“
If I am to be fallen into love, I will. And if as a result I will appear to be stupid, disillusioned, and of poor judgment, I will. And I would be damned if I cared what other people think. For I would rather be thought of as all of these things, than not love. If in loving, I become the naked woman on the horse, I will ride that horse with my head held high. This is my spirit. I am unbreakable.
”
”
C. JoyBell C.
“
I mean, who cares about SpongeBob SquarePants? I'm sitting here with Wolverine!
-random kid talking to Ari
”
”
James Patterson (School's Out—Forever (Maximum Ride, #2))
“
I don't care if we have our house, or a cliff ledge, or a cardboard box. Home is wherever we all are, together,
”
”
James Patterson
“
You fight your superficiality, your shallowness, so as to try to come at people without unreal expectations, without an overload of bias or hope or arrogance, as untanklike as you can be, sans cannon and machine guns and steel plating half a foot thick; you come at them unmenacingly on your own ten toes instead of tearing up the turf with your caterpillar treads, take them on with an open mind, as equals, man to man, as we used to say, and yet you never fail to get them wrong. You might as well have the brain of a tank. You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and then you go home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion. ... The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that -- well, lucky you.
”
”
Philip Roth (American Pastoral)
“
If you’re not careful,” I said, brushing imaginary wrinkles off the front of my riding habit and breeches, hoping the flush in my cheeks would come across as anger and not embarrassment, “you’ll be the one dragged here in bits and pieces.”
Thomas tilted my chin up with a finger, his intent gaze setting my skin aflame. “I do love it when you speak so maliciously, Wadsworth. Gives my heart a bit of a rush.
”
”
Kerri Maniscalco (Stalking Jack the Ripper (Stalking Jack the Ripper, #1))
“
Kindness
Before you know what kindness really is
you must lose things,
feel the future dissolve in a moment
like salt in a weakened broth.
What you held in your hand,
what you counted and carefully saved,
all this must go so you know
how desolate the landscape can be
between the regions of kindness.
How you ride and ride
thinking the bus will never stop,
the passengers eating maize and chicken
will stare out the window forever.
Before you learn the tender gravity of kindness,
you must travel where the Indian in a white poncho
lies dead by the side of the road.
You must see how this could be you,
how he too was someone
who journeyed through the night with plans
and the simple breath that kept him alive.
Before you know kindness as the deepest thing
inside,
you must know sorrow as the other deepest thing.
You must wake up with sorrow.
You must speak to it till your voice
catches the thread of all sorrows
and you see the size of the cloth.
Then it is only kindness that makes sense anymore,
only kindness that ties your shoes
and sends you out into the day to mail letters and
purchase bread,
only kindness that raises its head
from the crowd of the world to say
It is I you have been looking for,
and then goes with you everywhere
like a shadow or a friend.
”
”
Naomi Shihab Nye (Words Under the Words: Selected Poems (A Far Corner Book))
“
Angel raised her hand. "Excuse me. What does LTC stand for?" She blinked innocently.
"Loving Tender Care?"Gazzy suggested.If our instructor had had lasers for eyes, he would have sliced Gazzy in half.
"Lieutenant colonel," he sputtered.
”
”
James Patterson (Max (Maximum Ride, #5))
“
Breeze strolled over to the table and chose a seat with his characteristic decorum. The portly man raised his dueling cane, pointing it at Ham. 'I see that my period of intellectual respite has come to an end.'
Ham smiled. 'I thought up a couple beastly questions while I was gone, and I've been saving them just for you, Breeze.'
'I'm dying of anticipation,' Breeze said. He turned his cane toward Lestibournes. 'Spook, drink.'
Spook rushed over and fetched Breeze a cup of wine.
'He's such a fine lad,' Breeze noted, accepting the drink. 'I barely even have to nudge him Allomantically. If only the rest of you ruffians were so accommodating.'
Spook frowned. 'Niceing the not on the playing without.'
'I have no idea what you just said, child,' Breeze said. 'So I'm simply going to pretend it was coherent, then move on.'
Kelsier rolled his eyes. 'Losing the stress on the nip,' he said. 'Notting without the needing of care.'
'Riding the rile of the rids to the right,' Spook said with a nod.
'What are you two babbling about?' Breeze said testily.
'Wasing the was of brightness,' Spook said. 'Nip the having of wishing of this.'
'Ever wasing the doing of this,' Kelsier agreed.
'Ever wasing the wish of having the have,' Ham added with a smile. 'Brighting the wish of wasing the not.'
Breeze turned to Dockson with exasperation. 'I believe our companions have finally lost their minds, dear friend.'
Dockson shrugged. Then, with a perfectly straight face, he said, 'Wasing not of wasing is.
”
”
Brandon Sanderson (Mistborn: The Final Empire (Mistborn, #1))
“
I’m a modern man, a man for the millennium. Digital and smoke free. A diversified multi-cultural, post-modern deconstruction that is anatomically and ecologically incorrect. I’ve been up linked and downloaded, I’ve been inputted and outsourced, I know the upside of downsizing, I know the downside of upgrading. I’m a high-tech low-life. A cutting edge, state-of-the-art bi-coastal multi-tasker and I can give you a gigabyte in a nanosecond!
I’m new wave, but I’m old school and my inner child is outward bound. I’m a hot-wired, heat seeking, warm-hearted cool customer, voice activated and bio-degradable. I interface with my database, my database is in cyberspace, so I’m interactive, I’m hyperactive and from time to time I’m radioactive.
Behind the eight ball, ahead of the curve, ridin the wave, dodgin the bullet and pushin the envelope. I’m on-point, on-task, on-message and off drugs. I’ve got no need for coke and speed. I've got no urge to binge and purge. I’m in-the-moment, on-the-edge, over-the-top and under-the-radar. A high-concept, low-profile, medium-range ballistic missionary. A street-wise smart bomb. A top-gun bottom feeder. I wear power ties, I tell power lies, I take power naps and run victory laps. I’m a totally ongoing big-foot, slam-dunk, rainmaker with a pro-active outreach. A raging workaholic. A working rageaholic. Out of rehab and in denial!
I’ve got a personal trainer, a personal shopper, a personal assistant and a personal agenda. You can’t shut me up. You can’t dumb me down because I’m tireless and I’m wireless, I’m an alpha male on beta-blockers.
I’m a non-believer and an over-achiever, laid-back but fashion-forward. Up-front, down-home, low-rent, high-maintenance. Super-sized, long-lasting, high-definition, fast-acting, oven-ready and built-to-last! I’m a hands-on, foot-loose, knee-jerk head case pretty maturely post-traumatic and I’ve got a love-child that sends me hate mail.
But, I’m feeling, I’m caring, I’m healing, I’m sharing-- a supportive, bonding, nurturing primary care-giver. My output is down, but my income is up. I took a short position on the long bond and my revenue stream has its own cash-flow. I read junk mail, I eat junk food, I buy junk bonds and I watch trash sports! I’m gender specific, capital intensive, user-friendly and lactose intolerant.
I like rough sex. I like tough love. I use the “F” word in my emails and the software on my hard-drive is hardcore--no soft porn.
I bought a microwave at a mini-mall; I bought a mini-van at a mega-store. I eat fast-food in the slow lane. I’m toll-free, bite-sized, ready-to-wear and I come in all sizes. A fully-equipped, factory-authorized, hospital-tested, clinically-proven, scientifically- formulated medical miracle. I’ve been pre-wash, pre-cooked, pre-heated, pre-screened, pre-approved, pre-packaged, post-dated, freeze-dried, double-wrapped, vacuum-packed and, I have an unlimited broadband capacity.
I’m a rude dude, but I’m the real deal. Lean and mean! Cocked, locked and ready-to-rock. Rough, tough and hard to bluff. I take it slow, I go with the flow, I ride with the tide. I’ve got glide in my stride. Drivin and movin, sailin and spinin, jiving and groovin, wailin and winnin. I don’t snooze, so I don’t lose. I keep the pedal to the metal and the rubber on the road. I party hearty and lunch time is crunch time. I’m hangin in, there ain’t no doubt and I’m hangin tough, over and out!
”
”
George Carlin
“
It's easy to joke when you don't care any more. I'm not saying it didn't hurt me, because it did.
”
”
Nicholas Sparks (The Longest Ride)
“
Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them
They say they still can't see.
I say,
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,
the palm of my hand,
The need of my care,
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
”
”
Maya Angelou (Phenomenal Woman: Four Poems Celebrating Women)
“
So, Angel?" I said, looking over at her. She was gliding through the night, her eight-foot wings looking like a dove's. "Have you picked up anything from Anne, about anything? Anything off?"
Not really." Angel thought. "From what I can tell, she does work for the FBI. She does care about us and wants us to be happy. She thinks the boys are slobs.
I'm blind," Iggy said irritably. "How am I supposed to make everything all tidy?"
Yeah, because you're so handicapped," I said sarcastically. "Like- you can't build bombs or cook or win at Monopoly. You can't tell us apart by the feel of our skin or feathers.
”
”
James Patterson (School's Out—Forever (Maximum Ride, #2))
“
My old man used to say one must be careful not to become that which they run from.
”
”
Calvin Demmer (Through the Ravenous Night We Ride)
“
But most of all, I like to watch people. Sometimes I ride the subway all day and look at them and listen to them. I just want to figure out who they are and what they want and where they are going. Sometimes I even go to Fun parks and ride in the jet cars when they race on the edge of town at midnight and the police don't care as long as they're insured. As long as everyone has ten thousand insurance everyone's happy. Sometimes I sneak around and listen in subways. Or I listen at soda fountains, and do you know what? People don't talk about anything.
”
”
Ray Bradbury (Fahrenheit 451)
“
Asher was a vampire. How much more dangerous could he be with a gun? But I couldn't do it. "Let me test my understanding. Is Asher going to ride in the car with us to the meeting?"
I must to give you directions," Asher said.
Then lean against the Jeep." He frowned at me in an amused, condescending sort of way.
Excuse me?"
I don't care if you're the second coming of the Antichrist, you can't sit behind me in my own car until I know you're not carrying a weapon." Asher smiled briliantly at both of us, flashing fang.
...I could rip you into pieces with my bare hands, and you're worried I have a gun?" He chuckled, a low, skin-prickling sound. "That is so very cute.
”
”
Laurell K. Hamilton (Burnt Offerings (Anita Blake, Vampire Hunter, #7))
“
Except fang. I glared at him. "Go on, try to stop me, I dare you." It was like the old days when we used to wrestle, each trying to get the better of the other. I was ready to take him down, my hands curled into fist. "I was just going to say be careful," Fang told me. He stepped closer and brushed some hair out of my eyes. "And I've got your back." He motioned with his head toward the torpedo chamber. Oh my God. It hit me like a tsunami then, how perfect he was for me, how no one else would ever, could ever, be so perfect for me, how he was everything I could possibly hope for, as a friend, boyfriend, maybe even more. He was it for me. There would be no more looking. I really, really loved him, with a whole new kind of love I'd never felt before, something that made every other kind of love I'd ever felt feel washed out and wimpy in comparison. I loved him with every cell in my body, every thought in my head, every feather in my wings, every breathe in my lungs. and air sacs. Too bad I was going out to face almost certain death. Right there in front of everyone, I threw my arms around his neck and smashed my mouth against his. He was startled for a second, then his strong arms wrapped around me so tightly I could hardly breathe. "ZOMG," I heard Nudge whisper, but still fang and I kissed slanting our heads this way and that to get closer. I could have stood there and kissed him happily for the next millennium, but Angel, or what was left of her was still out there in the could dark ocean. Reluctantly, I ended the kiss, took a step back. Fang's obsidian eyes were glittering brightly and his stoic face had a look of wonder on it."Gotta go," I said quietly. A half smile quirked his mouth. "Yeah. Hurry back." I nodded and he stepped out of the air lock chamber, keeping his eyes fixed on me, memorizing me as he hit the switch that sealed the chamber. The doors hissed shut with a kind of finality, and I realized that my heart was beating so hard it felt like it was going to start snapping ribs. I was scared. I was crazily, deeply, incredibly, joyously, terrifyingly in love. I was on a death mission. Before my head simply exploded from so much emotion, I hit the large button that pressurized the air lock enough for the doors to open to the ocean outside. I really, really hoped that I would prove somewhat uncrushable, like Angel did. The door cracked open below me and I saw the first dark glint of frigid water.
”
”
James Patterson (Maximum Ride Five-Book Set)
“
Human beings are ultimately nothing but carriers-passageways- for genes. They ride us into the ground like racehorses from generation to generation. Genes don't think about what constitutes good or evil. They don't care whether we are happy or unhappy. We're just means to an end for them. The only thing they think about is what is most efficient for them.
”
”
Haruki Murakami (1Q84 (1Q84, #1-3))
“
Do not worry, little heart. They are only feelings. So care a little less, the ride will be much more than what it seems.
”
”
Robert M. Drake (Beautiful Chaos)
“
You don’t fool me, he says in a low voice.
Is that right?
Yea, he says. I see it in yer eyes. All you care about’s yer precious brother.
That aint true, I says.
If it’d been Emmi they took, he says, Emmi an not Lugh…would you of gone after her?
I take in a breath to say of course I would but the look on his face stops me. there ain’t no point in lyin when he already knows the truth.
He leaves go of me an steps back.
I thought so, he says. Yer sister’ll be safer with me than she could ever be with you. You jest ride along on yer high horse an leave her to me.
”
”
Moira Young (Blood Red Road (Dust Lands #1))
“
You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and then you go home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion. ... The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that -- well, lucky you.
”
”
Philip Roth (American Pastoral)
“
Nestor beckoned to me and I dismounted with care.I handed the reins to the boy with thanks. I do not wish to see that hard-charging bag of bones again, unless it is in my soup.
”
”
Tamora Pierce (Bloodhound (Beka Cooper, #2))
“
Whatever,” he said. “Like you care. I’m gone. Have a nice motorcycle ride back to your church where you can have fun pretending to be some kind of saint we all know you aren't.
”
”
Tiffany Reisz (The Angel (The Original Sinners, #2))
“
Where do babies come from? Don't bother asking adults. They lie like pigs. However, diligent independent research and hours of playground consultation have yielded fruitful, if tentative, results. There are several theories. Near as we can figure out, it has something to do with acting ridiculous in the dark. We believe it is similar to dogs when they act peculiar and ride each other. This is called "making love". Careful study of popular song lyrics, advertising catch-lines, TV sitcoms, movies, and T-Shirt inscriptions offers us significant clues as to its nature. Apparently it makes grown-ups insipid and insane. Some graffiti was once observed that said "sex is good". All available evidence, however, points to the contrary.
”
”
Matt Groening (Childhood Is Hell)
“
I mean,he decided we'd be better apart,you know?it wasn't a joint decision.like, if your gonna make a decision about me and my life without consulting me,i'd better be dying and unconscious and you'd better be following carefully written instructions.
”
”
James Patterson (Angel (Maximum Ride, #7))
“
Nope.' He sat back. 'Just been there, done that. Done that getting hauled to the police station thing because of it, too.I appreciate your quest and everything, but I have to draw the line somewhere.'
'Wait,' I said, holding up my hand. 'My quest?'
He turned to look at me. We were at a red light, no other cars were anywhere in sight. 'Yeah,' he said. 'You know, like in Lord of the Rings, or Star Wars. You're searching for something you lost or need. It's a quest.'
I just looked at him.
'Maybe it's a guy thing,' he said. 'Fine, don't call it a quest. Call it chicken salad, I don't care. My point is, I'm in, but within reason. That's all I'm saying.
”
”
Sarah Dessen (Along for the Ride)
“
When I was sixteen, I had just two things on my mind - girls and cars. I wasn't very good with girls. So I thought about cars. I thought about girls, too, but I had more luck with cars.
Let's say that when I turned sixteen, a genie had appeared to me. And that genie said, 'Warren, I'm going to give you the car of your choice. It'll be here tomorrow morning with a big bow tied on it. Brand-new. And it's all yours.'
Having heard all the genie stories, I would say, 'What's the catch?' And the genie would answer, 'There's only one catch. This is the last car you're ever going to ge tin your life. So it's got to last a lifetime.'
If that had happened, I would have picked out that car. But, can you imagine, knowing it had to last a lifetime, what I would do with it?
I would read the manual about five times. I would always keep it garaged. If there was the least little dent or scratch, I'd have it fixed right away because I wouldn't want it rusting. I would baby that car, because it would have to last a lifetime.
That's exactly the position you are in concerning your mind and body. You only get one mind and one body. And it's got to last a lifetime. Now, it's very easy to let them ride for many years. But if you don't take care of that mind and that body, they'll be a wreck forty years later, just life the car would be.
It's what you do right now, today, that determines how your mind and body will operate ten, twenty, and thirty years from now.
”
”
Warren Buffett
“
We must plant trees, grow gardens instead of lawns, ride bicycles when we can and support responsible local businesses over big brands.
”
”
Bryant McGill (Voice of Reason)
“
Family is: Whether we're falling or flying, we're going to take care of each other through the whole damn ride.
”
”
Glennon Doyle (Untamed)
“
The whole time I pretend I have mental telepathy. And with my mind only, I’ll say — or think? — to the target, 'Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller
coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you’ve never even
heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose—allow smells
to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to thatmiserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want. That’s what they tell us at school, but if you keep getting on that train and going to the place you hate I’m going to start thinking the people at school are liars like the Nazis who told the Jews they were just being relocated to work factories. Don’t do that to us. Tell us the truth. If adulthood is working some death-camp job you hate for the rest of your life, divorcing your secretly criminal husband, being disappointed in your son, being stressed and miserable, and dating a poser and pretending he’s a hero when he’s really a lousy person and anyone can tell that just by shaking his slimy hand — if it doesn’t get any better, I need to know right now. Just tell me. Spare me from some awful fucking fate. Please.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
“
Hey. Not sure what’s going on-gonna go find out. Be careful and don’t do anything stupid. Don’t come after me-your better on your own. See you. F
I sat on the edge of the bed, holding the note.
Okay, so Fang had looked up vague in the dictionary and this was what it had said to write.
”
”
James Patterson (Fang (Maximum Ride, #6))
“
Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you've never even heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose — allow smells
to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to that miserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
“
It's my experience that most folk who ride trains could care less where they're going. For them it's the journey itself and the people they meet along the way. You see, at every stop this train makes, a little bit of America, a little bit of your country, gets on and says hello.
”
”
David Baldacci (The Christmas Train)
“
Take care of your car in the garage, and the car will take care of you on the road.
”
”
Amit Kalantri (Wealth of Words)
“
So he can go ride a donkey naked through the desert with snapping turtles attached to his nipples for all I care.
”
”
Suzanne Wright
“
I didn't want to be a sweet boy's sweet girlfriend. I wanted to be Fawn's equal, the kind of girl who stood up for herself and took care of business, who cut guys loose when it was required.
”
”
Paula McLain (A Ticket to Ride)
“
If you say fuck the patriarchy but you don’t ride for other women, then it might be more true that the patriarchy has fucked you, seducing you with the belief that men care more about your well-being than women do. It isn’t true.
”
”
Brittney Cooper (Eloquent Rage: A Black Feminist Discovers Her Superpower)
“
Putting his mouth close to her ear, he said, “I’m going to ride you raw, baby, but you won’t care. It’s going to feel so good, all you’ll be able to think about is getting me back inside you. Keeping me here, packed up tight and deep, screwing into you so hard you go hoarse from your screams . . .
”
”
Rhyannon Byrd (Take Me Under (Dangerous Tides, #1))
“
I was just telling Steve how much you appreciate motorcycles and it just so happens that he has one”
Whoopee. Like I fucking cared.
“Oh yeah?” I said, glancing at Steve. “What kind of ride?”
The douche canoe grinned at me, revealing two perfectly straight and glaringly white rows of teeth.
“A BMW,” he said. “R12—“
“A sports bike?” I interrupted, wrinkling up my nose. “How super gay for you.”
…
“Sports bikes are for pussies. True fucking story.
”
”
Madeline Sheehan (Unattainable (Undeniable, #3))
“
In the deeps are the violence and terror of which psychology has warned us. But if you ride these monsters deeper down, if you drop with them farther over the world's rim, you find what our sciences cannot locate or name, the substrate, the ocean or matrix or ether which buoys the rest, which gives goodness its power for good, and evil its power for evil, the unified field: our complex and inexplicable caring for each other, and for our life together here. This is given. It is not learned.
”
”
Annie Dillard (Teaching a Stone to Talk: Expeditions and Encounters)
“
I moved to leave, and Dylan actually grabbed my shoulders. I was so surprised that i forgot to karate-chop his elbows and break his arms.'
“I don’t want anything to happen to you,” he said urgently.
“What you want does not matter here,” I said slowly and carefully. I hoped Dylan was sensitive enough to read between the lines, to the subtext of: Let go of me or I’ll kill you.
”
”
James Patterson (Fang (Maximum Ride, #6))
“
How to heal
Read Books
Listen to Jazz
Ride Motorbikes
Get Tattooed
”
”
Malebo Sephodi
“
I don't know what shit you're working though but I know its there. I know you'd rather not even acknowledge it and definitely don't want me to be a part of the process. I don't care. Princess, this is happening between you and me."
"What, exactly, do you mean by 'this'? You fucking me?" I snapped...
" Yeah. Me fucking you. In your bed, on your couch, in my bed and anywhere else I can think of. I'm gonna do you on your back, on your knees and you're gonna ride me. And when I've exhausted you and you don't have those fucking shields up, I'm gonna make you talk to me and tell me what this shit is about and then, maybe, I can help you with it.
”
”
Kristen Ashley (Rock Chick Renegade (Rock Chick, #4))
“
...and where the Ferris wheel carried its passengers high and brought them low and raised them high and brought them low again, as if it were not merely a carnival ride but also a metaphor for the basic pattern of human experience.
”
”
Dean Koontz (Saint Odd (Odd Thomas, #7))
“
I thought of something I learned from reading Crazy Horse: The Strange Man of the Oglalas by Mari Sandoz. Crazy Horse believes that he will be victorious in battle, but if he stops to take spoils from the battlefield, he will be defeated. He tattoos lightning bolts on the ears of his horses so the sight of them will remind him of this as he rides. I tried to apply this lesson to the things at hand, careful not to take spoils that were not rightfully mine.
”
”
Patti Smith (Just Kids)
“
You play dirty, Haley." he breathed. "But this is my show."
"I can take care of myself"
"Not like I can."
"Do you want me to stop?"
"No."
"Then say it. Say it's my show."
~Remy/Haley
”
”
Sydney Croft (Riding the Storm (ACRO, #1))
“
In fairy-tales, witches always wear silly black hats and black cloaks, and they ride on broomsticks. But this is not a fairy-tale. This is about REAL WITCHES. The most important thing you should know about REAL WITCHES is this. Listen very carefully. Never forget what is coming next.
”
”
Roald Dahl (The Witches)
“
Rose,
I’m sorry I had to leave so quickly, but when the Alchemists tell me to jump … well, I jump. I’ve hitched a ride back to that farm town we stayed in so that I can pick up the Red Hurricane, and then I’m off to Saint Petersburg. Apparently, now that you’ve been delivered to Baia, they don’t need me to stick around anymore.
