“
Good Morning!" said Bilbo, and he meant it. The sun was shining, and the grass was very green. But Gandalf looked at him from under long bushy eyebrows that stuck out further than the brim of his shady hat.
"What do you mean?" he said. "Do you wish me a good morning, or mean that it is a good morning whether I want it or not; or that you feel good this morning; or that it is a morning to be good on?"
"All of them at once," said Bilbo. "And a very fine morning for a pipe of tobacco out of doors, into the bargain.
...
"Good morning!" he said at last. "We don't want any adventures here, thank you! You might try over The Hill or across The Water." By this he meant that the conversation was at an end.
"What a lot of things you do use Good morning for!" said Gandalf. "Now you mean that you want to get rid of me, and that it won't be good till I move off.
”
”
J.R.R. Tolkien (The Hobbit, or There and Back Again (The Lord of the Rings, #0))
“
Kitten..." "Don't Kitten me." I scowled, on a roll now. "You left around five or so and didn't get back till when? Past two in the morning? What were you guys doing? And get that stupid smile off your face. This isn't funny." Daemon tried to get rid of the smile but failed. "I love when your claws come out.
”
”
Jennifer L. Armentrout (Opal (Lux, #3))
“
Jane's stories are too sensible. Then Diana puts too much murders into hers. She says most of the time she doesn't know what to do with the people so she kills them off to get rid of them."
-Anne Shirley
”
”
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
“
We won't be seeing you,' Fred told Professor Umbridge, swinging his leg over his broomstick.
'Yeah, don't bother to keep in touch,' said George, mounting his own.
Fred looked around at the assembled students, and at the silent, watchful crowd. 'If anyone fancies buying a Portable Swamp, as demonstrated upstairs, come to number ninety-three, Diagon Alley — Weasleys' Wizard Wheezes,' he said in a loud voice, 'Our new premises!'
'Special discounts to Hogwarts students who swear they're going to use our products to get rid of this old bat,' added George, pointing at Professor Umbridge.
'STOP THEM!' shrieked Umbridge, but it was too late. As the Inquisitorial Squad closed in, Fred and George kicked off from the floor, shooting fifteen feet into the air, the iron peg swinging dangerously below. Fred looked across the hall at the poltergeist bobbing on his level above the crowd.
'Give her hell from us, Peeves.'
And Peeves, who Harry had never seen take an order from a student before, swept his belled hat from his head and sprang to a salute as Fred and George wheeled about to tumultuous applause from the students below and sped out of the open front doors into the glorious sunset.
”
”
J.K. Rowling (Harry Potter and the Order of the Phoenix (Harry Potter, #5))
“
Our parents can show us a lot of things: they can show us how we are to be and what things we ought to strive for, or they can show us how not to be and what things we ought to stray from, then you may have the kind of parents that show you all the things about you that you want to get rid of and you realize those traits aren't yours at all but are merely your parents' marks that have rubbed off onto you.
”
”
C. JoyBell C.
“
Most people, the minute they meet you, were sizing you up for some competition for resources. It was as if everyone lived in fear of a shipwreck, where only so many people would fit on the lifeboat, and they were constantly trying to stake out their property and identify dispensable people – people they could get rid of.... Everyone is trying to reassure themselves: I'm not going to get kicked off the boat, they are. They're always separating people into two groups, allies and dispensable people... The number of people who want to understand what you're like instead of trying to figure out whether you get to stay on the boat - it's really limited.
”
”
Elif Batuman (The Idiot)
“
Closing The Cycle
One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished.
Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden?
You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill.
None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back.
Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place.
Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else.
Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important.
Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
”
”
Paulo Coelho
“
No front porches. My uncle says there used to be front porches. And people sat there sometimes at night, talking when they wanted to talk, rocking, and not talking when they didn't want to talk. Sometimes they just sat there and thought about things, turned things over. My uncle says the architects got rid of the front porches because they didn't look well. But my uncle says that was merely rationalizing it; the real reason, hidden underneath, might be they didn't want people sitting like that, doing nothing, rocking, talking; that was the wrong KIND of social life. People talked too much. And they had time to think. So they ran off with the porches.
”
”
Ray Bradbury (Fahrenheit 451)
“
An admirable line of Pablo Neruda’s, “My creatures are born of a long denial,” seems to me the best definition of writing as a kind of exorcism, casting off invading creatures by projecting them into universal existence, keeping them on the other side of the bridge… It may be exaggerating to say that all completely successful short stories, especially fantastic stories, are products of neurosis, nightmares or hallucination neutralized through objectification and translated to a medium outside the neurotic terrain. This polarization can be found in any memorable short story, as if the author, wanting to rid himself of his creature as soon and as absolutely as possible, exorcises it the only way he can: by writing it.
”
”
Julio Cortázar (Around the Day in Eighty Worlds)
“
In the county, there’s nothing more dangerous than a woman who speaks her mind. That’s what happened to Eve, you know, why we were cast out from heaven. We’re dangerous creatures. Full of devil charms. If given the opportunity, we will use our magic to lure men to sin, to evil, to destruction.” My eyes are getting heavy, too heavy to roll in a dramatic fashion. “That’s why they send us here.”
“To rid yourself of your magic,” he says.
“No,” I whisper as I drift off to sleep. “To break us.
”
”
Kim Liggett (The Grace Year)
“
He turned the haggered, haunted face on her and said, "I want you to stop it."
"Whatever you're doing....to try to make me like Pilar, it has to stop. Because it's not fair to her. She's upset right now because I'm acting crazy. But I don't want to be with her. It's you I love. And if you want to get rid of me, then tell me, but don't try to foist me off on somebody else.
”
”
L.J. Smith (Spellbinder (Night World, #3))
“
If we have never had the experience of taking our commonplace religious shoes off our commonplace religious feet, and getting rid of all the undue familiarity with which we approach God, it is questionable whether we have ever stood in his presence.
”
”
Oswald Chambers (My Utmost for His Highest: Selections for Everyday)
“
If people wrote their reviews on paper and put them into a real, physical library, I am sure that the Goodreads administrators would be very reluctant to pull them down from shelves and burn them. When you can get rid of a piece of writing just by clicking on a few links, there’s a temptation to believe that it’s less serious. But it isn’t. It’s just less clear what you’ve done.
”
”
G.R. Reader (Off-Topic: The Story of an Internet Revolt)
“
Hope is such a terrible thing. It’s like a bad habit you can’t shake off, a stray dog that keeps showing up outside your door for scraps, even when you have nothing left to give. Every time you think you’re rid of it at last, it manages to sneak its way back in. Take
over.
”
”
Ann Liang (This Time It's Real)
“
Then Diana puts too many murders into [her stories]. She says most of the time she doesn’t know what to do with the people so she kills them off to get rid of them.
”
”
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
“
Cut off the dead wood before it kills the tree.' If you have friends who backstab you, get rid of them now before they hurt you.
”
”
Scott Monk (Boyz 'R' Us)
“
Didn't you," he asked, "have me
exorcised?"
