Riders Club Quotes

We've searched our database for all the quotes and captions related to Riders Club. Here they are! All 39 of them:

The food at the Mandarin Club was not good, but the members liked it that way. It reminded them of school.
Anthony Horowitz (Crocodile Tears (Alex Rider, #8))
So ride on, my brothers, and rest in peace. Wherever you are, may you always have the sun on your back, your fists in the wind, and the road stretching out before you
Laura Kaye (Ride Hard (Raven Riders, #1))
He’d put the nail in his own coffin. Rider and the Souls treated loyalty as sacred. If there was no loyalty among the members, then Rider didn’t want that man around. By doing the only thing he thought right at the time, he’d fucked himself into losing what meant most to him and being banished back to a life he hated living. No one would understand why he did what he did. To the Souls, the rules were black and white. It was club first. Always the club came first, no matter what. Hindsight was a bitch because he did regret every decision he’d made.
V. Theia (Indecent Lies (Renegade Souls MC #7))
Moving to Rider, she kissed him on his forehead, then walked past me. The bitch eyeballed me the entire way. I decided right then that if she’d have been a guy, I’d have recruited her to my club on the spot.
Tillie Cole (Deep Redemption (Hades Hangmen, #4))
Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and pu the far side of the ruined ranks in a piping of boneflutes and dropping down off the sides of their mounts with one heel hung in the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, riding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged trot like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, head, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows.
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
Where Roux Tucker was concerned, Butcher was not the patient man he was known for being. He was a ticking bomb, ready to explode his feelings all over. He wanted her. He needed her. He craved her. And yet he couldn’t have her without causing a war between two clubs. Axel nearly killed Butcher the night he found out about them. Rider intervened. It wasn’t because the Souls were afraid of the Diablos, far from it. That club was a piss in the water compared to Butcher’s club. It was a secret that had kept him away from claiming her as his old lady. He loved her enough to give her freedom even when it was a veiled sense of it. She wouldn’t hear the truth from him. Though it killed him.
V. Theia (Savage Outlaw (Renegade Souls MC #8))
Si sente vivo e spregiudicato. Vuole vedere Nell ridere. Vuole andare in un club e ballare con lei fino alle ore piccole, con una mano sulla sua schiena sudata, tenendo gli occhi incatenati ai suoi. Vuole rimanere sveglio fino all'alba per un buon motivo, eccitato dall'alcol, dal divertimento e dalla magia di Parigi. Vuole assaporare la sensazione di speranza che nasce dall'incontro con una persona sconosciuta, qualcuna che vede solo il meglio di te, non il peggio.
Jojo Moyes (Paris for One)
Jess pushed herself up to sit next to him. "In case you didn't get the memo, it' s my turn to take care of you right now." Ike dropped his face into his hands on a groan, and Jess's cool hand massages his neck. "Oh, my God. You're so hot." He chuffed out a small laugh. "Why, thank you." Jess Chuckled. "You realize you don't have to fish for compliments, right? Not from me. Because I will straight-up tell you that the sight of your Ravens tat stretched over all these muscles gives me a lady boner." Her fingers traced the design across his shoulder blades - a spread-winged raven perches on the hilt of a dagger sunk into the eye socket of a skull. The block letters of the club's name arched over the menacing black bird. He threw her some major side-eye. "I know I'm sick because the perverted part of my brain just heard you say my ink gives you a lady boner.
Laura Kaye (Hard as Steel (Hard Ink, #4.5; Raven Riders, #0.5))
Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a piping of boneflutes and dropping down off the sides of their mounts with one heel hung in the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, riding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged trot like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows.
Cormac McCarthy (Blood Meridian: Or the Evening Redness in the West)
The Riders Placencia Beach, Belize, 1996 Americans aren’t overly familiar with Tim Winton, although in my mind he is one of the best writers anywhere. This novel is set in Ireland and Greece as a man and his daughter search for their missing wife and mother. Gripping. 2. Family Happiness Miacomet Beach, Nantucket, 2001 The finest of Laurie Colwin’s novels, this is, perhaps, my favorite book in all the world. It tells the story of Polly Demarest, a Manhattan woman who is torn between her very uptown lawyer husband and her very downtown artist lover. 3. Mary and O’Neil Cottesloe Beach, Western Australia, 2009 These connected stories by Justin Cronin will leave you weeping and astonished. 4. Appointment in Samarra Nha Trang Beach, Vietnam, 2010 This classic novel was recommended to me by my local independent bookseller, Dick Burns, once he had found out how much I loved Revolutionary Road by Richard Yates. John O’Hara’s novel has all the requisite elements of a page-turner—drinking, swearing, and country club adultery, although set in 1930s Pennsylvania. This may sound odd, but trust me, it’s un-put-downable! 5. Wife 22 Oppenheimer Beach, St. John, U.S. Virgin Islands, 2012 If you like piña coladas… you will love Melanie Gideon’s tale of marriage lost and rediscovered. 6. The Interestings Steps Beach, Nantucket, 2013 And this summer, on Steps Beach in Nantucket, I will be reading The Interestings by Meg Wolitzer. Wolitzer is one of my favorite writers. She explores the battles between the sexes better than anyone around.
