Riddle Of Fire Quotes

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The way sadness works is one of the strange riddles of the world. If you are stricken with a great sadness, you may feel as if you have been set aflame, not only because of the enormous pain, but also because your sadness may spread over your life, like smoke from an enormous fire. You might find it difficult to see anything but your own sadness, the way smoke can cover a landscape so that all anyone can see is black. You may find that if someone pours water all over you, you are damp and distracted, but not cured of your sadness, the way a fire department can douse a fire but never recover what has been burnt down.
Lemony Snicket (The Bad Beginning (A Series of Unfortunate Events, #1))
An admiral without ships, a hand without fingers, in service of a king without a throne. Is this a knight who comes before us, or the answer to a child's riddle?
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Night is not something to endure until dawn. It is an element, like wind or fire. Darkness is its own kingdom; it moves to its own laws, and many living things dwell in it.
Patricia A. McKillip (Harpist in the Wind (Riddle-Master, #3))
Oh, I think not,” Varys said, swirling the wine in his cup. “Power is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?” “It has crossed my mind a time or two,” Tyrion admitted. “The king, the priest, the rich man—who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers. All depends on the man with the sword.” “And yet he is no one,” Varys said. “He has neither crown nor gold nor favor of the gods, only a piece of pointed steel.” “That piece of steel is the power of life and death.” “Just so… yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?” “Because these child kings and drunken oafs can call other strong men, with other swords.” “Then these other swordsmen have the true power. Or do they?” Varys smiled. “Some say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelor’s Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Or… another?” Tyrion cocked his head sideways. “Did you mean to answer your damned riddle, or only to make my head ache worse?” Varys smiled. “Here, then. Power resides where men believe it resides. No more and no less.” “So power is a mummer’s trick?” “A shadow on the wall,” Varys murmured, “yet shadows can kill. And ofttimes a very small man can cast a very large shadow.” Tyrion smiled. “Lord Varys, I am growing strangely fond of you. I may kill you yet, but I think I’d feel sad about it.” “I will take that as high praise.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Look! A riddle! Time for fun! Should we use a rope or gun? Knives are sharp and gleam so pretty Poison’s slow, which is a pity Fire is festive, drowning’s slow Hanging’s a ropy way to go A broken head, a nasty fall A car colliding with a wall Bombs make a very jolly noise Such ways to punish naughty boys! What shall we use? We can’t decide. Just like you cannot run or hide. Ha ha. Truly, Devious
Maureen Johnson (Truly, Devious (Truly Devious, #1))
Poetry And it was at that age... Poetry arrived in search of me. I don’t know, I don’t know where it came from, from winter or a river. I don’t know how or when, no, they were not voices, they were not words, nor silence, but from a street I was summoned, from the branches of night, abruptly from the others, among violent fires or returning alone, there I was without a face and it touched me. I did not know what to say, my mouth had no way with names my eyes were blind, and something started in my soul, fever or forgotten wings, and I made my own way, deciphering that fire and I wrote the first faint line, faint, without substance, pure nonsense, pure wisdom of someone who knows nothing, and suddenly I saw the heavens unfastened and open, planets, palpitating planations, shadow perforated, riddled with arrows, fire and flowers, the winding night, the universe. And I, infinitesimal being, drunk with the great starry void, likeness, image of mystery, I felt myself a pure part of the abyss, I wheeled with the stars, my heart broke free on the open sky.
Pablo Neruda (Selected Poems)
Every single one of us is missing something. We are all too powerful, too extraordinary, and don't you see it's because we're riddled with vacancies? We are empty and trying to fill, lighting ourselves on fire just to prove that we are normal - that we are ordinary. That we, like anything, can burn.
Olivie Blake (The Atlas Six (The Atlas, #1))
Great leaders are forged from the fire of hard decisions,
A.G. Riddle (The Atlantis Gene (The Origin Mystery, #1))
The way sadness works is one of the strangest riddles of the world. If you are stricken with a great sadness, you may feel as if you have been set aflame, not only because of the enormous pain, but also because your sadness may spread over your life, like smoke from an enormous fire. You might find it difficult to see anything but your own sadness, the way smoke can cover a landscape so that all anyone can see is black. You may find that happy things are tainted with sadness, the way smoke leaves its ashen colors and scents on everything it touches. And you may find that if someone pours water all over you, you are damp and distracted, but not cured of your sadness, the way a fire department can douse a fire but never recover what has been burnt down.
Lemony Snicket (The Grim Grotto (A Series of Unfortunate Events, #11))
You are the Fire Lily", said the Winterking softly. "And I am the Ice King. Does fire melt ice? Or ice melt fire? Or may they come together, fire and ice, neither melted nor quenched?
Alison Croggon (The Riddle (The Books of Pellinor #2))
Hear me, Daenerys Targaryen. The glass candles are burning. Soon comes the pale mare, and after her the others. Kraken and dark flame, lion and griffin, the sun's son and the mummer's dragon. Trust none of them. Remember the Undying. Beware the perfumed seneschal." "Reznak? Why should I fear him?" Dany rose from the pool. Water trickled down her legs, and gooseflesh covered her arms in the cool night air. "If you have some warning for me, speak plainly. What do you want of me, Quaithe?" Moonlight shown in the woman's eyes. "To show you the way." "I remember the way. I go north to go south, east to go west, back to go forward. And to touch the light I have to pass beneath the shadow." She squeezed the water from her silvery hair. "I am half-sick of riddling. In Qarth I was a beggar, but here I am a queen. I command you-" "Daenerys. Remember the Undying. Remember who you are." "The blood of the dragon." But my dragons are roaring in the darkness. "I remember the Undying. Child of three, they called me. Three mounts they promised me, three fires, and three treasons. One for blood and one for gold and one for . . ." "Your Grace?" Missandei stood in the door of the queen's bedchamber, a lantern in her hand. "Who are you talking to?" Dany glanced back toward the persimmon tree. There was no woman there. No hooded robe, no lacquer mask, no Quaithe. A shadow. A Memory. No one.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
The Sphinx is the riddle, not the riddler.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Now here is a riddle,” Melisandre said. “A clever fool and a foolish wise man.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
Mathematics was actually a logical puzzle with endless variations—riddles that could be solved. The trick was not to solve arithmetical problems. Five times five would always be twenty-five. The trick was to understand combinations of the various rules that made it possible to solve any mathematical problem whatsoever.
Stieg Larsson (The Girl Who Played with Fire (Millennium, #2))
He spoke of dreams and never named the dreamer, of a glass candle that could not be lit and eggs that would not hatch. He said the sphinx was the riddle, not the riddler, whatever that meant.
George R.R. Martin (A Feast For Crows (A Song of Ice and Fire, #4))
Serving men cleared away the swan, hardly touched. Cersei beckoned for the sweets. "I hope you like blackberry tarts." "I love all sorts of tarts." "Oh, I've know that for a long while. Do you know why Varys is so dangerous?" "Are we playing riddles now? No." "He doesn't have a cock." "Neither do you." And don't you just hate that, Cersei? ""Perhaps, I'm dangerous too. You, on the other hand, are as big a fool as every other man. That worm between your legs does half your thinking.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
A team of doctors had examined the bodies and had concluded that none of the Riddles had been poisoned, stabbed, shot, strangled, suffocated, or (as far as they could tell) harmed at all. In fact (the report continued, in a tone of unmistakable bewilderment), the Riddles all appeared to be in perfect health — apart from the fact that they were all dead. The doctors did note (as though determined to find something wrong with the bodies) that each of the Riddles had a look of terror upon his or her face — but as the frustrated police said, whoever heard of three people being frightened to death?
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Dreams are chequered commentary made in sleep Along the deeps of our desires, moving like riddles through a magic glade Lightly they touch the leap of hidden fires.
John Bradburn
There's a funny fool. I have a riddle for you, Shagwell. Why do you care if she screams? Oh, wait, I know." He shouted "SAPPHIRES," as loudly as he could. Cursing, Rorge kicked at his stump again. Jaime howled. I never knew there was such agony in the world, was the last thing he remembered thinking. It was hard to say how long he was gone, but when the pain spit him out, Urswyck was there, and Vargo Hoat himself. "Thee'th not to be touched," the goat screamed, spraying spittle all over Zollo. "Thee hath to be a maid, you foolth! Thee'th worth a bag of thapphireth!" And from then on, every night Hoat put guards on them, to protect them from his own. Two nights passed in silence before the wench finally found the courage to whisper, "Jaime? Why did you shout out?" "Why did I shout out 'sapphires,' you mean? Use your wits, wench. Would this lot have cared if I shouted 'rape'?" "You did not need to shout at all." "You're hard enough to look at with a nose. Besides, I wanted to make the goat say, 'thapphireth.