"Me?" My own voice rocketed up about ten octaves. "Me? Jesse, of course not. I would never do that. I mean, you know I would never do something like that. That kid Jack did it. Your girlfriend Maria made him do it. She was trying to get rid of you. She told Jack you were bothering me, and he didn't know any better, so he exorcised you, and then Felix Diego threw me off the porch roof, and Jesse, they found your body, I mean your bones, and I saw them and I threw up all over the side of the house, and Spike really misses you and I was just thinking, you know, if you wanted to come back, you could, because that's why I've got this rope, so we can find our way back.
”
”
Meg Cabot (Darkest Hour (The Mediator, #4))
“
Where's your car? Miles asks, glancing at him as he slams his door shut and slings his backpack over his shoulder. "And whats up with your hand?"
"I got rid of it," Damen says, gaze fixed on mine. Then glancing at Miles and seeing his expression he adds, "The car, not the hand."
"Did you trade it in?" I ask, but only because Miles is listening. [...]
He shakes his head and walks me to the gate, smiling as he says, "No, I just dropped off on the side of the road, key in the ignition, engine running."
"Excuse me?!" Miles yelps. "You mean to tell me that you left your shiny, black, BMW M6 Coupe—by the side of the road?"
Damen nods.
But thats a hundred-thousand-dollar car!" Miles gasps as his face turns bright red.
"A hundreds and ten." Damen laughs. "Don't forget, it was fully customized and loaded with options."
Miles stares at him, eyes practically bugging out of his head, unable to comprehend how anyone could do such a thing—why anyone would do such a thing. "Um, okay, so let me get this straight—you just woke up and decided—Hey, what the hell? I think I'll just dump my ridiculously expensive luxury car by the side of the road—WHERE JUST ANYONE CAN TAKE IT?"
Damen shrugs. "Pretty much."
"Because in case you haven't noticed," Miles says, practically hyperventilating now. "Some of us are a little car deprived. Some of us were born with parents so cruel and unusual they're forced to rely on the kindness of friends for the rest of their lives!"
"Sorry." Damen shrugs. "Guess I hadn't thought about that. Though if it makes you feel any better, it was all for a very good cause.
”
”
Alyson Noel (Shadowland (The Immortals, #3))
“
When the leeches have sucked enough blood, one simply has to sprinkle some salt on their backs and they fall off – But you, my friend, how can I get rid of you?
Your despairing cousin
”
”
Heinrich Heine
“
I must be losing patience with my fellow humans," Miss Beryl went on. "Anymore I'm all for executing people who are mean to children. I used to favor just cutting off their feet. Now I want to rid the world of them completely. If this keeps up I'll be voting Republican soon.
”
”
Richard Russo (Nobody's Fool (Sully #1))
“
The good news is that I believe every woman who wants to can find a great partner. You're just going to need to get rid of the idea that marriage will make you happy. It won't. Once the initial high wears off, you'll just be you, except with twice as much laundry.
Because ultimately, marriage is not about getting something -- it's about giving it. Strangely, men understand this more than we do. Probably because for them marriage involves sacrificing their most treasured possession -- a free-agent penis -- and for us, it's the culmination of a princess fantasy so universal, it built Disneyland.
”
”
Tracy McMillan
“
Let’s face it - English is a crazy language. There is no egg in eggplant nor ham in hamburger; neither apple nor pine in pineapple. English muffins weren’t invented in England or French fries in France. Sweetmeats are candies while sweetbreads, which aren’t sweet, are meat. We take English for granted. But if we explore its paradoxes, we find that quicksand can work slowly, boxing rings are square and a guinea pig is neither from Guinea nor is it a pig.
And why is it that writers write but fingers don’t fing, grocers don’t groce and hammers don’t ham? If the plural of tooth is teeth, why isn’t the plural of booth beeth? One goose, 2 geese. So one moose, 2 meese? One index, 2 indices? Doesn’t it seem crazy that you can make amends but not one amend? If you have a bunch of odds and ends and get rid of all but one of them, what do you call it?
If teachers taught, why didn’t preachers praught? If a vegetarian eats vegetables, what does a humanitarian eat? In what language do people recite at a play and play at a recital? Ship by truck and send cargo by ship? Have noses that run and feet that smell? How can a slim chance and a fat chance be the same, while a wise man and a wise guy are opposites?
You have to marvel at the unique lunacy of a language in which your house can burn up as it burns down, in which you fill in a form by filling it out and in which an alarm goes off by going on. English was invented by people, not computers, and it reflects the creativity of the human race (which, of course, isn’t a race at all). That is why, when the stars are out, they are visible, but when the lights are out, they are invisible.
And finally, why doesn't "buick" rhyme with "quick"?
”
”
Richard Lederer
“
For some crime committed by my ancestors in the dark and forgotten days, I came into the world already tarred and feathered. With shyness. It hurts terribly -- every bit as much as hot tar choking every pore -- and I wish I could be rid of it. But it hurts a lot less than having someone try and peel the shyness off. That's like being flayed alive.
”
”
Geraldine McCaughrean (The White Darkness)
“
I am married to a prince who will one day be a king. Usually this is where the fairy tale ends. Stories don't go much further than this moment, and I fear there's a good reason for it. A sense of dread hung over today, a black cloud I still can't get rid of. It is an unease deep in the heart of me, feeding off my strength.
”
”
Victoria Aveyard (Cruel Crown (Red Queen, #0.1-0.2))
“
Thank you, Glenna, that means a . . .” Arrov says, and his voice trails off when he notices that the twins are busy combing the long fur on his forearms. “What are you two doing?!”
“Just because you are a big blue giant,” Isa says, focused on her undertaking, “doesn’t mean you can stop taking care of your appearance.”
“This will help get rid of those horrible knots,” Bella adds, still administering the beauty regimen.
”
”
S.G. Blaise (True Teryn (The Last Lumenian, #2))
“
Live or die, but don't poison everything...
Well, death's been here
for a long time --
it has a hell of a lot
to do with hell
and suspicion of the eye
and the religious objects
and how I mourned them
when they were made obscene
by my dwarf-heart's doodle.
The chief ingredient
is mutilation.
And mud, day after day,
mud like a ritual,
and the baby on the platter,
cooked but still human,
cooked also with little maggots,
sewn onto it maybe by somebody's mother,
the damn bitch!
Even so,
I kept right on going on,
a sort of human statement,
lugging myself as if
I were a sawed-off body
in the trunk, the steamer trunk.
This became perjury of the soul.
It became an outright lie
and even though I dressed the body
it was still naked, still killed.
It was caught
in the first place at birth,
like a fish.
But I play it, dressed it up,
dressed it up like somebody's doll.
Is life something you play?
And all the time wanting to get rid of it?
And further, everyone yelling at you
to shut up. And no wonder!
People don't like to be told
that you're sick
and then be forced
to watch
you
come
down with the hammer.
Today life opened inside me like an egg
and there inside
after considerable digging
I found the answer.
What a bargain!
There was the sun,
her yolk moving feverishly,
tumbling her prize --
and you realize she does this daily!
I'd known she was a purifier
but I hadn't thought
she was solid,
hadn't known she was an answer.
God! It's a dream,
lovers sprouting in the yard
like celery stalks
and better,
a husband straight as a redwood,
two daughters, two sea urchings,
picking roses off my hackles.
If I'm on fire they dance around it
and cook marshmallows.
