“
We stood there, four generations of Farrow women, cursed to live between worlds. But in that moment, in the valley of the Blue Ridge Mountains, we existed only in one.
”
”
Adrienne Young (The Unmaking of June Farrow)
“
No settled family or community has ever called its home place an “environment.” None has ever called its feeling for its home place “biocentric” or “anthropocentric.” None has ever thought of its connection to its home place as “ecological,” deep or shallow. The concepts and insights of the ecologists are of great usefulness in our predicament, and we can hardly escape the need to speak of “ecology” and “ecosystems.” But the terms themselves are culturally sterile. They come from the juiceless, abstract intellectuality of the universities which was invented to disconnect, displace, and disembody the mind. The real names of the environment are the names of rivers and river valleys; creeks, ridges, and mountains; towns and cities; lakes, woodlands, lanes roads, creatures, and people.
And the real name of our connection to this everywhere different and differently named earth is “work.” We are connected by work even to the places where we don’t work, for all places are connected; it is clear by now that we cannot exempt one place from our ruin of another. The name of our proper connection to the earth is “good work,” for good work involves much giving of honor. It honors the source of its materials; it honors the place where it is done; it honors the art by which it is done; it honors the thing that it makes and the user of the made thing. Good work is always modestly scaled, for it cannot ignore either the nature of individual places or the differences between places, and it always involves a sort of religious humility, for not everything is known. Good work can be defined only in particularity, for it must be defined a little differently for every one of the places and every one of the workers on the earth.
The name of our present society’s connection to the earth is “bad work” – work that is only generally and crudely defined, that enacts a dependence that is ill understood, that enacts no affection and gives no honor. Every one of us is to some extent guilty of this bad work. This guilt does not mean that we must indulge in a lot of breast-beating and confession; it means only that there is much good work to be done by every one of us and that we must begin to do it.
”
”
Wendell Berry
“
But if I had to choose between where I live and you, I'd rip up everything I own because the only landscape worth looking is the landscape of the human body. I kiss your Blue Ridge Mountains of Virginia. I kiss your Missouri and Monongahela and Susquehanna and Shenandoah and Rio Grande. I kiss the confluence of all those rivers. I kiss your amber waves of grain. I kiss your spacious skies, your rocket's red glare, your hand I love, your purple mountain'd majesty. But most of all I kiss your head. I kiss the place where we make our decisions. I kiss the place where we keep our resolves. The place where we do our dreams. I kiss the place behind the eyes where we store up secrets and knowledge to save us if we're caught in a corridor on a dark, wintry evening.
”
”
John Guare (Landscape of the Body)
“
Every sunset which I witness inspires me with the desire to go to a west as distant and as fair as that into which the Sun goes down. He appears to migrate westward daily and tempt us to follow him. He is the Great Western Pioneer whom the nations follow. We dream all night of those mountain ridges in the horizon, though they may be of vapor only, which were last gilded by his rays.
”
”
Henry David Thoreau (Walking)
“
...seen from above, landscapes are made up of mountains and watercourses. Just as a transparent model of the human body consists of a framework of bone and a network of arteries, the earth's crust is structured in mountain ridges, river, creeks, and gullies.
”
”
Reinhold Messner (Mountains from Space: Peaks and Ranges of the Seven Continents)
“
Between the river in the mellow English landscape and the African mountain ridge, ran the path of this life. ... The bowstring was released on the bridge at Eton, the arrow described its orbit, and hit the obelisk in the Ngong Hills.
”
”
Karen Blixen (Out of Africa)
“
You must find a place on a woman's body and live there.
In the dark, the noise far away, Sam ran his hands over Calliope's body and the world of work and worry seemed to move away. He found two depressions at the bottom of her back where sunlight collected, and he lived there, out of the wind and noise. He grew old there, died and ascended to the Great Spirit, found heaven in her cheek on his chest, the warm wind of her breath across his stomach carried sweet grass and sage, and... In another lifetime he had lived on the soft skin under her right breast, his lips riding light over the ridge and valley of every rib, shuffling through downy, dew damp hairs like a child dancing through autumn leaves. In the mountain of her breast, he fasted at the medicine wheel of her aureole, received a vision that he and she were steam people, mingled wet with no skin seperating them. And there he lived, happy. She followed, traveled, lived with him and in him as he was in her. They lived lifetimes and slept and dreamed together. It was swell.
”
”
Christopher Moore (Coyote Blue)
“
The desert landscape is always at its best in the half-light of dawn or dusk. The sense of distance lacks: a ridge nearby can be a far-off mountain range, each small detail can take on the importance of a major variant on the countryside's repetitious theme. The coming of day promises a change; it is only when the day had fully arrived that the watcher suspects it is the same day returned once again--the same day he has been living for a long time, over and over, still blindingly bright and untarnished by time.
”
”
Paul Bowles (The Sheltering Sky)
“
There was a huge moon over the western mountains, and it made the city seem even more mysterious and old, and the great black castle on the ridge stood out in front of the moon. And if there are ghosts anyplace in the world, they must be here, and if there is a ghost of Queen Tamara, she must have been walking the ridge in the moonlight that night.
”
”
John Steinbeck (A Russian Journal)
“
But the gray ridge of the mountains that sliced through the map was a weight on her heart, an obstacle to be met.
”
”
Mindy McGinnis (In a Handful of Dust (Not a Drop to Drink, #2))
“
Esperanza leaned around the side of the truck. As they rounded a curve, it appeared as if the mountains pulled away from each other, like a curtain opening on stage, revealing the San Joaquin Valley beyond. Flat and spacious, it spread out like a blanket of patchwork fields. Esperanza could see no end to the plots of yellow, brown, and shades of green. The road finally leveled out on the valley floor, and she gazed back at the mountains from where they'd come. They looked like monstrous lions' paws resting at the edge of ridge.
”
”
Pam Muñoz Ryan (Esperanza Rising)
“
Beyond the wall of the unreal city … there is another world waiting for you. It is the old true world of the deserts, the mountains, the forests, the islands, the shores, the open plains. Go there. Be there. Walk gently and quietly deep within it. And then —
May your trails be dim, lonesome, stony, narrow, winding and only slightly uphill. May the wind bring rain for the slickrock potholes fourteen miles on the other side of yonder blue ridge. May God's dog serenade your campfire, may the rattlesnake and the screech owl amuse your reverie, may the Great Sun dazzle your eyes by day and the Great Bear watch over you by night.
”
”
Edward Abbey
“
The vivid memory of the woods had blossomed into a visceral longing for the Ridge, so immediate that I felt the ghost of my vanished house rise around me, a cold mountain wind thrumming past its walls, and thought that, if I reached down, I could feel Adso's soft gray fur under my fingers. I swallowed, hard.
”
”
Diana Gabaldon (Written in My Own Heart's Blood (Outlander, #8))
“
If thou indeed derive thy light from Heaven,
Then, to the measure of that heaven-born light,
Shine, Poet! in thy place, and be content: --
The stars pre-eminent in magnitude,
And they that from the zenith dart their beams,
(Visible though they be to half the earth,
Though half a sphere be conscious of their brightness)
Are yet of no diviner origin,
No purer essence, than the one that burns,
Like an untended watch-fire on the ridge
Of some dark mountain; or than those which seem
Humbly to hang, like twinkling winter lamps,
Among the branches of the leafless trees.
All are the undying offspring of one Sire:
Then, to the measure of the light vouchsafed,
Shine, Poet! in thy place, and be content.
”
”
William Wordsworth
“
I lean back, try to forget these fields and flanking hills. A long time before me or these tools, the Teays flowed here. I can almost feel the cold waters and the tickling the trilobites make when they crawl. All the water from the old mountains flowed west. But the land lifted. I have only the bottoms and stone animals I collect. I blink and breathe. My father is a khaki cloud in the canebrakes, and Ginny is no more to me than the bitter smell in the blackberry briers up on the ridge. --from Trilobites
”
”
Breece D'J Pancake (The Stories of Breece D'J Pancake)
“
I want my life to be a celebration of slowness.
Walking through the sage from our front door, I am gradually drawn into the well-worn paths of deer. They lead me to Round Mountain and the bloodred side canyons below Castle Rock. Sometimes I see them, but often I don't. Deer are quiet creatures, who, when left to their own nature, move slowly. Their large black eyes absorb all shadows, especially the flash of predators. And their ears catch each word spoken. But today they walk ahead with their halting prance, one leg raised, then another, and allow me to follow them. I am learning how to not provoke fear and flight among deer. We move into a pink, sandy wash, their black-tipped tails like eagle feathers. I lose sight of them as they disappear around the bend.
On the top of the ridge I can see for miles.... Inside this erosional landscape where all colors eventually bleed into the river, it is hard to desire anything but time and space.
Time and space. In the desert there is space. Space is the twin sister of time. If we have open space then we have open time to breath, to dream, to dare, to play, to pray to move freely, so freely, in a world our minds have forgotten but our bodies remember. Time and space. This partnership is holy. In these redrock canyons, time creates space--an arch, an eye, this blue eye of sky. We remember why we love the desert; it is our tactile response to light, to silence, and to stillness.
Hand on stone -- patience.
Hand on water -- music.
”
”
Terry Tempest Williams (Red: Passion and Patience in the Desert)
“
The park is high. And as out of a house
I step out of its glimmering half-light
into openness and evening. Into the wind,
the same wind that the clouds feel,
the bright rivers and the turning mills
that stand slowly grinding at the sky's edge.
Now I too am a thing held in its hand,
the smallest thing under the sky. --Look:
Is that one sky?:
Blissfully lucid blue,
into which ever purer clouds throng,
and under it all white in endless changes,
and over it that huge, thin-spun gray,
pulsing warmly as on red underpaint,
and over everything this silent radiance
of a setting sun.
Miraculous structure,
moved within itself and upheld by itself,
shaping figures, giant wings, faults
and high mountain ridges before the first star
and suddenly, there: a gate into such
distances as perhaps only birds know...
”
”
Rainer Maria Rilke (The Book of Images)
“
I always found in myself a dread of west and love of east. Where I ever got such an idea I cannot say, unless it could be that morning came over the peaks of the Gabilans and the night drifted back from the ridges of the Santa Lucias. It may be that the birth and death of the day had some part in my feeling about the two ranges of mountains.
”
”
John Steinbeck (East of Eden)
“
If I be just a page torn out of a book,
May I sail forever over the oceans blue,
Float over the treetops and the mountains too,
Drift across the valleys and the flowers look,
Until at last, I rest and kiss the morning dew.
”
”
Nancy B. Brewer (Beyond Sandy Ridge)
“
I was still a boy when I left the Ozarks, only sixteen years old. Since that day, I’ve left my footprints in many lands: the frozen wastelands of the Arctic, the bush country of Old Mexico, and the steaming jungles of Yucatán. Throughout my life, I’ve been a lover of the great outdoors. I have built campfires in the Rocky Mountains of Colorado, and hunted wild turkey in the Smoky Mountains of Tennessee and the Blue Ridge Mountains of Virginia. I have climbed the Grand Tetons of Wyoming, and hunted bull elk in the primitive area of Idaho. I can truthfully say that, regardless of where I have roamed or wandered, I have always looked for the fairy ring. I have never found one, but I’ll keep looking and hoping. If the day ever comes that I walk up to that snow-white circle, I’ll step into the center of it, kneel down, and make one wish, for in my heart I believe in the legend of the rare fairy ring.
”
”
Wilson Rawls (Summer of the Monkeys)
“
When the air gets heavy so it's hard to breathe, you know what's coming. The birds come down from the ridges and hide in the hollows and in the pines. Heavy black clouds float over the mountain, and you run for the cabin.
From the cabin porch we would watch the big bars of light that stand for a full second, maybe two, on the mountaintop, running out feelers or lightning wire in all directions before they're jerked back into the sky. Cracking claps of sound, so sharp you know something has split wide open--then the thunder rolls and rumbles over the ridges and back through the hollows. I was pretty near sure, a time or two, that the mountains was falling down, but Granpa said they wasn't. Which of course, they didn't.
Then it comes again--and rolls blue fireballs of rocks on the ridge tops and splatters the blue in the air. The trees whip and bend in the sudden rushes of wind, and the sweep of heavy rain comes thunking from the clouds in big drops, letting you know there's some real frog-strangling sheets of water coming close behind.
”
”
Forrest Carter (The Education of Little Tree)
“
She could not say why these rather inconspicuous green slopes had so touched her heart, when along the railway line there were mountains, lakes, the sea at times even clouds dyed in sentimental colors. But perhaps their melancholy green, and the melancholy evening shadows of the ridges across them, had brought on the pain. Then too, they were small, well-groomed slopes with deeply shaded ridges, not nature in the wild; and the rows of rounded tea bushes looked like flocks of gentle green sheep.
”
”
Yasunari Kawabata (Beauty and Sadness (Vintage International))
“
It seemed to him that he was walking along the highest mountain-ridge, which was narrow like the blade of a knife, and on one side he saw Life, on the other side—Death,—like two sparkling, deep, beautiful seas, blending in one boundless, broad surface at the horizon.
”
”
Leonid Andreyev (Seven Who Were Hanged)
“
Every time you behold the Blue Ridge Mountains, every time you feel a snowflake on your eyelashes, every time you see a frog on a lily pad, every time a friend gives you his hand, Brooks, God loves you. You’re surrounded by His love. We look for it in all the wrong places as we pray for worldly success. We say that must be proof of God’s love. Some people pray not for material success but for an easy life.” He shook his head. “No, even our pains are a sign of His love, for they will lead you to the right path, if you’ll only listen.
”
”
Rita Mae Brown (Cat's Eyewitness (Mrs. Murphy, #13))
“
Proscenium of nearly identical mountain ridges, arched out and downward, one 'after' another, to the valley floor: curtains tied back, a gesture
”
”
Rae Armantrout (Versed)
“
Maybe God was shaping situations and circumstances to form a better story with grander vistas than Jeb could ever imagine.
”
”
Pepper Basham (The Heart of the Mountains (My Heart Belongs in the Blue Ridge #2))
“
The Blue Ridge Mountains surrounding the McTavish mansion are indeed stunning, but they are also full of hidden dangers—steep cliffs, boggy areas, and, of course, wild animals.
”
”
Rachel Hawkins (The Heiress)
“
Dad and Gram didn't take a single day on the ranch for granted. Regardless of the weather, the greeted each morning as if they'd embrace it, filling their eyes with a vaulting sky and sagebrush-coverd ridges. Then they gave silent prayer of thanks for living the life they loved.
”
”
Terri Farley (Mountain Mare (Phantom Stallion, #17))
“
After a time, though, Inman found that he had left the book and was simply forming the topography of home in his head. Cold Mountain, all its ridges and coves and watercourses. Pigeon River, Little East Fork, Sorrell Cove, Deep Gap, Fire Scald Ridge. He knew their names and said them to himself like the words of spells and incantations to ward off the things one fears most.
”
”
Charles Frazier (Cold Mountain)
“
By the time the plan's wheels touched down on a desolate stretch of desert runway, the sun had cleared a ridge of mountains and revealed a land the color of dust. The single building that served as a terminal was squat and seemingly of the same dust.
The Middle East? Eliza wondered. Tattooine? A sign, handpainted, was illegible in exotic, curling letters. Arabic, at a guess. That probably eliminated Tattooine.
”
”
Laini Taylor (Dreams of Gods & Monsters (Daughter of Smoke & Bone, #3))
“
Beneath the moon, chilly winds blow through the pines
as wisps of clouds arise.
So many mountain ridges layer into each other
for miles around!
The valley stream is quiet and clear --
I'm not done with this boundless joy.
”
”
Peter Levitt (The Complete Cold Mountain: Poems of the Legendary Hermit Hanshan)
“
Were she to decide fully to live here in Black Cove unto death, she believed she would erect towers on the ridge marking the south and north points of the sun's annual swing. It would be a great pleasure year after year to watch with anticipation as the sun drew nigh to the notch and then on a specified day fell into it and then rose out of it and retraced its path. Over time, watching that happen again and again might make the years seem not such an awful linear progress but instead a looping and a return. Keeping track of such a thing would place a person, would be a way of saying, You are here, in this one station, now. It would be an answer to the question, Where am I?
”
”
Charles Frazier (Cold Mountain)
“
But there's something about those guys that work up there. I can't explain it. I mean, they're crazy, landing on glaciers and mountain ridges, flying through whiteouts. They're like..." Her eyes search for words within my walls. "Sky cowboys.
”
”
K.A. Tucker
“
He remembered kissing her… falling for her.
Then how she’d left the mountain without looking back, forgetting about him with shocking, heartbreaking ease.
Now she was back. And she’d kissed him like maybe she hadn’t forgotten him after all...
”
”
Jill Shalvis (Second Chance Summer (Cedar Ridge, #1))
“
As the track bends north-east, the ethereal sandstone disappears. The slopes turn black with granite, and the mountain's lower ridges break into unstable spikes and revetments. Their ribs are slashed in chiaroscuro, and their last outcrops pour towards the valley in the fluid, anthropomorphic shapes that pilgrims love. The spine and haunches of a massive stone beast, gazing at Kailas, are hailed as the Nandi bull, holy to Shiva; another rock has become the votive cake of Padmasambhava.
”
”
Colin Thubron (To a Mountain in Tibet)
“
Sleep is light in nomad camps. The body, exhausted by space, grows warm, stretches out straight, recalls the length of the trip. The paths of the mountain ridges run like shivers along the spine. The velvet meadows burden and tickle the eyelids. Bedsores of the ravines hollow out the sides. Sleep immures you, bricks you up. Last thought: have to ride around some ridge...
