Fly With The Angels Quotes

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She'll kill me if she finds you in here. Can you climb trees? Tell me you can climb a tree!" Patch grinned, "I can fly.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Never travel faster than your guardian angel can fly.
Mother Teresa
And indeed it was, the arrow still protruding from its wet, grayish skin, humping its body along with incredible speed. A flick of its tail caught the edge of a statue, sending it flying into the dry ornamental pool, where it shattered into dust. “By the Angel, it just crushed Sophocles,” noted Will. “Has no one respect for the classics these days?
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
They [Erasers] were bad fliers," Angel chimed in, "And in their minds, they weren't all kill the mutants, like they usually are. They were like, remember to flap!
James Patterson (School's Out—Forever (Maximum Ride, #2))
Angels can fly because they can take themselves lightly.
G.K. Chesterton (Orthodoxy)
Sensitive people are the most genuine and honest people you will ever meet. There is nothing they won’t tell you about themselves if they trust your kindness. However, the moment you betray them, reject them or devalue them, they become the worse type of person. Unfortunately, they end up hurting themselves in the long run. They don’t want to hurt other people. It is against their very nature. They want to make amends and undo the wrong they did. Their life is a wave of highs and lows. They live with guilt and constant pain over unresolved situations and misunderstandings. They are tortured souls that are not able to live with hatred or being hated. This type of person needs the most love anyone can give them because their soul has been constantly bruised by others. However, despite the tragedy of what they have to go through in life, they remain the most compassionate people worth knowing, and the ones that often become activists for the broken hearted, forgotten and the misunderstood. They are angels with broken wings that only fly when loved.
Shannon L. Alder
It's too cold outside for angels to fly.
Ed Sheeran
If you want to find the trail, if you want to find yourself, you must explore your dreams alone. You must grow at a slow pace in a dark cocoon of loneliness so you can fly like wind, like wings, when you awaken.
Francesca Lia Block (Dangerous Angels (Weetzie Bat, #1-5))
Laurie, you're an angel! How shall I ever thank you?" "Fly at me again. I rather liked it," said Laurie, looking mischievous, a thing he had not done for a fortnight.
Louisa May Alcott (Little Women)
If only, if only, the moon speaks no reply; Reflecting the sun and all that's gone by. Be strong my weary wolf, turn around boldly. Fly high, my baby bird, My angel, my only
Louis Sachar (Holes (Holes, #1))
I watched him pitch the ball at a table neatly lined with six bowling pins, my stomach giving a little flutter when his T-shirt crept up in the back, revealing a stripe of skin. I knew from experience that every inch of him was hard, defined muscle. His back was smooth and perfect too, the scars from when he’d fallen once again replaced with wings—wings I, and every other human, couldn’t see. “Five dollars says you can’t do it again,” I said, coming up behind him. Patch looked back and grinned. “I don’t want your money, Angel.” “Hey now, kids, let’s keep this discussion PG-rated,” Rixon said. “All three remaining pins,” I challenged Patch. “What kind of prize are we talking about?” he asked. “Bloody hell,” Rixon said. “Can’t this wait until you’re alone?” Patch gave me a secret smile, then shifted his weight back, cradling the ball into his chest. He dropped his right shoulder, brought his arm around, and sent the ball flying forward as hard as he could. There was a loud crack! and the remaining three pins scattered off the table. “Aye, now you’re in trouble, lass,” Rixon shouted at me over the commotion caused by a pocket of onlookers, who were clapping and whistling for Patch. Patch leaned back against the booth and arched his eyebrows at me. The gesture said it all: Pay up. “You got lucky,” I said. “I’m about to get lucky.
Becca Fitzpatrick (Crescendo (Hush, Hush, #2))
I kick him in the face point blank with my high heel. He wasn't expecting that. The Angel flies back off the stage. "It really is you,"says Raffe.
Susan Ee (World After (Penryn & the End of Days, #2))
So in the middle of all the noise, I point to the sky. I hope he understands what I mean, because I mean so many things: My heart will always fly his name. I won't go gentle. I'll find a way to soar like the angels in the stories and I will find him. And I know he understands as he looks straight at me, deep into my eyes. His lips move silently, and I know what he says: the words of a poem that only two people in the world know. Tears well up but I blink them away. Because if there is one moment in my life that I want to see clearly, this is it.
Ally Condie (Matched (Matched, #1))
I led the way toward the crowd, trying to look casual, like, Fly? Me? Nah.
James Patterson (The Angel Experiment (Maximum Ride, #1))
For everything in this journey of life we are on, there is a right wing and a left wing: for the wing of love there is anger; for the wing of destiny there is fear; for the wing of pain there is healing; for the wing of hurt there is forgiveness; for the wing of pride there is humility; for the wing of giving there is taking; for the wing of tears there is joy; for the wing of rejection there is acceptance; for the wing of judgment there is grace; for the wing of honor there is shame; for the wing of letting go there is the wing of keeping. We can only fly with two wings and two wings can only stay in the air if there is a balance. Two beautiful wings is perfection. There is a generation of people who idealize perfection as the existence of only one of these wings every time. But I see that a bird with one wing is imperfect. An angel with one wing is imperfect. A butterfly with one wing is dead. So this generation of people strive to always cut off the other wing in the hopes of embodying their ideal of perfection, and in doing so, have created a crippled race.
C. JoyBell C.
Why does she have wings?' So she can fly.
Sarah Dessen (The Truth About Forever)
Okay,' he said. He took a breath. 'What would you do, if you could do anything?' I took a step toward him, closing the space between us. 'This,' I said. And then I kissed him. Kissed him. There, in the middle of the street, as the world went on around us. Behind me, I knew Jason was still waiting for an explanation, my sister was still lecturing, and that angel still had her eyes skyward, waiting to fly. As for me, I was just trying to get it right, whatever that meant. But now I finally felt I was on my way. Everyone had a forever, but given a choice, this would be mine. The one that began in this moment, with Wes, in a kiss that took my breath away, then gave it back- leaving me astounded, amazed, and most of all, alive.
Sarah Dessen (The Truth About Forever)
You'll wrest a burning sword from an angel, but you're afraid of bats?" "I'm not afraid of them. I just don't like them. They're...furry. Flying things shouldn't be furry. It's not right. And if I ever meet the Creator, I'm taking that one up with him." "That I'd like to see. Your one and possible only chance to get the answer to every question in the universe, and you ask, 'Why are bats furry?'" "I will. You just wait.
Kelley Armstrong (Haunted (Women of the Otherworld, #5))
She closed her eyes and jumped. For a moment she felt herself hang suspended, free of everything. Then gravity took over, and she plunged toward the floor. Instinctively she pulled her arms and legs in, keeping her eyes squeezed shut. The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning. 'Nice', he said. 'As graceful as a falling snowflake.
Cassandra Clare (City of Fallen Angels (The Mortal Instruments, #4))
How does this whole guardian angel business work? Am I the only person who can see you? I mean, are you invisible to everyone else?" Patch stared at me like he hoped I wasn't serious.    "You're not invisible?" I squeaked. "You have to get out of here!" I made a movement to push Patch off the bed but was cut short by a searing jab in my ribs. "She'll kill me if she finds you in here. Can you climb trees? Tell me you can climb a tree!"    Patch grinned. "I can fly."    Oh. Right. Well, okay.
Becca Fitzpatrick (Hush, Hush (Hush, Hush, #1))
Anna never wanted to walk when she could be carried, your mother wanted to walk when she could fly, and you want to run before you can walk.
Lili St. Crow (Defiance (Strange Angels, #4))
It's too cold outside For angels to fly An angel will die Covered in white Closed eye And hoping for a better life This time, we'll fade out tonight Straight down the line
Ed Sheeran
We are each of us angels with only one wing, and we can only fly by embracing one another.
Luciano De Crescenzo
So in the middle of all the noise, I point to the sky. I hope he understands what I mean, because I mean so many things: My heart will always fly his name. I won't go gentle. I'll find a way to soar life the angels in the stories and I will find him.
Ally Condie
Each moment is the fruit of forty thousand years. The minute-winning days, like flies, buzz home to death, and every moment is a window on all time.
Thomas Wolfe (Look Homeward, Angel)
I've lived through such terrible times and there are people who live through much worse. But you see them living anyway. When they're more spirit than body, more sores than skin, when they're burned and in agony, when flies lay eggs in the corners of the eyes of their children - they live. Death usually has to take life away. I don't know if that's just the animal. I don't know if it's not braver to die, but I recognize the habit; the addiction to being alive. So we live past hope. If I can find hope anywhere, that's it, that's the best I can do. It's so much not enough. It's so inadequate. But still bless me anyway. I want more life.
