the obvious. That it was essential to delve deeper into a subject, so as to arrive at the essence of the situation or matter. This is the same principle I employed in writing my award winning book, The Exciting Story of Cuba. Although it can be considered a history book, it is actually a book comprised of many stories or vignettes that when woven together give the reader a view into the inner workings of the Island Nation, just 90 miles south of Key West. The early 1950’s are an example of this. At that time President Batista was hailed a champion of business interests and considered this a direct endorsement of his régime. Sugar prices remained high during this period and Cuba enjoyed some of its best years agriculturally. For those at the top of the ladder, the Cuban economy flourished! However, it was during this same period that the people lower on the economic ladder struggled. A populist movement was started, resulting in a number of rebel bands to challenge the entrenched regime, including the followers of autocrats such as Fidel and Raul Castro. Castro’s M 26 7 militia had a reputation of indiscriminately placing bombs, one of which blew a young woman to pieces in the once-grand theater, “Teatro America.” A farmer, who failed to cooperate with Batista’s army, was locked into his home with his wife and his daughter, which was then set on fire killing them all. What had been a corrupt but peaceful government, quickly turned into a war zone. Despite of Batista’s constitutional abuses and his alliance with the Mafia, the years under his régime were still the most prosperous ones in Cuba’s history. Of course most of the money went to those at the top of the economic ladder and on the lower end of the scale a house maid was lucky to make $25 to $30 a month. History tends to repeat itself. Civilized countries that experience economically difficult times, because of greed by the elite and privileged few, become ripe for a civil insurrection. It is not enough to accept the first solution we encounter, but rather we must peel back the layers of onion skin to understand what has happened and how to rectify the problem. Usually things are not as simple as they seem, and to embrace the first person that offers a simple solution can plunge us deeper into an economic abyss. This is what happened in Italy and Cuba as well as Germany in 1933. Remember that Adolf Hitler was elected with a 90% plurality. Following a populist movement can be disastrous. Strictly adhering to a party doctrine, by the less informed, is outright dangerous. It is important in a democracy that people retain civility and are educated and knowledgeable. It is crucial that we understand history as well as the perils and consequences that are possible. Reading books like The Exciting Story of Cuba allows us to peel away one onion skin after the other, or open one nesting doll after another, until we understand the entire picture. What has happened in other civilized countries can happen here in the United States…. Beware!

Our Lord Jesus differs from all other teachers; they reach the ear, but he instructs the heart; they deal with the outward letter, but he imparts an inward taste for the truth, by which we perceive its savour and spirit. The most unlearned of men become ripe scholars in the school of grace when the Lord Jesus by his Holy Spirit unfolds the mysteries of the kingdom to them, and grants the divine anointing by which they are enabled to behold the invisible.

The riper he is for glory, the more, like the ripe corn, he hangs down his head. The brighter and clearer is his light, the more he sees of the shortcomings and infirmities of his own heart. When first converted, he would tell you he saw but little of them compared to what he sees now. Would

God’s mysterious number. The Book of Genesis alone was ripe with sevens: the seven heavens, the seven thrones, the seven seals, the seven churches. The walls of Jericho crumbled on the seventh day of the siege. In Revelations, seven spirits of God were sent forth into the earth. There were exactly seven generations from David to the birth of Christ, the Lord.

Halloween (known among European pagans as Samhain, pronounced “sa-wen”) is traditionally the day when the dead return to visit the living, similar to the Asian “Wandering Souls” festival mentioned above. It is the day when the gate between the living and the dead is open, a favorite day for evocations of spirits and demons. Candlemas, on the other hand, is the day of “quickening,” when the earth begins to wake from its slumber, a day of promise for the future, of the celebration of fertility, of anticipation for the bounty of the coming year. One could say, therefore, that the first rocket launch on Halloween was an evocation of the daimon of flight, or perhaps in a darker context a breaching of the barrier between this world and the next, an initiatic rending of the veil of the Temple: space being seen as the domain of both the dead and the higher spiritual forces. The actual birth of the American space program on Candlemas is, of course, also an auspicious event, ripe with mythical connotations. It is not the intention of this author to suggest that the selection of these dates was deliberate on the part of von Karman, Parsons, von Braun or the other space engineers. Indeed, by the time of the Explorer I launch in 1958 Parsons himself had already been dead six years. It is the intention, however, to point out these synchronicities as they occur, because they are evidence of deeper, more sinister, forces at work,

Those who are backslidden are much more hardened in their sin than they were before. They are like iron which being once heated and cooled again becomes much harder than before.