”
”
Osip Mandelstam (Journey to Armenia)
“
That ride was perhaps the most wonderful thing that happened to them in Narnia. Have you ever had a gallop on a horse? Think of that; and then take away the heavy noise of the hoofs and the jingle of the bit and imagine instead the almost noiseless padding of the great paws. Then imagine instead of the black or grey or chestnut back of the horse the soft roughness of golden fur, and the mane flying back in the wind. And then imagine you are going about twice as fast as the fastest racehorse. But this is a mount that doesn't need to be guided and never grows tired. He rushes on and on, never missing his footing, never hesitating, threading his way with perfect skill between tree trunks, jumping over bush and briar and the smaller streams, wading the larger, swimming the largest of all. And you are riding not on a road nor in a park nor even on the downs, but right across Narnia, in spring, down solemn avenues of beech and across sunny glades of oak, through wild orchards of snow-white cherry trees, past roaring waterfalls and mossy rocks and echoing caverns, up windy slopes alight with gorse bushes, and across the shoulders of heathery mountains and along giddy ridges and down, down, down again into wild valleys and out into acres of blue flowers.
”
”
C.S. Lewis (The Lion, the Witch and the Wardrobe (Chronicles of Narnia, #1))
“
I remember the smell of the pines and the sleeping on the mattresses of beech leaves in the woodcutters' huts and the skiing through the forest following the tracks of hares and of foxes. In the high mountains above the tree line I remember following the track of a fox until I came in sight of him and watching him stand with his right forefoot raised and then go carefully to stop and then pounce, and the whiteness and the clutter of a ptarmigan bursting out of the snow and flying away and over the ridge.
”
”
Ernest Hemingway (A Moveable Feast)
“
If there is something, though, if there is...well, I believe in the things I love...the feel of a good horse under me, the blue along those mountains over yonder, the firm, confident feel of a good gunbutt in my hand, the way the red gold of your hair looks against your throat.
The creak of a saddle in the hot sun and the long riding, the way you feel when you come to the top of a ridge and look down across miles and miles of land you have never seen, or maybe no man has ever seen. I believe in the pleasant sound of running water, the way the leaves turn red in the fall. I believe in the smell of autumn leaves burning, and the crackle of a burning log. Sort of sounds like it was chuckling over the memories of a time when it was a tree.
I like the sound of rain on a roof, and the look of a fire in a fireplace, and the embers of a campfire and coffee in the morning. I believe in the solid, hearty, healthy feel of a of a fist landing, the feel of a girl in my arms, warm and close. Those are the things that matter.
”
”
Louis L'Amour (Westward the Tide)
“
Relationships were built on small moments, not grand gestures. Since we started dating, we hiked the Blue Ridge Mountains, gone bungee jumping and skydiving in New Zealand, and dined at the finest restaurants, but we didn't need any of that to be happy. We just needed each other.
”
”
Ana Huang (Twisted Hate (Twisted, #3))
“
I cannot conceive of an enlightenment as a sustained state, static once achieved. But I have had moments of illumination as bright and flashing as fish. They arrive unannounced, without fanfare--say, stepping off the Sixth Avenue bus or walking the foothills of the Blue Ridge Mountains. The sky turns lavender in the evening. Is that divine? I know it is the beauty of the material world, that I feel it in my body, and that it means something to me--that my breath will catch in my throat, that it fades almost as soon as it arrives, that I will be stunned again at its sudden reappearance.
”
”
Sarah McColl (Joy Enough: A Memoir)
“
AFTER A MOMENT, the dragon dived below the ridge, and the scene faded. I turned. Halina had disappeared. Breathing hard, I sat in the window seat. The mountains must have been the Eskerns, which were in the south, dividing New Lakti, where we lived now, from Old Lakti, our former home. The dragon must have been one of the monsters in Old Lakti, where ogres, gryphons, and specters also lived. Were they coming here? “Halina, come back!” I squeezed my eyes shut and thought, shouting in my mind, Tell me what this means! Why did you show it to me? I opened my eyes. Dust motes slanted in from the windows. A
”
”
Gail Carson Levine (The Lost Kingdom of Bamarre (The Two Princesses of Bamarre, #0))
“
The true blessing of the mountains is not that they provide a challenge or a contest, something to be overcome and dominated (although this is how many people have approached them). It is that they offer something gentler and infinitely more powerful: they make us ready to credit marvels - whether it is the dark swirl which water makes beneath a plate of ice, or the feel of the soft pelts of moss which form on the lee sides of boulders and trees. Being in the mountains reignites our astonishment at the simplest transactions of the physical world: a snowflake a millionth of an ounce in weight falling on to one's outstretched palm, water patiently carving a runnel in a face of granite, the apparently motiveless shift of a stone in a scree-filled gully. Tu put a hand down and feel the ridges and score in a rock where a glaciers has passed, to hear how a hillside comes alive with moving water after a rain shower, to see late summer light filling miles of landscape like an inexhaustible liquid - none of these is a trivial experience. Mountains returns to us priceless capacity for wonder which can so insensibly be leached away by modern existence, and they urge us to apply that wonder to our own everyday lives.
”
”
Robert Macfarlane (Mountains of the Mind: A History of a Fascination)
“
The Country Sonnet
I stand beneath the southern sky,
Looking up at the heavenly bodies.
The twinkling stars know no color,
Then why we mortals beneath act so puny!
Country means heart, country means humility,
All that is pure is born in the country.
How could we poison its innocent soul,
By our savage escapades of bigotry!
It's high time we be the example of kindness,
For the streams of Mississippi carry acceptance.
Behold ye all blind with confederate pride,
Conscience rises above the Blue Ridge Mountains.
Let's resuscitate the country with love and passion.
We'll turn this land into a cradle of amalgamation.
”
”
Abhijit Naskar (Heart Force One: Need No Gun to Defend Society)
“
Hiding had been effortless in New York City. Getting lost in a sea of people was as easy as stepping onto a crowded Subway car. Sweet Laurel Cove would be very different. Generations of families filled its church pews, ran its farms, and schooled its children. Anonymity was as rare as lightning bugs in wintertime—as her grandmother would say.
”
”
Teresa Tysinger (Someplace Familiar (Laurel Cove Romance #1))
“
Time disappears, and it is just me and the mountain, and the wind. I have always been in this windstorm, I think, as I fight my way forward. And I will always be in this windstorm. Up ahead, on a ridge, is a single tree. Someday, I think, I am going to be reincarnated as that tree. As punishment for every choice I've ever made. Or as a reward.
”
”
Carrot Quinn (Thru-Hiking Will Break Your Heart: An Adventure on the Pacific Crest Trail)
“
Montenegro (1877)
THEY rose to where their sovereign eagle sails,
They kept their faith, their freedom, on the height,
Chaste, frugal, savage, arm'd by day and night
Against the Turk; whose inroad nowhere scales
Their headlong passes, but his footstep fails,
And red with blood the Crescent reels from fight
Before their dauntless hundreds, in prone flight
By thousands down the crags and thro' the vales.
O smallest among peoples! rough rock-throne
Of Freedom! warriors beating back the swarm
Of Turkish Islam for five hundred years,
Great Tsernogora! never since thine own
Black ridges drew the cloud and brake the storm
Has breathed a race of mightier mountaineers.
Alfred Lord Tennyson, 1880
”
”
Alfred Tennyson
“
The mountains sat firmly beside the shallow inlet. Their ridge was topped by two twin peaks called the Lions.
”
”
J. M. K. Walkow
“
My life began the day you walked into it” -Bryce.
”
”
Lilah Hart (Fighting for the Mountain Man (Rosewood Ridge Heroes, #5))
“
The gem cannot be polished without friction, nor man perfected without trials. —Dutch proverb inscribed on a fireplace stone, Grove Park Inn
”
”
Sarah Loudin Thomas (These Tangled Threads: (A Southern Historical Fiction Book Club Novel about Friendship and Secrets set in 1920s Blue Ridge Mountains))
“
In a hive the drones are just as important as the queen. There wouldn’t be honey without all of them working together.
”
”
Sarah Loudin Thomas (These Tangled Threads: (A Southern Historical Fiction Book Club Novel about Friendship and Secrets set in 1920s Blue Ridge Mountains))
“
It seems to me our gifts work together to get the job done, and that’s what matters.
”
”
Sarah Loudin Thomas (These Tangled Threads: (A Southern Historical Fiction Book Club Novel about Friendship and Secrets set in 1920s Blue Ridge Mountains))
“
What can poor mortals say about clouds?While a description of their huge glowing domes and ridges, shadowy gulfs and canyons, and feather-edged ravines is being tried, they vanish, leaving no visible ruins. Nevertheless, these fleeting sky mountains are as substantial and significant as the more lasting upheavals of granite beneath them. Both alike are built up and die, and in God's calendar difference of duration is nothing. We can only dream about them in wondering, worshiping admiration, happier than we dare tell even to friends who see farthest in sympathy, glad to know that not a crystal or vapor particle of them, hard or sot, is lost; that they sink and vanish only to rise again and again in higher and higher beauty.
”
”
John Muir (My First Summer in the Sierra)
“
Say you could view a time lapse film of our planet: what would you see?
Transparent images moving through light, “an infinite storm of beauty.”
The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back.
A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames.
Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues whose split second in the light was too brief an exposure to yield any image but the hunched shadowless figures of ghosts.
Slow it down more, come closer still. A dot appears, a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
Several shades of hazy blue hung over the landscape like a heavy tapestry, giving the Blue Ridge Mountains its name. I stopped at one of the scenic overlooks, switched off the bike, and sat in the absolute stillness of the mountains. Their silence was a soothing balm for my soul. The maternal rhythm of nature is a tonic that heals emotionally. I just wanted to sit still, breathe deeply, and match my heartbeat to that rhythm.
”
”
Debi Tolbert Duggar (Riding Soul-O)
“
The question rolled around in Vanessa’s mind as she drove down Main Street. The sleepy town of Hyattown had changed very little in twelve years. It was still tucked in the foothills of Maryland’s Blue Ridge Mountains, surrounded by rolling farmland and thick woods. Apple orchards and dairy cows encroached as close as the town limits, and here, inside those limits, there were no stoplights, no office buildings, no hum of traffic.
”
”
Nora Roberts (Unfinished Business)
“
The morning star Now rose on Ida's ridges, bringing day. Greeks had secured the city gates. No help Or hope of help existed. So I resigned myself, picked up my father, And turned my face toward the mountain range." 2.1041
”
”
Virgil (The Aeneid)
“
The mountains are so cold
not just now but every year
crowded ridges breathe in snow
sunless forests breathe out mist
nothing grows until Grain Ears
leaves fall before Autumn Begins
a lost traveler here
looks in vain for the sky
”
”
Hanshan (The Collected Songs of Cold Mountain (Mandarin Chinese and English Edition))
“
Finally, we entered Chetaube County, my imaginary birthplace, where the names of the little winding roads and minuscule mountain communities never failed to inspire me: Yardscrabble, Big Log, Upper, Middle and Lower Pigsty, Chicken Scratch, Cooterville, Felchville, Dust Rag, Dough Bag, Uranus Ridge, Big Bottom, Hooter Holler, Quickskillet, Buck Wallow, Possum Strut ... We always say a picture speaks a thousand words, but isn’t the opposite equally true?
”
”
Sol Luckman (Beginner's Luke (Beginner's Luke, #1))
“
When the mind prays,
it moves rocks.
When the heart prays,
it moves hills.
When the soul prays,
it moves mountains.
When the mind sees,
it moves pebbles.
When the heart believes,
it moves cliffs.
When the soul conceives,
it moves ridges.
When thoughts rise,
they move stones.
When desires ascend,
they move walls.
When experiences grow,
they move towers.
When hope increases,
it moves minds.
When faith increases,
it moves hearts.
When love increases,
it moves souls.
”
”
Matshona Dhliwayo
“
He stared out at the ridge that led to the mountains. “I was a linguist and a teacher in my youth, but it took a very long time for me to understand the power of words—designed to make lies sound truthful and murder respectable.” “George Orwell.
”
”
Craig Johnson (First Frost (Walt Longmire, #20))
“
The teens had gathered in an open clearing. Behind them, the banded lines of Avion Ridge formed a ragged edge between sky and ground, a rock wall looming above the trees. Ash shivered. The hikers stood in shadow here, the warmth of the day gone.
”
”
Danika Stone (Switchback)
“
I have now traveled so far south that I find myself come to a place where our common expression “white as snow” has no useful meaning. Here, one who wishes his words to make plain sense had better say “white as cotton.” I will not say that I find the landscape lovely. We go on through Nature to God, and my Northern eye misses the grandeur that eases that ascent. I yearn for mountains, or at least for the gentle ridges of Massachusetts; the sweet folds and furrows that offer the refreshment of a new vista as each gap or summit is obtained. Here all is obvious, a song upon a single note. One wakes and falls asleep to a green sameness, the sun like a pale egg yolk, peering down from a white sky.
And the river! Water as unlike our clear fast-flowing freshets as a fat broody hen to a hummingbird. Brown as treacle, wider than a harbor, this is water sans sparkle or shimmer. In places, it roils as if heated below by a hidden furnace. In others, it sucks the light down and gives back naught but an inscrutable sheen that conceals both depth and shallows. It is a mountebank, this river. It feigns a gentle lassitude, yet coiled beneath are currents that have crushed the trunks of mighty trees, and swept men to swift drownings…
”
”
Geraldine Brooks (March)
“
I remember the smell of the pines and the sleeping on the mattresses of beech leaves in the woodcutters’ huts and the skiing through the forest following the tracks of hares and of foxes. In the high mountains above the tree line I remember following the track of a fox until I came in sight of him and watching him stand with his forefoot raised and then go on carefully to stop and then pounce, and the whiteness and the clutter of a ptarmigan bursting out of the snow and flying away and over the ridge.
”
”
Ernest Hemingway (A Moveable Feast: The Restored Edition)
“
The sword of justice need flash but once in the darkness. The light that shone from its blade would tell the world that the dawn was not far off. But men knew that a single glint from a Japanese sword was like the pale blue of daybreak along a mountain ridge.
”
”
Yukio Mishima
“
I drifted on through the midst of this passionate music and motion, across many a glen, from ridge to ridge; often halting in the lee of a rock for shelter, or to gaze and listen. Even when the grand anthem had swelled to its highest pitch, I could distinctly hear the varying tones of individual trees [...] and even the infinitely gentle rustle of the withered grasses at my feet. Each was expressing itself in its own way, - singing its own song, and making its own peculiar gestures - manifesting a richness of variety to be found in no other forest I have yet seen.
”
”
John Muir (The Mountains of California)
“
LAUREL CANYON PERCHED DIRECTLY ABOVE LOS ANGELES, one of the most expensive collections of winding hills and valleys in the country. Luckily, there were roads that twisted up and down the tortured ridges, or the only things that would have been there were hippies, backpackers, prairie dogs, and the occasional mountain lion dining on the aforementioned hippies, backpackers, and prairie dogs. Unfortunately, because of those roads and the billion-dollar real estate, the most common life-forms were douche bags, plastic surgeons, fading film producers, and labradoodles.
”
”
Richard Kadrey (The Everything Box (Another Coop Heist, #1))
“
There’s a story my father used to tell about the peak. She was a grand old thing, a cathedral of a mountain. The range had other mountains, taller, more imposing, but Buck’s Peak was the most finely crafted. Its base spanned a mile, its dark form swelling out of the earth and rising into a flawless spire. From a distance, you could see the impression of a woman’s body on the mountain face: her legs formed of huge ravines, her hair a spray of pines fanning over the northern ridge. Her stance was commanding, one leg thrust forward in a powerful movement, more stride than step
”
”
Tara Westover (Educated)
“
Some friends and I once walked the ancient pilgrimage route of the Ōmine Yamabushi (mountain ascetics) in Nara prefecture from Yoshino to Kumano. In doing so we crossed the traditional center of the “Diamond-Realm Mandala” at the summit of Mt. Ōmine (close to six thousand feet) and four hiking days later descended to the center of the “Womb-Realm Mandala” at the Kumano (“Bear Field”) Shrine, deep in a valley. It was the late-June rainy season, flowery and misty. There were little stone shrines the whole distance — miles of ridges — to which we sincerely bowed each time we came on them.
”
”
Gary Snyder (The Practice of the Wild: Essays)
“
The teaching practice is a success, largely because Mr. Sturridge seems to like me, so much so as to offer me a permanent job there in the autumn term. He tells me that the kids like me too. I’m very flattered and I thank him for the compliment, but ask for some time to consider the offer. That evening I climb up to the top of Clough Head. On the crest of the high ridge I turn back and I can see my life spread out like the valley below me: growing old like Mr. Sturridge, a village teacher, gray-headed and stooped, with worn leather patches on the elbows of my jacket, going home each night to a stone cottage on the hillside with an older Megan standing in the garden, roses in a trellis around the front door, a wood fire in the hearth, my books and my music, idealized, peaceful, devoid of complexity or worry or the vanity of ambition. Whatever is comforting about this image of a possible future, however different it is from the harsh industrial landscape of my childhood, it holds me for no more than a moment and then it is gone. I know the answer I shall give the headmaster, and as the evening draws in I make my way at a brisker pace down the mountain to my digs in the village.
”
”
Sting (Broken Music: A Memoir)
“
and soon the mountains loomed ahead at the top of the ridge. He traversed it, picking his way toward them and the possibility of more caves and, hopefully, a place to hide while I healed enough to travel. Right now, we were losing time with every hour that passed that I was unable to move on my own.
”
”
Harper L. Woods (What Lies Beyond the Veil (Of Flesh & Bone, #1))
“
On the bus was an old lady from Boston, and when she learned what I was going to do, she was horrified and indignant about me going out into that awful wilderness alone....I tried to explain to her that I would be far more afraid to wander around Boston or New York alone than to hike over Trail Ridge.