Tony Kushner (Angels in America)
And they say She's in the class A Team Stuck in her daydream Been that way since eighteen, but lately, Her face seems Slowly sinking, wasting Crumbling like pastries And they scream The worst things in life come free to us Cos we're just under the upperhand Go mad for a couple grams And she don't want to go outside tonight And in a pipe she flies to the Motherland Or sells love to another man It's too cold outside For angels to fly Angels to fly
Ed Sheeran
I mean, d'you know what eternity is? There's this big mountain, see, a mile high, at the end of the universe, and once every thousand years there's this little bird-" -"What little bird?" said Aziraphale suspiciously. -"This little bird I'm talking about. And every thousand years-" -"The same bird every thousand years?" -Crowley hesitated. "Yeah," he said. -"Bloody ancient bird, then." -"Okay. And every thousand years this bird flies-" -"-limps-" -"-flies all the way to this mountain and sharpens its beak-" -"Hold on. You can't do that. Between here and the end of the universe there's loads of-" The angel waved a hand expansively, if a little unsteadily. "Loads of buggerall, dear boy." -"But it gets there anyway," Crowley persevered. -"How?" -"It doesn't matter!" -"It could use a space ship," said the angel. Crowley subsided a bit. "Yeah," he said. "If you like. Anyway, this bird-" -"Only it is the end of the universe we're talking about," said Aziraphale. "So it'd have to be one of those space ships where your descendants are the ones who get out at the other end. You have to tell your descendants, you say, When you get to the Mountain, you've got to-" He hesitated. "What have they got to do?" -"Sharpen its beak on the mountain," said Crowley. "And then it flies back-" -"-in the space ship-" -"And after a thousand years it goes and does it all again," said Crowley quickly. There was a moment of drunken silence. -"Seems a lot of effort just to sharpen a beak," mused Aziraphale. -"Listen," said Crowley urgently, "the point is that when the bird has worn the mountain down to nothing, right, then-" Aziraphale opened his mouth. Crowley just knew he was going to make some point about the relative hardness of birds' beaks and granite mountains, and plunged on quickly. -"-then you still won't have finished watching The Sound of Music." Aziraphale froze. -"And you'll enjoy it," Crowley said relentlessly. "You really will." -"My dear boy-" -"You won't have a choice." -"Listen-" -"Heaven has no taste." -"Now-" -"And not one single sushi restaurant." A look of pain crossed the angel's suddenly very serious face.
Neil Gaiman (Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch)
To fly or not to fly, that's the question.
Dan Brown (Angels & Demons (Robert Langdon, #1))
Jem drew the bow back and let the arrow fly; it struck the creature in the side. The massive demon worm writhed in agony, undulating as it swept its great, blind head from side to side, uprooting shrubbery with its thrashings. Leaves filled the air and the boys choked on dust, Gideon backing up with his seraph blade in his hand, trying to see by its light. “It’s coming toward us,” he said in a low voice. And indeed it was, the arrow still protruding from its wet, grayish skin, humping its body along with incredible speed. A flick of its tail caught the edge of a statue, sending it flying into the dry ornamental pool, where it shattered into dust. “By the Angel, it just crushed Sophocles,” noted Will. “Has no one respect for the classics these days?
Cassandra Clare (Clockwork Princess (The Infernal Devices, #3))
Don't you ever fly away again, Angel. I swear I'll have your wings clipped.
Erin Noelle (Metamorphosis (Book Boyfriend, #1))
She was like a lone angel floating above the surface of the earth, laughing with delight because she could fly but crying out of loneliness.
Markus Zusak (The Book Thief)
He's only being polite. You should look the word up," Denise settled on. Ian snorted. "And angels fly out of my arse when I fart." First Drop of Crimson by Jeaniene Frost Page 78
Jeaniene Frost
Ancients pulled metals more precious than gold from the center of the earth - They spun into giant lacy wings that flew them to the stars and back "Is that what you'd do with wings?" She shook her head "No, I'd fly to the stars, but I'd never come back
Mary E. Pearson (The Kiss of Deception (The Remnant Chronicles, #1))
My granny always says "Women are like angels, when someone breaks our wings we continue to fly around on our broomsticks because we're flexible like that
Sophie Monroe (Battlescars (Battlescars, #1))
Old age is the lubricant of belief. When death knocks at the door, skepticism flies out the window. A serious cardiovascular fright and a person will even believe in Little Red Riding Hood.
Carlos Ruiz Zafón (The Angel's Game (The Cemetery of Forgotten Books, #2))
The cord pulled taut and she rebounded, flying back up before falling again. As her velocity slowed, she opened her eyes and found herself dangling at the end of the cord, about five feet above Jace. He was grinning. "Nice," he said. "As graceful as a falling snowflake." "Was I screaming?" She asked, genuinely curious. "You know, on the way down." He nodded. "Thankfully no one's home, or they would have assumed I was murdering you." "Ha. You can't even reach me." She kicked out a leg and spun lazily in midair. Jace's eyes glinted. "Want to bet?" Clary knew that expression. "No," she said quickly. "Whatever you're going to do-" But he'd already done it. When Jace moved fast, his individual movements were almost invisible. She saw his hand go to his belt, and then something flashed in the air. She heard the sound of parting fabric as the cord above her head was sheared through. Released, she fell freely, too surprised to scream- directly into Jace's arms. The force knocked him backward, and they sprawled together onto one of the padded floor mats, Clary on top of him. He grinned up at her. "Now," he said, "that was much better. You didn't scream at all." "I didn't get the chance." She was breathless, and not just from the impact of the fall. Being sprawled on top of Jace, feeling his body against hers, made her hands shake and her heart beat faster.
Cassandra Clare (City of Glass (The Mortal Instruments, #3))
Our heart wanders lost in the dark woods. Our dream wrestles in the castle of doubt. But there’s music in us. Hope is pushed down but the angel flies up again taking us with her.
Jack Gilbert (Collected Poems)
There is a trick to flying. The angels told me." He had smiled at my wide-eyed awe. "You need to forget everything you know as a human being. When you are human, you discover that there is great power in hating the earth. And it can almost make you fly. But it never will." I had frowned, not quite understanding him. "So, what's the trick?" "Love the sky.
Anne Fortier (Juliet)
What is a saint? A saint is someone who has achieved a remote human possibility. It is impossible to say what that possibility is. I think it has something to do with the energy of love. Contact with this energy results in the exercise of a kind of balance in the chaos of existence. A saint does not dissolve the chaos; if he did the world would have changed long ago. I do not think that a saint dissolves the chaos even for himself, for there is something arrogant and warlike in the notion of a man setting the universe in order. It is a kind of balance that is his glory. He rides the drifts like an escaped ski. His course is a caress of the hill. His track is a drawing of the snow in a moment of its particular arrangement with wind and rock. Something in him so loves the world that he gives himself to the laws of gravity and chance. Far from flying with the angels, he traces with the fidelity of a seismograph needle the state of the solid bloody landscape.
Leonard Cohen (Beautiful Losers)
his heart was afraid. As he looked up at the clouds or down at the precipice, he realised that this woman was the most important thing in his life; that she was the explanation, the sole reason for the existence of those rocks, that sky, that winter. If she were not there with him, it wouldn’t matter if all the angels of heaven came flying down to comfort him – Paradise would make no sense. ‘ I want to tell you that I love you,’ Brida said softly. ‘ Because you’ve shown me the joy of love.’ She felt full, complete, as if the whole landscape were seeping into her soul... and she was sure that, if she took a risk, she would experience love as never before.
Paulo Coelho
Angels?' 'You know. The ones in the old stories. How they can fly to heaven.' 'Do you think anyone believes in them anymore?' he asks. 'I don't know. No. Do you?' 'I believe in you.' he says.
Ally Condie (Matched (Matched, #1))
If only, if only, the moon speaks no reply; Reflecting the sun and all that’s gone by. Be strong my weary wolf, turn around boldly. Fly high my baby bird, My angel, my only.
Louis Sachar (Holes (Holes, #1))
Twenty-three stories up and all I could see out the windows was grey smog. They could call it the City of the Angels if they wanted to, but if there were angels out there, they had to be flying blind.
