Riley Green Quotes

We've searched our database for all the quotes and captions related to Riley Green. Here they are! All 26 of them:

Once upon a time I was falling in love. Now I'm only falling apart.
xxblagitxx (Kiss Cam)
War breaks out between the colors blue and red, though green seems jealous that it wasn’t involved. Yellow, meanwhile, hides in the corner.
James Riley (Once Upon the End (Half Upon a Time, #3))
If I’m kept here much longer, I think I’ll have to have another tantrum. They’re certainly more satisfying than I ever suspected. I can see why a person would get in the habit of it.
Judith Merkle Riley (In Pursuit of the Green Lion (Margaret of Ashbury, #2))
Today I realized that I am nothing more than tomorrow's ghost. In a way, it robs my sense of self to know I'm always changing; at the same time, it provides incentive to have the best today possible so I can have a positive influence on tomorrow and, if need be, shake some sense into the living. (Samantha Green)
Riley Noehren (Gravity Vs. the Girl)
I’m fine where I am." “I’m fine where you are too.
Riley Lashea (Behind the Green Curtain)
He didn't want to puff her up. Puffed-up women are one of the original sources of trouble in the world. If anyone knew that, it was he. He counted it as one of his duties to mankind to keep women from puffing themselves up, though it had been a most monumental duty in his own marriage. A job requiring a hero. It was one of those things that God, being male, questioned you about before you were let into heaven, and he was proud to say that he hadn't neglected it.
Judith Merkle Riley (In Pursuit of the Green Lion (Margaret of Ashbury, #2))
Pretty,” said Cree. “It was very pretty.” She giggled as she stroked her green nails over her cheeks and smiled at Riley. “I suppose I let the poison go too long. I killed my parents and my younger brother and the cat. I do miss the cat.
E.E. Martin (Flame (Ember #2))
I was Juliet and Quinn was Romeo, and the lines weren't dead black-and-white words on a page but somehow alive, as natural and real as the argument we'd had about the spider and the fly. The rows of empty seats were gone, and we were in a candlelit ballrooom, wrapped in our own cocoon of words. But the playful banter of our words couldn't mask what we both knew--that after this, nothing would be the same . And then we got to the kissing part, which we'd only read through together and had never really rehearsed. But it didn't matter, because I was still Juliet and Quinn was still Romeo, his gray-green eyes fixed on mine. And when he bent to kiss me, it was Romeo's lips on Juliet's. Even so, Juliet was just as stunned as I would've been. When I said the last line, I was speaking for both of us. You kiss by the book.
Jennifer Sturman
"Lights go green and even with you," she sings, "same old road leading nowhere new." "What about--" Riley's head lifts in surprise hearing my voice, hunger in her eyes. I know it's not only for creative collaboration. "Lights go green, and maybe with you," I say softly, slightly revising the line's ending, "same old road can lead somewhere new.
Emily Wibberley & Austin Siegemund-Broka (The Breakup Tour)
RILEY CHECKED IN with Greene at Langley after his lunch with Abigail. “You say she quivered when you
Jamie Michele (An Affair of Deceit)
Some people consider themselves human beings put on this earth to have a spiritual experience. Other people say they're spiritual beings born to have a human experience. Me?" Riley smiled, green eyes flashing. "I'm a horse having a human experience.
Emma Jameson (Something Blue (Lord and Lady Hetheridge, #3))
Cecily sat back and wiped her sweating brow, stuck the trowel into the soil, then stood up and walked into the house to pour herself a glass of cool lemonade from the refrigerator. She stepped out onto the veranda to drink it and admire her handiwork. The garden was really starting to take shape now; the green lawns that swept down towards the valley were edged by beds of hibiscus and clusters of white and red poinsettias
Lucinda Riley (The Sun Sister (The Seven Sisters, #6))
Ember was watching me, green bright eyes in the shadows of the room. She crouched against the wall with her wings pressed close and her tail curled around herself. Even with her fangs slightly bared and her sides heaving with fear, she was still beautiful, elegant, fiery, everything my dragon wanted.