”
”
Jacob Clifford Moomaw (Recollections of a Rocky Mountain Ranger)
“
Most of the world’s mountain ranges have been thrown up by the jostling and collision of the continental plates. Thus, for example, the Alps were created when the Adriatic Plate (which carries Italy on its back) was driven into the Eurasian Plate. The oldest mountains are those which are now the lowest, for erosion has had time to reduce them. The blunted, rubbed-down spine of the Urals, for instance, speaks of great age. So too do the rounded forms of the Scottish Cairngorms. Perhaps surprisingly, among the youngest mountains on earth are the Himalaya, which began to form only 65 million years ago, when the Indian Plate motored northwards and smashed slowly into the Eurasian Plate – ducking underneath it and then butting it five-and-a-half miles upwards into the air. Compared to the earth’s venerable ranges, the Himalaya are adolescents, with sharp, punkish ridges instead of the bald and worn-down pates of older ranges.
”
”
Robert Macfarlane (Mountains of the Mind: A History of a Fascination (Landscapes))
“
Evenings were peaceful, smoke settling in the quiet air to soften the dusk, lights twinkling on the ridge we would camp on tomorrow, clouds dimming the outline of our pass for the day after. Growing excitement lured my thoughts again and again to the West Ridge….
There was loneliness, too, as the sun set, but only rarely now did doubts return. Then I felt sinkingly as if my whole life lay behind me. Once on the mountain I knew (or trusted) that this would give way to total absorption with the task at hand. But at times I wondered if I had not come a long way only to find what I really sought was something I had left behind.
”
”
Thomas F. Hornbein
“
There in the highlands, clear weather held for much of the time. The air lacked its usual haze, and the view stretched on and on across rows of blue mountains, each paler than the last until the final ranks were indistinguishable from the sky. It was as if all the world might be composed of nothing but valley and ridge.
”
”
Charles Frazier (Cold Mountain)
“
Say you could view a time-lapse film of our planet: what would you see? Transparent images moving through light, “an infinite storm of beauty.”
The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth’s face through only random patches of clarity. The land shudders and splits, like pack ice rent by a widening lead. Mountains burst up, jutting and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up-mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back.
A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too swift and intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash frames.
Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and then crumble, like patches of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cities appear, and rivers sift silt onto their rooftops; more cities emerge and spread in lobes like lichen on rock. The great human figures of history, those intricate, spirited tissues that roamed the earth’s surface, are a wavering blur whose split second in the light was too brief an exposure to yield any images. The great herds of caribou pour into the valleys and trickle back, and pour, a brown fluid.
Slow it down more, come closer still. A dot appears, like a flesh-flake. It swells like a balloon; it moves, circles, slows, and vanishes. This is your life.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
On every side lay ridges covered with blue-green fir trees; above them rose the horny backbones of mountains. The sky was very low; purplish lead-coloured clouds let down curtains of mist into the valleys between the pine ridges. There was not a glimmer of white light in the dark vapours working overhead—rather, they took on the cold green of the evergreens.
”
”
Willa Cather (Death Comes for the Archbishop)
“
FOR YEARS I have carried in my head a thought tossed out
by Aldo Leopold. In the early 20th century, he worked for
the U.S. Forest Service in Eastern Arizona, and he killed a
wolf to protect the cattle and increase the deer. He went
on to become a pioneer in wildlife management and a leading conservationist.
He wrote an essay about that killing. He’d decided
that when he’d pulled the trigger and helped remove the wolf from
the Southwest, he’d made the mountain a lesser place. He said we
had to learn to think like a mountain.
I stare into the gate of rock framing the entrance to Pima Canyon.
The mesquite leaves hang listless in the heat. Underfoot, a broken
field of granite spreads out. Past that stone gate, the freedom
of the Pusch Ridge Wilderness begins. The place feels wanting
without bighorns watching me. I can’t prove this. But I’ve known
it since I was a boy.
That’s why we look at the mountains and crave to be near them.
Maybe we can’t think like a mountain. But we can do better than
we have. We can bring the bighorns back where they belong.
Counting sheep, An Essay by
”
”
Charles Bowden
“
..did i think i was god that i had to lie and take it did i think then i was a mountain or a hill or a ridge and who told me that and who decided stones had no rights for stones can waste away from being denied from being abused and who decided who is the ploughed and who ploughs and why did i not get up and why not go away and what would have happened if i had resisted..
”
”
Marlene van Niekerk (Agaat: A Novel)
“
… everything was fresh, green and particularly beautiful. Afternoon light, filtering between remnants of monsoon clouds, picked out gullies and spot-lit patches of forest and scrub on the convoluted ridges of the rim of the Kathmandu Valley. Or, after a rainstorm, wisps of clouds clung to the trees as if scared to let go. Behind, himals peeked out shyly between the clouds.
”
”
Jane Wilson-Howarth (A Glimpse of Eternal Snows: A Journey of Love and Loss in the Himalayas)
“
A curiosity . . . no, a need for a different kind of communion. One with people not of the mountain, but rather the outsiders of the Ridge. She couldn’t explain the call of Angel Ridge. Women before her, like her mother, had experienced the same longing, had tried to assimilate with the people below the mountain and had been cruelly rejected, returning to the mountain to live a singular existence.
”
”
Deborah Grace Staley (What The Heart Wants (Angel Ridge, #3))
“
Back then I took up flying with the sense of coming to something I had been meant to do all my life. Many people who fly feel this way and I think it has more to do with some kind of treetop or clifftop gene than with any sense of unbounded freedom or metaphors of the soaring spirit. The way the earth below resolves. The way the landscape falls into place around the drainages, the capillaries and arteries of falling water: mountain slopes bunched and wrinkled, wringing themselves into the furrows of couloir and creek , draw and chasm, the low places defining the spurs and ridges and foothills the way creases define the planes of a face, lower down the canyon cuts, and then the swales and valleys of the lowest slopes, the sinuous rivers and the dry beds where water used to run seeming to hold the hills the waves of the high plains all together and not the other way around… but what I loved the most from the first training flight was the neatness, the sense of everything in its place. The farms in their squared sections, the quartering county roads oriented to the cardinal compass points, the round bales and scattered cattle and horses as perfect in their patterns as sprays of stars and holding the same ruddy sun on their flanks…the immortal stillness of a landscape painting.
”
”
Peter Heller (The Dog Stars)
“
People think Baja California is the desert, and the desert is one single, flat, lonely space. Baja California is mountain ridges, clouds of fog spreading over the land, the salt fields, the shocking sight of a valley shaded by date palms, the orchards where olives grow, the stone missions with sun-dried adobe bricks left to crumble into dust, ancient caves decorated with two-headed serpents, —and yes, the desert dotted with cacti.
”
”
Silvia Moreno-Garcia (Untamed Shore)
“
This was an airy and unplastered cabin, fit to entertain a travelling god, and where a goddess might trail her garments. The winds which passed over my dwelling were such as sweep over the ridges of mountains, bearing the broken strains, or celestial parts only, of terrestrial music. The morning wind forever blows, the poem of creation is uninterrupted; but few are the ears that hear it. Olympus is but the outside of the earth every where.
”
”
Henry David Thoreau
“
Innocence is not the prerogative of infants and puppies, and far less of mountains and fixed stars, which have no prerogatives at all. It is not lost to us; the world is a better place than that. Like any other of the spirit’s good gifts, it is there if you want it, free for the asking, as has been stressed by stronger words than mine. It is possible to pursue innocence as hounds pursue hares; singlemindledly, driven by a kind of love, crashing over creeks, keening and lost in fields and forests, circling, vaulting over hedges and hills wide-eyed, giving loud tongue all unawares to the deepest, most incomprehensible longing, a root-flame in the heart, and that warbling chorus resounding back from the mountains, hurling itself from ridge to ridge over the valley, now faint, now clear ringing the air through which the hounds tear, open-mouthed, the echoes of their own wails dimly knocking in their lungs.
What I call innocence is the spirit’s unselfconscious state at any moment of pure devotion to any object.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
When at last she did see “big mountains”, far away on the horizon but nevertheless appearing to shut off the rest of the world by their immense height, a true “buzzle” or youthful thrill ran down her spine. There at last were their snowy ridges and peaks, unseen by her for twenty-odd years but unchanged—the Giants of the Oberland, and she leant far out of the window to gaze at them, while the soft warm wind of Switzerland’s lowlands blew her curls across her eyes, and vague half-forgotten longings swept into her soul.
”
”
Stella Gibbons (The Swiss Summer)
“
La tierra del Encanto
Clouds build on the northern ridge
Where the shades of night grow pale
And there comes a rain like smoke.
The mountains loom and recede. And
Below, the umber plain is a pitted hide.
There the distance of time runs out.
And the mind extends beyond itself.
I have seen in the twist of wind
The landscape severed and heard
The edged cries of streaming hawks
First light is a tapestry on canyon walls,
And shadows are pools of illusions.
I am a man of the ancient earth
For I have know the desert at dawn
”
”
N. Scott Momaday (The Death of Sitting Bear: New and Selected Poems)
“
For my part, I have found that, when I wish to write a book on some subject, I must first soak myself in detail, until all the separate parts of the subject-matter are familiar; then, some day, if I am fortunate, I perceive the whole, with all its parts duly interrelated. After that, I only have to write down what I have seen. The nearest analogy is first walking all over a mountain in a mist, until every path and ridge and valley is separately familiar, and then, from a distance, seeing the mountain whole and clear in bright sunshine.
”
”
Bertrand Russell (A History of Western Philosophy)
“
We feel the life and motion about us, and the universal beauty: the tides marching back and forth with weariless industry, laving the beautiful shores, and swaying the purple dulse of the broad meadows of the sea where the fishes are fed, the wild streams in rows white with waterfalls, ever in bloom and ever in song, spreading their branches over a thousand mountains; the vast forests feeding on the drenching sunbeams, every cell in a whirl of enjoyment; misty flocks of insects stirring all the air, the wild sheep and goats on the grassy ridges above the woods, bears in the berry-tangles, mink and beaver and otter far back on many a river and lake; Indians and adventurers pursuing their lonely ways; birds tending to their young—everywhere, everywhere, beauty and life, and glad, rejoicing action. In this moment, he was experiencing what the Stoics would call sympatheia—a connectedness with the cosmos. The French philosopher Pierre Hadot has referred to it as the “oceanic feeling.” A sense of belonging to something larger, of realizing that “human things are an infinitesimal point in the immensity.
”
”
Ryan Holiday (Ego Is the Enemy)
“
A valley that had some of the characteristics of a canyon yawned beneath, so deep and wide that it appeared like a blue lake, so long that he could only see the north end, which notched under a rugged mountain slope, green and black and golden and white according to the successive steps toward the heights. The height upon which he stood was the last of the ridges, for the elevation that lay directly across was a noble range of foothills, timbered, canyoned, apparently insurmountable for horses. Gray cliffs stood out of the green, crags of yellow rock mounted like castles.
”
”
Zane Grey (Valley of Wild Horses)
“
The real writer, the fellow who sends planets spinning and models a man asleep and eagerly tampers with the sleeper's rib, that kind of author has no given values at his disposal: he must create them himself. The art of writing is a very futile business if it does not imply first of all the art of seeing the world as the potentiality of fiction. The material of this world may be real enough (as far as reality goes) but it does not exist at all as an accepted entirety: it is chaos, and to this chaos the author says "go!" allowing the world to flicker and to fuse. It is now recombined in its very atoms, not merely in its visible and superficial parts. The writer is the first man to map it and to name the natural objects it contains. Those berries are edible. That speckled creature that bolted across my path might be tamed. That lake between those trees will be called Lake Opal or, more artistically, Dishwater Lake. That mist is a mountain--and that mountain must be conquered. Up a trackless slope climbs the master artist, and at the top, on a windy ridge, whom do you think he meets? The panting and happy reader, and there they spontaneously embrace and are linked forever if the book lasts forever.
”
”
Vladimir Nabokov
“
Today, the tempter does not lead the creative man to a high mountain to show him all the kingdoms and splendor of the world, as Satan did to Jesus. Instead, he tempts him through infinity—to lose himself in the unessential, to roam about in the great confusion in which all human clarity and definiteness has ceased. Thus, the threat of infinity that Buber experienced as a fourteen-year-old now takes on new form—the form of formlessness, of the whirl of unmastered possibilities that every young person who goes out into the world experiences, but that Buber himself experienced to an overwhelming degree.
”
”
Maurice S. Friedman (Encounter on the Narrow Ridge: A Life of Martin Buber)
“
Trazyn had travelled the galaxy for so long he’d forgotten what year he’d started. Collecting. Studying. Ordering the cultures of the cosmos.
And one thing he’d learned was that every society thought their mountain was special. That it was more sacred than the mountain worshipped by their neighbouring tribe. That it was the one true axis of the universe.
Even when informed that their sacred ridge was merely the random connection of tectonic plates, or their blessed sword a very old but relatively common alien relic – a revelation they universally did not appreciate, he found – they clung to their stories.
”
”
Robert Rath, The Infinite and The Divine
“
Growing up where she did, Beatrix had developed a romantic and adventurous nature, and she had no outlet for it any more. The happiest times I can remember spending with them were when we drove out - twice, I think - to the Long Mynd for a picnic. Roger had long since traded in his motorbike and scraped together enough money to buy a second-hand Morris Minor. Somehow we all squeezed into this (I seem to recall sitting in the front passenger seat, Beatrix sitting behind me with the baby on her lap) and drove out for the afternoon to those wonderful Shropshire hills. I wonder if you have ever walked on them yourself, Imogen. They are part of your story, you know. So many things have changed, changed beyond recognition, in the almost sixty years since the time I'm now recalling, but the Long Mynd is not one of them. In the last few months I have been too ill to walk there, but I did manage to visit in the last spring, to offer what I already sensed would be my final farewells. Places like this are important to me - to all of us - because they exist outside the normal timespan. You can stand on the backbone of the Long Mynd and not know if you are in the 1940s, the 2000s, the tenth or eleventh century... It is all immaterial, all irrelevant. The gorse and the purple heather are unchanging, and so are the sheeptracks which cut through them and criss-cross them, the twisted rocky outcrops which surprise you at every turn, the warm browns of the bracken, the distant greys of the conifer plantations, tucked far away down in secretive valleys. You cannot put a price on the sense of freedom and timelessness that is granted to you there, as you stand on the high ridge beneath a flawless sky of April blue and look across at the tame beauties of the English countryside, to the east, and to the west a hint of something stranger - the beginnings of the Welsh mountains
”
”
Jonathan Coe (The Rain Before it Falls)
“
They stood there, lined up along the wall, gazing at the wonder of a sunset that blazed across the heavens. Where the sun was sinking, the skies ran with molten crimson that spread above the mountains like watercolor, changing to orange and pink, lavender and gold. A cool fire of platinum rimmed the profile of Gabriel Mountain and the dark, swelling ridges on either side.
He put one arm around Dooley's shoulders and the other around Cynthia's waist. The fullness of his heart was inexpressible.
All is safely gathered in . . .
He knew it could not always be this way. . . No, nothing ever remained the same. If he had learned anything in life, he had learned that such moments were fragile beyond knowing.
Ere the winter storms begin . . .
”
”
Jan Karon (These High, Green Hills (Mitford Years, #3))
“
Chapter One: The Dawn and the Dread
Heartbeat, heartbeat comes from Valhallan way,
To meet down in judgment, to ply its trade.
Two →swords← to join in worthy cross,
Actions to be rendered, one to be lost.
She did come now from ’yond northern slope,
A day of reckoning did she again once hope.
A devout meeting was her qwesterly bane,
To stay her hand was to go insane.
St. Kari of the Blade to meet her past,
A wicked enemy, peerless of match.
Rode Kari she her charger on down,
Past the Dead Land where Gaul sat crowned.
A killing job, yea, she desired to lastly kill,
To set things right so her heart might lie still.
Upon the mist and roaring plain,
She entered in, a soul uncontained.
A fierce wind in deed, and forever freed,
Enemies she annihilhates (’tis hur’ creed).
Her own advanced guard of a sort,
Multitudes to follow in her report.
Know this Valkyrie from on cold,
An ancient maiden soft and bold.
A warrior spirit from Ages past,
A fragmented mind like broken glass.
Solid in stature this eternal framed being,
Yet crippled within from internaled bleedings.
A sword saint so refined in the poetic art,
A noble character yet with a banshee’s heart.
Rhythmed horse now to the beats,
Kari emboldened amid the sleet.
Beyond the mountain she does come,
Unto southern fields wherein rules hot sun.
Far from that murderous Deadlands ground,
The land up swells; the dead still abound.
Traverses she those bygones of leprous civilizations
Those cities crumbled by the exhalted of oblivions.
Stark traces etched now bare in the land,
That are no more again, save dust in the hand.
A cool stream now in desert sans
(Does more good when one is damned).
Stopped she her mount to admire the flow,
A lovely stream with skeletons packed below.
Blue air whisps; dragon flied motion.
Flintsteel striking!!! Sparked of commotion.
Cold water chortles rushtish with tint,
Told of past carnage, it whetted her glint.
Fallen warriors, they are no more,
Swirls and eddies mark their discord.
Gurgled shouts slung and gathered,
Faces glazed while steel lathered.
Refreshing though it was to her mouth,
She smelled an air; she flared about.
Came up that ridge of loud, sanded hill,
Below a man and his half-score of kills.
Kari’s eyes waxed in smug contempt,
Possibilities ran deep with no repent . . .
On Kari, Valkyrie, Cold Steel Eternity Vol. II
”
”
Douglas M. Laurent
“
Chace's voice was thick, hoarse when he asked, "More?"