Laurell K. Hamilton (A Kiss of Shadows (Merry Gentry, #1))
Where do bad folks go when they die? They don't go to Heaven where the angels fly They go to the lake of fire and fry Won't see 'em again 'til the Fourth of July
Kurt Cobain
Once upon a time, there was Candy and Dan. Things were very hot that year. All the wax was melting in the trees. He would climb balconies, climb everywhere, do anything for her, oh Danny boy. Thousands of birds, the tiniest birds, adorned her hair. Everything was gold. One night the bed caught fire. He was handsome and a very good criminal. We lived on sunlight and chocolate bars. It was the afternoon of extravagant delight. Danny the daredevil. Candy went missing. The days last rays of sunshine cruise like sharks. I want to try it your way this time. You came into my life really fast and I liked it. We squelched in the mud of our joy. I was wet-thighed with surrender. Then there was a gap in things and the whole earth tilted. This is the business. This, is what we're after. With you inside me comes the hatch of death. And perhaps I'll simply never sleep again. The monster in the pool. We are a proper family now with cats and chickens and runner beans. Everywhere I looked. And sometimes I hate you. Friday -- I didn't mean that, mother of the blueness. Angel of the storm. Remember me in my opaqueness. You pointed at the sky, that one called Sirius or dog star, but on here on earth. Fly away sun. Ha ha fucking ha you are so funny Dan. A vase of flowers by the bed. My bare blue knees at dawn. These ruffled sheets and you are gone and I am going to. I broke your head on the back of the bed but the baby he died in the morning. I gave him a name. His name was Thomas. Poor little god. His heart pounds like a voodoo drum.
Luke Davies (Candy)
If flying-saucer creatures or angels or whatever were to come here in a hundred years, say, and find us gone like the dinosaurs, what might be a good message for humanity to leave for them, maybe carved in great big letters on a Grand Canyon wall? Here is this old poop's suggestion: WE PROBABLY COULD HAVE SAVED OURSELVES, BUT WERE TOO DAMNED LAZY TO TRY VERY HARD...
Kurt Vonnegut Jr. (Fates Worse Than Death: An Autobiographical Collage)
Dear Max - You looked so beautiful today. I'm going to remember what you looked like forever. ... And I hope you remember me the same way - clean, ha-ha. I'm glad our last time together was happy. But I'm leaving tonight, leaving the flock, and this time it's for good. I don't know if I'll ever see any of you again. The thing is, Max, that everyone is a little bit right. Added up all together, it makes this one big right. Dylan's a little bit right about how my being here might be putting the rest of you in danger. The threat might have been just about Dr. Hans, but we don't know that for sure. Angel is a little bit right about how splitting up the flock will help all of us survive. And the rest of the flock is a little bit right about how when you and I are together, we're focused on each other - we can't help it. The thing is, Maximum, I love you. I can't help but be focused on you when we're together. If you're in the room, I want to be next to you. If you're gone, I think about you. You're the one who I want to talk to. In a fight, I want you at my back. When we're together, the sun is shining. When we're apart, everything is in shades of gray. I hope you'll forgive me someday for turning our worlds into shades of gray - at least for a while. ... You're not at your best when you're focused on me. I mean, you're at your best Maxness, but not your best leaderness. I mostly need Maxness. The flock mostly needs leaderness. And Angel, if you're listening to this, it ain't you, sweetie. Not yet. ... At least for a couple more years, the flock needs a leader to survive, no matter how capable everyone thinks he or she is. The truth is that they do need a leader, and the truth is that you are the best leader. It's one of the things I love about you. But the more I thought about it, the more sure I got that this is the right thing to do. Maybe not for you, or for me, but for all of us together, our flock. Please don't try to find me. This is the hardest thing I've ever done in my life, besides wearing that suit today, and seeing you again will only make it harder. You'd ask me to come back, and I would, because I can't say no to you. But all the same problems would still be there, and I'd end up leaving again, and then we'd have to go through this all over again. Please make us only go through this once. ... I love you. I love your smile, your snarl, your grin, your face when you're sleeping. I love your hair streaming out behind you as we fly, with the sunlight making it shine, if it doesn't have too much mud or blood in it. I love seeing your wings spreading out, white and brown and tan and speckled, and the tiny, downy feathers right at the top of your shoulders. I love your eyes, whether they're cold or calculating or suspicious or laughing or warm, like when you look at me. ... You're the best warrior I know, the best leader. You're the most comforting mom we've ever had. You're the biggest goofball, the worst driver, and a truly lousy cook. You've kept us safe and provided for us, in good times and bad. You're my best friend, my first and only love, and the most beautiful girl I've ever seen, with wings or without. ... Tell you what, sweetie: If in twenty years we haven't expired yet, and the world is still more or less in one piece, I'll meet you at the top of that cliff where we first met the hawks and learned to fly with them. You know the one. Twenty years from today, if I'm alive, I'll be there, waiting for you. You can bet on it. Good-bye, my love. Fang P.S. Tell everyone I sure will miss them
James Patterson
Franny has the measles, for one thing. Incidentally, did you hear her last week? She went on at beautiful length about how she used to fly all around the apartment when she was four and no one was home. The new announcer is worse than Grant - if possible, even worse than Sullivan in the old days. He said she surely dreamt that she was able to fly. The baby stood her ground like an angel. She said she knew she was able to fly because when she came down she always had dust on her fingers from touching the light bulbs.
J.D. Salinger (Raise High the Roof Beam, Carpenters and Seymour: An Introduction)
The girl I’ve been looking for my entire life. Alex resisted the urge to throw Seb off the balcony and see if he could fly.
L.A. Weatherly
Death wins nothing here, gnawing wings that amputate–– then spread, lift up, fly.
Aberjhani (Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry)
No place so scared from such frops is barred Nor is Paul's Church more safe than Paul's Churchyard Na fly to alter there they'll talk you dead For fools rush in where angels fear to tread.
Alexander Pope
...because once you've got one scar on your face or your heart, its only a matter of time before someone gives you another - and another - until a day doesn't go by when you aren't being bashed senseless, nor a town that you haven't been run out of, and you get to be such a goddamn mess that finally it doesn't feel right unless you're getting the Christ beaten out of you - amd within a year of that first damming fall, those first down borne fists, your first run out, you wind up with flies buzzing around your eyes, back at the same place, the same town, deader than when you left, bobbiong around in the swill - a dirty deadbeat whore in a roadside ditch. But a little part of you deosn't die. A little part of you lives on. And you make an orphan of that corrupt and contemtible part, dumping it right smack in the laps of the ones who first robbed you of your sweetness, for it is the wicked fruit of their crimes, it is their blood, their sin, it belongs there, this child of blood, this spawn of sin...
Nick Cave (And the Ass Saw the Angel)
There's a drinking game in Heaven, where angels do a shot every time humans invest 'for the long term.
Johnny B. Truant (The Universe Doesn't Give a Flying Fuck About You)
God spreads the heavens above us like great wings And gives a little round of deeds and days, And then come the wrecked angels and set snares, And bait them with light hopes and heavy dreams, Until the heart is puffed with pride and goes Half shuddering and half joyous from God's peace; And it was some wrecked angel, blind with tears, Who flattered Edane's heart with merry words. Come, faeries, take me out of this dull house! Let me have all the freedom I have lost; Work when I will and idle when I will! Faeries, come take me out of this dull world, For I would ride with you upon the wind, Run on the top of the dishevelled tide, And dance upon the mountains like a flame. I would take the world And break it into pieces in my hands To see you smile watching it crumble away. Once a fly dancing in a beam of the sun, Or the light wind blowing out of the dawn, Could fill your heart with dreams none other knew, But now the indissoluble sacrament Has mixed your heart that was most proud and cold With my warm heart for ever; the sun and moon Must fade and heaven be rolled up like a scroll But your white spirit still walk by my spirit. When winter sleep is abroad my hair grows thin, My feet unsteady. When the leaves awaken My mother carries me in her golden arms; I'll soon put on my womanhood and marry The spirits of wood and water, but who can tell When I was born for the first time? The wind blows out of the gates of the day, The wind blows over the lonely of heart, And the lonely of heart is withered away; While the faeries dance in a place apart, Shaking their milk-white feet in a ring, Tossing their milk-white arms in the air; For they hear the wind laugh and murmur and sing Of a land where even the old are fair, And even the wise are merry of tongue; But I heard a reed of Coolaney say-- When the wind has laughed and murmured and sung, The lonely of heart is withered away.
W.B. Yeats (The Land of Heart's Desire)
The winged beasts and angels know, that mortals cannot fly. But how I flew to see the sun; a broken bird am I.
Craig Froman (An Owl on the Moon: A Journal From the Edge of Darkness)
We must not be too prodigal with our angels; they are the last divinities we harbor, and they might fly away.