I wish I could tell you more about Abe and what he wants from you. Even if I was allowed to, there isn’t much to say. In some ways, he’s as much a mystery to me as he is to you. Like I said, a lot of the business he deals in is illegal—both among humans and Moroi. The only time he gets directly involved with people is when something relates to that business—or if it’s a very, very special case. I think you’re one of those cases, and even if he doesn’t intend you harm, he might want to use you for his own purposes. It could be as simple as him wanting to contract you as a bodyguard, seeing as you’re rogue. Maybe he wants to use you to get to others. Maybe this is all part of someone else’s plan, someone who’s even more mysterious than him. Maybe he’s doing someone a favor. Zmey can be dangerous or kind, all depending on what he needs to accomplish.
I never thought I’d care enough to say this to a dhampir, but be careful. I don’t know what your plans are now, but I have a feeling trouble follows you around. Call me if there’s anything I can help with, but if you go back to the big cities to hunt Strigoi, don’t leave any more bodies unattended!
All the best,
Sydney
P.S. “The Red Hurricane” is what I named the car.
P.P.S. Just because I like you, it doesn’t mean I still don’t think you’re an evil creature of the night. You are.
”
”
Richelle Mead (Blood Promise (Vampire Academy, #4))
“
Imagine your customer is a hitchhiker. You pull over to give him a ride, and the one burning question on his mind is simply Where are you going? But as he approaches, you roll down the window and start talking about your mission statement, or how your grandfather built this car with his bare hands, or how your road-trip playlist is all 1980s alternative. This person doesn’t care.
”
”
Donald Miller (Summary of Building a StoryBrand: Clarify Your Message So Customers Will Listen by Donald Miller)
“
One fine moonlit night, Mortain and his Wild Hunt were riding through the countryside when they spied two maids more beautiful than any they had ever seen before. They were picking evening primrose, which only blooms in the moonlight.
“The two maids turned out to be Amourna and Arduinna, twin daughters of Dea Matrona. When Mortain saw the fair Amourna, he fell instantly in love, for she was not only beautiful but light of heart as well, and surely the god of death needs lightness in his world.
“But the two sisters could not be more different. Amourna was happy and giving, but her sister, Arduinna, was fierce, jealous, and suspicious, for such is the dual nature of love. Arduinna had a ferocious and protective nature and did not care for the way Mortain was looking at her beloved sister. To warn him, she drew her bow and let fly with one of her silver arrows. She never misses, and she didn’t miss then. The arrow pierced Mortain’s heart, but no one, not even a goddess, can kill the god of death.
“Mortain plucked the arrow from his chest and bowed to Arduinna. ‘Thank you,’ he said. ‘For reminding me that love never comes without cost
”
”
R.L. LaFevers (Grave Mercy (His Fair Assassin, #1))
“
You fight your superficiality, your shallowness, so as to try to come at people without unreal expectations, without an overload of bias or hope or arrogance, as untanklike as you can be, sans cannon and machine guns and steel plating half a foot thick; you come at them unmenacingly on your own ten toes instead of tearing up the turf with your caterpillar treads, take them on with an open mind, as equals, man to man, as we used to say, and yet you never fail to get them wrong. You might as well have the brain of a tank. You get them wrong before you meet them, while you're anticipating meeting them; you get them wrong while you're with them; and then you go home to tell somebody else about the meeting and you get them all wrong again. Since the same generally goes for them with you, the whole thing is really a dazzling illusion empty of all perception, an astonishing farce of misperception. And yet what are we to do about this terribly significant business of "other people," which gets bled of the significance we think it has and takes on instead a significance that is ludicrous, so ill-equipped are we all to envision one another's interior workings and invisible aims? Is everyone to go off and lock the door and sit secluded like the lonely writers do, in a soundproof cell, summoning people out of words and then proposing that these word people are closer to the real thing than the real people that we mangle with our ignorance every day? The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget being right or wrong about people and just go along for the ride. But if you can do that—well, lucky you.
”
”
Philip Roth (American Pastoral)
“
Amazing Peace: A Christmas Poem
Thunder rumbles in the mountain passes
And lightning rattles the eaves of our houses.
Flood waters await us in our avenues.
Snow falls upon snow, falls upon snow to avalanche
Over unprotected villages.
The sky slips low and grey and threatening.
We question ourselves.
What have we done to so affront nature?
We worry God.
Are you there? Are you there really?
Does the covenant you made with us still hold?
Into this climate of fear and apprehension, Christmas enters,
Streaming lights of joy, ringing bells of hope
And singing carols of forgiveness high up in the bright air.
The world is encouraged to come away from rancor,
Come the way of friendship.
It is the Glad Season.
Thunder ebbs to silence and lightning sleeps quietly in the corner.
Flood waters recede into memory.
Snow becomes a yielding cushion to aid us
As we make our way to higher ground.
Hope is born again in the faces of children
It rides on the shoulders of our aged as they walk into their sunsets.
Hope spreads around the earth. Brightening all things,
Even hate which crouches breeding in dark corridors.
In our joy, we think we hear a whisper.
At first it is too soft. Then only half heard.
We listen carefully as it gathers strength.
We hear a sweetness.
The word is Peace.
It is loud now. It is louder.
Louder than the explosion of bombs.
We tremble at the sound. We are thrilled by its presence.
It is what we have hungered for.
Not just the absence of war. But, true Peace.
A harmony of spirit, a comfort of courtesies.
Security for our beloveds and their beloveds.
We clap hands and welcome the Peace of Christmas.
We beckon this good season to wait a while with us.
We, Baptist and Buddhist, Methodist and Muslim, say come.
Peace.
Come and fill us and our world with your majesty.
We, the Jew and the Jainist, the Catholic and the Confucian,
Implore you, to stay a while with us.
So we may learn by your shimmering light
How to look beyond complexion and see community.
It is Christmas time, a halting of hate time.
On this platform of peace, we can create a language
To translate ourselves to ourselves and to each other.
At this Holy Instant, we celebrate the Birth of Jesus Christ
Into the great religions of the world.
We jubilate the precious advent of trust.
We shout with glorious tongues at the coming of hope.
All the earth's tribes loosen their voices
To celebrate the promise of Peace.
We, Angels and Mortal's, Believers and Non-Believers,
Look heavenward and speak the word aloud.
Peace. We look at our world and speak the word aloud.
Peace. We look at each other, then into ourselves
And we say without shyness or apology or hesitation.
Peace, My Brother.
Peace, My Sister.
Peace, My Soul.
”
”
Maya Angelou (Amazing Peace: A Christmas Poem)
“
The fact remains that getting people right is not what living is all about anyway. It's getting them wrong that is living, getting them wrong and wrong and wrong and then, on careful reconsideration, getting them wrong again. That's how we know we're alive: we're wrong. Maybe the best thing would be to forget about being right or wrong about people and just go along for the ride. But if you can do that—well, lucky you.
”
”
Philip Roth (American Pastoral)
“
The rides are different for everyone. I'm convinced of that now. I mean, sure, there are some we ride together. Either we find ourselves drawn to some common experience, or maybe we're pulled in by the people we care about. Our friends, our families can drag us onto coasters and Tilt-A-Whirls that are really meant for them. But in the end, no matter whose rides we find ourselves on, the experience is all our own.
”
”
Neal Shusterman (Full Tilt)
“
Mileage craziness is a serious condition that exists in many forms. It can hit unsuspecting travelers while driving cars, motorcycles, riding in planes, crossing the country on bicycles or on foot. The symptoms may lead to obsessively placing more importance on how many miles are traveled than on the real reason for the traveling...On foot, in a van, on a fleet motorcycle or on a bicycle, a person must be very careful not to become overly concerned with arriving.
”
”
Peter Jenkins (A Walk Across America)
“
Why should I care if the tides rise again if I am only a corpse riding the waves?
”
”
Mindy McGinnis (Given to the Sea (Given Duet, #1))
“
It's not that we don't care--it's just that that we'd prefer not to get involved.
”
”
Bill Maher (When You Ride Alone You Ride With Bin Laden: What the Government Should Be Telling Us to Help Fight the War on Terrorism)
“
If the devil decided to run for President, do you think he/she would put on their horns and wicked grin, or a suit with an angelic smile? If the wicked witch stayed green and ugly, would she have been able to give Snow White a poisoned apple? And if the Big Bad Wolf had not disguised himself as an old granny, would he have been able to lure Little Red Riding Hood into the house to eat her? And if a drug dealer wanted to seduce some school kids to get on his drugs, would he act like a greedy businessman — or a caring friend? Salt and sugar look exactly the same but taste very different. We live in a world of illusions, one filled with Luciferians acting like righteous men, and righteous men condemned as criminals.
”
”
Suzy Kassem (Rise Up and Salute the Sun: The Writings of Suzy Kassem)
“
Max." Fang let go of my hand. "Right now, it's really all about—us."
He swooped down to the right in a big semicircle, ending facing me. Slowly we climbed upward, until we were almost vertical, flying straight up to the sun.
While carefully synchronizing our wings—they almost touched—Fang leaned in, gently put one hand behind my neck, and kissed me. It was just about as close to heaven as I'll ever get, I guess. I closed my eyes, lost in the feeling of flying and kissing and being with the one person in the world I completely,
utterly trusted.
When we finally broke apart, we looked down at the others, who were way far below us now. Angel was shading her eyes, looking up at us with a big smile. She was sitting on a dolphin's back, and I hoped soon someone would explain to the dolphin that he shouldn't let Angel take advantage of his good nature.
Still looking up at us, Angel gave us a big thumbs-up.
"She approves," Fang said with a hint of amusement.
"Jeez," I wondered aloud. "Is that a good thing or a bad thing?
”
”
James Patterson (Max (Maximum Ride, #5))
“
The body, so to speak, is simply the riding-animal of the soul, and perishes while the soul endures. The soul should take care of the body, just as a pilgrim on his way to Mecca takes care of his camel; but if the pilgrim spends his whole time in feeding and adorning his camel, the caravan will leave him behind, and he will perish in the desert.
”
”
Abu Hamid al-Ghazali (The Alchemy of Happiness)
“
...don't get more anxious
about feeling anxious,
especially when the anxiety is so justifiable.
It'll just lead to more anxiety.
And there is definitely a tipping point...
...know that it's also anticipation ... and possibility ...
and hope.
Ride the waves ...
Feel the excitement.
It lets you know you're alive.
”
”
Shellen Lubin
“
Annabelle, what happened to you?” Lillian asked the next morning. “You look dreadful. Why aren’t you wearing your riding habit? I thought you were going to try out the jumping course this morning. And why did you disappear
so suddenly last night? It’s not like you to simply vanish without saying—”
“I didn’t have a choice in the matter,” Annabelle said testily, folding her fingers around the delicate bowl of a porcelain teacup. Looking pale and exhausted, her blue eyes ringed with dark shadows, she swallowed a mouthful of heavily sweetened tea before continuing. “It was that blasted perfume of yours—as soon as he caught one whiff of it, he went berserk.”
Shocked, Lillian tried to take in the information, her stomach plummeting. “It… it had an effect on Westcliff, then?” she managed to ask.
“Good Lord, not Lord Westcliff.” Annabelle rubbed her weary eyes. “He couldn’t have cared less what I smelled like. It was my husband who went completely mad. After he caught the scent of that stuff, he dragged me up to our room and…well, suffice it to say, Mr. Hunt kept me awake all night. All night ,” she repeated in sullen emphasis, and drank deeply of the tea.
“Doing what?” Daisy asked blankly.
Lillian, who was feeling a rush of relief that Lord Westcliff had not been attracted to Annabelle while she
was wearing the perfume, gave her younger sister a derisive glance. “What do you think they were doing? Playing a few hands of Find-the-Lady?
”
”
Lisa Kleypas (It Happened One Autumn (Wallflowers, #2))
“
Like, if you're gonna make a decision about me and my life for my own good without consulting me, I'd better be dying and unconscious, and you'd better be following carefully written instructions.
~Max
”
”
James Patterson (Angel (Maximum Ride, #7))
“
Stop and consider! life is but a day;
A fragile dewdrop on its perilous way
From a tree's summit; a poor Indian's sleep
While his boat hastens to the monstrous steep
Of Montmorenci. Why so sad a moan?
Life is the rose's hope while yet unblown;
The reading of an ever-changing tale;
The light uplifting of a maiden's veil;
A pigeon tumbling in clear summer air;
A laughing schoolboy, without grief or care,
Riding the springy branches of an elm.
”
”
John Keats (Bright Star: Love Letters and Poems of John Keats to Fanny Brawne)
“
When bad news is riding high and despair in fashion, when loud mouths and corruption seem to own center stage, when some keep crying that the country is going to the dogs, remember it’s always been going to the dogs in the eyes of some, and that 90 percent, or more, of the people are good people, generous-hearted, law-abiding, good citizens who get to work on time, do a good job, love their country, pay their taxes, care about their neighbors, care about their children’s education, and believe, rightly, as you do, in the ideals upon which our way of life is founded.
”
”
David McCullough (The American Spirit: Who We Are and What We Stand For)
“
First you have free breakfasts, then you have free medical care, then you have free bus rides, and soon you have FREEDOM!
”
”
Fred Hampton
“
There are many types of marriage relationships and all of them can work, but none is sadder than the one that doesn't represent peace in your heart.
”
”
Shannon L. Alder
“
Love isn’t a helicopter ride to Catalina; it’s everyday care and treating the other person like they’re your house keys.
”
”
Annabel Monaghan (It's a Love Story)
“
Love, the great, the strong, the conquering god --- Love that subdues a world, and rides roughshod over principle, virtue, tradition, over home, kindred, and religion -- what cares he for the easy conquest of the pathetic being, who appeals to his sympathy?
Love means equality -- the same height of heroism or of sin. When Love stoops to pity, he has ceased to soar in the boundless space, that rarefied atmosphere wherein man feels himself made at last truly in the image of God.
”
”
Emmuska Orczy (I Will Repay)
“
You cannot allow yourself to become distracted. Everything in this room, especially the uninvited third wheel, needs to fade away.”
“Hey,” Roth scuffed. “That’s offensive.”
“This is my I-don’t-care face,” Zayne replied.
I planted my hands on my hips. “I think I know how to concentrate, Zayne.”
“And I think I’ve been around you enough to know that you have the concentration level of a puppy on its first car ride.”
Roth laughed.
”
”
Jennifer L. Armentrout (Rage and Ruin (The Harbinger, #2))
“
Okay.' I can feel the letters vomit off my tongue.
O.
K.
A.
Y.
I watch the vet insert the syringe into the catheter and inject the second drug. And then the adventures come flooding back:
The puppy farm.
The gentle untying of the shoelace.
THIS! IS! MY! HOME! NOW!
Our first night together.
Running on the beach.
Sadie and Sophie and Sophie Dee.
Shared ice-cream cones.
Thanksgivings.
Tofurky.
Car rides.
Laughter.
Eye rain.
Chicken and rice.
Paralysis.
Surgery.
Christmases.
Walks.
Dog parks.
Squirrel chasing.
Naps.
Snuggling.
'Fishful Thinking.'
The adventure at sea.
Gentle kisses.
Manic kisses.
More eye rain.
So much eye rain.
Red ball.
The veterinarian holds a stethoscope up to Lily's chest, listening for her heartbeat.
All dogs go to heaven.
'Your mother's name is Witchie-Poo.' I stroke Lily behind her ears the way that used to calm her. 'Look for her.'
OH FUCK IT HURTS.
I barely whisper. 'She will take care of you.
”
”
Steven Rowley (Lily and the Octopus)
“
Are we riding far tonight, Gandalf?” asked Merry after a while. “I don’t know how you feel with small rag-tag dangling behind you; but the rag-tag is tired and will be glad to stop dangling and lie down.”
“So you heard that?” said Gandalf. “Don’t let it rankle! Be thankful no longer words were aimed at you. He had his eyes on you. If it is any comfort to your pride, I should say that, at the moment, you and Pippin are more in his thoughts than the rest of us. Who you are; how you came here, and why; what you know; whether you were captured, and if so, how you escaped when all the orcs perished—it is with those little riddles that the great mind of Saruman is troubled. A sneer from him, Meriadoc, is a compliment, if you feel honoured by his concern.”
“Thank you!” said Merry. “But it is a greater honour to dangle at your tail, Gandalf. For one thing, in that position one has a chance of putting a question a second time. Are we riding far tonight?”
Gandalf laughed. “A most unquenchable hobbit! All wizards should have a hobbit or two in their care—to teach them the meaning of the world, and to correct them.
”
”
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
“
I didn't see it happening, but the wheels were falling off of me. I didn't care about responsibilities like paying rent, I was just on a runaway train ride. The horribly ironic cosmic trick of drug addiction is that drugs are a lot of fun when you first start using them, but by the time the consequences manifest themselves, you're no longer in a position to say, 'Whoa, gotta stop that.' You've lost that ability, and you've created this pattern of conditioning and reinforcement. It's never something for nothing when drugs are involved.
”
”
Anthony Kiedis (Scar Tissue)
“
We have the responsibility to care for the ocean as it cares for us
”
”
Suzanne van der Veeken (Ocean Nomad | The Complete Atlantic Sailing Crew Guide - How to Catch a Ride & Contribute to a Healthier Ocean)
“
It didn’t matter then, anyway. Elyssa had about as much use for books as a cat has for a riding crop. But now …”
Tyler heard the Mace’s unspoken thought easily. Queen Elyssa may not have cared about illiteracy, but Queen Kelsea would care, very much. “But the Queen would never kick you out of the Guard.”
“Of course she wouldn’t. I just don’t want her to know.
”
”
Erika Johansen (The Invasion of the Tearling (The Queen of the Tearling, #2))
“
They got a manure machine in there,” Keller said. He went up to the barn and peeked through a hole between tow boards. “On wheels. It’s fun to ride sometimes, when you don’t care how you smell.
”
”
Sandra Neil Wallace
“
If I could believe," said Rhoda, "that I should grow old in pursuit and change, I should be rid of my fear: nothing persists. One moment does not lead to another. The door opens and the tiger leaps. You do not see me come...I cannot make one moment merge in the next. To me they are all violent, all separate; and if I fall under the shock of the leap of the moment you will be on me, tearing me to pieces. I have no end in view. I do not know how to run minute to minute, and hour to hour, solving them by some natural force until they make the whole and indivisible mass that you call life. Because you have an end in view--one person, is it, to sit beside, an idea is it, your beauty is it? I do not know--your days and hours pass like the boughs of forest trees and the smooth green of forest rides to a hound running in the scent...
But since I wish above all things to have lodgment, I pretend, as I go upstairs lagging behind Jinny and Susan, to have an end in view. I pull on my stockings as I see them pull on theirs. I wait for you to speak and then speak like you. I am drawn here across London to a particular spot, to a particular place, not to see you or you or you, but to light my fire at the general blaze of you who love wholly, indivisibly, and without caring in the moment.
”
”
Virginia Woolf
“
Given the chance, would I go back? Back to the time when my parents were alive? When my biggest problem was a past-due paper? When I didn't need to know how to take care of myself, ride a horse, or defend someone I loved? Back to the time when I didn't know Grey?
”
”
Kirby Howell (Autumn in the Dark Meadows (Autumn, #2))
“
Little Red Riding Hood was a good story, but it wasn't interactive. Sooner or later I wanted to say 'no, I may be Red Riding Hood but I don't care about my grandmother; what I want is heroin and only heroin,' whereas the game had only 'over the river and through the woods' to offer me. Which was a good story, it just might not me mine.
”
”
Austin Grossman (You)
“
I change the channel to another movie. An old one, but new to me. And, ironically, a thin, gorgeous blonde—Meg Ryan, maybe—rides her bike on a country road. She smiles like she has no cares in the world. Like no one ever judges her. Like her life is perfect. Wind through her hair and sunshine on her face. The only thing missing are the rainbows and butterflies and cartoon birds singing on her shoulder.
Maybe I should grab my bike and try to catch up with Mom, Mike, and the kids. They can't be going very fast. I would love to feel like that, even if it's just for a second—free and peaceful and normal.
Suddenly, there's a truck. It can't be headed toward Meg Ryan. Could it? Yes. Oh my God. No! Meg Ryan just got hit by that truck.
Figures. See what happens when you exercise?
”
”
K.A. Barson (45 Pounds (More or Less))
“
Royce saw to his horse’s needs; then, finding a suitable place, he unrolled his blanket and lay down.
“I take it we’re camping here, then?”
Royce said nothing, still refusing to acknowledge his existence.
“You could have said, ‘We’re going to bed down here for the rest of the night.’ No, wait, you’re right, too much. How about ‘sleeping here’? Two words. Even you could manage that, right? I mean, I know you can talk. You had plenty to say back in Arcadius’s office. Couldn’t keep the words from coming out then, but no, utterly impossible to indicate in any way that we’ll be stopping here for the night.”
Hadrian dismounted and began unloading Dancer. “How long were we on the road?” He paused to look up at the moon. “What? Five, six hours? Not a damn word. Getting chilly out, don’t you think, Hadrian? Moon looks like a fingernail, ain’t that right, Hadrian? That tree looks like a goddamn bear, don’t it, Hadrian? Nothing. By the way, in case you hadn’t noticed, I was attacked by a goshawk and a pig-riding dwarf that shot eggs at me with a sling. I was knocked from my horse and wrestled with the dwarf, the hawk, and the pig for what had to be half an hour. The dwarf kept smashing eggs in my face, and that ruddy pig pinned me down, licking them off. I only got away because the dwarf ran out of eggs. Then the hawk turned into a moth that became distracted by the light of the moon.”
Royce shifted to his side, hood up.
“Yeah, well … thank Maribor and Novron I didn’t need your help that time.”
“Didn’t care for my help too much in the stable,” Royce said.
“It speaks!
”
”
Michael J. Sullivan (The Crown Tower (The Riyria Chronicles, #1))
“
You know, for a while there we kept horses for the boys, and we had a mare that had broken down. Couldn't ride it... You could feed it and brush it and water it and all. Sometimes, I've thought that's what most marriages get to. A horse you still care a little about but cannot any longer ride.
”
”
Tom McNeal (To Be Sung Underwater)
“
The yin to the yang of caring is that sadness is felt just that much more because that caring is so deep. But (and I'm sure you'll agree) I wouldn't be any other way. To not feel so intensely and vividly would mean being one of the living dead and there are far too many of those shuffling around already.
So when we mount our steeds, hoist our lances, and charge at the wrongs of the world, let's do so with wild battle cries, riding full tilt! Every now and then we'll have the joy of seeing one of those wrongs go flying off its horse.
”
”
リンダ グラットン
“
Journalism, to me, is just another drug – a free ride to scenes I'd probably miss if I stayed straight. But I'm neither a chemist nor an editor; all I do is take the pill or the assignment and see what happens. Now and then I get a bad trip, but experience has made me more careful about what I buy... so if you have a good pill I'm open; I'll try almost anything that hasn't bitten me in the past.
”
”
Hunter S. Thompson (Fear and Loathing in America: The Brutal Odyssey of an Outlaw Journalist - The Gonzo Letters, Volume II, 1968-1976)
“
You’re so busy running around being a showboat rodeo boy that you don’t even realize what you’ve got. You think we all pick on you for riding bulls because we’re just being dicks? It’s because we love you. You don’t remember when mom died. But I do. I was there. I watched our dad hold her while she bled out. Suddenly, at eight, I was wrangling you and Beau because dad was a shell of himself, focused on taking care of Violet. And now I’m a single dad. I watch Luke grow every day and dread the day I can’t be the one to keep him safe.” I bite my inner cheek. I know Cade is serious right now because I don’t think I can remember him ever telling me that he loves me. “When you have a kid, everyone warns you about the sleepless nights. The explosive diaper changes. How they grow so fast that you hemorrhage money on clothing them. What they don’t tell you is that you’ll never spend another day of your life without worrying about another person. You’ll never completely relax again because that person you created will always, always be on your mind. You’ll wonder where they are, what they’re doing, and if they’re okay.