"Yes," I breathed then, "You."
"What?"
"What do I do for you?"
I felt his neck bend and in my ear he asked, "You trust me?"
"Absolutely," I whispered my answer instantly.
"Christ, baby," he whispered back then, "Follow me."
I didn't know what he meant until his hand moved out of my nightie. It found my arm, pulled it from around him, slid down and took my hand. Then he moved my hand to his side, in, over his ribs, across the ridges of his belly and down. I held my breath. Chace felt it and I knew this when he murmured, "Breathe, baby." I breathed. He slid my hand down, down, down and in. I felt the crisp hair. I turned my head, pressed my lips to his neck then he took my hand down and his fingers wrapped mine around his hard cock. Oh God, I liked that.
”
”
Kristen Ashley (Breathe (Colorado Mountain, #4))
“
Ascent To The Sierras
poet Robinson Jeffers #140 on top 500 poets Poet's PagePoemsCommentsStatsE-BooksBiographyQuotationsShare on FacebookShare on Twitter
Poems by Robinson Jeffers : 8 / 140 « prev. poem next poem »
Ascent To The Sierras
Beyond the great valley an odd instinctive rising
Begins to possess the ground, the flatness gathers
to little humps and
barrows, low aimless ridges,
A sudden violence of rock crowns them. The crowded
orchards end, they
have come to a stone knife;
The farms are finished; the sudden foot of the
slerra. Hill over hill,
snow-ridge beyond mountain gather
The blue air of their height about them.
Here at the foot of the pass
The fierce clans of the mountain you'd think for
thousands of years,
Men with harsh mouths and eyes like the eagles' hunger,
Have gathered among these rocks at the dead hour
Of the morning star and the stars waning
To raid the plain and at moonrise returning driven
Their scared booty to the highlands, the tossing horns
And glazed eyes in the light of torches. The men have
looked back
Standing above these rock-heads to bark laughter
At the burning granaries and the farms and the town
That sow the dark flat land with terrible rubies...
lighting the dead...
It is not true: from this land
The curse was lifted; the highlands have kept peace
with the valleys; no
blood in the sod; there is no old sword
Keeping grim rust, no primal sorrow. The people are
all one people, their
homes never knew harrying;
The tribes before them were acorn-eaters, harmless
as deer. Oh, fortunate
earth; you must find someone
To make you bitter music; how else will you take bonds
of the future,
against the wolf in men's hearts?
”
”
Robinson Jeffers
“
The eight-man expedition was pinned down in a ferocious blizzard high on K2, waiting to make an assault on the summit, when a team member named Art Gilkey developed thrombophlebitis, a life-threatening altitude-induced blood clot. Realising that they would have to get Gilkey down immediately to have any hope of saving him, Schoening and the others started lowering him down the mountain's steep Abruzzi Ridge as the storm raged. At 25,000 feet, a climber named George Bell slipped and pulled four others off with him. Reflexively wrapping the rope around his shoulders and ice ax, Schoening somehow managed to single-handedly hold on to Gilkey and simultaneously arrest the slide of the five falling climbers without being pulled off the mountain himself. One of the more incredible feats in the annals of mountaineering, it was known forever after simply as The Belay.
”
”
Jon Krakauer (Into Thin Air: A Personal Account of the Mt. Everest Disaster)
“
Steep black-cindered slope, with its soft gray patches of grass, sheered down and down, and out in rolling slope to merge upon a cedar-dotted level. Nothing moved below, but a red-tailed hawk sailed across her vision. How still-how gray the desert floor as it reached away, losing its black dots, and gaining bronze spots of stone! By plain and prairie it fell away, each inch of gray in her sight magnifying into its league-long roll, On and on, and down across dark lines that were steppes, and at last blocked and changed by the meandering green thread which was the verdure of a desert river. Beyond stretched the white sand, where whirlwinds of dust sent aloft their funnel-shaped spouts; and it led up to the horizon-wide ribs and ridges of red and walls of yellow and mountains of black, to the dim mound of purple so ethereal and mystic against the deep-blue cloud-curtained band of sky.
”
”
Zane Grey (The Call Of The Canyon)
“
Ten days later, when the Spokane International was running again, Grainier rode it up into Creston, B.C., and back south again the evening of the same day through the valley that had been his home. The blaze had climbed to the ridges either side of the valley and stalled halfway down the other side of the mountains, according to the reports Grainier had listened to intently. It had gutted the valley along its entire length like a campfire in a ditch. All his life Robert Grainier would remember vividly the burned valley at sundown, the most dream-like business he'd ever witnessed waking-the brilliant pastels of the last light overhead, some clouds high and white, catching daylight from beyond the valley, others ribbed and gray and pink, the lowest of them rubbing the peaks of Bussard and Queen mountains; and beneath this wondrous sky the black valley, utterly still, the train moving through it making a great noise but unable to wake this dead world.
”
”
Denis Johnson (Train Dreams)
“
In 1996 the disasters on the mountain had robbed Neil of the chance to go above camp four. Two years on he was here again--only this time the summit was within his reach.
He felt strong and waited anxiously for Mick to arrive. They would need to be together to manage the last ridge and the Hillary Step.
Something told Neil that things were not going right.
As the precious minutes slipped by, as he waited for Mick and the others to reach him, he sensed that the dream that had eluded him once was going to do so again.
Somewhere along the way, there had been a misunderstanding between the climbers over who had what rope. It happens at high altitude. It is a simple mistake.
But mistakes have consequences.
Suddenly, here, at four hundred feet beneath the summit of Mount Everest, it dawned on them all that they had run out of rope. They would have no choice now but to retreat. Continuing was not even an option.
Neil stared through his goggles at the summit: so close, yet so very far. All he felt was emptiness.
He turned and never looked back.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
I set my coffee beside me on the curb; I smell loam on the wind; I pat the puppy; I watch the mountain. My hand works automatically over the puppy’s fur, following the line of hair under his ears, down his neck, inside his forelegs, along his hot-skinned belly. Shadows lope along the mountain’s rumpled flanks; they elongate like root tips, like lobes of spilling water, faster and faster. A warm purple pigment pools in each ruck and tuck of the rock; it deepens and spreads, boring crevasses, canyons. As the purple vaults and slides, it tricks out the unleafed forest and rumpled rock in gilt, in shape-shifting patches of glow. These gold lights veer and retract, shatter and glide in a series of dazzling splashes, shrinking, leaking, exploding. The ridge’s bosses and hummocks sprout bulging from its side; the whole mountain looms miles closer; the light warms and reddens; the bare forest folds and pleats itself like living protoplasm before my eyes, like a running chart, a wildly scrawling oscillograph on the present moment. The air cools; the puppy’s skin is hot. I am more alive than all the world.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
each adult would, at a time chosen by the wind, go out and walk the ice alone. The aim of such journeying was to find the kyzat, the perfect place, a spot that on all the ice had been ordained by the Gods in the Sky and in the Sea for that individual alone as the place where all the elements of their life find meaning, giving a vision of such clarity that the air itself becomes ice and the wisdom of Sky and Sea finds a place in the seeker’s heart, allowing them to endure the hardships of the years ahead. Quell had admitted to Yaz in a private moment that his own journey to find his kyzat, a walk that had lasted four days, had brought him to an ice spike at the juncture of three pressure ridges. Here he was visited by the epiphany that, having run out of his allotted ration of angel-fish, if he did not turn back he would lose first his toes then his fingers to the wind. Yaz had wondered if that wasn’t the wisdom that the ritual was designed to impart. That there is nothing but ice and more ice, and that if you are too stubborn to admit it and turn back, you will die and your malcontent will no longer burden your clan.
”
”
Mark Lawrence (The Girl and the Mountain (Book of the Ice, #2))
“
Self-consciousness is the curse of the city and all that sophistication implies. It is the glimpse of oneself in a storefront window, the unbidden awareness of reactions on the faces of other people- the novelist’s world, not the poet’s. I’ve lived there. I remember what the city has to offer; human companionship, major league baseball, and a clatter of quickening stimulus like a rush from strong drugs that leaves you drained. I remember how you bide your time in the city, and think, if you stop to think, “next year, I’ll start living…next year I’ll start my life.” Innocence is a better world.
Innocence sees that this is it, and finds it world enough, and time. Innocence is not the prerogative of infants and puppies, and far less of mountains and fixed stars, which have no prerogatives at all. It is not lost to us; the world is a better place than that. Like any other of the spirit’s good gifts, it is there if you want it, free for the asking, as has been stressed by stronger words than mine. It is possible to pursue innocence as hounds pursue hares; singlemindledly, driven by a kind of love, crashing over creeks, keening and lost in fields and forests, circling, vaulting over hedges and hills wide-eyed, giving loud tongue all unawares to the deepest, most incomprehensible longing, a root-flame in the heart, and that warbling chorus resounding back from the mountains, hurling itself from ridge to ridge over the valley, now faint, now clear ringing the air through which the hounds tear, open-mouthed, the echoes of their own wails dimly knocking in their lungs.
What I call innocence is the spirit’s unselfconscious state at any moment of pure devotion to any object. It is at once a receptiveness and total concentration. One needn’t be, shouldn’t be reduced to a puppy. If you wish to tell me that the city offers galleries, I’ll pour you a drink and enjoy your company while it lasts; but I’ll bear with me to my grave those pure moments at the Tate (was it the Tate?) where I stood planted, open-mouthed, born, before that one particular canvas, that river, up to my neck, gasping, lost, receding into watercolor depth and depth to the vanishing point, buoyant, awed, and had to be literally hauled away. These are our few live seasons. Let us live them as purely as we can, in the present.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
Abel joined hands with Rylie, drawing her into the pack as the energy of the moon swept over them. The huge, silvery sphere hung over the ridges of the mountains, turning the trees into blue shadows and making the waterfall sparkle. “Ready?” Abel asked. Rylie tilted her face toward the moon, drinking in its rays, spreading her energy through the pack. “Yes,” she whispered. She allowed all of her wolves to change at once, drawing their pain away so that they could shift effortlessly into their second skins. Fur blossomed like flowers facing the sun. They were a dozen different shades of gray and brown and gold—huge, beautiful beasts that Rylie could never see as monsters. Rylie and Abel changed last. He was black, and she was gold. Together, they were the sun and the night, yin and yang. She was afraid to face her mother, afraid to see Jessica’s reaction. But she wasn’t going to try to hide from her mom anymore. Rylie turned to her proudly—Alpha of the pack. Jessica’s hands covered her mouth, eyes filled with tears. “You’re beautiful,” she said. Rylie’s heart swelled. Abel rammed his face into hers, as if to say, I told you so. The pack ran into the night, and Rylie was home.
”
”
S.M. Reine (Alpha Moon (Seasons of the Moon: Cain Chronicles, #7))
“
It was an amazing experience,” I said. “By remembering the love I felt I was able to open up. I sat up there all day simmering in it. I didn’t reach the state I experienced on the ridge but I got close.” Sanchez looked more serious. “The role of love has been misunderstood for a long time. Love is not something we should do to be good or to make the world a better place out of some abstract moral responsibility, or because we should give up our hedonism. Connecting with energy feels like excitement, then euphoria, and then love. Finding enough energy to maintain that state of love certainly helps the world, but it most directly helps us. It is the most hedonistic thing we can do.” I agreed, then noticed he had moved his chair back several more feet and was looking at me intensely, his eyes unfocused. “So what does my field look like,” I asked. “It is much larger,” he said. “I think you feel very good.” “I do.” “Good. That is what we do here.” “Tell me about that,” I said. “We train priests to go farther into the mountains and work with the Indians. It is a lonely job and the priests must have great strength. All of the men here have been screened thoroughly and all have one thing in common: each has had one experience he calls mystical. “I have been studying this kind of experience for many years,” he continued, “even before the Manuscript was found, and I believe that when one has already encountered a mystical experience, getting back into this state and raising one’s personal energy level comes much easier. Others can also connect but it takes longer. A strong memory of the experience, as I think you learned, facilitates its re-creation. After that, one slowly builds back.” “What does a person’s energy field look like when this is happening?” “It grows outward and changes color slightly.” “What color?” “Normally from a dull white toward green and blue. But the most important thing is that it expands. For instance, during your mystical encounter on the ridge top, your energy flashed outward into the whole universe. Essentially you connected and drew energy from the entire cosmos and in turn your energy swelled to encompass everything, everywhere. Can you remember how that felt?” “Yeah,” I said. “I felt as though the entire universe was my body and I was just the head, or perhaps more accurately, the eyes.” “Yes,” he said, “and at that moment, your energy field and that of the universe were the same. The universe was your body.
”
”
James Redfield (The Celestine Prophecy (Celestine Prophecy, #1))
“
At the end of the ridge we leaned on our ice axes and looked up.
Above us was the legendary Hillary Step, the forty-foot ice wall that formed one of the mountain’s most formidable hurdles.
Cowering from the wind, I tried to make out a route up it.
This ice face was to be our final and hardest test. The outcome would determine whether we would join those few who have touched that hallowed ground above.
If so, I would become only the thirty-first British climber ever to have done this.
The ranks were small.
I started up cautiously. It was a long way to come to fall here.
Points in. Ice axe in. Test them. Then move.
It was slow progress, but it was progress. And steadily I moved up the ice.
I had climbed steep pitches like this so many times before, but never twenty-nine thousand feet up in the sky. At this height, in this rarefied thin air, and with 40 mph of wind trying to blow us off the ice, I was struggling. Again.
I stopped and tried to steady myself.
Then I made that old familiar mistake--I looked down.
Beneath me, either side of the ridge, the mountain dropped away into abysses.
Idiot, Bear.
I tried to refocus on only what was in front of me and above.
Up. Keep moving up.
So I kept climbing.
It was the climb of my life, and nothing was going to stop me.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Tito looked eagerly toward the dark crest of the mountain, behind which the sky pulsed in the morning light. Now a fragment of the rocky ridge flashed violently like a glowing metal beginning to melt. The crest blurred and seemed suddenly lower, as if it were melting down, and from the fiery gap the dazzling sun appeared. Simultaneously, the ground, the house, and their shore of the lake were illuminated, and the two, standing in the strong radiance, instantly felt the delightful warmth of this light. The boy, filled with the solemn beauty of the moment and the glorious sensation of his youth and strength, stretched his limbs with rhythmic arm movements, which his whole body soon took up, celebrating the break of day in an enthusiastic dance and expressing his deep oneness with the surging, radiant elements. His steps flew in joyous homage toward the victorious sun and reverently retreated from it; his outspread arms embraced mountain, lake, and sky; kneeling, he seemed to pay tribute to the earth mother, and extending his hands, to the waters of the lake; he offered himself, his youth, his freedom, his burning sense of is own life, like a festive sacrifice to the powers. The sunlight gleamed on his tanned shoulders; his eyes were half-closed to the dazzle; his young face stared masklike with an expression of inspired, almost fanatical gravity.
”
”
Hermann Hesse (The Glass Bead Game)
“
The silence awed me. I no longer suffered. My friends attended to me in silence. The job was finished, and my conscience was clear. Gathering together the last shreds of energy, in one last long prayer, I implored death to come and deliver me. I had lost the will to live, and I was giving up—the ultimate humiliation for a man, who, up till then, had always taken a pride in himself. This was no time for questions nor for regrets. I looked death straight in the face, besought it with all my strength. Then abruptly I had a vision of the life of men. Those who are leaving it for ever are never alone. Resting against the mountain, which was watching over me, I discovered horizons I had never seen. There at my feet, on those vast plains, millions of beings were following a destiny they had not chosen. There is a supernatural power in those close to death. Strange intuitions identify one with the whole world. The mountain spoke with the wind as it whistled over the ridges or ruffled the foliage. All would end well. I should remain there, forever, beneath a few stones and a cross. They had given me my ice-axe. The breeze was gentle and sweetly scented. My friends departed, knowing that I was now safe. I watched them go their way with slow, sad steps. The procession withdrew along the narrow path. They would regain the plains and the wide horizons. For me, silence.
”
”
Maurice Herzog (Annapurna: The First Conquest of an 8,000-Meter Peak)
“
We always speak of Canada as a new country. In one sense, of course, this is true. The settlement of Europeans on Canadian soil dates back only three hundred years. Civilization in Canada is but a thing of yesterday, and its written history, when placed beside the long millenniums of the recorded annals of European and Eastern peoples, seems but a little span. But there is another sense in which the Dominion of Canada, or at least part of it, is perhaps the oldest country in the world. According to the Nebular Theory the whole of our planet was once a fiery molten mass gradually cooling and hardening itself into the globe we know. On its surface moved and swayed a liquid sea glowing with such a terrific heat that we can form no real idea of its intensity. As the mass cooled, vast layers of vapour, great beds of cloud, miles and miles in thickness, were formed and hung over the face of the globe, obscuring from its darkened surface the piercing beams of the sun. Slowly the earth cooled, until great masses of solid matter, rock as we call it, still penetrated with intense heat, rose to the surface of the boiling sea. Forces of inconceivable magnitude moved through the mass. The outer surface of the globe as it cooled ripped and shrivelled like a withering orange. Great ridges, the mountain chains of to-day, were furrowed on its skin. Here in the darkness of the prehistoric night there arose as the oldest part of the surface of the earth the great rock bed that lies in a huge crescent round the shores of Hudson Bay, from Labrador to the unknown wilderness of the barren lands of the Coppermine
”
”
Stephen Leacock (The Dawn of Canadian History : A Chronicle of Aboriginal Canada)
“
Breathe. Pause. Move. Pause. Breathe. Pause. Move. Pause.
It is unending.
I heave myself over the final lip and strain to pull myself clear of the edge.
