Rifle Firing Quotes

We've searched our database for all the quotes and captions related to Rifle Firing. Here they are! All 100 of them:

I should learn to run, to wrestle, to swim, to ride horses, to row, to drive a car, to fire a rifle. I should fill my soul with flesh. I should fill my flesh with soul. In fact, I should reconcile at last within me the two internal antagonists.
Nikos Kazantzakis (Zorba the Greek)
If you have a rifle, hanging on the wall in the first act, it should fire in the last act”.
Konstantin Stanislavski
I was a girl in a land where rifles are fired in celebration of a son, while daughters are hidden away behind a curtain, their role in life simply to prepare food and give birth to children.
Malala Yousafzai (I am Malala: The Story of the Girl Who Stood Up for Education and was Shot by the Taliban)
He held up the AK-47, the muscles in his arm bunching against the weight. “This is an assault rifle.” Then held up the handgun. “This is a semi-automatic pistol.” Then he gave a little thrust of his hips and looked down at his penis. “That is my gun. As you’ve discovered, it’s pumpaction like a shotgun , but it doesn’t fire bullets.
Pamela Clare (Breaking Point (I-Team, #5))
She covered his hand with hers over her abdomen. His was so much bigger than hers and had probably fired guns, rifles, and god knew what else, but right here, right now, his tenderness broke down her will as sure as any grenade.
Lisa Kessler (Legend of Love (Muse Chronicles, #2))
One should not put a loaded rifle onto the stage if no one is thinking of firing it.
Anton Chekhov
Meditation on inevitable death should be performed daily. Every day when one’s body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears and swords, being carried away by surging waves, being thrown into the midst of a great fire, being struck by lightning, being shaken to death by a great earthquake, falling from thousand-foot cliffs, dying of disease or committing seppuku at the death of one’s master. And every day without fail one should consider himself as dead
Yamamoto Tsunetomo
Beyond them stood a far greater number of men, all dressed like human versions of classic tin soldiers; dark blue jackets, white shirts, red sashes and black top hats. Definitely not 21st century military uniform; I’d have thought that they were actors had they not, on a drum roll, unshouldered their rifles and fired into the air.
Oliver Dowson (There's No Business Like International Business: Business Travel – But Not As You Know It)
Vietnam, me love you long time. All day, all night, me love you long time. (...) Dropping acid on the Mekong Delta, smoking grass through a rifle barrel, flying on a helicopter with opera blasting out of loudspeakers, tracer-fire and paddy-field scenery, the smell of napalm in the morning. Long time.
Alex Garland (The Beach)
If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there.
Anton Chekhov
Remove everything that has no relevance to the story. If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it's not going to be fired, it shouldn't be hanging there.
Anton Chekhov
Rick Grimes: [Jimmy reaches for a rifle; Rick takes it from him] You ever fire one before? Jimmy: Well, if I'm going out I want one. Daryl Dixon: Yeah, and people in hell want Slurpees.
The Walking Dead
The losses in the Dervish ranks were horrendous as whole families and tribal groups were wiped out. No European army would have dreamed of facing such a wall of fire, but still they came on.
Nigel Seed (No Road to Khartoum (Michael McGuire Trilogy 1))
The thing about violence, see, is that the Empire has a lot more to lose than we do. Violence disrupts the extractive economy. You wreak havoc on one supply line, and there’s a dip in prices across the Atlantic. Their entire system of trade is high-strung and vulnerable to shocks because they’ve made it thus, because the rapacious greed of capitalism is punishing. It’s why slave revolts succeed. They can’t fire on their own source of labour – it’d be like killing their own golden geese. ‘But if the system is so fragile, why do we so easily accept the colonial situation? Why do we think it’s inevitable? Why doesn’t Man Friday ever get himself a rifle, or slit Robinson Crusoe’s neck in the night? The problem is that we’re always living like we’ve lost. We’re all living like you. We see their guns, their silver-work, and their ships, and we think it’s already over for us. We don’t stop to consider how even the playing field actually might be. And we never consider what things would look like if we took the gun.
R.F. Kuang (Babel)
I wonder how long it took to convince the first rifle that it could hold a note instead of a bullet, but still fire into a crowd and make everyone move
Rudy Francisco (Helium (Button Poetry))
The Occidental snobbery which is invading us, the gunboats, rapid-fire guns, long-range rifles, explosives... what else? Everything which makes death collective, administrative and bureaucratic - all the filth of your progress, in fact - is destroying, little by little, our beautiful traditions of the past.
Octave Mirbeau
During the night two delegates of the railwaymen were arrested. The strikers immediately demanded their release, and as this was not conceded, they decided not to allow trains leave the town. At the station all the strikers with their wives and families sat down on the railway track-a sea of human beings. They were threatened with rifles salvoes. The workers bared their breast and cried, "Shoot!" A salvo was fired into the defenceless seated crowd, and 30 to 40 corpses, among them women and children, remained on the ground. On this becoming known the whole town of Kiev went to strike on the same day. The corpses of the murdered workers were raised on high by the crowd and carried round in mass demonstration.
Rosa Luxemburg
There is a whirlwind in southern Morocco, the aajej, against which the fellahin defend themselves with knives. There is the africo, which has at times reached into the city of Rome. The alm, a fall wind out of Yugoslavia. The arifi, also christened aref or rifi, which scorches with numerous tongues. These are permanent winds that live in the present tense. There are other, less constant winds that change direction, that can knock down horse and rider and realign themselves anticlockwise. The bist roz leaps into Afghanistan for 170 days--burying villages. There is the hot, dry ghibli from Tunis, which rolls and rolls and produces a nervous condition. The haboob--a Sudan dust storm that dresses in bright yellow walls a thousand metres high and is followed by rain. The harmattan, which blows and eventually drowns itself into the Atlantic. Imbat, a sea breeze in North Africa. Some winds that just sigh towards the sky. Night dust storms that come with the cold. The khamsin, a dust in Egypt from March to May, named after the Arabic word for 'fifty,' blooming for fifty days--the ninth plague of Egypt. The datoo out of Gibraltar, which carries fragrance. There is also the ------, the secret wind of the desert, whose name was erased by a king after his son died within it. And the nafhat--a blast out of Arabia. The mezzar-ifoullousen--a violent and cold southwesterly known to Berbers as 'that which plucks the fowls.' The beshabar, a black and dry northeasterly out of the Caucasus, 'black wind.' The Samiel from Turkey, 'poison and wind,' used often in battle. As well as the other 'poison winds,' the simoom, of North Africa, and the solano, whose dust plucks off rare petals, causing giddiness. Other, private winds. Travelling along the ground like a flood. Blasting off paint, throwing down telephone poles, transporting stones and statue heads. The harmattan blows across the Sahara filled with red dust, dust as fire, as flour, entering and coagulating in the locks of rifles. Mariners called this red wind the 'sea of darkness.' Red sand fogs out of the Sahara were deposited as far north as Cornwall and Devon, producing showers of mud so great this was also mistaken for blood. 'Blood rains were widely reported in Portugal and Spain in 1901.' There are always millions of tons of dust in the air, just as there are millions of cubes of air in the earth and more living flesh in the soil (worms, beetles, underground creatures) than there is grazing and existing on it. Herodotus records the death of various armies engulfed in the simoom who were never seen again. One nation was 'so enraged by this evil wind that they declared war on it and marched out in full battle array, only to be rapidly and completely interred.
Michael Ondaatje
It is a hard thing to let your children near danger, and yet, I remember my Papa teaching me to fire a rifle before I could even hold it with my own strength. And if he hadn't trusted me to be careful, I would have never had faith in myself to do it.
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901, Arizona Territories (Sarah Agnes Prine, #1))
When Gonzalez and Canley were close enough to the machine gun they called for suppressing fire and then stood and hurled grenades. At the blast, they charged, firing their rifles on automatic, silencing the gun.
Mark Bowden (Hue 1968: A Turning Point of the American War in Vietnam)
You count the facts and it's so depressing. I can only eat baby food. My best friend screwed my fiancé. My fiancé almost stabbed me to death. I've set fire to a house and been pointing a rifle at innocent people all night. My brother I hate has come back from the dead to upstage me. I'm an invisible monster, and I'm incapable of loving anybody. You don't know which is worse.
Chuck Palahniuk (Invisible Monsters)
One officer’s response to du Picq stated quite frankly that “a good many soldiers fired into the air at long distances,” while another observed that “a certain number of our soldiers fired almost in the air, without aiming, seeming to want to stun themselves, to become drunk on rifle fire during this gripping crisis.
Dave Grossman (On Killing)
In a fight with Comanches, dismounting on open ground was like signing your own death warrant. Men on foot against mounted men moving 20-30 miles per hour who could shoot twelve arrows in the time it took to reload a rifle and fire it once was not a fair fight.
S.C. Gwynne (Empire of the Summer Moon)
What would be the good of being a marksman, when you cannot see the end of your own rifle, let alone the man you are firing at?
G.A. Henty (For Name and Fame Or Through Afghan Passes)
We bumped into other silent lines of kids going in the same direction. We looked like we were much younger and our lines were headed to the cafeteria or recess or the carpool line. Or it could’ve been a fire drill. Except for the stone-faced police officers weaving between us with rifles.
Laura Anderson Kurk (Glass Girl (Glass Girl, #1))
The ISS moves so quickly that if you fired a rifle bullet from one end of a football field,7 the International Space Station could cross the length of the field before the bullet traveled 10 yards.8
Randall Munroe (What If?: Serious Scientific Answers to Absurd Hypothetical Questions)
Meditation on inevitable death should be performed daily. Every day when one’s body and mind are at peace, one should meditate upon being ripped apart by arrows, rifles, spears and swords, being carried away by surging waves, being thrown into the midst of a great fire, being struck by lightning, being shaken to death by a great earthquake, falling from thousand-foot cliffs, dying of disease or committing seppuku at the death of one’s master. And every day without fail one should consider himself as dead.
Yamamoto Tsunetomo (Hagakure: The Book of the Samurai)
Somebody comin'," he said softly. "Five or six, maybe." His words were spoken over an empty fire, for each of us vanished ghostlike into the surrounding darkness. I, fortunately, had the presence of mind to retain my coffee. With the Ferguson rifle in my right hand, I drank coffee from the cup in my left.
Louis L'Amour (The Ferguson Rifle)
Onward, Valkyrie!” I scream as wind pulls my lips back from my teeth. My gravBoots accelerate with a twist of my toes, and I dive toward the vanguard, streaking past Sefi and Valdir, filled with righteous glory as I tear toward the burning mouth of an open mine, unscathed through tongues of fire, and pierce the crust of the world to land amongst towering behemoths of metal. They turn their glowing evil red eyes toward me, and I laugh when they do not fire, for I am a spirit warrior and I point my rifle at them, pull the trigger, and shit down my leg, because I am alone amongst a pack of hunterkiller robots and it is no rifle in my hand, it is only a mop. Then Sefi and Valdir land, and the world goes mad.
Pierce Brown (Dark Age (Red Rising Saga #5))
And when Tolstoy found God his lines went limp, and Turgenev on his deathbed grieved for him because although Tolstoy had given up his land and his coppers for God, he had also given up something else. And although Dostoevski ended up on believing in Christ, he took the long road to get there, a most interesting and perhaps unwholesome road over roulette tables, raping a small child, standing before a wall waiting for the rifles to fire, he found that “adversity is the main-spring of self-realism,” he found his Christ, but what a most interesting Christ, a self-made Christ, and I bow to him.