”
”
Elsie Silver (Flawless (Chestnut Springs, #1))
“
Love is an elixir,
so poets claim, a frothy hormonal
brew to cure what's ailing you. Drink
it in. Sip it slowly. Savor
its peculiar flavour as loneliness
and pain all melt away.
Dive headlong into the rush,
ride the raging river up against
the brink, careful not to drown. Drop
over the edge. Negotiate your fall,
for drug or love or object thrown,
one thing is certain. What goes up
eventually come down.
”
”
Ellen Hopkins (Flirtin' with the Monster: Your Favorite Authors on Ellen Hopkins' Crank and Glass)
“
The Baudelaires looked at one another with bitter smiles. Sunny was right. It wasn't fair that their parents had been taken away from them. It wasn't fair that the evil and revolting Count Olaf was pursuing them wherever they went, caring for nothing but their fortune. It wasn't fair that they moved from relative to relative, with terrible things happening at each of their new homes, as if the Baudelaires were riding on some horrible bus that stopped only at stations of unfaireness and misery.
”
”
Lemony Snicket (The Wide Window (A Series of Unfortunate Events, #3))
“
Coach Graham used to ride me hard. I remember one practice in particular. 'You're doing it all wrong, Pauch. Go back! Do it again!' I tried to do what he wanted. It wasn't enough. 'You owe me, Pauch! You're doing push-ups after practice."
When I was finally dismissed, one of the assistant coaches came over to reassure me. 'Coach Graham rode you pretty hard, didn't he?' he said. I could barely muster a 'yeah.'
'That's a good thing,' the assistant told me. 'When you're screwing up and nobody says anything to you anymore, that means they've given up on you.'
That lesson has stuck with me my whole life. When you see yourself doing something badly and nobody's bothering to tell you anymore, that's a bad place to be. You may not want to hear it, but your critics are often the ones telling you they still love you and care about you, and want to make you better.
”
”
Randy Pausch (The Last Lecture)
“
There was death at the beginning as there would be death again at its end. Though whether it was some fleeting shadow of this that passed across the girl’s dreams and woke her on that least likely of mornings she would never know. All she knew, when she opened her eyes, was that the world was somehow altered.
The red glow of her alarm showed it was yet a half hour till the time she had set it to wake her and she lay quite still, not lifting her head, trying to configure the change. It was dark but not as dark as it should be. Across the bedroom, she could clearly make out the dull glint of her riding trophies on cluttered shelves and above them the looming faces of rock stars she had once thought she should care about. She listened. The silence that filled the house was different too, expectant, like the pause between the intake of breath and the uttering of words. Soon there would be the muted roar of the furnace coming alive in the basement and the old farmhouse floorboards would start their ritual creaking complaint. She slipped out from the bedclothes and went to the window.
There was snow. The first fall of winter. And from the laterals of the fence up by the pond she could tell there must be almost a foot of it. With no deflecting wind, it was perfect and driftless, heaped in comical proportion on the branches of the six small cherry trees her father had planted last year. A single star shone in a wedge of deep blue above the woods. The girl looked down and saw a lace of frost had formed on the lower part of the window and she placed a finger on it, melting a small hole. She shivered, not from the cold, but from the thrill that this transformed world was for the moment entirely hers. And she turned and hurried to get dressed.
”
”
Nicholas Evans (The Horse Whisperer)
“
Be careful what you say, Rah,” he said. “Be careful what you do. Open your eyes. Watch before you speak. Speak before you act. Trust those who have earned your trust. That is our way.
”
”
Devin Madson (We Ride the Storm (The Reborn Empire #1))
“
So I got desperate. I was really panicking. Then I got this idea. I figured if I looked at people hitching rides, I might find somebody. One of them might turn out to be the right type of person, and willing to help me. I tried to choose pretty carefully. I only stopped for rough-looking men.
”
”
Lee Child (Echo Burning (Jack Reacher, #5))
“
Give me a good horse to ride and some good licker to drink and a good girl to court and a bad girl to have fun with and anybody can have their own Europe.... What do we care about missing the tour?
”
”
Margaret Mitchell
“
I start to think, 'It's awful being too poor to even buy my own dress for homecoming.' But that's instantly swept away by another thought: 'I'm so lucky that someone cates enough to loan me a dress.
”
”
Margaret Peterson Haddix (Full Ride)
“
Because here’s the thing: Emotions are not plans. They don’t solve problems or right any wrongs. You can feel them—you will feel them, inevitably—but be careful about letting them guide you. Rage can be a dirty windshield. Hurt is like a broken steering wheel. Disappointment will only ride, sulking and unhelpful, in the back seat. If you don’t do something constructive with them, they’ll take you straight into a ditch. My power has always hinged on my ability to keep myself out of the ditch.
”
”
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)
“
Xaden's head snaps in my direction. 'Violence?'
I take a step and then another, holding my frame upright with muscle memory I didn't have last year, and begin to cross.
Xaden swings his legs up and then fucking jumps to his feet. 'Turn around right now!' he shouts.
'Come with me,' I call over the wind, bracing myself as gust whips my skirt against my legs. 'Should have gone with the pants,' I mutter and keep walking.
He's already coming my way, his strides just as long and confident as if he was on solid ground, eating up the distance between us as I move forward slowly until we meet.
'What the fuck are you doing out here?' he asks, locking his hands on my waist. He's in riding leathers, not a dress uniform, and he's never looked better.
What am I doing out here? I'm risking everything to reach him. And if he rejects me... No. There's no room for fear on the parapet.
'I could ask you the same thing.'
His eyes widen. 'You could have fallen and died!'
'I could say the same thing.' I smile, but it's shaky. The look in his eyes is wild, like he's been driven past the point where he can contain himself in the neat, apathetic façade he usually wears in public.
It doesn't scare me. I like him better when he's real with me, anyway.
'And did you stop to think that if you fall and die, then I can die?' He leans in and my pulse jumps.
'Again,' I say softly, resting my hands on his firm chest, right above his heartbeat, 'I could say the same thing.' Even if Xaden's death wouldn't kill Sgaeyl, I'm not sure I could survive it.'
Shadows rise, darker than the night that surrounds us. 'You're forgetting that I wield shadows, Violence. I'm just as safe out here as I am in the courtyard. Are you going to wield lightning to break your fall?'
Fine. That's a good point.
'I... perhaps did not think that part through as thoroughly as you,' I admit. I wanted to be close to him, so I got close, parapet be damned.'
'You're seriously going to be the death of me.' His fingers flex at my waist. 'Go back.'
It's not a rejection, not with the way he's looking at me. We've been sparring emotionally for the past month, hell, even longer than that, and one of us has to expose our jugular. I finally trust him enough to know he won't go for the kill.
'Only if you do. I want to be whereever you are.' And I mean it. Everyone else- everything else in the world can fall away and I won't care as long as I'm with him.
”
”
Rebecca Yarros (Fourth Wing (The Empyrean, #1))
“
Eddie, what do we care about people like him? We're driving an express, and they're riding on the roof, making a lot of noise about being leaders. Why should we care? We have enough power to carry them along – haven't we?
”
”
Ayn Rand (Atlas Shrugged)
“
As for us,Etienne was right.Our schools are only a twenty-minute transit ride away.He'll stay with me on the weekends, and we'll visit each other as often as possible during the week. We'll be together.We both got our Point Zero wishes-each other.He said he wished for me every time.He was wishing for me when I entered the tower.
"Mmm," I say.He's kissing my neck.
"That's it," Rashmi says. "I'm outta here.Enjoy your hormones."
Josh and Mer follow her exit,and we're alone.Just the way I like it.
"Ha!" Ettiene says. "Just the way I like it."
He pulls me onto his lap,and I wrap my legs around his waist.His lips are velvet soft,and we kiss until the streetlamps flicker on outside. Until the opera singer begins her evening routine. "I'm going to miss her," I say.
"I'll sing to you." He tucks my stripe behind my ear. "Or I'll take you to the opera.Or I'll fly you back here to visit. Whatever you want.Anything you want."
I lace my fingers through his. "I want to stay right here,in this moment."
"Isn't that the name of the latest James Ashley bestseller? In This Moment?"
"Careful.Someday you'll meet him, and he won't be nearly as amusing in person."
Etienne grins. "Oh,so he'll only be mildly amusing? I suppose I can handle mildly amusing."
"I'm serious! You have to promise me right now,this instant,that you won't leave me once you meet him.Most people would run."
"I'm not most people."
I smile. "I know.But you still have to promise."
His eyes lock on mine. "Anna,I promise that I will never leave you."
My heart pounds in response.And Etienne knows it,because he takes my hand and holds it against his chest,to show me how hard his heart is pounding, too. "And now for yours," he says.
I'm still dazed. "My what?"
He laughs. "Promise you won't flee once I introduce you to my father.Or, worse, leave me for him."
I pause. "Do you think he'll object to me?"
"Oh,I'm sure he will."
Okay.Not the answer I was looking for.
Etienne sees my alarm. "Anna.You know my father dislikes anything that makes me happy.And you make me happier than anyone ever has." He smiles. "Oh,yes. He'll hate you."
"So....that's a good thing?"
"I don't care what he thinks.Only what you think." He holds me tighter. "Like if you think I need to stop biting my nails."
"You've worn your pinkies to nubs," I say cheerfully.
"Or if I need to start ironing my bedspread."
"I DO NOT IRON MY BEDSPREAD."
"You do.And I love it." I blush,and Etienne kisses my warm cheeks. "You know,my mum loves you."
"She goes?"
"You're the only thing I've talked about all year.She's ecstatic we're together."
I'm smiling inside and out. "I can't wait to meet her.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
We preach about capitalism and the beauty of unfettered market forces determining price--but not when it comes to gas. When it comes to gas, we need it cheap, and the president had better get it for us, or else, we don't care how.
”
”
Bill Maher (When You Ride Alone You Ride With Bin Laden: What the Government Should Be Telling Us to Help Fight the War on Terrorism)
“
The photographer from the magazine, Masao Kageyama, would ride along in the van that accompanied me. He’d take pictures as they drove along. It wasn’t a real race, and there weren’t any water stations, so I’d occasionally stop to get water from the van. The Greek summer is truly brutal, and I knew I’d have to be careful not to get dehydrated.
“Mr. Murakami,” Mr. Kageyama said, surprised as he saw me getting ready to run, “you’re not really thinking of running the whole route, are you?”
“Of course I am. That’s why I came here.”
“Really? But when we do these kinds of projects most people don’t go all the way. We just take some photos, and most of them don’t finish the whole route. So you really are going to run the
entire thing?”
Sometimes the world baffles me. I can’t believe that people would really do things like that.
”
”
Haruki Murakami (What I Talk About When I Talk About Running)
“
You aren't like your mom."
"I am.But I don't want to be like that anymore,I want what I want." He turns to me again,his face anxious. "I told my father's friends that I'm studying at Berkeley next year.It worked.He's really,really angry with me,but it worked.You told me to go for his pride.You were right."
"So." I'm cautious,hardly daring to believe. "You're moving to California?"
"I have to."
"Right." I swallow hard. "Because of your mom."
"Because of you. I'll only be a twenty-minute train ride from your school,and I'll make the commute to see you every night.I'd take a commute ten times that just to be with you every night."
His words are too perfect.It must be a misunderstanding,surely I'm misunderstanding-
"You're the most incredible girl I've ever known.You're gorgeous and smart, and you make my laugh like no one else can.And I can talk to you. And I know after all this I don't deserve you,but what I'm trying to say is that I love you,Anna.Very much."
I'm holding my breath.I can't talk,but my eyes are filling with tears.
He takes it the wrong way. "Oh God.And I've mucked things up again,haven't I? I didn't mean to attack you like this.I mean I did but...all right." His voice cracks. "I'll leave.Or you can go down first,and then I'll come down,and I promise I'll never bother you again-"
He starts to stand,but I grab his arm. "No!"
His body freezes. "I'm so sorry," he says. "I never mean to hurt you."
I trail my fingers across his cheek. He stays perfectly still for me. "Please stop apologizing,Etienne."
"Say my name again," he whispers.
I close my eyes and lean forward. "Etienne."
He takes my hands into his.Those pefect hands,that fit mine just so. "Anna?"
Our foreheads touch. "Yes?"
"Will you please tell me you love me? I'm dying here."
And then we're laughing.And them I'm in his arms,and we're kissing,at first quickly-to make up for lost time-and then slowly,because we have all the time in the world.And his lips are soft and honey sweet,and the careful, passionate way he moves them against my own says that he savors the way I taste,too.
And in between kisses,I tell him I love him.
Again and again and again.
”
”
Stephanie Perkins (Anna and the French Kiss (Anna and the French Kiss, #1))
“
Human beings are ultimately nothing but carriers – passageways – for genes. They ride us into the ground like racehorses from generation to generation. Genes don’t think about what constitutes good or evil. They don’t care whether we are happy or unhappy. We’re just a means to an end for them. The only thing they think about is what is most efficient for them.
”
”
Haruki Murakami (1Q84 #1-2 (1Q84, #1-2))
“
Perhaps if I had said to myself, at any moment in the race, I am being competitive. I want to win and I care, I might’ve begun to find the whole competition boring. My competitiveness was like a kite I was refusing to pull down from the sky and examine. I think this increased its power over me. I rode with a mysterious compulsion, not knowing where it came from.
”
”
Lara Prior-Palmer (Rough Magic: Riding the World's Loneliest Horse Race)
“
A seagull was flying over a beach, when it saw a mouse. It flew down and asked the mouse: “Where are your wings?” Each animal speaks its own language, and so the mouse didn’t under stand the question, but stared at the two strange, large things attached to the other creature’s body. “It must have some illness,” thought the mouse. The seagull noticed the mouse staring at its wings and thought: “Poor thing. It must have been attacked by monsters that left it deaf and took away its wings.” Feeling sorry for the mouse, the seagull picked it up in its beak and took it for a ride in the skies. “It’s probably homesick,” the seagull thought while they were flying. Then, very carefully, it deposited the mouse once more on the ground. For some months afterward, the mouse was sunk in gloom; it had known the heights and seen a vast and beautiful world. However, in time, it grew accustomed to being just a mouse again and came to believe that the miracle that had occurred in its life was nothing but a dream.
”
”
Paulo Coelho (The Winner Stands Alone)
“
Despite the dangers Shannow loved night riding. The air was crisp and clean and the world slept. Moonlight gave the trees a shimmering quality, and every rock glistened with silver. He rode slowly, allowing the horse to pick its way carefully over the trail.
”
”
David Gemmell (Bloodstone (Jon Shannow, #3))
“
No one cared about injuries. Not when you’re flying down the field, you and the horse—” He was suddenly animated. “You’re one being, like a centaur. The best ponies are total athletes. They find the line of the ball without you doing anything. One time I came off—my fault, not the pony’s—and she went on, tearing down the field, and blocked my opponent’s shot as if I were still riding her.
”
”
Geraldine Brooks (Horse)
“
Da, as face o arta a neputintelor, o arta a impotentelor, a inapetentelor si, daca s-ar putea, o arta a starii pe loc. (...) Ma obsedeaza ideea de a gasi virtuti in situatiile nenorocite in care te aduc evenimentele. Nemaiavind puterea tineretii, acum te lafai in neputinta, te asezi intr-o pozitie de satisfactie si zici: "A, asta-i un cistig!" Esti neputincios fizic si poti vorbi sau poti ride de neputinta.
”
”
Mircea-Horia Simionescu
“
On the other hand, one can turn bronco riding into drudgery. One can create mildly. One can live at a low flame. Most people do. We’re afraid to look foolish, or feel too extravagantly, or make a mistake, or risk unnecessary pain. One fears intensity. But, given something like death, what does it matter if one looks foolish now and then, or tried too hard, or cares too deeply? A shallow life creates a world as flat as a shadow. In that half-light, the sun never burns, risks recede, safety becomes habit, and individuals have little to teach one another.
”
”
Diane Ackerman (Deep Play)
“
I don’t want to go back. Not for a thousand years, and yet…I don’t know what I’ll do if I’m not taking care of Grandfather and fetching the groceries. I’ve never seriously thought of it, and now it seems I should. Or maybe not, maybe it’s too soon. Maybe there’s no point in talking about automobiles when I don’t know if I’ll live to be nineteen. But it would be fun, wouldn’t it? To ride one. Maybe to ride it with you.
”
”
Silvia Moreno-Garcia (Gods of Jade and Shadow)
“
The good he got from the people who cared about him set him up to return it, maybe not to them, but to people who deserved it. And that was what it was all about. The meaning of life. Why every person on the planet was there. They got what they gave and then they gave what they got, and it was the measure of you if you could endure the shit that came with life and still find it in you to focus on the good and put that out there.
”
”
Kristen Ashley (Ride Steady (Chaos, #3))
“
The World Has Need Of You”
everything here
seems to need us
—Rainer Maria Rilke
I can hardly imagine it
as I walk to the lighthouse, feeling the ancient
prayer of my arms swinging
in counterpoint to my feet.
Here I am, suspended
between the sidewalk and twilight,
the sky dimming so fast it seems alive.
What if you felt the invisible
tug between you and everything?
A boy on a bicycle rides by,
his white shirt open, flaring
behind him like wings.
It’s a hard time to be human. We know too much
and too little. Does the breeze need us?
The cliffs? The gulls?
If you’ve managed to do one good thing,
the ocean doesn’t care.
But when Newton’s apple fell toward the earth,
the earth, ever so slightly, fell
toward the apple.
”
”
Ellen Bass (Like a Beggar)
“
It’s been my experience that most folk who ride trains could care less where they’re going. For them it’s the journey itself and the people they meet along the way. You see, at every stop this train makes, a little bit of America, a little bit of your country, gets on and says hello. That’s why trains are so popular at Christmas. People get on to meet their country over the holidays. They’re looking for some friendship, a warm body to talk to. People don’t rush on a train, because that’s not what trains are for. How do you put a dollar value on that? What accounting line does that go on?
”
”
David Baldacci (The Christmas Train)
“
Of course, you might be perfectly happy ceding all authority to the algorithms and trusting them to decide things for you and for the rest of the world. If so, just relax and enjoy the ride. You don't need to do anything about it. The algorithms will take care of everything. If, however, you want to retain some control over your personal existence and the future of life, you have to run faster than the algorithms, faster than Amazon and the government, and get to know yourself before they do. To run fast, don't take much baggage with you. Leave all your illusions behind. They are very heavy.
”
”
Yuval Noah Harari (21 Lessons for the 21st Century)
“
Glances
Two people meet. The sky turns winter,
quells whatever they would say.
Then, a periphery glance into danger -
and an avalanche already on its way.
They have been honest all their lives;
careful, calm, never in haste;
they didn't know what it is to meet.
Now they have met: the world is waste.
They find they are riding an avalanche
feeling at rest, all danger gone.
The present looks out of their eyes; they stand
calm and still on a speeding stone.
”
”
William Stafford (TRAVELING THROUGH THE DARK.)
“
Janus found himself drawn to the edge of the rink, staring fixedly at Candace as she approached: grinning, puffing steam, her cheeks flushed, her brown hair peeking out from under a knitted cap, her hazel eyes sparkling green and gold in the bright winter sun. She wore a wool riding coat, brilliant red trimmed with black, which stood out amid the ice like a ruby on white gold. Janus thought she had never looked more beautiful than she did in that moment, with all her cares and duties laid aside for the pure joy of living. Janus wanted to freeze the moment in his memory and carry it forever: This is what happiness looks like. I never knew.
”
”
Chris Lester (A Lightbringer Carol (Metamor City, #7))
“
Here is part of the problem, girls: we’ve been sold a bill of goods. Back in the day, women didn’t run themselves ragged trying to achieve some impressively developed life in eight different categories. No one constructed fairy-tale childhoods for their spawn, developed an innate set of personal talents, fostered a stimulating and world-changing career, created stunning homes and yardscapes, provided homemade food for every meal (locally sourced, of course), kept all marriage fires burning, sustained meaningful relationships in various environments, carved out plenty of time for “self care,” served neighbors/church/world, and maintained a fulfilling, active relationship with Jesus our Lord and Savior. You can’t balance that job description. Listen to me: No one can pull this off. No one is pulling this off. The women who seem to ride this unicorn only display the best parts of their stories. Trust me. No one can fragment her time and attention into this many segments.
”
”
Jen Hatmaker (For the Love: Fighting for Grace in a World of Impossible Standards)
“
Mamaw often told a parable: A young man was sitting at home when a terrible rainstorm began. Within hours, the man’s house began to flood, and someone came to his door offering a ride to higher ground. The man declined, saying, “God will take care of me.” A few hours later, as the waters engulfed the first floor of the man’s home, a boat passed by, and the captain offered to take the man to safety. The man declined, saying, “God will take care of me.” A few hours after that, as the man waited on his roof—his entire home flooded—a helicopter flew by, and the pilot offered transportation to dry land. Again the man declined, telling the pilot that God would care for him. Soon thereafter, the waters overcame the man, and as he stood before God in heaven, he protested his fate: “You promised that you’d help me so long as I was faithful.” God replied, “I sent you a car, a boat, and a helicopter. Your death is your own fault.” God helps those who help themselves. This was the wisdom of the Book of Mamaw. The
”
”
J.D. Vance (Hillbilly Elegy: A Memoir of a Family and Culture in Crisis)
“
I see your face in every scene of my dreams, and hear your voice in every sound. I wish I did not. It is too much what I feel. They say such love never lasts. But it must! And yet once, I remember, I saw an officer of the Hussars ride down the street at Budmouth, and though he was a total stranger and never spoke to me, I loved him till I thought I should really die of love—but I didn't die, and at last I left off caring for him. How terrible it would be if a time should come when I could not love you, my Clym!
”
”
Thomas Hardy (Return of the Native)
“
Going for a walk, going to the gym, reading, riding your bike, taking a Jacuzzi, I don’t care what you do. If you are stuck, if you are struggling to figure out a clear vision for the life you want, then all I care about is that you make little goals for yourself to start building momentum and that you create time and space every day to think, to daydream, to look around, to be present in the world, to let inspiration and ideas in. If you can’t find what you’re looking for, at least give it a chance to find you.
”
”
Arnold Schwarzenegger (Be Useful: Seven tools for life)
“
Riding the subway home felt like floating in a bubble. It was a small, encouraging sample of the freedom that existed when I was left to my own wits in New York City. I knew from that experience that if I could get away, I could give myself what really mattered, and I wouldn’t need anyone’s help. From that day forward I knew I could take care of myself.
”
”
Isaac Mizrahi (I: A Memoir)
“
An artist must regulate his life.
Here is a time-table of my daily acts. I rise at 7.18; am inspired from 10.23 to 11.47. I lunch at 12.11 and leave the table at 12.14. A healthy ride on horse-back round my domain follows from 1.19 pm to 2.53 pm. Another bout of inspiration from 3.12 to 4.7 pm. From 5 to 6.47 pm various occupations (fencing, reflection, immobility, visits, contemplation, dexterity, natation, etc.)