Jorge Luis Borges (Selected Non-Fictions)
As he looked up at the clouds or down at the precipice, he realized that this woman was the most important thing in his life; that she was the explanation, the sole reason for the existence of those rocks, that sky, that winter. If she were not there with him, it wouldn't matter if all the angels of heaven came flying down to comfort him--Paradise would make no sense.
Paulo Coelho (Brida)
Every so often in life, you randomly cross paths with someone that touches you in a way that you really can't explain, but somehow you know that you will never be the same again. A person that is unknowingly, so incredibly beautiful, both inside and out, that they take your breath away. Recently, I met someone exactly like that. As a matter of fact, I'm still not convinced that she isn't an angel here to protect me from myself and the rest of you crazies... these next few songs are for my angel. I hope the rest of you find your angel someday. Just remember, don't let go when you do, even if they try to fly away.
Erin Noelle (Metamorphosis (Book Boyfriend, #1))
Ah, mistress, you’re an angel. Sure there’s not a drop left? I might have remembered one more person….” “Up yours,” I said rudely with another belch. “It’s empty. You should tell me the name anyway, after making me drink all that sewage.” Winston gave me a devious smile. “Come back with a full bottle and I will.” “Selfish spook,” I mumbled, and staggered away. I’d made it a few feet when I felt that distinct pins-and-needles sensation again, only this time it wasn’t in my throat. “Hey!” I looked down in time to see Winston’s grinning, transparent form fly out of my pants. He was chuckling even as I smacked at myself and hopped up and down furiously. “Drunken filthy pig!” I spat. “Bastard!” “And a good eve’in’ to you, too, mistress!” he called out, his edges starting to blur and fade. “Come back soon!” “I hope worms shit on your corpse!” was my reply. A ghost had just gotten to third base with me. Could I sink any lower?
Jeaniene Frost (Halfway to the Grave (Night Huntress, #1))
A destiny that leads the English to the Dutch is strange enough; but one that leads from Epsom into Pennsylvania, and thence into the hills that shut in Altamont over the proud coral cry of the cock, and the soft stone smile of an angel, is touched by that dark miracle of chance which makes new magic in a dusty world. Each of us is all the sums he has not counted: subtract us into nakedness and night again, and you shall see begin in Crete four thousand years ago the love that ended yesterday in Texas. The seed of our destruction will blossom in the desert, the alexin of our cure grows by a mountain rock, and our lives are haunted by a Georgia slattern, because a London cutpurse went unhung. Each moment is the fruit of forty thousand years. The minute-winning days, like flies, buzz home to death, and every moment is a window on all time. This is a moment:
Thomas Wolfe (Look Homeward, Angel)
I’ll come back,” she promised. “I’ll always come back to you.” “I know,” he said with cold, calm arrogance. “If I didn’t believe that, I wouldn’t let you go.” “Believe it. It’s true.” She took a step back. Then another. “Always.” “Eleanor, if you have any mercy in that dark heart of yours, when you leave right now, you will walk and not run.” ... ... crawl and she didn’t fly. She ran. Down the hall she ran as if the hounds of hell nipped at her heels. She ran as if God himself had ordered her to. She ran as if her life depended on it and in that moment she might have sworn that it did. She didn’t know why she ran. She didn’t know who or what waited for her in the White Room. She only knew she had to get there as fast as she could and whoever it was, he was worth running to.
Tiffany Reisz (The Angel (The Original Sinners, #2))
Alex resisted the urge to throw Seb off the balcony and see if he could fly.
L.A. Weatherly
We aren’t angels. Angels couldn’t breathe the air down here. They’d die.
James Sallis (The Long-Legged Fly (Lew Griffin, #1))
Angela says that angel-bloods are supposed to be immune to cold. It helps with the flying at high altitudes, I guess." I shiver again. "I must not have gotten the memo." He smiles. "Maybe that power only applies to mature angel-bloods." "Hey, are you calling me immature?" "Oh no," he says, his smile blossoming into a full-blown grin. "I wouldn't dare." "Good. Because I'm not the one peeping into someone else's window.
Cynthia Hand (Hallowed (Unearthly, #2))
Through the wind and the rain She stands hard as a stone In a world that she can't rise above But her dreams give her wings And she flies to a place where she's loved Concrete angel
Martina McBride
You can dance. You can make me laugh. You've got x-ray eyes. You know how to sing. You're a diplomat. You've got it all. Everybody loves you. You can charm the birds out of the sky, But I, I've got one thing. You always know just what to say And when to go, But I've got one thing. You can see in the dark, But I've got one thing: I loved you better. Last night I woke up, Saw this angel. He flew in my window. And he said, Girl, pretty proud of yourself, huh?" And I looked around and said, Who me?" And he said, "The higher you fly, the faster you fall." He said, "Send it up. Watch it rise. See it fall, Gravity's rainbow. Send it up. Watch it rise. See it fall, Gravity's Angel.
Laurie Anderson
there are sicknesses that walk in darkness, and there are exterminating angels who fly wrapt up in the curtains of immateriality and an uncommunicating nature; whom we cannot see but we feel their foorce and sink under their sword.
Jeremy Taylor
And St. Francis added: "My dear and beloved Brother, the treasure of blessed poverty is so very precious and divine that we are not worthy to possess it in our vile bodies. For poverty is that heavenly virtue by which all earthy and transitory things are trodden under foot, and by which every obstacle is removed from the soul so that it may freely enter into union with the eternal Lord God. It is also the virtue which makes the soul, while still here on earth, converse with the angels in Heaven. It is she who accompanied Christ on the Cross, was buried with Christ in the Tomb, and with Christ was raised and ascended into Heaven, for even in this life she gives to souls who love her the ability to fly to Heaven, and she alone guards the armor of true humility and charity.
Francis of Assisi (The Little Flowers of St. Francis of Assisi)
Make love to me. Please. I’m dying for it, for you. And therein lay the other major problem. His body was a wreck along with his mind. His past addictions were spinning in desperation and it was taking everything he had to keep from flying apart. The hunger to hurt and be hurt had never been more volatile and each second he didn’t connect with Mercy, it grew worse. But how exactly was a monster cyclone supposed to connect with an angel and not rip her apart in ways that made him feel vile and dirty? Fuck, he never wanted to feel that with her.
