Rift Quotes

We've searched our database for all the quotes and captions related to Rift. Here they are! All 100 of them:

Clown in the Moon" My tears are like the quiet drift Of petals from some magic rose; And all my grief flows from the rift Of unremembered skies and snows. I think, that if I touched the earth, It would crumble; It is so sad and beautiful, So tremulously like a dream.
Dylan Thomas (The Poems of Dylan Thomas)
exile is strangely compelling to think about but terrible to experience. It is the unhealable rift forced between a human being and a native place, between the self and its true home: its essential sadness can never be surmounted. And while it is true that literature and history contain heroic, romantic, glorious, even triumphant episodes in an exile’s life, these are no more than efforts meant to overcome the crippling sorrow of estrangement.
Edward W. Said (Reflections on Exile and Other Essays (Convergences: Inventories of the Present))
In spite of all evidence that life is discontinuous, a valley of rifts, and that random chance plays a great part in our fates, we go on believing in the continuity of things, in causation and meaning. But we live on a broken mirror, and fresh cracks appear in its surface every day.
Salman Rushdie (The Ground Beneath Her Feet)
Your hope is the most beautiful and the saddest in the world.
Naomi Benaron (Running the Rift)
I know that some night in some bedroom soon my fingers will rift through soft clean hair songs such as no radio plays all sadness, grinning into flow.
Charles Bukowski (Love Is a Dog from Hell)
There was a rift in American life that was now coursing through American government. It wasn’t between Democrats and Republicans. It was between the people who were in it for the mission, and the people who were in it for the money.
Michael Lewis (The Fifth Risk)
Let me be the wave. And if I cannot be the wave, let me be the rupture at the bottom. Let me be that terrible first rift in the dark.]
Lauren Groff (Fates and Furies)
They say there is a rift in the human soul which was not constructed to belong entirely to life.
Louise Glück (Averno)
Nothing in the world scares me as much as bulimia. It was true then and it is true now. But at some point, the body will essentially eat of its own accord in order to save itself. Mine began to do that. The passivity with which I speak here is intentional. It feels very much as if you are possessed, as if you have no will of your own but are in constant battle with your body, and you are losing. It wants to live. You want to die. You cannot both have your way. And so bulimia creeps into the rift between you and your body and you go out of your mind with fear. Starvation is incredibly frightening when it finally sets in with a vengeance. And when it does,you are surprised. You hadn't meant this. You say: Wait, not this. And then it sucks you under and you drown.
Marya Hornbacher (Wasted: A Memoir of Anorexia and Bulimia)
When the Elemental Cross locks the Rift, it will restore the balance of nature, returning all creatures to their true essence." Shay Frowned. "What does that mean?" I stared at Anika, stunned as the truth settled into my bones. "It means we'll be wolves.
Andrea Cremer (Bloodrose (Nightshade, #3; Nightshade World, #6))
Remember also that it is not knowledge but the yearning for knowledge that makes for a complete, accomplished man. Such a man does not stand still but perseveres in the face of adversity, nor does he remain untouched by the pain cause by absence. On the contrary, he recognizes himself in each cry, uttered or repressed, in the smallest rift, in the most pressing need.
Elie Wiesel (The Judges)
...love...it ought to be at the center of all and everything we do in our own family, in our church callings, and our livelihood. Love is the healing balm that repairs rifts in personal and family relationships. It is the bond that unites families, communities and nations. love is the power that initiates friendship, tolerance, civility, and respect. It is the source that overcomes divisiveness and hate. Love is the fire that warms our lives with unparalleled joy and divine hope. Love should be our walk and our talk.
Dieter F. Uchtdorf
The road ahead is unknown to all. I cannot offer you wisdom or guidance. Only the promise that I will never leave you.
Andrea Cremer (Rift (Nightshade Prequel, #1; Nightshade World, #1))
The path is here," he said quietly. "But you are free to walk it or choose another way.
Andrea Cremer (Rift (Nightshade Prequel, #1; Nightshade World, #1))
A terrorist bomb not only killed its victims, but forced a violent rift through time and space, and ruptured the logic that held the world together.
J.G. Ballard
Ember pulled his face to hers, kissing him again before she said, “Your strength gives me courage.” He smiled gently. “No, Ember, that is all your strength and none of mine.” She balked, but he kissed her, murmuring against her lips, “And that is why I love you.
Andrea Cremer (Rift (Nightshade Prequel, #1; Nightshade World, #1))
The great tapestries of trees had darkened to ghosts back at the last edge of twilight. The early moon had drenched the arches with pale blue, and, weaving over the night, in and out of the gossamer rifts of moon, swept a song, a song with more than a hint of sadness, infinitely transient, infinitely regretful.
F. Scott Fitzgerald (This Side of Paradise)
The world was full of holes, tiny apertures of meaninglessness, microscopic rifts that the mind could walk through, and once you were on the other side of one of those holes, you were free of yourself, free of your life free of your death, free of everything that belonged to you.
Paul Auster (The Book of Illusions)
Ye elves of hills, brooks, standing lakes and groves, And ye that on the sands with printless foot Do chase the ebbing Neptune and do fly him When he comes back; you demi-puppets that By moonshine do the green sour ringlets make, Whereof the ewe not bites, and you whose pastime Is to make midnight mushrooms, that rejoice To hear the solemn curfew; by whose aid, Weak masters though ye be, I have bedimm’d The noontide sun, call’d forth the mutinous winds, And ‘twixt the green sea and the azured vault Set roaring war: to the dread rattling thunder Have I given fire and rifted Jove’s stout oak With his own bolt; the strong-based promontory Have I made shake and by the spurs pluck’d up The pine and cedar: graves at my command Have waked their sleepers, oped, and let ‘em forth By my so potent art. But this rough magic I here abjure, and, when I have required Some heavenly music, which even now I do, To work mine end upon their senses that This airy charm is for, I’ll break my staff, Bury it certain fathoms in the earth, And deeper than did ever plummet sound I’ll drown my book.
William Shakespeare (The Tempest)
You are in the wrong," replied the fiend; "and, instead of threatening, I am content to reason with you. I am malicious because I am miserable; am I not shunned and hated by all mankind? You, my creator, would tear me to pieces and triumph; remember that, and tell me why I should pity man more than he pities me? Would you not call it murder if you could Precipitate me into one of those ice-rifts, and destroy my frame, the work of your own hands. Shall I respect man, when he contemns me? Let him live with me in the interchange of kindness, and instead of injury, I would bestow every benefit upon him with tears of gratitude at his acceptance. But that cannot be; the human senses are insurmountable barriers to our union. Yet mine shall not be the submission of abject slavery. I will revenge my injuries: if I cannot inspire love, I will cause fear; and chiefly towards you my arch-enemy, because my creator, do I swear inextinguishable hatred. Have a care: I will work at your destruction, nor finish until I desolate your heart , so that you curse the hour of your birth.