The Rich man was let alone in his sin suffered to go on without molestation. He fared sumptuously every day, slept secure and expected no disturbance. And the first of his awaking out of his security was when he lifted up his eyes that were now opened being in torments.

I. Inquire wherein the declension and deadness of a people in the things of religion appears.               I answer, first. When a people grow cold and dead with respect to religion, there generally is but little said about it. There will be but little said about it in families. And when neighbors meet, you shall hear but little talk about soul concerns; all the talk will be about the world. They will be full of talk about their worldly business, about this and the other worldly design, about buying and selling. Or their tongues will be yet worse employed, in talking against their neighbor.

INGREDIENTS: ● 1 pound boneless, skinless chicken breasts ● 1 tablespoon olive oil ● 1 teaspoon dry Italian seasoning (or equal parts of garlic powder, dried oregano and dried basil) ● 4 thick (½-inch) slices ripe tomato ● 4 1-ounce slices fresh mozzarella cheese ● 3 tablespoons balsamic vinegar ● 2 tablespoons thinly sliced

Each book deals relentlessly with themes of illness, death and suicide. It was a rather touching irony that the author lived to the ripe old age of 84. By the time Cioran died in 1995, he had become a cult in France, attracting the sort of faddish attention he witheringly denounced in his work. Every life, he maintained, is utterly peculiar – and wholly unimportant. In the age of Walt Disney, this kind of darkness matters. Cioran’s writing belongs in the line of those great aloof European miserabilists, including La Rochefoucauld, Chamfort, Leopardi, Nietzsche and Beckett. Like them, he saw civilization as an absurd distraction from the ultimate meaninglessness of existence. ‘Only an idiot could think there is a point to any of this,’ he insisted. But he always kept his wit and good cheer.

Rule number one: The Game is secret. But I listened and, once or twice when temptation drove me and the coast was clear, I peeked inside the box. This is what I learned. The Game was old. They'd been playing it for years. No, not playing. That is the wrong verb. Living; they had been living The Game for years. For The Game was more than its name suggested. It was a complex fantasy, an alternate world into which they escaped. There were no costumes, no swords, no feathered headdresses. Nothing that would have marked it as a game. For that was its nature. It was secret. Its only accoutrement was the box. A black lacquered case brought back from China by one of their ancestors; one of the spoils from a spree of exploration and plunder. It was the size of a square hatbox- not too big and not too small- and its lid was inlaid with semiprecious gems to form a scene: a river with a bridge across it, a small temple on one bank, a willow weeping from the sloping shore. Three figures stood atop the bridge and above them a lone bird circled. They guarded the box jealously, filled as it was with everything material to The Game. For although The Game demanded a good deal of running and hiding and wrestling, its real pleasure was enjoyed elsewhere. Rule number two: all journeys, adventures, explorations and sightings must be recorded. They would rush inside, flushed with danger, to record their recent adventures: maps and diagrams, codes and drawings, plays and books. The books were miniature, bound with thread, writing so small and neat that one had to hold them close to decipher them. They had titles: Escape from Koshchei the Deathless; Encounter with Balam and His Bear, Journey to the Land of White Slavers. Some were written in code I couldn't understand, though the legend, had I had the time to look, would no doubt have been printed on parchment and filed within the box. The Game was simple. It was Hannah and David's invention really, and as the oldest they were its chief instigators. They decided which location was ripe for exploration. The two of them had assembled a ministry of nine advisers- an eclectic group mingling eminent Victorians with ancient Egyptian kings. There were only ever nine advisers at any one time, and when history supplied a new figure too appealing to be denied inclusion, an original member would die or be deposed. (Death was always in the line of duty, reported solemnly in one of the tiny books kept inside the box.) Alongside the advisers, each had their own character. Hannah was Nefertiti and David was Charles Darwin. Emmeline, only four when governing laws were drawn up, had chosen Queen Victoria. A dull choice, Hannah and David agreed, understandable given Emmeline's limited years, but certainly not a suitable adventure mate. Victoria was nonetheless accommodated into The Game, most often cast as a kidnap victim whose capture was precipitant of a daring rescue. While the other two were writing up their accounts, Emmeline was allowed to decorate the diagrams and shade the maps: blue for the ocean, purple for the deep, green and yellow for land.