And if I'm ice
they simply skate on me
in little ballet costumes.
Here,
all along,
thinking I was a killer,
anointing myself daily
with my little poisons.
But no.
I'm an empress.
I wear an apron.
My typewriter writes.
It didn't break the way it warned.
Even crazy, I'm as nice
as a chocolate bar.
Even with the witches' gymnastics
they trust my incalculable city,
my corruptible bed.
O dearest three,
I make a soft reply.
The witch comes on
and you paint her pink.
I come with kisses in my hood
and the sun, the smart one,
rolling in my arms.
So I say Live
and turn my shadow three times round
to feed our puppies as they come,
the eight Dalmatians we didn't drown,
despite the warnings: The abort! The destroy!
Despite the pails of water that waited,
to drown them, to pull them down like stones,
they came, each one headfirst, blowing bubbles the color of cataract-blue
and fumbling for the tiny tits.
Just last week, eight Dalmatians,
3/4 of a lb., lined up like cord wood
each
like a
birch tree.
I promise to love more if they come,
because in spite of cruelty
and the stuffed railroad cars for the ovens,
I am not what I expected. Not an Eichmann.
The poison just didn't take.
So I won't hang around in my hospital shift,
repeating The Black Mass and all of it.
I say Live, Live because of the sun,
the dream, the excitable gift.
”
”
Anne Sexton (The Complete Poems)
“
One who is content with what he has, and who accepts the fact that he inevitably misses very much in life, is far better off than one who has much more but who worries about all he may be missing . . . the relative perfection which we must attain to in this life if we are to live as sons of God is not the twenty-four-hour-a-day production of perfect acts of virtue, but a life from which practically all the obstacles to God's love have been removed or overcome. One of the chief obstacles to this perfection of selfless charity is the selfish anxiety to get the most out of everything, to be a brilliant success in our own eyes and in the eyes of other men. We can only get rid of this anxiety by being content to miss something in almost everything we do. We cannot master everything, taste everything, understand everything, drain every experience to its last dregs. But if we have the courage to let almost everything else go, we will probably be able to retain the one thing necessary for us— whatever it may be. If we are too eager to have everything, we will almost certainly miss even the one thing we need. Happiness consists in finding out precisely what the "one thing necessary" may be, in our lives, and in gladly relinquishing all the rest. For then, by a divine paradox, we find that everything else is given us together with the one thing we needed.
”
”
Thomas Merton (No Man Is an Island)
“
I dragged myself to my feet, and with my hellhound in tow started off once more through the fastness of the wood, feeling, as the poet did before me, that my companion would be with me through the nights and through the days and down the arches of the years, and I should never be rid of him.
”
”
Daphne du Maurier (The Scapegoat)
“
I, also, decided to get rid of the need of approval. That is a strong addiction, the need of approval, isn't it? That---I'm on the patch right now, actually. It releases small doses of approval until I no longer crave it. And, I'm going to rip it off!
”
”
Ellen DeGeneres
“
Amelia stopped before him, her skirts crowded between his parted knees. The clean, salty, evergreen scent of him drifted to her nostrils. “I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.” “What problem?” Cam played lightly with the folds of her skirts, watching her face alertly. “Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in."
"Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one.
“Hummingbird,” he whispered, “you don’t have to be nervous with me.”
Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”—she paused with a quick, abashed smile—“whatever that is.”
“My bride. My wife.” Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base.
“When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him . . . I knew what I would think at the very last moment of my life.” His thumb smoothed over the tender surface of her knuckle.
“Yes, love?”
"I would think,” she continued,” ‘Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
We can never get rid of mouse-ideas completely, they keep turning up again and again, and nibble, nibble--no matter how often we drive them off. The best way to keep them down is to have a few good strong cat-ideas which will embrace them and ensure their not reappearing till they do so in another shape.
”
”
Samuel Butler
“
It was a tale well known to children all over Africa: Abu Kassem, a miserly Baghdad merchant, had held on to his battered, much repaired pair of slippers even though they were objects of derision. At last, even he couldn't stomach the sight of them. But his every attempt to get rid of his slippers ended in disaster: when he tossed them out of his window they landed on the head of a pregnant woman who miscarried, and Abu Kassem was thrown in jail; when he dropped them in the canal, the slippers choked off the main drain and caused flooding, and off Abu Kassem went to jail...
'One night when Tawfiq finished, another prisoner, a quiet dignified old man, said, 'Abu Kassem might as well build a special room for his slippers. Why try to lose them? He'll never escape.' The old man laughed, and he seemed happy when he said that. That night the old man died in his sleep.
We all saw it the same way. the old man was right. The slippers in the story mean that everything you see and do and touch, every seed you sow, or don't sow, becomes part of your destiny...
In order to start to get rid of your slippers, you have to admit they are yours, and if you do, then they will get rid of themselves.
Ghosh sighed. 'I hope one day you see this as clearly as I did in Kerchele. The key to your happiness is to own your slippers, own who you are, own how you look, own your family, own the talents you have, and own the ones you don't. If you keep saying your slippers aren't yours, then you'll die searching, you'll die bitter, always feeling you were promised more. Not only our actions, but also our omissions, become our destiny.
”
”
Abraham Verghese (Cutting for Stone)
“
To transform inequality in the outside world, we have to start inside the home. We have to get rid of the old idea that what happens to men is political, and therefore subject to change, but what happens to women is cultural, and therefore can’t, or shouldn’t, be changed.
”
”
Gloria Steinem (The Truth Will Set You Free, But First It Will Piss You Off!: Thoughts on Life, Love, and Rebellion)
“
Wouldn’t we be happier, she thought, if we could rid ourselves of the old conventions or shrug off the chains binding us to our past? If we could only do that, we’d be happier, more independent.
”
”
Ayşe Kulin (Last Train to Istanbul)
“
He smiled without his teeth. Small, shyly. I found myself smiling back. Like an impulse
Then he ruined it by saying…
"You're not like other girls, are you?"
And I activated.
Every single emotion I'd been squashing into my guts exploded like a burst appendix. I jumped off the bed and turned to him with a scowl I was sure he'd need permanent therapy to recover from.
"Are you kidding me Harry?"
"Woah Audrey. Hey, hey, hey. It's a compliment."
I felt like screaming.
"It's NOT a compliment.
I threw my arms up, any motion to get rid of the rage pulsing through me.
It's an insult to every single woman on this PLANET. Don't you DARE try and pull that shit on me.
"What shit?!" Harry was stupid enough to ask. "I was saying something nice…"
I shook my head so hard.
"No, you were saying something clichéd and UNTRUE. I AM like other girls, Harry. Don't misinterpret my hatred of romance as some kooky, laid-back, manic pixie NONSENSE. I am DAMAGED. I am not CUTE. I am emotionally-fucking-traumatised right now, okay? I am screaming on the inside. I am too angry and messed up to contain all the stuff girls spend every day containing. That's why I seem different. That is NOT sexy.
”
”
Holly Bourne (It Only Happens in the Movies)
“
We went down the stairs to the café on the ground floor. I had discovered that was the best way to get rid of friends. Once you had a drink all you had to say was: “Well, I’ve got to get back and get off some cables,” and it was done. It is very important to discover graceful exits like that in the newspaper business, where it is such an important part of the ethics that you should never seem to be working.