Mary Wollstonecraft Shelley (Frankenstein)
There were occasionally rifts in the cloud where the face of a woman appeared, frowning.
Frank O'Hara (Meditations in an Emergency)
Sometimes life offers you up that kind of dichotomy, that soul-shearing rift of two very different things happening at once.
Lish McBride (Necromancing the Stone (Necromancer, #2))
But I know what it means to crave what you're not. To want to sew up that rift because it's exhausting to hold it open. Sometimes you just need to be someone else, someone who doesn't care about anything at all. I know I do. I want emptiness but I can't have it.
Vanessa Veselka (Zazen)
There was such glittering darkness in her, an endless rift straight through her core
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
I see you from afar—fragile and shy as a star gleaming through a cloudy rift
John Geddes
My fingers scrabbled at the smooth leather interior of Ryu’s BMW as he missed the exit we needed. Causing him to drop a few more F bombs and slam on the breaks. He then opened what I assume was a rift in the space time continuum in order to hurtle his German made steal cage of doom through said continuum.
Nicole Peeler (Tracking the Tempest (Jane True, #2))
The Pomegranate The only legend I have ever loved is the story of a daughter lost in hell. And found and rescued there. Love and blackmail are the gist of it. Ceres and Persephone the names. And the best thing about the legend is I can enter it anywhere. And have. As a child in exile in a city of fogs and strange consonants, I read it first and at first I was an exiled child in the crackling dusk of the underworld, the stars blighted. Later I walked out in a summer twilight searching for my daughter at bed-time. When she came running I was ready to make any bargain to keep her. I carried her back past whitebeams and wasps and honey-scented buddleias. But I was Ceres then and I knew winter was in store for every leaf on every tree on that road. Was inescapable for each one we passed. And for me. It is winter and the stars are hidden. I climb the stairs and stand where I can see my child asleep beside her teen magazines, her can of Coke, her plate of uncut fruit. The pomegranate! How did I forget it? She could have come home and been safe and ended the story and all our heart-broken searching but she reached out a hand and plucked a pomegranate. She put out her hand and pulled down the French sound for apple and the noise of stone and the proof that even in the place of death, at the heart of legend, in the midst of rocks full of unshed tears ready to be diamonds by the time the story was told, a child can be hungry. I could warn her. There is still a chance. The rain is cold. The road is flint-coloured. The suburb has cars and cable television. The veiled stars are above ground. It is another world. But what else can a mother give her daughter but such beautiful rifts in time? If I defer the grief I will diminish the gift. The legend will be hers as well as mine. She will enter it. As I have. She will wake up. She will hold the papery flushed skin in her hand. And to her lips. I will say nothing.
Eavan Boland
Gareth's eyes slipped open. “You make me nervous when you do that.” “Do what?” “Brood. Your brooding is rather loud.” “Oh please. I was hardly—” His eyebrow rose. “Fine. I was brooding. It's not like you don't.” “Mine is inherent to my romantic nature. Cloaks and castles.” Adele threw up her hands. “That's it. You are forbidden to look at any more cheap books about yourself.
Clay Griffith (The Rift Walker (Vampire Empire, #2))
This is what it feels like to love someone. The fear that they could be harmed and you'd be helpless keeps you up at night. It's a rift in your logic. It turns you from sensible into someone who's inside out.
Liza Palmer (More Like Her)
Fadewalking seems a lot less impressive when an animal can do it too.” I can’t help a grin. Eldas narrows his eyes at me, but his scowl has lost some of its bite. “He can Fadewalk because he is of the Fade—a creature caught in the rift when worlds were severed.” “He’s a good boy, that’s what he is,” I coo to the wolf.
Elise Kova (A Deal with the Elf King (Married to Magic, #1))
Jane noticed Henry's skin stretch when Theo held Henry's head with one hand and tugged on the thing with the other. “Hold on! You might do more damage pulling it off like that.” Reluctantly, Theo released his hold.
Ben Hammott (Ice Rift (Ice Rift, #1))
When they argue, there can be no danger of a permanent rift, because they're Mother and Daughter. A terrible and beautiful phenomenon to watch.
J.D. Salinger (Raise High the Roof Beam, Carpenters & Seymour: An Introduction)
Thunder splits the rift where the Sun floods in.
David Mitchell (The Thousand Autumns of Jacob de Zoet)
To know of the existence of evil, true evil that corrupted the world, had forever altered her heart and mind. If she had chosen a different path, she wouldn't have slept another night. Her head would have been restless as she thought only of the horrors that might be creeping outside her door, waiting to rend her flesh. She would not live a life as the hunted; she would be the hunter.
Andrea Cremer (Rift (Nightshade Prequel, #1; Nightshade World, #1))
I'm in this relationship for the capes and castles.
Susan Griffith (The Rift Walker (Vampire Empire, #2))
The philosopher Sir James Mackintosh had said that the powers of a man's mind were proportionate to the quantity of coffee he drank, and Voltaire had knocked back fifty cups of it a day, so Ianto reckoned there had to be something in it. And saving Cardiff from the kinds of things that came through the Rift called for quick, inspired thinking, so Ianto took it upon himself to make sure the coffee was good. Ianto Jones, saving the world with a dark roast.
Phil Ford
I don't think that writing, real writing, has much to do with affirming belief--if anything it causes rifts and gaps in belief which make belief more complex and more textured, more real. Good writing unsettles, destroys both the author and the reader. From my perspective, there always has to be a tension between the writer and the monolithic elements of the culture, such as religion.
Brian Evenson
How I still see you in the rifts. The girl who still looks at me the same. No matter the form she wears, I still see you.
Snow Liber Dionysus
A crucial part of their all-encompassing control is creating a rift between mortals who have and mortals who have not.
Jennifer L. Armentrout (A Kingdom of Flesh and Fire (Blood and Ash, #2))
Whatever the particulars of your first estrangement, you will have felt the rift being torn between who you really are, and who you had to be to survive. And so begins the work of moulding our qualities into this more acceptable version of ourselves. Over time, these efforts at ‘passing’as normal become all-too-successful, until even we begin to forget our true nature.
Toko-pa Turner (Belonging: Remembering Ourselves home)
All I can say is that we are mistaken to gouge such a deep rift in history that the things old men and old women know have become so useless as to be not worth passing on to grandchildren.