I clear the deep powder snow from in front of my face. I lie there hyperventilating.
Then I clear my mask of the ice that my breath has formed in the freezing air.
I unclip off the rope while still crouching. The line is now clear for Neil to follow up.
I get to my feet and start staggering onward.
I can see this distant cluster of prayer flags semisubmerged in the snow. Gently flapping in the wind, I know that these flags mark the true summit--the place of dreams.
I feel this sudden surge of energy beginning to rise within me.
It is adrenaline coursing around my veins and muscles.
I have never felt so strong--and yet so weak--all at the same time.
Intermittent waves of adrenaline and fatigue come and go as my body struggles to sustain the intensity of these final moments.
I find it strangely ironic that the very last part of this immense climb is so gentle a slope.
A sweeping curve--curling along the crest of the ridge toward the summit.
Thank God.
It feels like the mountain is beckoning me up. For the first time, willing me to climb up onto the roof of the world.
I try to count the steps as I move, but my counting becomes confused.
I am now breathing and gasping like a wild animal in an attempt to devour the oxygen that seeps into my mask.
However many of these pathetically slow shuffles I take, this place never seems to get any closer.
But it is. Slowly the summit is looming a little nearer.
I can feel my eyes welling up with tears. I start to cry and cry inside my mask.
Emotions held in for so long. I can’t hold them back any longer.
I stagger on.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
On the third day, I asked if she would like to climb Ben Loyal with me--with anyone else who fancied coming along. None of the guys wanted to join me and I ended up with a group of four girls, including Shara.
We spent two hours crossing the marshy moon grass to reach the foot of the mountain before starting up the steep slope toward the summit ridge. It was fairly sheer, but essentially we were still going the “easy” way.
Within two hundred feet, half of the girls were looking pretty beat.
I figured that having slogged across the marsh for so long, we should definitely do some of the climb. After all, that was the fun bit.
They all agreed and we continued up steadily.
Before the slope eases at the top, though, there is a section where the heather becomes quite exposed. It is only a short, few hundred feet, and I wrongly figured the girls would enjoy a safe, steep scramble that didn’t require any ropes. Plus the views were amazing out to sea.
But things didn’t quite go to plan.
The first panicked whimper seemed to set off a cacophony of cheeps, as, one by one, the girls began to voice their fears. It is funny how quickly everyone can go from being totally fine to totally not-fine, very fast, once one person starts to panic.
Then the tears started.
Nightmare.
I ended up literally having to shadow the three girls who were worst struck by this fear, one by one down the slope. I had to stand behind them, hands on top of their hands, and help them move one step at a time, planting their feet exactly where I did, to shield them from the drop.
The point of this story is that the only girl who was supercool through the whole mission was Shara, who steadily plodded up, and then just as steadily plodded down beside me, as I tried to help the others.
Now I was really smitten.
A cool head under pressure is truly irresistible to me, and if I hadn’t been totally besotted before, then our mountain experience together tipped the balance.
I had a sneaking feeling that I had met the girl of my dreams.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Longstreet reached Catoosa Station the following afternoon, September 19, but found no guide waiting to take him to Bragg or give him news of the battle he could hear raging beyond the western screen of woods. When the horses came up on a later train, he had three of them saddled and set out with two members of his staff to find the headquarters of the Army of Tennessee. He was helped in this, so far as the general direction was concerned, by the rearward drift of the wounded, although none of these unfortunates seemed to know exactly where he could find their commander. Night fell and the three officers continued their ride by moonlight until they were halted by a challenge out of the darkness just ahead: “Who comes there?” “Friends,” they replied, promptly but with circumspection, and in the course of the parley that followed they asked the sentry to identify his unit. When he did so by giving the numbers of his brigade and division—Confederate outfits were invariably known by the names of their commanders—they knew they had blundered into the Union lines. “Let us ride down a little way to find a better crossing,” Old Peter said, disguising his southern accent, and the still-mounted trio withdrew, unfired on, to continue their search for Bragg. It was barely an hour before midnight when they found him—or, rather, found his camp; for he was asleep in his ambulance by then. He turned out for a brief conference, in the course of which he outlined, rather sketchily, what had happened up to now in his contest with Rosecrans, now approaching a climax here at Chickamauga, and passed on the orders already issued to the five corps commanders for a dawn attack next morning. Longstreet, though he had never seen the field by daylight, was informed that he would have charge of the left wing, which contained six of the army’s eleven divisions, including his own two fragmentary ones that had arrived today and yesterday from Virginia. For whatever it might be worth, Bragg also gave him what he later described as “a map showing prominent topographical features of the ground from the Chickamauga River to Mission Ridge, and beyond to the Lookout Mountain range.” Otherwise he was on his own, so far as information was concerned.
”
”
Shelby Foote (The Civil War, Vol. 2: Fredericksburg to Meridian)
“
The masses of dense foliage all round became prison walls, impassable circular green ice-walls, surging towards her; just before they closed in, I caught the terrified glint of her eyes.
On a winter day she was in the studio, posing for him in the nude, her arms raised in a graceful position. To hold it for any length of time must have been a strain, I wondered how she managed to keep so still; until I saw the cords attached to her wrists and ankles.
Instead of the darkness, she faced a stupendous sky-conflagration, an incredible glacial dream-scene. Cold coruscations of rainbow fire pulsed overhead, shot through by shafts of pure incandescence thrown out by mountains of solid ice towering all round. Closer, the trees round the house, sheathed in ice, dripped and sparkled with weird prismatic jewels, reflecting the vivid changing cascades above. Instead of the familiar night sky, the aurora borealis formed a blazing, vibrating roof of intense cold and colour, beneath which the earth was trapped with all its inhabitants, walled in by those impassable glittering ice-cliffs. The world had become an arctic prison from which no escape was possible, all its creatures trapped as securely as were the trees, already lifeless inside their deadly resplendent armour.
Frozen by the deathly cold emanating from the ice, dazzled by the blaze of crystalline ice-light, she felt herself becoming part of the polar vision, her structure becoming one with the structure of ice and snow. As her fate, she accepted the world of ice, shining, shimmering, dead; she resigned herself to the triumph of glaciers and the death of her world.
Fear was the climate she lived in; if she had ever known kindness it would have been different. The trees seemed to obstruct her with deliberate malice. All her life she had thought of herself as a foredoomed victim, and now the forest had become the malign force that would destroy her. In desperation she tried to run, but a hidden root tripped her, she almost fell. Branches caught in her hair, tugged her back, lashed out viciously when they were disentangled. The silver hairs torn from her head glittered among black needles; they were the clues her pursuers would follow, leading them to their victim. She escaped from the forest at length only to see the fjord waiting for her. An evil effluence rose from the water, something primitive, savage, demanding victims, hungry for a human victim.
It had been night overhead all along, but below it was still daylight. There were no clouds. I saw islands scattered over the sea, a normal aerial view. Then something extraordinary, out of this world: a wall of rainbow ice jutting up from the sea, cutting right across, pushing a ridge of water ahead of it as it moved, as if the flat pale surface of sea was a carpet being rolled up. It was a sinister, fascinating sight, which did not seem intended for human eyes. I stared down at it, seeing other things at the same time. The ice world spreading over our world. Mountainous walls of ice surrounding the girl. Her moonwhite skin, her hair sparkling with diamond prisms under the moon. The moon’s dead eye watching the death of our world.
”
”
Anna Kavan (Ice)
“
The fact is,” said Van Gogh, “the fact is that we are painters in real life, and the important thing is to breathe as hard as ever we can breathe.”
So I breathe. I breathe at the open window above my desk, and a moist fragrance assails me from the gnawed leaves of the growing mock orange. This air is as intricate as the light that filters through forested mountain ridges and into my kitchen window; this sweet air is the breath of leafy lungs more rotted than mine; it has sifted through the serrations of many teeth. I have to love these tatters. And I must confess that the thought of this old yard breathing alone in the dark turns my mind to something else.
I cannot in all honesty call the world old when I’ve seen it new. On the other hand, neither will honesty permit me suddenly to invoke certain experiences of newness and beauty as binding, sweeping away all knowledge. But I am thinking now of the tree with the lights in it, the cedar in the yard by the creek I saw transfigured.
That the world is old and frayed is no surprise; that the world could ever become new and whole beyond uncertainty was, and is, such a surprise that I find myself referring all subsequent kinds of knowledge to it. And it suddenly occurs to me to wonder: were the twigs of the cedar I saw really bloated with galls? They probably were; they almost surely were. I have seen these “cedar apples” swell from that cedar’s green before and since: reddish gray, rank, malignant. All right then. But knowledge does not vanquish mystery, or obscure its distant lights. I still now and will tomorrow steer by what happened that day, when some undeniably new spirit roared down the air, bowled me over, and turned on the lights. I stood on grass like air, air like lightning coursed in my blood, floated my bones, swam in my teeth. I’ve been there, seen it, been done by it. I know what happened to the cedar tree, I saw the cells in the cedar tree pulse charged like wings beating praise. Now, it would be too facile to pull everything out of the hat and say that mystery vanquishes knowledge. Although my vision of the world of the spirit would not be altered a jot if the cedar had been purulent with galls, those galls actually do matter to my understanding of this world. Can I say then that corruption is one of beauty’s deep-blue speckles, that the frayed and nibbled fringe of the world is a tallith, a prayer shawl, the intricate garment of beauty? It is very tempting, but I cannot. But I can, however, affirm that corruption is not beauty’s very heart and I can I think call the vision of the cedar and the knowledge of these wormy quarryings twin fjords cutting into the granite cliffs of mystery and say the new is always present simultaneously with the old, however hidden. The tree with the lights in it does not go out; that light still shines on an old world, now feebly, now bright.
I am a frayed and nibbled survivor in a fallen world, and I am getting along. I am aging and eaten and have done my share of eating too. I am not washed and beautiful, in control of a shining world in which everything fits, but instead am wandering awed about on a splintered wreck I’ve come to care for, whose gnawed trees breathe a delicate air, whose bloodied and scarred creatures are my dearest companions, and whose beauty beats and shines not in its imperfections but overwhelmingly in spite of them, under the wind-rent clouds, upstream and down.
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
In Response to a Question:
”What Does the Earth Say?”
The earth says have a place, be what that place
requires; hear the sound the birds imply
and see as deep as ridges go behind
each other. (Some people call their scenery flat,
their only pictures framed by what they know:
I think around them rise a riches and a loss
too equal for their chart - but absolutely tall.)
The earth says every summer have a ranch
that’s minimum: one tree, one well, a landscape
that proclaims a universe - sermon
of the hills, hallelujah mountain,
highway guided by the way the world is tilted,
reduplication of mirage, flat evening:
a kind of ritual for the wavering.
The earth says where you live wear the kind
of color that your life is (grey shirt for me)
and by listening with the same bowed head that sings
draw all things into one song, join
the sparrow on the lawn, and row that easy
way, the rage without met by the wings
within that guide you anywhere the wind blows.
Listening, I think that’s what the earth says.
”
”
William Stafford
“
From Alan Thein Duening:
Picture North America from space. Look at the upper left and start an imaginary line on the rugged coast of southern Alaska. Climb the ridges that encircle Prince William Sound. Cross the snowy teeth of the Chugach Mountains and descend through kettle-pond country to the feet of the towering Alaska Range. Rise again to the bitter heights and turning southeast along the crest, clip the corner of the Yukon Territory. Enter British Columbia and veer east through its folding north.
Turn your line south when you reach the Continental Divide in the Rocky Mountains. Follow the divide down the thousand-mile spine of British Columbia, across Montana, along the buttressed ridges of the Idaho border and into Wyoming as far as Jackson Hole.
There, leave the divide and turn westward toward the coast. Following the swells and benches that limit the Columbia Basin, dip southward into Utah and Nevada, then northward again around the high desert of central Oregon. When you approach the Cascade Mountains, veer southwest through the tangled topography of northern California to the crest of the Coast Range. Just north of San Francisco Bay, descend to the shores of the Pacific.
The line you have drawn is an unfamiliar one. You won’t find it on maps. But it shows a geographical unit more real, in ecological sense, than any of the lines governments draw. You have drawn a biological region, a bioregion. Specifically, you have outlines the watersheds of rivers flowing into the Pacific Ocean through North America’s temperate rain forest zone with a fifteen-hundred-mile belt of rain forests along the coast.
The unity of this diverse bioregion is the movement of its water; every ounce of moisture that the ocean throws into the sky and the sky hurls down on the land inside this region’s borders tumbles toward the rain forest coast. If it does not evaporate or get trapped in underground aquifers along the way, water will reach that dripping shoreline through one of several hundred swift, cold rivers. Most likely, it will travel through the Columbia or the Fraser rivers, home to the Earth’s greatest population of migrating salmon.
This place, defined by water running to woodlands, has no perfect name. You can call it Rain Forest Province, the North Pacific Slope, or Cascadia… Natural units of place such as this have always mattered more to people than has humanity in general or the planet in its entirety. Indeed, history is unequivocal; people will sacrifice for villages, homelands, or nations, even giving their lives. But humans seem unwilling to sacrifice for their planet, despite the fact that it is now suffering proportionately greater losses from social decay and environmental destruction than most countries at war.
”
”
David Landis Barnhill (At Home on the Earth: Becoming Native to Our Place: A Multicultural Anthology)
“
Dawn Landscape
The last watch has sounded in the Amble-Awe.
Radiant color spreads above Solar-Terrace
Mountain, then cold sun clears high peaks.
Mist and cloud linger across layered ridges,
And earth split-open hides river sails deep.
Leaves clatter at heaven’s clarity. I listen,
And face deer at my bramble gate-so close
Here, we touch our own kind in each other.
Tu Fu
”
”
David Hinton (Awakened Cosmos: The Mind of Classical Chinese Poetry)
“
I always found in myself a dread of west and a love of east. Where I ever got such an idea I cannot say, unless it could be that the morning came over the peaks of the Gabilans and the night drifted back from the ridges of the Santa Lucias. It may be that the birth and death of the day had some part in my feeling about the two ranges of mountains.
”
”
John Steinbeck (East of Eden & Grapes Of Wrath)
“
For a while he was movement only, and sensation, and a circle of awareness that encompassed the ridges, the mountain, the meadow, and in which his own distinction vanished.
”
”
Peter Heller (The Last Ranger)
“
Who can say that the desert does not live? Or that the dark, serrated ridges conceal no spirit? Who can love the lost places, yet believe himself truly alone in the silent hills? How can we be sure the ancient ones were wrong when they believed each rock, each tree, each stream or mountain possessed an active spirit?
”
”
Louis L'Amour (The Collected Short Stories of Louis L'Amour, Volume 1: Frontier Stories)
“
Kru sped up his pace. “Kong picked him because he’s the right man for the job.” Even he could hear the lie in his voice. Gunner wasn’t the best man for anything right now. “He’s fine.” Dante came to a stop atop a huge felled pine. “He doesn’t look fine.” Jordan muttered from behind them, “I second what Dante is saying. Doesn’t feel right that he’s on the machines either. What if he kills us just for fun?” “He wouldn’t do that,” Kru growled, annoyed at this conversation. “Yes I would,” Gunner called from up the mountain. “See?” Dante asked. “Oh, that’s just great,” Jordan complained. “He’s just messing with you,” Kru told them. “No I’m not. I’m being honest,” Gunner called. “Your friend is messed up,” Jordan huffed. The human was falling behind on their climb to the ridge. “He’s not messed up,” Kru said at the exact same time that Gunner yelled, “We aren’t friends!” God, he was a pill on a good day.
”
”
T.S. Joyce (Warlander Beast Cat (Warlanders, #2))
“
It was the end of March and, even though the weather hadn't warmed noticeably at this elevation, the winter buds had begun to swell on the oaks, giving them the quality of knots in fine lace against the gray overcast.
”
”
James G. Brown (The Morning Side (Two Roads Home, #1))
“
Indians walk softly and hurt the landscape hardly more than the birds and squirrels, and their brush and bark huts last hardly longer than those of wood rats, while their more enduring monuments, excepting those wrought on the forests by the fires they made to improve their hunting grounds, vanish in a few centuries. How different are most of those of the white man, especially on the lower gold region—roads blasted in the solid rock, wild streams dammed and tamed and turned out of their channels and led along the sides of cañons and valleys to work in mines like slaves. Crossing from ridge to ridge, high in the air, on long straddling trestles as if flowing on stilts, or down and up across valleys and hills, imprisoned in iron pipes to strike and wash away hills and miles of the skin of the mountain's face, riddling, stripping every gold gully and flat. These are the white man's marks made in a few feverish years, to say nothing of mills, fields, villages, scattered hundreds of miles along the flank of the Range. Long will it be ere these marks are effaced, though Nature is doing what she
”
”
John Muir (John Muir Ultimate Collection: Travel Memoirs, Wilderness Essays, Environmental Studies & Letters (Illustrated): Picturesque California, The Treasures ... Redwoods, The Cruise of the Corwin and more)
“
In Search of El Dorado by Stewart Stafford
A meandering mountain path awaits,
Build a bonfire of remembrance,
With crunching staff on gravel,
Certainty slowly becomes a stranger.
The funereal pace of the brand-new,
Is reborn in accelerating steps,
In concert with liberation's adrenaline,
And a cooling breeze through the brim.
Startled young fox on a crag,
A hawk circles overhead,
Sage standing stones keep counsel,
Their shadows pointing the way forward.
Sheep stare and chew in nearby wet fields,
Occasionally bleating confused directions,
A pillar of black smoke stretches into the sky,
A beacon on the horizon.
A ridge around a corner,
The crêpe shop comes into view,
Relief exhaled upon reaching El Dorado's gates,
Golden sustenance and home via the car park.