He was also at the Orcades behind Scotland, where he saw the tree that bringeth forth fruit, that when it is ripe, openeth and falleth in the water, wherein engendereth a certain kind of fowl and birds. These islands are in number twenty-three, but ten of them are not habitable, the other thirteen were inhabited.

The immigration debate in America today is not really about immigration. Nor is it about national security, the economy or the vagaries of our outdated asylum system. Like much else in our civic life, the immigration debate is mostly a proxy for domestic policies and the culture wars. It just happens to a particularly potent proxy because it tends to elicit strong feelings about the American dream, ethnic identity, class and nationhood. That is to say, immigration is an issue that’s ripe for exploitation and cooption by both the Left and the Right. Each side can easily condemn the other without ever getting down to debating actual US policy on its merits. This is one reason why we still have an immigration system that dates from 1965. Book Review: “They’re not sending their best.” Claremont Review of Books, volume 20, no.3 (summer, 2020). P.45

Lewis also reflects his own conviction about the nature of children’s literature, that no book can be said to be good for children unless it is also good for adults: “This is a children’s book only in the sense that the first of many readings can be undertaken in the nursery. … Only years later, at a tenth or a twentieth reading, will they begin to realise what deft scholarship and profound reflection have gone to make everything in it so ripe, so friendly, and in its own way so true.” He

Valet continued his sensual touch over my smoothness. Neither of us wanted the foreplay to end, yet our cocks begged for release. Andy nibbled at my ear and whispered, unexpectedly, "My beautiful boy, you are not to release. I won’t allow it. You have to save it for 'you know who.' That is part of the Household rules. When boys are summoned by their Master, they are not permitted to ejaculate before the visit so they’ll be horny and wanting when the time is ripe. This way, your performance will not falter.

2012 My Response to Andy’s Message     Thank you, Andy, for your candidness. I’m sure you will not fail to attract the right man into your life again when the time is ripe, or are you still waiting for my hand? LOL!               On a more serious note, would you like to give your impression of our time in India? I’m sure readers of A Harem Boy’s Saga would love to see your side of the story. I, too, would like to know in greater detail what transpired in your life during our years of absence. As the saying goes, it takes two to tango. I will reciprocate if you take me up on this.☺               Your adoring ex-lover and ex-charge, Young

Spring was in the air—ripe, verdant, full of promise. And with the spring came the rush and clamor of weddings. Marietta

There is no more difference betwixt a hypocrite and an apostate, than betwixt a green apple and a ripe one; come a while hence, and you will see him fall rottenripe from his profession.

You have been led astray, my child, by the conflicting and vain opinions of mankind. You, like many others in the world, delight to question, to speculate, to weigh this, to measure that, with little or no profit to yourself or your fellow-creatures. And you have come freshly from a land where, in the great Senate-house, a poor perishable lump of clay calling itself a man, dares to stand up boldly and deny the existence of God, while his compeers, less bold than he, pretend a holy displeasure, yet secretly support him — all blind worms denying the existence of the sun; a land where so-called Religion is split into hundreds of cold and narrow sects, gatherings assembled for the practice of hypocrisy, lip-service and lies — where Self, not the Creator, is the prime object of worship; a land, mighty once among the mightiest, but which now, like an over-ripe pear, hangs loosely on its tree, awaiting but a touch to make it fall!

Billy Meredith is the oldest player ever to represent the club. He appeared for the club at the ripe old age of 49 years 245 days against Newcastle United in the FA Cup on 29th March 1924.

Goalkeeper John Burridge is the oldest player ever to play in the Premier League turning out for Queens Park Rangers at Manchester City on 14 May 1995 at the ripe old age of 43 years and 162 days.