Dinner is served at 7.16 and finished at 7.20 pm. From 8.9 to 9.59 pm symphonic readings (out loud). I go to bed regularly at 10.37 pm. Once a week (on Tuesdays) I awake with a start at 3.14 am.
My only nourishment consists of food that is white: eggs, sugar, shredded bones, the fat of dead animals, veal, salt, coco-nuts, chicken cooked in white water, mouldy fruit, rice, turnips, sausages in camphor, pastry, cheese (white varieties), cotton salad, and certain kinds of fish (without their skin). I boil my wine and drink it cold mixed with the juice of the Fuschia. I have a good appetite but never talk when eating for fear of strangling myself.
I breathe carefully (a little at a time) and dance very rarely. When walking I hold my ribs and look steadily behind me.
My expression is very serious; when I laugh it is unintentional, and I always apologise very politely.
I sleep with only one eye closed, very profoundly. My bed is round with a hole in it for my head to go through. Every hour a servant takes my temperature and gives me another.
”
”
Erik Satie
“
Two nights ago, I fucked up and hurt a woman I’d come to care about. I been waiting for this morning, hopin’ you’d roll up to Ride and I wouldn’t have to hunt you down. But if you were really pissed at me in a way I couldn’t fix, this morning could have gone different. Thinkin’ on that and all the other shit swirling in my life, the last two nights I haven’t slept all that great. But I ate good, I just came hard, I’m in your bed, you like me here and you called me honey so I’m thinkin’ tonight’s my night. That is, if you’d shut up and let me sleep.
”
”
Kristen Ashley (Motorcycle Man (Dream Man, #4))
“
Here's a note to the parents of addicted children: choose your music carefully. Avoid Louis Armstrong's "What a Wonderful World", from the Polaroid or Kodak or whichever commercial, and the songs "Turn Around" and "Sunrise, Sunset" and - there are thousands more. Avoid Cyndi Lauper's "Time After Time," and this one, Eric Clapton's song about his son. Leonard Cohen's "Hallelujah" sneaked up on me one time. The music doesn't have to be sentimental. Springsteen can be dangerous. John and Yoko. Bjork. Dylan. I become overwhelmed when I hear Nirvana. I want to scream like Kurt Cobain. I want to scream at him. Music isn't all that does it. There are millions of treacherous moments. Driving along Highway 1, I will see a peeling wave. Or I will reach the fork where two roads meet near Rancho Nicasio, where we veered to the left in carpool. A shooting star on a still night at the crest of Olema Hill. With friends, I hear a good joke - one that Nic would appreciate. The kids do something funny or endearing. A story. A worn sweater. A movie. Feeling wind and looking up, riding my bike. A million moments.
”
”
David Sheff (Beautiful Boy: A Father's Journey Through His Son's Addiction)
“
We protected America from what happened, like a man takes care of his wife. The man doesn't mind when she closes her eyes at the scary part of the ride, of the movie. He loves her for that sweet, willful ignorance. She gives him something to protect, a nice world in which bad things don't happen. It's a pleasure, and a relief, to keep that ignorance intact, even as it comes between them.
”
”
Amy Bloom
“
She stuck to side streets, riding slowly, with care. The trip took a little under an hour, and Diane was feeling a pulsing pain in her calf by the time sh pulled up to the front of the pawnshop. There was a black sedan with tinted windows at the end of the lot--the windows cracked down enough for her to see two sunglassed agents of a vague yet menacing government agency. One of them raised her camera and tried to take a photo of Diane, but the camera flashed, only reflecting the car window back at the lens. The agent swore. Diane waved a cursory hello at them and walked into the store.
”
”
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
“
Here’s something to consider: If you have a friend whose friendship you wouldn’t recommend to your sister, or your father, or your son, why would you have such a friend for yourself? You might say: out of loyalty. Well, loyalty is not identical to stupidity. Loyalty must be negotiated, fairly and honestly. Friendship is a reciprocal arrangement. You are not morally obliged to support someone who is making the world a worse place. Quite the opposite. You should choose people who want things to be better, not worse. It’s a good thing, not a selfish thing, to choose people who are good for you. It’s appropriate and praiseworthy to associate with people whose lives would be improved if they saw your life improve. If you surround yourself with people who support your upward aim, they will not tolerate your cynicism and destructiveness. They will instead encourage you when you do good for yourself and others and punish you carefully when you do not. This will help bolster your resolve to do what you should do, in the most appropriate and careful manner. People who are not aiming up will do the opposite. They will offer a former smoker a cigarette and a former alcoholic a beer. They will become jealous when you succeed, or do something pristine. They will withdraw their presence or support, or actively punish you for it. They will over-ride your accomplishment with a past action, real or imaginary, of their own. Maybe they are trying to test you, to see if your resolve is real, to see if you are genuine. But mostly they are dragging you down because your new improvements cast their faults in an even dimmer light.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
Some wings are organza stitched onto school backpacks; some are quilted cotton stuffed with dried flowers and clipped to jacket shoulders. Some few have been carefully glued together from dozens of butterflies’ discarded wings—but only those butterflies that died naturally, of course. Thus adorned, children who can run through the streets do so, leaping off curbs and making whooshing sounds as they pretend to fly. Those who cannot run instead ride special drones, belted and barred and double-checked for safety, which gently bounce them into the air. It’s only a few feet, though it feels like the height of the sky.
”
”
N.K. Jemisin (How Long 'til Black Future Month?)
“
She never used to compare her appearance to Nan, but now that Brody was so near both of them again, she couldn’t help but let the comparisons ride out. She was definitely the ugly duckling. “Mina,” Nan interrupted her thoughts, “you look so cute today. Tell me, is it because of a guy? It is, isn’t it? Who is it?” Brody’s head snapped in Mina’s direction; he was obviously interested in hearing her answer, but he carefully pretended indifference as he took a swig of cola. “NO, there’s no guy. There’s no one.” “Well, there should be a guy. There should be a hundred boys lined up to date my best friend. Right, Brody?” Nan cornered him with a look. Brody almost choked on his drink, and after wiping his mouth on his jacket, he gave Nan a sheepish look. “Um, yeah, hundreds.” He swallowed and stared directly into Mina’s eyes. “Well, you should set her up on a date with one of your friends, then,” Nan said. “NO!” Mina and Brody cried out in unison, while Ever pumped her fist and yelled, “YES!” Nan started laughing, and picked up her water bottle and twisted the lid. “It’s official, Bro. Tonight…double date.” “Make that a triple,” Ever interrupted, looking at Jared across the table hopefully. Jared’s head snapped up, and he stared at the four of them in horror…once he realized what they were saying. Brody groaned. Mina turned beet red, Nan laughed, and Ever glared at Jared, who finally quit playing with his food and buried his head in his hands.
”
”
Chanda Hahn (Fable (An Unfortunate Fairy Tale, #3))
“
Before embarking on a voyage, first speak with the ancient sailors, listen to and understand the winds, then patiently make a boat and sail. Yet, even then, be open to other dreams, changes, circumstances. Throughout our lives, we limit ourselves to fixed goals, only to get on the local ferry and just travel the distance between two known points. Yet, we create an illusion of freedom and choice, accompanied by a sense of independence. Thus, we carefully study weather reports, ride on the port side on odd numbered days, starboard on holidays, have tea at fixed times, never speak with those who wear glasses, always smile at those who wear green and of course allow ourselves just the slight possibility of a dream about jumping ship and going off to our island one day.
C'est la vie? Our predictably totalitarian lives are an insult to the human spirit.
”
”
Gündüz Vassaf (Prisoners of Ourselves: Totalitarianism in Everyday Life)
“
Happy trails to you, until we meet again.
Happy trails to you, keep smilin’ until then.
Who cares about the clouds when we’re together?
Just sing a song and bring the sunny weather.
Happy trails to you, ‘till we meet again.
Some trails are happy ones,
Others are blue.
It’s the way you ride the trail that counts,
Here’s a happy one for you.
Happy trails to you, until we meet again.
Happy trails to you, keep smilin’ until then.
”
”
Roy Rogers
“
To me, living a rich life means focusing on the minutiae, the seemingly small, insignificant moments that can pass us by if we don't watch carefully. They're the quiet, chilly morning walks with my [dog]; the adventure of going for a bike ride in a new part of town; cooking a dinner alongside my boyfriend; or even the simple activity of crimping a pie crust. These moments don't require much, just a little planning and attention.
”
”
Adrianna Adarme
“
In 1780, outside of Philly, there was a Quaker girl—Charity Crabtree—who was taking care of bees when she came across a wounded soldier. He asked her to ride his horse to General Washington, to let him know that the British were about to attack. She did, but she could hear the army behind her, so she threw down the hive she was carrying and the bees swarmed the enemy soldiers. Washington supposedly said that it was bees that saved America.
”
”
Jodi Picoult (Mad Honey)
“
By engaging with the person you’re with. Which means, not thinking while they’re speaking and not forming your answer as they are in the middle of asking the question. Engaging with the person means following carefully what they say, going for the full ride of their dialogue. So that you don’t skip over a nuance by mistake. This is what’ll keep you from zoning out, avoiding eye contact, looking at the wall like a freak, or sweating too much.
”
”
Augusten Burroughs (This Is How: Surviving What You Think You Can't)
“
She could not picture it. Herself riding on the subway or streetcar, caring for new horses, talking to new people, living among hordes of people every day who were not Clark.
A life, a place, chosen for that specific reason––that it would not contain Clark.
The strange and terrible thing coming clear to her about that world of the future, as she now pictured it, was that she would not exist there. She would only walk around, and open her mouth and speak, and do this and do that. She would not really be there. And what was strange about it was that she was doing all this, she was riding on this bus in the hope of recovering herself. As Mrs. Jamieson might say––and as she herself might with satisfaction have said––taking charge of her own life. With nobody glowering over her, nobody's mood infecting her with misery.
But what would she care about? How would she know that she was alive?
While she was running away from him––now––Clark still kept his place in her life. But when she was finished running away, when she just went on, what would she put in his place? What else––who else––could ever be so vivid a challenge?
”
”
Alice Munro (Runaway: Stories)
“
Little Dorrit would often ride out in a hired carriage that was left them, and alight alone and wander among the ruins of old Rome. The ruins of the vast old Amphitheatre, of the old Temples, of the old commemorative Arches, of the old trodden highways, of the old tombs, besides being what they were, to her were ruins of the old Marshalsea—ruins of her own old life—ruins of the faces and forms that of old peopled it—ruins of its loves, hopes, cares, and joys.
”
”
Charles Dickens (Little Dorrit)
“
Can you call a man?”
“If I choose to,” she said, surprised. “I have never done it.”
“Then if you ever have anything to fear from any man who comes here, will you call me? I will come. Whatever I am doing will remain undone, and I will come to you. Will you?”
“But why? You know I will do nothing for you. Why would you ride all the way from Sirle to help me?”
He looked at her silently. Then he shrugged, the snow melting in his fiery hair. “I do not know. Because. Will you?”
“If I need you, I will call.”
He loosed her hand, smiling. “And I will come.”
“But I probably will not. Anyway, if I want you, I can call you, and you will come without choice.”
He sighed. He said patiently, “I choose to come. It makes a difference.”
“Does it?” Then her eyes curved slightly in a smile. “Go home to your world of the living, Coren. That is where you belong. I can take care of myself.”
“Perhaps.” He gathered the reins in his hands, turned his mount toward the road that wound downward to Mondor. Then he looked back at her, his eyes the color of clear mountain water. “But one day you will find out how good it is to have someone who chooses to come when you call.
”
”
Patricia A. McKillip (The Forgotten Beasts of Eld)
“
Then he neglected tennis and took up bike rides with her and her friends in the late afternoons in the hill towns farther west along the coast. One day, when there was one too many of them to go biking, Oliver turned to me and asked if I minded letting Mario borrow my bike since I wasn’t using it. It threw me back to age six. I shrugged my shoulders, meaning, Go ahead, I couldn’t care less. But no sooner had they left than I scrambled upstairs and began sobbing into my pillow.
”
”
André Aciman (Call Me By Your Name)
“
friendship nostalgia
i miss the days when
my friends knew every mundane detail
about my life and i knew every ordinary detail about theirs
adulthood has starved me of that consistency that us
those walks around the block
those long conversations when we were
too lost in the moment to care
what time it was when we won-and celebrated
when we failed and celebrated even harder
when we were just kids
now we have our very important jobs
that fill up our very busy schedules
we have to compare calendars
just to plan coffee dates
that one of us will eventually cancel
because adulthood is being
too exhausted to leave our apartments most days
i miss belonging to a group of people bigger than myself
it was that belonging that made life easier to live
how come no one warned us about
how we'd graduate and grow apart
after everything we'd been through
how come no one said
one of life's biggest challenges
would be trying to stay connected
to the people that make us feel alive
no one talks about the hole
a friend can leave inside you
when they go off to make their dreams come true
in college we used to stay up till 4 in the morning
dreaming of what we'd do
the moment we started earning real paychecks
now we finally have the money
to cross everything off our bucket lists
but those lists are collecting dust
in some lost corridor of our minds
sometimes when i get lonely
i still search for them
i'd give anything to go back
and do the foolish things we used to do
i feel the most present in your presence
when we're laughing so hard
the past slides off our shoulders
and worries of the future slip away
the truth is i couldn't survive without my friends
they know exactly what i need
before i even know that i need
the way we hold each other is just different
so forget grabbing coffee
i don't want to have another dinner
where we sit across from each other
at a table reminiscing about old times
when we have so much time left
to make new memories with
how about
you go pack your bags
and i'll pack mine
you take a week off work
i'll grab my keys
and let's go for ride
we've got years of catching up to do
”
”
Rupi Kaur
“
This got me thinking of how animals define beauty versus us humans and how drastically different these opinions are. Animals don’t see beauty or judge us based on it. If a cat is comfortable with you and trusts you, it does not care what you look like. You could have a missing eye or two missing eyes or a freakish pimple on your face, and the horse you are riding or brushing will not care one bit. Animals teach us the meaning of beautiful every day. Do you take the time to listen?
”
”
Jaycee Dugard (Freedom: My Book of Firsts)
“
A clatter of metal against the concrete made me look back. Liam had moved on from the car to a nearby pile of bikes that were tangled together like brambles. He picked through the frames and spokes and wheels, working carefully, trying to get down to whatever he'd seen under them....
"Do you actually know how to ride?"
"Do I know how to ride?" Liam scoffed, leaning over the bike's seat so his face was inches from mine. His pale blue eyes were electric with his excitement; they sent a charge through me, sizzling the rest of the world into peaceful, quiet static. That last bit of distance must have been as unbearable to him as it was to me, because his fingers came down over where my hands rested on the busted leather seat. I felt his touch spread over my skin like late afternoon sunshine. His lips skimmed my cheek, his breath warm against my ear as he said in low, honeyed tones, "Not only can I ride, darlin', but I can give you a few pointers–
"Hey, Hell's Angels!" Cole barked. "I didn't bring you in here to shop around for yourselves! Get your assess over here!"
Liam expression clouded over as he pulled back, the fluttering excitement vanishing like a candle blown out. with a single breath. I must have looked as disappointed as I felt, letting out a small sound of irritation, because just like that he was smiling again as he tucked a loose strand of hair back over my ear. A softer, smaller smile than before, but one meant for me. It warmed me down to my bones.
”
”
Alexandra Bracken (Never Fade (The Darkest Minds, #2))
“
You ought to make something for Easter. You know. Eggs and stuff. Chocolate hens, rabbits, things like that. Like the shops in Agen." I remember them from my childhood; the Paris chocolateries with their baskets of foil-wrapped eggs, shelves of rabbits and hens, bells, marzipan fruits and marrons glacés, amourettes and filigree nests filled with petits fours and caramels, and a thousand and one epiphanies of spun-sugar magic carpet rides more suited to an Arabian harem than the solemnities of the Passion.
"I remember my mother telling me about the Easter chocolates." There was never enough money to buy those exquisite things, but I always had my own cornet-surprise, a paper cone containing my Easter gifts, coins, paper flowers, hard-boiled eggs painted in bright enamel colors, a box of colored papier-mâché- painted with chickens, bunnies, smiling children among the buttercups, the same every year and stored carefully for the next time- encasing a tiny packet of chocolate raisins wrapped in cellophane, each one to be savored, long and lingeringly, in the lost hours of those strange nights between cities, with the neon glow of hotel signs blink-blinking between the shutters and my mother's breathing, slow and somehow eternal, in the umbrous silence.
”
”
Joanne Harris (Chocolat (Chocolat, #1))
“
She had no criticism of his dress, which was bagged at the knees, dropping at the lapels, rucked around the buttons, while she-although she wore a flowing white cotton-appeared (she knew it and wished it was not so) as starched and pressed as a Baptist in a riding habit.
They were different, and yet not ill matched.
They had both grown used to the attentions that are the eccentric’s lot-the covert glances, smiles, whispers, worse. Lucinda was accustomed to looking at no one in the street. It was an out-of-focus town of men with seas of bobbing hats.
But on this night she felt the streets accept them. She thought: When we are two, they do not notice us. They think us a match. What wisdom does a mob have? It is a hydra, an organism, stupid or dangerous in much of its behaviour, but could it have, in spite of this, a proper judgement about which of its component parts fit best together?
They pushed past bold-eyed young women with too many ribbons and jewels, past tight-laced maidens and complacent merchants with their bellies pushing so forcefully against their waistcoats that their shirts showed above their trousers. Lucinda was happy. Her arm rested on Oscar’s arm.
She thought: Anyone can see I have been crying. She thought: I have pink eyes like a dormouse. But she did not really care.
”
”
Peter Carey (Oscar and Lucinda)
“
But most of all," she said, "I like to watch people. Sometimes I ride the subway all day and look at them and listen to them. I just want to figure out who they are and what they want and where they're going. Sometimes I even go to the Fun Parks and ride in the jet cars when they race on the edge of town at midnight and the police don't care as long as they're insured. As long as everyone has ten thousand insurance everyone's happy.
Sometimes I sneak around and listen in subways. Or I listen at soda fountains, and do
you know what?"
"What?"
"People don't talk about anything."
"Oh, they must!"
"No, not anything. They name a lot of cars or clothes or swimming-pools mostly and say how swell! But they all say the same things and nobody says anything different from anyone else. And most of the time in the cafes they have the jokeboxes on and the same jokes most of the time, or the musical wall lit and all the coloured patterns running up and down, but it's only colour and all abstract. And at the museums, have you ever been? All abstract. That's all there is now.
”
”
Ray Bradbury (Fahrenheit 451)
“
If the plot is a machine that allows you to get from set piece to set piece, and the set pieces are things without which the reader or the viewer would feel cheated, then, whatever it is, it’s genre. If the plot exists to get you from the lone cowboy riding into town to the first gunfight to the cattle rustling to the showdown, then it’s a Western. If those are simply things that happen on the way, and the plot encompasses them, can do without them, doesn’t actually care if they are in there or not, then it’s a novel set in the old West.
”
”
Neil Gaiman (The View from the Cheap Seats: Selected Nonfiction)
“
Telegraph Road
A long time ago came a man on a track
Walking thirty miles with a pack on his back
And he put down his load where he thought it was the best
Made a home in the wilderness
He built a cabin and a winter store
And he ploughed up the ground by the cold lake shore
And the other travellers came riding down the track
And they never went further, no, they never went back
Then came the churches, then came the schools
Then came the lawyers, then came the rules
Then came the trains and the trucks with their loads
And the dirty old track was the telegraph road
Then came the mines - then came the ore
Then there was the hard times, then there was a war
Telegraph sang a song about the world outside
Telegraph road got so deep and so wide
Like a rolling river ...
And my radio says tonight it's gonna freeze
People driving home from the factories
There's six lanes of traffic
Three lanes moving slow ...
I used to like to go to work but they shut it down
I got a right to go to work but there's no work here to be found
Yes and they say we're gonna have to pay what's owed
We're gonna have to reap from some seed that's been sowed
And the birds up on the wires and the telegraph poles
They can always fly away from this rain and this cold
You can hear them singing out their telegraph code
All the way down the telegraph road
You know I'd sooner forget but I remember those nights
When life was just a bet on a race between the lights
You had your head on my shoulder, you had your hand in my hair
Now you act a little colder like you don't seem to care
But believe in me baby and I'll take you away
From out of this darkness and into the day
From these rivers of headlights, these rivers of rain
From the anger that lives on the streets with these names
'Cos I've run every red light on memory lane
I've seen desperation explode into flames
And I don't want to see it again ...
From all of these signs saying sorry but we're closed
All the way down the telegraph road
”
”
Mark Knopfler (Dire Straits - 1982-91)
“
He stood hat in hand over the unmarked earth. This woman who had worked for his family fifty years. She had cared for his mother as a baby and she had worked for his family long before his mother was born and she had known and cared for the wild Grady boys who were his mother's uncles and who had all died so long ago and he stood holding his hat and he called her his abuela and he said goodbye to her in Spanish and then turned and put on his hat and turned his wet face to the wind and for a moment he held out his hands as if to steady himself or as if to bless the ground there or perhaps as if to slow the world that was rushing away and seemed to care nothing for the old or the young or rich or poor or dark or pale or he or she. Nothing for their struggles, nothing for their names. Nothing for the living or the dead.
In four days' riding he crossed the Pecos at Iraan Texas and rode up out of the river breaks where the pumpjacks in the Yates Field ranged against the skyline rose and dipped like mechanical birds. Like great primitive birds welded up out of iron by hearsay in a land perhaps where such birds once had been…..The desert he rode was red and red the dust he raised, the small dust that powdered the legs of the horse he rode, the horse he led. In the evening a wind came up and reddened all the sky before him. There were few cattle in that country because it was barren country indeed yet he came at evening upon a solitary bull rolling in the dust against the bloodred sunset like an animal in sacrificial torment.
The bloodred dust blew down out of the sun. He touched the horse with his heels and rode on. He rode with the sun coppering his face and the red wind blowing out of the west across the evening land and the small desert birds flew chittering among the dry bracken and horse and rider and horse passed on and their long shadows passed in tandem like the shadow of a single being. Passed and paled into the darkening land, the world to come.
”
”
Cormac McCarthy (All the Pretty Horses (The Border Trilogy, #1))
“
Love, laughter, and joy, as well as pain, longing and sorrow, are all part of the ride. Without the latter you cannot truly appreciate the former, cannot come to
understand just how much you truly care...
Passion is what makes life interesting, what ignites our soul, drives our curiosity, fuels our love and carries our friendships, stim-
ulates our intellect, and pushes our limits. In my life I want to create passion in my own life and with those I care for, I want to feel, experience, and live every emotion. I will suffer through the bad for the heights of the good.
”
”
Pat Tillman
“
She understood that pain was necessary in the world, a sense as critical as sight or hearing. It functioned to keep people safe, a very persuasive stop sign. In a way it was the mother to us all, slapping us back from the hot stove, forcing us to put down the sharp knife, teaching us self-preservation, training care into our bones. Pain was the reason we were alive. It was why as children we didn't toss ourselves down the staircase for the thrill of the ride, didn't stop eating just to bother our parents, didn't nibble off our fingertips to examine our insides. Pain made our existence in this world possible, opened life up to us...
Unstoppable pain was different. The sensation in this case was not a mother. It was an abuser. It taught nothing. Instead it wrapped itself around the ribs, settled on the shoulders, a weight to be borne, making it hard to breathe or talk.