Charles Frazier (Thirteen Moons)
Two phoenixes, born of fire, rising from the ashes of the past. The wheel of fate is turning and the Dragon is poised to strike. But blood of the deceiver may change the course of destiny. Beware the man with the painted smile who lingers close to your side. Turn the scorned. Free the enslaved. Fear the bonded men. Many will fall for one to ascend. Suffer the curse. The hunter will pay the price. Do not repeat the mistakes of the past. Keep the broken promise. Mend the rift. All that hides in the shadows is not dark. Blood will out. Seal your fate. Choose your destiny.
Caroline Peckham (Fated Throne (Zodiac Academy, #6))
Because love is the great commandment, it ought to be at the center of all and everything we do in our own family, in our Church callings, and in our livelihood. Love is the healing balm that repairs rifts in personal and family relationships. It is the bond that unites families, communities, and nations. Love is the power that initiates friendship, tolerance, civility, and respect. It is the source that overcomes divisiveness and hate. Love is the fire that warms our lives with unparalleled joy and divine hope. Love should be our walk and our talk.
Dieter F. Uchtdorf
She’s dressed in a white her soul doesn’t reflect, a drop-dead beauty with drop-dead morals.
Halo Scot (Echoes of Blood (Rift Cycle, #2))
If for us culture means museum and library and open house and art gallery, for them it meant the activities and amenities of everyday life... The rift is... between "folk" culture, where the unschooled can be wise, and print culture, which enslaved the other senses to the eye.
Nick Joaquín (Culture and History)
Milla was always aware, on the dimmest edge of her consciousness that Diaz constantly watched her. She also knew that he was a man who never gave up, who never lost sight of his goal. Exactly what his goal was wasn’t always clear to her, but she had no doubt he was perfectly clear in his own mind what he wanted. He wanted her. She knew it, and yet she couldn’t imagine how they could ever be together again. The rift between them, to her, was final and absolute. He’d betrayed her in the most wounding way possible, and forgiveness evidently wasn’t her strong suit. She had found that grudges weren’t heavy at all; she could carry them for a very long time. Diaz wasn’t taking care of her out of the goodness of his heart. He was taking care of her the way a wolf cared for its wounded mate.
Linda Howard (Cry No More)
I saw the lake of Hali, thin and blank, without a ripple or wind to stir it, and I saw the towers of Carcosa behind the moon. Aldebaran, the Hyades, Alar, Hastur, glided through the cloud-rifts which fluttered and flapped as they passed like the scolloped tatters of the King in Yellow.
Robert W. Chambers (The King in Yellow)
Rain-diamonds, this winter morning, embellish the tangle of unpruned pear-tree twigs; each solitaire, placed, it appears, with considered judgement, bears the light beneath the rifted clouds - the invisible shared out in endless abundance.
Denise Levertov
Tools exist for only one reason: to force the universe into unnatural shapes.
Peter Watts (Beyond the Rift)
The family stayed put for a few years, largely due to issues involving a contract with a demon, an open dimensional rift, and preschool . . .
Seanan McGuire
Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business. Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things.
Henry David Thoreau (Walden)
Exile is strangely compelling to think about but terrible to experience. It is the unhealable rift forced between a human being and a native place, between the self and its true home: its essential sadness can never be surmounted. And while it is true that literature and history contain heroic, romantic, glorious, even triumphant episodes in an exile’s life, these are no more than efforts meant to overcome the crippling sorrow of estrangement. The achievements of exile are permanently undermined by the loss of something left behind forever.
Edward W. Said
What happens to a marriage when one partner ignores the other? After a short period of time bitterness begins to enter the heart. Words begin to cut like a sharp knife. Soon the animosity turns to anger, jealousy, and even worse. For many it results in separation, divorce, and hatred. But the rift can so easily be mended.All it takes is a fresh surrender that comes from your very soul.And a renewing of the vow to “love, honor, and cherish.
Benny Hinn (Good Morning, Holy Spirit: Learn to Recognize the Voice of the Spirit)
. . . For that he was a spirit too delicate To act their earthy and abhorr’d commands, Refusing their grand hests, they did confine him By help of their most potent ministers, And in their most unmitigable rage, Into a cloven pine; within which rift Imprisoned, he didst painfully remain. . . . Shakespeare. The Tempest.
Madeleine L'Engle (A Wrinkle in Time (Time Quintet, #1))
Those who meet here are not equals: the doctor announces the fate of the patient; the patient takes him at his word. For the doctor, what is at stake is his career; for the patient, it is life itself. This rift is all the more pronounced when a woman enters the consulting room.
Victoria Mas (The Mad Women's Ball)
Det kan regne og storme, det er ikke derpaa det kommer an, ofte kan en liten Glæde bemægtige sig en paa en Regnveirsdag og faa en til at gaa avsides med sin Lykke. Man stiller sig da op og gir sig til at se ret frem, nu og da ler man tyst og ser sig omkring. Hvad tenker man paa? En klar Rute i et Vindu, en Solstraale i Ruten, en Utsigt til en liten Bæk og kanske til en blaa Rift på Himlen. Det behøver ikke at være mere.
Knut Hamsun (Pan)
FLAME ON, MOTHERFUCKER!
Nicole Hamlett (Rifts (Grace Murphy, #2))
at Parthos that a doomed human army made its final stand against the Vanir? To save proof of what they were before the Rifts opened—to save the books. A hundred thousand humans marched that day knowing they would die, and lose the war.” Micah’s smile grew. “All to buy the priestesses time to grab the most vital volumes. They loaded them onto ships and vanished.
Sarah J. Maas (House of Earth and Blood (Crescent City, #1))
But emotionally immature people have a completely unrealistic view of what forgiveness means. To them, forgiveness should make it like the rift never happened, as though a completely fresh start is possible. They have no awareness of the need for emotional processing or the amount of time it may take to rebuild trust after a major betrayal. They just want things to be normal again. Others' pain is the only fly in the ointment. Everything would be fine if others would just get past their feelings about the situation.
Lindsay C. Gibson (Adult Children of Emotionally Immature Parents: How to Heal from Distant, Rejecting, or Self-Involved Parents)
...My father muttered something to me, and I responded with a mumbled "What". He shouted, "You heard me," thundered up from his chair, pulled his belt out of its loops, and inflicted a beating that seemed never to end. I curled my arms around my body as he stood over me like a titan and delivered the blows. This was the only incident of its kind in our family. My father was never physically abusive toward my mother or sister and he was never again physically extreme with me. However, this beating and his worsening tendency to rages directed at my mother - which I heard in fright through the thin walls of our home - made me resolve, with icy determination, that only the most formal relationship would exist between my father and me, and for perhaps thirty years, neither he nor I did anything to repair the rift. The rest of my childhood, we hardly spoke; there was little he said to me that was not critical, and there was little I said back that was not terse or mumbled. When I graduated from high school, he offered to buy me a tuxedo. I refused because I had learned from him to reject all aid and assistance; he detested extravagance and pleaded with us not to give him gifts. I felt, through a convoluted logic, that in my refusal, I was being a good son. I wish now that I had let him buy me a tuxedo, that I had let him be a dad. Having cut myself off from him, and by association the rest of the family, I was incurring psychological debts that would come due years later in the guise of romantic misconnections and a wrongheaded quest for solitude. I have heard it said that a complicated childhood can lead to a life in the arts. I tell you this story of my father and me to let you know I am qualified to be a comedian.