George R.R. Martin (A Storm of Swords (A Song of Ice and Fire, #3))
The doctrine of the Trinity means that relationship, that fellowship, that togetherness and sharing, that self-giving and other-centeredness are not afterthoughts with God, but the deepest truth about the being of God. The Father is not consumed with Himself; He loves the Son and the Spirit. And the Son is not riddled with narcissism; he loves his Father and the Spirit. And the Spirit is not preoccupied with himself and his own glory; the Spirit loves the Father and the Son. Giving, not taking; other-centeredness, not self-centeredness; sharing, not hoarding are what fire the rockets of God and lie at the very center of God’s existence as Father, Son and Spirit.
C. Baxter Kruger (Jesus and the Undoing of Adam)
All we Karamazovs are such insects. And angel as you are, that insect lives in you, too, and will stir up a tempest in your blood. Tempests, because sensual lust is a tempest - worse than a tempest! Beauty is a terrible and awful thing! It is terrible because it has not been fathomed and never can be fathomed, for God sets before us nothing but riddles. Here the boundaries meet and all contradictions exist side by side. I am not an educated nor cultured man, Alyosha, but I've thought a lot about this. It's terrible what mysteries there are! Too many riddles weigh men down on earth. We must solve as we can, and try to keep a dry skin in the water. Beauty! I can't bear the thought that a man of lofty mind and heart begins with the ideal of the Madonna and ends with the ideal of Sodom. What's still more awful is that a man with the ideal of Sodom in his soul does not renounce the ideal of the Madonna, and his heart may be on fire with that ideal, genuinely on fire, just as in his days of youth and innocence. Yes, man is broad, too broad. I'd have him narrower. The devil only knows what to make of it! What to the mind is shameful is beauty and nothing else to the heart. Is there beauty in Sodom? Believe me, that for the immense mass of mankind beauty is found in Sodom. Did you know that secret? The awful thing is that beauty is mysterious as well as terrible. God and the devil are fighting there and the battlefield is the heart of man.
Fyodor Dostoevsky (The Brothers Karamazov)
The king, the priest, the rich man—who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers.
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
I pull my sidearm and fire at them from point-blank range, killing the first two men, who must have either thought I was dead or couldn’t see me
A.G. Riddle (The Atlantis Gene (The Origin Mystery, #1))
Sphinx is the riddle, not the riddler.
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
Man is never truly wise until he has fathomed the riddle of his own existence,
Manly P. Hall (Melchizedek and the Mystery of Fire: A Treatise in Three Parts)
The sphinx is the riddle, not the riddler. Do you knows what that means? No. Is it a riddle?
George R.R. Martin (A Feast for Crows (A Song of Ice and Fire, #4))
The strongest friendships and the strongest relationships are forged in the hottest fires.
A.G. Riddle (Winter World (The Long Winter, #1))
The foundations of some formerly strong lands became so riddled with termites of diminished purpose, so decayed with the decadence of smug moderation, and so emaciated with the vacillating aims of appears, that even when they saw the enemy coming and did resist, they were easily toppled when the Imperial Order finally pushed.
Terry Goodkind (Soul of the Fire (Sword of Truth, #5))
Do you want a half-truth or truth?” “Truth.” “Then you will have to trust me.” His voice was suddenly softer than the fire sounds, melting into the silence within the stones. “Beyond logic, beyond reason, beyond hope. Trust me.” Morgon
Patricia A. McKillip (Riddle-Master (Riddle-Master, #1-3))
It crouches near the center of creation. There is no night where it waits. Only the riddle of which terrible dream will set it loose. It beheaded mercy to take possession of that place. It feasts on darkness from the minds of men. No one has ever seen its eyeless face. When it sleeps we know a few moments of peace. But when it breathes again we go down in fire and mate with jackals. It knows our fear. It has our number. It waited for our coming and it will abide long after we have become congealed smoke. It has never heard music, and shows its fangs when we panic. It is the beast of our savage past, hungering today, and waiting patiently for the mortal meal of all our golden tomorrows. It lies waiting.
Harlan Ellison (The Beast That Shouted Love at the Heart of the World)
Some say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelor’s Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Or . . . another?” Tyrion cocked his head sideways. “Did you mean to answer your damned riddle, or only to make my head ache worse?” Varys smiled. “Here, then. Power resides where men believe it resides. No more and no less.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
As the days passed, it became noticeable, in a way that was, at first, imperceptible, that the word blank, as if it had suddenly become obscene or rude, was falling into disuse, that people would employ all kinds of evasions and periphrases to replace it. A blank piece of paper, for example, would be described instead as virgin, a blank on a form that had all its life been a blank became the space provided, blank looks all became vacant instead, students stopped saying that their minds had gone blank, and owned up to the fact that they simply knew nothing about the subject, but the most interesting case of all was the sudden disappearance of the riddle with which, for generations, parents, grandparents, aunts, uncles and neighbors had sought to stimulate the intelligence and deductive powers of children, You can fill me in, draw me and fire me, what am I, and people, reluctant to elicit the word blank from innocent children, justified this by saying that the riddle was far too difficult for those with limited experience of the world.
José Saramago
... it made me realize how crazy random it was not just that I was me (the billion sperm to one egg; the insane odds against all of my ancestors ever meeting each other), but also how, with the millions of electrical pulses in the brain that were needed to fire every microsecond, it was incredibly random that I continued to be me.
David Stuart MacLean (The Answer to the Riddle Is Me: A Memoir of Amnesia)
I am, in general, an easygoing person. I try to take a reed-bending-with-the-wind attitude toward life, rather than fight everything. But these constant “out of the frying pan, into the fire, into a worse fire, into a worse fire than the worse fire before it” situations that had been riddling my life of late were beginning to wear me down
Katie MacAlister (Light My Fire (Aisling Grey, #3))
MARCELLUS: But look, Agathon, what strange dark light is glowing amongst the clouds. You would think a sea of flame is blazing behind the clouds. A divine fire! And the sky is like a blue bell. It's as if one can hear it tolling in deep, solemn tones. You might even suspect that up there above us, in unattainable heights, something is taking place of which we shall never know. But at times we can sense it, when that vast silence has settled over the earth. And yet! All this is very confusing. The gods have to pose insoluble riddles for us humans. And the earth does not rescue us from the cunning of the gods; for it too is full of things that confound the senses. Both things and humans confuse me. True enough! Things are very taciturn! And the human soul won't yield up its riddles. You ask and it keeps silent. AGATHON: Let's live and not ask questions. Life is full of beauty.
Georg Trakl (Gedichte und Prosa (German Edition))
except for a thin ring of yellow and orange fire peeking around its edges like a solar eclipse. The great
A.G. Riddle (The Atlantis World (The Origin Mystery, #3))
This was the dark side of the human reality: with no conflict, no challenge, the fire within winks out and without the flame, society stagnates, slipping into a slow decline.
A.G. Riddle (The Atlantis World (The Origin Mystery, #3))
Entice your husband to tell us what the riddle is,  dlest we burn you and your father’s house with fire. Have you invited us here to impoverish us?
Anonymous (Holy Bible: English Standard Version (ESV))
What's dressed when night falls and undressed when day breaks? A fire.
Stephen King (The Waste Lands (The Dark Tower, #3))
Destriers began to perish of exhaustion and exposure. “What is a knight without a horse?” men riddled. “A snowman with a sword.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
Is this a knight who comes before us, or the answer to a child’s riddle?
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
The modern world was not alive to the tremendous Reality that encompassed it. We were surrounded by an immeasurable abyss of darkness and splendor. We built our empires on a pellet of dust revolving around a ball of fire in unfathomable space. Life, that Sphynx, with the human face and the body of a brute, asked us new riddles every hour. Matter itself was dissolving under the scrutiny of Science; and yet, in our daily lives, we were becoming a race of somnambulists, whose very breathing, in train and bus and car, was timed to the movement of the wheels; and the more perfectly, and even alertly, we clicked through our automatic affairs on the surface of things, the more complete was our insensibility to the utterly inscrutable mystery that anything should be in existence at all.