Dog Farts:Dogs may be man’s best friends but dog farts remain among the most rancid and foul smelling things ever to enter a human nostril. In fact the rectal stench of K9 back blasters have been plaguing human populations for tens of thousands of years. There a lot of different reasons we put up with our Fido’s stinky dog butt, but the main reason is so we can have someone to blame our own stinkoid bottom cheek claps on. Best of all, as Fido can’t speak he can’t deny it! 8. Vegetarian Humans: Ok, while not eating meat may be great for the animals, and help reduce your carbon footprint, it will turn you into a human rectal stink burger. There can be no question; all those soybeans come at a cost to your domestic air quality. As anyone who has ever had a macrobiotic hippie come to stay, vegetarians are champions when it comes to opening the basement window. 9.  Non Vegetarian Humans: Ok, well maybe it is not just the vegetarians. Meat eating humans can pretty ripe in the trouser department too.  In fact there really isn’t all that much in it, so if you are planning to chow down on a cow to keep your rump mist under control then you might be disappointed.

Some of the most noted angel investors are Alexis Ohanian (founder of Reddit), Marc Benioff (founder of Salesforce) and Max Levchin (founder of Paypal, Slide and Affirm) who on occasion invest in early stage and growth rounds as well. If the core product of the business begins to gain market share, and it seems the company has a lasting opportunity to scale and become an emerging leader, investors like First Round Capital and 500 Startups step in at the seed or Series A round. Growth equity firms like Stripes Group, General Atlantic and Insight Venture Partners typically come in at the Series C or D stage when the business becomes the number one or two player in the industry and is ripe for an IPO or strategic acquisition.

Aloha Quick Bread "My family’s favorite recipe." Serving: 1 loaf. | Prep: 15m | Ready in: 01h35m Ingredients • 1/2 cup butter, softened • 1 cup sugar • 2 large eggs • 1 cup mashed ripe bananas (about 2 medium) • 1/4 cup whole milk • 1 tbsp. grated orange zest • 1 tsp. vanilla extract • 1/2 tsp. almond extract • 2 cups all-purpose flour • 1 tsp. baking soda • 1/2 tsp. salt • 1 cup sweetened shredded coconut • 1/2 cup chopped nuts • 1/2 cup crushed pineapple, drained Direction • Preheat an oven to 350°F. Cream sugar and butter in bowl. One by one, add eggs, beating well after every addition; beat extracts, orange zest, milk and banana in. • Mix salt, baking soda and flour; add to the creamed mixture till just moist. Fold pineapple, nuts and coconut in. Remove to a 9x5-in. greased loaf pan. • Bake till an inserted toothpick in middle exits clean for 1 hour 20 minutes; before transferring from pan onto wire rack, cool for 10 minutes. Nutrition Information

Children have no sympathy with growth in any world, whether of nature or of grace. Nothing pleases them but that an acorn should become an oak at once, and that immediately after the blossom should come the ripe fruit. Then it is idle to speak of the uses of patience to the inexperienced; for the moral value of the discipline of trial cannot be appreciated till the trial is past.

As the author of this book, however, I’d like to think I have a certain creative control over the medical conditions of my characters, so I’ve decided that Anthony has no allergies of any kind, and furthermore will live to the ripe old age of 92.

All the broken walls inside were hung with the ragged memorials of past times, which showed the sad effects of strife. There were rent robes and broken sceptres, sacred things ruined, shivered spears, and shields torn in twain, great cities ransacked, and strong castles beaten down, nations led into captivity, and huge armies slain -- relics of all these ruins remained in the house of Até. All the famous wars in history found a record here, as well as the feuds and quarrels of private persons too many to mention. Such was the house inside. Outside, the barren ground was full of poisonous weeds, which Strife herself had sown; they had grown great from small seeds -- the seeds of evil words and wrangling deeds, which, when they come to ripeness, bring forth an infinite increase of trouble and contention, often ending in bloodshed and war. These horrible seeds also served Até for bread, and she had been fed upon them from childhood, for she got her life from that which killed other people. She was born of a race of demons, and brought up by the Furies. Strife was as ugly as she was wicked; she could speak nothing but falsehood, and she never heard aright.