Steve Martin (Born Standing Up: A Comic's Life)
I think of winter, which is nothing but a rift in the firmament through which the winds break loose, the shreds of cloud over the hilltops in the new blue of the morning -- and dew-drops, those false pearls, and frost, that beauty powder, and mankind in disarray and events out of joint, and so many spots on the sun and so many craters in the moon and so much wretchedness everywhere -- when I think of all this I can't help feeling that God is not rich. He has the appearance of riches, certainly, but I can feel his embarrassment. He gives us a revolution the way a bankrupt merchant gives a ball. We must not judge any god by appearances. I see a shoddy universe beyond that splendour of the sky. Creation itself is bankrupt, and that's why I'm a malcontent.
Victor Hugo (Les Misérables)
She laid her palm against his bristled cheek. “You’re safe,” she whispered. “What the hell did you think you were doing?” he growled, his heart pounding wildly in his chest. “I was going to save you.” He threaded his fingers through her tangled hair. She’d lost her bonnet. She was damn lucky she hadn’t lost her life. “You little fool,” he rasped in a voice rift with emotion. “You brave little fool.
Lorraine Heath (Texas Destiny (Texas Trilogy, #1))
There was a scrape and crunch of shoes, then a small, smooth hand slid toward her. But it was not Chaol or Sam or Nehemia who lay across from her, watching her with those sad turquoise eyes. Her cheek against the moss, the young princess she had been—Aelin Galathynius—reached a hand for her. “Get up,” she said softly. Celaena shook her head. Aelin strained for her, bridging that rift in the foundation of the world. “Get up.” A promise—a promise for a better life, a better world. The Valg princes paused. She had wasted her life, wasted Marion’s sacrifice. Those slaves had been butchered because she had failed—because she had not been there in time. “Get up,” someone said beyond the young princess. Sam. Sam, standing just beyond where she could see, smiling faintly. “Get up,” said another voice—a woman’s. Nehemia. “Get up.” Two voices together—her mother and father, faces grave but eyes bright. Her uncle was beside them, the crown of Terrasen on his silver hair. “Get up,” he told her gently. One by one, like shadows emerging from the mist, they appeared. The faces of the people she had loved with her heart of wildfire. And then there was Lady Marion, smiling beside her husband. “Get up,” she whispered, her voice full of that hope for the world, and for the daughter she would never seen again.
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
Gradually it became clear that it is a fundamental error to try to give the sexual act a psychological interpretation, to attribute to it a psychic meaning as if it were a neurotic symptom. But this is what the psychoanalysts did. On the contrary: any idea occurring in the course of the sexual act only has the effect of hindering one's absorption in the excitation. Furthermore, such psychological interpretations of genitality constitute a denial of genitality as a biological function. By composing it of non-genital excitations, one denies the existence of genitality. The function of the orgasm, however, had revealed the qualitative difference between genitality and pregenitality. Only the genital apparatus can provide orgasm and can discharge sexual energy completely. Pregenitality, on the other hand, can only increase vegetative tensions. One readily sees the deep rift which formed here in psychoanalytic concepts.
Wilhelm Reich (The Function of the Orgasm; Sex-economic Problems of Biological Energy)
I saw myself in the mirror, and from my expression I had a shocking intimation of the rift between my body and my soul. Whereas my face was drained by defeat and shock, inside my head was another universe: I now understood as an elemental fact of life that while I was here, inside my body was a soul, a meaning, that all things were made of desire, touch, and love, that what I was suffering was composed of the same elements.
Orhan Pamuk
Blow on, ye death fraught whirlwinds! blow, Around the rocks, and rifted caves; Ye demons of the gulf below! I hear you, in the troubled waves. High on this cliff, which darkness shrouds In night's impenetrable clouds, My solitary watch I keep, And listen, while the turbid deep Groans to the raging tempests, as they roll Their desolating force, to thunder at the pole. Eternal world of waters, hail! Within thy caves my Lover lies; And day and night alike shall fail Ere slumber lock my streaming eyes. Along this wild untrodden coast, Heap'd by the gelid' hand of frost; Thro' this unbounded waste of seas, Where never sigh'd the vernal breeze; Mine was the choice, in this terrific form, To brave the icy surge, to shiver in the storm. Yes! I am chang'd - My heart, my soul, Retain no more their former glow. Hence, ere the black'ning tempests roll, I watch the bark, in murmurs low, (While darker low'rs the thick'ning' gloom) To lure the sailor to his doom; Soft from some pile of frozen snow I pour the syren-song of woe; Like the sad mariner's expiring cry, As, faint and worn with toil, he lays him down to die. Then, while the dark and angry deep Hangs his huge billows high in air ; And the wild wind with awful sweep, Howls in each fitful swell - beware! Firm on the rent and crashing mast, I lend new fury to the blast; I mark each hardy cheek grow pale, And the proud sons of courage fail; Till the torn vessel drinks the surging waves, Yawns the disparted main, and opes its shelving graves. When Vengeance bears along the wave The spell, which heav'n and earth appals; Alone, by night, in darksome cave, On me the gifted wizard calls. Above the ocean's boiling flood Thro' vapour glares the moon in blood: Low sounds along the waters die, And shrieks of anguish fill the' sky; Convulsive powers the solid rocks divide, While, o'er the heaving surge, the embodied spirits glide. Thrice welcome to my weary sight, Avenging ministers of Wrath! Ye heard, amid the realms of night, The spell that wakes the sleep of death. Where Hecla's flames the snows dissolve, Or storms, the polar skies involve; Where, o'er the tempest-beaten wreck, The raging winds and billows break; On the sad earth, and in the stormy sea, All, all shall shudd'ring own your potent agency. To aid your toils, to scatter death, Swift, as the sheeted lightning's force, When the keen north-wind's freezing breath Spreads desolation in its course, My soul within this icy sea, Fulfils her fearful destiny. Thro' Time's long ages I shall wait To lead the victims to their fate; With callous heart, to hidden rocks decoy, And lure, in seraph-strains, unpitying, to destroy.
Anne Bannerman (Poems by Anne Bannerman.)