Lucian Bane (Beg For Mercy (Mercy, #3))
Did you know sometimes it frightens me-- when you say my name and I can't see you? will you ever learn to materialize before you speak? impetuous boy, if that's what you really are. how many centuries since you've climbed a balcony or do you do this every night with someone else? you tell me that you'll never leave and I am almost afraid to believe it. why is it me you've chosen to follow? did you like the way I look when I am sleeping? was my hair more fun to tangle? are my dreams more entertaining? do you laugh when I'm complaining that I'm all alone? where were you when I searched the sea for a friend to talk to me? in a year where will you be? is it enough for you to steal into my mind filling up my page with music written in my hand you know I'll take the credit for I must have made you come to me somehow. but please try to close the curtains when you leave at night, or I'll have to find someone to stay and warm me. will you always attend my midnight tea parties-- as long as I set it at your place? if one day your sugar sits untouched will you have gone forever? would you miss me in a thousand years-- when you will dry another's tears? but you say you'll never leave me and I wonder if you'll have the decency to pass through my wall to the next room while I dress for dinner but when I'm stuck in conversation with stuffed shirts whose adoration hurts my ears, where are you then? can't you cut in when I dance with other men? it's too late not to interfere with my life you've already made me a most unsuitable wife for any man who wants to be the first his bride has slept with and you can't just fly into people's bedrooms then expect them to calmly wave goodbye you've changed the course of history and didn't even try where are you now-- standing behind me, taking my hand? come and remind me who you are have you traveled far are you made of stardust too are the angels after you tell me what I am to do but until then I'll save your side of the bed just come and sing me to sleep
Emilie Autumn
From Jess: FANG. I've commented your blog with my questions for THREE YEARS. You answer other people's STUPID questions but not MINE. YOU REALLY ASKED FOR IT, BUDDY. I'm just gonna comment with this until you answer at least one of my questions. DO YOU HAVE A JAMAICAN ACCENT? No, Mon DO YOU MOLT? Gross. WHAT'S YOUR STAR SIGN? Dont know. "Angel what's my star sign?" She says Scorpio. HAVE YOU TOLD JEB I LOVE HIM YET? No. DOES NOT HAVING A POWER MAKE YOU ANGRY? Well, that's not really true... DO YOU KNOW HOW TO DO THE SOULJA BOY? Can you see me doing the Soulja Boy? DOES IGGY KNOW HOW TO DO THE SOULJA BOY? Gazzy does. DO YOU USE HAIR PRODUCTS? No. Again,no. DO YOU USE PRODUCTS ON YOUR FEATHERS? I don't know that they make bird kid feather products yet. WHAT'S YOU FAVORITE MOVIE? There are a bunch WHAT'S YOUR FAVORITE SONG? I don't have favorites. They're too polarizing. WHAT'S YOUR FAVORITE SMELL? Max, when she showers. DO THESE QUESTIONS MAKE YOU ANGRY? Not really. IF I CAME UP TO YOU IN A STREET AND HUGGED YOU, WOULD YOU KILL ME? You might get kicked. But I'm used to people wanting me dead, so. DO YOU SECRETLY WANT TO BE HUGGED? Doesn't everybody? ARE YOU GOING EMO 'CAUSE ANGEL IS STEALING EVERYONE'S POWERS (INCLUDING YOURS)? Not the emo thing again. WHAT'S YOUR FAVORITE FOOD? Anything hot and delicious and brought to me by Iggy. WHAT DID YOU HAVE FOR BREAKFAST THIS MORNING? Three eggs, over easy. Bacon. More Bacon. Toast. DID YOU EVEN HAVE BREAKFAST THIS MORNING? See above. DID YOU DIE INSIDE WHEN MAX CHOSE ARI OVER YOU? Dudes don't die inside. DO YOU LIKE MAX? Duh. DO YOU LIKE ME? I think you're funny. DOES IGGY LIKE ME? Sure DO YOU WRITE DEPRESSING POETRY? No. IS IT ABOUT MAX? Ahh. No. IS IT ABOUT ARI? Why do you assume I write depressing poetry? IS IT ABOUT JEB? Ahh. ARE YOU GOING TO BLOCK THIS COMMENT? Clearly, no. WHAT ARE YOU WEARING? A Dirty Projectors T-shirt. Jeans. DO YOU WEAR BOXERS OR BRIEFS? No freaking comment. DO YOU FIND THIS COMMENT PERSONAL? Could I not find that comment personal? DO YOU WEAR SUNGLASSES? Yes, cheap ones. DO YOU WEAR YOUR SUNGLASSES AT NIGHT? That would make it hard to see. DO YOU SMOKE APPLES, LIKE US? Huh? DO YOU PREFER BLONDES OR BRUNETTES? Whatever. DO YOU LIKE VAMPIRES OR WEREWOLVES? Fanged creatures rock. ARE YOU GAY AND JUST PRETENDING TO BE STRAIGHT BY KISSING LISSA? Uhh... WERE YOU EXPERIMENING WITH YOUR SEXUALITY? Uhh... WOULD YOU TELL US IF YOU WERE GAY? Yes. DO YOU SECRETLY LIKE IT WHEN PEOPLE CALL YOU EMO? No. ARE YOU EMO? Whatever. DO YOU LIKE EGGS? Yes. I had them for breakfast. DO YOU LIKE EATING THINGS? I love eating. I list it as a hobby. DO YOU SECRETLY THINK YOU'RE THE SEXIEST PERSON IN THE WHOLE WORLD? Do you secretly think I'm the sexiest person in the whole world? DO YOU EVER HAVE DIRTY THOUGHTS ABOUT MAX? Eeek! HAS ENGEL EVER READ YOUR MIND WHEN YOU WERE HAVING DIRTY THOUGHT ABOUT MAX AND GONE "OMG" AND YOU WERE LIKE "D:"? hahahahahahahahahahah DO YOU LIKE SPONGEBOB? He's okay, I guess. DO YOU EVER HAVE DIRTY THOUGHT ABOUT SPONGEBOB? Definitely CAN YOU COOK? Iggy cooks. DO YOU LIKE TO COOK? I like to eat. ARE YOU, LIKE, A HOUSEWIFE? How on earth could I be like a housewife? DO YOU SECRETLY HAVE INNER TURMOIL? Isn't it obvious? DO YOU WANT TO BE UNDA DA SEA? I'm unda da stars. DO YOU THINK IT'S NOT TOO LATE, IT'S NEVER TOO LATE? Sure. WHERE DID YOU LEARN TO PLAY POKER? TV. DO YOU HAVE A GOOD POKER FACE? Totally. OF COURSE YOU HAVE A GOOD POKER FACE. DOES IGGY HAVE A GOOD POKER FACE? Yes. CAN HE EVEN PLAY POKER? Iggy beats me sometimes. DO YOU LIKE POKING PEOPLE HARD? Not really. ARE YOU FANGALICIOUS? I could never be as fangalicious as you'd want me to be. Fly on, Fang
James Patterson (Fang (Maximum Ride, #6))
There’s a book called “A Dictionary of Angels.” No one has opened it in fifty years, I know, because when I did, The covers creaked, the pages Crumbled. There I discovered The angels were once as plentiful As species of flies. The sky at dusk Used to be thick with them. You had to wave both arms Just to keep them away. Now the sun is shining Through the tall windows. The library is a quiet place. Angels and gods huddled In dark unopened books.
Charles Simic (Sixty Poems)
When I got home I mixed a stiff one and stood by the open window in the living room and sipped it and listened to the groundswell of traffic on Laurel Canyon Boulevard and looked at the glare of the big angry city hanging over the shoulder of the hills through which the boulevard had been cut. Far off the banshee wail of police or fire sirens rose and fell, never for very long completely silent. Twenty four hours a day somebody is running, somebody else is trying to catch him. Out there in the night of a thousand crimes, people were dying, being maimed, cut by flying glass, crushed against steering wheels or under heavy tires. People were being beaten, robbed, strangled, raped, and murdered. People were hungry, sick; bored, desperate with loneliness or remorse or fear, angry, cruel, feverish, shaken by sobs. A city no worse than others, a city rich and vigorous and full of pride, a city lost and beaten and full of emptiness. It all depends on where you sit and what your own private score is. I didn't have one. I didn't care. I finished the drink and went to bed.
Raymond Chandler (The Long Goodbye (Philip Marlowe, #6))
Lassiter skidded in from the billiards room, the fallen angel glowing from his black-and-blond hair and white eyes, all the way down to his shitkickers. Then again, maybe the illumination wasn’t his nature, but that gold he insisted on wearing. He looked like a living, breathing jewelry tree. “I’m here. Where’s my chauffeur hat?” “Here, use mine,” Butch said, outing a B Sox cap and throwing it over. “It’ll help that hair of yours.” The angel caught the thing on the fly and stared at the red S. “I’m sorry, I can’t.” “Do not tell me you’re a Yankees fan,” V drawled. “I’ll have to kill you, and frankly, tonight we need all the wingmen we’ve got.” Lassiter tossed the cap back. Whistled. Looked casual. “Are you serious?” Butch said. Like the guy had maybe volunteered for a lobotomy. Or a limb amputation. Or a pedicure. “No fucking way,” V echoed. “When and where did you become a friend of the enemy—” The angel held up his palms. “It’s not my fault you guys suck—” Tohr actually stepped in front of Lassiter, like he was worried that something a lot more than smack talk was going to start flying. And the sad thing was, he was right to be concerned. Apart from their shellans, V and Butch loved the Sox above almost everything else—including sanity.
J.R. Ward (Lover at Last (Black Dagger Brotherhood, #11))
I wish I could wrap up the glitter star-green of this moment and hand it to you like an angel gift. Give you the heat lightning flying in jagged silence over the distant mountains. And the smell of September prairie grass and the even fainter scent of October pine now descending . . .
Carew Papritz (The Legacy Letters: his Wife, his Children, his Final Gift)
Angels can fly because they can take themselves lightly. This has been always the instinct of Christendom, and especially the instinct of Christian art. Remember how Fra Angelico represented all his angels, not only as birds, but almost as butterflies. Remember how the most earnest mediaeval art was full of light and fluttering draperies, of quick and capering feet. It was the one thing that the modern Pre-raphaelites could not imitate in the real Pre-raphaelites. Burne-Jones could never recover the deep levity of the Middle Ages. In the old Christian pictures the sky over every figure is like a blue or gold parachute. Every figure seems ready to fly up and float about in the heavens. The tattered cloak of the beggar will bear him up like the rayed plumes of the angels. But the kings in their heavy gold and the proud in their robes of purple will all of their nature sink downwards, for pride cannot rise to levity or levitation. Pride is the downward drag of all things into an easy solemnity. One "settles down" into a sort of selfish seriousness; but one has to rise to a gay self-forgetfulness. A man "falls" into a brown study; he reaches up at a blue sky. Seriousness is not a virtue. It would be a heresy, but a much more sensible heresy, to say that seriousness is a vice. It is really a natural trend or lapse into taking one's self gravely, because it is the easiest thing to do. It is much easier to write a good Times leading article than a good joke in Punch. For solemnity flows out of men naturally; but laughter is a leap. It is easy to be heavy: hard to be light. Satan fell by the force of gravity.