Charles Bukowski (Living on Luck)
We’re loyal servants of the U.S. government. But Afghanistan involves fighting behind enemy lines. Never mind we were invited into a democratic country by its own government. Never mind there’s no shooting across the border in Pakistan, the illegality of the Taliban army, the Geneva Convention, yada, yada, yada. When we’re patrolling those mountains, trying everything we know to stop the Taliban regrouping, striving to find and arrest the top commanders and explosive experts, we are always surrounded by a well-armed, hostile enemy whose avowed intention is to kill us all. That’s behind enemy lines. Trust me. And we’ll go there. All day. Every day. We’ll do what we’re supposed to do, to the letter, or die in the attempt. On behalf of the U.S.A. But don’t tell us who we can attack. That ought to be up to us, the military. And if the liberal media and political community cannot accept that sometimes the wrong people get killed in war, then I can only suggest they first grow up and then serve a short stint up in the Hindu Kush. They probably would not survive. The truth is, any government that thinks war is somehow fair and subject to rules like a baseball game probably should not get into one. Because nothing’s fair in war, and occasionally the wrong people do get killed. It’s been happening for about a million years. Faced with the murderous cutthroats of the Taliban, we are not fighting under the rules of Geneva IV Article 4. We are fighting under the rules of Article 223.556mm — that’s the caliber and bullet gauge of our M4 rifle. And if those numbers don’t look good, try Article .762mm, that’s what the stolen Russian Kalashnikovs fire at us, usually in deadly, heavy volleys. In the global war on terror, we have rules, and our opponents use them against us. We try to be reasonable; they will stop at nothing. They will stoop to any form of base warfare: torture, beheading, mutilation. Attacks on innocent civilians, women and children, car bombs, suicide bombers, anything the hell they can think of. They’re right up there with the monsters of history.
Marcus Luttrell (Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10)
Victor stepped away from the spy hole of the door opposite and raised his gun. He fired, squeezing the trigger ten times in rapid succession, emptying the magazine of exactly half its ammunition. The hotel door was thick, solid pine, but the bullets in the FiveseveN were shaped like rifle rounds and cut through it with barely any loss in velocity. Two heavy objects hit the carpet, one thud after the other. The door creaked in front of him.
Tom Wood (The Hunter (Victor the Assassin, #1))
You cannot reason with a rifle bullet fired from across the battlefield. You cannot negotiate with an artillery shell lobbed from over the horizon. You cannot compromise with a nuclear warhead screaming in from half a world away. The only answer to the gun, the only defense for the gun, has been more guns.
Arthur C. Clarke (The Trigger)
It's like escaping a hot, bright room for the serenity of a city at night, covered in snow. People eliminated. A carpet of silence for taxis to whisper across. The world becoming a pleasant dream of itself. The itch of want smoldering to life on skin. Memory sends a chill vanishing between vertebrae. It's New Year's Eve. Hail the Calendar! As if clocks will pause for a moment before reloading their long rifles. Years are tiny freckles on the face of a century. Where is the constellation we gazed at each night Through a bill rolled so tight the first President lost his breath, as our eyeballs literally unraveled? I am alone in the rectangular borough in the observatory, where even fire trucks can't rescue the arsonist stretching his calves in my brain.
Jeffrey McDaniel
there's a long history of resistance movements igniting in the soccer stadium. In the Red Star Revolution, Draza, Krle, and the other Belgrade soccer hooligans helped topple Slobodan Milosevic. Celebrations for Romania's 1990 WOrld Cup qualification carried over into the Bucharest squares, culminating in a firing squad that trained its rifles on the dictator Nicolae Ceausescu and his wife. The movement that toppled the Paraguayan dictator Alfredo Stroessner had the same sportive ground zero.
Franklin Foer (How Soccer Explains the World)
The [ military ] lawyers I saw there had about as much in common with the man who had defended me at fifteen as automated machine rifle fire has with farting. They were cold, professionally polished and well on their way up a career ladder which would ensure that despite the uniforms they wore, they would never have to come within a thousand kilometres of a genuine firefight. The only problem they had, as they cruised sharkishly back and forth across the cool marble floor of the court, was in drawing the fine differences between war (mass murder of people wearing a uniform not your own), justifiable loss (mass murder of your own troops, but with substantial gains) and criminal negligence (mass murder of your own troops, without appreciable benefit). I sat in that courtroom for three weeks listening to them dress it like a variety of salads, and with every passing hour the distinctions, which at one point I'd been pretty clear on, grew increasingly vague. I suppose that proves how good they were.
Richard K. Morgan (Altered Carbon (Takeshi Kovacs, #1))
One day about a month ago, I really hit bottom. You know, I just felt that in a Godless universe, I didn't want to go on living. Now I happen to own this rifle, which I loaded, believe it or not, and pressed it to my forehead. And I remember thinking, at the time, I'm gonna kill myself. Then I thought, what if I'm wrong? What if there is a God? I mean, after all, nobody really knows that. But then I thought, no, you know, maybe is not good enough. I want certainty or nothing. And I remember very clearly, the clock was ticking, and I was sitting there frozen with the gun to my head, debating whether to shoot. [The gun fires accidentally, shattering a mirror] All of a sudden, the gun went off. I had been so tense my finger had squeezed the trigger inadvertently. But I was perspiring so much the gun had slid off my forehead and missed me. And suddenly neighbors were, were pounding on the door, and, and I don't know, the whole scene was just pandemonium. And, uh, you know, I-I-I ran to the door, I-I didn't know what to say. You know, I was-I was embarrassed and confused and my-my-my mind was r-r-racing a mile a minute. And I-I just knew one thing. I-I-I had to get out of that house, I had to just get out in the fresh air and-and clear my head. And I remember very clearly, I walked the streets. I walked and I walked. I-I didn't know what was going through my mind. It all seemed so violent and un-unreal to me. And I wandered for a long time on the Upper West Side, you know, and-and it must have been hours. You know, my-my feet hurt, my head was-was pounding, and-and I had to sit down. I went into a movie house. I-I didn't know what was playing or anything. I just, I just needed a moment to gather my thoughts and, and be logical and put the world back into rational perspective. And I went upstairs to the balcony, and I sat down, and, you know, the movie was a-a-a film that I'd seen many times in my life since I was a kid, and-and I always, uh, loved it. And, you know, I'm-I'm watching these people up on the screen and I started getting hooked on the film, you know. And I started to feel, how can you even think of killing yourself. I mean isn't it so stupid? I mean, l-look at all the people up there on the screen. You know, they're real funny, and-and what if the worst is true. What if there's no God, and you only go around once and that's it. Well, you know, don't you want to be part of the experience? You know, what the hell, it's-it's not all a drag. And I'm thinkin' to myself, geez, I should stop ruining my life - searching for answers I'm never gonna get, and just enjoy it while it lasts. And, you know, after, who knows? I mean, you know, maybe there is something. Nobody really knows. I know, I know maybe is a very slim reed to hang your whole life on, but that's the best we have. And then, I started to sit back, and I actually began to enjoy myself.
Woody Allen
was a female Palestinian suicide bomber clutching a rifle in one hand and her little son in the other. This, it seemed, was the state’s only vision of gender equality. Ahmadinejad instituted separate elevators for men and women in government buildings, and he fired swaths of municipal workers who were not religious or devoted enough to his ideology. Tehran
Shirin Ebadi (Until We Are Free: My Fight for Human Rights in Iran)
DDR Watchtower This was one of many such towers built in 1966 for panoramic surveillance and shooting (note the rifle windows, allowing shots to be fired in 360 degrees).
Rick Steves (Rick Steves' Germany 2014)
No one would believe that in this howling waste there could still be men; but steel helmets now appear on all sides out of the trench, and fifty yards from us a machine-gun is already in position and barking. The wire entanglements are torn to pieces. Yet they offer some obstacle. We see the storm-troops coming. Our artillery opens fire. Machine-guns rattle, rifles crack.
Erich Maria Remarque (All Quiet on the Western Front)
My vagina was green water, soft pink fields, cow mooing sun resting sweet boyfriend touching lightly with soft piece of blond straw. There is something between my legs. I do not know what it is. I do not know where it is. I do not touch. Not now. Not anymore. Not since. My vagina was chatty, can't wait, so much, so much saying, words talking, can't quit trying, can't quit saying, oh yes, oh yes. Not since I dream there's a dead animal sewn in down there with thick black fishing line. And the bad dead animal smell cannot be removed. And its throat is slit and it bleeds through all my summer dresses. My vagina singing all girl songs, all goat bells ringing songs, all wild autumn field songs, vagina songs, vagina home songs. Not since the soldiers put a long thick rifle inside me. So cold, the steel rod canceling my heart. Don't know whether they're going to fire it or shove it through my spinning brain. Six of them, monstrous doctors with black masks shoving bottles up me too. There were sticks, and the end of a broom. My vagina swimming river water, clean spilling water over sun-baked stones over stone clit, clit stones over and over. Not since I heard the skin tear and made lemon screeching sounds, not since a piece of my vagina came off in my hand, a part of the lip, now one side of the lip is completely gone. My vagina. A live wet water village. My vagina my hometown. Not since they took turns for seven days smelling like feces and smoked meat, they left their dirty sperm inside me. I became a river of poison and pus and all the crops died, and the fish. My vagina a live wet water village. They invaded it. Butchered it and burned it down. I do not touch now. Do not visit. I live someplace else now. I don't know where that is.
V (formerly Eve Ensler) (The Vagina Monologues)
The shrieks were coming from two quite naked girls, who were pursued by a pair of apes snapping at their bottoms. [...] So he now raises his double-barrelled Spanish rifle, fires and kills both apes. 'God be praised, my dear Calambo! I have delivered these two poor creatures from grave peril; if it was a sin to kill an Inquisitor and a Jesuit, I have made ample amends by saving the lives of two girls [...]' He was about to continue, but words failed him when he saw the two girls throw their arms lovingly around the two apes and collapse in tears over their corpses, filling the air with the most pitiful lamentations. 'I was not expecting quite so much tenderness of heart,' he said at last to Cacambo, who replied: 'You've excelled yourself this time, Master; you have just despatched the two lovers of these young ladies.' '-Their lovers! Is it possible? You're making fun of me, Cacambo; how could anyone believe in such a thing?' - 'My dear Master,' retorted Cacambo, 'you are always astounished by everything; why do you find it so strange that in some countries it is apes who enjoy the favours of young ladies? After all, they are one-quarter human, just as I am one-quarter Spanish.