Which would you fear more, Virginia au Augustus, a god? Or a mortal with the power of a god?” The question hangs between them, creating a rift words cannot mend. “A god cannot die. So a god has no fear. But mortal men…” She clucks her tongue behind her stained teeth. “How frightened they are that the darkness will come. How horribly they will fight to stay in the light.
Pierce Brown (Morning Star (Red Rising, #3))
In short, the fossil record is perfectly compatible with the supposition that at some time between eight and six million years ago, at the north end of the Rift Valley where the most ancient hominid remains have been found, one section of the l. c. a. population found itself living in a watery environment and—whether by choice or under duress—began to adapt to a semi-aquatic existence.
Elaine Morgan (The Aquatic Ape Hypothesis (Independent Voices))
Immediately after a divorce or a breakup, your mind whispers that there are plenty more fish in the sea, while your heart shouts that there is only one whoever-you-just-divorced-or-broke-up-with.
Mokokoma Mokhonoana
Every story is an act of trust between a writer and a reader: each story, in the end, is social. Whatever a writer sets down can help or harm a community of which he or she is a part. When I write I can imagine a child in California wishing to give away what he’s just seen- a wild animal fleeing though creosote cover in the desert, casting a bright-eyed backward glance or three lines of overheard conversation that seem to contain everything we need understand to repair the gaping rift between body and soul. I look back at that boy turning in glee beneath his pigeons and know it can take a lifetime to convey what you mean, to find the opening. You watch, you set it down. Then you try again.
Barry Lopez (About This Life: Journeys on the Threshold of Memory)
Please,” Lady Gisela begged as the figures dragged her toward the mountains. Her captors ignored her cries, kicking her when she stumbled. Her pleas grew more urgent as they headed for a rift, but the Neverseen did not slow. Mitya tried to follow, but by the time she found a way into the cave, the Neverseen had vanished, leaving nothing but red. As she turned to head back, Mitya heard Lady Gisela scream, “Don’t do this!” Then everything fell silent, and a raspy voice said, “It’s done.” A million icicles stabbed Sophie’s heart as she recognized the voice. Brant. Clearly he’d recovered from his wounds. The
Shannon Messenger (Neverseen (Keeper of the Lost Cities, #4))
The man thinks of multiverses, of splits, of the momentous moments when there is a new reality created. He wonders about retroactive continuity and reboots, the opportunity, in comic books, to start with clean slates, to write fresh, to correct the mistakes that were made. He feels now, looking at the new Shopwise, that it cannot offer the same kind of happiness as Fiesta Carnival, that the rifts and tears in his reality are things he must accept, and that he is happy with the girl, in another multiverse.
Carljoe Javier (The Kobayashi Maru of Love)
Life in a concentration camp tore open the human soul and exposed its depths. Is it surprising that in those depths we again found only human qualities which in their very nature were a mixture of good and evil? The rift dividing good from evil, which goes through all human beings, reaches into the lowest depths and becomes apparent even on the bottom of the abyss which is laid open by the concentration camp.
Viktor E. Frankl (Man’s Search for Meaning)
Joanna heard the unspoken subtext in that simple statement. Jeff Daniels could call his parents and tell them the news. Marianne couldn’t. Marianne’s parents had never recovered from their daughter’s public defection from the Catholic Church and becoming a Methodist minister. Over the years, Marianne had given Joanna helpful hints about resolving the mother/ daughter rifts between Joanna and Eleanor Lathrop. That didn’t mean, however, that she had ever been able to heal the long-standing feud with her own mother.
J.A. Jance (Rattlesnake Crossing (Joanna Brady, #6))
Duty o'er love was the choice you did make My love you did spurn, my heart you did break Your penance to pay, no pride you shall gain Three sons on three sons find nothing but pain I gift you my powers in memory of me The joy of love no son shall ever see When a Lifemate is chosen by the heart of a son No protection can be given, again I have won His pain will be deep, her death will be swift Inside his heart a terrible rift Only freely given will this curse be done To break the spell, three must work as one.
Cherry Adair (Edge of Danger (T-FLAC, #8; T-FLAC/Psi Edge Trilogy, #1))
[T]he enduring problem for liberals, as for everyone else, is not whether history will judge them wise or foolish regarding the war on terrorism; it is, rather, the way that the past decade has splintered them away from other Americans. This fracture comes with a steep price: in today's toxic atmosphere, liberals are no less cynical, shortsighted, and parochial than anyone else, and they understand their fellow-Americans just as badly as they themselves are understood. When liberals look at red-state voters, they see either a mob of pious know-nothings or the insensible victims of militarism and class warfare. Yet.... [such people] defy fixed categories, which means that they have to be figured out the hard way--on their own terms.
George Packer
I waited for the Earth to stop spinning, for the rift to open and swallow us. Yet the ash tree remained framed in the window, refused to fall. Rain streaked the glass. Blood throbbed in my ears. Preternatural silence. The cruellest April. I was not deceived. What I saw was samsara, illusion. The world had ended. I was sure of it.
John Dolan (A Poison Tree (Time, Blood and Karma, #3))
There were times when initial introductions were so vested with something other as to confuse and distract and entrance both parties, Cy would realize later. And only further into their relationships when you knew the person better, and their place in your life became clear, if there was love, if there was hate, if there was deepness of any kind, only then did you understand that the embers of meaning have been present all along and glowing since that first moment you laid eyes on them. As if you already knew them before you came to know them. As if some rift had bent time.
Sarah Hall (The Electric Michelangelo)
You need to know what you are before you can become what you are supposed to be. In order to know what you are now, you must learn what you are going to be.
S.K.N. Hammerstone (The Rift (Vessel of Souls, #1))
One tribe moves out and one tribe stays. History broadens, and philosophy shifts, develops a rift, splits one population from the other . . . and a schism happens, minor or major. It’s the way humankind has always proliferated. We go over the next hill, live a few hundred years, change our languages to accommodate things we never saw before—and before we know it, our cousins think we have an accent. Or we think they have a strange attitude. And we don’t really understand our cousins any longer.
C.J. Cherryh (Downbelow Station (The Company Wars, #1))
In the eusocial [bee] hive, just a single wintering would result in being driven out for the greater good. And it may well be true that a bee can't recover. But a human can. We may rift through years in which we feel like a negative presence in the world, but we are capable of coming back again. We can return to family and friends not only restored but capable of bringing more than we brought before: greater wisdom, more compassion, an increased capacity to reach deep into our roots and know that we will find water.
Katherine May (Wintering: The Power of Rest and Retreat in Difficult Times)
Another flaw of the system is the fact that various danger fronts often require very different firmaments. As a logical superstructure is built upon each, there follow clashes of incommensurable modes of feeling and thought. Then despair can enter through the rifts. In such cases, a person may be obsessed with destructive joy, dislodging the whole artificial apparatus of his life and starting with rapturous horror to make a clean sweep of it. The horror stems from the loss of all sheltering values, the rapture from his by now ruthless identification and harmony with our nature’s deepest secret, the biological unsoundness, the enduring disposition for doom.