© Stewart Stafford, 2021. All rights reserved.
”
”
Stewart Stafford
“
We reached High Camp on schedule late that afternoon. The South Col (from the Latin collum, or “neck”) is part of the ridge that forms Everest’s southeast shoulder and sits astride the great Himalayan mountain divide between Nepal and Tibet. Four groups—too many people, as it turned out—would be bivouacked there in preparation for the final assault: us, Scott Fischer’s expedition, a Taiwanese group and a team of South Africans who would not make the summit attempt that night. Altogether, maybe a dozen tents were set up, surrounded by a litter of spent oxygen canisters, the occasional frozen body and the tattered remnants of previous climbing camps. If you wander too close to the South Col’s north rim, you’ll tumble seven thousand uninterrupted feet down Everest’s Kangshung Face into the People’s Republic of China. Make a similar misstep on the opposite side, and you zip to a crash landing approximately four thousand feet down the Lhotse Face.
”
”
Beck Weathers (Left for Dead: My Journey Home from Everest)
“
By noon, three climbers from our group descended toward me: Stuart Hutchison, Lou Kasischke and John Taske (Frank Fischbeck already had turned back). They said there was a slowdown at the uppermost part of the mountain at Hillary Step, a natural obstacle on the ridge leading directly to the summit. Because of the bottleneck of climbers, the three of them realized there was no way they could make the summit by two. So Stuart, Lou and John decided to come down, and as they came by me, standing alone, getting colder and colder on the Balcony, they said, “Well, come on down with us.” “Uh, I’ve really put myself in a box here,” I answered. “I’ve promised Hall I will stay put. We have no radio, so I have no way to tell him that I’m leaving. It would be as if I never honored that commitment at all. I just don’t think I can do that now.” They said good-bye and continued on down. Three wise men. In retrospect I clearly should have joined them. But I didn’t then sense I was in any imminent danger. It was a perfect day. Also, even though I knew that I was not going to climb the mountain that day, I still hated to give up. To go down with them would be to absolutely concede I’d failed.
”
”
Beck Weathers (Left for Dead: My Journey Home from Everest)
“
I expected Rob no later than three. The hour came and went, as did four and five. Now I began to worry. The sun was my great ally, but the shadows were beginning to lengthen as it started to set. With it, those pinpoint irises of mine would begin to open up and I’d be blind again—soon. I could sense the mountain starting to put itself to bed. The light went flat. It began to get a little colder. The wind picked up. The snow began to move, and I realized I’d stayed too long at the party. I was trapped. I was beginning to lose it. Although I’d been breathing bottled oxygen and was not hypoxic, I had been standing or sitting for ten hours without moving much. The cold was beginning to act like an anesthetic on my mind. I hallucinated seeing people. They drifted in and out of focus. I recognize now that I was sinking, cold past shivering, overtaken by a calm apathy, unable to appreciate my peril. The water bottles inside my jacket against the skin of my chest had frozen solid. If I’d been left there, I probably would have slowly frozen to death, without even trying to stir. Then Jon Krakauer came along and I collected myself. He was plainly exhausted. We spoke for a bit. Jon said that Rob was still up there on the ridge, at least three hours behind him, which meant that all deals were off. There was no way I could wait three more hours. On the other hand, there also was no way now for me to descend unassisted.
”
”
Beck Weathers (Left for Dead: My Journey Home from Everest)
“
Neal, Mike and Klev somehow did find High Camp that night, but were on their hands and knees by the time they did. None of them had anything left. They weren’t going to return for us; they couldn’t. The Sherpas in camp wouldn’t. There was no one else to try, except for the Russian, Anatoli Boukreev. That day, Anatoli had forsaken his duty as a guide. While everyone was struggling up and down the ridge to the summit, or stacked up like cordwood at the Hillary Step, Anatoli climbed for himself, by himself, without oxygen. He just went straight up, tagged the summit, and came straight back down. Because he lacked oxygen, he couldn’t persist in the cold, and was forced to retreat to the shelter of his tent. So Boukreev had been in his tent recovering for hours, and if that was where his story had ended that night, the climbing community would have stripped the flesh right off his bones. They are not a forgiving bunch. But Anatoli did what no one else could, or would do. He went out into that storm three times, searching both for Scott Fischer, who froze to death on the mountain, about twelve hundred feet above the South Col, and for us. Boukreev twice was driven back to camp by the wind and cold. The third time he located our little huddle by the face and brought in each of the three Fischer climbers—Tim, Charlotte and Sandy. He left behind Yasuko and me, the Hall climbers.
”
”
Beck Weathers (Left for Dead: My Journey Home from Everest)
“
The storm relented on the morning of the eleventh. The winds dropped to about thirty knots. Stuart Hutchison and three Sherpas went in search of Yasuko and me. They found us lying next to each other, largely buried in snow and ice. First to Yasuko. Hutchison reached down and pulled her up by her coat. She had a three-inch-thick layer of ice across her face, a mask that he peeled back. Her skin was porcelain. Her eyes were dilated. But she was still breathing. He moved to me, pulled me up, and cleaned the ice out of my eyes and off my beard so he could look into my face. I, like Yasuko, was barely clinging to life. Hutchison would later say he had never seen a human being so close to death and still breathing. Coming from a cardiologist, I’ll accept that at face value. What do you do? The superstitious Sherpas, uneasy around the dead and dying, were hesitant to approach us. But Hutchison didn’t really need a second opinion here. The answer was, you leave them. Every mountaineer knows that once you go into hypothermic coma in the high mountains, you never, ever wake up. Yasuko and I were going to die anyway. It would only endanger more lives to bring us back. I don’t begrudge that decision for my own sake. But how much strain would be entailed in carrying Yasuko back? She was so tiny. At least she could have died in the tent, surrounded by people, and not alone on that ice. Hutchison and the Sherpas got back to camp and told everyone that we were dead. They called down to Base Camp, which notified Rob’s office in Christchurch, which relayed the news to Dallas. On a warm, sunny Saturday morning the phone rang in our house. Peach answered and was told by Madeleine David, office manager for Hall’s company, Adventure Consultants, that I had been killed descending from the summit ridge. “Is there any hope?” Peach asked. “No,” David replied. “There’s been a positive body identification. I’m sorry.
”
”
Beck Weathers (Left for Dead: My Journey Home from Everest)
“
The tiny tea-shop beside the eleven water spouts was at the edge of the Dhorpatan Valley. From there we could see right across the wide, wind-swept peat-bog. The high mountain ridges that walled in the valley seemed to catch the rain and send it down here. Even the air we were breathing was wet.
Golden eagles played on the updrafts. Two, one a little smaller than the other, circled on a thermal. They looked huge, but when others disappeared behind a mountain ridge, I realised they were further away and even bigger than I first thought.
The nearest eagles half folded their wings and plummeted earthwards, still circling each other as they dived head first. They touched claws as they spiralled down, in complete control.
”
”
Jane Wilson-Howarth (Himalayan Hostages (Alex and James Wildlife Adventure, #1))
“
Transfixed, she exits the car in a dream-like state, and I grin and follow. I pass a handful of tables to join her where she sits on the waist-high rock wall lining the cliff. Before us is an endless view of the peaks and valleys of the Blue Ridge Mountains. We spend a few minutes in comfortable silence.
”
”
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
“
Twenty-seven years later It wasn’t until 2006 that Norman had the courage to look up the National Transportation Safety Board’s Accident Report for the crash and read the transcription of the pilot’s radio conversation with air traffic control. They had been doomed almost from takeoff. The pilot was using an underpowered plane with insufficient instruments on a rough day. He didn’t get a weather briefing or file a flight plan. He shouldn’t have taken off let alone headed into the storm. Thirty seconds into the flight he seemed lost and he was warned three times by air traffic control not to continue flying as he was. Big Bear airport was at an altitude of 2,100 m (7,000 ft) and was unmanned. Even with the right instruments and a modern plane it would have been all but impossible to land that day. Norman also went back up to the mountain to where Sandra had fallen. He paid his respects and continued up to the site of the crash. He was surprised, but even from that high vantage point he couldn’t see the meadow where he had been rescued. The big ridge blocked it out. So how had he known where to head for that day? Had he sensed the most likely place to find another human being? Was he lucky? Or maybe, just maybe, someone was looking out for him. This story is a brief retelling of the events in Crazy for the Storm by Norman Ollestad, published by HarperPress. Reprinted by permission of HarperCollins Publishers Ltd © 2009 Norman Ollestad.
”
”
Collins Maps (Extreme Survivors: 60 of the World’s Most Extreme Survival Stories)
Sage Parker (The Getaway Cabin (Book 4 Blue Ridge Mountains Series))
“
Like the forest, the mountain is an amazing conservation area for paganism and its beliefs.1 It should be recognized that it is the subject of countless myths. Quite often it is the cosmic mountain that connects the human world to that of the gods, revealing hell in its depths and heaven at its peak. It is the dwelling place for countless spirits that take the form of giants, dwarves, fairies, or monstrous animals. The mountain haunts the medieval imagination. Saint Augustine noted in his City of God (IV, 8) that the ridge of the mountains was under the protection of the goddess Collatina.
”
”
Claude Lecouteux (Demons and Spirits of the Land: Ancestral Lore and Practices)
“
It was that time of day, or night, that happens only a few weeks a year at a certain hour in certain parts of the American West. The sun sets behind mountains but the cloudless sky that is more than cloudless, it is lens clear – clear as the clearest water - holds the light entirely, holds it in a bowl of pale blue as if reluctant to let it go. The light refines the edges of the ridges to something honed and the muted colors of the pines on the slopes, the sage-roughened fields, the houses in the valley – the colors pulse with the pleasure of release, as if they know that within the hour they too will rest.
”
”
Peter Heller (Celine)
“
It was that time of day, or night, that happens only a few weeks a year at a certain hour in certain parts of the American West. The sun sets behind mountains but the cloudless sky that is more than cloudless, it is lens clear -clear as the clearest water - holds the light entirely, holds it in a pale blue as if reluctant to let it go. The light refines the edges of the ridges to something honed, and the muted colors of the pines on the slopes, the sage-roughened fields, the houses in the valley - the colors pulse with the pleasure of release, as if they know that within the hour they too will rest.
”
”
Peter Heller (Celine)
“
How to Taste An Apple: I find it mildly irksome to see someone eating an apple while walking down the street, unaware that a body sense event is happening, and perhaps focusing on something else entirely at the time. Ideally, one should select a fruit of known ripeness and take it with a plate and knife to a quiet place. Slice it to mouth-size portions, either all at once or as you eat, and when the slice is in the mouth, concentrate on the mouthfeel and the flavor. It may immediately enliven the taste buds or slowly unfold its complexity. Analyze the sugar, tannin, acid, and aroma of what you taste and if it is elusive do not despair: the magic of the taste of a particular variety may be its elusiveness. If given full attention, the act of eating an apple can become a mind-expanding experience.
”
”
Tom Burford (Apples of North America: A Celebration of Exceptional Varieties)
“
A hint of light dissolved the stars near the opposite side of the lake as the sun started its daily climb over the mountain ridge.
”
”
Darcy Coates (Dead Lake)
“
The death of an infant, however, causes all of us to struggle with the will and purpose of God. It seems strange that God would grant the gift of life and then cause it to be snuffed out before it could blossom into a stage of usefulness. But we can be sure that there is a purpose in such a life, even if it is not immediately discernible. James Vernon McGee again says that when a shepherd seeks to lead his sheep to better grass up the winding, thorny mountain paths, he often finds that the sheep will not follow him. They fear the unknown ridges and the sharp rocks. The shepherd will then reach into the flock and take a little lamb on one arm and another on his other arm. Then he starts up the precipitous pathway. Soon the two mother sheep begin to follow, and afterward the entire flock. Thus they ascend the tortuous path to greener pastures. So it is with the Good Shepherd. Sometimes He reaches into the flock and takes a lamb to Himself. He uses the experience to lead His people, to lift them to new heights of commitment as they follow the little lamb all the way home.
”
”
Erwin W. Lutzer (One Minute After You Die)
“
There is a wildness in California still.…It does not exist only within those areas designated as wilderness or national parks, but also in the ‘back blocks’—the hinterland of lands that are otherwise used for other purposes. There is a feeling that back beyond the next ridge there is still wild country. And even beyond that there is an invasion of the wild into the tame that for some of us brings feelings of security.”—Raymond Dasmann, Wild California: Vanishing Lands, Vanishing Wildlife “What is the message that wild animals bring, the message that seems to say everything and nothing? What is this message that is wordless, that is nothing more or less than the animals themselves—that the world is wild, that life is unpredictable in its goodness and its danger, that the world is larger than your imagination?”—Rebecca Solnit, A Field Guide to Getting Lost
”
”
Beth Pratt-Bergstrom (When Mountain Lions Are Neighbors: People and Wildlife Working It Out in California)
“
family doesn't have anything to do with shared genetics. DNA results do, but family is the people you have in your life who are safe, supportive, and love you. That's what matters.
”
”
Sage Parker (The Getaway Cabin (Book 6 Blue Ridge Mountains Series))
“
The Mardi Himal Trek is a hidden gem in the Annapurna region, offering a quieter and more intimate experience compared to the ABC Trek. The trek starts from Kande and takes you through lush forests, traditional villages, and picturesque ridges. The trail gradually climbs up to the Mardi Himal Base Camp, where you'll be rewarded with stunning views of the Annapurna and Machhapuchhre mountains. The highlight of the trek is the panoramic sunrise view from the viewpoint near the base camp, where the golden rays illuminate the snow-capped peaks. The Mardi Himal Trek is perfect for those seeking tranquility and off-the-beaten-path adventure.
”
”
Mardi Himal Trek
“
Folk traditions have preserved this belief in the gathering of the dead who, on certain dates—the Ember Days,*16 the night of November 1, St. Hilaire’s Day (January 14),30 and especially in winter (Advent, Christmas)—traveled in processions over the earth. In Switzerland, for example,31 these retinues were called Processione dei poveri morti (Misox, Italian-Catholic Switzerland); Gratzug (Valais), because it was necessary to transport the dead over the ridge (the German Grat) of the mountain; Til dils morts (Engardine); Totuchrizgang; Nachtschar; Nachtvolk (Procession of the Dead, Night Troop, Night Folk); and Totâgeigi32 (Music or Fiddler of the Dead, Alemannic Switzerland), because the passing of these dead was accompanied by music, a theme we will see again in the Wild Hunt.
”
”
Claude Lecouteux (Phantom Armies of the Night: The Wild Hunt and the Ghostly Processions of the Undead)
“
The two climbers looked at each other, a glance that bored all the way down to Medvetz's DNA - not desperate or pleading or frightened but resolved, almost at peace. Here were two men, united in their obsessive enterprise, their trajectories intersecting for just an instant, but an instant that contained some fundamental understanding: the long journey full of failures and setbacks, injuries and disfigurement and pain, propelled by a commitment beyond reason. Here were two men in this inhospitable place, the wind raking across the ridge, the shadows lengthening - one departing his life, the other walking back into it.
"God bless you," Medvetz murmured. "Good-bye."
And then he faced down the mountain and resumed lumbering along the route, toward Brice and Brett Merrell and Mogens Jensen and all the others waiting for him in the world below.
”
”
Nick Heil (Dark Summit: The True Story of Everest's Most Controversial Season)
“
I send thee, love, this upland flower I found
While wandering lonely with o'erclouded heart,
Hid in a grey recess of rocky ground
Among the misty mountains far apart;
And then I heard the wild wind's luring sound
Which whoso trusts, is healed of earthborn care,
And watched the lofty ridges loom around,
Yet yearned in vain their secret faith to share.
When lo! the sudden sunlight, sparkling keen,
Poured full upon the vales this glorious day,
And bared the abiding mountain-tops serene,
And swept the shifting vapour-wreaths away:
Then with the hills' true heart my heart beat true,
Heavens opened, cloud-thoughts vanished, and I knew.
”
”
Henry Stephens Salt (On Cambrian and Cumbrian Hills Pilgrimages to Snowdon and Scafell)
“
Ascension Island
Along the western coast of the Sahara desert, about half way between the Canary Islands and the Cape Verde Islands, lies a sand spit called Cape Barbas. In 1441, ships attached to Estêvão da Gama’s fleet were sent by Prince Henry to explore the coastline south of Cape Barbas, which, five years earlier, was the farthest point reached by any of Prince Henry’s captains. Although there are some conflicting stories regarding the discoveries of the mid-Atlantic islands, it is safe to assume that in 1501 João da Nova discovered Ascension Island. The desolate island remained deserted until it was rediscovered two years later on Ascension Day by Alfonso de Albuquerque. He was also the first European to discover the Red Sea and the Persian Gulf.
Having been to most of these exotic locations I know that Ascension Island is the very top of a mostly submerged mid-Atlantic mountain. It is part of the mid-ocean ridge which is by far the longest mountain range on earth. As an active fault line it starts north of Iceland becoming the Reykjanes Ridge as it crosses the northern Island Nation and finishes in the Indian Ocean south of the Cape of Good Hope in Africa. Because of this active ridge, South America and Africa are 1,600 miles apart and dovetail each other, spreading apart at an annual rate of about 1 1/8 inches.
”
”
Hank Bracker
“
Writing a novel is a bit like being Daniel Boone. An author stands atop a ridge in a mountain range and can generally see a number of peaks in the distance. What lies between those peaks—the dales and glens, rivers, forests, and other features that distinguish one mountain landscape from another... is where the artistry and intrigue of the writing process lives. As the writer sets out into the story, leaving behind those high points—the beginning, a twist here and there, the climax, and, if perhaps a bit indistinct for the distance to cover, the end—entering the vale below, all manner of things can happen the writer never intended or expected at the onset.