”
”
Ernest Hemingway (The Sun Also Rises)
“
There are two ways to illumine anger. One way is to enlarge your heart. If you have been wronged, use your power of identification. Feel that it is you yourself, or an extended part of your own consciousness, that has done the wrong thing. The sooner you can rid yourself of the idea that somebody else has done something to you, the better off you will be.
The second way is to think of perfecting yourself. When you stop thinking of perfecting others and only care for your own aspiration, you will be liberated from anger. Instead of looking around to see who is obstructing you or standing in your way, just pay all attention to your own self-discovery. When you have discovered your true self, you will see that there is nobody imperfect on earth. Everybody is perfect in you.
”
”
Sri Chinmoy (The Wings of Joy: Finding Your Path to Inner Peace)
“
Like I said, when I get pissed I say a lotta shit I don't mean and what I said about you I didn't mean," he repeated, beginning to look as impatient as he sounded.
"And like I said, you're old enough to learn you shouldn't do that," I repeated too, probably also looking impatient.
"That isn't me," he replied.
"Well, then, this obviously is eating you and that's your consequence because I have feelings and you walked all over them and you can't order me to shake it off so you can feel better. It's there, burned in my brain and I can't just forget it because you tell me to. So you have to live with that. You can't and want me gone, say it now because I'm beginning to like Betty and I met Shambles and Sunny and I'm having dinner with them tomorrow night and I'd rather not make ties when I'm going to need to hit the road because my boss is going to get rid of me."
"Shambles and Sunny?" he asked.
"Shambles and Sunny," I answered but didn't share more. "Now, can we just move on and do our best to work together and all other times avoid each other or do you want me to go?"
He moved forward an inch and I again fought the urge to retreat.
"Forgiveness is divine," he said softly and I'd never heard him talk soft. He had a very nice voice but when it went soft, it was beautiful.
This also sucked. (BTW, in the beginning a lot of things sucked! :D) I mean Lauren uses this word 'sucks'.
"I'm not divine," I returned. "I'm also not Ace and I'm not Babe. I'm Lauren. You don't like my name, don't call me anything at all. Now can I clean the danged table?"
I had my head tipped back to look him in the eye but I could tell he was expending effort to hold his whole body still.
Then he said in that soft voice, "I'm sorry, Ace."
"Me too," I replied instantly being clear I didn't accept his apology...
”
”
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
“
Life was a damned muddle . . . a football game with every one off-side and the referee gotten rid of—every one claiming the referee would have been on his side. . .
”
”
F. Scott Fitzgerald (This Side of Paradise)
“
I can always take them off if they’re an issue.”
“If you put it that way I think all of your clothes are a major issue, Hayley. For fuck’s sake, get rid of all of these issues.
”
”
Sigal Ehrlich (Layers (Stark, #1))
“
Everyone freaks out. Sometimes the best we can do with fear is befriend it. Expect it and understand that fear will always reappear. Eventually it subsides. It will return. The real culprits are our knee jerk responses to fear and the way we try to avoid feeling fear, anxiety and shame. Don't get me wrong, wanting to feel better fast is a perfectly natural human impulse. It is healthy to seek relief when you feel hopelessly mired in the emotional soup. Calming down is an essential first step to accurately perceiving a problem and deciding what to do about it but the last thing you need to do is shut yourself off from fear and pain - either your own or the worlds. If there is one over riding reason why our world and relationships are in such a mess, is that we try to get rid of our anxiety, fear and shame as fast as possible, regardless of the long term consequences. In doing so, we blame and shame others and in countless ways, we unwittingly act against ourselves. We confuse our fear driven thoughts with what is right, best, necessary or true.
”
”
Harriet Lerner (The Dance of Fear)
“
It is in the nature of political bodies always to see the evil in the opposite group, just as the individual has an ineradicable tendency to get rid of everything he does not know and does not want to know about himself by foisting it off on somebody else.
”
”
C.G. Jung (The Undiscovered Self)
“
Remember all the times you told me no? All the times you brushed me off when I tried to make you my girlfriend? I stuck around after that. And I'm sticking around now. You can't get rid of me that easily.
”
”
Laurie Elizabeth Flynn (Firsts)
“
Give yourself to me, Gemma, and you will never be alone again. You'll be worshiped. Adored. Loved. But you must give yourself to me- a willing sacrifice.'
Tears slip down my face. 'Yes,' I murmur.
Gemma, don't listen,' Circe says hoarsely, and for a moment, I don't see Eugenia; I see only the tree, the blood pumping beneath its pale skin, the bodies of the dead hanging from it like chimes.
I gasp, and Eugenia is before me again. 'Yes, this is what you want, Gemma. Try as you might, you cannot kill this part of yourself. The solitude of the self taht waits just under the stairs of your soul. Always there, no matter how much you've tried to get rid of it. I understand. I do. Stay with me and never be lonely again.'
Don't listen... to that... bitch,' Circe croaks, and the vines tighten around her neck.
No, you're wrong,' I say to Eugenia as if coming out of a long sleep. 'You couldn't kill this part of yourself. And you couldn't accept it, either.'
I'm sure I don't know what you mean.' she says, sounding uncertain for the first time.
That's why they were able to take you. They found your fear.'
And what, pray, was it?'
Your pride. You couldn't believe you might have some of the same qualities as the creatures themselves.'
I am not like them. I am their hope. I sustain them.'
No. You tell yourself that. That's why CIrce told me to search my dark corners. So I wouldn't be caught off guard.'
Circe laughts, a splintered cackle that finds a way under my skin.
And what about you, Gemma?' Eugenia purrs. 'Have you "searched" yourself, as you say?'
I've done things I'm not proud of. I've made mistakes,' I say, my voice growing stronger, my fingers feeling for the dagger again. 'But I've done good, too.'
And yet, you're alone. All that trying and still you stand apart, watching from the other side of the grass. Afraid to have what you truly want because what if it's not enough after all? What if you get it and you still feel alone and apart? So much better to wrap yourself in the longing. The yearning. The restlessness. Poor Gemma. She doesn't quite fit, does she? Poor Gemma- all alone.
It's as if she's delivered a blow to my heart. My hand falters. 'I-I...'
Gemma, you're not alone,' Circe gasps, and my hand touches metal.
No. I'm not. I'm like everyone else in this stupid, bloody, amazing world. I'm flawed. Impossibly so. But hopeful. I'm still me.' I've got it now. Sure and strong in my grip. 'I see through you. I see the truth.
”
”
Libba Bray (The Sweet Far Thing (Gemma Doyle, #3))
“
No unwelcome tasks become any the less unwelcome by putting them off till tomorrow. It is only when they are behind us and done, that we begin to find that there is a sweetness to be tasted afterwards, and that the remembrance of unwelcome duties unhesitatingly done is welcome and pleasant. Accomplished, they are full of blessing, and there is a smile on their faces as they leave us. Undone, they stand threatening and disturbing our tranquility, and hindering our communion with God. If there be lying before you any bit of work from which you shrink, go straight up to it, and do it at once. The only way to get rid of it is to do it.