G.K. Chesterton
Though I speak with the tongues of men and of angels, and have not money, I am become as a sounding brass, or a tinkling cymbal. And though I have the gift of prophecy, and understand all mysteries, and all knowledge; and though I have all faith, so that I could remove mountains, and have not money, I am nothing. And though I bestow all my goods to feed the poor, and though I give my body to be burned, and have not money, it profiteth me nothing. Money suffereth long, and is kind; money envieth not; money vaunteth not itself, is not puffed up, doth not behave unseemly, seeketh not her own, is not easily provoked, thinketh no evil; rejoiceth not in iniquity, but rejoiceth in the truth; beareth all things, believeth all things, hopeth all things, endureth all things. . . . And now abideth faith, hope, money, these three; but the greatest of these is money. I Corinthians xiii (adapted)
George Orwell (Keep the Aspidistra Flying)
Max. God, but she was stubborn. And tough. And closed in. Closed off. Except when she was holding Angel, or ruffling the Gasman’s hair, or pushing something closer to Iggy’s hand so he could find it easily without knowing anyone had helped him. Or when she was trying to untangle Nudge’s mane of hair. Or-sometimes-when she was looking at Fang. He shifted on the hard ground, a half-dozen flashes of memory cycling through his brain. Max looking at him and laughing. Max leaping off a cliff, snapping out her wings, flying off, so incredibly powerful and graceful that it took his breath away. Max punching someone’s lights out, her face like stone. Max kissing that weiner Sam on Anne’s front porch. Gritting his teeth, Fang rolled onto his side. Max kissing him on the beach, after Ari had kicked Fang’s butt. Just now, her mouth soft under his. He wished she were here, if not next to him, then somewhere in the cave, so he could hear her breathing. It was going to be hard to sleep without that tonight.
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
A Poem By Maximum Ride How does one describe freedom, How can one call themselves free, How does one sleep at night knowing all the troubles that lay ahead, If one had a choice to be free or have freedom what does one pick, How does one even begin to describe the choices of being free, Freedom is choice, Freedom is happiness, Freedom is doing what you want, Freedom is to fly.
James Patterson (The Angel Experiment (Maximum Ride, #1))
Found in a small stone cave bitten from the roadside, stitchless save for his great outsized boots and a plague of flies, fat on the human scrappage of dinners long past, Toad squatted in the slitted stomach of a warm child, eating loudly the face of her hapless, headless father, who sat a good foot off the ground impaled up the ass on a pointed post.
Nick Cave (And the Ass Saw the Angel)
Max." Fang let go of my hand. "Right now, it's really all about—us." He swooped down to the right in a big semicircle, ending facing me. Slowly we climbed upward, until we were almost vertical, flying straight up to the sun. While carefully synchronizing our wings—they almost touched—Fang leaned in, gently put one hand behind my neck, and kissed me. It was just about as close to heaven as I'll ever get, I guess. I closed my eyes, lost in the feeling of flying and kissing and being with the one person in the world I completely, utterly trusted. When we finally broke apart, we looked down at the others, who were way far below us now. Angel was shading her eyes, looking up at us with a big smile. She was sitting on a dolphin's back, and I hoped soon someone would explain to the dolphin that he shouldn't let Angel take advantage of his good nature. Still looking up at us, Angel gave us a big thumbs-up. "She approves," Fang said with a hint of amusement. "Jeez," I wondered aloud. "Is that a good thing or a bad thing?
James Patterson (Max (Maximum Ride, #5))
What did you think about?" I wish I could tell him that I thought about him, but I lied to him once and I won't do it again. And besides, I wasn't thinking about Xander either. "I thought about angels," I say. "Angels?" "You know. The ones in the old stories. How they can fly to heaven." "Do you think anyone believes in them anymore?" He asks. "I don't know. No. Do you?" "I believe in you," he says, his voice hushed and almost reverent. "That's more faith than I ever thought I'd have.
Ally Condie (Matched (Matched, #1))
Shapes began to appear in the mist as it thickened. Clary saw herself and Simon as children, holding hands, crossing a street in Brooklyn,; she had barrettes in her hair and Simon was adorably rumpled, his glasses sliding off his nose. There they were again, throwing snowballs in Prospect Park; and at Luke's farmhouse, tanned from summer, hanging upside down from tree branches. She saw them in Java Jones, listening to Eric's terrible poetry, and on the back of a flying motorcycle as it crashed into a parking lot, with Jace there, looking at them, his eyes squinted against the sun. And there was Simon with Isabelle, his hands curved around her face, kissing her, and she could see Isabelle as Simon saw her: fragile and strong, and so, so beautiful. And there was Valentine's ship, Simon kneeling on Jace, blood on his mouth and shirt, and blood at Jace's throat, and there was the cell in Idris, and Hodge's weathered face, and Simon and Clary again, Clary etching the Mark of Cain onto his forehead. Maureen, and her blood on the floor, and her little pink hat, and the rooftop in Manhattan where Lilith had raised Sebastian, and Clary was passing him a gold ring across a table, and an Angel was rising out of a lake before him and he was kissing Isabelle...
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
CONSORTING WITH ANGELS I was tired of being a woman, tired of the spoons and the pots, tired of my mouth and my breasts, tired of the cosmetics and the silks. There were still men who sat at my table, circled around the bowl I offered up. The bowl was filled with purple grapes and the flies hovered in for the scent and even my father came with his white bone. But I was tired of the gender of things. Last night I had a dream and I said to it . . . "You are the answer. You will outlive my husband and my father." In that dream there was a city made of chains where Joan was put to death in man's clothes and the nature of the angels went unexplained, no two made in the same species, one with a nose, one with an ear in its hand, one chewing a star and recording its orbit, each one like a poem obeying itself, performing God's functions, a people apart. "You are the answer," I said, and entered, lying down on the gates of the city. Then the chains were fastened around me and I lost my common gender and my final aspect. Adam was on the left of me and Eve was on the right of me, both thoroughly inconsistent with the world of reason. We wove our arms together and rode under the sun. I was not a woman anymore, not one thing or the other. 0 daughters of Jerusalem, the king has brought me into his chamber. I am black and I am beautiful. I've been opened and undressed. I have no arms or legs. I'm all one skin like a fish. I'm no more a woman than Christ was a man.
Anne Sexton (The Complete Poems)
As for life, I'm humbled, I'm without words sufficient to say how it has been hard as flint, and soft as a spring pond, both of these and over and over, and long pale afternoons besides, and so many mysteries beautiful as eggs in a nest, still unhatched though warm and watched over by something I have never seen – a tree angel, perhaps, or a ghost of holiness. Every day I walk out into the world to be dazzled, then to be reflective. It suffices, it is all comfort – along with human love, dog love, water love, little-serpent love, sunburst love, or love for that smallest of birds flying among the scarlet flowers. There is hardly time to think about stopping, and lying down at last to the long afterlife, to the tenderness yet to come, when time will brim over the singular pond, and become forever, and we will pretend to melt away into the leaves. As for death, I can't wait to be the hummingbird, can you?
Mary Oliver (Thirst)
My father also told me that people had always suffered from being tied to the ground, from not being able to detach themselves from it. But they had dreamed of leaving it, and so they had invented the garden of paradise, which had in it everything they yearned for but lacked in their lives, and they had dreamed up creatures similar to themselves but equipped with wings. But what in the past had only been dreamed of was now beginning to materialize, my father said, pointing to the sky. Angels did not exist, but people could now fly. There was no paradise for human souls to dwell in, but one day I would understand that it was more important for people to live well and happily here on earth.
Ivan Klíma (Love and Garbage)
There is not much talk about the clouds that are visible up here. No one seems to think it remarkable that somewhere above an ocean we are flying past a vast white candy-floss island that would have made a perfect seat for an angel or even God himself in a painting by Piero della Francesca. In the cabin, no one stands up to announce with requisite emphasis that if we look out the window, we will see that we are flying over a cloud, a matter that would have detained Leonardo and Poussin, Claude and Constable.