”
”
Brett Armstrong
“
They left the village on a clear morning at dawn. In the early sunlight the whole of the Caucasus range, each single indentation, could be seen, brilliantly white with deep blue hollows, apparently so close at hand that a stranger to the region might have thought it mere two hours' drive away.
It towered so vast above petty human creation, so elemental in a man-made world, that even if all the men who had lived in all the past millennia had opened their arms as wide as they could and carried everything they had ever created or intended to create and piled it all up in massive heaps, they could never have raised a mountain ridge as fantastic as the Caucasus.
”
”
Alexander Solzhenitsyn
“
Their eyes locked. Again, heat rose to Livy's cheeks. He needed to stop looking at her that way. She never should have noticed the captivating hue of his sky-blue eyes. When was the last time a man flustered her like this. Maybe never.
”
”
Teresa Tysinger (Someplace Familiar (Laurel Cove Romance #1))
“
To the Cedar Falls legalists, if God’s word could come that way 10,000 years ago, there was no reason to believe it couldn’t come that way now. So when Vicki decided her family would follow Old Testament law and stop eating unclean meat like pork and oysters (“The Lord says, ‘Don’t eat it’—He knows it’s got trichonomas and isn’t good for your body,” Vicki wrote to a friend), no one in the group thought she’d come about the decision from anywhere but Scripture and His divine will. There would be anywhere from four to ten people at the Weavers’ house, sometimes as often as four nights a week. Randy led the Bible study most of the time, but everyone read chapters and commented on what they might mean. Vicki was clearly the scripturalist and scholar of the group. It was as if she had memorized the whole thing, from Genesis to Revelation, Acts to Zechariah. They read only the King James Version of the Bible, because Vicki said other translations weren’t divinely inspired and were pagan-influenced. By 1981, the Old Testament books were opening up for Randy and Vicki, not as outdated stories, but as the never-ending law of the Maker. He was opening their eyes to what was happening now, in the United States, just as Hal Lindsey had foretold. The forces of evil (the Soviet Union, the U.S. government, Jewish bankers) were ready to strike at any time against American people. From Ezekiel, they read: “Son of man [Christian Americans], set thy face against Gog [the grand conspiracy] … “Be thou prepared, and prepare for thyself, thou, and all thy company [their Bible study group] that are assembled unto thee, and be thou a guard unto them. After many days thou shalt be visited: in the latter years thou shalt come into the land that is brought back from the sword [somewhere in the American West], and is gathered out of many people, against the mountains [the Rockies] of Israel [the United States], which have been always waste [the desolate mountains of Montana? Colorado?
”
”
Jess Walter (Ruby Ridge: The Truth and Tragedy of the Randy Weaver Family)
“
Every Sunday, the Weavers drove their Oldsmobile east toward Waterloo and pulled into the gravel parking lot of the Cedarloo Baptist Church, on a hill between Waterloo and Cedar Falls, took their place in the pews, and listened to the minister. But there seemed to be no fire or passion, no sense of what was really happening in the world. They’d tried other churches and found congregations interested in what God had done 2,000 years ago, but no one paying attention to what God was doing right then. Certainly, churches weren’t addressing the crime in Cedar Falls, the drugs, or the sorry state of schools and government, not to mention the kind of danger that Hal Lindsey described. They would have to find the truth themselves. They began doing their own research, especially Vicki. She had quit work to raise Sara, and later Samuel, who was born in April 1978. When Sara started school, Randy and Vicki couldn’t believe the pagan things she was being taught. They refused to allow her to dress up for Halloween—Satan’s holiday—and decided they had to teach Sara at home. But that was illegal in Iowa. A booster shot of religion came with cable television and The PTL Club, the 700 Club, and Jerry Falwell. The small television in the kitchen was on all the time for a while, but most of Vicki’s free time was spent reading. She’s lose herself in the Cedar Falls public library, reading the science fiction her dad had introduced her to as a kid, the novels and self-help books friends recommended, biblical histories, political tracts, and obscure books that she discovered on her own. Like a painter, she pulled out colors and hues that fit with the philosophy she and Randy were discovering, and everywhere she looked there seemed to be something guiding them toward “the truth,” and, at the same time, pulling them closer together. She spent hours in the library, and when she found something that fit, she passed it along first to Randy, who might read the book himself and then spread it to everyone—the people at work, in the neighborhood, at the coffee shop where he hung out. They read books from fringe organizations and groups, picking through the philosophies, taking what they agreed with and discarding the rest. Yet some of the books that influenced them came from the mainstream, such as Ayn Rand’s classic libertarian novel Atlas Shrugged. Vicki found its struggle between the individual and the state prophetic and its action inspiring. The book shows a government so overbearing and immoral that creative people, led by a self-reliant protagonist, go on strike and move to the mountains. “‘You will win,’” the book’s protagonist cries from his mountain hideout, “‘when you are ready to pronounce the oath I have taken at the start of my battle—and for those who wish to know the day of my return, I shall now repeat it to the hearing of the world: “‘I swear—by my life and my love of it—that I will never live my life for the sake of another man, nor ask another to live for mine.
”
”
Jess Walter (Ruby Ridge: The Truth and Tragedy of the Randy Weaver Family)
“
spine as she sneaked a look down the forested slope. The Blue Ridge Mountains were sheathed in October’s mellow gold, but the leaves were steadily raining down in the breeze as the forest braced for winter’s sleep.
”
”
Scott Nicholson (Milepost 291 (After, #3))
“
YOU CAN SEE FOR MILES in both directions from the point on Ruby Ridge. From here, the paths of the Weaver family and the federal government seem inevitable, trucks barreling toward each another on a one-lane road. The government’s route to Ruby Ridge was a twenty-year drift toward militaristic law enforcement, in which quiet agents in suits gave way to federal SWAT teams competing for funding, in which unchecked arrogance and zeal allowed federal agents to act as if their ends justified their means. For the Weavers, the trail to this place cuts right through our own backyards, through patriotism, the military, fundamentalist Christianity, and eventually paranoia. Randy and Vicki’s story is a map of disenfranchisement. They were seduced by conspiracy and a religion called Christian Identity, by beliefs steeped in racism and fear of government oppression, beliefs that helped bring about the very thing they feared. Ultimately, you come to the Weaver story along the same trail Randy and Vicki took, from the heart of Christian Iowa to the deep woods of North Idaho. There is much to ponder along the way—the accountability of government and the danger of paranoia, the villainy of coincidence and the desperate need to decide, every day all over again, where society’s lines will be drawn. Up a twisting, rutted dirt road, past gnarled pine trees and scrub grass, you come finally to a sign at the edge of the old Weaver property. Two sets of unbending law clashed on the mountain, two incompatible views of the world, outlined by defiant red letters painted on a plywood sign: “Every knee shall bow to Yahshua Messiah.
”
”
Jess Walter (Ruby Ridge: The Truth and Tragedy of the Randy Weaver Family)
“
An old pickup truck approached from ahead, slowed, and seemed ready to stop. The driver leaned out and yelled, “Come on, Romey, not again.” The cop turned around and yelled back, “Get outta here!” The truck stopped on the center line, and the driver yelled, “You gotta stop that, man.” The cop unsnapped his holster, whipped out his black pistol, and said, “You heard me, get outta here.” The truck lurched forward, spun its rear tires, and sped away. When it was twenty yards down the road, the cop aimed his pistol at the sky and fired a loud, thundering shot that cracked through the valley and echoed off the ridges. Samantha screamed and began crying. The cop watched the truck disappear, then said, “It’s okay, it’s okay. He’s always butting in. Now, where were we?” He stuck the pistol back into the holster
”
”
John Grisham (Gray Mountain)
“
To understand how the first tree appeared on Earth, we must look back more than 3 billion years to Earth’s cooling off and changing from a molten sphere to one that had a solid crust. As it cooled, a thin layer of granite formed over the fiery interior; the hot inner mass contracted; ridges were thrust upward to form mountains; molten lava surged up through cracks, and boiling water rose to the surface. As hot springs that even now gush up out of the Earth show, this process is still going on; geysers and active volcanoes testify to the searing heat that prevails far inside the earth. Scientists believe the water in our oceans today was first released by volcanic action as a gas, which formed the primeval atmosphere. When this vapor reached extremely high altitudes, it condensed into water and fell Earthward. For a long time, however, because the atmospheric temperature was so hot, it resumed its gaseous form before reaching the planet, but eventually, the surface cooled enough so that water began accumulating in liquid form. And then, for literally millions and millions of years, it must have rained continuously, the water sweeping minerals down from the rocks and filling the depressions in the Earth’s face. For
”
”
Richard M. Ketchum (The Secret Life of the Forest)
“
Do you even know,” she said, and I could tell from the sound of her voice that she was about to cry, “can you even imagine what it’s like to know that nothing you can do will make any difference? That nothing you can do will protect the people you love? That anything you could possibly ever do is less than worthless?”
I could. “And yet you do it anyway.”
“Superstitious savage that I am.” Definitely crying now. “Nothing I do will make any difference. But I will make you look at it. I will make you see what it is you’ve done, and ever after, if you would look away, if you would ever claim to be just, or proper, you’ll have to lie to yourself outright.”
“Most esteemed Queter,” I said, “idealist that you are, young as you are, you can have no idea just how easy it is for people to deceive themselves.” By now the tops of the mountains were bright, and we were nearly over the ridge.
“I’ll do it anyway.”
“You will,” I agreed, and we walked the rest of the way in silence.
”
”
Ann Leckie (Ancillary Sword (Imperial Radch #2))
“
Livy hadn’t anticipated meeting anyone and wasn’t ready to explain why the last few years
of her life had worn her so much, leaving her searching for home. Surely, Jack didn’t care to hear a sob story from a perfect stranger. Actually, Livy wasn’t sure she believed that. Something whispered inside her soul that Jack was just the person she needed to tell.
”
”
Teresa Tysinger (Someplace Familiar (Laurel Cove Romance #1))
“
The contrast was startling: the beauty of the ridges against the poverty of the people who lived between them. There were some pretty homes with neat lawns and white picket fences, but the neighbors were usually not as prosperous.
”
”
John Grisham (Gray Mountain)
“
There was another whole bunch of hopefuls. They would diminish down at a startling rate. We had seen it happen before.
This time, though, we were there as the “old hands.” And it helped.
We knew what to expect; the mystique had gone, and the prize was up for grabs.
That was empowering.
It was now wintertime, and winter Selection is always considered the tougher course, because of the mountain conditions. I tried not to think about this.
Instead of the blistering heat and midges, our enemies would be the freezing, driving sleet, the high winds, and the short daylight hours.
These made Trucker and me look back on the summer Selection days as quite balmy and pleasant! It is strange how accustomed you become to hardship, and how what once seemed horrific can soon become mundane.
The DS had often told us: “If it ain’t raining, it ain’t training.”
And it rains a lot in the Brecon Beacons. Trust me.
(I recently overheard our middle boy, Marmaduke, tell one of his friends this SAS mantra. The other child was complaining that he couldn’t go outside because it was raining. Marmaduke, age four, put him straight. Priceless.)
The first few weekends progressed, and we both shone.
We were fitter, stronger, and more confident than many of the other recruits, but the winter conditions were very real.
We had to contend with winds that, on one weekend exercise, were so strong on the high ridges that I saw one gust literally blow a whole line of soldiers off their feet--including the DS.
Our first night march saw one recruit go down with hypothermia. Like everyone else, he was wet and cold, but in the wind and whiteout he had lost that will to look after himself, and to take action early.
He had forgotten the golden rule of cold, which the DS had told us over and over: “Don’t let yourself get cold. Act early, while you still have your senses and mobility. Add a layer, make shelter, get moving faster--whatever your solution us, just do it.”
Instead, this recruit had just sat down in the middle of the boggy moon grass and stopped. He could hardly talk and couldn’t stand. We all gathered round him, forming what little shelter we could. We gave him some food and put an extra layer of clothing on him.
We then helped him stagger off the mountain to where he could be picked up by Land Rover and taken to base camp, where the medics could help him.
For him, that would be his last exercise with 21 SAS, and a harsh reminder that the struggles of Selection go beyond the demons in your head. You also have to be able to survive the mountains, and in winter that isn’t always easy.
One of the other big struggles of winter Selection was trying to get warm in the few hours between the marches.
In the summer it didn’t really matter if you were cold and wet--it was just unpleasant rather than life-threatening. But in winter, if you didn’t sort yourself out, you would quickly end up with hypothermia, and then one of two things would happen: you would either fail Selection, or you would die.
Both options were bad.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
Their wagon crawled along over gently rolling humps and swells, generally following the dusty valley floor between and around a maze of overlapping ridges. Thin pine and oak forests covered the lower slopes but never quite reached the red-rock ridgetops. Nor were there many trees down in the dry valleys of prairie grass and sage, where the occasional stunted, wind-rustled corn patch of a mestizo farm huddled against the road, or the mangy dogs of a native village ran out to pester the horses. But even in the afternoon when the road began to climb, winding through gaps in the craggy mountains toward the town of Arteaga, Caleb noted that it was a much better and smoother road than the one from Agua Nueva.
”
”
Dale Cramer (Paradise Valley (Daughters of Caleb Bender, #1))
“
Bernice had told her once that you could feel some patient through the walls like heat through an oven door, that the ones with troubled spirits radiated that trouble out into the nearby air.
”
”
Amanda McTigue (Going to Solace)
“
The Beats’ self-conception descended from a particular American lineage—mountain men, outlaws, frontier cranks, lonely individualists, and narcissistic outsiders sounding their barbaric yawps over the rooftops of the world. The hippie dream that followed drew as well from a parallel lineage—Cane Ridge, the communes of the 1830s and ’40s, Transcendentalism, pastoralism, Thoreau. Both were enactments of classic American fantasies.
”
”
Kurt Andersen (Fantasyland: How America Went Haywire: A 500-Year History)
“
At one point, in the east, the mists grew lighter and were clad in gold, like warriors. Then the mists swayed, and the golden warriors bent low. From behind them the sun rose, settled upon the gilt mountain ridges and beamed upon the plain, flooding it with its dazzling brilliance. And the mists now soared triumphantly in a glorious ring, broke up in the west and, fluttering, drifted off into the heights above. Makar thought that he heard a marvelous song. It was the very hymn with which the earth greeted the rising sun every day. Only Makar had not paid attention to it before, and this was the first time in all his life that he realized how beautiful the song was. He stood still listening to it, and refused to go any farther. He could stand there forever listening to it
”
”
Leo Tolstoy (A Very Russian Christmas: The Greatest Russian Holiday Stories of All Time (Very Christmas))
“
This is what made the Beats such an American phenomenon. They were all about their mystical, individualist beliefs, and all in. They rejected bland rules to live lives of antimaterialist and quasi-religious purity. They were like some freaky renegade Protestant sect who didn’t focus on Jesus but otherwise took the original priesthood-of-all-believers idea to the max. The Beats’ self-conception descended from a particular American lineage—mountain men, outlaws, frontier cranks, lonely individualists, and narcissistic outsiders sounding their barbaric yawps over the rooftops of the world. The hippie dream that followed drew as well from a parallel lineage—Cane Ridge, the communes of the 1830s and ’40s, Transcendentalism, pastoralism, Thoreau. Both were enactments of classic American fantasies.
”
”
Kurt Andersen (Fantasyland: How America Went Haywire: A 500-Year History)
“
When we reached the prayer flags and a pile of rocks that marked the highest point on the pass, the view was brilliant. There was hardly a cloud in the sky. To the south we could see rolling foothills: the gentle ups and downs that we’d walked through. Some of the hillsides were red or purple with rhododendron blossoms. To the west and east there was a muddle of ridges and spurs. To the north, there were several mighty snow-capped himals. The real Himalayan giants were mostly east of where we stood. We were a very long way from anywhere. We were a very long way from help.
”
”
Jane Wilson-Howarth (Chasing the Tiger (Alex and James Wildlife Adventure #2))
“
inflicted any number of infections, but it wasn’t like she could hobble into the ER and have modern medicine deal with it. In After, there were no insurance plans. She leaned against a tree, its rough bark rubbing her spine as she sneaked a look down the forested slope. The Blue Ridge Mountains were sheathed in October’s mellow gold, but the leaves were steadily raining down in the breeze as the forest braced for winter’s sleep. She couldn’t see them, but she could hear them. Their footfalls were heavy in the crisp leaves, as if the Zapheads had no awareness of the noise they were making. Stephen was higher up the ridge, making better time than she was, but the boy had stopped to wait for her. Little dude
”
”
Scott Nicholson (Milepost 291 (After, #3))
“
Legna,” Yahweh’s voice rumbles through the heavens. Legna takes flight. Leaving Blue Ridge Mountain soil behind, he soars through the sky and into the heavens. Bowing low, he says. “Adonai, You called for me.” “Unleash the warring angels on Satan’s demons.” In his human form, Legna would be smiling. “Yes, Adonai.” He stands and backs out from Adonai’s presence, never turning, covering his feet with his wings.
”
”
J. Nell Brown (Autumn Rains (God Factor Saga, #3))
“
Anxious to defend his adopted city—especially his side of town, the less fashionable west end—Eli considered giving Veronica a condensed lecture on the history of Asheville, North Carolina. 1880: the Western North Carolina Railroad completed a line from Salisbury to Asheville, which later enabled George Washington Vanderbilt to construct the Biltmore Estate, the largest private residence in America. Over time, that 179,000 square foot house transitioned into a multi- million dollar company. Which lured in tourists. Who created thousands of jobs. Which caused the sprawl flashing by Eli’s window at fifty-five miles per hour.