Peter Wessel Zapffe (Essays)
Narcissistic Parents often enlist other family members on their side, causing rifts and building alliances against a “bad” child. In other words, they may bully their own children. The victims of such behavior often describe themselves as a “scapegoat,” held accountable for all the family troubles. Their mothers often compare them unfavorably to a sibling viewed as “golden,” one child a loser and the other a winner. Narcissistic Parents tell blatant lies, too, painting themselves as victims and their children as heartless ingrates.
Joseph Burgo (The Narcissist You Know: Defending Yourself Against Extreme Narcissists in an All-About-Me Age)
The princess stared wide-eyed after her silent teacher. She lifted the hem of her robe and followed. "Is this your secret geomancer society?" "No. Could you please not say 'secret geomancer society' out loud?
Clay Griffith (The Rift Walker (Vampire Empire, #2))
I think that the trademark of the Devil in this world, is the awful rift between women. Women backbiting other women, women envying other women and so on and so forth. And then there is the telltale sign of God in this world, which is the intoxicating potion of joy that is concocted when a woman reaches out to another woman, when women will take an extra step, go an extra mile, or just go out of their way an inch for their fellow woman, regardless of the varying degrees of things we hold important such as beauty, intelligence, status and so on and so forth. Beautiful acts of God are seen in the kindness of women towards other women. And when I say this, I am also thinking about gay men in the same light.
C. JoyBell C.
They had kissed the first time they did coke together, their first kiss, Wani’s mouth sour with wine, his tongue darting, his eyes timidly closed. Each time after that was a re-enactment of a thrilling beginning. Anything seemed possible – the world was not only doable, conquerable, but lovable: it showed its weaknesses and you knew it would submit to you. You saw your own charm reflected in its eyes. Nick stood and kissed Wani in the middle of the room – two or three heavenly minutes that had been waiting to happen, a glowing collision, a secret rift in the end of the day.
Alan Hollinghurst (The Line of Beauty)
Man is divided against himself and against God by his own selfishness, which divides him against his brother. This division cannot be healed by a love that places itself only on one side of the rift. Love must reach over to both sides and draw them together. We cannot love ourselves unless we love others, and we cannot love others unless we love ourselves. But a selfish love of ourselves makes us incapable of loving others. The difficulty of this commandment lies in the paradox that it would have us love ourselves unselfishly, because even our love of ourselves is something we owe to others.
Thomas Merton (No Man Is an Island)
At that moment I saw you at the end of the platform. You were wearing trousers. On the long platform beside the stranded train, in the vast white diffused late-afternoon light of the rift valley, you looked very small. With your appearance everything changed. Everything from the passage under the railway tracks to the sun setting, from the Arabic numerals on the board which announced the times of the trains, to the gulls perched on a roof, from the invisible stars to the taste of coffee on my palate. The world of circumstance and contingency, into which, long before, I had been born, became like a room. I was home.
John Berger (And Our Faces, My Heart, Brief as Photos)
A few moments after he found himself on the stage amid the garish gas and the dim scenery, acting before the innumerable faces of the void. It surprised him to see that the play which he had known at rehearsals for a disjointed lifeless thing had suddenly assumed a life of its own. It seemed now to play itself, he and his fellow actors aiding it with their parts. When the curtain fell on the last scene he heard the void filled with applause and, through a rift in a side scene, saw the simple body before which he had acted magically deformed, the void of faces breaking at all points and falling asunder into busy groups.
James Joyce (A Portrait of the Artist as a Young Man)
He is on his way to her. In a moment he will leave the wooden sidewalks and vacant lots for the paved streets. The small suburban houses flash by like the pages of a book, not as when you turn them over one by one with your forefinger but as when you hold your thumb on the edge of the book and let them all swish past at once. The speed is breathtaking. And over there is her house at the far end of the street, under the white gap in the rain clouds where the sky is clearing, toward the evening. How he loves the little houses in the street that lead to her! He could pick them up and kiss them! Those one-eyed attics with their roofs pulled down like caps. And the lamps and icon lights reflected in the puddles and shining like berries! And her house under the white rift of the sky! There he will again receive the dazzling, God-made gift of beauty from the hands of its Creator. A dark muffled figure will open the door, and the promise of her nearness, unowned by anyone in the world and guarded and cold as a white northern night, will reach him like the first wave of the sea as you run down over the sandy beach in the dark.
Boris Pasternak (Doctor Zhivago)
Outsong in the Jungle [Baloo:] For the sake of him who showed One wise Frog the Jungle-Road, Keep the Law the Man-Pack make For thy blind old Baloo's sake! Clean or tainted, hot or stale, Hold it as it were the Trail, Through the day and through the night, Questing neither left nor right. For the sake of him who loves Thee beyond all else that moves, When thy Pack would make thee pain, Say: "Tabaqui sings again." When thy Pack would work thee ill, Say: "Shere Khan is yet to kill." When the knife is drawn to slay, Keep the Law and go thy way. (Root and honey, palm and spathe, Guard a cub from harm and scathe!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Kaa:] Anger is the egg of Fear-- Only lidless eyes see clear. Cobra-poison none may leech-- Even so with Cobra-speech. Open talk shall call to thee Strength, whose mate is Courtesy. Send no lunge beyond thy length. Lend no rotten bough thy strength. Gauge thy gape with buck or goat, Lest thine eye should choke thy throat. After gorging, wouldst thou sleep ? Look thy den be hid and deep, Lest a wrong, by thee forgot, Draw thy killer to the spot. East and West and North and South, Wash thy hide and close thy mouth. (Pit and rift and blue pool-brim, Middle-Jungle follow him!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Bagheera:] In the cage my life began; Well I know the worth of Man. By the Broken Lock that freed-- Man-cub, ware the Man-cub's breed! Scenting-dew or starlight pale, Choose no tangled tree-cat trail. Pack or council, hunt or den, Cry no truce with Jackal-Men. Feed them silence when they say: "Come with us an easy way." Feed them silence when they seek Help of thine to hurt the weak. Make no bandar's boast of skill; Hold thy peace above the kill. Let nor call nor song nor sign Turn thee from thy hunting-line. (Morning mist or twilight clear, Serve him, Wardens of the Deer!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [The Three:] On the trail that thou must tread To the threshold of our dread, Where the Flower blossoms red; Through the nights when thou shalt lie Prisoned from our Mother-sky, Hearing us, thy loves, go by; In the dawns when thou shalt wake To the toil thou canst not break, Heartsick for the Jungle's sake; Wood and Water, Wind air Tree, Wisdom, Strength, and Courtesy, Jungle-Favour go with thee!