Julie Kagawa (Soldier (Talon, #3))
Checketts picked up on just how deeply Riley believed in being on the same page within months of working with him. During the team’s first training camp in Charleston, in 1991, Checketts and Riley were having lunch when Checketts’s cell phone rang, interrupting the talk. It was his wife, Deborah, who was about to buy a Chevy Suburban sport-utility vehicle, and wanted her husband’s input on color. Deborah had all but decided on the color green, and asked her husband if he was okay with that option. He was, and told her that would be a perfectly fine choice. But then Riley, who was sitting next to Checketts and had listened in enough to know the couple was choosing a color for a new vehicle, butted in. “What are you talking about? She can’t buy a green car, Dave. Green is the Celtics,” Riley said, referring to the team that had served as the archrival of his Showtime Lakers during the 1980s. Checketts laughed, before realizing Riley’s facial expression hadn’t changed. “I’m dead serious,” Riley said. So Checketts, still on the phone with his wife, told her she couldn’t get a green Suburban. When Deborah asked what other colors were available, the car salesman suggested red. So she asked Checketts how he felt about red. Again, Checketts was fine with that option. Again, Riley wasn’t. “What? Red is the Bulls,” said Riley, almost annoyed Checketts would even ask his take on the color. Checketts relented. “Don’t come home with anything but a blue one,” he told his wife, before hanging up. This was how Riley was wired. You were either all the way in on supporting his vision—down to the color of your car—or you weren’t.
Chris Herring (Blood in the Garden: The Flagrant History of the 1990s New York Knicks)
You always have a choice. It's just that you have to pay the price that goes along with your choice.
Bob Mayer (Eyes of the Hammer (The Green Berets #1; Dave Riley #1))
Distinctive crusader crosses also distinguished national contingents. According to Jonathan Riley-Smith, at the planning meeting for the Third Crusade (1189–1192), the French decided to wear red crosses, the English white, and the Flemish green.
Robin M. Jensen (The Cross: History, Art, and Controversy)
It was disconcerting, terrifying, but there was euphoria to be found within the fear, like a free fall into a black hole. She couldn’t know what was at the bottom, but the path down felt like flying.
Riley Lashea (Behind the Green Curtain)
The psalmist says, ‘He makes me lie down in green pastures; he leads me beside still waters.’ I find it beautiful that in the face of terror; God doesn't bid us toward courage as we might perceive it. Instead, he draws us toward fear’s essential sister, rest—a sister who is not meant to replace fear but to exist together in tension and harmony with it […] And, of course, there is a fear that leans more toward awe than terror. A kind of delight. Your gut plummets within you as you drop from a bungee cord. The drum of a heart turning corners in a corn maze. I believe fear has the holy potential to draw out awe in us. To lead us into deeper patterns of protection and trust. To mould us into people engaged in the unknown, capable of making mystery of it instead of terror.
Cole Arthur Riley (This Here Flesh: Spirituality, Liberation, and the Stories That Make Us)
Amelia was a porcelain doll inside a suit of armor. As indestructible as she appeared, she was designed to shatter.
Riley Lashea (Behind the Green Curtain)
An entire pack of male juveniles cornered me the other day to ask if I didn't think leopards were good enough for me... When I pointed out that I could gut them all with a butter knife but that I might have difficulty doing the same to Riley, they turned green. You might have to pet a few later on -- I think I scared them off sex with leopard females.
Nalini Singh (Branded by Fire (Psy-Changeling, #6))
Zain poured skimmed milk over Weetabix, throwing in a handful of cashew nuts to add flavour. A glass of grapefruit juice to go with it, and green tea. He tried to avoid caffeine. Maybe the green pills were loaded with it, anyway. Alligator balls, snake venom and caffeine. He
Alex Caan (Cut To The Bone (Riley and Harris, #1))
Monday. Cassandra Jones ignored the butterflies in her stomach as she entered her fifth-grade classroom. The weekend had been rather emotional. For the first time since moving to Arkansas, she’d spent the night at a friend Riley Isabel’s house. By the time she went home, she and Riley were no longer friends, all because of a stupid fight over a dog. Her Sunday School teacher had encouraged Cassie to forgive and forget. Cassie waited in the bathroom during break and cornered Riley as soon as she came out of the stall. Riley hesitated, something like fear flashing across her face before her green eyes hardened. “What do you want?” She lifted her chin, the short strawberry-blond hair just grazing her neck. “I wanted to apologize,
Tamara Hart Heiner (Episode 2: Club Girls: The Extraordinarily Ordinary Life of Cassandra Jones (Walker Wildcats Year 1: Age 10))
Her green eyes look as if they are on fire in the in the reflection of the candle's light.