Alfred Noyes (The Unknown God)
Beauty is a terrible and awful thing! It is terrible because it never has and never can be fathomed, for God sets us nothing but riddles. Within beauty both shores meet and all contradictions exist side by side. I’m not a cultivated man, brother, but I’ve thought a lot about this. Truly there are mysteries without end! Too many riddles weigh man down on earth. We guess them as we can, and come out of the water dry. Beauty! I cannot bear the thought that a man of noble heart and lofty mind sets out with the ideal of the Madonna and ends with the ideal of Sodom. What’ still more awful is that the man with the ideal of Sodom in his soul does not renounce the ideal of the Madonna, and in the bottom of his heart he may still be on fire, sincerely on fire, with longing for the beautiful ideal, just as in the days of his youthful innocence. Yes, man’s heart is wide indeed. I’d have it narrower. The devil only knows what to make of it! but what the intellect regards as shameful often appears splendidly beautiful to the heart. Is there beauty in Sodom? Believe me, most men find their beauty in Sodom. Did you know this secret? The dreadful thing is that beauty is not only terrifying but also mysterious. God and the Devil are fighting there, and their battlefield is the heart of man. But a man’s heart wants to speak only of its own ache. Listen, now I’ll tell you what it says…
Yukio Mishima (Confessions of a Mask)
A murderer is condemned to death. He has to choose between three rooms. The first is full of raging fires, the second is full of assassins with loaded guns, and the third is full of lions that haven't eaten in 3 years. Which room is safest for him?
M. Prefontaine (Difficult Riddles For Smart Kids: 300 Difficult Riddles And Brain Teasers Families Will Love (Thinking Books for Kids Book 1))
Thy word remaineth for ever, which word now appeareth unto us in the riddle of the clouds, and through the mirror of the heavens, not as it is because that even we, though the well beloved of thy Son, yet it hath not yet appeared what we shall be. He looked through the lattice of our flesh and he spake us fair, yea, he set us on fire, and we hasten on his scent. But when he shall appear, then shall we be like him, for we shall see him as he is. As he is, Lord, will our sight be, though the time be not yet.
Augustine of Hippo
still called it “the Riddle House,” even though it had been many years since the Riddle family had lived there. It stood on a hill overlooking the village, some of its windows boarded, tiles missing from its roof, and ivy spreading unchecked over its face.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Roland took a deep breath, then began. "Feed me and I live. Give me to drink and I die. What am I?" "FIRE." No hesitation. Only that insufferable smugness, a tone which said That was old to me when your grandmother was young, but try again! This is more fun than I've had in centuries, so try again!
Stephen King (Wizard and Glass (The Dark Tower, #4))
Tyrion cocked his head sideways. “Did you mean to answer your damned riddle, or only to make my head ache worse?”Varys smiled. “Here, then. Power resides where men believe it resides. No more and no less.”“So power is a mummer’s trick?”“A shadow on the wall,”Varys murmured, “yet shadows can kill. And ofttimes a very small man can cast a very large shadow.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
You want to believe that your hesitation makes you good, makes you better? It doesn't. Every single one of us is missing something. We are all too powerful, too extraordinary, and don't you see it's because we're riddled with vacancies? We are empty and trying to fill, lighting ourselves on fire just to prove that we are normal - that we are ordinary. That we, like anything, can burn.
Olivie Blake (The Atlas Six (The Atlas, #1))
Many different kinds of sprouts lay torn. Green, purple and orange leaves lay scattered across the dark soil, and the thorn fence surrounding the bed had a fist-sized hole in it. Teacher eased himself into a squat, poked at the inside of the hole. Whatever made the hole had left blood on the thorns. The sprouts looked like wispy ghosts, pale and broken. Their delicate leaves and stems were riddled with bites. Life drained out of them like water dripping from a hanging cloth, and a breeze made them dance sadly. It felt like a funeral. Teacher picked up a gnawed berry and gently squeezed it until purple juice dripped down his thumb. He placed the berry by the plant’s roots. Chandi’s small face bunched up. “Are they dead?” “They’re dying, yes.” Yuvali took her hand. “But their bodies will help other plants grow.
B.T. Lowry (Fire from the Overworld)
There was a small public library on Ninety-third and Hooper. Mrs. Stella Keaton was the librarian. We’d known each other for years. She was a white lady from Wisconsin. Her husband had a fatal heart attack in ’34 and her two children died in a fire the year after that. Her only living relative had been an older brother who was stationed in San Diego with the navy for ten years. After his discharge he moved to L.A. When Mrs. Keaton had her tragedies he invited her to live with him. One year after that her brother, Horton, took ill, and after three months he died spitting up blood, in her arms. All Mrs. Keaton had was the Ninety-third Street branch. She treated the people who came in there like her siblings and she treated the children like her own. If you were a regular at the library she’d bake you a cake on your birthday and save the books you loved under the front desk. We were on a first-name basis, Stella and I, but I was unhappy that she held that job. I was unhappy because even though Stella was nice, she was still a white woman. A white woman from a place where there were only white Christians. To her Shakespeare was a god. I didn’t mind that, but what did she know about the folk tales and riddles and stories colored folks had been telling for centuries? What did she know about the language we spoke? I always heard her correcting children’s speech. “Not ‘I is,’ she’d say. “It’s ‘I am.’” And, of course, she was right. It’s just that little colored children listening to that proper white woman would never hear their own cadence in her words. They’d come to believe that they would have to abandon their own language and stories to become a part of her educated world. They would have to forfeit Waller for Mozart and Remus for Puck. They would enter a world where only white people spoke. And no matter how articulate Dickens and Voltaire were, those children wouldn’t have their own examples in the house of learning—the library.
Walter Mosley (White Butterfly (Easy Rawlins #3))
What lies in bed, and stands in bed? First white, then red The plumper it gets The better the old woman likes it?" "A dork! Crude, Roland! But I like it! I LIKE IT!" "Your answer is wrong. A good riddle is sometimes a puzzle in words, like Jake's about the river, but sometimes it's more like a magician's trick, making you look in one direction while it's going somewhere else." "It's a double." "Is it a strawberry? Of course it is. It's like the fire-riddle. There's a metaphor hidden inside it. Once you understand the metaphor, you can solve the riddle.
Stephen King (The Waste Lands (The Dark Tower, #3))
Love, though for this you riddle me with darts, And drag me at your chariot till I die,— Oh, heavy prince! O, panderer of hearts!— Yet hear me tell how in their throats they lie Who shout you mighty: thick about my hair, Day in, day out, your ominous arrows purr, Who still am free, unto no querulous care A fool, and in no temple worshiper! I, that have bared me to your quiver’s fire, Lifted my face into its puny rain, Do wreathe you Impotent to Evoke Desire As you are Powerless to Elicit Pain! (Now will the god, for blasphemy so brave, Punish me, surely, with the shaft I crave!)
Edna St. Vincent Millay (Collected Sonnets)
And what is the nature of these other worlds? As we have discovered in previous chapters, they are infinitely varied and ever-changing, and often fail to comply with the conventions of our present world, which we are arrogant enough to call the physical laws of the universe. There are places where men and women are winged and red-skinned, and places where there is no such thing as man and woman but only persons somewhere in between. There are worlds where the continents are carried on the backs of vast turtles swimming through freshwater oceans, where snakes speak riddles, where the lines between the dead and living are blurred to insignificance. I have seen villages where fire itself had been tamed, and followed at men's heels like an obedient hound, and cities with glass spires so high they gathered clouds around their spiral points. (If you are wondering why other worlds seem so brimful of magic compared to your own dreary Earth, consider how magical this world seems from another perspective. To a world of sea people, your ability to breathe air is stunning; to a world of spear throwers, your machines are demons harnessed to work tirelessly in your service; to a world of glaciers and clouds, summer itself is a miracle.)