Elin Hilderbrand (Beautiful Day)
The company was now come to a halt and the first shots were fired and the grey riflesmoke rolled through the dust as the lancers breached their ranks. The kid's horse sank beneath him with a long pneumatic sigh. He had already fired his rifle and now he sat on the ground and fumbled with his shotpouch. A man near him sat with an arrow hanging out of his neck. He was bent slightly as if in prayer. The kid would have reached for the bloody hoop-iron point but then he saw that the man wore another arrow in his breast to the fletching and he was dead. Everywhere there were horses down and men scrambling and he saw a man who sat charging his rifle while blood ran from his ears and he saw men and he saw men with their revolvers disassembled trying to fit the fit the spare loaded cylinders they carried and he saw men kneeling who tilted and clasped their shadows on the ground and he saw men lanced and caught up by the hair and scalped standing and he saw the horses of war trample down the fallen and a little whitefaced pony with one clouded eye leaned out of the murk and snapped at him like a dog and was gone. Among the wounded some seemed dumb and without understanding and some were pale through the masks of dust and some had fouled themselves or tottered brokenly onto the spears of the savages. Now driving in a wild frieze of headlong horses with eyes walled and teeth cropped and naked riders with clusters of arrows clenched in their jaws and their shields winking in the dust and up the far side of the ruined ranks in a pipping of boneflutes and dropping down off the side of their mounts with one heel hung in the the withers strap and their short bows flexing beneath the outstretched necks of the ponies until they had circled the company and cut their ranks in two and then rising up again like funhouse figures, some with nightmare faces painted on their breasts, ridding down the unhorsed Saxons and spearing and clubbing them and leaping from their mounts with knives and running about on the ground with a peculiar bandylegged like creatures driven to alien forms of locomotion and stripping the clothes from the dead and seizing them up by the hair and passing their blades about the skulls of the living and the dead alike and snatching aloft the bloody wigs and hacking and chopping at the naked bodies, ripping off limbs, heads, gutting the strange white torsos and holding up great handfuls of viscera, genitals, some of the savages so slathered up with gore they might have rolled in it like dogs and some who fell upon the dying and sodomized them with loud cries to their fellows. And now the horses of the dead came pounding out of the smoke and dust and circled with flapping leather and wild manes and eyes whited with fear like the eyes of the blind and some were feathered with arrows and some lanced through and stumbling and vomiting blood as they wheeled across the killing ground and clattered from sight again. Dust stanched the wet and naked heads of the scalped who with the fringe of hair beneath their wounds and tonsured to the bone now lay like maimed and naked monks in the bloodsoaked dust and everywhere the dying groaned and gibbered and horses lay screaming
Cormac McCarthy (Blood Meridian, or, the Evening Redness in the West)
For better or worse, dispelling the illusion of free will has political implications—because liberals and conservatives are not equally in thrall to it. Liberals tend to understand that a person can be lucky or unlucky in all matters relevant to his success. Conservatives, however, often make a religious fetish of individualism. Many seem to have absolutely no awareness of how fortunate one must be to succeed at anything in life, no matter how hard one works. One must be lucky to be able to work. One must be lucky to be intelligent, physically healthy, and not bankrupted in middle age by the illness of a spouse. Consider the biography of any “self-made” man, and you will find that his success was entirely dependent on background conditions that he did not make and of which he was merely the beneficiary. There is not a person on earth who chose his genome, or the country of his birth, or the political and economic conditions that prevailed at moments crucial to his progress. And yet, living in America, one gets the distinct sense that if certain conservatives were asked why they weren’t born with club feet or orphaned before the age of five, they would not hesitate to take credit for these accomplishments. Even if you have struggled to make the most of what nature gave you, you must still admit that your ability and inclination to struggle is part of your inheritance. How much credit does a person deserve for not being lazy? None at all. Laziness, like diligence, is a neurological condition. Of course, conservatives are right to think that we must encourage people to work to the best of their abilities and discourage free riders wherever we can. And it is wise to hold people responsible for their actions when doing so influences their behavior and brings benefit to society. But this does not mean that we must be taken in by the illusion of free will. We need only acknowledge that efforts matter and that people can change. We do not change ourselves, precisely—because we have only ourselves with which to do the changing—but we continually influence, and are influenced by, the world around us and the world within us. It may seem paradoxical to hold people responsible for what happens in their corner of the universe, but once we break the spell of free will, we can do this precisely to the degree that it is useful. Where people can change, we can demand that they do so. Where change is impossible, or unresponsive to demands, we can chart some other course. In improving ourselves and society, we are working directly with the forces of nature, for there is nothing but nature itself to work with.