Rudyard Kipling
I remembered… …how acrid heartbreak tastes. I remembered the walk to the edge of the reincarnation cycle--the chill of marble, my plumed breath, betrayal prizing apart my heart. I remembered fury enthralling me body and bone. I remembered light lapping over my eyes and my soul unraveling, fracturing into prisms of amethyst, lapis, topaz. I remembered a needling twinge of regret and the secret, terrible knowledge that somewhere in Naraka my abandonment would leave behind a chasm of obsidian threads--a chronic rift.
Roshani Chokshi (The Star-Touched Queen (The Star-Touched Queen, #1))
Henry gripped the axe handle and wiggled it free. The monster dropped to the ground and roared. Gathering his last vestiges of strength, Henry swung the axe at the sound. The monster grabbed Henry's arm that held the weapon and twisted. A loud crack of bone accompanied Henry's pain-filled scream. The axe slipped to the floor. Henry faced the monster and stared into its evil, soulless eyes. The fiend's jaws opened. Its tongue slid across sharp teeth. Though he dreaded
Ben Hammott (Ice Rift (Ice Rift, #1))
The morning sea of silence broke into ripples of bird songs; and the flowers were all merry by the roadside; and the wealth of gold was scattered through the rift of the clouds while we busily went on our way and paid no heed. We sang no glad songs nor played; we went not to the village for barter; we spoke not a word nor smiled; we lingered not on the way. We quickened our pace more and more as the time sped by. The sun rose to the mid sky and doves cooed in the shade. Withered leaves danced and whirled in the hot air of noon. The shepherd boy drowsed and dreamed in the shadow of the banyan tree, and I laid myself down by the water and stretched my tired limbs on the grass. My companions laughed at me in scorn; they held their heads high and hurried on; they never looked back nor rested; they vanished in the distant blue haze. They crossed many meadows and hills, and passed through strange, far-away countries. All honour to you, heroic host of the interminable path! Mockery and reproach pricked me to rise, but found no response in me. I gave myself up for lost in the depth of a glad humiliation---in the shadow of a dim delight. The repose of the sun-embroidered green gloom slowly spread over my heart. I forgot for what I had travelled, and I surrendered my mind without struggle to the maze of shadows and songs. At last, when I woke from my slumber and opened my eyes, I saw thee standing by me, flooding my sleep with thy smile. How I had feared that the path was long and wearisome, and the struggle to reach thee was hard!
Rabindranath Tagore (Gitanjali)
GO to the western gate, Luke Havergal,— There where the vines cling crimson on the wall,— And in the twilight wait for what will come. The wind will moan, the leaves will whisper some,— Whisper of her, and strike you as they fall; But go, and if you trust her she will call. Go to the western gate, Luke Havergal— Luke Havergal. No, there is not a dawn in eastern skies To rift the fiery night that ’s in your eyes; But there, where western glooms are gathering, The dark will end the dark, if anything: God slays Himself with every leaf that flies, And hell is more than half of paradise. No, there is not a dawn in eastern skies— In eastern skies. Out of a grave I come to tell you this,— Out of grave I come to quench the kiss That flames upon your forehead with a glow That blinds you to the way that you must go. Yes, there is yet one way to where she is,— Bitter, but one that faith can never miss. Out of a grave I come to tell you this— To tell you this. There is the western gate, Luke Havergal, There are the crimson leaves upon the wall. Go,—for the winds are tearing them away,— Nor think to riddle the dead words they say, Nor any more to feel them as they fall; But go! and if you trust her she will call. There is the western gate, Luke Havergal— Luke Havergal.
Edwin Arlington Robinson
I also realized that in my family drama a very limited number of character traits were available to the players. In my mind, either I could be weak, wimpy, submissive, and pathetic, or I could be a raging tyrant and bully who demanded total compliance from everyone in my realm. The notion of being strong and assertive while staying calm, insisting on appropriate boundraries and on being treated with respect and dignity, were not in my realm of experience. Once I realized that I was much happier with the person I was in the rest of my life, I realized it was foolish not to be that "me" around my family as well. I began to feel liberated and genuinely felt they could take the new me or leave it. So far, they've chosen to leave it, but I feel a sense of integrity and self-respect that I had never experienced before.
Mark Sichel (Healing from Family Rifts: Ten Steps to Finding Peace After Being Cut Off from a Family Member)
I still stared at Daemon, completely aware that everyone else except him was watching me. Closely. But why wouldn’t he look at me? A razor-sharp panic clawed at my insides. No. This couldn’t be happening. No way.
 My body was moving before I even knew what I was doing. From the corner of my eye, I saw Dee shake her head and one of the Luxen males step forward, but I was propelled by an inherent need to prove that my worst fears were not coming true. After all, he’d healed me, but then I thought of what Dee had said, of how Dee had behaved with me. What if Daemon was like her? Turned into something so foreign and cold? He would’ve healed me just to make sure he was okay. I still didn’t stop.
 Please, I thought over and over again. Please. Please. Please. On shaky legs, I crossed the long room, and even though Daemon hadn’t seemed to even acknowledge my existence, I walked right up to him, my hands trembling as I placed them on his chest. “Daemon?” I whispered, voice thick. His head whipped around, and he was suddenly staring down at me. Our gazes collided once more, and for a second I saw something so raw, so painful in those beautiful eyes. And then his large hands wrapped around my upper arms. The contact seared through the shirt I wore, branding my skin, and I thought—I expected—that he would pull me against him, that he would embrace me, and even though nothing would be all right, it would be better. Daemon’s hands spasmed around my arms, and I sucked in an unsteady breath. His eyes flashed an intense green as he physically lifted me away from him, setting me back down a good foot back. I stared at him, something deep in my chest cracking. “Daemon?” He said nothing as he let go, one finger at a time, it seemed, and his hands slid off my arms. He stepped back, returning his attention to the man behind the desk. “So . . . awkward,” murmured the redhead, smirking. I was rooted to the spot in which I stood, the sting of rejection burning through my skin, shredding my insides like I was nothing more than papier-mâché. “I think someone was expecting more of a reunion,” the Luxen male behind the desk said, his voice ringing with amusement. “What do you think, Daemon?” One shoulder rose in a negligent shrug. “I don’t think anything.” My mouth opened, but there were no words. His voice, his tone, wasn’t like his sister’s, but like it had been when we first met. He used to speak to me with barely leashed annoyance, where a thin veil of tolerance dripped from every word. The rift in my chest deepened.