Alix E. Harrow (The Ten Thousand Doors of January)
I made it when I was young, by my standards, after years of playing on various harps. I shaped its pieces out of Ymris oak beside night fires in far, lonely places where I heard no man’s voice but my own. I carved on each piece the shapes of leaves, flowers, birds I saw in my wanderings. In An, I searched three months for strings for it. I found them finally; sold my horse for them. They were strung to the broken harp of Ustin of Aum, who died of sorrow over the conquering of Aum. Its strings were tuned to his sorrow, and its wood was split like his heart. I strung my harp with them, matching note for note in the restringing. And then I returned them to my joy.” Morgon
Patricia A. McKillip (Riddle-Master (Riddle-Master, #1-3))
Power is a curious thing, my lord. Perchance you have considered the riddle I posed you that day in the inn?” “It has crossed my mind a time or two,” Tyrion admitted. “The king, the priest, the rich man—who lives and who dies? Who will the swordsman obey? It’s a riddle without an answer, or rather, too many answers. All depends on the man with the sword.” “And yet he is no one,” Varys said. “He has neither crown nor gold nor favor of the gods, only a piece of pointed steel.” “That piece of steel is the power of life and death.” “Just so … yet if it is the swordsmen who rule us in truth, why do we pretend our kings hold the power? Why should a strong man with a sword ever obey a child king like Joffrey, or a wine-sodden oaf like his father?” “Because these child kings and drunken oafs can call other strong men, with other swords.” “Then these other swordsmen have the true power. Or do they? Whence came their swords? Why do they obey?” Varys smiled. “Some say knowledge is power. Some tell us that all power comes from the gods. Others say it derives from law. Yet that day on the steps of Baelor’s Sept, our godly High Septon and the lawful Queen Regent and your ever-so-knowledgeable servant were as powerless as any cobbler or cooper in the crowd. Who truly killed Eddard Stark, do you think? Joffrey, who gave the command? Ser Ilyn Payne, who swung the sword? Or … another?” Tyrion cocked his head sideways. “Did you mean to answer your damned riddle, or only to make my head ache worse?” Varys smiled. “Here, then. Power resides where men believe it resides. No more and no less.
George R.R. Martin (A Clash of Kings (A Song of Ice and Fire, #2))
[Chang Yu relates the following anecdote of Kao Tsu, the first Han Emperor: “Wishing to crush the Hsiung-nu, he sent out spies to report on their condition. But the Hsiung-nu, forewarned, carefully concealed all their able-bodied men and well-fed horses, and only allowed infirm soldiers and emaciated cattle to be seen. The result was that spies one and all recommended the Emperor to deliver his attack. Lou Ching alone opposed them, saying: “When two countries go to war, they are naturally inclined to make an ostentatious display of their strength. Yet our spies have seen nothing but old age and infirmity. This is surely some ruse on the part of the enemy, and it would be unwise for us to attack.” The Emperor, however, disregarding this advice, fell into the trap and found himself surrounded at Po-teng.”] 19.  Thus one who is skillful at keeping the enemy on the move maintains deceitful appearances, according to which the enemy will act. [Ts’ao Kung’s note is “Make a display of weakness and want.” Tu Mu says: “If our force happens to be superior to the enemy’s, weakness may be simulated in order to lure him on; but if inferior, he must be led to believe that we are strong, in order that he may keep off. In fact, all the enemy’s movements should be determined by the signs that we choose to give him.” Note the following anecdote of Sun Pin, a descendent of Sun Wu: In 341 B.C., the Ch’i State being at war with Wei, sent T’ien Chi and Sun Pin against the general P’ang Chuan, who happened to be a deadly personal enemy of the later. Sun Pin said: “The Ch’i State has a reputation for cowardice, and therefore our adversary despises us. Let us turn this circumstance to account.” Accordingly, when the army had crossed the border into Wei territory, he gave orders to show 100,000 fires on the first night, 50,000 on the next, and the night after only 20,000. P’ang Chuan pursued them hotly, saying to himself: “I knew these men of Ch’i were cowards: their numbers have already fallen away by more than half.” In his retreat, Sun Pin came to a narrow defile, with he calculated that his pursuers would reach after dark. Here he had a tree stripped of its bark, and inscribed upon it the words: “Under this tree shall P’ang Chuan die.” Then, as night began to fall, he placed a strong body of archers in ambush near by, with orders to shoot directly they saw a light. Later on, P’ang Chuan arrived at the spot, and noticing the tree, struck a light in order to read what was written on it. His body was immediately riddled by a volley of arrows, and his whole army thrown into confusion. [The above is Tu Mu’s version of the story; the SHIH CHI, less dramatically but probably with more historical truth, makes P’ang Chuan cut his own throat with an exclamation of despair, after the rout of his army.] ] He sacrifices something, that the enemy may snatch at it. 20.  By holding out baits, he keeps him on the march; then with a body of picked men he lies in wait for him. [With an emendation suggested by Li Ching, this then reads, “He lies in wait with the main body of his troops.”] 21.  The clever combatant looks to the effect of combined energy, and does not require too much from individuals.
Sun Tzu (The Art of War)
Around me shone the kitchen I'd worked in each day: the copper pans hung neatly, the scratched wooden table and neat blue plates set in rows on the dresser. I got up to rake out the cinders and suddenly clutched at the black stone of the hearth. How long was it since as a new girl I'd first spiked a fowl and set it to roast on that fire? What great sides of beef had we roasted on the smoke-jack, while bacon dangled on hooks, and meat juices basted puddings as light as eggy clouds? Never, in all my ten years at Mawton, had I let that fire die out. Every dawn, in winter or summer, I'd riddled the dying embers and set new kindling on the top. I touched the rough stone and let my cheek press on its everlasting warmth, wishing I could take that loyal fire with me. Foolish, I know, but a fire is a cook's truest friend. It was a good fire at Mawton: blackened with hundreds of years of smoking hot dinners. I think no heathen ever worshipped fire like a cook. So I kissed the smutty hearth wall and packed instead my little tinderbox, to light new fires I knew not where.
Martine Bailey (An Appetite for Violets)
I wanted to ask you if you know the answer to a riddle." "Fire away." "Samson told it. The strong guy in the Bible? It goes like this--" "'Out of the eater came forth meat, and out of the strong came forth sweetness.' That's the one?" "Yeah, it is. How'd you know--?" "Oh, I've been around the block a time or two. Listen to this: 'Samson and a lion got in attack, And Samson climbed up on the lion's back. Well, you've read about lion killin men with their paws, But Samson put his hands round the lion's jaws! He rode that lion 'til the beast fell dead, And the bees made honey in the lion's head.' That answer to your question, friend?" "Wow! Good song! Where'd you hear it?" "Oh, Aaron knows them all. He was hanging around Bleecker Street back before Bob Dylan knew how to blow more than open G on his Hohner. At least, if you believe HIM." "It's an old spiritual. By the way, you're in check, fatso." "Not for long." "So the answer is a lion." "Wrong. Only HALF the answer. Samson's Riddle is a DOUBLE, my friend. The other half of the answer is honey. Get it?" "Yes, I think so.
Stephen King (The Waste Lands (The Dark Tower, #3))
You want to believe that your hesitation makes you good, makes you better? It doesn’t. Every single one of us is missing something. We are all too powerful, too extraordinary, and don’t you see it’s because we’re riddled with vacancies? We are empty and trying to fill, lighting ourselves on fire just to prove that we are normal— that we are ordinary. That we, like anything, can burn.” He pivoted as one hand fell to his side, exasperated. “We are medeians because we will never have enough,” Callum said hoarsely. “We aren’t normal; we are gods born with pain built in. We are incendiary beings and we are flawed, except the weaknesses we pretend to have are not our true weaknesses at all. We are not soft, we do not suffer impairment or frailty—we imitate it. We tell ourselves we have it. But our only real weakness is that we know we are bigger, stronger, as close to omnipotence as we can be, and we are hungry, we are aching for it. Other people can see their limits, Tristan, but we have none. We want to find our impossible edges, to close our fingers around constraints that don’t exist, and that—” Callum exhaled. “That is what will drive us to madness.” Tristan glanced down at his forgotten toast, suddenly depleted. Callum’s voice didn’t soften. “You don’t want to go mad? Too bad, you are already. If you leave here the madness will only follow you. You’ve already gone too far, and so have I.