Alain de Botton
Maddy shook her head, as if the movement could somehow shake the reality away. She simply couldn’t believe it. That by saving her he had actually, knowingly put himself in line for a consequence this severe. So much was kept hidden about the Angels, about how they handled their internal affairs—brutally, it turned out. All the while they put on a smooth, clean exterior for the public and the media. “What can I do?” she said finally. Jacks looked at her through the deluge. “Come with me.” There he stood in the pouring rain, the image of shirtless soaked perfection. He stood before her offering her a choice just like he had the night they went flying. She was at another crossroads. She knew she could just leave. Knew she probably should. But they were going to take his wings, and it was all her fault. Her fault for going to the party, her fault for trying to follow through with her plan, her fault for leaving and insisting on walking home. Could she really leave him now? Before she had even decided, her mouth opened. “Yes,” she said. Just like when he had invited her to the party. It simply came out, as though her true desires could no longer be repressed. Jacks smiled a dripping, radiant smile. A flash of lightning lit the roof, followed closely by a bark of thunder.
Scott Speer (Immortal City (Immortal City, #1))
She bounded before me, and returned to my side, and was off again like a young greyhound; and, at first, I found plenty of entertaiment in listening to the larks singing far and near; and enjoying the sweet, warm sunshine; and watching her, my pet, and my delight, with her golden ringlets flying loose behind, and her bright cheek, as soft and pure in its bloom, as a wild rose, and her eyes radiant with cloudless pleasure. She was a happy creautre, and an angel in those those days. It is a pity she could not stay content.
Emily Brontë
If you have a monster inside of you, please teach it how to jump, and laugh, and fly and catch fish! Please teach it to climb mountains to watch sunsets and wade in ponds to feel moonlight. Please love your monster, tell it that it has a home, teach it that it has a place in this world, maybe it likes ice cream, maybe marshmallows make it smile, maybe it goes to beautiful places in its dreams at night. One day it will sit atop a clocktower and cast sunbeams onto everyone! Because it will learn that! Because angels are too busy to do that, but monsters are not. Monsters would love to catch sunbeams and eat sugar donuts. Teach your monsters, they will form moonbeams one day!
C. JoyBell C.
Good morning on the 7th of July. while still in bed my thoughts turn towards you my Immortal Beloved, now and then happy, then sad again, waiting whether Fate might answer us. – I can only live either wholly with you or not at all, yes, I have resolved to stray about far away until I can fly into your arms, and feel at home with you, and send my soul embraced by you into the realm of the Spirits. – Yes, unfortunately it must be. – You will compose yourself, all the more since you know my faithfulness to you, never can another own my heart, never – never. – Oh God why do I have to separate from someone whom I love so much, and yet my life in V[ienna] as it is now is a miserable life. – Your love makes me at once most happy and most unhappy. – At my age, I would now need some conformity regularity in my life – can this exist in our relationship? – Angel, I just learned that the post goes every day – and I must therefore conclude so that you get the l[etter] straightway – be patient, only through quiet contemplation of our existence can we achieve our purpose to live together – be calm – love me – today – yesterday. – What yearning with tears for you – you – you – my life – my everything – farewell – oh continue to love me – never misjudge the most faithful heart of your Beloved L. Forever thine forever mine forever us.
Ludwig van Beethoven
You are loosed from your moorings, and are free; I am fast in my chains, and M a slave! You move merrily before the gentle gale, and I sadly before the bloody whip! You are freedoms swift winged angels, that fly around the world; I am confined in the bands of iron! O that I were free! O, that if I were on one of your gallant decks, under your protecting wing! Alas! Betwixt me and you, the turbid waters roll. Go on, go on. O, that I could also go! Could I but swim! If I could fly! O, why was I born a man, of whom to make a brute! The glad ship is gone; she hides in the dim distance. I am left in the hottest hell of unending slavery. O God, save me! God, deliver me! Let me be free! Is there any God! Why am I a slave? I will run away. I will not stand. Get caught, or clear, I'll try it. I had as well die with ague as the fever. I have only one life to lose. I had as well be killed running as die standing. Only think of it; 100 miles straight north, and I am free! Try it? Yes! God is helping me, I will. It cannot be that I shall live and die a slave. I will take to the water. This is very bay shall yet bear me into freedom. The steamboats steered in the Northeast course from Northpoint. I will do the same; and when I get to the head of the bay, I will turn my canoe adrift, and walked straight through Delaware into Pennsylvania. When I get there, I shall not be required to have a pass; I can travel without being disturbed. Let but the first opportunity offer, and, come what will, I am off. Meanwhile, I will try to bear up under the yoke. I am not the only slave in the world. Why should I be free? I can bear as much as any of them. Besides I am but a boy, and all boys are bound to some one. It may be that my misery and slavery will only increase the happiness when I get free there is a better day coming. [62 – 63]
Frederick Douglass (Narrative of the Life of Frederick Douglass)
on the continent I'm soft. I dream too. I let myself dream. I dream of being famous. I dream of walking the streets of London and Paris. I dream of sitting in cafes drinking fine wines and taking a taxi back to a good hotel. I dream of meeting beautiful ladies in the hall and turning them away because I have a sonnet in mind that I want to write before sunrise. at sunrise I will be asleep and there will be a strange cat curled up on the windowsill. I think we all feel like this now and then. I'd even like to visit Andernach, Germany, the place where I began, then I'd like to fly on to Moscow to check out their mass transit system so I'd have something faintly lewd to whisper into the ear of the mayor of Los Angeles upon to my return to this fucking place. it could happen. I'm ready. I've watched snails crawl over ten foot walls and vanish. you mustn't confuse this with ambition. I would be able to laugh at my good turn of the cards - and I won't forget you. I'll send postcards and snapshots, and the finished sonnet.
Charles Bukowski (Love Is a Dog from Hell)
What’s up with your hair?’ I ask. ‘Aren’t you worried you’ll be spotted by angels flying above with all that blue?’ ‘War paint,’ says Dee, fastening his seatbelt. ‘Except it’s in our hair instead of on our faces,’ says Dum, starting the engine. ‘Because we’re original like that.’ ‘Besides, are poisonous frogs worried about being spotted by birds?’ asks Dee. ‘Are poisonous snakes? They all have bright markings.’ ‘You’re a poisonous frog now?’ I ask. ‘Ribbit.’ He turns and flicks out his tongue at me. It’s blue. My eyes widen. ‘You dyed your tongue too?’ Dee smiles. ‘Nah. It’s just Gatorade.’ He lifts up a bottle half-full of blue liquid. ‘Gotcha.’ He winks. ‘“Hydrate or Die,” man,’ says Dum as we turn onto El Camino Real. ‘That’s not Gatorade’s marketing,’ says Dee. ‘It’s for some other brand.’ ‘Never thought I’d say this,’ says Dum, ‘but I actually miss ads. You know, like “Just Do It.” I never realized how much of life’s good advice came from ads. What we really need now is for some industrious soul to put out a product and give us a really excellent saying to go with it. Like “Kill ’Em All and Let God Sort ’Em Out.”’ ‘That’s not an advertising jingle,’ I say. ‘Only because it wasn’t good advice back in the day,’ says Dum. ‘Might be good advice now. Attach a product to it, and we could get rich.
Susan Ee (End of Days (Penryn & the End of Days, #3))
the first riddle of the universe: asking, when is a man not a man?: telling them take their time, yungfries, and wait till the tide stops (for from the first his day was a fortnight) and offering the prize of a bittersweet crab, a little present from the past, for their copper age was yet un-minted, to the winner. One said when the heavens are quakers, a second said when Bohemeand lips, a third said when he, no, when hold hard a jiffy, when he is a gnawstick and detarmined to, the next one said when the angel of death kicks the bucket of life, still another said when the wine's at witsends, and still another when lovely wooman stoops to conk him, one of the littliest said me, me, Sem, when pappa papared the harbour, one of the wittiest said, when he yeat ye abblokooken and he zmear he zelf zo zhooken, still one said when you are old I'm grey fall full wi sleep, and still another when wee deader walkner, and another when he is just only after having being semisized, another when yea, he hath no mananas, and one when dose pigs they begin now that they will flies up intil the looft. All were wrong, so Shem himself, the doctator, took the cake, the correct solution being — all give it up? — when he is a — yours till the rending of the rocks, — Sham.