Voltaire (Candide)
The first school shooting that attracted the attention of a horrified nation occurred on March 24, 1998, in Jonesboro, Arkansas. Two boys opened fire on a schoolyard full of girls, killing four and one female teacher. In the wake of what came to be called the Jonesboro massacre, violence experts in media and academia sought to explain what others called “inexplicable.” For example, in a front-page Boston Globe story three days after the tragedy, David Kennedy from Harvard University was quoted as saying that these were “peculiar, horrible acts that can’t easily be explained.” Perhaps not. But there is a framework of explanation that goes much further than most of those routinely offered. It does not involve some incomprehensible, mysterious force. It is so straightforward that some might (incorrectly) dismiss it as unworthy of mention. Even after a string of school shootings by (mostly white) boys over the past decade, few Americans seem willing to face the fact that interpersonal violence—whether the victims are female or male—is a deeply gendered phenomenon. Obviously both sexes are victimized. But one sex is the perpetrator in the overwhelming majority of cases. So while the mainstream media provided us with tortured explanations for the Jonesboro tragedy that ranged from supernatural “evil” to the presence of guns in the southern tradition, arguably the most important story was overlooked. The Jonesboro massacre was in fact a gender crime. The shooters were boys, the victims girls. With the exception of a handful of op-ed pieces and a smattering of quotes from feminist academics in mainstream publications, most of the coverage of Jonesboro omitted in-depth discussion of one of the crucial facts of the tragedy. The older of the two boys reportedly acknowledged that the killings were an act of revenge he had dreamed up after having been rejected by a girl. This is the prototypical reason why adult men murder their wives. If a woman is going to be murdered by her male partner, the time she is most vulnerable is after she leaves him. Why wasn’t all of this widely discussed on television and in print in the days and weeks after the horrific shooting? The gender crime aspect of the Jonesboro tragedy was discussed in feminist publications and on the Internet, but was largely absent from mainstream media conversation. If it had been part of the discussion, average Americans might have been forced to acknowledge what people in the battered women’s movement have known for years—that our high rates of domestic and sexual violence are caused not by something in the water (or the gene pool), but by some of the contradictory and dysfunctional ways our culture defines “manhood.” For decades, battered women’s advocates and people who work with men who batter have warned us about the alarming number of boys who continue to use controlling and abusive behaviors in their relations with girls and women. Jonesboro was not so much a radical deviation from the norm—although the shooters were very young—as it was melodramatic evidence of the depth of the problem. It was not something about being kids in today’s society that caused a couple of young teenagers to put on camouflage outfits, go into the woods with loaded .22 rifles, pull a fire alarm, and then open fire on a crowd of helpless girls (and a few boys) who came running out into the playground. This was an act of premeditated mass murder. Kids didn’t do it. Boys did.
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
But then, not long after, in another article, Loftus writes, "We live in a strange and precarious time that resembles at its heart the hysteria and superstitious fervor of the witch trials." She took rifle lessons and to this day keeps the firing instruction sheets and targets posted above her desk. In 1996, when Psychology Today interviewed her, she burst into tears twice within the first twenty minutes, labile, lubricated, theatrical, still whip smart, talking about the blurry boundaries between fact and fiction while she herself lived in another blurry boundary, between conviction and compulsion, passion and hyperbole. "The witch hunts," she said, but the analogy is wrong, and provides us with perhaps a more accurate window into Loftus's stretched psyche than into our own times, for the witch hunts were predicated on utter nonsense, and the abuse scandals were predicated on something all too real, which Loftus seemed to forget: Women are abused. Memories do matter. Talking to her, feeling her high-flying energy the zeal that burns up the center of her life, you have to wonder, why. You are forced to ask the very kind of question Loftus most abhors: did something bad happen to her? For she herself seems driven by dissociated demons, and so I ask. What happened to you? Turns out, a lot. (refers to Dr. Elizabeth F. Loftus)
Lauren Slater (Opening Skinner's Box: Great Psychological Experiments of the Twentieth Century)
when it would be squarely in the path of heavy machine-gun and rocket fire as fighters advanced into this part of town: a view like staring down the barrel of a rifle. Location, location, location, the realtors say. Geography
Mohsin Hamid (Exit West)
It was the great Russian author Chekhov who wrote, “If you say in the first chapter that there is a rifle hanging on the wall, in the second or third chapter it absolutely must go off. If it’s not going to be fired, it shouldn’t be hanging there.
Dan Gutman (License to Thrill (The Genius Files, #5))
According to Teleology, each organism is like a rifle bullet fired straight at a mark; according to Darwin, organisms are like grapeshot of which one hits something and the rest fall wide. For the teleologist an organism exists because it was made for the conditions in which it is found; for the Darwinian an organism exists because, out of many of its kind, it is the only one which has been able to persist in the conditions in which it is found. Teleology implies that the organs of every organism are perfect and cannot be improved; the Darwinian theory simply affirms that they work well enough to enable the organism to hold its own against such competitors as it has met with, but admits the possibility of indefinite improvement.
Thomas Henry Huxley (Criticism on "The Origin of Species")
Emshwiller stepped out of the pickup wielding a matte-black rifle with a large scope (it was actually an airgun that fired 6.26-mm slugs). She was wearing her most elegant blue dress and a backward baseball cap. “I wanted to look freaky,” she says.
Joshua Davis (John McAfee's Last Stand)
He stalked into the room, leaned his long rifle against the mantelpiece and spread out his hands to the fire. He was clad from head to foot in fringed and beaded buckskin, which showed evidence of a long and arduous tramp. It was torn and wet and covered with mud. He was a magnificently made man, six feet in height, and stood straight as an arrow. His wide shoulders, and his muscular, though not heavy, limbs denoted wonderful strength and activity. His long hair, black as a raven's wing, hung far down his shoulders. Presently he turned and the light shone on a remarkable face. So calm and cold and stern it was that it seemed chiselled out of marble. The most striking features were its unusual pallor, and the eyes, which were coal black, and piercing as the dagger's point.
Zane Grey (Maude and Miriam: Or, the Fair Crusader)
According to the L.A. news, the explosion at the Santa Monica beach had been caused when a crazy kidnapper fired a shotgun at a police car. He accidentally hit a gas main that had ruptured during the earthquake. This crazy kidnapper (a.k.a. Ares) was the same man who had abducted me and two other adolescents in New York and brought us across country on a ten-day odyssey of terror. Poor little Percy Jackson wasn’t an international criminal after all. He’d caused a commotion on that Greyhound bus in New Jersey trying to get away from his captor (and afterward, witnesses would even swear they had seen the leather-clad man on the bus—“Why didn’t I remember him before?”). The crazy man had caused the explosion in the St. Louis Arch. After all, no kid could’ve done that. A concerned waitress in Denver had seen the man threatening his abductees outside her diner, gotten a friend to take a photo, and notified the police. Finally, brave Percy Jackson (I was beginning to like this kid) had stolen a gun from his captor in Los Angeles and battled him shotgun-to-rifle on the beach. Police had arrived just in time. But in the spectacular explosion, five police cars had been destroyed and the captor had fled. No fatalities had occurred. Percy Jackson and his two friends were safely in police custody.
Rick Riordan (The Lightning Thief (Percy Jackson and the Olympians, #1))
And it was in that moment of distress and confusion that the whip of terror laid its most nicely calculated lash about his heart. It dropped with deadly effect upon the sorest spot of all, completely unnerving him. He had been secretly dreading all the time that it would come - and come it did. Far overhead, muted by great height and distance, strangely thinned and wailing, he heard the crying voice of Defago, the guide. The sound dropped upon him out of that still, wintry sky with an effect of dismay and terror unsurpassed. The rifle fell to his feet. He stood motionless an instant, listening as it were with his whole body, then staggered back against the nearest tree for support, disorganized hopelessly in mind and spirit. To him, in that moment, it seemed the most shattering and dislocating experience he had ever known, so that his heart emptied itself of all feeling whatsoever as by a sudden draught. 'Oh! oh! This fiery height! Oh, my feet of fire! My burning feet of fire...' ran in far, beseeching accents of indescribable appeal this voice of anguish down the sky. Once it called - then silence through all the listening wilderness of trees. And Simpson, scarcely knowing what he did, presently found himself running wildly to and fro, searching, calling, tripping over roots and boulders, and flinging himself in a frenzy of undirected pursuit after the Caller. Behind the screen of memory and emotion with which experience veils events, he plunged, distracted and half-deranged, picking up false lights like a ship at sea, terror in his eyes and heart and soul. For the Panic of the Wilderness had called to him in that far voice - the Power of untamed Distance - the Enticement of the Desolation that destroys. He knew in that moment all the pains of someone hopelessly and irretrievably lost, suffering the lust and travail of a soul in the final Loneliness. A vision of Defago, eternally hunted, driven and pursued across the skyey vastness of those ancient forests fled like a flame across the dark ruin of his thoughts... It seemed ages before he could find anything in the chaos of his disorganized sensations to which he could anchor himself steady for a moment, and think... The cry was not repeated; his own hoarse calling brought no response; the inscrutable forces of the Wild had summoned their victim beyond recall - and held him fast. ("The Wendigo")
Algernon Blackwood (Monster Mix)
It is night at the front, a shadow, a shot. The Jew who has just fired hears a moan... "And then, mother, the hair stands up on his head, for only a few feet from him in the darkness the enemy voice is reciting in Hebrew the prayer of the dying. Ai, God, the soldier has cut down a Jewish brother! Ai, misery! He drops his rifle and runs into no man's land, insane with shame and grief. Insane, you understand? The enemy fires at him, his comrades shout at him to come back. But he refuses; he stays in no man's land and dies. Ai, misery, ai...!
André Schwarz-Bart (The Last of the Just)
I DIDN’T FORGET the assault rifle the third time around. I shoved the Luger into my belt, but I couldn’t very well expect to fire an assault rifle with a teddy bear in one hand, so I had to leave him on the trail. “It’s okay. I won’t forget you,” I whispered to Sammy’s bear.
Rick Yancey (The 5th Wave (The 5th Wave, #1))
Two Rivers, craftsmen were revered. And their marksmen were the best the world knew. An elite group of Two Rivers men, armed with the new firing sticks men were calling rifles, served with the Aiel in their peacekeeping campaigns in Shara. It was the only place war was known in
Robert Jordan (A Memory of Light (Wheel of Time, #14))
Bond slowly, wearily bent his head and looked at the ground between his spread hands. It was the girl, Tilly. She was watching the buildings below. She had a rifle – a rifle that must have been among the innocent golf clubs – ready to fire on them. Damn and blast the silly bitch!
Ian Fleming (Goldfinger (James Bond, #7))
David Abrams’s Fobbit, Giorgio Agamben’s The Open, Omnia Amin and Rick London’s translations of Ahmed Abdel Muti Hijazi’s poetry, Peter Van Buren’s We Meant Well, Donovan Campbell’s Joker One, C. J. Chivers’s The Gun, Seth Connor’s Boredom by Day, Death by Night, Daniel Danelo’s Blood Stripes, Kimberly Dozier’s Breathing the Fire, Nathan Englander’s What We Talk About When We Talk About Anne Frank, Siobhan Fallon’s You Know When the Men Are Gone, Nathaniel Fick’s One Bullet Away, Dexter Filkins’s The Forever War, David Finkel’s The Good Soldiers, Jim Frederick’s Black Hearts, Matt Gallagher’s Kaboom, Jessica Goodell’s Shade It Black, J. Glenn Gray’s The Warriors, Dave Grossman’s On Killing and On Combat, Judith Herman’s Trauma and Recovery, Kirsten Holmstedt’s Band of Sisters, Karl Marlantes’s Matterhorn, Colum McCann’s Dancer, Patrick McGrath’s Trauma, Jonathan Shay’s Odysseus in America and Achilles in Vietnam, Roy Scranton’s essays and fiction, the Special Inspector for Iraq Reconstruction Report Hard Lessons, Bing West’s The Strongest Tribe and No True Glory, Kayla Williams’s Love My Rifle More Than You.