”
”
Alexander MacLaren
“
When I think about satan, my thoughts go to how Jesus interacted with him in the desert. Jesus spoke with him for just a few seconds and then sent him away. Satan was a manipulator who wanted to control God, but Jesus had a relationship with God that satan didn’t understand, and Jesus had no problem telling him off and getting rid of him. I think we should do the same.
”
”
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
“
If others examined themselves attentively, as I do, they would find themselves, as I do, full of inanity and nonsense. Get rid of it I cannot without getting rid of myself. We are all steeped in it, one as much as another; but those who are aware of it are a little better off—though I don’t know. That
”
”
Sarah Bakewell (How to Live: Or A Life of Montaigne in One Question and Twenty Attempts at an Answer)
“
Nothing is more likely to become garbage than orange rind; but for as long as anyone looks at it in delight, it stands a million triumphant miles from the trash heap. That, you know, is why the world exists at all. It remains outside the cosmic garbage can of nothingness, not because it is such a solemn necessity that nobody can get rid of it, but because it is the orange peel hung on God's chandelier, the wishbone in His kitchen closet. He likes it; therefore, it stays. The whole marvelous collection of stones, skins, feathers, and string exists because at least one lover has never quite taken His eye off it, because the Dominus vivificans has his delight with the sons of men.
”
”
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
“
You don’t have to do that,” I said, staring down at my hands.
He turned his head to me. “Do what?”
I rubbed the sweat from my palms off on my jeans. “Stick around. You can leave if you want. I’m not expecting you to stay and babysit me.”
“Hey,” he nudged me with his shoulder, drawing my gaze to his. “I’m staying. You won’t get rid of me that easily.”
Despite the tremors of relief coursing through me, I didn’t relax. “The offer stands. Any time you want to go just… go.”
“Well, I don’t want the offer, because I’m not going anywhere, not unless you’re coming with me.”
“Why?” It took a second to realize that the barely whispered word had come from me.
He reached for my hand. His long, warm fingers laced through mine, and that was all the answer I needed.
”
”
Airicka Phoenix
“
...the whole universe is contagious if you look at it long enough. Just opening your eyes puts you in front of a mirror, psychologically speaking. Garbage in, garbage out. Or rather, garbage goes in, but you never get rid of it. It just lies there turning to dust and slowly wafting a thin layer of grime on to every other object in your brain. Scraping the gunk off is not only a major challenge, but the chief burden of human existence. that's why I keep things so clean. Otherwise I would see little flecks of [ ] shit everywhere I looked ...
”
”
Nell Zink
“
My uncle says the architects got rid of the front porches because they didn't look well. But my uncle says that was merely rationalizing it; the real reason, hidden underneath, might be they didn't want people sitting like that, doing nothing, rocking, talking; that was the wrong kind of social life. People talked too much. And they had time to think. So they ran off with the porches. And the gardens, too. Not many gardens any more to sit around in. And look at the furniture. No rocking?chairs any more. They're too comfortable. Get people up and running around. My uncle says . . . and . . . my uncle . . . and . . . my uncle . . .
”
”
Ray Bradbury (Fahrenheit 451)
“
We just communicated that we’re in a fight because you kissed me to get rid of some women you’re too tired to entertain.” “Halle,” he says softly. “The only person I want to entertain is you. You and your dramatics keep me totally occupied. I kissed you because I’m a really big fan of kissing you. Some might say obsessed. It’s the first thing I thought about doing when I got off the ice. Being here listening to you create imaginary conflict is going to get me into an actual conflict with Faulkner, but it’s worth it.
”
”
Hannah Grace (Daydream (Maple Hills, #3))
“
In later years, Reading seems to have been regarded as a handy place to run down to, when matters were becoming unpleasant in London. Parliament generally rushed off to Reading whenever there was a plague on at Westminster; and, in 1625, the Law followed suit, and all the courts were held at Reading. It must have been worth while having a mere ordinary plague now and then in London to get rid of both the lawyers and the Parliament.
”
”
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
“
My head hasn’t been very clear these last few days. I suppose that’s why sunflowers made me think of heads. I wish mine could be as clean as they are. I was thinking on the train—if only there were some way to get your head cleaned and refinished. Just chop it off—well, maybe that would be a little violent. Just detach it and hand it over to some university hospital as if you were handing over a bundle of laundry. ‘Do this up for me, please,’ you’d say. And the rest of you would be quietly asleep for three or four days or a week while the hospital was busy cleaning your head and getting rid of the garbage. No tossing and no dreaming.
”
”
Yasunari Kawabata (The Sound of the Mountain)
“
There are also amateurs. These are secretaries, office workers, shopkeepers, people who listen to others in cafes: around forty they feel swollen, with an experience they can't get rid of. Luckily they've made children on whom they can pass it off. They would like to make us believe that their
past is not lost, that their memories are condensed, gently transformed into Wisdom.
”
”
Jean-Paul Sartre (Nausea)
“
Perfect! Now we’re being chased by hoards of monkeys! Perhaps you would care to name their species as we’re attacked, just so I can appreciate the special traits of said monkey as it kills me!”
He ran along beside me. “At least when the monkeys are harassing you, you don’t have time to harass me!”
The monkeys were getting close. I almost tripped over one as it darted in front of my legs. Ren leapt over a fountain with his tiger power. Show-off.
“Ren, you’re holding back. Just get out of here! Take the backpack and go.”
He laughed acerbically as he ran ahead of me; then, he turned to look at me while jogging backward. “Ha! You wish you could get rid of me that easily!”
He ran a bit farther ahead of me and switched to the tiger. Then he barreled back toward me and actually leapt over my running body into the throng of monkeys to slow them down.
I shouted back at him while still running, “Hey! Careful where you jump, Mister! You almost took my head off!
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
We communicate,” I argue. “We just communicated that we’re in a fight because you kissed me to get rid of some women you’re too tired to entertain.”
“Halle,” he says softly. “The only person I want to entertain is you. You and your dramatics keep me totally occupied. I kissed you because I’m a really big fan of kissing you. Some might say obsessed. It’s the first thing I thought about doing when I got off the ice. Being here listening to you create imaginary conflict is going to get me into an actual conflict with Faulkner, but it’s worth it.”
“An obsession sounds pretty dramatic if you ask me.
”
”
Hannah Grace (Daydream (Maple Hills, #3))
“
How can you love me if you don’t even know me?” He lifted my arms around his neck and placed his hands on the small of my back.
“I know you, Jade. You’re witty and stubborn, like when you wanted to get rid of me at the bar in San Diego. And you’re sweet and caring, like when you talked to my mother at the hospital. And you can drink like a sailor. ” He chuckled. “And you hardly ever blush, but when you do it’s like the sunshine.” Then, he whispered in my ear with a husky voice, “And you make love with your soul.”
Peter gave my earlobe a quick nibble. “I couldn’t care less about energy. It might have brought us together, but I only care about you. I want to spend the rest of my days with you; no matter if it’ll be ten or ten thousand.”
Despite myself, I felt my eyes burn from tears I wasn’t ready to shed.
Still, I couldn’t say it.
“Peter...” I kissed him with all the tenderness I found in my heart and said, “the tub is about to
spill.”
“Oh, shit.” He jerked away from me, turned the water off and unplugged the tub, then hugged
me again with wet hands. “All we need is time, Jade. You’ll see this love is real.