Secondly, [in your study of the Bible,] you should meditate, that is, not only in your heart, but also externally, by actually repeating and comparing oral speech and literal words of the book, reading and rereading them with diligent attention and reflection, so that you may see what the Holy Spirit means by them. And take care that you do not grow weary or think that you have done enough when you have read, heard, and spoken them once or twice, and that you have complete understanding. You will never be a particularly good theologian if you do that, for you will be like untimely fruit which falls to the ground before it is half ripe. Thus you see in this same Psalm [119] how David constantly boasts that he will talk, meditate, speak, sing, hear, read, by day and night and always, about nothing except God’s Word and commandments. For God will not give you his Spirit without the external Word; so take your cue from that. His command to write, preach, read, hear, sing, speak, etc., outwardly was not given in vain.6

Were he to paint the murals in the Enchanted Hunters, the motel where he first raped her, he tells us, he would have painted a lake, an arbor in flames and finally there would have been “a fire opal dissolving within a ripple-ringed pool, a last throb, a last dab of color, stinging red, smarting pink, a sigh, a wincing child.” (Child, please remember, ladies and gentlemen of the jury, although this child, had she lived in the Islamic Republic, would have been long ripe for marriage to men older than Humbert.)

An exercise in illusion via allusion. Wear it and after a few hours you will find your daily life suffused by the same feeling of peace you get when you settle into an armchair after tidying your apartment from end to end. If you think of all the best Chanel fragrances as varieties of little black dress - sleek, dependable, perfectly proportioned - Bois des iles is the one in cashmere. I have worn it on and off for years, whenever I felt I needed extra insulation from the cold world. To my nose Chinatown ( Bond No. 9 ) smells like a corner of a small French grocery in summer, in the exact spot where the smell of floor wax meets that of ripe peaches. Lignin, the stuff that prevents all trees from adopting the weeping habit, is a polymer made up of units that are closely related to vanillin. When made into paper and stored for years, it breaks down and smells good. Which is how divine providence has arranged for secondhand bookstores to smell like good quality vanilla absolute, subliminally stoking a hunger for knowledge in all of us. Perfume is, among other things, the most portable form of intelligence. Oman was making perfumes when Europeans only bathed once a year on doctor's orders. Chanel No. 5 is a Brancusi. The beauty and fragrance industry has lied to women for so long, convincing us to fork over cash for crud in shiny packages, that at this point event pure quality has trouble getting taken seriously. Clever marketing can get us to buy something once, but rarely again. We don't wear Chanel No. 5 because Marilyn Monroe wore it, we wear it for the same reason that Marilyn did: because it''s gorgeous. Sycomore, Chanel. If putting it on does not make you shiver with pleasure, see a doctor. Aside from beautiful aircraft, nuclear power stations, food and wine, perfumery is France's biggest export, yet there is no perfume museum in Paris. The ability possessed by certain fragrances to briefly turn the most arid mind into a fairy garden, to make us lament the passing of loves and losses we know full well we never had, is a miracle specific to perfumery.

I feel so deflated. It’s like a kick in the gut that at the ripe age of twenty-seven, I am still single and living alone. I’ve had one serious boyfriend in my entire life, and after that total train wreck, I made a promise to myself to never allow any man into my heart ever again.

Was this excessive, carrying books to her next life, most she had read multiple times and would likely never read again, her eyes weary after only a page or two? She ran her fingertips along the familiar spines, some slick and smooth, others as rough as burlap, each tied to a vivid memory. Only a few lines from any of the chosen books possessed the power to transport her to a time when life was as ripe as a low-hanging apple. Pieces of herself lived inside those pages; the words and ideas had helped craft Bernice into the person she became. No, she couldn't imagine leaving them behind.

In this review, Lewis also reflects his own conviction about the nature of children’s literature, that no book can be said to be good for children unless it is also good for adults: “This is a children’s book only in the sense that the first of many readings can be undertaken in the nursery. … Only years later, at a tenth or a twentieth reading, will they begin to realise what deft scholarship and profound reflection have gone to make everything in it so ripe, so friendly, and in its own way so true.