”
”
Audrey Schulman (Theory of Bastards)
“
The world we know is dwarfed by the worlds we don't. Why not explore them all? Being out there in the wilderness, you have no idea what'll happen, really. It could be just you and this gorgeous night sky, or maybe you are surfing and some big ass wave comes at you, and if you don't ride that sucker, it'll put you under and have you for lunch, or you might turn a corner on a hike and there's some beautiful deer and her little fawn-- now that has meaning, all of those things, and I need more of that and less of trying to make money so I can pay bills to live in a way I just don't care about anymore.
”
”
Erica Ferencik (The River at Night)
“
Don’t do it. Don’t go to that job you hate. Do something you love today. Ride a roller coaster. Swim in the ocean naked. Go to the airport and get on the next flight to anywhere just for the fun of it. Maybe stop a spinning globe with your finger and then plan a trip to that very spot; even if it’s in the middle of the ocean you can go by boat. Eat some type of ethnic food you've never even heard of. Stop a stranger and ask her to explain her greatest fears and her secret hopes and aspirations in detail and then tell her you care because she is a human being. Sit down on the sidewalk and make pictures with colorful chalk. Close your eyes and try to see the world with your nose — allow smells to be your vision. Catch up on your sleep. Call an old friend you haven’t seen in years. Roll up your pant legs and walk into the sea. See a foreign film. Feed squirrels. Do anything! Something! Because you start a revolution one decision at a time, with each breath you take. Just don’t go back to that miserable place you go every day. Show me it’s possible to be an adult and also be happy. Please. This is a free country. You don’t have to keep doing this if you don’t want to. You can do anything you want. Be anyone you want.
”
”
Matthew Quick (Forgive Me, Leonard Peacock)
“
The walk revealed the pain of solitude that had lain central not only in her lifetime but in her mother's and mother's mother's, too. No education, no money, only men. A cycle of repetition so ridiculous that it needed only organ music and a scattering of plastic horses to be that predictable fairground ride.
Her beauty had been her currency. Always had been. No one talked about when the bank ran dry as it inevitably would. All those books she never read. All those museums she'd rubbished as brain-box boring. Cressy said it took effort to turn a page. Takes effort and care, Peg. Takes a leap of faith to say I don't know.
”
”
Sarah Winman (Still Life)
“
. . . Yes, I’m an aesthete. I like beauty.
Yes – poor countries are beautiful. Poor people are beautiful. It’s a wonderful feeling to have money in a country where most people are poor, to ride in a taxi through horrible slums.
Yes – a beggar can be beautiful. A beggar can have beautiful lips, beautiful eyes. You’re far from home. To you, her simple shawl seems elegant, direct, the right way to dress. You see her approaching from a great distance. She’s old, thin, and yes, she looks sick, very sick, near death. But her face is beautiful – seductive, luminous. You like her – you’re drawn to her. Yes, you think – there’s money in your purse – you’ll give her some of it.
And a voice says – Why not all of it? Why not give her all you have?
Be careful, that’s a question that could poison your life. Your love of beauty could actually kill you.
If you hear that question, it means you’re sick. You’re mentally sick. You’ve had a breakdown.
”
”
Wallace Shawn (The Fever)
“
Stuart Diver has had years of extensive professional counselling to retrain his brain so that he can replace the thought of how helpless he was when Sally dies with the truth that he tried everything he could to save her, showing how much he cared. He has learned to substitute memories of Sally's last moments with thoughts of wonderful times from their lives together- a great trip, a fun birthday, some other special occasion.
In the corner of his living room is a bicycle that he rides every night, and he likens keeping his mental health on track to keeping physically fit. It's hard. It requires patience and it takes discipline.
”
”
Leigh Sales (Any Ordinary Day)
“
I hope you’ll take the next right step today and choose just one way to be kind. Then another. Then another. Then another. Here’s a few ideas to get you started. Write a thank-you note. Extend an invitation. Bring muffins to the office. Offer someone a ride to the airport. Donate blood. Challenge yourself to go a day without saying anything negative. Call your grandmother. Look at the month ahead for birthdays and plan something special for a friend or family member. Send a care package. Send congrats flowers for a friend who reached a new milestone. Make a double batch of soup and bring half to someone who just moved. Wave at kids on a school bus.
”
”
Candace Cameron Bure (Kind Is the New Classy: The Power of Living Graciously)
“
What isn’t scary can do you in.
Snacking doesn’t intimidate anybody. Neither does watching TV. Or sitting in a movie with a large drink and so much popcorn that it comes in a tub.
Driving to work and parking in the garage doesn’t upset any applecarts, but riding your bike and asking for a place to lock it up just might.
Suggesting to your boyfriend that you’d like to go to the soup-and-salad place instead of the he-man chuck-wagon could be awkward…[but] you are committed to living fully. You are going to take care of you, no matter who suggests that you’re selfish or full of yourself.
Living well will give you the emotional energy you need to fulfill your destiny.
”
”
Victoria Moran (Fat, Broke & Lonely No More: Your Personal Solution to Overeating, Overspending, and Looking for Love in All the Wrong Places – A Revolutionary Five-Step Plan to Break Free and Take Back Your Life)
“
I hurried over to Conrad, walking so fast I kicked up sand behind me. “Hey, I’m gonna get a ride,” I said breathlessly.
The blond Red Sox girl looked me up and down. “Hello,” she said.
Conrad said, “With who?”
I pointed at Cam. “Him.”
“You’re not riding with someone you don’t even know,” he said flatly.
“I do so know him. He’s Sextus.”
He narrowed his eyes. “Sex what?”
“Never mind. His name is Cam, he’s studying whales, and you don’t get to decide who I ride home with. I was just letting you know, as a courtesy. I wasn’t asking for your permission.” I started to walk away, but he grabbed my elbow.
“I don’t care what he’s studying. It’s not gonna happen,” he said casually, but his grip was tight. “If you want to go, I’ll take you.”
I took a deep breath. I had to keep cool. I wasn’t going to let him goad me into being a baby, not in front of all these people. “No, thanks,” I said, trying to walk away again. But he didn’t let go.
“I thought you already had a boyfriend?” His tone was mocking, and I knew he’d seen through my lie the night before.
I wanted so badly to throw a handful of sand in his face. I tried to twist out of his grip. “Let go of me! That hurts!”
He let go immediately, his face red. It didn’t really hurt, but I wanted to embarrass him the way he was embarrassing me. I said loudly, “I’d rather ride with a stranger than with someone who’s been drinking!”
“I’ve had one beer,” he snapped. “I weigh a hundred and seventy-five pounds. Wait half an hour and I’ll take you. Stop being such a brat.”
I could feel tears starting to spark my eyelids. I looked over my shoulder to see if Cam was watching. He was. “You’re an asshole,” I said.
He looked me dead in the eyes and said, “And you’re a four-year-old.”
As I walked away, I heard the girl ask, “Is she your girlfriend?”
I whirled around, and we both said “No!” at the same time.
Confused, she said, “Well, is she your little sister?” like I wasn’t standing right there. Her perfume was heavy. It felt like it filled all the air around us, like we were breathing her in.
“No, I’m not his little sister.” I hated this girl for being a witness to all this. It was humiliating. And she was pretty, in the same kind of way Taylor was pretty, which somehow made things worse.
Conrad said, “Her mom is best friends with my mom.” So that was all I was to him? His mom’s friend’s daughter?
I took a deep breath, and without even thinking, I said to the girl, “I’ve known Conrad my whole life. So let me be the one to tell you you’re barking up the wrong tree. Conrad will never love anyone as much as he loves himself, if you know what I mean-“ I lifted up my hand and wiggled my fingers.
“Shut up, Belly,” Conrad warned. The tops of his ears were turning bright red. It was a low blow, but I didn’t care. He deserved it.
Red Sox girl frowned. “What is she talking about, Conrad?”
To her I blurted out, “Oh, I’m sorry, do you not know what the idiom ‘barking up the wrong tree’ means?”
Her pretty face twisted. “You little skank,” she hissed.
I could feel myself shrinking. I wished I could take it back. I’d never gotten into a fight with a girl before, or with anyone for that matter.
Thankfully, Conrad broke in then and pointed to the bonfire. “Belly, go back over there, and wait for me to come get you,” he said harshly.
That’s when Jeremiah ambled over. “Hey, hey, what’s going on?” he asked, smiling in his easy, goofy way.
“Your brother is a jerk,” I said. “That’s what’s going on.”
Jeremiah put his arm around me. He smelled like beer. “You guys play nice, you hear?”
I shrugged out of his hold and said, “I am playing nice. Tell your brother to play nice.”
“Wait, are you guys brother and sister too?” the girl asked.
Conrad said, “Don’t even think about leaving with that guy.
”
”
Jenny Han (The Summer I Turned Pretty (Summer, #1))
“
The sickest part of this whole story is that I tried really hard to make up for what I thought I did to her, after she started talking to me again. I loaned her money whenever she needed it, I gave her rides whenever she called and needed to get somewhere, I did my best to pretend like David wasn't in the room with us when I was at her house, I did whatever I could that I thought might show her that I loved her and cared about her, and I never meant to hurt her. It took a while before I realized that would never happen. She'd never love me like a mom is supposed to. She would never be there for me like I tried to be for her. She would never apologize for anything or admit that she was wrong.
”
”
Ashly Lorenzana (Speed Needles)
“
One may ask, how is the great King Jaron described by those who know him? The answer rarely includes the word “great,” unless the word to follow is “fool,” though I have also heard “disappointment,” “frustration,” and “chance that he’ll get us all killed.” There are other answers, of course. “He was born to cause trouble, as if nothing else could make him happy.” My nursemaid said that, before I was even four years of age. I still believe her early judgments of me were unfair. Other than occasionally climbing over the castle balconies, and a failed attempt at riding a goat, what could I have possibly done to make her say such a thing? My childhood tutor: “Jaron has a brilliant mind, if one can pin him down long enough to teach him anything he doesn’t think he already knows. Which one rarely can.” It wasn’t that I thought I already knew everything. It was that I had already learned everything I cared to know from him, and besides, I didn’t see the importance of studying in the same way as my elder brother, Darius. He would become king. I would take a position among his advisors or assume leadership within our armies. My parents had long abandoned the idea of me becoming a priest, at the tearful request of our own priest, who once announced over the pulpit that I “belonged to the devils more than the saints.” To be fair, I had just set fire to the pulpit when he said it. Mostly by accident.
”
”
Jennifer A. Nielsen (The Captive Kingdom (The Ascendance Series, #4))
“
I don't give my secrets away for free." He slid one hand around her waist, pulling her close.
Zara melted against him, hands sliding up and over his shoulders. "Will you tell me for a kiss?"
"Possibly." He drew his finger down, following the edge of her top where it dipped low between her breasts. Her skin was soft, her perfume so lush and sensual it clouded his senses.
She leaned up, feathered kisses along his jaw. "Can it be now?"
He meant to give her a soft kiss, a gentle kiss, testing the waters to see if she truly wanted to come on this ride with him. But the moment their lips met, something snapped inside him. Four days of longing and fantasies. A lifetime of loneliness. A need so fierce, he twisted his hand in her hair and claimed her mouth in a fury of passion and desire.
Zara groaned and melted against him. He could feel the rapid beat of her heart, taste the sweetness of chocolate in her mouth. Never comfortable with public displays of affection, he didn't care if the entire world saw them so long as she kept kissing him and never stopped.
”
”
Sara Desai (The Singles Table (Marriage Game, #3))
“
what I had to live with, the rest of the world must never see, for it separated me from them, as it had just done with my former best friends and with my one long love, Berry. There was rage and rage and rage, coating all like crude oil coating gulls. They had hurt me, bad. For now, I had no faith in the others of the world. And the delivery of medical care? Farce. BUFF ’n’ TURF. Revolving door. I wasn’t sitting at the end of the ambulance ride, no. There was no glamour in this. My first patient of the New Year was a five-year-old found in a clothes dryer, face bloodied. She had been hit by her pregnant mother, hit over and over with a bludgeon of pantyhose stuffed with shards of broken glass. How could I survive?
”
”
Samuel Shem (The House of God)
“
I draw myself up next to her and look at her profile, making no effort to disguise my attention, here, where there is only Puck to see me. The evening sun loves her throat and her cheekbones. Her hair the color of cliff grass rises and falls over her face in the breeze. Her expression is less ferocious than usual, less guarded.
I say, “Are you afraid?”
Her eyes are far away on the horizon line, out to the west where the sun has gone but the glow remains. Somewhere out there are my capaill uisce, George Holly’s America, every gallon of water that every ship rides on.
Puck doesn’t look away from the orange glow at the end of the world. “Tell me what it’s like. The race.”
What it’s like is a battle. A mess of horses and men and blood. The fastest and strongest of what is left from two weeks of preparation on the sand. It’s the surf in your face, the deadly magic of November on your skin, the Scorpio drums in the place of your heartbeat. It’s speed, if you’re lucky. It’s life and it’s death or it’s both and there’s nothing like it. Once upon a time, this moment — this last light of evening the day before the race — was the best moment of the year for me. The anticipation of the game to come. But that was when all I had to lose was my life.
“There’s no one braver than you on that beach.”
Her voice is dismissive. “That doesn’t matter.”
“It does. I meant what I said at the festival. This island cares nothing for love but it favors the brave.”
Now she looks at me. She’s fierce and red, indestructible and changeable, everything that makes Thisby what it is. She asks, “Do you feel brave?”
The mare goddess had told me to make another wish. It feels thin as a thread to me now, that gift of a wish. I remember the years when it felt like a promise. “I don’t know what I feel, Puck.”
Puck unfolds her arms just enough to keep her balance as she leans to me, and when we kiss, she closes her eyes.
She draws back and looks into my face. I have not moved, and she barely has, but the world feels strange beneath me.
“Tell me what to wish for,” I say. “Tell me what to ask the sea for.”
“To be happy. Happiness.”
I close my eyes. My mind is full of Corr, of the ocean, of Puck Connolly’s lips on mine. “I don’t think such a thing is had on Thisby. And if it is, I don’t know how you would keep it.”
The breeze blows across my closed eyelids, scented with brine and rain and winter. I can hear the ocean rocking against the island, a constant lullaby.
Puck’s voice is in my ear; her breath warms my neck inside my jacket collar. “You whisper to it. What it needs to hear. Isn’t that what you said?”
I tilt my head so that her mouth is on my skin. The kiss is cold where the wind blows across my cheek. Her forehead rests against my hair.
I open my eyes, and the sun has gone. I feel as if the ocean is inside me, wild and uncertain. “That’s what I said. What do I need to hear?”
Puck whispers, “That tomorrow we’ll rule the Scorpio Races as king and queen of Skarmouth and I’ll save the house and you’ll have your stallion. Dove will eat golden oats for the rest of her days and you will terrorize the races each year and people will come from every island in the world to find out how it is you get horses to listen to you. The piebald will carry Mutt Malvern into the sea and Gabriel will decide to stay on the island. I will have a farm and you will bring me bread for dinner.”
I say, “That is what I needed to hear.”
“Do you know what to wish for now?”
I swallow. I have no wishing-shell to throw into the sea when I say it, but I know that the ocean hears me nonetheless. “To get what I need.
”
”
Maggie Stiefvater (The Scorpio Races)
“
You may refer to me as Prince Merrick or simply Merrick for this trip. We are just two companions enjoying a simple horse ride together.”
“I don’t bite.”
“I thought…maybe your family would like to have it. To know you are…well cared for and…safe.”
What the prince had done for him…drawing his likeness with such skill and for Cassius’s family…why would he do something like that? He couldn’t make sense of it, not from their time in the barn, nor from their ride today. The truth lingered there, teased the edges of his brain, but Cassius couldn’t let himself believe it. There was no way Prince Merrick could be interested in him. Unless it was as Valor said and what Cassius knew to be true: men sometimes lay with other men, even if just to satisfy their carnal urges
”
”
Riley Hart (Ever After)
“
Furthermore, I refuse to be affected by these cheap theatrics!" She gestured to the boiling sky.
"Gor!" Shelton covered his eyes with one hand.
Dougal instantly went from mad to furious, and the clouds rumbled to life. Yet in that instant, he realized that this tiny little bit of a woman had just reduced centuries of a dramatic and secretive curse to "cheap theatrics." He didn't know whether to rage or laugh, but somehow, looking up into her amazing blue eyes, laughter was beginning to win.
"Furthermore," she continued in high dudgeon, "I won't be cowed by a few damned drops of rain!"
Shelton groaned loudly. "Law,here it comes now."
But it didn't. Instead, a chuckle rippled through Dougal.
Sophia appeared outraged. "Are you laughing at me?"
"No,sweetheart. I'm laughing at us. We cannot even ride from the field to the house without racing. We're doomed to challenge each other forever,and if we don't have a care, my temper will try the two of us like sausages over a spit."
Her lips quivered in response. "I don't particularly care for that image."
"I haven't time for elegance, my love. It is getting ready to rain, so sausages are all you'll get.
”
”
Karen Hawkins (To Catch a Highlander (MacLean Curse, #3))
“
Last month, on a very windy day, I was returning from a lecture I had given to a group in Fort Washington. I was beginning to feel unwell. I was feeling increasing spasms in my legs and back and became anxious as I anticipated a difficult ride back to my office. Making matters worse, I knew I had to travel two of the most treacherous high-speed roads near Philadelphia – the four-lane Schuylkill Expressway and the six-lane Blue Route.
You’ve been in my van, so you know how it’s been outfitted with everything I need to drive. But you probably don’t realize that I often drive more slowly than other people. That’s because I have difficulty with body control. I’m especially careful on windy days when the van can be buffeted by sudden gusts. And if I’m having problems with spasms or high blood pressure, I stay way over in the right hand lane and drive well below the speed limit.
When I’m driving slowly, people behind me tend to get impatient. They speed up to my car, blow their horns, drive by, stare at me angrily, and show me how long their fingers can get. (I don't understand why some people are so proud of the length of their fingers, but there are many things I don't understand.) Those angry drivers add stress to what already is a stressful experience of driving.
On this particular day, I was driving by myself. At first, I drove slowly along back roads. Whenever someone approached, I pulled over and let them pass. But as I neared the Blue Route, I became more frightened. I knew I would be hearing a lot of horns and seeing a lot of those long fingers.
And then I did something I had never done in the twenty-four years that I have been driving my van. I decided to put on my flashers. I drove the Blue Route and the Schuylkyll Expressway at 35 miles per hour.
Now…Guess what happened?
Nothing! No horns and no fingers.
But why?
When I put on my flashers, I was saying to the other drivers, “I have a problem here – I am vulnerable and doing the best I can.” And everyone understood. Several times, in my rearview mirror I saw drivers who wanted to pass. They couldn’t get around me because of the stream of passing traffic. But instead of honking or tailgating, they waited for the other cars to pass, knowing the driver in front of them was in some way weak.
Sam, there is something about vulnerability that elicits compassion. It is in our hard wiring. I see it every day when people help me by holding doors, pouring cream in my coffee, or assist me when I put on my coat. Sometimes I feel sad because from my wheelchair perspective, I see the best in people. But those who appear strong and invulnerably typically are not exposed to the kindness I see daily.
Sometimes situations call for us to act strong and brave even when we don't feel that way. But those are a few and far between. More often, there is a better pay-off if you don't pretend you feel strong when you feel weak, or pretend that you are brave when you’re scared. I really believe the world might be a safer place if everyone who felt vulnerable wore flashers that said, “I have a problem and I’m doing the best I can. Please be patient!
”
”
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
“
Out of the dullness, one thought arose. Ashley did not love her and had never really loved her and the knowledge did not hurt. It should hurt. She should be desolate, broken hearted, ready to scream at fate. She had relied upon his love for so long. It had upheld her through so many dark places. Yet, there the truth was. He did not love her and she did not care. She did not care because she did not love him. She did not love him and so nothing he could do or say could hurt her. She lay down on the bed and put her head on the pillow tiredly. Useless to try to combat the idea, useless to say to herself: “But I do love him. I’ve loved him for years. Love can’t change to apathy in a minute.” But it could change and it had changed. “He never really existed at all, except in my imagination,” she thought wearily. “I loved something I made up, something that’s just as dead as Melly is, I made a pretty suit of clothes and fell in love with it. And when Ashley came riding along, so handsome, so different, I put that suit on him and made him wear it whether it fitted him or not. And I wouldn’t see what he really was. I kept on loving the pretty clothes—and not him at all.
”
”
Margaret Mitchell (Gone with the Wind)
“
Read. You should read Bukowski and Ferlinghetti, read Sylvia Plath and Anne Sexton, and listen to Coltrane, Nina Simone, Hank Williams, Loretta Lynn, Son House, Robert Johnson, Howlin’ Wolf, Lightnin’ Hopkins, Miles Davis, Lou Reed, Nick Drake, Bobbie Gentry, George Jones, Jimmy Reed, Odetta, Funkadelic, and Woody Guthrie. Drive across America. Ride trains. Fly to countries beyond your comfort zone. Try different things. Join hands across the water. Different foods. New tasks. Different menus and tastes. Talk with the guy who’s working in construction on your block, who’s working on the highway you’re traveling on. Speak with your neighbors. Get to know them. Practice civil disobedience. Try new resistance. Be part of the solution, not the problem. Don’t litter the earth, it’s the only one you have, learn to love her. Care for her. Learn another language. Trust your friends with kindness. You will need them one day. You will need earth one day. Do not fear death. There are worse things than death. Do not fear the reaper. Lie in the sunshine but from time to time let the neon light your way. ZZ Top, Jefferson Airplane, Spirit. Get a haircut. Dye your hair pink or blue. Do it for you. Wear eyeliner. Your eyes are the windows to your soul. Show them off. Wear a feather in your cap. Run around like the Mad Hatter. Perhaps he had the answer. Visit the desert. Go to the zoo. Go to a county fair. Ride the Ferris wheel. Ride a horse. Pet a pig. Ride a donkey. Protest against war. Put a peace symbol on your automobile. Drive a Volkswagen. Slow down for skateboarders. They might have the answers. Eat gingerbread men. Pray to the moon and the stars. God is out there somewhere. Don’t worry. You’ll find out where soon enough. Dance. Even if you don’t know how to dance. Read The Four Agreements. Read the Bible. Read the Bhagavad Gita. Join nothing. It won’t help. No games, no church, no religion, no yellow-brick road, no way to Oz. Wear beads. Watch a caterpillar in the sun.
”
”
Lucinda Williams (Don't Tell Anybody the Secrets I Told You: A Memoir)
“
In today’s society, we cosset and care for our children on the one hand and then think nothing of allowing them out into the wide-open spaces of the internet from the privacy of their bedrooms, with little control, or supervision. Our children are ill equipped – because they’re not ready for it – to deal with the predators that stalk the pages of cyberspace, dressed up like the wolf in Little Red Riding Hood, hiding behind fake photographs and false identities. If we allow the media and other entities to continue to encourage our children to grow up too soon, we’ll be taking part in an experiment the likes of which...’ He looked down at the ledge behind the lectern, picked up the water jug and topped his glass up, before continuing, ‘the likes of which I don’t think we’ve ever seen before.