Phil Klay (Redeployment)
Rooster here has missed Ned a few times himself, horse and all,' said the captain. 'I reckon his is on his way now to missing him again.' Rooster was holding a bottle with a little whiskey in it. He said, 'You keep on thinking that.' He drained off the whiskey in about three swallows and tapped the cork back in and tossed the bottle up in the air. He pulled his revolver and fired at it twice and missed. The bottle fell and rolled and Rooster shot at it two or three more times and broke it on the ground. He got out his sack of cartridges and reloaded his pistol. He said, 'The Chinaman is running them cheap shells in on me again.' LaBoeuf said, 'I thought maybe the sun was in your eyes. That is to say, your eye.' Rooster swung the cylinder back in his revolver and said, 'Eyes, is it? I'll show you eyes!' He jerked the sack of corn dodgers free from his saddle baggage. He got one of the dodgers out and flung it in the air and fired at it and missed. Then he flung another one up and he hit it. The corn dodger exploded. He was pleased with himself and he got a fresh bottle of whiskey from his baggage and treated himself to a drink. LaBoeuf pulled one of his revolvers and got two dodgers out of the sack and tossed them both up. He fired very rapidly but he only hit one. Captain Finch tried it with two and missed both of them. Then he tried with one and made a successful shot. Rooster shot at two and hit one. They drank whiskey and used up about sixty corn dodgers like that. None of them ever hit two at one throw with a revolver but Captain Finch finally did it with his Winchester repeating rifle, with somebody else throwing. It was entertaining for a while but there was nothing educational about it. I grew more and more impatient with them. I said, 'Come on, I have had my bait of this. I am ready to go. Shooting cornbread out here on this prairie is not taking us anywhere.' By then Rooster was using his rifle and the captain was throwing for him. 'Chunk high and not so far out this time,' said he.
Charles Portis (True Grit)
The nightmare takes various forms, comes in sleep, or in wakefulness, and can be pictured most simply like this: There is a blindfolded man standing with his back to the brick wall. He has been tortured nearly to death. Opposite him are six men with their rifles raised ready to shoot, commanded by a seventh, who has his hand raised, When he drops his hand, the shots will ring out, and the prisoner will fall dead. But suddenly there is something unexpected—yet not altogether unexpected, for the seventh has been listening all this while in case it happens. There is an outburst of shouting and fighting in the street outside. The six men look in query at their officer, the seventh. The officer stands waiting to see how the fighting outside will resolve itself. There is a shout: ‘We have won!’ At which the officer crosses the space to the wall, unties the bound man, and stands in his place. The man, hitherto bound, now binds the other. There is a moment, and this is the moment of horror in the nightmare, when they smile at each other: It is a brief, bitter, accepting smile. They are brothers in that smile. The smile holds a terrible truth that I want to evade. Because it cancels all creative emotion. The offer, the seventh, now stands blindfolded and waiting with his back to the wall. The former prisoner walks to the firing squad who are still standing with their weapons ready. He lifts his hand, then drops it. The shots ring out, and the body by the wall falls twitching. The six soldiers are shaken and sick; now they will go and drink to drown the memory of their murder. But the man who was bound, is now free, smiles as they stumble away, cursing and hating him, just as they would have cursed and hated the other, now dead. And in this man’s smile at the six innocent soldiers there is a terrible understanding irony. This is the nightmare.
Doris Lessing (The Golden Notebook)
My love, my dear, dear Shura, Don’t talk about my cross—first heave your own off your shoulders. How did I live last winter? I don’t know, but I think almost longingly of it now. Because I moved. There was movement inside me. I had energy to lie, to pretend to Dasha, to keep her alive. I walked, I was with Mama, I was too busy to die myself. Too busy hiding my love for you. But now I wake up and think, how am I going to go through the rest of my day until sleep? To ease myself back into life, I’ve surrounded myself with the villagers. You think it was bad before. I’m from morning till night helping Irina Persikova, who had to have her leg cut off in Molotov, infection or something. I think I like her because she carries my mother’s name. I think of Dasha. I grieve for my sister. But her face is not the last face I see before I sleep. Yours is. You are my hand grenade, my artillery fire. You have replaced my heart with yourself. Are you thinking of me with your rifle in your hands? What do we do? How do we keep you from dying? These thoughts consume my waking minutes. What can I do from here to keep you alive? Dead or wounded, those Soviets will leave you in the field. Who is going to heal you if you fall? Who is going to bury you if you die? Bury you like you deserve—with kings and heroes. Yours, Tatiana
Paullina Simons (The Bronze Horseman (The Bronze Horseman, #1))
Returning from a hunting trip, Orde-Lees, traveling on skis across the rotting surface of the ice, had just about reached camp when an evil, knoblike head burst out of the water just in front of him. He turned and fled, pushing as hard as he could with his ski poles and shouting for Wild to bring his rifle. The animal—a sea leopard—sprang out of the water and came after him, bounding across the ice with the peculiar rocking-horse gait of a seal on land. The beast looked like a small dinosaur, with a long, serpentine neck. After a half-dozen leaps, the sea leopard had almost caught up with Orde-Lees when it unaccountably wheeled and plunged again into the water. By then, Orde-Lees had nearly reached the opposite side of the floe; he was about to cross to safe ice when the sea leopard’s head exploded out of the water directly ahead of him. The animal had tracked his shadow across the ice. It made a savage lunge for Orde-Lees with its mouth open, revealing an enormous array of sawlike teeth. Orde-Lees’ shouts for help rose to screams and he turned and raced away from his attacker. The animal leaped out of the water again in pursuit just as Wild arrived with his rifle. The sea leopard spotted Wild, and turned to attack him. Wild dropped to one knee and fired again and again at the onrushing beast. It was less than 30 feet away when it finally dropped. Two dog teams were required to bring the carcass into camp. It measured 12 feet long, and they estimated its weight at about 1,100 pounds. It was a predatory species of seal, and resembled a leopard only in its spotted coat—and its disposition. When it was butchered, balls of hair 2 and 3 inches in diameter were found in its stomach—the remains of crabeater seals it had eaten. The sea leopard’s jawbone, which measured nearly 9 inches across, was given to Orde-Lees as a souvenir of his encounter. In his diary that night, Worsley observed: “A man on foot in soft, deep snow and unarmed would not have a chance against such an animal as they almost bound along with a rearing, undulating motion at least five miles an hour. They attack without provocation, looking on man as a penguin or seal.
Alfred Lansing (Endurance: Shackleton's Incredible Voyage)
Sittin’ in a café in dark glasses sippin’ coffee dunkin’ doughnuts while it’s sunny thinking guns guns guns and I’ve got pockets full of bullets and a suitcase full of money and a fuckin’ awful headache and a police rifle that fires dummies and I’m listening to Barney because she really wants to tell me all the fifty million reasons why she’s feelin’ fuckin’ funny and she wants to kill her mummy and she wants me to kill her daddy but there really is no logic to the way we’re spending Sunday because we don’t know where we’re going and we’ve been drinking since last Monday and Booga’s sharpening sticks and he’s looking like a monkey and I’m waiting for my tank and I know it will look chumly because Dobson is my man and he’s part of my fuckin’ family and when I see him next I’m gonna buy him half a shandy.
Alan C. Martin (Tank Girl Armadillo!: A Novel)
This is the Sandman,’ Francisco said. ‘Its non-lethal mode is derived from the same technology as the Sleeper guns that you’re already familiar with, but with far greater range and accuracy.’ He pressed a button just above the rifle’s trigger guard and a glowing, blue holographic sight appeared in the air above the weapon. ‘This targeting array will identify and track multiple targets through heat signature, electromagnetic emissions or movement. It’s also capable of up to twelve times’ magnification for long-range sniping. If it should prove necessary the weapon can also be switched to lethal mode which fires magnetically accelerated microslugs, which have the stopping power of a bullet but are much lower in mass, giving it greatly increased ammo capacity. Each clip holds two hundred and fifty rounds, allowing for sustained rapid fire if necessary. The Sandman fires almost silently, with no muzzle flash and without the need for a suppressor, making it an ideal stealth weapon. It also has a full thermoptic camouflage coating tied into the system on board your ISIS armour. You have ten minutes to fire the weapon on the range in order to better familiarise yourself with it. Any questions?’ ‘Are they going to be in the shops in time for Christmas?’ Shelby asked.
Mark Walden (Deadlock (H.I.V.E., #8))
he guessed this was a Welsh regiment. The flare died. Walter leaped to his feet and ran, heading for the German side. The sentry would be unable to see for a few seconds, his vision spoiled by the flare. Walter ran faster than he ever had, expecting the rifle to fire again at any moment. In half a minute he came to the British wire and dropped gratefully to his knees. He crawled rapidly forward through a gap. Another flare went up.
Ken Follett (Fall of Giants (The Century Trilogy #1))
It was there in that green forest that we ran into the most frightening weapon of the war, the one that made us almost sick with fear: antipersonnel mines. By now I had gone through aerial bombing, artillery and mortar shelling, open combat, direct rifle and machine gun firing, night patrolling, and ambush. Against all of this we had some kind of chance; against mines we had none. They were vicious, deadly, inhuman. They churned our guts.
George Wilson (If You Survive: From Normandy to the Battle of the Bulge to the End of World War II, One American Officer's Riveting True Story)
IT BEGAN WITH A GUN. On September 1, 1939, the German army invaded Poland. Two days later, Britain and France declared war on Germany. In the October 1939 issue of Detective Comics, Batman killed a vampire by shooting silver bullets into his heart. In the next issue, Batman fired a gun at two evil henchmen. When Whitney Ellsworth, DC’s editorial director, got a first look at a draft of the next installment, Batman was shooting again. Ellsworth shook his head and said, Take the gun out.1 Batman had debuted in Detective Com-ics in May 1939, the same month that the U.S. Supreme Court issued a ruling in United States v. Miller, a landmark gun-control case. It concerned the constitutionality of the 1934 National Firearms Act and the 1938 Federal Firearms Act, which effectively banned machine guns through prohibitive taxation, and regulated handgun ownership by introducing licensing, waiting period, and permit requirements. The National Rifle Association supported the legislation (at the time, the NRA was a sportsman’s organization). But gun manufacturers challenged it on the grounds that federal control of gun ownership violated the Second Amendment. FDR’s solicitor general said the Second Amendment had nothing to do with an individual right to own a gun; it had to do with the common defense. The court agreed, unanimously.2
Jill Lepore (The Secret History of Wonder Woman)
Or, obversely, he might kill a man himself. It would be a question of throwing up his rifle, pressing the trigger, and a particular envelope of lusts and anxieties and perhaps some goodness would be quite dead. All as easy as stepping on an insect, perhaps easier…Everything was completely out of whack, none of the joints fitted. The men had been singing in the motor pool, and there had been something nice about it, something childish and brave. And they were here on this road, a point moving along in a line in the vast neutral spaces of the jungle. And somewhere else a battle might be going on. The artillery, the small-arms fire they had been hearing constantly, might be nothing, something scattered along the front, or it might be all concentrated now in the minuscule inferno of combat. None of it matched. The night had broken them into all the isolated units that actually they were.
Norman Mailer (The Naked and the Dead)
If a boy fires off a gun, whether at a fox, a landlord or a reigning sovereign, he will be rebuked according to the relative value of these objects. But if he fires off a gun for the first time it is very likely that he will not expect the recoil, or know what a heavy knock it can give him. He may go blazing away through life at these and similar objects in the landscape; but he will be less and less surprised by the recoil; that is, by the reaction. He may even dissuade his little sister of six from firing off one of the heavy rifles designed for the destruction of elephants; and will thus have the appearance of being himself a reactionary. Very much the same principle applies to firing off the big guns of revolution. It is not a man's ideals that change; it is not his Utopia that is altered; the cynic who says, "You will forget all that moonshine of idealism when you are older," says the exact opposite of the truth. The doubts that come with age are not about the ideal, but about the real. And one of the things that are undoubtedly real is reaction: that is, the practical probability of some reversal of direction, and of our partially succeeding in doing the opposite of what we mean to do. What experience does teach us is this: that there is something in the make-up and mechanism of mankind, whereby the result of action upon it is often unexpected, and almost always more complicated than we expect.