But Eli refrained from being the Local Know-It-All, remembering all the times he’d traveled to new cities and some cabbie wanted to play docent, wanted to tell him about the real Cleveland or the hidden Miami. Instead, he let the air conditioner chase away the remnants of his jet lag and thought about Almario “Go Go” Gato. He waited for Veronica to say something about the Blue Ridge Mountains, which stood alongside the highway, hovering over the valley below like stoic parents waiting for their kids to clean up their messy bedrooms. Eli gave her points for her silence. And for ditching the phone, even if she kept glancing anxiously toward the glove compartment every time it buzzed. The car rode smooth, hardly a bump. For a resident of Los Angeles, she drove cautiously, obeying all traffic laws. Eli had a perfect driving record. Well, almost perfect. There was that time he drove the Durham Bulls’ chartered Greyhound into the right field fence during the seventh inning stretch. But that was history. Almost ancient.
”
”
Max Everhart
“
On, on we went, till at last the east began to blush like the cheek of a girl. Then there came faint rays of primrose light, that changed presently to golden bars, through which the dawn glided out across the desert. The stars grew pale and paler still, till at last they vanished; the golden moon waxed wan, and her mountain ridges stood out against her sickly face like the bones on the cheek of a dying man. Then came spear upon spear of light flashing far away across the boundless wilderness, piercing and firing the veils of mist, till the desert was draped in a tremulous golden glow, and it was day.
”
”
H. Rider Haggard (King Solomon's Mines (Annotated))
“
At observation posts and in campgrounds and on logging roads and at picture-taking perches like Coldwater Ridge, vigil keepers caught in the same moment with Sunday larkers, they died and they died. Died they all who were encamped along the north rim of the red zone as the power of Mount St. Helens welled over it, to a sum of fifty-seven. •
”
”
Ivan Doig (Mountain Time)
“
Indian Bar’s reputation as a notorious bear enclave can be accounted for by the acres of blueberries surrounding the camp. While they draw the bears, the berries also assure backcountry campers that bears will look upon them as nuisances in the berrypatch rather than two hundred pounds of meat on the hoof. That is, if you arrive during berry season. Which I did not. A ranger had issued me a wilderness permit to pitch my tent among the bears outside the designated camp, but by the time I’d bushwhacked to the top of a ridge above the Ohanapecosh River, I’d begun to question the wisdom of my decision. Every tentsize clearing under every tree bore the wilderness equivalent of a coat on a theater seat: bear scat big as cowpies and puddingly fresh.
”
”
Bruce Barcott (The Measure of a Mountain: Beauty and Terror on Mount Rainier)
“
A lot of these ridges formed during the ice ages,” he explained. “Imagine filling all the existing valleys with ice, then sending lava flows out along the margins of those glaciers. When the flow hits the ice it hardens and creates a dam, so instead of flowing onto the glacier it continues down the ridge. When the ice age ends, the glaciers melt away and you get pretty much what you see now.
”
”
Bruce Barcott (The Measure of a Mountain: Beauty and Terror on Mount Rainier)
“
Shelby was within ten miles of her Uncle Walt’s ranch when she had to pull over to the side of highway 36, the busiest stretch between Virgin River and Fortuna, behind an old pickup truck that looked vaguely familiar. Although 36 was the highway that ran across the mountains from Red Bluff to Fortuna, it was mostly two lane. She put her cherry-red Jeep SUV in Park and stepped out of the vehicle. The rain had finally stopped, giving way to a bright summer sun, but the road was wet and splattered with muddy puddles. She peered way up the road to see a man wearing a bright orange vest holding a stop sign toward a long string of cars, closing both lanes. The turnoff to her Uncle Walt’s would be on the other side of the next hill.
”
”
Robyn Carr (Temptation Ridge)
“
Bok Tower stands 205 feet upon the highest point in peninsular Florida. It is an unforgettable sight, a stone monument rising alone on a pristine ridge called Iron Mountain, near the center of the state. “The Singing Tower,” as it is known, features a fifty-seven-bell carillon, the centerpiece of the tranquil Bok Tower Gardens, a meditative retreat of unmatched serenity.
”
”
Tim Dorsey (The Stingray Shuffle (Serge Storms #5))
“
The World’s New Age hath dawned. The sun is bright in heaven, for Balder hath returned. Earth rises a second time, from the deep sea; it rises clad with green verdure. The sound of falling waters fills the morning air. High soars the eagle; from the mountain ridge he espies the fish. . . .
”
”
Donald A. Mackenzie (Teutonic Myth and Legend)
“
I have hazarded into a new corner of the world, an unknown spot, a Brigadoon. Before me extends a low hill trembling in yellow brome, and behind the hill, filling the sky, rises an enormous mountain ridge, forested, alive and awesome with brilliant blown lights. I have never seen anything so tremulous and live. Overhead, great strips and chunks of cloud dash to the northwest in a gold rush. At my back the sun is setting- how can I have not noticed before that the sun is setting? My mind has been a blank slab of black asphalt for hours, but that doesn’t stop the sun’s wild wheel. I set my coffee on the curb; I smell loam on the wind; I pat the puppy; I watch the mountain.
Shadows lope along the mountain’s rumpled flanks; they elongate like root tips, like lobes of spilling water, faster and faster. A warm purple pigment pools in each ruck and tuck of the rock; it deepens and spreads, boring crevasses, canyons. As the purple vaults and slides, it tricks out the unleafed forest and rumpled rock in gilt, in shape-shifting patches of glow. These gold lights veer and retract, shatter, and glide in a series of dazzling splashes, shrinking, leaking, exploding. The ridge’s bosses and hummocks sprout bulging from its sides; the whole mountain looms miles closer; the light warms and reddens; the bare forest folds and pleats itself like living protoplasm before my eyes, like a running chart, a wildly scrawling oscillography on the present moment. The air cools; the puppy’s skin is hot. I am more alive than all the world.
This is it, I think, this is it, right now, the present, this empty gas station, here, this western wind, this tang of coffee on the tongue, and I am patting the puppy, I am watching the mountain.
Version 1 (joy)
”
”
Annie Dillard (Pilgrim at Tinker Creek)
“
The rain is here because of the mountain. Warm, moist air from the Pacific Ocean flows over Western Washington and bumps into the Cascade Range. The air cools and condenses into clouds; it rains. From on high it looks as if a barn of cotton blew in and snagged on the jagged ridges of the Cascades.
”
”
Bruce Barcott (The Measure of a Mountain: Beauty and Terror on Mount Rainier)
“
I believe North Carolina is going to be a very important place in holding positive energy for this part of the world as we go through our next evolution on a body, mind, spirit, and planetary level. I believe that North Carolina is evolving into a light center for the United States. I see the symbolism with the lighthouses all along the North Carolina coast, shining brightly. They remind me of the great lighthouse in Alexandria, Egypt, where the world’s greatest library once existed. On the other end of the state lie the mystical Blue Ridge Mountains, one of the oldest mountain ranges in the world, and with vortices in the area spinning with so much energy in cities like Asheville that the area has been nicknamed the Sedona of the South, in reference to the vortices and spiritual energy
”
”
Kala Ambrose (Ghosthunting North Carolina (America's Haunted Road Trip))
“
The mountains rose up protectively around him, hugging him snug and safe beneath a slice of bright blue sky that was sandwiched between green ridges like the white stuff in the middle of an Oreo cookie.
”
”
Ninie Hammon (When Butterflies Cry)
“
P.S. For those who don’t believe in ghosts we have a remedy. The first night of the full moon in October walk to the top of King’s Mountain and then down the path to Colonel Ferguson’s grave. Spend the next night watching the Brown Mountain lights alone from a deserted overlook on the Blue Ridge Parkway. And, on the third night go alone at midnight to the Devil’s Tramping Ground near Siler City and wait for the moon to set. This will restore your faith.
”
”
Nancy Roberts (This Haunted Land)
“
Bilbo had escaped the goblins, but he did not know where he was. He had lost hood, cloak, food, pony, his buttons and his friends. He wandered on and on, till the sun began to sink westwards—behind the mountains. Their shadows fell across Bilbo’s path, and he looked back. Then he looked forward and could see before him only ridges and slopes falling towards lowlands and plains glimpsed occasionally between the trees.
”
”
J.R.R. Tolkien (The Hobbit)
“
Could if be that there is something dubious about hope and that when hope has disappeared from a man's life his life assumes a more severe and positive character?
Could it be that life seems so much the more real when all illusions have vanished, just as the contours of a mountain ridge appear more clearly on the horizon when the clouds are gone?
”
”
Benjamin Constant (Adolphe)
“
The spire stood at the center of the world, watching everything, presiding over the birth of babies and the death of old men. Wes Cervos looked toward it, across the city of Whitespire, as he crested the craggy gray ridge. He should have been waiting for his two companions—a Witness by the name of Odrigh, this time from Galeharbor, and his own Deermaster—but he had gone on ahead. It was a special place. He needed to look upon it alone, even if only for a moment. They would reach him soon, their ascent up the mountain burdened by the vast amount of wealth they carried in gold and jewel, but it was enough. Wes had been making the journey to the only overground city in Umrym once a season for as long as he could remember, but it never lost its magic. For a moment, just a breath or two, standing there at the edge of divine things, the slightly pudgy boy of seventeen felt himself the hero that an Envoy was supposed to be.
”
”
Stefanie Lozinski (Magnify (Storm & Spire #1))
“
On the highest mountains on the planet, where every additional ounce might determine the difference between victory and defeat, they brought along dog-eared copies of Wuthering Heights, Pride and Prejudice, and The Oxford Book of Greek Verse in their rucksacks. Two thousand feet below the summit of Mount Everest, inside a tiny tent pitched along a murderous ridge, a British climber named Eric Shipton tried to read, by flickering candlelight, Thorton Wilder’s The Bridge of San Luis Rey , a novel which questioned the meaning of life in the face of the sudden and deadly collapse of an ancient rope bridge in eighteenth century Peru.
”
”
Scott Ellsworth (The World Beneath Their Feet: Mountaineering, Madness, and the Deadly Race to Summit the Himalayas)
“
The surveyors described the landscape as bare and ragged, desolate and rough, punctuated by rocky hills and steep, narrow-ridged mountains of stratified limestone and porphyry, red basalt and igneous rock thrust upward alongside empty craters and extinct volcanos surrounded by broken lava.
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”
Francisco Cantú (The Line Becomes a River: Dispatches From the Border)
“
The list of intended features was long and seemingly unrealistic for a team so fatigued by the past years’ effort—but they all sounded like good ideas. The producer’s schedule was a bit ambitious, but the September 15 deadline was the first hard date the team had ever discussed…however, we still couldn’t tell if we were near the top of the mountain or if there was yet another rise over the ridge. One thing was true: We were exhausted and sick of WoW. We worked on it all day, played the test on weekends, and talked about it over every lunch and dinner. When we talked to someone outside the company, it was often the only topic of conversation they were interested in. It was decided for the last two weeks of February the team would work only forty hours a week—late nights would return again in March. But some were working those hours anyway. For the most part, morale was low among half of the employees. Some were doubting that our workload would subside after shipping, because there would be so many bugs to fix and pressure to create more content. With the game still unfinished, and with the imminent expansions and live updates ahead, we were beginning to wonder if we were ever going to reach a conclusion. The team’s spirits were somewhat buoyed by the enthusiasm of the design staff, who were coming in to work on weekends. But even the designers agreed that they never wanted to work on another MMO. They were just too hard and too risky, and took too much time and effort to make.
”
”
John Staats (The World of Warcraft Diary: A Journal of Computer Game Development)
“
Lines for My Daughter
With reverence for the earth you venture
into vague margins of advancing rain
and behold crystals of the sailing sun.
The clouds weave ribbons of shade and eclipse,
rippling on the colors that compose you,
sand, sienna, jade, the speckled turquoise
of mountain skies. And in your supple mind
there are shaped the legends of creation,
and in them you appear as dawn appears,
beautiful in the whispers of the wind,
whole among the soft syllables of myth
and the rhythms of serpentine rivers.
Once more you venture. The long days darken
In the wake of your going, and thunder
Rolls, bearing you across a ridge of dreams.
I follow on the drifts of sweetgrass and smoke,
On a meadow path of pollen I walk,
And hold fast the great gift of your being.
”
”
N. Scott Momaday (The Death of Sitting Bear: New and Selected Poems)
“
I saw Cain’s descendants becoming more and more godless and sensual. They settled further and further up that mountain ridge where were the fallen spirits. Those spirits took possession of many of the women, ruled them completely, and taught them all sorts of seductive arts. Their children were very large. They possessed a quickness, an aptitude for everything, and they gave themselves up entirely to the wicked spirits as their instruments. And so arose on this mountain and spread far around, a wicked race which by violence and seduction sought to entangle Seth’s posterity likewise in their own corrupt ways. Then God declared to Noe His intention to send the Deluge. During the building of the ark, Noe had to suffer terribly from those people.
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Anne Catherine Emmerich (The Anne Catherine Emmerich Collection [10 Books])
“
The trail continues in a southerly direction, climbing below Peak 3, Peak 4, and Peak 5 before reaching a seasonal stream at mile 7.6 (12,320). Continue climbing until you reach the crest of the Tenmile Range at mile 8.0 (12,495). The views on a clear day are magnificent. Along the way up, Lake Dillon and the town of Dillon are visible to the north, Breckenridge sits stately to the east, and Copper Mountain lies 2,500 feet below to the west. After topping out, follow the ridge, passing just west of Peak 6. Descending south, reach a seasonal spring at mile 9.0 (12,176). Continue on a steep descent to reach tree line at mile 9.9 (11,720). The trail then makes a sharp right turn where the Wheeler Trail diverges south at mile 10.4 (11,249). Traverse downhill to the northwest, crossing several small seasonal streams before reaching the valley floor and joining a paved rec path. Continue straight, crossing a bridge over Tenmile Creek at mile 12.4 (9,767). Continue 50 yards more alongside the Copper Far East Parking Lot and trail-head where the trail diverges left onto dirt single-track. There is good access to water and possible campsites before reaching CO Hwy 91, where parking is prohibited, and the end of Segment 7 at mile 12.8 (9,820). Ahead, there is no camping within the first 4 miles of Segment 8 while on Copper Mountain Resort property.
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”
Colorado Trail Foundation (The Colorado Trail)
“
Sonnet of Identity
Tell me O Mississippi,
What is my name?
For I lost my sense of self,
In line of service without gain.
Dear mountains of Blue Ridge,
Where did I come from?
I fathom not the worldly titles,
I deny narrowness as the norm.
Character makes the person,
Not pedigree and tradition.
If I can lift even five lives,
That’ll be my highest salvation.
So forget that I asked about my identity.
Service is my culture and my nationality.
”
”
Abhijit Naskar (Generation Corazon: Nationalism is Terrorism)
“
when the task ahead feels like a mountain to climb, you don’t look up at the peak. You narrow your focus and set yourself the challenge to make it to that next ridge. When you get there, you allow yourself to absorb that feeling of being on your way. Then you go again.
”
”
Julie Smith (Why Has Nobody Told Me This Before?: An International Bestselling Guide to Mental Health and Emotional Resilience from a Clinical Psychologist)
“
Sometimes I feel as if mountains have become an addiction, the pleasure gone, the compulsion to partake remaining. Rarely blessed with the enjoyment of the moment, I had come to realise the satisfaction of going to the limit, physically and mentally, of dipping into danger and exhaustion, of returning full of enthusiasm for life and appreciation for every part of existence.
”
”
Joe Tasker (Everest the Cruel Way: The audacious winter attempt of the West Ridge)
“
Shouldering the stars! That is how I always think of Simla—standing on the Ridge and looking up through the clear air into the vault of the heavens, where the stars seem so much nearer… And they are reflected below, in the myriad lights of the shops and houses.
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Ruskin Bond (Once You Have Lived with Mountain)
“
digging up some of the perennials that needed dividing, and bringing them back to a small sunny strip he had fitted out as a garden in his new place in the mountains.
”
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Rose Senehi (In the Shadows of Chimney Rock (Blue Ridge Series))
“
I’m going to rip this son of a bitch’s head clean off his shoulders and shove it up his ass until it sits on his shoulders again.
”
”
Ren Booth (Jackson (Mountain Men of Scarlet Ridge #1))
“
Will you accept my grandmother’s ring and allow me to be your husband?
”
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Ren Booth (Jackson (Mountain Men of Scarlet Ridge #1))
“
My nose is so big it’s like a mountain ridge on my face. Ladies, you could Mt. Everest, or you could mount me instead.
”
”
Jarod Kintz (99 Cents For Some Nonsense)
“
She wonders whether she will be able to talk about the hospitality of the people she has met without seeming to be trotting out the sort of pseudo-third-world speech she loathes from having heard it so often, and which is usually followed by some comment about the sense of rhythm or the contentment despite their poverty of the people 'over there'. This generosity - she thinks, as Fathi gets behind the steering wheel - is a double-edge sword: it can be turned against the giver. In giving of his time to others, he gives the impression that he has time to spare, that he does not know what to do with his days and the person he is helping finds himself thinking that he is helping the person who is helping him by giving him something to do. Most Parisians - she includes herself in this number - who leave foreigners, whether or not they are tourists, with the impression that they are incorrigibly rude are people who believe that they have better things to do than help others, even if they have only left their home to go to an office where they are miserable, to shop at the nearest supermarket, or to go for a drink with friends. She tries to remember the last time she was deflected from her course, whether actual or symbolic, by something unexpected. She cannot think of one, and, and she thinks that, perhaps, this is what she was looking for when she agreed to go up to the mountain ridge with Noureddine: proof that she can still surprise herself, since she has never given anyone else the opportunity to do so.
”
”
Alice Zeniter (The Art of Losing)