Olivie Blake (The Atlas Six (The Atlas, #1))
I own thy speechless, placeless power; said I not so? Nor was it wrung from me; nor do I now drop these links. Thou canst blind; but I can then grope. Thou canst consume; but I can then be ashes. Take the homage of these poor eyes, and shutter-hands. I would not take it. The lightning flashes through my skull; mine eye-balls ache and ache; my whole beaten brain seems as beheaded, and rolling on some stunning ground. Oh, oh! Yet blindfold, yet will I talk to thee. Light though thou be, thou leapest out of darkness; but I am darkness leaping out of light, leaping out of thee! The javelins cease; open eyes; see, or not? There burn the flames! Oh, thou magnanimous! now I do glory in my genealogy. But thou art but my fiery father; my sweet mother, I know not. Oh, cruel! what hast thou done with her? There lies my puzzle; but thine is greater. Thou knowest not how came ye, hence callest thyself unbegotten; certainly knowest not thy beginning, hence callest thyself unbegun. I know that of me, which thou knowest not of thyself, oh, thou omnipotent. There is some unsuffusing thing beyond thee, thou clear spirit, to whom all thy eternity is but time, all thy creativeness mechanical. Through thee, thy flaming self, my scorched eyes do dimly see it. Oh, thou foundling fire, thou hermit immemorial, thou too hast thy incommunicable riddle, thy unparticipated grief. Here again with haughty agony, I read my sire. Leap! leap up, and lick the sky! I leap with thee; I burn with thee; would fain be welded with thee; defyingly I worship thee!
Herman Melville (Moby-Dick or, The Whale)
A bomb here and a bullet there A bomb here and a bullet there, A wall riddled with bullets everywhere, A man dead, a woman crying, A young child crying and for nobody’s sake dying, A building collapsing somewhere, Homes on fire everywhere, A soldier scanning for enemies, A civilian seeking innocence in these wary faces who too are born of fairies, A state of emergency declared in the war torn regions, It is a crisis of all sorts, for humans, for every life form, and for my once familiar flock of pigeons, Feelings of nothingness and nowhere appear to dominate, Because that is what happens to mind when you have nothing to share but only hate, A bullet to kill someone you don't even know, A bomb to destroy a home that for someone is all he/she could ever know, All gone, all lost, all turned to ash, And from the sky a plane falls, it appears to be a fateful crash, Where someone will die soon, And it will be missed by many, and ah the pain of the moon, To not find him anywhere not even in the sky, For when you crash in wars you do not die, A part of you lies on Earth and a part of you hangs somewhere in the Sky, Confusing the angel of death whether to claim the remains that lie on the Earth or the hopes that died in the Sky, Wars do not end when bullets are not fired and bombs do not fall anymore, Because those who lose their hopes to wars are in a state of war forever and its immortal pain is what their hearts cannot ignore, For a few it is just about a bomb here and a bullet there, Unable to see injured memories and dying hopes everywhere!
Javid Ahmad Tak (They Loved in 2075!)
The story of the prodigal son, one I’ve mentioned a few times in this book, is told again and again in the church as a triumphant story about a son who went astray, who degraded his father’s name, returning home to his father’s open arms and a celebration in his honor. Many Christians like to use this story to talk about those who have wandered away from the church, the ones they believe are on the outside and trying to get right with God again, the ones God welcomes back with open arms. I don’t know what it means to waste a life, if that is even possible, and I don’t know that we can step so far outside the love of Mystery that we are not seen and known even in that distance. But there is always something important about returning. There is always something about the way a community welcomes us home. Young people who are forced out of their communities by traumatic events must return home and learn what it means to be part of their people again. I think about young Black men who are wrongfully imprisoned in the United States, who return home to reintegrate into society. I think about LGBTQ+ youth who are kicked out of their homes and communities and must find new homes with strangers who welcome them in. I think of Indigenous people separated from their communities through boarding schools, who must learn what it means to know themselves when their stories are riddled with trauma. The work of returning is communal work, and we must all lead one another. When I sit down to write and tell my own story, I can feel the fire burn brighter again, and the work of returning leads me deeper into who I am and who God is.
Kaitlin B. Curtice (Native: Identity, Belonging, and Rediscovering God)
Six or seven minutes past 2 P.M. on September 11, 1973, an infiltration patrol of the San Bemardo Infantry School commanded by Captain Roberto Garrido burst into the second floor of the Chilean Presidential Palace, Santiago's Palacio de La Moneda. Charging up the main staircase and covering themselves with spurts from their FAL machine guns, the patrol advanced to the entrance of the Salon Rojo, the state reception hall. Inside, through dense smoke coming from fires elsewhere in the building and from the explosion of tear gas bombs, grenades, and shells from Sherman tank cannons, the patrol captain saw a band of civilians braced to defend themselves with submachine guns. In a reflex action, Captain Garrido loosed a short burst from his weapon. One of his three bullets struck a civilian in the stomach. A soldier in Garrido's patrol imitated his commander, wounding the same man in the abdomen. As the man writhed on the floor in agony, Garrido suddenly realized who he was: Salvador Allende. "We shit on the President!" he shouted. There was more machine-gun fire from Garrido's patrol. Allende was riddled with bullets. As he slumped back dead, a second group of civilian defenders broke into the Salon Rojo from a side door. Their gunfire drove back Garrido and his patrol, who fled down the main staircase to the safety of the first floor, which the rebel troops had occupied.
 Some of the civilians returned to the Salon Rojo to see what could be done. Among them was Dr. Enrique Paris, a psychiatrist and President Allende's personal doctor. He leaned over the body, which showed the points of impact of at least six shots in the abdomen and lower stomach region. After taking Allende's pulse, he signaled that the President was dead. Someone, out of nowhere, appeared with a Chilean flag, and Enrique Paris covered the body with it.
Robinson Rojas Sandford (The murder of Allende and the end of the Chilean way to socialism)
I do not shoot with my hand,'" Eddie said. He suddenly felt far away, strange to himself. It was the way he'd felt when he had seen first the slingshot and then the key in pieces of wood, just waiting for him to whittle them free ... and at the same time this feeling was not like that at all. Roland was looking at him oddly. "Yes, Eddie, you say true. A gunslinger shoots with his mind. What have you thought of?" "Nothing." He might have said more, but all at once a strange image-a strange memory-intervened: Roland hunkering by Jake at one of their stopping-points on the way to Lud. Both of them in front of an unlit campfire. Roland once more at his everlasting lessons. Jake's turn this time. Jake with the flint and steel, trying to quicken the fire. Spark after spark licking out and dying in the dark. And Roland had said that he was being silly. That he was just being ... well ... silly. "No," Eddie said. "He didn't say that at all. At least not to the kid, he didn't." "Eddie?" Susannah. Sounding concerned. Almost frightened. Well why don't you ask him what he said, bro? That was Henry's voice, the voice of the Great Sage and Eminent Junkie. First time in a long time. Ask him, he's practically sitting right next to you, go on and ask him what he said. Quit dancing around like a baby with a load in his diapers. Except that was a bad idea, because that wasn't the way things worked in Roland's world. In Roland's world everything was riddles, you didn't shoot with your hand but with your mind, your motherfucking mind, and what did you say to someone who wasn't getting the spark into the kindling? Move your flint in closer, of course, and that's what Roland had said: Move your flint in closer, and hold it steady. Except none of that was what this was about. It was close, yes, but close only counts in horseshoes, as Henry Dean had been wont to say before he became the Great Sage and Eminent Junkie. Eddie's memory was jinking a little because Roland had embarrassed him ... shamed him ... made a joke at his expense ... Probably not on purpose, but ... something. Something that had made him feel the way Henry always used to make him feel, of course it was, why else would Henry be here after such a long absence?