”
”
Max China (The Sister)
“
Mom promised she’d buy groceries today, but it looks like we’re out of luck. Again. I’ll worry about dinner later. Annie ate most of her giant slice of pizza plus a cookie, so she’ll probably be fine for another hour or so. I plop onto our sagging couch, replaying the scene from this afternoon in my mind one more time. “Robin,” my mother said as she pressed a bill into my hand, “take your sister to the mall. This should cover the bus ride and lunch at the food court.” A million questions popped into my head, but I was speechless at this unprecedented gift. I forced myself to close my gaping mouth. “I’ll be out late, kiddo. Take care of supper.” Placated by her familiar words, I nodded. When she says she’ll be out late, that can mean she’ll arrive home shortly after the bars close, or sneak in just in time for breakfast.
”
”
Diane Winger (The Abandoned Girl)
“
Breeze raised his dueling cane, pointing it at Ham. "I see my period of intellectual respite has come to an end."
Ham smiled. "I thought up a couple of beastly questions while I was gone, and I've been saving them just for you, Breeze."
"I'm dying of anticipation," Breeze said. He turned his cane toward Lestibournes. "Spook, drink."
Spook rushed over and fetched Breeze a cup of wine.
"He's such a fine lad," Breeze noted, accepting the drink. "I barely even have to nudge him Allomantically. If only the rest of you ruffians were so accommodating."
Spook frowned "Niceing the not on the playing without."
"I have no idea what you just said, child," Breeze said. "So I'm simply going to pretend it was coherent, then move on."
Kelsier rolled his eyes. "Losing the stress on the nip," he said. "Notting without the needing of care."
"Riding the rile of the rids to the right," Spook said with a nod.
"What are you two babbling about?" Breeze said testily.
"Wasing the was of brightness," Spook said. "Nip the having of wishing of this."
"Ever wasing the doing of this," Kelsier agreed.
Breeze turned to Dockson with exasperation. "I believe our companions have finally lost their minds, dear friend."
Dockson shrugged. Then, with a perfectly straight face, he said, "Wasing not of wasing is."
Breeze sat, dumbfounded, and the room burst into laughter. Breeze rolled his eyes indignantly, shaking his head and muttering about the crew's gross childishness.
Vin nearly choked on her wine as she laughed. "What did you even say?" she asked of Dockson as he sat down beside her.
"I'm not sure," he confessed. "It just sounded right."
"I don't think you said anything, Dox," Kelsier said.
”
”
Brandon Sanderson
“
For me, going high usually involves taking a pause before I react. It is a form of self-control, a line laid between our best and worst impulses. Going high is about resisting the temptation to participate in shallow fury and corrosive contempt and instead figuring out how to respond with a clear voice to whatever is shallow and corrosive around you. It’s what happens when you take a reaction and mature it into a response.
Because here’s the thing: Emotions are not plans. They don’t solve problems or right any wrongs. You can feel them—you will feel them, inevitably—but be careful about letting them guide you. Rage can be a dirty windshield. Hurt is like a broken steering wheel. Disappointment will only ride, sulking and unhelpful, in the back seat. If you don’t do something constructive with them, they’ll take you straight into a ditch.
”
”
Michelle Obama (The Light We Carry: Overcoming in Uncertain Times)
“
I have something to show you."
He sank down next to me and handed me a sketchbook. I opened it.
And saw the mermaid. She was drawn in colored ink, exquisitely detailed; each scale had a little picture in it: a pyramid, a rocket, a peacock, a lamp. Her torso was patterened red, like a tattoo, like coral. She had a thin strand of seaweed around her neck, with a starfish holding on to the center. Her hair was a tumble of loose black curls. She had my face.
I turned the page.And another and another. There she was fighting a creature that was half human, half octopus. Exploring a cave. Riding a shark. Laughing and petting a stingray that rested on her lap.
"I'm calling her Cora Lia for the moment," Alex told me. "I thought about Corella, but it sounded like cheap dishware."
"She's...amazing."
"She's fierce. Fighting the Evil Sea-Dragon King and his minions."
I traced the red tattoo on her chest. "This is beautiful."
Alex reached into my sweater, pulled the loose neck of the T-shirt away from my shoulder. I didn't stop him. "It looks like coral to me."
He touched me, then,the pad of his thumb tracing the outline of the scar. It felt strange, partly because of the difference in the tissue, but more because in the last few years, the only hands that had touched me there were mine.
I set the book aside carefully. "Guess I don't see what you do."
"That's too bad, because I see you perfectly."
I curved myself into him. "Maybe you're exactly what I need."
"Like there's any doubt?" He buried his face in my neck.I didn't stop him. "So."
"So?"
"We'll kill a few hours, watch the sunrise, have pancakes, and you'll drive home."
"What?"
I felt him smile against my skin. "I got you swimming with sharks. Next on the Conquer Your Fears list is driving a stick shift.Right?"
"One thing at a time," I said. Then, "Oh. Do that again."
In another story, the intrepid heroine would have gone running out and splashed in the surf, hypothermia be damned. She would have driven the Mustang home, booked a haircut, taken up stand-up comedy, and danced on the observation deck of the Empire State Building.
But this was me, and I was moving at my own pace.
Truth: My story started a hundred years ago. There's time.
”
”
Melissa Jensen (The Fine Art of Truth or Dare)
“
He was worried about his country. Something was rotting from the inside—a slow decay of what was right and wrong. It was as if hundreds of cynical little rats were chewing at its very fiber, gnawing away year by year, until it was collapsing into a vat of gray slime and self-loathing. It had oozed under the doors of the classrooms, the newscasts, and in the movies and television shows and had slowly changed the national dialogue until it was now a travesty to be proud of your country, foolish to be patriotic, and insensitive to even suggest that people take care of themselves. History was being rewritten by the hour, heroes pulled down to please the political correctors. We were living in a country where there was freedom of speech for some, but not all. What was it going to take to get America back on track? Would everything they had fought for be forgotten? He was so glad he and Norma had grown up when they had. They had come of age in such an innocent time, when people wanted to work and better themselves. Now the land of the free meant an entirely different thing. Each generation had become a weaker version of the last, until we were fast becoming a nation of whiners and people looking for a free ride—even expecting it. Hell, kids wouldn’t even leave home anymore. He felt like everything was going downhill.
”
”
Fannie Flagg (The Whole Town's Talking)
“
Would you like me to draw you a bath, Your Highness?” Cassius asked, his throat unfamiliarly rough.
“No, Cassius. I…”
Instinctively, Cassius lowered his head. The prince was not going to let this go, was he? Cassius knew he would not, so he would have to approach it head on. “I apologize, Your Highness…for the ride. I do not know why it happened, and it won’t happen again. I can’t…” Cassius shook his head. “I know it was inappropriate. It is wrong. That I am wrong. But please…I need to care for my family.”
He closed his eyes, wishing he could have swallowed the words he’d just spoken before they’d gotten the chance to escape his mouth. He hadn’t meant to admit he fancied men. Not to the prince. But maybe he would be rewarded for his honesty. The prince was kind. Maybe he would take pity on Cassius—even though Cassius despised pity—since he knew Cassius had family to care for.
”
”
Riley Hart (Ever After)
“
She tightened her inner muscles around him, feeling his swift inhalation of breath at the movement. Then his magical fingers joined the action at her clit.
“Oh, my God.” Jada could no longer concentrate. Could no longer maintain that careful, measured rhythm. She could only feel as the storm raged through her as she raced toward the end.
She yelped in surprise when Donovan flipped them. Never stopping the glorious motion of his hips, he guided her leg over his hip and amazingly reached deeper inside her with an expert thrust. She held on for the ride, the sparks flying high and bright throughout her entire body, as his pace quickened. He rolled his hips, pressing against her clit, and his mouth swallowed her cry as she fell headlong over the edge.
At her encouragement, he pistoned a few more times, shocking another climax out of her before finally throwing his head back in a hoarse shout as an orgasm claimed him.
”
”
Jamie Wesley (Fake It Till You Bake It (Sugar Blitz, #1))
“
The summer stretch had come into the evenings: it was gone seven, but the sky was a soft clear blue and the light flooding through the open windows was pale gold. All around us the Place was humming like a beehive, shimmering with a hundred different stories unfurling. Next door Mad Johnny Malone was singing to himself, in a cheerful cracked baritone: “Where the Strawberry Beds sweep down to the Liffey, you’ll kiss away the worries from my brow . . .” Downstairs Mandy shrieked delightedly, there was a tumble of thumping noises and then an explosion of laughter; farther down, in the basement, someone yelled in pain and Shay and his mates sent up a savage cheer. In the street, two of Sallie Hearne’s young fellas were teaching themselves to ride a robbed bike and giving each other hassle—“No, you golf ball, you’ve to go fast or you’ll fall off, who cares if you hit things?”—and someone was whistling on his way home from work, putting in all the fancy, happy little trills. The smell of fish and chips came in at the windows, along with smart-arse comments from a blackbird on a rooftop and the voices of women swapping the day’s gossip while they brought in their washing from the back gardens. I knew every voice and every door-slam; I even knew the determined rhythm of Mary Halley scrubbing her front steps. If I had listened hard I could have picked out every single person woven into that summer-evening air, and told you every story.
”
”
Tana French (Faithful Place (Dublin Murder Squad, #3))
“
His face was glistening with cold. He was beautiful, the snow in his eyelashes like diamonds, the cool pink of his cheeks, the wet red of his lips. He was staggering toward her.
"I have to leave you." His breath came in uneven bursts. "You won't be safe with me."
Whatever he was, he could not be bad. An amazing and terrible thought entered Valerie's mind, clearing away all others.
"Peter..."
She stepped toward him, arms out. They gave in to each other, finally, their bodies fitting together. Her fingers warmed his cheek, and his arms slipped underneath her crimson cloak as her long blond hair blew around them. Enveloped in a shelter of white, standing out in black and red, were just the two of them. Nothing else anywhere. Valerie knew that she could never be apart from him, that she was what he was and that she would be his always.
She didn't care if he was the Wolf or not. And if he was a Wolf, then she would be one, too.
She made he choice and brought her lips to his.
”
”
Sarah Blakley-Cartwright (Red Riding Hood)
“
The review in the newspaper the next day was not very good. But by then I'd figured out the gift of failure, which is that it breaks through all that held breath and isometric tension about needing to look good: it's the gift of feeling floppier. One of the things I'd been most afraid of had finally happened, with a whole lot of people watching, and it had indeed been a nightmare. But sitting with all that vulnerability, I discovered I could ride it...Out of nowhere, I remembered something one of my priest friends had said once, that grace is having a commitment to - or at least an acceptance of - being ineffective and foolish. That our bottled charm is the main roadblock to drinking that clear, cool glass of love. I remembered what Grace's stories were all about: self-forgiveness, and taking care of one another. It wasn't far away from Jesus saying to feed his sheep. Now, I'm not positive he meant room service. But maybe he did. So I ate strawberries and melon and cookies, then put on the heat, and got in the tub.
”
”
Anne Lamott (Traveling Mercies: Some Thoughts on Faith)
“
What did I do now?” He reluctantly pulled the car the curb.
I needed to get out of this car – like now. I couldn’t breathe.
I unbuckled and flung open the door.
“Thanks for the ride. Bye.”
I slammed the door shut and began down the sidewalk. Behind me, I heard the engine turn off and his door open and shut. I quickened my stride as James jogged up to me. I slowed down knowing I couldn’t escape his long legs anyway. Plus, I didn’t want to get home all sweaty and have to explain myself.
“What happened?” James asked, matching my pace.
“Leave me alone!” I snapped back. I felt his hand grab my elbow, halting me easily.
“Stop,” he ordered.
Damn it, he’s strong!
“What are you pissed about now?” He towered over me. I was trapped in front of him, if he tugged a bit, I’d be in his embrace.
“It’s so funny huh? I’m that bad? I’m a clown, I’m so funny!” I jerked my arm, trying to break free of his grip. “Let me go!”
“No!” He squeezed tighter, pulling me closer.
“Leave me alone!” I spit the words like venom, pulling my arm with all my might.
“What’s your problem?” James demanded loudly. His hand tightened on my arm with each attempt to pull away. My energy was dwindling and I was mentally exhausted. I stopped jerking my arm back, deciding it was pointless because he was too strong; there was no way I could pull my arm back without first kneeing him in the balls.
We were alone, standing in the dark of night in a neighborhood that didn’t see much traffic.
“Fireball?” he murmured softly.
“What?” I replied quietly, defeated.
Hesitantly, he asked, “Did I say something to make you sad?”
I wasn’t going to mention the boyfriend thing; there was no way.
“Yes,” I whimpered.
That’s just great, way to sound strong there, now he’ll have no reason not to pity you!
“I’m sorry,” came his quiet reply.
Well maybe ‘I’m sorry’ just isn’t good enough. The damage is already done!
“Whatever.”
“What can I do to make it all better?”
“There’s nothing you could–” I began but was interrupted by him pulling me against his body. His arms encircled my waist, holding me tight. My arms instinctively bent upwards, hands firmly planted against his solid chest. Any resentment I had swiftly melted away as something brand new took its place: pleasure.
Jesus!
“What do you think you’re doing?” I asked him softly; his face was only a few inches from mine.
“What do you think you’re doing?” James asked back, looking down at my hands on his chest. I slowly slid my arms up around his neck.
I can’t believe I just did that!
“That’s better.”
Our bodies were plastered against one another; I felt a new kind of nervousness touch every single inch of my body, it prickled electrically.
“James,” I murmured softly.
“Fireball,” he whispered back.
“What do you think you’re doing?” I repeated; my brain felt frozen. My heart had stopped beating a mile a minute instead issuing slow, heavy beats.
James uncurled one of his arms from my waist and trailed it along my back to the base of my neck, holding it firmly yet delicately. Blood rushed to the very spot he was holding, heat filled my eyes as I stared at him.
“What are you doing?” My bewilderment was audible in the hush.
I wasn’t sure I had the capacity to speak anymore. That function had fled along with the bitch. Her replacement was a delicate flower that yearned to be touched and taken care of. I felt his hand shift on my neck, ever so slightly, causing my head to tilt up to him. Slowly, inch by inch, his face descended on mine, stopping just a breath away from my trembling lips.
I wanted it. Badly. My lips parted a fraction, letting a thread of air escape.
“Can I?” His breath was warm on my lips.
Fuck it!
“Yeah,” I whispered back. He closed the distance until his lush lips covered mine.
My first kiss…damn!
His lips moved softly over mine. I felt his grip on my neck squeeze as his lips pressed deeper into
”
”
Sarah Tork (Young Annabelle (Y.A #1))
“
The Erl-King
O, who rides by night thro’ the woodland so wild?
It is the fond father embracing his child;
And close the boy nestles within his loved arm,
To hold himself fast, and to keep himself warm.
“O father, see yonder! see yonder!” he says;
“My boy, upon what doest thou fearfully gaze?” —
“O, ’tis the Erl-King with his crown and his shroud.”
“No, my son, it is but a dark wreath of the cloud.”
(Tke Erl-King speaks.)
“O come and go with me, thou loveliest child;
By many a gay sport shall thy time be beguiled;
My mother keeps for thee full many a fair toy,
And many a fine flower shall she pluck for my boy.”
“O, father, my father, and did you not hear
The Erl-King whisper so low in my ear?” —
“Be still, my heart’s darling — my child, be at ease;
It was but the wild blast as it sung thro’ the trees.”
Erl-King.
“O wilt thou go with me, thou loveliest boy?
My daughter shall tend thee with care and with joy;
She shall bear thee so lightly thro’ wet and thro’ wild,
And press thee, and kiss thee, and sing to my child.”
“O father, my father, and saw you not plain,
The Erl-King’s pale daughter glide past thro’ the rain?” —
“O yes, my loved treasure, I knew it full soon;
It was the grey willow that danced to the moon.”
Erl-King.
“O come and go with me, no longer delay,
Or else, silly child, I will drag thee away.” —
“O father! O father! now, now keep your hold,
The Erl-King has seized me — his grasp is so cold!”
Sore trembled the father; he spurr’d thro’ the wild, Clasping close to his bosom his shuddering child;
He reaches his dwelling in doubt and in dread,
But, clasp’d to his bosom, the infant was dead!
- From the German of Goethe, translation, 1797.
”
”
Walter Scott (Sir Walter Scott: Complete Works)
“
Dating yes. But she thinks we're, uh, more than dating."
"Oh," he says, thoughtful. Then he grins. "Oh." The reason her lips are turning his favorite color is because Emma's mom thinks they've been dating and mating. The blush extends down her neck and disappears into her T-shirt. He should probably say something to make her feel more comfortable. But teasing her seems so much more fun. "Well then, the least she could do is give us some privacy-"
"Ohmysweetgoodness!" She snatches her backpack from the seat and marches around her car to the driver's side. Before she can get the door unlocked, he plucks the key from her fingers and tucks it into his jeans' pocket. She moves to retrieve it, but stops when she realizes where she's about to go fishing.
He's never seen her this red. He laughs. "Calm down, Emma. I'm just kidding. Don't leave."
"Yeah, well, it's not funny. You should have seen her this morning. She almost cried. my mom doesn't cry." She crosses her arms again but relaxes against her door.
"She cried? That's pretty insulting."
She cracks a tiny grin. "Yeah, it's an insult to me. She thinks I would...would..."
"More than date me?"
She nods.
He steps toward her and puts his hand beside her on the car, leaning in. A live current seems to shimmy up his spine. What are you doing? "But she should know that you don't even think of me like that. That it would never even cross your mind," he murmurs. She looks away, satisfying his unspoken question-it has crossed her mind. The same way it crosses his. How often? Does she feel the voltage between them, too? Who cares, idiot? She belongs to Grom. Or are you going to let a few sparks keep you from uniting the kingdoms?
He pulls back, clenching his teeth. His pockets are the only safe place for his hands at the moment. "Why don't I meet her then? You think that would make her feel better?"
"Um." She swipes her hair to the other side of her face. Her expression falls somewhere between shock and expectation. And she had every right to expect it-he's been entertaining the idea of kissing her for over two weeks now. She fidgets the door handle. "Yeah, it might. She won't let me go anywhere-especially with you-if she doesn't meet you first."
"Should I be afraid?"
She sighs. "Normally I would say no. But after this morning..." She shrugs.
"How about I follow you to your house so you can drop off your car? Then she can interrogate me. When she sees how charming I am, she'll let you ride to the beach with me."
She rolls her eyes. "Just don't be too charming. If you're too smooth, she'll never believe-just don't overdue it, okay?"
"This is getting complicated," he says, unlocking her car.
"Just remember, this is your idea and your fault. Now would be the time to back out."
He chuckles and opens the door for her. "Don't lose me on the road.
”
”
Anna Banks (Of Poseidon (The Syrena Legacy, #1))
“
Phenomenal Woman
Pretty women wonder where my secret lies.
I'm not cute or built to suit a fashion model's size
But when I start to tell them,
They think I'm telling lies.
I say,
It's in the reach of my arms,
The span of my hips,
The stride of my step,
The curl of my lips.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
I walk into a room
Just as cool as you please,
And to a man,
The fellows stand or
Fall down on their knees.
Then they swarm around me,
A hive of honey bees.
I say,
It's the fire in my eyes,
And the flash of my teeth,
The swing in my waist,
And the joy in my feet.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
Men themselves have wondered
What they see in me.
They try so much
But they can't touch
My inner mystery.
When I try to show them,
They say they still can't see.
I say,
It's in the arch of my back,
The sun of my smile,
The ride of my breasts,
The grace of my style.
I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
Now you understand
Just why my head's not bowed.
I don't shout or jump about
Or have to talk real loud.
When you see me passing,
It ought to make you proud.
I say,
It's in the click of my heels,
The bend of my hair,
The palm of my hand,
The need for my care.
'Cause I'm a woman
Phenomenally.
Phenomenal woman,
That's me.
”
”
Maya Angelou
“
Is something wrong?” he asked.
“You seem to have forgotten that someone cut my bike in half.”
“And you seem to have forgotten that I have a truck,” said Miles. “I can give you a ride. To school, at least.”
“No thanks,” I said.
“Really. I’m not joking. Unless you’re that against having anything to do with me. I don’t care. You can get in line.”
He turned onto the main road. The line from the notebook felt like a dead weight in my stomach.
“No, not against it.” I realized with a strange sort of happy dread that we were falling back into the easy conversation we’d had at the bonfire. “But I’d like to know why you’re offering.”
“What do you mean?” Honest confusion crossed his face. “Isn’t that the good thing to do?”
I burst out laughing. “Since when have you been good? Are you feeling guilty or something?”
“A little sentimental, maybe. My first idea was to drive up and down in front of you a few times to prove I had a car and you didn’t.” His tone was light and he was smiling.
Holy crap, he was smiling. A real, teeth-showing, nose-scrunching, eyes-crinkling smile.
The smile slipped off his face. “What? What’s wrong?”
“You were smiling,” I said. “It was kind of weird.”
“Oh,” he said, frowning. “Thanks.”
“No, no, don’t do that! The smile was better.” The words felt wrong coming out of my mouth. I shouldn’t say things like that to him, but they hung neatly in the air and cleared out the tension. Miles didn’t smile again.
”
”
Francesca Zappia (Made You Up)
“
In contemporary Western society, buying a magazine on astrology - at a newsstand, say - is easy; it is much harder to find one on astronomy. Virtually every newspaper in America has a daily column on astrology; there are hardly any that have even a weekly column on astronomy. There are ten times more astrologers in the United States than astronomers. At parties, when I meet people that do not know I’m a scientist, I am sometimes asked “Are you a Gemini?” (chances of success, one in twelve), or “What sign are you?” Much more rarely am I asked “Have you heard that gold is made in supernova explosions?” or “When do you think Congress will approve a Mars Rover?”
(...)
And personal astrology is with us still: consider two different newspaper astrology columns published in the same city on the same day. For example, we can examine The New York Post and the New York Daily News on September 21, 1979. Suppose you are a Libra - that is, born between September 23 and October 22. According to the astrologer for the Post, ‘a compromise will help ease tension’; useful, perhaps, but somewhat vague. According to the Daily News’ astrologer, you must ‘demand more of yourself’, an admonition that is also vague but also different. These ‘predictions’ are not predictions; rather they are pieces of advice - they tell you what to do, not what will happen. Deliberately, they are phrased so generally that they could apply to anyone. And they display major mutual inconsistencies. Why are they published as unapologetically as sport statistics and stock market reports?
Astrology can be tested by the lives of twins. There are many cases in which one twin is killed in childhood, in a riding accident, say, or is struck by lightning, while the other lives to a prosperous old age. Each was born in precisely the same place and within minutes of the other. Exactly the same planets were rising at their births. If astrology were valid, how could two such twins have such profoundly different fates? It also turns out that astrologers cannot even agree among themselves on what a given horoscope means. In careful tests, they are unable to predict the character and future of people they knew nothing about except their time and place of birth.
”
”
Carl Sagan (Cosmos)
“
Ezra asked me to bring you this,' I said and handed him the jar. 'He said you would know what it was.'
He took the jar and looked at it. Then he threw it at me. It struck me on the chest or the shoulder and rolled down the stairs.
'You son of a bitch,' he said. 'You bastard.'
'Ezra said you might need it,' I said. He countered that by throwing a milk bottle.
'You are sure you don't need it?' I asked.
He threw another milk bottle. I retreated and he hit me with yet another milk bottle in the back. Then he shut the door.
I picked up the jar which was only slightly cracked and put it in my pocket.
'He did not seem to want the gift of Monsieur Pound," I said to the concierge.
'Perhaps he will be tranquil now,' she said.