”
”
Denyse Cohen (Witch's Soulmate)
“
I could feel the weight of everything then --- the weight of loneliness, of everything that had gone wrong. I felt heroic, going up those last few flights to the top of the building, dragging that weight along with me. Jumping felt like the only way to get rid of it, the only way to make it work for me instead of against me; I felt so heavy that I knew I'd hit the street in no time. I'd beat the world record for falling off a tower block.
”
”
Nick Hornby (A Long Way Down)
“
Outside of Piers Morgan’s home is a sign strategically positioned in the front of his property by the walkway. Its bold red-and-white typeface is a warning to all passersby: “Protected By Armed Response Security Systems.” James O’Keefe of Project Veritas discovered the sign as he sought signatures for a petition seeking to rid Hollywood films of all firearms. He took a photo of the sign and asked Morgan via Twitter “Hey, @piersmorgan, can you explain these signs on your Beverly Hills property?” Morgan could not, so he ignored it. While Morgan snores soundly in his bed, he has a security firm keep watch with a firearm and rush to Morgan’s defense if Morgan finds himself under threat. This way Morgan can pretend that he’s against firearms when, really, he’s just outsourced his gun. He is a royalist: He believes that commoners shouldn’t possess firearms, especially Americans. It’s the ultimate hypocrisy: Progressives view firearms as only situationally evil. They’re evil in the hands of anyone other than themselves or their security firms. Don
”
”
Dana Loesch (Hands Off My Gun: Defeating the Plot to Disarm America)
“
Ladies and Gentlemen, your history starts with your mothers and fathers, grandmothers and grandfathers. You may be swimming against the stream, or you may be holding on to those very roots, but whatever you are doing, you are never without them. Your lives are a reaction to them, good or bad; every love story contains six people from the very beginning, in one form or another. Replicate them, get rid of them, but they existed, and cutting off their influence is a lifelong struggle that not all of us survive wholeheartedly.
”
”
Laura Gentile (Within Paravent Walls)
“
Each girl has to read her story out loud then we talk it over. We are going to keep them all sacredly and have them to read to our descendants. We each write under a nom do plume. Mine is Rosamond Montmorency. All the girls do pretty well. Ruby Gillis is rather sentimental. She puts too much lovemaking into her stories and you know too much is worse than too little. Jane never puts any because she says it makes her feel so silly when she has to read it out loud. Jane’s stories are extremely sensible. Then Diana puts too many murders into hers. She says most of the time she doesn’t know what to do with the people so she kills them off to get rid of them.
”
”
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
“
If you ever feel to express proper gratitude for the good things of this life, be sure that you express your gratitude for the right thing. Very likely you will not have a great deal of gratitude, and you must not waste any of it but what you do have will be of the most excellent quality. For it will accumulate, and the accumulation will all go to quality. And the things for which you are to be grateful are the bitternesses you have known.
If you have had it in mind ever to give way to bursts of gratitude for this air that comes from off the salt sea, for that line of pearls and violets that you see just above the horizon, for the health of your body, for the sleep that comes to you at the close of the day, for any of those things, then get rid of the idea at once. Those things are quite well, but they are not really given to you. They are merely placed where any one can reach them with little effort. The kind fates don't care whether you get them or not. Their responsibility ends when they leave them there.
But the bitternesses they give to each person separately. They give you yours, Mary MacLane, for your very own. Don't say they never think of you.
”
”
Mary MacLane (My Friend Annabel Lee)
“
I was about to tell him he was wrong to dwell on it, because it really didn't matter. But he cut me off and urged me one last time, drawing himself up to his full height and asking me if I believed in God. I said no. He sat down indignantly. He said it was impossible; all men believed in God, even those who turn their backs on him. That was his belief, and if he were ever to doubt it, his life would become meaningless. "Do you want my life to be meaningless?" he shouted. As far as I could see, it didn't have anything to do with me, and I told him so. But from across the table he had already thrust the crucifix in my face and was screaming irrationally, "I am a Christian. I ask Him to forgive you for sins. How can you not believe that He suffered for you?" I was struck by how sincere he seemed, but I had had enough. It was getting hotter and hotter. As always, whenever I want to get rid of someone I'm not really listening to, I made it appear as if I agreed. To my surprise, he acted triumphant. "You see, you see!" he said. "You do believe, don't you, and you're going to place your trust in Him, aren't you?" Obviously, I again said no. He fell back in his chair.
”
”
Albert Camus
“
And that is not all: even if man really were nothing but a piano-key, even if this were proved to him by natural science and mathematics, even then he would not become reasonable, but would purposely do something perverse out of simple ingratitude, simply to gain his point. And if he does not find means he will contrive destruction and chaos, will contrive sufferings of all sorts, only to gain his point! He will launch a curse upon the world, and as only man can curse (it is his privilege, the primary distinction between him and other animals), may be by his curse alone he will attain his object--that is, convince himself that he is a man and not a piano-key! If you say that all this, too, can be calculated and tabulated--chaos and darkness and curses, so that the mere possibility of calculating it all beforehand would stop it all, and reason would reassert itself, then man would purposely go mad in order to be rid of reason and gain his point! I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! It may be at the cost of his skin, it may be by cannibalism! And this being so, can one help being tempted to rejoice that it has not yet come off, and that desire still depends on something we don't know?
”
”
Fyodor Dostoevsky (Notes From The Underground)
“
The previous governess had used various monsters and bogeymen as a form of discipline. There was always something waiting to eat or carry off bad boys and girls for crimes like stuttering or defiantly and aggravatingly persisting in writing with their left hand. There was always a Scissor Man waiting for a little girl who sucked her thumb, always a bogeyman in the cellar. Of such bricks is the innocence of childhood constructed. Susan’s attempts at getting them to disbelieve in the things only caused the problems to get worse. Twyla had started to wet the bed. This may have been a crude form of defense against the terrible clawed creature that she was certain lived under it. Susan had found out about this one the first night, when the child had woken up crying because of a bogeyman in the closet. She’d sighed and gone to have a look. She’d been so angry that she’d pulled it out, hit it over the head with the nursery poker, dislocated its shoulder as a means of emphasis and kicked it out of the back door. The children refused to disbelieve in the monsters because, frankly, they knew damn well the things were there. But she’d found that they could, very firmly, also believe in the poker. Now she sat down on a bench and read a book. She made a point of taking the children, every day, somewhere where they could meet others of the same age. If they got the hang of the playground, she thought, adult life would hold no fears. Besides, it was nice to hear the voices of little children at play, provided you took care to be far enough away not to hear what they were actually saying. There were lessons later on. These were going a lot better now she’d got rid of the reading books about bouncy balls and dogs called Spot. She’d got Gawain on to the military campaigns of General Tacticus, which were suitably bloodthirsty but, more importantly, considered too difficult for a child. As a result his vocabulary was doubling every week and he could already use words like “disemboweled” in everyday conversation. After all, what was the point of teaching children to be children? They were naturally good at it.
