Ride Or Die Relationship Quotes

I love a man who tickles me awake with reality, and kisses me goodnight with fiction Braids my hair with simplicity to compliment my contradiction And calms the waging wars inside with a simple boyish look For he is as much a mystery as he is an open book When I am at my worst, I am beautiful by his side He draws me in yet keeps me free, the moon to my tide He relishes my quirks and antics just as much I love to keep him frantic And if I ever fall, he doesn’t catch me right away Because he knows I’ll glide And even more so, knows how much I enjoy the ride… With the strength I lack, he holds my insecurity safe in-between his fingers And if there is ever a doubt while I am out running about His steady grip lingers He drives me crazy just as much as he keeps me sane And has the wisdom to keep me wild knowing I’ll die if ever tame So when I am far, he frets not, because he knows he’s my favorite destination If ever I am down, he joins me on the ground and points out my favorite constellations He catches my sighs and lackluster replies With ageless humor and tenacity I draw blanks at his capacity And challenge his audacity But He wins because despite my stubbornness he is persistent Yet forever fails because he belongs to nonexistent

No son ever develops into manhood without, in some way, being disloyal to his mother. If he remains with her, to comfort her and console her, then he never gets out of his mother complex. Often a mother will do all she can to keep her son with her. One of the most subtle ways is to encourage him the idea of being loyal to her; but if he gives in to her completely then she often finds herself with a son severely injured in his masculinity. The son must ride off and leave his mother, even if it appears to mean disloyalty, and the mother must bear this pain. Later, like Parsifal, the son may come back to the mother and they may find a new relationship, on a new level; but this can only be done after the son has first achieved his independence and transferred his affection to a woman, either in an interior way with his own inner feminine side or in an exterior way with a real female companion of his own age. In our myth, Parsifal's mother died when he left. Perhaps she represents the kind of woman who can only exist as a mother, who dies when this role is taken from her because she does not understand how to be an individual woman, but only a "mother.

We bring this lamentable recital to a close. There can be no doubt that John's remarkable vision had come to pass: A city on seven hills sated with wealth, which claimed a special relationship to God and Christ, literally ruled over the kings of the earth. As with the other identifying criteria John provides, there is only one city in history (and only one today) which passes this test. Peter de Rosa reminds us of what must have shocked John:       Jesus renounced possessions. He constantly taught: "Go, sell all thou hast and give to the poor, then come and follow me." He preached doom to the rich and powerful. . . . Christ's Vicar lives surrounded by treasures, some of pagan origin. Any suggestion that the pope should sell all he has and give to the poor is greeted with derision as impractical. The rich young man in the gospel reacted in the same way.       Throughout his life, Jesus lived simply; he died naked, offering the sacrifice of his life on the cross.       When the pope renews that sacrifice at pontifical high mass, no greater contrast could be imagined. Without any sense of irony, Christ's Vicar is clad in gold and the costliest silks.       . . . the pope has a dozen glorious titles, including State Sovereign. The pope's aides also have titles somewhat unexpected in the light of the Sermon on the Mount: Excellency, Eminence, Your Grace, My Lord, Illustrious One, Most Reverend, and so on. . . .       Peter, always penniless, would be intrigued to know that according to canon 1518. . .his successor is "the supreme administrator and manager of all church properties." Also that the Vatican has its own bank. . . .30

Death and life are two sides of the same coin; you cannot have one without the other. Each time you surrender, each time you trust the dying, your faith is led to a deeper level and you discover a Larger Self underneath. You decide not to push yourself to the front of the line, and something much better happens in the back of the line. You let go of your narcissistic anger, and you find that you start feeling much happier. You surrender your need to control your partner, and finally the relationship blossoms or ends. Yet each time it is a choice—and each time it is a kind of dying. It seems we only know what life is when we know what death is. The mystics and great saints were those who had learned to trust and allow this pattern, and often said in effect, “What did I ever lose by dying?” Or try Paul’s famous one-liner: “For me to live is Christ and to die is gain” (Philippians 1:21). Now even scientific studies, including those of near-death experiences, reveal the same universal pattern. Things change and grow by dying to their present state, but each time it is a risk. We always wonder, “Will it work this time?” So many academic disciplines are coming together, each in their own way, to say that there’s a constant movement of loss and renewal at work in this world at every level. It seems to be the pattern of all growth and evolution. To be alive means to surrender to this inevitable flow. It’s the same pattern in every atom, in every human relationship, and in every galaxy. Indigenous peoples, Hindu gurus, Buddha, Moses, Muhammad, and Jesus all saw it clearly in human history and named it as a kind of “necessary dying.” If this pattern is true, it has been true all the time and everywhere. Such seeing did not just start two thousand years ago. All of us have to eventually learn to let go of something smaller so something bigger can happen. But that’s not a religion—it’s highly visible truth. It is the Way Reality Works. Yes, I am saying that the way things work and Christ are one and the same. This is not a religion to be either fervently joined or angrily rejected. It is a train ride already in motion. The tracks are visible everywhere. You can be a willing and happy traveler. Or not.

Love Hurts. I daresay there’s two or three poems, six novels and at least twelve songs on the subject. That’s how the Janus-faced beast of poetry gets written in the first place, in all its myriad of magical forms. So; why cover this hitherto uncharted and highly original territory? Why leap fearlessly into the unknown, nostrils flared, eyes flashing fire? Well, in the name of love, lust and limerence, why on earth not? Suffering is gratuitous and pointless, yet also vital, valuable and necessary. My last tête à tête gave me plenty, incorporating elements of the forbidden, of rebellion, pornography, pregnancy, parental approval – followed by fury – of infidelity, friend estrangement, life on one island that was heavenly and a second that veered between purgatorial and infernal, of violence, miscarriage, masturbating Indians, pepper spray, antipathy, disloyalty, evictions, a planned future, failed globetrotting and habitual lies, whilst being indicative of a wider, all-encompassing social corrosion, and while the story itself may remain merely hinted at or alluded to in the course of this generalised polemic, it’s as worthy or valid as any other such tale told round the campfire and whispered across the beaches of the world. All life’s a roll of the dice, tiger; ride into the bastard storm and if your wounds hurt, be grateful you survived to lick them, even in the darkest nights of the soul when the sun is a mattress fire the god of your love died in. Love Hurts, and in a stupendous and savage cosmos, it’s my right to sit at the keyboard and bleed. Besides, love, poverty and war are the necessary accoutrements to a fulfilled life; this is the all-encompassing theme of our human condition and the crooning, persuasive symphony of that philosophically unfathomable miracle of life itself… especially as love leads to poverty and war. Man is born unto trouble as the sparks fly upward, after all. I certainly am… we choose our own chains... ~excerpt, "Love Hurts