'Perhaps he has some of his own,' I said.
'Poor Monsieur Dunning,' she said.
The lovers of poetry that Ezra organized rallied to Dunning's aid again eventually. My own intervention and that of the concierge had been unsuccessful. The jar of alleged opium which had been cracked I stored wrapped in waxed paper and carefully tied in one of an old pair of riding boots. When Evan Shipman and I were removing my personal effects from that apartment some years later the boots were still there but the jar was gone. I do not know why Dunning threw the milk bottles at me unless he remembered my lack of credulity the night of his first dying, or whether it was only an innate dislike of my personality. But I remember the happiness that the phrase 'Monsieur Dunning est monté sur le toit et refuse catégoriquement de descendre' gave to Evan Shipman. He believed there was something symbolic about it. I would not know. Perhaps Dunning took me for an agent of evil or of the police. I only know that Ezra tried to be kind to Dunning as he was kind to so many people and I always hoped Dunning was as fine a poet as Ezra believed him to be. For a poet he threw a very accurate milk bottle. But Ezra, who was a very good poet, played a good game of tennis too. Evan Shipman, who was a very fine poet and who truly did not care if his poems were ever published, felt that it should remain a mystery.
'We need more true mystery in our lives, Hem,' he once said to me. 'The completely unambitious writer and the really good unpublished poem are the things we lack most at this time. There is, of course, the problem of sustenance.
”
”
Ernest Hemingway (A Moveable Feast)
“
her power now that she had lost the hair. So when the bride had finished drinking, and would have got upon Falada again, the maid said, "I shall ride upon Falada, and you may have my horse instead;" so she was forced to give up her horse, and soon afterwards to take off her royal clothes, and put on her maid's shabby ones. At last, as they drew near the end of the journey, this treacherous servant threatened to kill her mistress if she ever told anyone what had happened. But Falada saw it all, and marked it well. Then the waiting-maid got upon Falada, and the real bride was set upon the other horse, and they went on in this way till at last they came to the royal court. There was great joy at their coming, and the prince hurried to meet them, and lifted the maid from her horse, thinking she was the one who was to be his wife; and she was led upstairs to the royal chamber, but the true princess was told to stay in the court below. However, the old king happened to be looking out of the window, and saw her in the yard below; and as she looked very pretty, and too delicate for a waiting-maid, he went into the royal chamber to ask the bride whom it was she had brought with her, that was thus left standing in the court below. "I brought her with me for the sake of her company on the road," said she. "Pray give the girl some work to do, that she may not be idle." The old king could not for some time think of any work for her, but at last he said, "I have a lad who takes care of my geese; she may go and help him." Now the name of this lad, that the real bride was to help in watching the king's geese, was Curdken. Soon after, the false bride said to the prince, "Dear husband, pray do me one piece of kindness." "That I will," said the prince. "Then tell one of your slaughterers to cut off the head of the horse I rode upon, for it was very unruly, and plagued me sadly on the road." But the truth was, she was very much afraid lest Falada should speak, and tell all she had done to the princess. She carried her point, and the faithful Falada was killed; but when the true princess heard of it she wept, and begged the man to nail up Falada's head against a large dark gate in the city through which she had to pass every morning and evening, that there she might still see him sometimes. Then the slaughterer said he would do as she wished, so he cut off the head and nailed it fast under the dark gate. Early the next morning, as the princess and Curdken went out through the gate, she said sorrowfully— "Falada, Falada, there thou art hanging!" and the head answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then they went out of the city, driving the geese. And when they came to the meadow, the princess sat down upon a bank there and let down her waving locks of hair, which were all of pure gold; and when Curdken saw it glitter in the sun, he ran up, and would have pulled some of the locks out; but she cried— "Blow, breezes, blow! Let Curdken's hat go! Blow breezes, blow! Let him after it go! "O'er hills, dales, and rocks, Away be it whirl'd, Till the golden locks Are all comb'd and curl'd!" Then there came a wind, so strong that it blew off Curdken's hat, and away it flew over the hills, and he after it; till, by the time he came back, she had done combing and curling her hair, and put it up again safely. Then he was very angry and sulky, and would not speak to her at all; but they watched the geese until it grew dark in the evening, and then drove them homewards. The next morning, as they were going through the dark gate, the poor girl looked up at Falada's head, and cried— "Falada, Falada, there thou art hanging!" and it answered— "Bride, bride, there thou are ganging! Alas! alas! if thy mother knew it, Sadly, sadly her heart would rue it." Then she drove on the geese and sat down again in the meadow, and began to comb
”
”
Jacob Grimm (Grimm's Fairy Stories)
“
And then I see it. Azure Helicopter Tours.
I drag Toraf to the landing pad. “What is that?” he asks suspiciously.
“Um. It’s a helicopter.”
“What does it do? Triton’s trident, it doesn’t fly does it? Emma? Emma wait!”
He catches up to me and burps right in my ear. “Stop being a jerkface,” I tell him.
“Whatever that is. You don’t care about me at all, do you?”
“You came to me, remember? This is me helping you. Now be quiet while I buy tickets.” It’s a private ride, no other passengers to worry about. Plus, we’re not stealing anything. The helicopter can return to land with its pilot as soon as we’re done with our part of the mission.
“Why do we need to fly? The water is right there.” He points to it longingly. I almost feel bad for him. Almost. But I don’t have time for pity.
“Because I think these helicopters can still cover more distance faster than you can haul me. I’m trying to make up for all the time we spent at security in LAX.”
“Humans are so weird,” he mutters again as I walk away. “You do everything backward.”
Since this is a sightseeing flight, the pilot, Dan, a thick Hawaiian man with an even thicker accent, takes his time pointing out all the usual tourist stuff, like the fishing industry, the history of the coast, and other things I have no interest in at the moment. The view of the blue water and visible reefs, the chain of islands, and the rich culture would be breathtaking if I weren’t preoccupied with crashing a Syrena get-together. I can imagine spending time with Galen here. Exploring the reefs like no human could, playing with the tropical fish, and making Galen wear a lei. But I need to stay focused if I ever want a chance to do it.
”
”
Anna Banks (Of Triton (The Syrena Legacy, #2))
“
Katarina wasn’t afraid of Baden. Not anymore.
He took a step to the side, intending to move around her. Oh, no. She flattened her hands on his shoulders, keeping him in place.
“I want to know what’s wrong with you.” She said. “Tell me.”
He snapped his teeth at her in a show of dominance. “You think you want to know my problem. You’re wrong.”
Her tone dry, she said, “I’m so glad you know my mind better than I do.”
“Very well. I need sex.” He threw the words at her as if they were weapons. “Badly.”
Whoa. Blindside!
Heart pounding, she jerked her hands away from him. “Sex...from me?”
“Yesss.” A hiss. “Only from you.”
Only. Amazing how one little word could send pleasure soaring through her, warming her. “You told me never to touch you.” Which she’d just done, she realized. My bad.
“I’ve changed my mind.” His gaze dropped, lingered on her lips.
Burning her... “But you and I...we’re a different species.” As if that mattered to her body. Gimme!
He took a step closer, invading her personal space. “We’ll fit, I promise you.”
Tristo hrmenych! The raspy quality of his voice, all smoke and gravel...she shivered with longing. Must resist his allure.
But...but...why? Before she’d committed to Peter, she’d dated around, had made out in movie theaters, cars and on couches. She’d liked kissing and touching and “riding the belt buckle,” as her friends had called it. Then, after committing to Peter, she’d gifted him with her virginity. At first, he hadn’t known what to do with her—he’d been just as inexperienced—and she’d left each encounter disappointed. When finally she’d gathered the courage to tell him what she wanted, he’d satisfied her well.
She missed sex. But connection...intimacy...she thought she missed those more.
The dogs barked, jolting her from her thoughts. They’d cleaned their food bowls, and now wanted to play. She clasped Baden’s hand to lead him out of the kennel. He jerked away, severing contact.
One action. Tons of hurt.
“I’m allowed to touch you and you want to have sex with me, but you’re still disgusted by me.” She stomped outside the kennel, done with him. “Well, I’m leaving. Good riddance! Your do-what-I-say-or-else attitude was annoying, anyway.”
He darted in front of her, stopping her. Breath caught in her throat as sunlight streamed over him, paying his chiseled features absolute tribute, making his bronzed skin glimmer.
So beautiful. Too beautiful.
“I’m not disgusted by you. You need me. I’ve come to accept it,” he admitted, looking away from her. “But being skin-to-skin with another is painful for me. We’ll have to proceed carefully. And you’ll get over your annoyance.”
Another order! She would show him the error of his ways.
”
”
Gena Showalter (The Darkest Torment (Lords of the Underworld, #12))
“
One hour later Sophie was in Benedict’s sitting room, perched on the very same sofa on which she had lost her innocence just a few weeks earlier. Lady Bridgerton had questioned the wisdom (and propriety) of Sophie’s going to Benedict’s home by herself, but he had given her such a look that she had quickly backed down, saying only, “Just have her home by seven.”
Which gave them one hour together.
“I’m sorry,” Sophie blurted out, the instant her bottom touched the sofa. For some reason they hadn’t said anything during the carriage ride home. They’d held hands, and Benedict had brought her fingers to his lips, but they hadn’t said anything.
Sophie had been relieved. She hadn’t been ready for words. It had been easy at the jail, with all the commotion and so many people, but now that they were alone . . .
She didn’t know what to say.
Except, she supposed, “I’m sorry.”
“No, I’m sorry,” Benedict replied, sitting beside her and taking her hands in his.
“No, I’m—” She suddenly smiled. “This is very silly.”
“I love you,” he said.
Her lips parted.
“I want to marry you,” he said.
She stopped breathing.
“And I don’t care about your parents or my mother’s bargain with Lady Penwood to make you respectable.” He stared down at her, his dark eyes meltingly in love. “I would have married you no matter what.”
Sophie blinked. The tears in her eyes were growing fat and hot, and she had a sneaking suspicion that she was about to make a fool of herself by blubbering all over him. She managed to say his name, then found herself completely lost from there.
Benedict squeezed her hands. “We couldn’t have lived in London, I know, but we don’t need to live in London. When I thought about what it was in life I really needed— not what I wanted, but what I needed— the only thing that kept coming up was you.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
Did you ever notice how very fickle males are?” she asked the horse. “And how very foolish females are about them?” she added, aware of how inexplicably deflated she felt. She realized as well that she was being completely irrational-she had not intended to come here, had not wanted him to be waiting, and now she felt almost like crying because he wasn’t!
Giving the ribbons of her bonnet an impatient jerk, she untied them. Pulling the bonnet off, she pushed the back door of the cottage open, stepped inside-and froze in shock!
Standing at the opposite side of the small room, his back to her, was Ian Thornton. His dark head was slightly bent as he gazed at the cheery little fire crackling in the fireplace, his hands shoved into the back waistband of his gray riding breeches, his booted foot upon the grate. He’d taken off his jacket, and beneath his soft lawn shirt his muscles flexed as he withdrew his right hand and shoved it through the side of his hair. Elizabeth’s gaze took in the sheer male beauty of his wide, masculine shoulders, his broad back and narrow waist.
Something in the somber way he was standing-added to the fact that he’d waited more than two hours for her-made her doubt her earlier conviction that he hadn’t truly cared whether she came or not. And that was before she glanced sideways and saw the table. Her heart turned over when she saw the trouble he’d taken: A cream linen tablecloth covered with crude china, obviously borrowed from Charise’s house. In the center of the table a candle was lit, and a half-empty bottle of wine stood beside a platter of cold meat and cheese.
In all her life Elizabeth had never known that a man could actually arrange a luncheon and set a table. Women did that. Women and servants. Not men who were so handsome they made one’s pulse race. It seemed she’d been standing there for several minutes, not mere seconds, when he stiffened suddenly, as if sensing her presence. He turned, and his harsh face softened with a wry smile: “You aren’t very punctual.”
“I didn’t intend to come,” Elizabeth admitted, fighting to recover her balance and ignore the tug of his eyes and voice. “I got caught in the rain on my way to the village.”
“You’re wet.”
“I know.”
“Come over by the fire.”
When she continued to watch him warily, he took his foot off the grate and walked over to her. Elizabeth stood rooted to the floor, while all of Lucinda’s dark warnings about being alone with a man rushed through her mind. “What do you want?” she asked him breathlessly, feeling dwarfed by his towering height.
“Your jacket.”
“No-I think I’d like to keep it on.”
“Off,” he insisted quietly. “It’s wet.”
“Now see here!” she burst out backing toward the open door, clutching the edges of her jacket.
“Elizabeth,” he said with reassuring calm, “I gave you my word you’d be safe if you came today.”
Elizabeth briefly closed her eyes and nodded, “I know. I also know I shouldn’t be here. I really ought to leave. I should, shouldn’t I?” Opening her eyes again, she looked beseechingly into his-the seduced asking the seducer for advice.
“Under the circumstances, I don’t think I’m the one you ought to ask.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
What are you doing?”
“Coming to pick you up in a little bit,” he said. I loved it when he took charge. It made my heart skip a beat, made me feel flushed and excited and thrilled. After four years with J, I was sick and tired of the surfer mentality. Laid-back, I’d discovered, was no longer something I wanted in a man. And when it came to his affection for me, Marlboro Man was anything but that. “I’ll be there at five.” Yes, sir. Anything you say, sir. I’ll be ready. With bells on.
I started getting ready at three. I showered, shaved, powdered, perfumed, brushed, curled, and primped for two whole hours--throwing on a light pink shirt and my favorite jeans--all in an effort to appear as if I’d simply thrown myself together at the last minute.
It worked. “Man,” Marlboro Man said when I opened the door. “You look great.” I couldn’t focus very long on his compliment, though--I was way too distracted by the way he looked. God, he was gorgeous. At a time of year when most people are still milky white, his long days of working cattle had afforded him a beautiful, golden, late-spring tan. And his typical denim button-down shirts had been replaced by a more fitted dark gray polo, the kind of shirt that perfectly emphasizes biceps born not from working out in a gym, but from tough, gritty, hands-on labor. And his prematurely gray hair, very short, was just the icing on the cake. I could eat this man with a spoon.
“You do, too,” I replied, trying to will away my spiking hormones. He opened the door to his white diesel pickup, and I climbed right in. I didn’t even ask him where we were going; I didn’t even care. But when we turned west on the highway and headed out of town, I knew exactly where he was taking me: to his ranch…to his turf…to his home on the range. Though I didn’t expect or require a ride from him, I secretly loved that he drove over an hour to fetch me. It was a throwback to a different time, a burst of chivalry and courtship in this very modern world. As we drove we talked and talked--about our friends, about our families, about movies and books and horses and cattle.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
She was still standing there several moments later when Ian walked in to invite her to ride with him. “Still trying to find your answer, sweetheart?” he asked with a sympathetic grin, mistaking the cause of her wary stare.
“No, I found mine,” she said, her voice unintentionally accusing as she thrust both pieces of paper toward him. “What I would like to know,” she continued, unable to tear her gaze from him, “is how it happens to be the same answer you arrived at in a matter of moments.”
His grin faded, and he shoved his hands into his pockets, ignoring the papers in her outthrust hand. His expression carefully impassive, he said, “That answer is a little more difficult than the one I wrote down for you-“
“You can do this-calculate all those figures in your mind? In moments?”
He nodded curtly, and when Elizabeth continued to stare at him warily, as if he was a being of unknown origin, his face hardened. In a clipped, cool voice he said, “I would appreciate it if you would stop staring at me as if I’m a freak.”
Elizabeth’s mouth dropped open at his tone and his words. “I’m not.”
“Yes,” he said implacably. “You are. Which is why I haven’t told you before this.”
Embarrassed regret surged through her at the understandable conclusion he’d drawn from her reaction. Recovering her composure, she started around the desk toward him. “What you saw on my face was wonder and awe, no matter how it must have seemed.”
“The last thing I want from you is ‘awe,’” he said tightly, and Elizabeth belatedly realized that, while he didn’t care what anyone else thought of him, her reaction to all this was obviously terribly important to him. Rapidly concluding that he’d evidently had some experience with other people’s reaction to what must surely be a form of genius-and which struck them as “freakish”-she bit her lip, trying to decide what to say. When nothing came to mind, she simply let love guide her and reacted without artifice. Leaning back against the desk, she sent him an amused, sidelong smile and said, “I gather you can calculate almost as rapidly as you can read?”
His response was short and chilly. “Not quite.”
“I see,” she continued lightly. “I would guess there are close to ten thousand books in your library here. Have you read them all?”
“No.”
She nodded thoughtfully, but her eyes danced with admiring laughter as she continued, “Well, you’ve been quite busy the past few weeks-dancing attendance on me. No doubt that’s kept you from finishing the last thousand or two.” His face softened as she asked merrily, “Are you planning to read them all?”
With relief, she saw the answering smile tugging at his lips. “I thought I’d attend to that next week,” he replied with sham gravity.
“A worthy endeavor,” she agreed. “I hope you won’t start without me. I’d like to watch.”
Ian’s shout of laughter was cut short as he snatched her into his arms and buried his face in her fragrant hair, his hands clenching her to him as if he could absorb her sweetness into himself.
“Do you have any other extraordinary skills I ought to know about, my lord?” she whispered, holding him as tightly as he was holding her.
The laugher in his voice was replaced by tender solemnity. “I’m rather good,” he whispered, “at loving you.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Anne, did you ever get on a street car and then discover that you hadn’t any money with you to pay your fare? I did, the other day. It’s quite awful. I had a nickel with me when I got on the car. I thought it was in the left pocket of my coat. When I got settled down comfortably I felt for it. It wasn’t there. I had a cold chill. I felt in the other pocket. Not there. I had another chill. Then I felt in a little inside pocket. All in vain. I had two chills at once. “I took off my gloves, laid them on the seat, and went over all my pockets again. It was not there. I stood up and shook myself, and then looked on the floor. The car was full of people, who were going home from the opera, and they all stared at me, but I was past caring for a little thing like that. “But I could not find my fare. I concluded I must have put it in my mouth and swallowed it inadvertently. “I didn’t know what to do. Would the conductor, I wondered, stop the car and put me off in ignominy and shame? Was it possible that I could convince him that I was merely the victim of my own absentmindedness, and not an unprincipled creature trying to obtain a ride upon false pretenses? How I wished that Alec or Alonzo were there. But they weren’t because I wanted them. If I HADN’T wanted them they would have been there by the dozen. And I couldn’t decide what to say to the conductor when he came around. As soon as I got one sentence of explanation mapped out in my mind I felt nobody could believe it and I must compose another. It seemed there was nothing to do but trust in Providence, and for all the comfort that gave me I might as well have been the old lady who, when told by the captain during a storm that she must put her trust in the Almighty exclaimed, ‘Oh, Captain, is it as bad as that?’ “Just at the conventional moment, when all hope had fled, and the conductor was holding out his box to the passenger next to me, I suddenly remembered where I had put that wretched coin of the realm. I hadn’t swallowed it after all. I meekly fished it out of the index finger of my glove and poked it in the box. I smiled at everybody and felt that it was a beautiful world.
”
”
L.M. Montgomery (Anne of the Island: Book 3 in the Anne of Green Gables Series)
“
Marilee lay perfectly still,waiting for her world to settle.She had to fight the unreasonable urge to weep.
Wyatt's face was pressed to the hollow of her throat,his breathing rough, his damp body plastered to hers.
He nuzzled her neck. "Am I too heavy?"
"Umm." It was all she could manage.
"You all right?"
"Umm."
"Did anybody ever tell you that you talk too much?"
"Umm."
He brushed his mouth over hers. "If you hum a bit more,I might be able to name that tune."
That broke the spell of tears that had been threatening and caused her to laugh.
She wrapped her arms around his neck and kissed him back. "Have I told you how much I like your silly sense of humor?"
"No,you haven't." He rolled to his side and gathered her into his arms,nuzzling her cheek,while his big hands moved over her hip,her back,her waist, as though measuring every inch of her. "What else do you like about me?"
"You fishing for compliments?"
"Of course I am."
"Glutton. Your sense of humor isn't enough?"
"Not nearly enough.How about my looks?"
"They're okay,for a footloose rebel."
"Stop.All these mushy remarks will inflate my ego." He gave a mock frown. "How about the way I kiss?"
"You're not bad."
"Not bad?" His hands stopped their movement. He drew a little away. "That's all you can say?"
"If you recall,tonight was the first time we've kissed.I haven't had nearly enough practice to be a really good judge of your talent."
"Then we'd better take care of that right now." He framed her face. With his eyes steady on hers, he lowered his mouth to claim her lips.
Marilee's eyelids fluttered and she felt an explosion of color behind them. As though the moon and stars had collided while she rocketed through space. It was the most amazing sensation, and, as his lips continued moving over hers,she found herself wishing it could go on forever.
When at last they came up for air, she took in a long,deep breath before opening her eyes. "Oh,yes,rebel.I have to say,I do like the way you kiss."
"That's good,because I intend to do a whole lot more of it." He lay back in the grass,one hand beneath his head. "Now it's my turn.Want to know all the things I like about you?"
"I'm afraid to hear it." Marilee lay on her side,her hand splayed across his chest.
"Besides your freckles,which I've already mentioned,the thing about you I like best is your take-charge attitude."
She chuckled. "A lot of guys feel intimidated by that."
"They're idiots.Don't they know there's something sexy about a woman who knows what to do and how to do it? I've watched you as a medic and as a pilot, and I haven't decided which one turns me on more."
"Really?" She sat up. "Want me to fetch my first-aid kit from the plane? I could always splint your arm or leg and really turn you on."
He dragged her down into his arms and growled against her mouth, "You don't need to do a single thing to turn me on. All I need to do is look at you and I want you."
"You mean now? Again? So soon?"
"Oh,yeah."
"Liar.I don't believe it's possible."
"You ought to know by now that I never say anything I can't back up with action."
"Prove it,rebel."
"My pleasure."
There was a wicked smile on his lips as he rolled over her and began to kiss her breathless,all the while taking her on a slow,delicious ride to paradise.
”
”
R.C. Ryan (Montana Destiny (McCords, 2))
“
Convinced that struggle was the crucible of character, Rockefeller faced a delicate task in raising his children. He wanted to accumulate wealth while inculcating in them the values of his threadbare boyhood. The first step in saving them from extravagance was keeping them ignorant of their father’s affluence. Until they were adults, Rockefeller’s children never visited his office or refineries, and even then they were accompanied by company officials, never Father. At home, Rockefeller created a make-believe market economy, calling Cettie the “general manager” and requiring the children to keep careful account books.16They earned pocket money by performing chores and received two cents for killing flies, ten cents for sharpening pencils, five cents per hour for practicing their musical instruments, and a dollar for repairing vases. They were given two cents per day for abstaining from candy and a dime bonus for each consecutive day of abstinence. Each toiled in a separate patch of the vegetable garden, earning a penny for every ten weeds they pulled up. John Jr. got fifteen cents an hour for chopping wood and ten cents per day for superintending paths. Rockefeller took pride in training his children as miniature household workers. Years later, riding on a train with his thirteen-year-old daughter, he told a traveling companion, “This little girl is earning money already. You never could imagine how she does it. I have learned what my gas bills should average when the gas is managed with care, and I have told her that she can have for pin money all that she will save every month on this amount, so she goes around every night and keeps the gas turned down where it is not needed.”17 Rockefeller never tired of preaching economy and whenever a package arrived at home, he made a point of saving the paper and string. Cettie was equally vigilant. When the children clamored for bicycles, John suggested buying one for each child. “No,” said Cettie, “we will buy just one for all of them.” “But, my dear,” John protested, “tricycles do not cost much.” “That is true,” she replied. “It is not the cost. But if they have just one they will learn to give up to one another.”18 So the children shared a single bicycle. Amazingly enough, the four children probably grew up with a level of creature comforts not that far above what Rockefeller had known as a boy.