G.K. Chesterton
Prevost was an imaginative gladiator of the air. He persuaded Vann to give him a pair of the new lightweight Armalite rifles, officially designated the AR-15 and later to be designated the M-16 when the Armalite was adopted as the standard U.S. infantry rifle. The Army was experimenting with the weapon and had issued Armalites to a company of 7th Division troops to see how the soldiers liked it and how well it worked on guerrillas. (The Armalite had a selector button for full or semiautomatic fire and shot a much smaller bullet at a much higher velocity than the older .30 caliber M-1 rifle. The high velocity caused the small bullet to inflict ugly wounds when it did not kill.) Prevost strapped the pair of Armalites to the support struts under the wings of the L-19 and invented a contrivance of wire that enabled him to pull the triggers from the cockpit to strafe guerrillas he sighted. He bombed the Viet Cong by tossing hand grenades out the windows.
Neil Sheehan (A Bright Shining Lie: John Paul Vann and America in Vietnam (Pulitzer Prize Winner))
Colonel Kassad returns to the fire and slides the night visor up onto the top of his helmet. Kassad is wearing full combat gear, and the activated chameleon polymer shows only his face, floating two meters above the ground. “Nothing,” he says. “No movement. No heat traces. No sound besides the wind.” Kassad leans the FORCE multipurpose assault rifle against a rock and sits near the others, the fibers of his impact armor deactivating into a matte black not much more visible than before.
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
Morning comes. I go to my class. There sit the little ones with folded arms. In their eyes is still all the shy astonishment of the childish years. They look up at me so trustingly, so believingly - and suddenly I get a spasm over the heart. Here I stand before you, one of the hundreds of thousands of bankrupt men in whom the war destroyed every belief and almost every strength. Here I stand before you, and see how much more alive, how much more rooted in life you are than I. Here I stand and must now be your teacher and guide. What should I teach you? Should I tell you that in twenty years you will be dried-up and crippled, maimed in your freest impulses, all pressed mercilessly into the selfsame mold? Should I tell you that all the learning, all culture, all science is nothing but hideous mockery, so long as mankind makes war in the name of God and humanity with gas, iron, explosive and fire? What should I teach you then, you little creatures who alone have remained unspotted by the terrible years? What am I able to teach you then? Should I tell you how to pull the string of a hand grenade, how best to throw it at a human being? Should I show you how to stab a man with a bayonet, how to fell him with a club, how to slaughter him with a spade? Should I demonstrate how best to aim a rifle at such an incomprehensible miracle as a breathing breast, a living heart? Should I explain to you what tetanus is, what a broken spine is, and what a shattered skull? Should I describe to you what brains look like when they scatter about? What crushed bones are like - and intestines when they pour out? Should I mimic how a man with a stomach wound will groan, how one with a lung wound gurgles and one with a head wound whistles? More I do not know. More I have not learned. Should I take you the brown-and-green map there, move my finger across it and tell you that here love was murdered? Should I explain to you that the books you hold in your hands are but nets with which men design to snare your simple souls, to entangle you in the undergrowth of find phrases, and in the barbed wire of falsified ideas? I stand here before you, a polluted, a guilty man and can only implore you ever to remain as you are, never to suffer the bright light of your childhood to be misused as a blow flame of hate. About your brows still blows the breath of innocence. How then should I presume to teach you? Behind me, still pursuing, are the bloody years. - How then can I venture among you? Must I not first become a man again myself?
Erich Maria Remarque (The Road Back)
He thinks he can adapt, he’ll just shoot between the two flashes. But it’s hard to focus and it feels like something is pulling on his eyeball. It’s his hanging, face-stretching muscles connected to his eye. He yells out, “I’m hit!” Sergeant Funches quickly yells, “Shoot back!” Sergeant Funches watches Rob Disney raise his rifle to return fire. The butt of the weapon disappears into the bloody hole that is the right side of his face. Later it will take Ross Funches hours to clean the blood and flesh from Rob’s rifle.
William F. Sine (Guardian Angel: Life and Death Adventures with Pararescue, the World's Most Powerful Commando Rescue Force)
screamed all around him. Luke tossed his empty rifle away and pulled his handgun. He fired down the trench on his own position—it was overrun with enemies. A line of them were running this way. More came sliding, falling, jumping over the wall. Where were his guys? Was anyone still alive? He killed the closest man with a shot to the face. The head exploded like a cherry tomato. He grabbed the man by his tunic and held him up as a shield. The headless man was light, and Luke was raging with adrenaline—it was if the corpse
Jack Mars (Oppose Any Foe (Luke Stone #4))
The M-16 sure is a marvelous gun, and in a god-awful war it provides some keen fun. The bullet it fires appears too small to harm but it makes a big hole and can tear off an arm. Single shot, semi, or full automatic, a real awesome weapon, ’tho in performance sporadic. But listen to Ichord and forget that stuck bolt, for you aren’t as important as a kickback from Colt. So carry your rifle (they don’t give a damn), just pray you won’t need it while you’re in Vietnam. The M-16 is issue, though we all feel trapped. More GIs would protest, but somehow they got zapped.
C.J. Chivers (The Gun)
Hitler derived several things from his experience and achievements in World War I, without which his rise to power in 1933 would have been at the least problematical, and at the most inconceivable. Hitler survived the war as a combat soldier—a rifle carrier—in a frontline infantry regiment. The achievement was an extraordinary one based on some combination of near-miraculous luck and combat skill. The interpretive fussing over whether or not Hitler was a combat soldier because he spent most of the war in the part of the regiment described as regimental headquarters can be laid to rest as follows: Any soldier in an infantry regiment on an active front in the west in World War I must be considered to have been a combat soldier. Hitler’s authorized regimental weapon was the Mauser boltaction, magazine-fed rifle. This gives a basic idea of what Hitler could be called upon to do in his assignment at the front. As a regimental runner, he carried messages to the battalions and line companies of the regiment, and the more important ones had to be delivered under outrageously dangerous circumstances involving movement through artillery fire and, particularly later in the war, poison gas and the omnipresent rifle fire of the skilled British sniper detachments. --Hitler: Beyond Evil and Tyranny, p. 96
Russel H.S. Stolfi (Hitler: Beyond Evil and Tyranny (German Studies))
On Easter Sunday, Nash led a mob of several hundred whites, armed with rifles and a small cannon, who opened fire on the courthouse, setting it ablaze. Even though its black defenders ran up a white flag of surrender, begging for mercy, the mob butchered dozens of them. Black families were afraid to claim the many corpses that thickly littered the ground. When Longstreet sent Colonel T. W. DeKlyne to Colfax, the latter found heaps of dead black bodies being scavenged by dogs and buzzards. “We were unable to find the body of a single white man,” he reported. Many blacks “were shot in the back at the head and neck . . . almost all had from three to a dozen wounds.
Ron Chernow (Grant)
Maiha “Allow me to introduce you to the Children of Mars. On lead guitar and eight barreled Calliope Gatlin, Colonel Fujiyama. On bass and manning the double-barreled thirty millimeter PPC's we have Major Howard. Singing backup and key boards we have Fight Captain Benz with a lovely ten millimeter rapid fire gauss rifle. Her lovely partner Captain Martin on drums with her ten millimeter Hell-bore pulse laser rifle. And singing lead and front man, a true artist with a bang from the Castile sniper rifle, our Big Daddy, Papa of Death and Destruction, the one, the only, the man, the myth, the legend, Lord James Nakatoma- Bailey.” When I finished Alice was giggling out loud.
Jessie Wolf
This was a war of attrition...A mug's game! A mug's game as far as killing men was concerned, but not an uninteresting occupation if you considered it as a struggle of various minds spread all over the broad landscape in the sunlight. They did not kill many men and they expended an infinite number of missiles and a vast amount of thought. If you took six million men armed with loaded canes and stockings containing bricks or knives and set them against another six million men similarly armed, at the end of three hours four million on the one side and the entire six million on the other would be dead. So, as far as killing went, it really was a mug's game. That was what happened if you let yourself get into the hands of the applied scientist. For all these things were the products not of the soldier but of hirsute bespectacled creatures who peer through magnifying glasses. Or of course, on our side, they would be shaven-cheeked and less abstracted. They were efficient as slaughterers in that they enabled the millions of men to be moved. When you had only knives you could not move very fast. On the other hand, your knife killed at every stroke: you would set a million men firing at each other with rifles from eighteen hundred yards. But few rifles ever registered a hit. So the invention was relatively inefficient. And it dragged things out! And suddenly it had become boring.
Ford Madox Ford (Parade's End)
In 1840 Britain duly declared war on China in the name of ‘free trade’. It was a walkover. The overconfident Chinese were no match for Britain’s new wonder weapons – steamboats, heavy artillery, rockets and rapid-fire rifles. Under the subsequent peace treaty, China agreed not to constrain the activities of British drug merchants and to compensate them for damages inflicted by the Chinese police. Furthermore, the British demanded and received control of Hong Kong, which they proceeded to use as a secure base for drug trafficking (Hong Kong remained in British hands until 1997). In the late nineteenth century, about 40 million Chinese, a tenth of the country’s population, were opium addicts.3
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
Still gasping for breath from the exertion of the chase, the colonel lifted his rifle and aimed at the closest mountain lion. The crack of the colonel’s rifle rang through the night air, echoing off the surrounding mountains. A piece of bark flew up next to the lion as the cat leapt to a different branch of the tree. Swearing in anger that he had missed the shot, the colonel took several steps closer, levered his rifle, and fired again. Once more, the lion leaped away just in time, slinking from branch to branch as her brother hissed and snarled to keep the frenzied, stupid tree-climbing dogs at bay. Serafina ran toward her brother and sister as fast as she could, her claws out and ready to fight. The colonel fired again, and then again, twigs breaking, bark exploding, the lions hissing and snarling, the sound of the repeated shots echoing across the mist-filled valley. Discouraged by the colonel’s poor accuracy, the other hunters began to position themselves to shoot the mountain lions themselves and get it over with. “My shot!” he screamed again as he moved closer. Serafina ran straight toward them, her powerful chest expanding with raging power. She was almost there. But on the colonel’s next shot, she heard the bullet thwack into her sister’s body. Serafina watched helplessly as her sister fell from the branch of the tree and tumbled through midair, her limbs flailing as she plummeted toward the rocks below.
Robert Beatty (Serafina and the Seven Stars (Serafina, 4))
Travis raised his head from sighting down the rifle as shock radiated through him. Those eyes. Such a vivid blue. It was as if he’d seen them before. But that was impossible. Females didn’t exactly pay them calls on a regular basis. Clearing his throat, he readjusted his rifle. “We don’t cotton to trespassers around here, lady. You best skedaddle back the way you came.” “I will. But not until I say my piece.” She pivoted to face him fully, her lashes lowering for just a moment before she aimed her gaze directly at him again. Even knowing what was coming didn’t stop the jolt from ricocheting through his chest when those piercing eyes latched onto him. “I came to warn you, Travis.” Travis? She knew who he was? Most folks meeting the Archers all at once had no way of knowing him from Crockett or Jim. Yet she said his name with the confidence of recognition. He squinted at her. “Look, lady. I don’t know what kind of game you’re playing, but I want no part of it.” “This is no game. Please, Travis. Just listen.” “You know this gal, Trav?” Out of the corner of his eye, he saw his youngest brother start to lower his rifle. “Hush up, Neill, and hold your line.” The kid obeyed without question, firming up his grip. “The man who wants to buy your land is sending men out here tonight to persuade you to change your mind. They plan to set fire to the place while you sleep and force you to accept the next offer in order to recoup your losses.