Stephen King (Wizard and Glass (The Dark Tower, #4))
Aurobindo’s orientation has yielded important new insights into the thought of the Vedic seers (rishi), who “saw” the truth. He showed a way out of the uninspiring scholarly perspective, with its insistence that the Vedic seers were “primitive” poets obsessed with natural phenomena like thunder, lightning, and rain. The one-dimensional “naturalistic” interpretations proffered by other translators missed out on the depth of the Vedic teachings. Thus Sūrya is not only the visible material Sun but also the psychological-spiritual principle of inner luminosity. Agni is not merely the physical fire that consumes the sacrificial offerings but the spiritual principle of purifying transformation. Parjanya does not only stand for rain but also the inner “irrigation” of grace. Soma is not merely the concoction the sacrificial priests poured into the fire but also (as in the later Tantric tradition) the magical inner substance that transmutes the body and the mind. The wealth prayed for in many hymns is not just material prosperity but spiritual riches. The cows mentioned over and over again in the hymns are not so much the biological animals but spiritual light. The Panis are not just human merchants but various forces of darkness. When Indra slew Vritra and released the floods, he not merely inaugurated the monsoon season but also unleashed the powers of life (or higher energies) within the psyche of the priest. For Indra also stands for the mind and Vritra for psychological restriction, or energetic blockage. Aurobindo contributed in a major way to a thorough reappraisal of the meaning of the Vedic hymns, and his work encouraged a number of scholars to follow suit, including Jeanine Miller and David Frawley.2 There is also plenty of deliberate, artificial symbolism in the hymns. In fact, the figurative language of the Rig-Veda is extraordinarily rich, as Willard Johnson has demonstrated.3 In special sacrificial symposia, the hymn composers met to share their poetic creations and stimulate each other’s creativity and comprehension of the subtle realities of life. Thus many hymns are deliberately enigmatic, and often we can only guess at the solutions to their enigmas and allegorical riddles. Heinrich Zimmer reminded us: The myths and symbols of India resist intellectualization and reduction to fixed significations. Such treatments would only sterilize them of their magic.
Georg Feuerstein (The Deeper Dimension of Yoga: Theory and Practice)
8 THE JOURNEY TO Skoda took three days, for the company traveled warily. Acuas told Decado that following the slaying of the soldiers, the Delnoch fortress commander had sent patrols throughout Skultik and the surrounding countryside, while to the south legion riders scouted the lands for rebels. Tenaka took time to speak with the leaders of the Thirty, for despite the many legends, he knew little of their order. According to the stories, the Thirty were semigods with awesome powers who chose to die in wars against evil. The last time they had appeared had been at Dros Delnoch, when the albino Serbitar had stood beside the Earl of Bronze and defied the hordes of Ulric, the greatest Nadir warlord of all time. But though Tenaka questioned the leaders, he learned little. They were courteous and polite—even distantly friendly—but their answers floated above his head like clouds beyond the grasp of common men. Decado was no different; he would merely smile and change the subject. Tenaka was not a religious man, yet he felt ill at ease among these warrior-priests and his mind constantly returned to the words of the blind seeker. “Of gold and ice and shadow …” The man had predicted that the trio would come together. And they had. He had also foreseen the danger of the Templars. On the first night of their journey Tenaka approached the elderly Abaddon, and the two walked away from the fire together. “I saw you in Skultik,” said Tenaka. “You were being attacked by a Joining.” “Yes. I apologize for the deceit.” “What was the reason for it?” “It was a test, my son. But not merely of you—of ourselves.” “I do not understand,” said Tenaka. “It is not necessary that you should. Do not fear us, Tenaka. We are here to help you in whatever way we can.” “Why?” “Because it serves the Source.” “Can you not answer me without religious riddles? You are men. What do you gain from this war?” “Nothing in this world.” “You know why I came here?” “Yes, my son. To purge your mind of guilt and grief, to drown it in Ceska’s blood.” “And now?” “Now you are caught up in forces beyond your control. Your grief is assuaged by your love for Renya, but the guilt remains. You did not obey the call—you left your friends to be butchered by the Joinings of Ceska. You ask yourself if it would have been different had you come. Could you have defeated the Joinings? You torment yourself thus.” “Could I have defeated the Joinings?” “No,
David Gemmell (The King Beyond the Gate (The Drenai Saga #2))
Desire is… " Desire is the glow of bathing lunatics. Starlight is the liquid used to power a whispering machine. Humming is the music of a forest moving in unison with your eyes. * A slip of the tongue and the hummingbird’s empty throne make the acquaintance of the word frenzy, which in turn adopts the phrase: “I am closest to you when we are furthest apart,” and together they follow the anxious doorway that leads far out of the city, where travelers always meet, alone and abandoned with only their mysteries to guide them… and when the sun bleeds out of the dampness of the earth, like pale limbs entwined and exhausted, they all pause in their own fashion to reflect not upon themselves but on the white wolves in the garden shivering like mist, in the mirror hiding your face. * The nature of movement is an image lost between the objects of an eclipse fervently scratched into the face of a sleeping woman when she approaches the liquid state of a circle, wandering aimlessly in search of lucidity and those moments of inarticulate suspicion… when the riddle is only half solved and the alphabet is still adding letters according to the human motors that have not yet arrived, as a species, scintillating in the grass, burning time. Not far from your name there is always a question mark, followed by silent paws… * It is not without the mask of the Enchanter’s dance of unreason, that joy follows the torment of seductive shapes, and sudden appearances in the whisper of long corridors. Tribal veils rising out of fingerprints on invisible entrances in the middle of the landscape, assume the form of her shoulders and the intimacy of her bones making dust, taking flight. * The axis of revolt and the nobility of a springtime stripped of its flowers, expertly balanced with a murmur of the heart on the anvil of chance. Your voice arcing between the two points of day and night, where the oracle of water spinning rapidly above, that is your city of numerology, mixes with the flux of a long voyage more stone-like and absurdly graceful then either milkweed or deadly nightshade, when it acclimatizes the elements of transparency in the host of purity. * The dream birds of a lost language are growing underground in the bed of sorcery. It is all revealed in the arms of your obsession, Arachne, (crawling to kiss) pale Ariadne, (kneeling to feed) in a pool of light that exceeds the dimensions of the loveliest crime. She turns into your evidence, gaining speed and recognition, becoming a brightness never solved, and a clarity that makes crystals. * The early morning hours share their nakedness with those who bare fruit and corset fireflies in long slender bath-like caresses. “Your serum, Sir Moor’s Head, follows the grand figures of the sea, ignites them, throws them like vessels out of fire, raising the sand upwards into oddly repetitive enchantments. Drown me in flight, daughter of wonder…
J. Karl Bogartte (Luminous Weapons)
only the dead keep secrets." "it is not easy. Taking a life, even when we knew it was required." "most people want only to be cared for. If I had no softness, I'd get nowhere at all." "a flaw of humanity. The compulsion to be unique, which is at war with the desire to belong to a single identifiable sameness." "someone always gains, just like someone always loses." "most women are less in love with the partners they choose than they are simply desperate for their approval, starving for their devotion. They want most often to be touched as no one else can touch them, and most of them inaccurately assume this requires romance. But the moment we realize we can feel fulfilled without carrying the burdens of belonging to another, that we can experience rapture without being someone's other half, and therefore beholden to their weaknesses, to their faults and failures and their many insufferable fractures, then we're free, aren't we? " " enough, for once, to feel, and nothing else. " " there was no stopping what one person could believe. " " I noticed that if I did certain things, said things in certain way, or held her eye contact while I did them, I could make her... Soften toward me. " " I think I've already decided what I'm going to do, and I just hope it's the right thing. But it isn't, or maybe it is. But I suppose it doesn't matter, because I've already started, and looking back won't help. " " luck is a matter of probabilities. " "you want to believe that your hesitation makes you good, make you feel better? It doesn't. Every single one of us is missing something. We are all too powerful, too extraordinary, and don't you see it's because we're riddled with vacancies? We are empty and trying to fill, lighting ourselves on fire just to prove that we are normal, that we are ordinary. That we, like anything, can burn. " " ask yourself where power comes from, if you can't see the source, don't trust it. " " an assassin acting on his own internal compass. Whether he lived or died as a result of his own choice? Unimportant. He didn't raise an army didn't fight for good, didn't interfere much with the queen's other evils. It was whether or not he could live with his own decision because life was the only thing that truly matters. " " the truest truth : mortal lifetimes were short, inconsequential. Convictions were death sentences. Money couldn't buy happiness, but nothing could buy happiness, so at least money could buy everything else. In term of finding satisfaction, all a person was capable of controlling was himself. " " humans were mostly sensible animals. They knew the dangers of erratic behavior. It was a chronic condition, survival. My intention is as same as others. Stand taller, think smarter, be better. " " she couldn't remember what version of her had put herself into that relationship, into that life, or somehow into this shape, which still looked and felt as it always had but wasn't anymore. " " conservative of energy meant that there must be dozens of people in the world who didn't exist because of she did. " " what replace feelings when there were none to be had? " " the absence of something was never as effective as the present of something. " "To be suspended in nothing, he said, was to lack all motivation, all desire. It was not numbness which was pleasurable in fits, but functional paralysis. Neither to want to live nor to die, but to never exist. Impossible to fight." "apology accepted. Forgiveness, however, declined." "there cannot be success without failure. No luck without unluck." "no life without death?" "Everything collapse, you will, too. You will, soon.