The brutality of language conceals the banality of thought and, with certain major exceptions, is indistinguishable from a kind of conformism. Cities, once the initial euphoria of discovery had worn off, were beginning to provoke in her a kind of unease. in New York, there was nothing, deep down, that appealed to her in the mixture of puritanism and megalomania that typified this people without a civilization. What helps you live, in times of helplessness or horror? The necessity of earning or kneading, the bread that you eat, sleeping, loving, putting on clean clothes, rereading an old book, the smell of ripe cranberries and the memory of the Parthenon. All that was good during times of delight is exquisite in times of distress. The atomic bomb does not bring us anything new, for nothing is more ancient than death. It is atrocious that these cosmic forces, barely mastered, should immediately be used for murder, but the first man who took it into his head to roll a boulder for the purpose of crushing his enemy used gravity to kill someone. She was very courteous, but inflexible regarding her decisions. When she had finished with her classes, she wanted above all to devote herself to her personal work and her reading. She did not mix with her colleagues and held herself aloof from university life. No one really got to know her. Yourcenar was a singular an exotic personage. She dressed in an eccentric but very attractive way, always cloaked in capes, in shawls, wrapped up in her dresses. You saw very little of her skin or her body. She made you think of a monk. She liked browns, purple, black, she had a great sense of what colors went well together. There was something mysterious about her that made her exciting. She read very quickly and intensely, as do those who have refused to submit to the passivity and laziness of the image, for whom the only real means of communication is the written word. During the last catastrophe, WWII, the US enjoyed certain immunities: we were neither cold nor hungry; these are great gifts. On the other hand, certain pleasures of Mediterranean life, so familiar we are hardly aware of them - leisure time, strolling about, friendly conversation - do not exist. Hadrian. This Roman emperor of the second century, was a great individualist, who, for that very reason, was a great legist and a great reformer; a great sensualist and also a citizen, a lover obsessed by his memories, variously bound to several beings, but at the same time and up until the end, one of the most controlled minds that have been. Just when the gods had ceased to be, and the Christ had not yet come, there was a unique moment in history, between Cicero and Marcus Aurelius, when man stood alone. We know Yourcenar's strengths: a perfect style that is supple and mobile, in the service of an immense learnedness and a disabused, decorative philosophy. We also know her weakness: the absence of dramatic pitch, of a fictional progression, the absence of effects. Writers of books to which the work ( Memoirs of Hadrian ) or the author can be likened: Walter Pater, Ernest Renan. Composition: harmonious. Style: perfect. Literary value: certain. Degree of interest of the work: moderate. Public: a cultivated elite. Cannot be placed in everyone's hands. Commercial value: weak. People who, like her, have a prodigious capacity for intellectual work are always exasperated by those who can't keep us with them. Despite her acquired nationality, she would never be totally autonomous in the US because she feared being part of a community in which she risked losing her mastery of what was so essential to her work; the French language. Their modus vivendi could only be shaped around travel, accepted by Frick, required by Yourcenar.

The second group of beliefs, those relating to the generation of ores and stones in the belly of the earth - deserve particular attention. Rock engenders precious stones. The Sanskrit name for Emerald is, acmagarbhaja, 'born from rock', and the Indian minerological treatises describe its presence in the rock as being in its 'matrix'. The author of the Jawaher nameh (The Book of Precious Stones) distinguishes diamond from crystal by a difference in age expressed in embryological terms: the diamond is pakka, i.e. 'ripe', while the crystal is kaccha, 'not ripe' , 'green' , insufficiently developed.

We are not the masters of our fate. We think we control our lives—but we don’t. In an instant life can radically change— a car accident, a heart attack, a pink slip, a child’s raging fever. Frustrated researchers conquer one deadly virus, only to discover one even more lethal. The Psalmist pointed out our basic dilemma: “The length of our days is seventy years—or eighty, if we have the strength; yet their span is but trouble and sorrow, for they quickly pass, and we fly away” (Ps. 90:10 NIV). Even if we live to a ripe old age, he said, we seldom know peace. No book is more realistic about the human situation than the Bible. It won’t let us get by with frothy platitudes or unsupported optimism. But it also gives us hope.