Karen Witemeyer (Short-Straw Bride (Archer Brothers, #1))
He bared his fangs at us. Across the field, the battle was not going well. One of Gunilla’s Valkyries sprawled lifeless on the rocks. The other one fell, her armor burning from Surt’s sword. Gunilla faced the Fire Lord alone, swinging her spear like a whip of light, but she couldn’t last. Her clothes smoldered. Her shield was charred and cracked. The einherjar were surrounded. Halfborn had lost one of his axes. He was covered with so many burns and gashes I didn’t understand how he could still be alive, but he just kept fighting, laughing as he charged the giants. Mallory was on one knee, cursing as she parried attacks from three giants at once. T.J. swung his rifle wildly. Even X looked tiny compared to the enemies now looming over him.
Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
The firepower uncovered in March 2005 in Sant’Anastasia, a town at the foot of Vesuvius, was stunning. The discovery came about partly by chance, and partly by the lack of discipline of the arms traffickers: customers and drivers started fighting on the street because they couldn’t agree on the price. When the carabinieri arrived, they removed the interior panels of the truck parked near the brawl, discovering one of the largest mobile depots they had ever seen. Uzis with four magazines, seven clips, and 112 380-caliber bullets, Russian and Czech machine guns able to fire 950 shots a minute. (Nine hundred fifty shots a minute was the firing power of American helicopters in Vietnam.) Weapons for ripping apart tanks and entire divisions of men, not for Camorra family fights on the slopes of Mount Vesuvius. Almost new, well-oiled, rifle numbers still intact, just in from Kraków.
Roberto Saviano (Gomorrah)
Even after years of war, some men retained scruples about licensed homicide. [...] Lieutenant Peter Downward commanded the sniper platoon of 13 Para. He had never himself killed a man with a rifle, but one day he found himself peering at a German helmet just visible at the corner of an air-raid shelter--an enemy sniper. "I had his head spot in the middle of my telescopic sight, my safety catch was off, but I simply couldn't press the trigger. I suddenly realised that I had a young man's life in my hands, and for the cost of one round, about twopence, I could wipe out eighteen or nineteen years of human life. My dithering deliberations were brought back to earth with a bump as Kirkbride suddenly shouted: 'Go on, sir. Shoot the bastard! He's going to fire again.' I pulled the trigger and saw the helmet jerk back. I had obviously got him, and felt completely drained...What had I done?
Max Hastings
The cabin; by the stern windows; Ahab sitting alone, and gazing out. I leave a white and turbid wake; pale waters, paler cheeks, where'er I sail. The envious billows sidelong swell to whelm my track; let them; but first I pass. Yonder, by the ever-brimming goblet's rim, the warm waves blush like wine. The gold brow plumbs the blue. The diver sun— slow dived from noon—goes down; my soul mounts up! she wearies with her endless hill. Is, then, the crown too heavy that I wear? this Iron Crown of Lombardy. Yet is it bright with many a gem; I the wearer, see not its far flashings; but darkly feel that I wear that, that dazzlingly confounds. 'Tis iron—that I know—not gold. 'Tis split, too—that I feel; the jagged edge galls me so, my brain seems to beat against the solid metal; aye, steel skull, mine; the sort that needs no helmet in the most brain-battering fight! Dry heat upon my brow? Oh! time was, when as the sunrise nobly spurred me, so the sunset soothed. No more. This lovely light, it lights not me; all loveliness is anguish to me, since I can ne'er enjoy. Gifted with the high perception, I lack the low, enjoying power; damned, most subtly and most malignantly! damned in the midst of Paradise! Good night—good night! (waving his hand, he moves from the window.) 'Twas not so hard a task. I thought to find one stubborn, at the least; but my one cogged circle fits into all their various wheels, and they revolve. Or, if you will, like so many ant-hills of powder, they all stand before me; and I their match. Oh, hard! that to fire others, the match itself must needs be wasting! What I've dared, I've willed; and what I've willed, I'll do! They think me mad— Starbuck does; but I'm demoniac, I am madness maddened! That wild madness that's only calm to comprehend itself! The prophecy was that I should be dismembered; and—Aye! I lost this leg. I now prophesy that I will dismember my dismemberer. Now, then, be the prophet and the fulfiller one. That's more than ye, ye great gods, ever were. I laugh and hoot at ye, ye cricket-players, ye pugilists, ye deaf Burkes and blinded Bendigoes! I will not say as schoolboys do to bullies—Take some one of your own size; don't pommel me! No, ye've knocked me down, and I am up again; but ye have run and hidden. Come forth from behind your cotton bags! I have no long gun to reach ye. Come, Ahab's compliments to ye; come and see if ye can swerve me. Swerve me? ye cannot swerve me, else ye swerve yourselves! man has ye there. Swerve me? The path to my fixed purpose is laid with iron rails, whereon my soul is grooved to run. Over unsounded gorges, through the rifled hearts of mountains, under torrents' beds, unerringly I rush! Naught's an obstacle, naught's an angle to the iron way! CHAPTER
Herman Melville (Moby Dick: or, the White Whale)
We're not in Khlong Prem Prison yet. So let's assume we're winning." But inwardly, Anderson wonders. There are too many variables in play, and it makes him nervous. He remembers a time in Missouri when the Grahamites rioted. There had been tension, some small speeches, and then it had simply erupted in field burning. No one had seen the violence coming. Not a single intelligence officer had anticipated the cauldron boiling beneath the surface. Anderson had ended up perched atop a grain silo, choking on the smoke of HiGro fields going up in sheets of flame, firing steadily at rioters on the ground with a spring rifle he'd salvaged from a slow-moving security guard, and all the while he had wondered how everyone had missed the signs. They lost the facility because of that blindness. And now it is the same. A sudden eruption, and the surprise of realizing that the world he understands is not the one he actually inhabits.
Paolo Bacigalupi (The Windup Girl)
Shortly after we returned from the Platte River in Nebraska, I scouted a few of our duck holes on my dad’s property. I wanted to see what kind of ducks had gathered on our land while we were gone. On this particular day, it was cool and crisp as it got close to sunset. As I sat in a deer stand waiting for nightfall, I was counting mallard ducks that flew over my head. Meanwhile, there were fox squirrels scurrying in the trees around me looking for acorns, while groups of wood ducks waited in the water for the squirrels to drop acorns. A few minutes later, fifteen wild turkeys walked in front of me. I thought to myself, Man, this is paradise. As I soaked in my surroundings, I heard the sounds of footsteps in shallow water. A majestic eight-point buck walked right in front of me. I raised my rifle and fired. The buck hit the ground. My dad was in the woods with me and heard me shoot. As we loaded up the deer, I shared the details of what I had seen with my dad. We both agreed that there is nothing better than the beauty of the outdoors. It was about as perfect a day as I’ve ever had in the woods.
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
In 1968, at fifteen, she turned on the television and watched chaos flaring up across the country like brush fires. Martin Luther King, Jr., then Bobby Kennedy. Students in revolt at Columbia. Riots in Chicago, Memphis, Baltimore, D.C.—everywhere, everywhere, things were falling apart. Deep inside her a spark kindled, a spark that would flare in Izzy years later. Of course she understood why this was happening: they were fighting to right injustices. But part of her shuddered at the scenes on the television screen. Grainy scenes, but no less terrifying: grocery stores ablaze, smoke billowing from their rooftops, walls gnawed to studs by flame. The jagged edges of smashed windows like fangs in the night. Soldiers marching with rifles past drugstores and Laundromats. Jeeps blocking intersections under dead traffic lights. Did you have to burn down the old to make way for the new? The carpet at her feet was soft. The sofa beneath her was patterned with roses. Outside, a mourning dove cooed from the bird feeder and a Cadillac glided to a dignified stop at the corner. She wondered which was the real world.
Celeste Ng (Little Fires Everywhere)
정품구입문의하는곳~☎위커메신저:PP444☎라인:PPPK44↔[☎?카톡↔kap6] 정품구입문의하는곳~☎위커메신저:PP444☎라인:PPPK44↔[☎?카톡↔kap6] 정품구입문의하는곳~☎위커메신저:PP444☎라인:PPPK44↔[☎?카톡↔kap6] 정품구입문의하는곳~☎위커메신저:PP444☎라인:PPPK44↔[☎?카톡↔kap6] 오랬동안 구소련에서 사용되어온 드라구노프 SVD는 뛰어난 저격소총임에는 틀림이 없으나 각국의 최신 저격 소총과 비교하면 구식화 되었기 때문에 IZHMASH의 Vladimir Stronskiy가 설계하여 최신 저격용 소총인 SV-98이 개발되었다. 1998년 부터 IZHMASH에서 생산이 시작되었다. Used in the Soviet Union, for a Dragunov svd is There is no doubt that excellent sniper rifle, but from all over the latest in comparison with a sniper rifle out of date because it.Of the izhmash vladimir a sniper rifle, the latest design is stronskiy sv - 98 were developed. Since 1998, produced in izhmash. Polyamide made of casting is a special order and thin layer made of plywood. Handle the front at the bottom of barrel is narrow and long holes. Butt stroke to the airborne, is wood, but the butt of a dedicated fiber glass and is paid. Butt plate, and cheek, adjustable safety, fire is possible. Butt grip is from slipping have a checkered. In addition, snipers on the butt in the face in accordance with the shape of control and butt stroke to the base is adjustable with gun shot in optimal conditions, makes you can do.
권총구입,실제권총구입,[☎?카톡↔kap6]
The rustling noise was coming from the living room. The sound of drawers opening and closing. Hugging the wall, he inched steadily toward the sound of the intruder. He held his rifle in a firing position. Bolt back, safety off, ready to fire. A careful glance around the corner showed a shadowy figure dressed in black, holding a flashlight, snooping in drawers, violating his home. Quinton raised his rifle and carefully aimed. “What the hell are you doing in my house?” he demanded. He got off one shot as the invader ducked. Then, crawling, stumbling, and diving toward the open window the thief plunged outside head first, landing with a thud six feet down. Quinton was at the window now. A second shot winged the villain in the shoulder as he tried to rise. A third shot and he was down. Flat on his face, a bullet through his head. Dead. It is said those with the most money get the most justice. And that appeared to be true in Quinton’s case. It seems the fourteen-year-old intruder came from a family with some wealth, while Quinton did not. In fact, his lawyer wasn’t up to much and the end result was a hanging judge handed down a sentence of ten years. Tried and convicted of manslaughter. Sent to Kingston Penitentiary. Locked away.