Olivie Blake (The Atlas Six (The Atlas, #1))
No mountain of doom, Just foothills of Ferninand. Towers of fire and glory as far as one can see.
Megan Frazer Blakemore (The Friendship Riddle)
Dreams and prophecies. Why must they always be in riddles? I hate this.
George R.R. Martin (A Song of Ice and Fire, 5-Book Boxed Set: A Game of Thrones, A Clash of Kings, A Storm of Swords, A Feast for Crows, A Dance with Dragons (Song of Ice & Fire 1-5))
means of knowing. I am certain of this, for I have witnessed it myself. When I swung myself into the fire as a young man, I saw that the storehouses of the human mind are rarely ever fully opened. When we open them, nothing remains unrevealed. When we cease all argument and debate—both internal and external—our true questions can be heard and answered. That is the powerful mover. That is the book of nature, written neither in Greek nor in Latin. That is the gathering of magic, and it is a gathering that, I have always believed and wished, can be shared.” “You speak in riddles,” Alma said. “And you speak too much,” Ambrose replied.
Elizabeth Gilbert (The Signature of All Things)
The fact that the four strictest Commandments were not included would create public uproar. The potential moral shift that resulted would fall squarely on Thomas’s shoulders. As would any economic deterioration or escalation of tension in the Middle East. Yet he would become rich and famous. And any shadow that hung over his career as a result of the firing would be gone. The dilemma was simple. Should he place personal comfort and professional success first and risk unknown economic and religious stability? Or let the world rest, and sacrifice his financial and professional future?
Hunt Kingsbury (The Moses Riddle (Thomas McAllister 'Treasure Hunter' Adventure Book 1))
Time and wave, sun and wind, night and fire, moons and stone. We walk through the world only once. Only one life is given by the Nameless. It is a gift, a burden, a challenge, a duty to not waste it. To serve the Highest. To the end of our road, with our Honor intact.
G. Derek Adams (The Riddle Box)
The merchants of racial despair easily peddle their wares in a marketplace riddled by white panic and fear. Black despair piles up with each body that gets snuffed on video and streamed on social media. We have, in the span of a few years, elected the nation’s first black president and placed in the Oval Office the scariest racial demagogue in a generation. The two may not be unrelated. The remarkable progress we seemed to make with the former has brought out the peril of the latter. What, then, can we do? We must return to the moral and spiritual foundations of our country and grapple with the consequences of our original sin. To do that we need not share the same religion, worship the same God, or, truly, even be believers at all. For better and worse, our national moral landscape has been shaped by the dynamics of a Christianity that has from the start been deeply intertwined with religious mythology and cultural symbolism. The Founding Fathers did not for the most part believe what evangelical Christians believe now. Most believers today certainly do not share Thomas Jefferson’s view of the Bible. In his redacted version of the New Testament, Jefferson purged the miracles, Jesus’ divinity, and the Resurrection. But all of us, from agreeable agnostics to fire-and-brimstone Protestants, from devout Catholics to observant Jews, from devoted Muslims to those who claim no god at all, share a language of moral repair.
Michael Eric Dyson (Tears We Cannot Stop: A Sermon to White America)
The villagers of Little Hangleton still called it “the Riddle House,” even though it had been many years since the Riddle family had lived there. It stood on a hill overlooking the village,
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
The police were summoned, and the whole of Little Hangleton had seethed with shocked curiosity and ill-disguised excitement. Nobody wasted their breath pretending to feel very sad about the Riddles,
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
Some relationships have to end ugly. It's not the way we want it to be, but sometimes it's the way it has to be. Sometimes there is no possibility of a kind farewell. There is too much water under the bridge, or one or both parties are incapable of resolution, or it's just one of those woundmate connections that is riddled with unfriendly fire. Whatever it is, don't beat yourself up if an ending gets ugly. Don't pile more suffering onto the open wound. Difficult endings are part of life. They just are. Instead, focus your energies on learning what you need to learn so you can manifest something healthier the next time. Our lives don't improve when we expect perfection. They improve when we graduate from the School of Heart Knocks, one lesson after another... after another.
Unknown Author 993
Beauty is a terrible and awful thing! It is terrible because it has not been fathomed and never can be fathomed, for God sets us nothing but riddles. Here the boundaries meet and all contradictions exist side by side. I am a cultivated man, brother, but I’ve thought a lot about this. It’s terrible what mysteries there are! Too many riddles weigh men down on earth. We must solve them as we can, and try to keep a dry skin in the water. Beauty! I can’t endure the thought that a man of lofty mind and heart begins with the ideal of the Madonna and ends with the ideal of Sodom. What’s still more awful is that a man with the ideal of Sodom in his soul does not renounce the ideal of the Madonna, and his heart may be on fire with that ideal, genuinely on fire, just as in his days of youth and innocence. Yes, man is broad, too broad, indeed. I’d have him narrower. The devil only knows what to make of it! What to the mind is shameful is beauty and nothing else to the heart. Is there beauty in Sodom? Believe me, that for the immense mass of mankind beauty is found in Sodom. Did you know that secret? The awful thing is that beauty is mysterious as well as terrible. God and the devil are fighting there and the battlefield is the heart of man. But a man always talks of his own ache.
Fyodor Dostoevsky
Riddle House was now damp, derelict, and unoccupied.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
But it was not until she started on Dimensions in Mathematics that a whole new world opened to her. Mathematics was actually a logical puzzle with endless variations—riddles that could be solved. The trick was not to solve arithmetical problems. Five times five would always be twenty-five. The trick was to understand combinations of the various rules that made it possible to solve any mathematical problem whatsoever.
Stieg Larsson (The Girl Who Played with Fire (Millennium, #2))
In fact (the report continued, in a tone of unmistakable bewilderment), the Riddles all appeared to be in perfect health — apart from the fact that they were all dead.
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
I am full up of fire and riddled with words like arrows, and no pleasing
Olivia Waite (The Care and Feeding of Waspish Widows (Feminine Pursuits, #2))
Do you know why fire trucks are red? Jerry: No why? Cynthia:  Fire trucks have 4 wheels. They can hold.8 men. 4 plus 8 Is 12. There are 12 inches in a ruler. Queen Elizabeth was a ruler. There was a ship called the Queen. Cynthia: Elizabeth. That ship sailed the seas. There are fish in the seas. Fish have fins: People from Finland are called fins. Finland and Russia had a war a long time. Cynthia: Ago. Russia has red on its flag. That’s why there red, cause there always Russian around. Jerry: Lol that just made my day.
John Riddle (Text Fails: Super Funny Mishaps on Smartphones and Funny Jokes)
Some relationships have to end ugly. It's not the way we want it to be, but sometimes it's the way it has to be. Sometimes there is no possibility of a kind farewell. There is too much water under the bridge, or one or both parties are incapable of resolution, or it's just one of those woundmate connections that is riddled with unfriendly fire. Whatever it is, don't beat yourself up if an ending gets ugly. Don't pile more suffering onto the open wound. Difficult endings are part of life. They just are. Instead, focus your energies on learning what you need to learn so you can manifest something healthier the next time. Our lives don't improve when we expect perfection. They improve when we graduate from the School of Heart Knocks, one lesson after another... after another.
Open University
Indians walk softly and hurt the landscape hardly more than the birds and squirrels, and their brush and bark huts last hardly longer than those of wood rats, while their more enduring monuments, excepting those wrought on the forests by the fires they made to improve their hunting grounds, vanish in a few centuries. How different are most of those of the white man, especially on the lower gold region—roads blasted in the solid rock, wild streams dammed and tamed and turned out of their channels and led along the sides of cañons and valleys to work in mines like slaves. Crossing from ridge to ridge, high in the air, on long straddling trestles as if flowing on stilts, or down and up across valleys and hills, imprisoned in iron pipes to strike and wash away hills and miles of the skin of the mountain's face, riddling, stripping every gold gully and flat. These are the white man's marks made in a few feverish years, to say nothing of mills, fields, villages, scattered hundreds of miles along the flank of the Range. Long will it be ere these marks are effaced, though Nature is doing what she
John Muir (John Muir Ultimate Collection: Travel Memoirs, Wilderness Essays, Environmental Studies & Letters (Illustrated): Picturesque California, The Treasures ... Redwoods, The Cruise of the Corwin and more)
defeat a superior enemy without ever firing a shot—and keeping everyone alive—there’s a simple way: erase everyone’s memories. An army can’t fight if they can’t remember what they’re fighting for.