Sam Harris (Free Will)
Neil. The club is who you are. It’s—” “No! Who I am is a biker. A rider. Riding’s my fucking freedom, babe. Ain’t never gonna stop. But club member? Nah, not no more. Right now, Thorns is clipping my wings. Whole reason I joined, whole reason all the boys joined, was to live on our own terms outside of society’s rules and the fucking shackles they slap on your wrists, you know? But the club ain’t that way no more. Trig’s screwed it up. And I ain’t gonna let no one control me. Right now, I gotta play the game, yeah? But freedom’s coming, babe. And you’re a big part of that. I love you. I fucking want you and I’m gonna have you. Don’t give a fuck what no one says, who or what gets in my face, cuz I’ll pound it all into the ground. Pay the price to make damn sure I can always live free—WE can always live free. You feel me?
Franca Storm (Reckless (Black Thorns, #1))
haute
Stacy Gregg (Blaze and the Dark Rider (Pony Club Secrets, #2))
Aren’t threesomes like Fight Club…you don’t talk about it?
Amelia Shea (The Hero (Ghosttown Riders, #2))
This is a mess. I mean, this comforter is never going to come clean, no matter how much club soda Malcolm pours on it. Serves him right for buying a white comforter. How arrogant is that anyway? White comforter. It's like he thinks he's better than the rest of us crumb-dropping bed dwellers.
C.P. Rider (Summoned (Sundance, #2))
You like me needing you, girl? You like knowing you’re the only woman in the whole fucking world I can imagine ever touching again?
Kati Wilde (Losing It All (Hellfire Riders MC, #11))
What makes horse riders win the race is their ability to focus on where they are going. What makes leaders win is their ability to focus on the task at hand.
Gift Gugu Mona (The Effective Leadership Prototype for a Modern Day Leader)
Feminity for me was discovering you when I took you for a ride on my Motorcycle!
Avijeet Das
Bread will win the war. Work will win, sugar will win, peach pits will win the war. Nonsense. Not nonsense, I tell you, there's some kind of valuable high explosive to be got out of peach pits. So all the happy housewives hurry during the canning season to lay their baskets of peach pits on the altar of their country. It keeps them busy and makes them feel useful, and all these women running wild with the men away are dangerous, if they aren't given something to keep their little minds out of mischief. So rows of young girls, the intact cradles of the future, with their pure serious faces framed becomingly in Red Cross wimples, roll cock-eyed bandages that will never reach a base hospital, and knit sweaters that will never warm a manly chest, their minds dwelling lovingly on all the blood and mud and the next dance at the Acanthus Club for the officers of the flying corps. Keeping still and quiet will win the war.
Katherine Anne Porter (Pale Horse, Pale Rider)
The 1950s, a decade that would become synonymous with unquestioning conformity, had seen the rise of the other-directed character—all those middle-class, upwardly mobile businessmen and consumers who focused on other people’s opinions of them. By the early 1960s, however, more and more Americans were starting to follow an inner voice. There was a new kind of empathic individualism, a nonconformist mentality that would soon see full flowering in the psychedelic drug culture. One way to see this change is through film and theater—the social journey from Death of a Salesman to Easy Rider.