Rayven T. Hill (Blood and Justice (Jake and Annie Lincoln, #1))
The whole world knew about the piracy case of the tanker Maersk Alabama, which three Navy SEAL sharpshooters saved the imprisoned ship captain. Those SEALs spent a full day lying in wait with their weapons trained on the pirate boat, waiting for the kill command. When the order came down, they instantly fired their sniper rifles, with their own vessel bobbing at a different rate from the pirates’ boat, having no room for error if the captive was to survive. The snipers took out all three pirates in a single shot while sparing the kidnapped victim. Captain Richard Phillips was freed unharmed from the close quarters of that little boat, while the dead bodies of the three armed pirates slumped around him. Details of DEVGRU training are not available to explain this feat of timing and marksmanship, but the results testify to its deadly effect. SEAL Team Six founder Richard Marcinko has said that his budget for ammunition for his men’s training was greater than that of the entire Marin Corps. The comment might be dismissed as braggadocio if not for undeniable results produced under intense and deadly pressure. Consequently, by the time Jessica Buchanan was being marched into a pitched-black desert to her own mock execution two years later, the same people at the White House who took note of her disappearance had reason to wonder if it might be time for another visit to the region from the men you don’t see coming.
Anthony Flacco (Impossible Odds: The Kidnapping of Jessica Buchanan and Her Dramatic Rescue by SEAL Team Six)
The world recoiled in horror in 2012 when 20 Connecticut schoolchildren and six adults were killed at Sandy Hook Elementary School. . . . The weapon was a Bushmaster AR-15 semiautomatic rifle adapted from its original role as a battlefield weapon. The AR-15, which is designed to inflict maximum casualties with rapid bursts, should never have been available for purchase by civilians (emphasis added).1 —New York Times editorial, March 4, 2016 Assault weapons were banned for 10 years until Congress, in bipartisan obeisance to the gun lobby, let the law lapse in 2004. As a result, gun manufacturers have been allowed to sell all manner of war weaponry to civilians, including the super destructive .50-caliber sniper rifle. . . .(emphasis added)2 —New York Times editorial, December 11, 2015 [James Holmes the Aurora, Colorado Batman Movie Theater Shooter] also bought bulletproof vests and other tactical gear” (emphasis added).3 —New York Times, July 22, 2012 It is hard to debate guns if you don’t know much about the subject. But it is probably not too surprising that gun control advocates who live in New York City know very little about guns. Semi-automatic guns don’t fire “rapid bursts” of bullets. The New York Times might be fearful of .50-caliber sniper rifles, but these bolt-action .50-caliber rifles were never covered by the federal assault weapons ban. “Urban assault vests” may sound like they are bulletproof, but they are made of nylon. These are just a few of the many errors that the New York Times made.4 If it really believes that it has a strong case, it wouldn’t feel the need to constantly hype its claims. What distinguishes the New York Times is that it doesn’t bother running corrections for these errors.
John R. Lott Jr. (The War on Guns: Arming Yourself Against Gun Control Lies)
Robinson's discussion with God: "Tell me what it's like." "What what's like?" "To be God." "Like, how do you mean?" "Like, how does it make you feel to know you've created the planet earth and all its inhabitants. Do you feel proud? Sad? Embarrassed? Humbled? Mortified?" "The truth? I feel imposed upon. I feel like an exhausted father whose needy children never grew up. Do you know what I'd like to see? Honest to me, this would make me the happiest guy on earth. I'd like to see everyone just take responsibility for themselves. Stop seeking my favor with your expensive churches, synagogues, mosques and temples. And quit wasting your time expecting me to solve all your problems. Am I the numbskull who created all your stupid problems? No, all I ever did was plant a handful of seeds. I'm not the one who cheats, lies, plunders, steals, hoodwinks, bribes, and scratches and claws his backward way through the unfaithful to his loving spouse or who is disrespectful to his parents. And I'm not the one who rapes and pollutes oceans, mountains, valleys, rivers, lakes, deserts, and mesas. I'm not the one who's slaughtering all the whales in the seas, and I'm certainly not the one who's spreading AIDS, shooting innocent people with handguns and assault rifles, or overpopulating the planet. I'm not even responsible for acts of God. So what of the forest fires, earthquakes, hurricanes and tornados? You can thank dear Mother Nature for these so-called acts of me. All these disaster are completely out of my hands. Don't you see? I'm just me, God, and no more or less. Yes, I'm willing to give advice here and there, but even then , you will discover than my advice is no better than the advice you'd give yourself. And why? Because I am you. I was never anything else. I never claimed to be anything else, So, you get down on your knees and say you have faith in me? Try having some faith in yourself and leave me the hell out of it. I'm a busy man. There are books I would like to read, music I'd like to listen to, art I would like to see, and some good shows on TV I really don't want to miss.
Mark Lages (Robinson's Dream)
Curtis Bane screamed and though I came around fast and fired in the same motion, he’d already pulled a heater and begun pumping metal at me. We both missed and I was empty, that drum clicking uselessly. I went straight at him. Happily, he too was out of bullets and I closed the gap and slammed the butt of the rifle into his chest. Should’ve knocked him down, but no. The bastard was squat and powerful as a wild animal, thanks to being a coke fiend, no doubt. He ripped the rifle from my grasp and flung it aside. He locked his fists and swung them up into my chin, and it was like getting clobbered with a hammer, and I sprawled into a row of trash cans. Stars zipped through my vision. A leather cosh dropped from his sleeve into his hand and he knew what to do with it all right. He swung it in a short chopping blow at my face and I got my left hand up and the blow snapped my two smallest fingers, and he swung again and I turned my head just enough that it only squashed my ear and you better believe that hurt, but now I’d drawn the sawback bayonet I kept strapped to my hip, a fourteen-inch grooved steel blade with notched and pitted edges—Jesus-fuck who knew how many Yankee boys the Kraut who’d owned it gashed before I did for him—and stabbed it to the guard into Bane’s groin. Took a couple of seconds for Bane to register it was curtains. His face whitened and his mouth slackened, breath steaming in the chill, his evil soul coming untethered. He had lots of gold fillings. He lurched away and I clutched his sleeve awkwardly with my broken hand and rose, twisting the handle of the blade side to side, turning it like a car crank into his guts and bladder, putting my shoulder and hip into it for leverage. He moaned in panic and dropped the cosh and pried at my wrist, but the strength was draining from him and I slammed him against the wall and worked the handle with murderous joy. The cords of his neck went taut and he looked away, as if embarrassed, eyes milky, a doomed petitioner gaping at Hell in all its fiery majesty. I freed the blade with a cork-like pop and blood spurted down his leg in a nice thick stream and he collapsed, folding into himself like a bug does when it dies.
Laird Barron (The Beautiful Thing That Awaits Us All)
Colonel Fedmahn Kassad shouted a FORCE battle cry and charged through the dust storm to intercept the Shrike before it covered the final thirty meters to where Sol Weintraub crouched next to Brawne Lamia. The Shrike paused, its head swiveling frictionlessly, red eyes gleaming. Kassad armed his assault rifle and moved down the slope with reckless speed. The Shrike shifted. Kassad saw its movement through time as a slow blur, noting even as he watched the Shrike that movement in the valley had ceased, sand hung motionless in the air, and the light from the glowing Tombs had taken on a thick, amberish quality. Kassad’s skinsuit was somehow shifting with the Shrike, following it through its movements through time. The creature’s head snapped up, attentive now, and its four arms extended like blades from a knife, fingers snapping open in sharp greeting. Kassad skidded to a halt ten meters from the thing and activated the assault rifle, slagging the sand beneath the Shrike in a full-power wide-beam burst. The Shrike glowed as its carapace and steel-sculpture legs reflected the hellish light beneath and around it. Then the three meters of monster began to sink as the sand bubbled into a lake of molten glass beneath it. Kassad shouted in triumph as he stepped closer, playing the widebeam on the Shrike and ground the way he had sprayed his friends with stolen irrigation hoses in the Tharsis slums as a boy. The Shrike sank. Its arms splayed at the sand and rock, trying to find purchase. Sparks flew. It shifted, time running backward like a reversed holie, but Kassad shifted with it, realizing that Moneta was helping him, her suit slaved to his but guiding him through time, and then he was spraying the creature again with concentrated heat greater than the surface of a sun, melting sand beneath it, and watching the rocks around it burst into flame. Sinking in this cauldron of flame and molten rock, the Shrike threw back its head, opened its wide crevasse of a mouth, and bellowed. Kassad almost stopped firing in his shock at hearing noise from the thing. The Shrike’s scream resounded like a dragon’s roar mixed with the blast of a fusion rocket. The screech set Kassad’s teeth on edge, vibrated from the cliff walls, and tumbled suspended dust to the ground. Kassad switched to high-velocity solid shot and fired ten thousand microfléchettes at the creature’s face.
Dan Simmons (The Fall of Hyperion (Hyperion Cantos, #2))
He finds a basket and lays fish inside it. Charcoal is in a wooden bucket. Enrique lifts it, basket in his other hand, and moves through shadow toward daylight. A presence makes him turn his head. He sees no one, yet someone is there. He sets down fish and charcoal. Straightening up, Enrique slips his Bowie knife clear of its sheath. He listens, tries to sense the man’s place. This intruder lies low. Is concealed. Behind those barrels? In that corner, crouched down? Enrique shuts his eyes, holds his breath a moment and exhales, his breath’s movement the only sound, trying to feel on his skin some heat from another body. Where? Enrique sends his mind among barrels and sacks, under shelves, behind posts and dangling utensils. It finds no one. He is hiding. Wants not to be found. Is afraid. If he lies under a tarpaulin, he cannot see. To shoot blind would be foolish: likely to miss, certain to alert the others. Enrique steps around barrels, his boots silent on packed sand. Tarps lie parallel in ten-foot lengths, their wheaten hue making them visible in the shadowed space. They are dry and hold dust. All but one lies flat. There. Enrique imagines how it will be. To strike through the tarp risks confusion. Its heavy canvas can deflect his blade. But his opponent will have difficulty using his weapon. He might fire point-blank into Enrique’s weight above him, bearing down. To pull the tarpaulin clear is to lose his advantage; he will see the intruder who will see him. An El Norte mercenary with automatic rifle or handheld laser can cut a man in half. Knife in his teeth, its ivory handle smooth against lips and tongue, Enrique crouches low. Pushing hard with his legs, he dives onto the hidden shape. The man spins free as Enrique grasps, boots slipping on waxed canvas. His opponent feels slight, yet wiry strength defeats Enrique’s hold. He takes his knife in hand and rips a slit long enough to plunge an arm into his adversary’s shrouded panic. Enrique thrusts the blade’s point where he believes a throat must be. Two strong hands clamp his arm and twist against each other rapidly and hard. Pain flares across his skin. Enrique wrests his arm free and his knife flies from his grasp and disappears behind him. He clenches-up and, pivoting on his other hand, turns hard into a blind punch that smashes the hidden face. The dust of their struggle rasps in Enrique’s throat. His intended killer sucks in a hard breath and Enrique hits him again, then again, each time turning his shoulder into the blow. The man coughs out, “Do not kill me.” Enrique knows this voice. It is Omar the Turk. [pp. 60-61]
John Lauricella (2094)
Events in the African American town of Hamburg, in the Edgefield District of South Carolina, were typical of many others across the former Confederacy where white paramilitary groups mobilized to regain control of state governments. Their aim was simple: prevent African Americans from voting. In July 1876, a few months before the election that gave the presidency to Hayes, a violent rampage in Hamburg abolished the civil rights of freed slaves. Calling itself the Red Shirts, a collection of white supremacists killed six African American men and then murdered four others whom the gang had captured. Benjamin Tillman led the Red shirts; the massacre propelled him to a twenty-four-year career as the most vitriolic racist in the U.S. Senate. Following the massacre, the terror did not abate. In September, a 'rifle club' of more than 500 whites crossed the Savannah River from Georgia and camped outside Hamburg. A local judge begged the governor to protect the African American population, but to no avail. The rifle club then moved on to the nearby hamlet of Ellenton, killing as many as fifty African Americans. President Ulysses S. Grant then sent in federal troops, who temporarily calmed things down but did not eliminate the ongoing threats. Employers in the Edgefield District told African Americans they would be fired, and landowners threatened black sharecroppers with eviction if they voted to maintain a biracial state government. When the 1876 election took place, fraudulent white ballots were cast; the total vote in Edgefield substantially exceeded the entire voting age population. Results like these across the state gave segregationist Democrats the margin of victory they needed to seize control of South Carolina's government from the black-white coalition that had held office during Reconstruction. Senator Tillman later bragged that 'the leading white men of Edgefield' had decided to 'seize the first opportunity that the Negroes might offer them to provoke a riot and teach the Negroes a lesson.' Although a coroner's jury indicted Tillman and ninety-three other Red Shirts for the murders, they were never prosecuted and continued to menace African Americans. Federal troops never came to offer protection. The campaign in Edgefield was of a pattern followed not only in South Carolina but throughout the South. With African Americans disenfranchised and white supremacists in control, South Carolina instituted a system of segregation and exploitation that persisted for the next century. In 1940, the state legislature erected a statute honoring Tillman on the capitol grounds, and in 1946 Clemson, one of the state's public universities, renamed its main hall in Tillman's honor. It was in this environment that hundreds of thousands of African Americans fled the former Confederacy in the first half of the twentieth century.