”
”
Terry Pratchett (Hogfather (Discworld, #20))
“
I have often remarked in the United States that it is not easy to make a man understand that his presence may be dispensed with; hints will not always suffice to shake him off. I contradict an American at every word he says, to show him that his conversation bores me; he instantly labors with fresh pertinacity to convince me; I preserve a dogged silence, and he thinks I am meditating deeply on the truths which he is uttering; at last I rush from his company, and he supposes that some urgent business hurries me elsewhere. This man will never understand that he wearies me to extinction unless I tell him so: and the only way to get rid of him is to make him my enemy for life.
”
”
Alexis de Tocqueville (Democracy in America)
“
I get it,” I say. “You don’t like anyone tying you down—”
“One person can tie me down,” he cuts me off and then glances at me. “You’re smiling.”
“I’m not.” I sort of was. I unhinge my jaw, ridding whatever expression is causing him to overflow with satisfaction.
His grin has landed in James Franco territory. “I didn’t say that person was you.”
I blink. “You ever hear of that annoying six-foot-three guy with bleach-white hair who died in a Chicago stairwell?”
He laughs. “You mean the guy you have a hard-on for.
”
”
Krista Ritchie (Lovers Like Us (Like Us, #2))
“
Suffering is exacerbated by avoidance. The body carries with it any undigested pain. Our attempts at self-protection cause us to live in a small, dark, cramped corner of our lives. We accept a limited perspective of the situation and a restricted view of ourselves. We cling to what is familiar simply in order to reassert control, thinking we can fend off what we fear will be intolerable. When we push back, hoping to get rid of a difficult experience, we are actually encapsulating it. In short, what we resist persists.
”
”
Frank Ostaseski (The Five Invitations: Discovering What Death Can Teach Us About Living Fully)
“
Now I ask you: what can be expected of man since he is a being endowed with strange qualities? Shower upon him every earthly blessing, drown him in a sea of happiness, so that nothing but bubbles of bliss can be seen on the surface; give him economic prosperity, such that he should have nothing else to do but sleep, eat cakes and busy himself with the continuation of his species, and even then out of sheer ingratitude, sheer spite, man would play you some nasty trick. He would even risk his cakes and would deliberately desire the most fatal rubbish, the most uneconomical absurdity, simply to introduce into all this positive good sense his fatal fantastic element. It is just his fantastic dreams, his vulgar folly that he will desire to retain, simply in order to prove to himself—as though that were so necessary—that men still are men and not the keys of a piano, which the laws of nature threaten to control so completely that soon one will be able to desire nothing but by the calendar. And that is not all: even if man really were nothing but a piano-key, even if this were proved to him by natural science and mathematics, even then he would not become reasonable, but would purposely do something perverse out of simple ingratitude, simply to gain his point. And if he does not find means he will contrive destruction and chaos, will contrive sufferings of all sorts, only to gain his point! He will launch a curse upon the world, and as only man can curse (it is his privilege, the primary distinction between him and other animals), may be by his curse alone he will attain his object—that is, convince himself that he is a man and not a piano-key! If you say that all this, too, can be calculated and tabulated—chaos and darkness and curses, so that the mere possibility of calculating it all beforehand would stop it all, and reason would reassert itself, then man would purposely go mad in order to be rid of reason and gain his point! I believe in it, I answer for it, for the whole work of man really seems to consist in nothing but proving to himself every minute that he is a man and not a piano-key! It may be at the cost of his skin, it may be by cannibalism! And this being so, can one help being tempted to rejoice that it has not yet come off, and that desire still depends on something we don’t know?
”
”
Fyodor Dostoevsky (Notes from Underground)
“
...As I lie there in this position, letting my eyes wander down my breast and legs, I notice the twitching motion made by my foot at each beat of my pulse. I sit up halfway and look down at my feet, and at this moment I experience a fantastic, alien state I’d never felt before; a delicate, mysterious thrill spreads through my nerves, as though they were flooded by surges of light. When I looked at my shoes, it was as though I had met a good friend or got back a torn-off part of me: a feeling of recognition trembles through all my sense, tears spring to my eyes, and I perceive my shoes as a softly murmuring tune coming toward me. Weakness! I said harshly to myself, and I clenched my fists and said: Weakness. I mocked myself for these ridiculous feelings, made fun of myself quite consciously; I spoke very sternly and reasonably, and I fiercely squeezed my eyes shut to get rid of my tears. Then I begin, as though I’d never seen my shoes before, to study their appearance, their mimicry when I move my feet, their shape and the worn uppers, and I discover that their wrinkles and their white seams give them an expression, lend them a physiognomy. Something of my own nature had entered into these shoes --- they affected me like a breath upon my being, a living, a breathing part of me…
”
”
Knut Hamsun (Hunger)
“
Nina pulled off her gown and the heavy rubber belly she had strapped over her tunic while Rotty rid himself of his beard and coat. They tied everything in a bundle and Nina tossed it overboard as they climbed into the bottleboat moored beneath Zentsbridge.
“Good riddance,” she said as it sank into the water.
“So little maternal sentiment,” Kaz said, emerging from behind the wine crates.
“Where’s Inej?”
“I’m fine,” said Inej from behind him. “But Kuwei—”
“You’re bleeding again,” Nina observed as she slid behind the high stacks of crates to join them. There was little traffic on the canal now, but it didn’t do to take chances. “And what happened to your eyes?”
“I’d tell you to ask the White Blade, but…” Inej shrugged.
“I hope she suffered.”
“Nina.”
“What? We can’t both be merciful and serene.
”
”
Leigh Bardugo (Crooked Kingdom (Six of Crows, #2))
“
The Age Of Reason
1. ‘Well, it’s that same frankness you fuss about so much. You’re so absurdly scared of being your own dupe, my poor boy, that you would back out of the finest adventure in the world rather than risk telling yourself a lie.’
2. “ I’m not so much interested in myself as all that’ he said simply.
‘I know’, said Marcelle. It isn’t an aim , it’s a means. It helps you to get rid of yourself; to contemplate and criticize yourself: that’s the attitude you prefer. When you look at yourself, you imagine you aren’t what you see, you imagine you are nothing. That is your ideal: you want to be nothing.’’
3. ‘In vain he repeated the once inspiring phrase: ‘I must be free: I must be self-impelled, and able to say: ‘’I am because I will: I am my own beginning.’’ Empty, pompous words, the commonplaces of the intellectual.’
4. ‘He had waited so long: his later years had been no more than a stand-to. Oppressed with countless daily cares, he had waited…But through all that, his sole care had been to hold himself in readiness. For an act. A free, considered act; that should pledge his whole life, and stand at the beginning of a new existence….He waited. And during all that time, gently, stealthily, the years had come, they had grasped him from behind….’
5. ‘ ‘It was love. This time, it was love. And Mathiue thought:’ What have I done?’ Five minutes ago this love didn’t exist; there was between them a rare and precious feeling, without a name and not expressible in gestures.’
6. ‘ The fact is, you are beyond my comprehension: you, so prompt with your indignation when you hear of an injustice, you keep this woman for years in a humiliating position, for the sole pleasure of telling yourself that you are respecting your principles. It wouldn’t be so bad if it were true, if you really did adapt your life to your ideas. But, I must tell you once more…you like that sort of life-placid, orderly, the typical life of an official.’