Don Lattin (The Harvard Psychedelic Club: How Timothy Leary, Ram Dass, Huston Smith, and Andrew Weil Killed the Fifties and Ushered in a New Age for America)
If you were mine, I’d kill anyone who told me to let another man touch you. I’d burn down the club before letting someone feel what’s mine. Within the club, the only other thing that is sacred is our women, the ones we claim, the ones we choose. If you were mine, I’d tell Tuck to go fuck himself and if he tried to hurt me, then I’d welcome the carnage.
Ashley Munoz (Where We Promise (Stone Riders MC #3))
I have been there for you. Me. I have sacrificed.” He pointed at his chest, walking closer. “I have given up my club, my home, everything, I know, all to keep you safe.
Ashley Munoz (Where We Promise (Stone Riders MC, #3))
I was afraid of falling too far and too fast with her. I was afraid of losing myself before I ever had the chance to do the one thing I’d always wanted to do, which was becoming president of this club.
Ashley Munoz (Where We Belong (Stone Riders MC #2))
This sounds irrational because it is. The part of the brain that causes us to feel that familiar ways are right, no matter what, is older, bigger, and stronger than the rational mind. One psychologist, Jonathan Haidt, compares the logical brain to a human rider sitting on the back of an illogical elephant. We assume the rider is in charge, making fair, just decisions and directing the elephant. But it’s usually the elephant who’s calling the shots. In Haidt’s words, “The rider acts as spokesman for the elephant, even though it doesn’t necessarily know what the elephant is really thinking.
Martha Beck (The Way of Integrity: Finding the Path to Your True Self)
restraining him with a pair of long black leather reins which he held in his white gloved hands. The music changed now from the brisk clacking of Spanish castanets to the dramatic strains of a classical orchestra. The horses
Stacy Gregg (Blaze and the Dark Rider (Pony Club Secrets, #2))
It must be awful, Issie thought, being the new girl and not knowing anyone—even if you are the daughter of a famous rider like Araminta Chatswood-Smith.
Stacy Gregg (Blaze and the Dark Rider (Pony Club Secrets, #2))
getter
Olivia Thorne (Midnight Desire (Midnight Riders Motorcycle Club #1))
Ulysses Club (Australia) a social club for riders over 40, whose membership is dedicated to “growing old disgracefully”, or
Stella Rheingold (101 Fun Things to do in Retirement: An Irreverent, Outrageous & Funny Guide to Life After Work)
This was a proper stable, not a pony club. It was a totally different world. And it was one that Issie was excited to be part of.
Stacy Gregg (Flame and the Rebel Riders (Pony Club Secrets, Book 9))
But,” Aidan finished her sentence for her, “you don’t want to be my girlfriend any more.
Stacy Gregg (Flame and the Rebel Riders (Pony Club Secrets, Book 9))
A pole?” Issie screwed up her face. “You want me to trot him over a pole?
Stacy Gregg (Flame and the Rebel Riders (Pony Club Secrets, Book 9))
said. “I never finished saying what I wanted to say and, well, I wanted to let you know that…I hope you’ll be…” He stopped talking and looked up. Peering out of the two horse trucks were a dozen faces, all pressed up against the glass, watching them. “Oh, great!” Aidan groaned. “Just what I needed. An audience!” He looked back at Issie. “I’m not going to talk about this any more,” he said. “You know what I mean and you know what I’m trying to say. Now this is it. I don’t care any more. I’m going to kiss you, OK?” “But, Aidan!” Issie objected. “I can’t. They’re all watching us!” Aidan smiled and pulled her closer. “Close your eyes then,” he told her. And she did. The Pony Club Secrets series: 1. Mystic and the Midnight Ride 2. Blaze and the Dark Rider 3. Destiny and the Wild Horses 4. Stardust and the Daredevil
Stacy Gregg (Comet and the Champion's Cup (Pony Club Secrets, #5))
The Pony Club Secrets series: 1. Mystic and the Midnight Ride 2. Blaze and the Dark Rider 3. Destiny and the Wild Horses 4. Stardust and the Daredevil Ponies 5. Comet and the Champion’s Cup 6. Storm and the Silver Bridle 7. Fortune and the Golden Trophy 8. Victory and the All-Stars Academy 9. Flame and the Rebel Riders 10. Angel and the Flying Stallions Also available in the series: Issie and the Christmas Pony (Christmas special) Coming soon… 11. Liberty and the Dream Ride About the Publisher Australia HarperCollins Publishers (Australia) Pty.