James Joyce
The Ancient Egyptians postulated seven souls.” Top soul (Vicarious), and the first to leave at the moment of death, is Ren the Secret name. This corresponds to my Director. He directs the film of your life from conception to death. The Secret Name is the title of your film. When you die, that's where Ren came in. Second soul (Jambi), and second one off the sinking ship, is Sekem: Energy, Power. LIGHT. The Director gives the orders, Sekem presses the right buttons. Number three (Wings/Days) is Khu, the Guardian Angel. He, she or it is third man out...depicted as flying away across a full moon, a bird with luminous wings and head of light. The sort of thing you might see on a screen in an Indian restaurant in Panama. The Khu is responsible for the subject and can be injured in his defense - but not permanently, since the first three souls are eternal. They go back to Heaven for another vessel. The four remaining souls must take their chances with the subject in the land of the dead. Number four (The Pot) is Ba, the Heart, often treacherous. This is a hawk's body with your face on it, shrunk down to the size of a fist. Many a hero has been brought down, like Samson, by a perfidious Ba. Number five (L.C., Lost Keys, Rosetta Stoned) is Ka, the double, most closely associated with the subject. The Ka, which usually reaches adolescence at the time of bodily death, is the only reliable guide through the Land of the Dead to the Western Lands. Number six (Instension) is Khaibit, the Shadow, Memory, your whole past conditioning from this and other lives. Number seven (Right in Two) is Sekhu, the Remains
William S. Burroughs (The Western Lands (The Red Night Trilogy,. #3))
What is the use of beauty in woman? Provided a woman is physically well made and capable of bearing children, she will always be good enough in the opinion of economists. What is the use of music? -- of painting? Who would be fool enough nowadays to prefer Mozart to Carrel, Michael Angelo to the inventor of white mustard? There is nothing really beautiful save what is of no possible use. Everything useful is ugly, for it expresses a need, and man's needs are low and disgusting, like his own poor, wretched nature. The most useful place in a house is the water-closet. For my part, saving these gentry's presence, I am of those to whom superfluities are necessaries, and I am fond of things and people in inverse ratio to the service they render me. I prefer a Chinese vase with its mandarins and dragons, which is perfectly useless to me, to a utensil which I do use, and the particular talent of mine which I set most store by is that which enables me not to guess logogriphs and charades. I would very willingly renounce my rights as a Frenchman and a citizen for the sight of an undoubted painting by Raphael, or of a beautiful nude woman, -- Princess Borghese, for instance, when she posed for Canova, or Julia Grisi when she is entering her bath. I would most willingly consent to the return of that cannibal, Charles X., if he brought me, from his residence in Bohemia, a case of Tokai or Johannisberg; and the electoral laws would be quite liberal enough, to my mind, were some of our streets broader and some other things less broad. Though I am not a dilettante, I prefer the sound of a poor fiddle and tambourines to that of the Speaker's bell. I would sell my breeches for a ring, and my bread for jam. The occupation which best befits civilized man seems to me to be idleness or analytically smoking a pipe or cigar. I think highly of those who play skittles, and also of those who write verse. You may perceive that my principles are not utilitarian, and that I shall never be the editor of a virtuous paper, unless I am converted, which would be very comical. Instead of founding a Monthyon prize for the reward of virtue, I would rather bestow -- like Sardanapalus, that great, misunderstood philosopher -- a large reward to him who should invent a new pleasure; for to me enjoyment seems to be the end of life and the only useful thing on this earth. God willed it to be so, for he created women, perfumes, light, lovely flowers, good wine, spirited horses, lapdogs, and Angora cats; for He did not say to his angels, 'Be virtuous,' but, 'Love,' and gave us lips more sensitive than the rest of the skin that we might kiss women, eyes looking upward that we might behold the light, a subtile sense of smell that we might breathe in the soul of the flowers, muscular limbs that we might press the flanks of stallions and fly swift as thought without railway or steam-kettle, delicate hands that we might stroke the long heads of greyhounds, the velvety fur of cats, and the polished shoulder of not very virtuous creatures, and, finally, granted to us alone the triple and glorious privilege of drinking without being thirsty, striking fire, and making love in all seasons, whereby we are very much more distinguished from brutes than by the custom of reading newspapers and framing constitutions.
Théophile Gautier (Mademoiselle de Maupin)
The creative life! Ascension. Passing beyond oneself. Rocketing out into the blue, grasping at flying ladders, mounting, soaring, lifting the world up by the scalp, rousing the angels from their ethereal lairs, drowning in stellar depths, clinging to the tails of comets. Nietzsche had written of it ecstatically —and then swooned forward into the mirror to die in root and flower. «Stairs and contradictory stairs,» he wrote, and then suddenly there was no longer any bottom; the mind, like a splintered diamond, was pulverized by the hammer−blows of truth. There was a time when I acted as my father's keeper. I was left alone for long hours, cooped up in the little booth which we used as an office. While he was drinking with his cronies I was feeding from the bottle of creative life. My companions were the free spirits, the overlords of the soul. The young man sitting there in the mingy yellow light became completely unhinged; he lived in the crevices of great thoughts, crouched like a hermit in the barren folds of a lofty mountain range. From truth he passed to imagination and from imagination to invention. At this last portal, through which there is no return, fear beset him. To venture farther was to wander alone, to rely wholly upon oneself. The purpose of discipline is to promote freedom. But freedom leads to infinity and infinity is terrifying. Then arose the comforting thought of stopping at the brink, of setting down in words the mysteries of impulsion, compulsion, propulsion, of bathing the senses in human odors. To become utterly human, the compassionate fiend incarnate, the locksmith of the great door leading beyond and away and forever isolate. Men founder like ships. Children also. There are children who settle to the bottom at the age of nine, carrying with them the secret of their betrayal. There are perfidious monsters who look at you with the bland, innocent eyes of youth; their crimes are unregistered, because we have no names for them.
Henry Miller (Sexus (The Rosy Crucifixion, #1))
California during the 1940s had Hollywood and the bright lights of Los Angeles, but on the other coast was Florida, land of sunshine and glamour, Miami and Miami Beach. If you weren't already near California's Pacific Coast you headed for Florida during the winter. One of the things which made Miami such a mix of glitter and sunshine was the plethora of movie stars who flocked there to play, rubbing shoulders with tycoons and gangsters. Sometimes it was hard to tell the difference between the latter two. Miami and everything that surrounded it hadn't happened by accident. Carl Fisher had set out to make Miami Beach a playground destination during the 1930s and had succeeded far beyond his dreams. The promenade behind the Roney Plaza Hotel was a block-long lovers' lane of palm trees and promise that began rather than ended in the blue waters of the Atlantic. Florida was more than simply Miami and Miami Beach, however. When George Merrick opened the Biltmore Hotel in Coral Gables papers across the country couldn't wait to gush about the growing aura of Florida. They tore down Collins Bridge in the Gables and replaced it with the beautiful Venetian Causeway. You could plop down a fiver if you had one and take your best girl — or the girl you wanted to score with — for a gondola ride there before the depression, or so I'd been told. You see, I'd never actually been to Florida before the war, much less Miami. I was a newspaper reporter from Chicago before the war and had never even seen the ocean until I was flying over the Pacific for the Air Corp. There wasn't much time for admiring the waves when Japanese Zeroes were trying to shoot you out of the sky and bury you at the bottom of that deep blue sea. It was because of my friend Pete that I knew so much about Miami. Florida was his home, so when we both got leave in '42 I followed him to the warm waters of Miami to see what all the fuss was about. It would be easy to say that I skipped Chicago for Miami after the war ended because Pete and I were such good pals and I'd had such a great time there on leave. But in truth I decided to stay on in Miami because of Veronica Lake. I'd better explain that. Veronica Lake never knew she was the reason I came back with Pete to Miami after the war. But she had been there in '42 while Pete and I were enjoying the sand, sun, and the sweet kisses of more than a few love-starved girls desperate to remember what it felt like to have a man's arm around them — not to mention a few other sensations. Lake had been there promoting war bonds on Florida's first radio station, WQAM. It was a big outdoor event and Pete and I were among those listening with relish to Lake's sultry voice as she urged everyone to pitch-in for our boys overseas. We were in those dark early days of the war at the time, and the outcome was very much in question. Lake's appearance at the event was a morale booster for civilians and servicemen alike. She was standing behind a microphone that sat on a table draped in the American flag. I'd never seen a Hollywood star up-close and though I liked the movies as much as any other guy, I had always attributed most of what I saw on-screen to smoke and mirrors. I doubted I'd be impressed seeing a star off-screen. A girl was a girl, after all, and there were loads of real dolls in Miami, as I'd already discovered. Boy, was I wrong." - Where Flamingos Fly
Bobby Underwood (Where Flamingos Fly (Nostalgic Crime #2))