”
”
Ron Chernow (Titan: The Life of John D. Rockefeller, Sr.)
“
cotton wool, decided that it was not good to eat, ran all round the table, sat up and put his fur in order, scratched himself, and jumped on the small boy’s shoulder. “Don’t be frightened, Teddy,” said his father. “That’s his way of making friends.” “Ouch! He’s tickling under my chin,” said Teddy. Rikki-tikki looked down between the boy’s collar and neck, snuffed at his ear, and climbed down to the floor, where he sat rubbing his nose. “Good gracious,” said Teddy’s mother, “and that’s a wild creature! I suppose he’s so tame because we’ve been kind to him.” “All mongooses are like that,” said her husband. “If Teddy doesn’t pick him up by the tail, or try to put him in a cage, he’ll run in and out of the house all day long. Let’s give him something to eat.” They gave him a little piece of raw meat. Rikki-tikki liked it immensely, and when it was finished he went out into the veranda and sat in the sunshine and fluffed up his fur to make it dry to the roots. Then he felt better. “There are more things to find out about in this house,” he said to himself, “than all my family could find out in all their lives. I shall certainly stay and find out.” He spent all that day roaming over the house. He nearly drowned himself in the bathtubs, put his nose into the ink on a writing table, and burned it on the end of the big man’s cigar, for he climbed up in the big man’s lap to see how writing was done. At nightfall he ran into Teddy’s nursery to watch how kerosene lamps were lighted, and when Teddy went to bed Rikki-tikki climbed up too. But he was a restless companion, because he had to get up and attend to every noise all through the night, and find out what made it. Teddy’s mother and father came in, the last thing, to look at their boy, and Rikki-tikki was awake on the pillow. “I don’t like that,” said Teddy’s mother. “He may bite the child.” “He’ll do no such thing,” said the father. “Teddy’s safer with that little beast than if he had a bloodhound to watch him. If a snake came into the nursery now–” But Teddy’s mother wouldn’t think of anything so awful. · · · Early in the morning Rikki-tikki came to early breakfast in the veranda riding on Teddy’s shoulder, and they gave him banana and some boiled egg. He sat on all their laps one after the other, because every well-brought-up mongoose always hopes to be a house mongoose some day and have rooms to run about in; and Rikki-tikki’s mother (she used to live in the general’s house at Segowlee) had carefully told Rikki what to do if ever he came across white men.
”
”
Rudyard Kipling (Rikki-Tikki-Tavi)
“
AT: oKAYYYY, mY BROMO SAPIEN,
AT: r U READY,
AT: tO GET STRAIGHT IN, FLAT DOWN, BROAD SIDE, SCHOOL FED UP THE BONE BULGE,
AT: bY A DOPE SMACKED, TRINKED OUT, SMOTHER FUDGING,
AT: tROLLLLLLLLLLLLLLLLL,
TG: dont care
AT: oK, lET ME,
AT: oRGANIZE MY NOTES HERE,
AT: oKAYYY,
AT: (tURN ON SOME STRICT BEATS MAYBE, iT WILL HELP TO LISTEN TO THEM WHILE i DESTROY YOU,)
AT: wHEN THE POLICE MAN BUSTS ME, aND POPS THE TRUNK,
AT: hE'S ALL SUPRISED TO FIND I'M TOTING SICK BILLY,
AT: wHOSE,
AT: gOAT IS THAT, hE ASKS, wHILE HE STOPS TO THUNK
AT: aBOUT IT, aND i'S JUST SAY IT'S DAVE'S, yOU SILLY
AT: gOOSE,
AT: bUT THE MAN SAYS, gOOSE! wHERE, lET ME SEE YOUR HANDS,
AT: aND i SAY SHIT SORRY, i DIDN'T KNOW IT WAS HONKTRABAND,
AT: wOW, oK,
AT: i AM GETTING OFF THE POINT, wHICH WAS,
AT: aBOUT THIS HOT MESS DAVE, tHAT YOU GOT LANDED IN,
AT: lIKE THE COP i MENTIONED, bUT INSTEAD OF YOUR BADGE,
AT: aND YOUR GUN, IT'S YOUR ASS THAT YOU HANDED IN,
AT: (aND THEN GOT HANDED BACK TO YOU,)
AT: cAUSE THAT'S HOW HUMANS GET SERVED,
AT: aND GUYS LIKE YOU DESERVE TO UNDERSTAND THAT iT'S,
AT: a CIRCLE AND HORNS IN YOUR BUTT THAT GOT BRANDED IN,
AT: (uMM, bEFORE i GAVE YOUR ASS BACK TO YOU, i DID THAT, iS WHAT i MEAN,)
AT: bUT i MEAN, gETTING BACK TO THE POINT, oR MAYBE TWO ACTUALLY,
AT: tHE FIRST IS YOU SUCK, aND THE SECOND IS HOW i SMACKEDYOUFULLY,
AT: (oH YEAH, tHAT RHYME WAS SO ILLLLLLLLL,)
AT: bUT NO, jUST JOKING, lET'S SEE, hOW CAN i PUT THIS TACTFULLULLY,
AT: i MEAN THE POINTS ON THE HORNS ON MY HEAD,
AT: cOMING AT YOU THROUGH TRAFFIC,
AT: aIMED AT THE TARGET ON YOUR SHIRT THAT IS RED,
AT: wE'RE ABOUT TO GET MAD HORNOGRAPHIC,
AT: (i MEAN SORT OF LIKE A GRAPHIC CRIME SCENE, nOT LIKE,)
AT: (aNYTHING SEXUAL,)
AT: (eRR, wHOAAAAA,)
AT: (nEVERMIND,)
AT: oK, gETTING BACK TO THE ACTUAL, tACTICAL, vERNACULAR SMACKCICLE,
AT: i'M FORCING YOU TO BE LICKING, (aND lIKING,)
AT: gRAB MY HORNS AND START KICKING, lIKE YOU'RE RIDING A VIKING,
AT: cAUSE i'M YOUR BULLY, aND YOU'RE NOT IN CHARGE,
AT: yOU THINK YOU'RE IN CHARGE BUT YOU'RE NOT IN CHARGE,
AT: i'M IN CHARGE, cAUSE i'M CHARGING IN,
AT: yOUR CHINASHOP,
AT: bREAKING, uH, yOUR PLATES AND STUFF, WHICH i DON'T REALLY KNOW,
AT: wHAT THE PLATES ARE SUPPOSED TO REPRESENT, bUT,
AT: (fUCK,)
AT: iT'S JUST THAT YOU THINK YOU ARE THE COCK OF THE WALK'S HOT SHIT
AT: bUT WHEN IN FACT YOU ARE NOT, mORE LIKE YOU ARE,
AT: sOMETHING THAT RHYMES WITH THE COCK OF THE WALK'S HOT SHIT,
AT: bUT IS SO MUCH WORSE THAN THE COCK'S SHIT,
AT: sO, gIVEN THAT, lET ME BE THE FIRST,
AT: tO SAY YOU ACT LIKE YOU'RE GOLD FROM PROSPIT,
AT: wHEN YOU'RE REALLY COLD SHIT FLUSHED FROM DERSE,
”
”
Andrew Hussie (Homestuck)
“
The words and ways this requires are…potent. They come at a price—power always does. This isn’t a matter of wrong or right, you understand, but merely the working of the world. If you want strength, if you want to survive, there must be sacrifice.”
That’s not what Mags taught them. You can tell the wickedness of a witch by the wickedness of her ways. “So who paid your price?”
He bends his neck to look directly at her, weighing something. “A fever spread through my parents’ village that first winter.”
The word fever rings in Juniper’s ears, a distant bell toiling.
“It was nothing too remarkable, except the midwives and wise women couldn’t cure it. One of them came sniffing around, made certain deductions…I took her shadow, too. And the sickness spread further. The villagers grew unruly. Hysterical. I did what I had to do in order to protect myself.” That line has smoothed-over feel, like a polished pebble, as if he’s said it many times to himself. “But then of course the fever spread even further… I didn’t know how to control it, yet. Which kinda of people were expendable and which weren’t. I’m more careful these days.”
The ringing in Juniper’s ears is louder now, deafening.
An uncanny illness, the Three had called it. Juniper remembers the illustrations in Miss Hurston’s moldy schoolbooks, showing abandoned villages and overfull graveyards, carts piled high with bloated bodies. Was that Gideon’s price? Had the entire world paid for the sins of one broken, bitter boy?
And—were they paying again? I’m more careful these days. Juniper thinks of Eve’s labored breathing, the endless rows of cots at Charity Hospital, the fever that raged through the city’s tenements and row houses and dim alleys, preying on the poor and brown and foreign—the expendable. Oh, you bastard.
But Hill doesn’t seem to hear the hitch in her breathing. “People grew frightened, angry. They marched on my village with torches, looking for a villain. So I gave them one.” Hill lifts both hands, palm up: What would you have of me? “I told them a story about an old witch woman who lived in a hut in the roots of an old oak. I told them she spoke with devils and brewed pestilence and death in her cauldron. They believed me.” His voice is perfectly dispassionate, neither guilty nor grieving. “They burned her books and then her. When they left my village I left with them, riding at their head.”
So: the young George of Hyll had broken the world, then pointed his finger at his fellow witches like a little boy caught making a mess. He had survived, at any cost, at every cost. Oh, you absolute damn bastard.
”
”
Alix E. Harrow (The Once and Future Witches)
“
They seemed so right together-both of them sophisticated, dark-haired, and striking; no doubt they had much in common, she thought a little dismally as she picked up her knife and fork and went to work on her lobster.
Beside her, Lord Howard leaned close and teased, “It’s dead, you know.”
Elizabeth glanced blankly at him, and he nodded to the lobster she was still sawing needlessly upon. “It’s dead,” he repeated. “There’s no need to try to kill it twice.”
Mortified, Elizabeth smiled and sighed and thereafter made an all-out effort to ingratiate herself with the rest of the party at their table. As Lord Howard had forewarned the gentlemen, who by now had all seen or heard about her escapade in the card room, were noticeably cooler, and so Elizabeth tried ever harder to be her most engaging self. It was only the second time in her life she’d actually used the feminine wiles she was born with-the first time being her first encounter with Ian Thornton in the garden-and she was a little amazed by her easy success. One by one the men at the table unbent enough to talk and laugh with her. During that long, trying hour Elizabeth repeatedly had the strange feeling that Ian was watching her, and toward the end, when she could endure it no longer, she did glance at the place where he was seated. His narrowed amber eyes were leveled on her face, and Elizabeth couldn’t tell whether he disapproved of this flirtatious side of her or whether he was puzzled by it.
“Would you permit me to offer to stand in for my cousin tomorrow,” Lord Howard said as the endless meal came to an end and the guests began to arise, “and escort you to the village?”
It was the moment of reckoning, the moment when Elizabeth had to decide whether she was going to meet Ian at the cottage or not. Actually, there was no real decision to make, and she knew it. With a bright, artificial smile Elizabeth said, “Thank you.”
“We’re to leave at half past ten, and I understand there are to be the usual entertainments-sopping and a late luncheon at the local inn, followed by a ride to enjoy the various prospects of the local countryside.”
It sounded horribly dull to Elizabeth at that moment. “It sounds lovely,” she exclaimed with such fervor that Lord Howard shot her a startled look.
“Are you feeling well?” he asked, his worried gaze taking in her flushed cheeks and overbright eyes.
“I’ve never felt better,” she said, her mind on getting away-upstairs to the sanity and quiet of her bedchamber. “And now, if you’ll excuse me, I have the headache and should like to retire,” she said, leaving behind her a baffled Lord Howard.
She was partway up the stairs before it dawned on her what she’d actually said. She stopped in midstep, then gave her head a shake and slowly continued on. She didn’t particularly care what Lord Howard-her fiance’s own cousin-thought. And she was too miserable to stop and consider how very odd that was.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Rider's head snapped up at the sound of gravel crunching under Willow's boots. The sight of the girl in boy's garb birthed an oath. Beneath her cotton shirt, her breasts bounced freely with each step. And within the tight mannish pants, her hips swung in an unconscious rhythm, clearly proclaiming her all woman. Hell, she might as well be naked! His body's reaction was immediate.
Cursing his lack of control, he turned sideways, facing her horse, and pretended to adjust the saddle straps.
Willow took Sugar's reins and waited for Rider to move aside. He didn't budge an inch. Instead, he tipped his hat back on his head, revealing undisguised disapproval. "Is that the way you always dress?" he bit out.
Willow stiffened, immediately defensive. Criticizing herself was one thing; putting up with Sinclair's disdain was another! "If you were expecting a dress, you're crazy!" she snapped. "It would be suicide in this country."
"Haven't you ever heard of riding skirts?"
"Yes. I'm not as dumb as you seem to think. But fancy riding skirts cost money I don't have. 'Sides, pants are a hell of a lot more useful on the ranch than some damn riding skirt! Now, if you're done jawing about my clothes, I'd like to get a move on before dark."
"Somebody ought to wash that barnyard mouth of yours,woman."
Willow rested her hand on her gun. "You can try, if you dare."
As if I'd draw on a woman, Rider cursed silently, stepping out of her way. As she hoisted herself into the saddle, he was perversely captivated by the way the faded demin stretched over her round bottom. He imagined her long slender legs wrapped around him and how her perfect heart-shaped buttocks would fill his hands and...Oh,hell, what was he doing standing here, gaping like some callow youth?
Maybe the girl was right.Maybe he was crazy. One moment he was giving the little witch hell for wearing men's pants; the next he was ogling her in them. He started to turn away, then reached out and gave her booted ankle an angry jerk.
"Now what?" Icy turquoise eyes met his, dark and searing.
"Do you have any idea what you look like in that get-up? No self-respecting lady would dress like that. It's an open invitation to a man. And if you think that gun you're wearing is going to protect you, you're badly mistaken."
Willow gritted her teeth in mounting ire. "So what's it to you, Sinclair? You ain't my pa and you ain't my brother. Hell,my clothes cover me just as good as yours cover you!" She slapped his hand from her ankle, jerked Sugar around, and spurred the mare into a brisk gallop.
Before the fine red dust settled, Rider was on his horse, racing after her. Dammit, she's right.Why should I care how she dresses? Heaven knows it certainly has no bearing on my mission. No, agreed a little voice in his head, but it sure is distacting as hell!
He'd always prided himself on his cool control; it had saved his backside more than once. But staying in any kind of control around Willow Vaughn was like trying to tame a whimsical March wind-impossible!
”
”
Charlotte McPherren (Song of the Willow)
“
For many years,Rides the Wind cared only for Walks the Fire. Together they read this Book she speaks of.My daughter has told me of this.Walks the Fire would tel the words in the Book. Rides the Wind repeated them,then he would tell how the words would help him in the hunt or in the council.Walks the Fire listened as he spoke. She respected him.She did as he said."
As Talks a Lot spoke,the people remembered the years since Walks the Fire had come to them.Many among them recalled kindness beyond the saving of Hears Not.Many regretted the early days, when they had laughed at the white woman.They remembered Prairie Flower and Old One teaching her,and many could recall times when some new stew was shared with their family or a deerskin brought in by Rides the Wind found its way to their tepee.
Prairie Flower's voice was added to the men's. "Even when no more sons or daughters came to his tepee-even then, Rides the Wind wanted only Walks the Fire." She turned to look at Running Bear, another elder, "Even when you offered your own beautiful daugher, Rides the Wind wanted only Walks the Fire.This is true. My father told me. When he walked the earth,Rides the Wind wanted only Walks the Fire.Now that he lies upon the earth,you must know that he would say, 'Do this for her.'"
Jesse had continued to dig into the earth as she listened. When Prairie Flower told of the chief's having offered his daughter,she stopped for a moment.Her hand reached out to lovingly caress the dark head that lay so still under the clear sky.Rides the Wind had never told her of this.She had been afraid that he might take another wife when it became evident they would have no children.Now she knew that he had chosen her alone-even in the face of temptation.
From the women's group there was movement. Prairie Flower stepped forward, her digging tool in her hand. Defiantly she sputtered, "She is my friend..." and stalked across the short distance to the shallow grave. Dropping to her knees beside Jesse, she began attacking the earth.Ferociously she dug.Jesse followed her lead, as did Old One.They began again,three women working side by side.And then there were four women,and then five, and six, until a ring of many women dug together.
The men did nothing to stop them, and Running Bear decided what was to be done. "We will camp here and wait for Walks the Fire to do what she must. Tonight we will tell the life of Rides the Wind around the fire.Tomorrow, when this is done, we will move on."
And so it was.Hours later Rides the Wind, Lakota hunter, became the first of his village to be laid in a grave and mourned by a white woman. Before his body was lowered into the earth, Jesse impulsively took his hunting knife, intending to cut off the two thick, red braids that hung down her back. It seemed so long ago that Rides the Wind had braided the feathers and beads in, dusting the part.Had it really been only this morning? He had kissed her,too, grumbling about the white man's crazy ways.Jesse had laughed and returned his kiss.
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Stephanie Grace Whitson (Walks The Fire (Prairie Winds, #1))
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My Little Pony Game Helps You Get A Creator
With My Little Pony games, you can enjoy many categories such as Dress Up games, Makeover games, riding games, racing games,...Each game brings you the different sentiments and it depends on your hobby that you can choose the suitable game for your free time. At our website, there are many My Little Pony games with full My Little Pony characters and you can meet them such as Twilight Sparkle, Rarity, Fluttershy, Rainbow Dash, Pinkie Pie and Applejack,,They have the good friendship and relations as well. Now, you will go to our new game called My little pony hairstyle. This is a creator game for you that you can get an opportunity to make new hair for Rainbow Dash. As you know, she has a hairstyle attached to her name. Now, you will help her to change Little about her hairstyle. Not difficult to play this game , you just use your mouse and follow step by step instruction that you can find in this game at our website.
I can tell more here to help you play this game easier. In the first game, you will choose a hairstyle in six styles. Then you will choose the color for her hair. You can take one in ten colors in this game such as blue, green, red, purple, yellow, light purple,.. And you mix color as your favorite color. With each my little pony character, you can see the different personality and fashion style. My little pony Rainbow Dash has always the unique hairstyle with the mixing color. This is the creator game because you can show your fashion style about the hair. Besides the dress up game and make up games, we have others games categories such as riding, racing, caring, cooking, fighting,,,All are free here, you can enjoy them at anytime and anywhere. Please recommend our website to your friends as well, you will have the more human counterpart.
You will have the good experience, adventure when you come to our website. We provide also descendants games, Elsa games, Daby games, Io games,...It depends on the age, the hobby that you can choose the game in your free time. You can enjoy the life as a child with our games and forget all the worries and stress in your life. I hope that you will like our games as well.
My Little Pony Angry is a puzzle game and your task in this game is to use your mouse to drag and drop the pieces and make a complete My Little Pony pictures. In this game, you will get an opportunity to meet again six main My Little Pony such as Applejack, Rainbow Dash, Pinkie Pie, Fluttershy, Rarity, and Twilight Sparkle of the cartoon My Little Pony, they are all very aggressive and angry. We think that this way they want to scare off enemies from Ponyville. You know that My Little Pony or Friendship Is Magic has the content that tells about six main My Little Pony and other supporting characters but with My Little Pony, the content focuses primarily on Twilight Sparkle and her friends, they find out the way to rescue Equestria Land. Each My Little Pony game can give you a good lessons about family, friends, relationship...This is a cheap entertainment and designed for everyone. I hope that you can get the perfectime here and we can make the relationship thank to My Little Pony games on our website. Have fun on our site Gamesmylittlepony.com
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Alice Walker
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The Venetians catalogue everything, including themselves. ‘These grapes are brown,’ I complain to the young vegetable-dealer in Santa Maria Formosa. ‘What is wrong with that ? I am brown,’ he replies. ‘I am the housemaid of the painter Vedova,’ says a maid, answering the telephone. ‘I am a Jew,’ begins a cross-eyed stranger who is next in line in a bookshop. ‘Would you care to see the synagogue?’
Almost any Venetian, even a child, will abandon whatever he is doing in order to show you something. They do not merely give directions; they lead, or in some cases follow, to make sure you are still on the right way. Their great fear is that you will miss an artistic or ‘typical’ sight. A sacristan, who has already been tipped, will not let you leave until you have seen the last Palma Giovane. The ‘pope’ of the Chiesa dei Greci calls up to his housekeeper to throw his black hat out the window and settles it firmly on his broad brow so that he can lead us personally to the Archaeological Museum in the Piazza San Marco; he is afraid that, if he does not see to it, we shall miss the Greek statuary there.
This is Venetian courtesy. Foreigners who have lived here a long time dismiss it with observation : ‘They have nothing else to do.’ But idleness here is alert, on the qui vive for the opportunity of sightseeing; nothing delights a born Venetian so much as a free gondola ride. When the funeral gondola, a great black-and-gold ornate hearse, draws up beside a fondamenta, it is an occasion for aesthetic pleasure. My neighbourhood was especially favoured this way, because across the campo was the Old Men’s Home. Everyone has noticed the Venetian taste in shop displays, which extends down to the poorest bargeman, who cuts his watermelons in half and shows them, pale pink, with green rims against the green side-canal, in which a pink palace with oleanders is reflected. Che bello, che magnifici, che luce, che colore! - they are all professori delle Belle Arti. And throughout the Veneto, in the old Venetian possessions, this internal tourism, this expertise, is rife. In Bassano, at the Civic Museum, I took the Mayor for the local art-critic until he interupted his discourse on the jewel-tones (‘like Murano glass’) in the Bassani pastorals to look at his watch and cry out: ‘My citizens are calling me.’ Near by, in a Paladian villa, a Venetian lasy suspired, ‘Ah, bellissima,’ on being shown a hearthstool in the shape of a life-size stuffed leather pig. Harry’s bar has a drink called a Tiziano, made of grapefruit juice and champagne and coloured pink with grenadine or bitters. ‘You ought to have a Tintoretto,’ someone remonstrated, and the proprietor regretted that he had not yet invented that drink, but he had a Bellini and a Giorgione.
When the Venetians stroll out in the evening, they do not avoid the Piazza San Marco, where the tourists are, as Romans do with Doney’s on the Via Veneto. The Venetians go to look at the tourists, and the tourists look back at them. It is all for the ear and eye, this city, but primarily for the eye. Built on water, it is an endless succession of reflections and echoes, a mirroring. Contrary to popular belief, there are no back canals where tourist will not meet himself, with a camera, in the person of the another tourist crossing the little bridge. And no word can be spoken in this city that is not an echo of something said before. ‘Mais c’est aussi cher que Paris!’ exclaims a Frenchman in a restaurant, unaware that he repeats Montaigne. The complaint against foreigners, voiced by a foreigner, chimes querulously through the ages, in unison with the medieval monk who found St. Mark’s Square filled with ‘Turks, Libyans, Parthians, and other monsters of the sea’. Today it is the Germans we complain of, and no doubt they complain of the Americans, in the same words.
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Mary McCarthy