Richard Rothstein (The Color of Law: A Forgotten History of How Our Government Segregated America)
Miss Prudence Mercer Stony Cross Hampshire, England 7 November 1854 Dear Prudence, Regardless of the reports that describe the British soldier as unflinching, I assure you that when riflemen are under fire, we most certainly duck, bob, and run for cover. Per your advice, I have added a sidestep and a dodge to my repertoire, with excellent results. To my mind, the old fable has been disproved: there are times in life when one definitely wants to be the hare, not the tortoise. We fought at the southern port of Balaklava on the twenty-fourth of October. Light Brigade was ordered to charge directly into a battery of Russian guns for no comprehensible reason. Five cavalry regiments were mowed down without support. Two hundred men and nearly four hundred horses lost in twenty minutes. More fighting on the fifth of November, at Inkerman. We went to rescue soldiers stranded on the field before the Russians could reach them. Albert went out with me under a storm of shot and shell, and helped to identify the wounded so we could carry them out of range of the guns. My closest friend in the regiment was killed. Please thank your friend Prudence for her advice for Albert. His biting is less frequent, and he never goes for me, although he’s taken a few nips at visitors to the tent. May and October, the best-smelling months? I’ll make a case for December: evergreen, frost, wood smoke, cinnamon. As for your favorite song…were you aware that “Over the Hills and Far Away” is the official music of the Rifle Brigade? It seems nearly everyone here has fallen prey to some kind of illness except for me. I’ve had no symptoms of cholera nor any of the other diseases that have swept through both divisions. I feel I should at least feign some kind of digestive problem for the sake of decency. Regarding the donkey feud: while I have sympathy for Caird and his mare of easy virtue, I feel compelled to point out that the birth of a mule is not at all a bad outcome. Mules are more surefooted than horses, generally healthier, and best of all, they have very expressive ears. And they’re not unduly stubborn, as long they’re managed well. If you wonder at my apparent fondness for mules, I should probably explain that as a boy, I had a pet mule named Hector, after the mule mentioned in the Iliad. I wouldn’t presume to ask you to wait for me, Pru, but I will ask that you write to me again. I’ve read your last letter more times than I can count. Somehow you’re more real to me now, two thousand miles away, than you ever were before. Ever yours, Christopher P.S. Sketch of Albert included As Beatrix read, she was alternately concerned, moved, and charmed out of her stockings. “Let me reply to him and sign your name,” she begged. “One more letter. Please, Pru. I’ll show it to you before I send it.” Prudence burst out laughing. “Honestly, this is the silliest things I’ve ever…Oh, very well, write to him again if it amuses you.
Lisa Kleypas (Love in the Afternoon (The Hathaways, #5))
When Oliver called time a few moments later, she’d beaten them all. But she’d beaten Mr. Pinter by only one bird. “It appears, Lady Celia, that you’ve won a new rifle,” the duke said graciously. “No,” she answered. They all stared at her. “It doesn’t seem sporting to win a challenge only because one of my opponents had a faulty firearm. Which we provided to him, by the way.” “Don’t worry,” Mr. Pinter drawled. “I won’t hold the fault firearm against you and your brothers.” “That’s not the point. This should be fair, and it isn’t.” “Then we’ll move forward,” Oliver said, “and let the servants flush the grouse again. Pinter can take one more shot. That’s probably all that the misfire delayed him by. If he misses, then you’ve won squarely. If he hits his target then it’s a tie, and we’ll decide a tie breaker.” “That seems fair.” She glanced over at Mr. Pinter. “What do you say, sir?” “Whatever my lady wishes.” His eyes met hers in a heated glance. She had the unsettling feeling that he referred to more than just the shooting. “Well, then,” she said lightly. “Let’s get on with it.” The beaters headed forward to flush the grouse, but either because of where the grouse had last settled or because of the beaters’ position, the birds rose farther away than was practical. “Damn it all,” Gabe uttered. “He won’t make a shot from here.” “You can ignore this one, and we’ll have them flushed again,” Celia said. But Mr. Pinter raised his gun to follow their flight. With a flash and the repugnant smell of black powder igniting, the gun fired and white smoke filled the air. She saw a bird fall. No, not one bird. He’d hit two birds with an impossible shot. Her breath lodged in her throat. She’d hit two with one shot a few times, due to how they clustered and how well the birdshot scattered, but to do it at such a distance… She glanced at him, astonished. No one had ever beaten her-and certainly not with such an amazing shot. Mr. Pinter gazed at her steadily as he handed off the gun to a servant. “It appears that I’ve won, my lady.” Her mouth went dry. “It does indeed.” Gabe hooted pleased at having escaped buying her a rifle. The duke and the viscount scowled, while Devonmont just looked amused as usual. All of that fell away as Mr. Pinter’s gaze dropped to her mouth. “Well done, Pinter,” Oliver said, clapping him on the shoulder. “You obviously more than earned a kiss.” For a moment, raw hunger flickered in his eyes. Then it was as if a veil descended over his face, for his features turned blank. He walked up to her, bent his head… And kissed her on the forehead. Hot color flooded her cheeks. How dared he kiss her last night as if she were a woman, and then treat her like a child in front of her suitors! Or worse, a woman beneath his notice! “Thank heavens that’s done,” she said loftily, trying to retain some dignity. The men all laughed-except Mr. Pinter, who watched her with a shuttered expression. As the other gentleman crowded round to congratulate him on his fine shot, she plotted. She would make him answer for every remark, every embarrassment of this day, as soon as she had the chance to get him alone. Because no man made a fool of her and got away with it.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
The company was now come to a halt and the first shots were fired and the grey riflesmoke rolled through the dust as the lancers breached their ranks. The kid's horse sank beneath him with a long pneumatic sigh. He had already fired his rifle and now he sat on the ground and fumbled with his shotpouch. A man near him sat with an arrow hanging out of his neck. He was bent slightly as if in prayer. The kid would have reached for the bloody hoop-iron point but then he saw that the man wore another arrow in his breast to the fletching and he was dead. Everywhere there were horses down and men scrambling and he saw a man who sat charging his rifle while blood ran from his ears and he saw men and he saw men with their revolvers disassembled trying to fit the fit the spare loaded cylinders they carried and he saw men kneeling who tilted and clasped their shadows on the ground and he saw men lanced and caught up by the hair and scalped standing and he saw the horses of war trample down the fallen and a little whitefaced pony with one clouded eye leaned out of the murk and snapped at him like a dog and was gone. Among the wounded some seemed dumb and without understanding and some were pale through the masks of dust and some had fouled themselves or tottered brokenly onto the spears of the savages. Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a pipping of boneflutes and dropping down off the side of their mounts with one heel hung in the the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, ridding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows. And now the horses of the dead came pounding out of the smoke and dust and circled with flapping leather and wild manes and eyes whited with fear like the eyes of the blind and some were feathered with arrows and some lanced through and stumbling and vomiting blood as they wheeled across the killing ground and clattered from sight again. Dust stanched the wet and naked heads of the scalped who with the fringe of hair beneath their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodsoaked dust and everywhere the dying groaned and gibbered and horses lay screaming
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
In Healing the Masculine Soul, Dalbey introduced themes that would animate what soon became a cottage industry of books on Christian masculinity. First and foremost, Dalbey looked to the Vietnam War as the source of masculine identity. The son of a naval officer, Dalbey described how the image of the war hero served as his blueprint for manhood. He’d grown up playing “sandlot soldier” in his white suburban neighborhood, and he’d learned to march in military drills and fire a rifle in his Boy Scout “patrol.” Fascinated with John Wayne’s WWII movies, he imagined war “only as a glorious adventure in manhood.” As he got older, he “passed beyond simply admiring the war hero to desiring a war” in which to demonstrate his manhood. 20 By the time he came of age, however, he’d become sidetracked. Instead of demonstrating his manhood on the battlefields of Vietnam, he became “part of a generation of men who actively rejected our childhood macho image of manhood—which seemed to us the cornerstone of racism, sexism, and militarism.” Exhorted to make love, not war, he became “an enthusiastic supporter of civil rights, women’s liberation, and the antiwar movement,” and he joined the Peace Corps in Africa. But in opting out of the military he would discover that “something required of manhood seemed to have been bypassed, overlooked, even dodged.” Left “confused and frustrated,” Dalbey eventually conceded that “manhood requires the warrior.” 21 Dalbey agreed with Bly that an unbalanced masculinity had led to the nation’s “unbalanced pursuit” of the Vietnam War, but an over-correction had resulted in a different problem: Having rejected war making as a model of masculine strength, men had essentially abdicated that strength to women. As far as Dalbey was concerned, the 1970s offered no viable model of manhood to supplant “the boyhood image in our hearts,” and his generation had ended up rejecting manhood itself. If the warrior spirit was indeed intrinsic to males, then attempts to eliminate the warrior image were “intrinsically emasculating.” Women were “crying out” for men to recover their manly strength, Dalbey insisted. They were begging men to toughen up and take charge, longing for a prince who was strong and bold enough to restore their “authentic femininity.” 22 Unfortunately, the church was part of the problem. Failing to present the true Jesus, it instead depicted him “as a meek and gentle milk-toast character”—a man who never could have inspired “brawny fishermen like Peter to follow him.” It was time to replace this “Sunday school Jesus” with a warrior Jesus. Citing “significant parallels” between serving Christ and serving in the military, Dalbey suggested that a “redeemed image of the warrior” could reinvigorate the church’s ministry to men: “What if we told men up front that to join the church of Jesus Christ is . . . to enlist in God’s army and to place their lives on the line? This approach would be based on the warrior spirit in every man, and so would offer the greatest hope for restoring authentic Christian manhood to the Body of Christ.” Writing before the Gulf War had restored faith in American power and the strength of the military, Dalbey’s preoccupation with Vietnam is understandable, yet the pattern he established would endure long after an easy victory in the latter conflict supposedly brought an end to “Vietnam syndrome.” American evangelicals would continue to be haunted by Vietnam. 23
Kristin Kobes Du Mez (Jesus and John Wayne: How White Evangelicals Corrupted a Faith and Fractured a Nation)