Riley Perrie (Partin: the Chosen (In the King's Army Chronicles))
Croque Madame drums her fingers on the steering wheel. “Bridges are one of the first things the enemy looks to destroy.” “Why? So people can’t get to work?” Terk asks. “No,” Cardyn counters. “It’s so trucks can’t pass over and boats can’t pass through. It’s all about cutting off supply lines.” He taps his temple. “Very clever strategy.” Brohn shakes his head. “It’s to destroy morale. Bridges are symbols. They show there’s nothing human beings can’t do, no distance we can’t cross. Destroy that, and you destroy morale. Destroy morale, and you keep everyone afraid and too broken to fight back.” Rain suggests that targeting bridges has to do with a reallocation of resources. “It’s like in chess,” she says. “If I can get you to dedicate your pieces to defense on one side of the board, I’m free to launch my attack on the other.” I tell them I’m pretty sure I read that the destruction of bridges in war is to prevent the movement of enemy troops. From a few rows behind us, Manthy’s voice is smooth and even. “It’s about separation.” She seems fixated on something outside the bus—maybe the long green grass along the side of the road or the intact houses and shops up ahead—and doesn’t turn to look at us.
K.A. Riley (Transfigured (The Transcendent Trilogy, #2))
God sees everybody. I wanted to be special. I guess I thought it would be very fine if everybody said, ‘There goes Brother Gregory; he may only be a second son, but he’s really illuminated.’ But that just turns out to be Pride.” He sighed. “I guess you can’t find God by looking.” “I think—I think you can by asking. And—by listening …” She curled up in the covers and closed her eyes again. Gregory tucked his knees up, and put his elbows on them. Resting his chin on his cupped hands, he peered into the impenetrable darkness. He listened. First he heard his own breath coming evenly in the quiet, and the soft pulse of Margaret’s beside him as she returned to sleep. Then he heard the little uneven puffs of the baby in the cradle, and through the walls the children and old Mother Sarah and Cook and even the neighbors. The little thoughts that cluttered his mind like busy ships moving to and fro in the harbor had been swept away in the listening, and he no longer sensed himself as he listened. He wasn’t turning over old sins like moss-covered stones to see what was underneath; he wasn’t addressing prayers to the Virgin or imagining the Passion; he wasn’t naming the seven virtues or praising the mighty deeds of God. Not a thought of last night’s supper or tomorrow’s breakfast flitted past like a distracting moth. And still he listened, until he could hear the deep and ageless sound of the earth breathing. And beyond that, nothing. As he entered Nothing, a strange warmth sprang up in his breast, somewhere around the heart. And he didn’t say, Aha! this is described in the Incendium Amoris but not in the Scala Claustralium, but instead, Let it be. It kindled and sprang higher until he was ablaze with it. It reached high up, outward, and inward into the Nothing. Pure love, on fire. It blazed, for a fragment of a moment, all the way to God, like a spark rising in the darkness. And as it died down, he could sense that everything on earth was softly glowing with it. “Astonishing,” said Gregory to himself as it faded and he returned. “I must try this again sometime,” he mumbled, as he rolled over and sleep overtook him.
Judith Merkle Riley (In Pursuit of the Green Lion (Margaret of Ashbury, #2))
along Keene Mill Road. Another mile and a half along the two-lane road that bisected Springfield, Virginia, and they'd reach the Beltway girdling
Bob Mayer (Eyes of the Hammer (The Green Berets #1; Dave Riley #1))