Blessed be any wind that blows us into the port of our Saviour's love! Happy wounds, which make us seek the beloved Physician. Ye tempted ones, come to your tempted Saviour, for he can be touched with a feeling of your infirmities, and will succour every tried and tempted one. Morning, October 4 "At evening time it shall be light." Zechariah 14:7 Oftentimes we look forward with forebodings to the time of old age, forgetful that at eventide it shall be light. To many saints, old age is the choicest season in their lives. A balmier air fans the mariner's cheek as he nears the shore of immortality, fewer waves ruffle his sea, quiet reigns, deep, still and solemn. From the altar of age the flashes of the fire of youth are gone, but the more real flame of earnest feeling remains. The pilgrims have reached the land Beulah, that happy country, whose days are as the days of heaven upon earth. Angels visit it, celestial gales blow over it, flowers of paradise grow in it, and the air is filled with seraphic music. Some dwell here for years, and others come to it but a few hours before their departure, but it is an Eden on earth. We may well long for the time when we shall recline in its shady groves and be satisfied with hope until the time of fruition comes. The setting sun seems larger than when aloft in the sky, and a splendour of glory tinges all the clouds which surround his going down. Pain breaks not the calm of the sweet twilight of age, for strength made perfect in weakness bears up with patience under it all. Ripe fruits of choice experience are gathered as the rare repast of life's evening, and the soul prepares itself for rest. The Lord's people shall also enjoy light in the hour of death. Unbelief laments; the shadows fall, the night is coming, existence is ending. Ah no, crieth faith, the night is far spent, the true day is at hand. Light is come, the light of immortality, the light of a Father's countenance. Gather up thy feet in the bed, see the waiting bands of spirits! Angels waft thee away. Farewell, beloved one, thou art gone, thou wavest thine hand. Ah, now it is light. The pearly gates are open, the golden streets shine in the jasper light. We cover our eyes, but thou beholdest the unseen; adieu, brother, thou hast light at even-tide, such as we have

Eleanor Faderman had read many books in her short life. She had read books that she enjoyed and books that bored her. She had read books that made her disputatious and books that soothed her. She had read histories and poetry, philosophy and science. And she had read novels. It was, after all, usually novels that she chose, at least when choosing for herself, and so many different kinds of novels at that—adventurous orphans and brave battle-goers; careful, teasing courtships and once-ripe friendships gone to rot. Eleanor Faderman knew many books. But never before had she read a book that seemed to know her. By that I mean, Readers, to know her in ways she did not yet know herself, could not have named, would likely have denied, even, until Mary MacLane spoke them from her pages.

So, ah, where are you from?” I ask. She guffaws. “It’s too late now. Just enjoy the scenery. Sheesh.” Then she grabs my hands and puts them on her hips, the same way we rode before I knew she was a woman. But this time, my heart seems to kick up its pace, and when I lean closer and inhale, I once again catch the scent of ripe berries and sweetness. That’s when I realize she isn’t a pie addict, after all. She’s Charlie.

Who gives me the strength to suffer? Who denies me the power, and delivers me over to torments? Is it He, the Lord of life and death, Whose wrath I have provoked, when, influenced by the pamphlet The Joy of Dying, I tried to die, and considered myself already ripe for eternal life? Am I Phlegyas doomed to the pains of Tartarus for his pride, or Prometheus, who, because he revealed the secret of the powers to mortals, was torn by the vulture? (While I am writing this, I think of the scene in the sufferings of Christ when the soldiers spit in His face, some buffet Him and others strike Him with rods and say to Him, "Tell us, who is he that smote thee?" Perhaps my old companions in Stockholm remember that orgy when the author of this book played the rôle of the soldier?) Who has struck thee? A question without an answer. Doubt, uncertainty, mystery—there is my hell! Oh that my enemy would reveal himself, that I might do battle with him, and defy him! But that is just what he avoids doing, in order to afflict me with madness and make me feel the scourge of conscience, which causes me to suspect enemies everywhere, enemies, i.e., those injured by my evil will. Indeed, my conscience smites me every time that I come on the track of a new foe.

I wanted to eat, yes, but more than anything I was hungry to know. I wanted to know about foods I’d never heard of, but I also wanted to know about the best versions of food I already knew. Surely the cheese you ate in France was different from the Brie we bought at the supermarket? Because I thought that supermarket Brie was pretty damn good. The notion that there existed some version of this delight that I couldn’t even grasp until I consumed it was the tantalizer that spurred me into nearly everything I did for about twenty years. Each new flavor felt like a dare and an impossible promise. All my books were telling me there were transporting versions of everything I knew out in the world. It was all—MFK Fisher’s paean to ultra-fresh peas, Ephron’s description of cool ripe tomatoes hitting hot linguine—about magic, not stumbling on it but learning how to conjure it.

The method used in this upbringing is light deprivation. But what purpose does this restriction serve? Don’t parents want their offspring to become independent as quickly as possible? Trees, at least, would answer this question with a resounding no, and recent science backs them up. Scientists have determined that slow growth when the tree is young is a prerequisite if a tree is to live to a ripe old age.