Stacy Gregg (Angel and the Flying Stallions (Pony Club Secrets, #10))
Magazine Street was a sea of green. Piper reveled in the pleasure and satisfaction of having finished the scene in her first feature film as she made her way through the crowds and watched the floats decorated by New Orleans marching clubs. The float riders threw carrots, potatoes, moon pies, and beads to the onlookers gathered on the sidewalk. Pets joined in the festivities as well, sporting leprechaun attire and green-tinted fur. Under a bright sun and a clear blue sky, families and friends were gathered for the opportunity to celebrate one of the biggest street parties of the year. Some set up ladders along the parade route, climbing atop for the best views. Others scaled trees and found perches among the branches. "Hey, mister, throw me something!" yelled a man next to Piper. Waving hands rose in the air as a head of cabbage came hurtling from the float. Everyone in the crowd lunged for it. The person who snagged it was roundly congratulated for the catch. "What's with the cabbage?" Piper asked the man standing next to her. "They aren't supposed to throw them, just hand them out. Somebody could get hurt by one of those things." The man shrugged. "But the tradition is to cook them for dinner on St. Patrick's Day night.
Mary Jane Clark (That Old Black Magic (Wedding Cake Mystery, #4))
By the time they reached the lake, the sky was spitting raindrops at them. Dare pulled into the dirt parking lot nearest the little beach everyone in the club used for swimming. He killed the engine and turned in his seat to face her. "What d'ya think about..." The question died in his throat. Because under the helmet's clear visor, Haven wore the most beautiful smile he'd ever seen in his life. "God, I love riding," she said. She lifted the helmet from her head, shaking out her new brown hair. The movement made him hard. "What do I think about what?" She grinned up at the sky as a few fat drops landed on her face. "The weather," Dare said distractedly, just struck stupid by her declaration, her beauty, the knowledge that riding with him made so damn happy. She shrugged, her expression entirely untroubled. "I'm gonna get wet anyway." He swallows around the desire stalking through his body. "Are you now?" he asked, purposely playing on the innuendo of her words when he knew she hadn't meant anything by them. Just to see if she'd take the bait. Lips pressed together in a mischievous smirk, she looked him right in the eyes. "Sure hope so." Game. Fucking. On.
Laura Kaye (Ride Hard (Raven Riders, #1))
Issie blushed at this, and then Dan, realising what
Stacy Gregg (Blaze and the Dark Rider (Pony Club Secrets, #2))
He had driven a few metres down the driveway when he stopped the car and wound down the passenger window and spoke again. “She’ll always be your horse, Isadora. The question is—do you have enough faith to still be her girl?” And with that, Avery floored the accelerator on the Range Rover, leaving Issie standing in the driveway in floods of tears as he drove away.
Stacy Gregg (Blaze and the Dark Rider (Pony Club Secrets, #2))
Someone—Tony or Warner Bros.?—had decided that the grueling schedule and the added tension in the band might be alleviated somewhat by the relative comfort of bus touring versus Old Blue. It was a nice idea. It might have even been a gambit to see if the camaraderie of sharing a luxurious living situation might heal the band’s broken bonds. So we loaded all of our gear into the parking lot behind our apartment and waited for our new accommodations to arrive. Everyone, I think even Jay, was excited about the prospect of spending at least some small part of our lives seeing what it was like to tour in style. That was until he laid eyes on the Ghost Rider. What we were picturing was sleek and non-ostentatious like the buses we had seen parked in front of theaters at sold-out shows by the likes of R.E.M. or the Replacements. Instead, what we got was one of Kiss’s old touring coaches—a seventies-era Silver Eagle decked out with an airbrushed mural in a style I can only describe as “black-light poster–esque,” depicting a pirate ship buffeted by a stormy sea with a screaming skeleton standing in the crow’s nest holding a Gibson Les Paul aloft and being struck by lightning. The look on Jay’s face was tragic. I felt bad for him. This was not a serious vehicle. I’m not sure how we talked him into climbing aboard, and once we did, I have no idea how we got him to stay, because the interior was even worse. White leather, mirrored ceilings, and a purple neon sign in the back lounge informing everyone, in cursive, that they were aboard the “Ghost Rider” lest they forget. So we embarked upon Uncle Tupelo’s last tour learning how to sleep while being shot at eighty miles per hour down the highway inside a metal box that looked like the VIP room at a strip club and made us all feel like we were living inside a cocaine straw. Ghost Rider indeed.
Jeff Tweedy (Let's Go (So We Can Get Back): A Memoir of Recording and Discording with Wilco, Etc.)