For the hundredth time since the Luxen arrived, Sergeant Dasher’s warning came back to me. What side would Daemon and his family stand on? A shudder worked its way down my spine. I wrapped my arms around myself, unable to truly process what had just happened. “And you?" the man asked. When no one answered, he tried again. “Katy?” I was forced to look at him, and I wanted to shrink back from his stare. “What?” I was beyond caring that my voice broke on that one word. The man smiled as he walked around the desk. My gaze flickered over to Daemon as he shifted, drawing the attention of the beautiful redhead. “Were you expecting a more personal greeting?” he asked. “Perhaps something more intimate?” I had no idea how to answer. I felt like I’d fallen into the rabbit hole, and warnings were firing off left and right. Something primal inside me recognized that I was surrounded by predators. Completely.
Jennifer L. Armentrout (Opposition (Lux, #5))
Let us spend one day as deliberately as Nature, and not be thrown off the track by every nutshell and mosquito's wing that falls on the rails. Let us rise early and fast, or break fast, gently and without perturbation; let company come and let company go, let the bells ring and the children cry, -- determined to make a day of it. Why should we knock under and go with the stream? Let us not be upset and overwhelmed in that terrible rapid and whirlpool called a dinner, situated in the meridian shallows. Weather this danger and you are safe, for the rest of the way is down hill. With unrelaxed nerves, with morning vigor, sail by it, looking another way, tied to the mast like Ulysses. If the engine whistles, let it whistle till it is hoarse for its pains. If the bell rings, why should we run? We will consider what kind of music they are like. Let us settle ourselves, and work and wedge our feet downward through the mud and slush of opinion, and prejudice, and tradition, and delusion, and appearance, that alluvion which covers the globe, through Paris and London, through New York and Boston and Concord, through church and state, through poetry and philosophy and religion, till we come to a hard bottom and rocks in place, which we can call reality, and say, This is, and no mistake; and then begin, having a point d'appui, below freshet and frost and fire, a place where you might found a wall or a state, or set a lamp-post safely, or perhaps a gauge, not a Nilometer, but a Realometer, that future ages might know how deep a freshet of shams and appearances had gathered from time to time. If you stand right fronting and face to face to a fact, you will see the sun glimmer on both its surfaces, as if it were a cimeter, and feel its sweet edge dividing you through the heart and marrow, and so you will happily conclude your mortal career. Be it life or death, we crave only reality. If we are really dying, let us hear the rattle in our throats and feel cold in the extremities; if we are alive, let us go about our business. Time is but the stream I go a-fishing in. I drink at it; but while I drink I see the sandy bottom and detect how shallow it is. Its thin current slides away, but eternity remains. I would drink deeper; fish in the sky, whose bottom is pebbly with stars. I cannot count one. I know not the first letter of the alphabet. I have always been regretting that I was not as wise as the day I was born. The intellect is a cleaver; it discerns and rifts its way into the secret of things. I do not wish to be any more busy with my hands than is necessary. My head is hands and feet. I feel all my best faculties concentrated in it. My instinct tells me that my head is an organ for burrowing, as some creatures use their snout and fore-paws, and with it I would mine and burrow my way through these hills. I think that the richest vein is somewhere hereabouts; so by the divining rod and thin rising vapors I judge; and here I will begin to mine.
Henry David Thoreau (Walden)
Before us lay a green sloping land full of forests and woods, with here and there steep hills, crowned with clumps of trees or with farmhouses, the blank gable end to the road. There was everywhere a bewildering mass of fruit blossom- apple, plum, pear, cherry; and as we drove by I could see the green grass under the trees spangled with the fallen petals. In and out amongst these green hills of what they call here the 'Mittel Land' ran the road, losing itself as it swept round the grassy curve, or was shut out by the straggling ends of pine woods, which here and there ran down the hillside like tongues of flame. The road was rugged, but still we seemed to fly over it with a feverish haste. I could not understand then what the haste meant, but the driver was evidently bent on losing no time in reaching Borgo Prund. I was told that this road is in summertime excellent, but that it had not been put in order after the winter snows. In this respect it is different from the general run of roads in the Carpathians, for it is an old tradition that they are not to be kept in too good order. Of old the Hospadors would not repair them, lest the Turks should think that they were preparing to bring in foreign troops, and so hasten the war which was always really at loading point. Beyond the green swelling hills of the Mittel Land rose mighty slopes of forest up to the lofty steeps of the Carpathians themselves. Right and left of us they towered, with the afternoon sun falling full upon them and bringing out all the glorious colors of this beautiful range, deep blue and purple in the shadows of the peaks, green and brown where grass and rock mingled, and an endless perspective of jagged rock and pointed crags, till these were themselves lost in the distance, where the snowy peaks rose grandly. Here and there seemed mighty rifts in the mountains, through which, as the sun began to sink, we saw now and again the white gleam of falling water.
Bram Stoker (Dracula)
Maybe we should do some more homework.” Homework had been their code word for making out before they’d realized that they hadn’t been fooling anyone. But Jay was true to his word, especially his code word, and his lips settled over hers. Violet suddenly forgot that she was pretending to break free from his grip. Her frail resolve crumbled. She reached out, wrapping her arms around his neck, and pulled him closer to her. Jay growled from deep in his throat. “Okay, homework it is.” He pulled her against him, until they were lying face-to-face, stretched across the length of the couch. It wasn’t long before she was restless, her hands moving impatiently, exploring him. She shuddered when she felt his fingers slip beneath her shirt and brush over her bare skin. He stroked her belly and higher, the skin of his hands rough against her soft flesh. His thumb brushed the base of her rib cage, making her breath catch. And then, like so many times before, he stopped, abruptly drawing back. He shifted only inches, but those inches felt like miles, and Violet felt the familiar surge of frustration. He didn’t say a word; he didn’t have to. Violet understood perfectly. They’d gone too far. Again. But Violet was frustrated, and it was getting harder and harder to ignore her disappointment. She knew they couldn’t play this unsatisfying game forever. “So you’re going to Seattle tomorrow?” He used the question to fill the rift between them, but his voice shook and Violet was glad he wasn’t totally unaffected. She wasn’t as quick to pretend that everything was okay, especially when what she really wanted to do was to rip his shirt off and unbutton his jeans. But they’d talked about this. And, time and time again, they’d decided that they needed to be sure. One hundred percent. Because once they crossed that line… She and Jay had been best friends since the first grade, and up until last fall that’s all they’d ever been. Now that she was in love with him, she couldn’t imagine losing him because they made the wrong decision. Or made it too soon. She decided to let Jay have his small talk. For now. “Yeah, Chelsea wants to go down to the waterfront and maybe do some shopping. It’s easier to be around her when it’s just the two of us. You know, when she’s not always…on.” “You mean when she’s not picking on someone?” “Exactly.
Kimberly Derting (Desires of the Dead (The Body Finder, #2))