A.G. Riddle (The Extinction Trials)
The way sadness works is one of the strange riddles of the world. If you are stricken with a great sadness, you may feel as if you have been set aflame, not only because of the enormous pain, but also because your sadness may spread over your life, like smoke from an enormous fire. You might find it difficult to see anything but your own sadness, the way smoke can cover a landscape so that all anyone can see is black. You may find that happy things are tainted with sadness, the way smoke leaves its ashen colors and scents on everything it touches. And you may find that if someone pours water all over you, you are damp and distracted, but not cured of your sadness, the way a fire department can douse a fire but never recover what has been burnt down.
Lemony Snicket (The Grim Grotto (A Series of Unfortunate Events, #11))
Alfred is a good man,” Hild chided me. “He is,” I answered, “but do you ever look forward to his company? Do you brew special ale for him? Do you remember a joke to tell him? Does anyone ever sit by a fire and try him with riddles? Do we sing with him? All he ever does is worry about what his god wants, and he makes rules to please his god, and if you do something for him it’s never enough because his wretched god just wants more.
Bernard Cornwell (Lords of the North (The Saxon Stories, #3))
And then the shock she helped give the world: Absolom. It wasn’t the announcement of Absolom that changed the world. It was when they saw its power. That day was a Saturday in November. Adeline thought the government had selected a weekend for the first departure for several reasons. The most important was so that the world could watch. They told the press it was so the victims’ families could be present to witness the sentence carried out. That morning, those families stood in the viewing booth, mothers and fathers and their children—at least, the children the man in the Absolom chamber hadn’t taken from them. He stared at his victims’ families with hate-filled eyes. That fire vanished as the machine began to vibrate. Fear took its place. He opened his mouth and screamed, but no one could hear it. A flash filled the chamber, and he was gone. So was the world before. Overnight, crime rates plummeted. Adeline had always heard the saying that the devil you know is better than the one you don’t. That’s what Absolom was to the world: a new devil. Prison was a known. So was the death penalty. They were the devils the world knew. Conceptually, the world knew what Absolom was: a box that sent a person to the past, in an alternate universe. What they didn’t know was what truly happened there. Exile was certain. A lonely death was certain. But how? An exotic disease? Starvation? Being torn apart by an animal? In the absence of certainty, a mind tends to imagine the worst. That’s what Absolom became to the world. The phrase “A fate worse than Absolom” quickly supplanted its predecessor: “A fate worse than death.” Before the first departure, the Absolom machine had been an idea. In those small moments as it hummed to life, the world saw something else: a person who was pure evil, with hate in his heart, instantly hollowed out, gutted, cowering with fear, and then, gone. In an instant, they saw evil wiped from existence.
A.G. Riddle (Lost in Time)
How can you make a fire with only one stick?
M. Prefontaine (Difficult Riddles For Smart Kids: 300 Difficult Riddles And Brain Teasers Families Will Love (Thinking Books for Kids Book 1))
A fire starts with a spark. A spark gives rise to a flame, a flame becomes a blaze, a blaze an inferno, and finally a wildfire that cannot be stopped. That’s what bad thoughts do to our minds. They begin as a spark—a tiny thought that grows. If that thought gets enough oxygen, it can lead a person to ruin.
A.G. Riddle (The Extinction Trials)
Do you really think you can get him to switch to guarding the border between Tarva and Fisa without making you go through a whole new challenge?” I ask. Lycheron will only bargain male Alpha to male Alpha. The first challenge involved riddles, forfeits, and Artemis—all of which I could do without. “I can try.” Griffin’s gray eyes glitter from beneath his dark lashes as he turns to me, the mix of humor and determination in them making my breath catch. Man. Warlord. Husband. King. I love every part of him. “I’m going to stitch that onto a banner for you,” I tell him. “I’ll turn it into your official motto.” The corners of his mouth kick up, and his expression brightens with surprise. “You can sew?” “Nope.” I grin. “But I can try.
Amanda Bouchet (Heart on Fire (Kingmaker Chronicles, #3))
throwing stones through the windows of the Riddle House. They
J.K. Rowling (Harry Potter and the Goblet of Fire (Harry Potter, #4))
The following year, on June 20, 1947, not suspecting what was about to happen, Bugsy Siegel was sitting on a couch in the living room of Virginia Hill’s home at 810 Linden Drive in Beverly Hills. As he was reading a newspaper, an assassin fired a number of shots, from a rifle, through the front window. Siegel was shot twice in the head, with one bullet exiting his skull near the bridge of his nose, causing his left eye to be blown out of its socket. He was also hit twice in the torso. His death was instantaneous and the graphic photos of his bullet-riddled body made headline news. Although there were enough suspects to go around, Eddie Cannizzaro, the “Cat Man,” a connected west coast mobster, made a deathbed confession that he was the one who carried out the contract. Although the case isn’t closed, it is cold and will most likely remain so, as it rests on the desk of Detective Les Zoeller of the Los Angeles Police Department.
Hank Bracker
And when the fair Louisa takes you into disfavor, Kesmore, do you go charging forth into the bedroom, saber at the ready, risking all, only to have her freeze you with a look or a word?” Kesmore pretended to fuss the pillow under his arse rather than smile openly at Deene’s misery. “It might surprise you to know, young Deene, that the fair Louisa, particularly on those rare and mistaken occasions when she has taken me into disfavor, generally wants me to come charging in with my saber at the ready. She is not a woman who finds a propensity for pretty talk a winning quality in her swain, and I am not a swain to disappoint my lady.” “If I do ask Evie what she wants of me,” Deene said, glowering at the fire, “she will say, if I have to ask her, then I don’t understand what the problem is, or some such rot. Women speak in riddles when you most need them to be clear and direct.” “Why do you need to be anything? Many a considerate husband goes for a week without pestering his wife, Deene. The ladies become indisposed, they get preoccupied, they… need their rest.” Deene blinked. “I’m thinking of entering William in the June meet at Epsom.” “Ah. A show of preoccupation. Brilliant strategy, one heartily endorsed by the most proud and unsatisfied husbands the world over. Why don’t you instead find a cozy, private moment between the sheets and ask your wife not about lawsuits or scandals, but if she’d like you to make love to her? Tell her you miss her more than you’d miss the beating heart torn from your chest, and nothing would bring you as much gratification as seeing to her pleasure.” “What if she says no?” “I didn’t say you should necessarily ask her with words—or expect her to see to your pleasure while you’re about it.” Deene’s brows shot up. He was off the couch in the next moment and heading for the door. “Thanks for the libation. My regards to Lady Louisa.” ***
Grace Burrowes (Lady Eve's Indiscretion (The Duke's Daughters, #4; Windham, #7))
Barely across the Ourcq, Donovan’s battalion began taking fire from three sides. One bullet grazed Wild Bill’s thigh; another tore off the heel of his boot. A shell fragment would surely have killed him had it not struck the respirator of his gas mask. Donovan’s adjutant, Lieutenant Oliver Ames, ran forward and flung himself down alongside the major, joined by a mess cook, John Kayes. A sniper’s bullet whizzed past Donovan and struck Ames in the head, killing him instantly. Kayes was fatally riddled by machine-gun fire. Donovan reached out toward the men and was shot through the hand. Two days later, still deployed along the Ourcq, Donovan, with Kilmer at his side, crept to the northern edge of a wood for a better view of the enemy’s position. Suddenly he realized that Kilmer was not with him. He retraced his steps and found the sergeant sprawled on the ground, a bullet through his brain.
Joseph E. Persico (Eleventh Month, Eleventh Day, Eleventh Hour: Armistice Day, 1918)
Smoke from the fires rose into the sky, forming black clouds that hung over the camp and the mood of everyone within.
A.G. Riddle (Pandemic (The Extinction Files, #1))
They were all of timber. He saw vividly a sheet of fire spreading across the entire city, burning crops and orchards, billowing along the
Patricia A. McKillip (Riddle-Master (Riddle-Master, #1-3))
more luck putting out a forest fire with a wet wipe.
Bryan Chick (Riddles and Danger (The Secret Zoo, #3))