‘’That freedom consisted in frankly confronting situations into which one had deliberately entered, and accepting all one’s responsibilities.’
‘Well…perhaps I’m doing you an injustice. Perhaps you haven’t in fact reached the age of reason, it’s really a moral age…perhaps I’ve got there sooner than you have.’
7. ‘ I have nothing to defend. I am not proud of my life and I’m penniless. My freedom? It’s a burden to me, for years past I have been free and to no purpose. I simply long to exchange it for a good sound of certainty….Besides, I agree with you that no one can be a man who has not discovered something for which he is prepared to die.’
8. ‘‘I have led a toothless life’, he thought. ‘ A toothless life. I have never bitten into anything. I was waiting. I was reserving myself for later on-and I have just noticed that my teeth have gone. What’s to be done? Break the shell? That’s easily said. Besides, what would remain? A little viscous gum, oozing through the dust and leaving a glistering trail behind it.’
9.’’ A life’, thought Mathieu, ‘is formed from the future just like the bodies are compounded from the void’. He bent his head: he thought of his own life. The future had made way into his heart, where everything was in process and suspense. The far-off days of childhood, the day when he has said:’I will be free’, the day when he had said: ’I will be famous’, appeared to him even now with their individual future, like a small, circled individual sky above them all, and the future was himself, himself just as he was at present, weary and a little over-ripe, they had claims upon him across the passage of time past, they maintained their insistencies, and he was often visited by attacks of devastating remorse, because his casual, cynical present was the original future of those past days.
”
”
Jean-Paul Sartre
“
You’re a priestess. That means people don’t think of you the same way. But believe me, most of us basically can’t talk to a man without him looking us over and deciding whether or not he wants to give us the shaft. And if he does then, whatever else we are, whatever else we do, it’s always there, somewhere in his mind. And if he doesn’t fancy us, then that’s a judgment too, writing us off as a thing without value. You can’t get rid of it. And either way it means you’re always a woman, first. You’re not a warrior, or an archer, or even just a friend to drink with. You’re a woman, and that means you’ve got a place, and a use.
”
”
Adrian Tchaikovsky (Spiderlight)
“
Across the street and down the way the other houses stood with their flat fronts. What was it Clarisse had said one afternoon? “No front porches. My uncle says there used to be front porches. And people sat there sometimes at night, talking when they wanted to talk, rocking, and not talking when they didn’t want to talk. Sometimes they just sat there and thought about things, turned things over. My uncle says the architects got rid of the front porches because they didn’t look well. But my uncle says that was merely rationalizing it; the real reason, hidden underneath, might be they didn’t want people sitting like that, doing nothing, rocking, talking; that was the wrong kind of social life. People talked too much. And they had time to think. So they ran off with the porches. And the gardens, too. Not many gardens anymore to sit around in. And look at the furniture. No rocking chairs anymore. They’re too comfortable. Get people up and running around. My uncle says . . . and . . . my uncle . . . and . . . my uncle . . .” Her voice faded.
”
”
Ray Bradbury (Fahrenheit 451)
“
It's like this,' began the elder. 'All these sentences of hard labour in Siberian prisons, and formerly with flogging, too, do not reform anyone and, what's more, scarcely deter even one criminal, and, far from diminishing, the number of crimes are steadily increasing. You have to admit that. It therefore follows that society is not in the least protected, for though a harmful member is cut off automatically and exiled to some remote spot just to get rid of him, another criminal takes his place at once, and often, two, perhaps. If anything does protect society even today and indeed reforms the criminal himself and brings about his regeneration, it is, again, only the law of Christ, which reveals itself in the awareness of one's own consciousness. Only by recognizing his own guilt as a son of a Christian society, that is, of the Church, does the criminal recognize his guilt towards society itself, that is, towards the Church. The criminal today, therefore, is capable of recognizing his guilt only towards the Church, and not towards the State.
”
”
Fyodor Dostoevsky (The Brothers Karamazov)
“
Anyway, there are two tentative solutions for getting rid of selfishness - both involving a stoic casting - off of the thin tenuous little identity which I love and cherish so dearly - and being confident that, once on the other side, I shall never miss my own little ambitions for my conceited self, but shall be content in serving the ambitions of my mate, or of a society, or cause. (Yet I will not, I cannot accept any of those solutions. Why? Stubborn selfish pride. I will not make what is inevitable easier for my-self by the blinding ignorance-is-bliss "losing-and-finding" theory. Oh, no! I will go, eyes open, into my torture, and remain fully cognizant, unwinking, while they cut and stitch and lop off my cherished malignant organs.) So much for selflove: I carry it with me like a dear cancerous relative - to be disposed of only when desperation sets in.
”
”
Sylvia Plath
“
Here, I have something for you."
"It had better not be an engagement ring."
He paused, his lips puckering as if the thought hadn't occurred to him and he was regretting it.
"Or gloves," added Cinder. "That didn't work out too well last time."
Grinning, Kai took a step closer to her and dropped to one knee.
Her eyes widened.
"Cinder ..."
Her heart thumped. "Wait."
"I've been waiting a long time to give this to you."
"Kai -"
With an expression as serious as politics, he pulled his hand from behind his back. In it was cupped a small metal foot, frayed wires sticking up from the cavity and the joints packed with grease.
Cinder released her breath, then started to laugh. "You - ugh."
"Are you terribly disappointed, because I'm sure Luna has some great jewelry stores if you wanted me to -"
"Shut up," she said, taking the foot. She turned it over in her palms, shaking her head. "I keep trying to get rid of this thing, but somehow it keeps finding its way back to me. What made you keep it?"
"It occurred to me that if I could find the cyborg that fits this foot, it must be a sign we were meant to be together." He twisted his lips to one side. "But then I realized it would probably fit an eight-year-old."
"Eleven, actually."
"Close enough." He hesitated. "Honestly, I guess it was the only thing I had to connect me to you when I thought I'd never see you again."
She slid her gaze off the foot. "Why are you still kneeling?"
Kai reached for her prosthetic hand and brushed his lips against her newly polished knuckles. "You'll have to get used to people kneeling to you. It kind of comes with the territory."
"I'm going to make it a law that the correct way to address your sovereign is by giving a high five."
Kai's smile brightened. "That's genus. Me too.
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
[Earl, on liking someone] Because, honestly, the rational part of me know for a rock-solid fact that I would never, ever get with Madison Hartner. But that was just the rational part of me. There's always a stupid irrational part of you, too, and you can't get rid of it. You can never completely kill off that tiny absurd spark of hope that this girl-against all odds, although she could date any guy at school, not to mention guys at college, and even though you look like the Oatmeal Monster and are a compulsive eater and suffer from constant congestion and say so many stupid things per day that it seems like a Stupid Things company is paying you to do it- this girl might like you.
”
”
Jesse Andrews (Me and Earl and the Dying Girl)
“
I don’t remember when I stopped noticing—stopped noticing every mirror, every window, every scale, every fast-food restaurant, every diet ad, every horrifying model. And I don’t remember when I stopped counting, or when I stopped caring what size my pants were, or when I started ordering what I wanted to eat and not what seemed “safe,” or when I could sit comfortably reading a book in my kitchen without noticing I was in my kitchen until I got hungry—or when I started just eating when I got hungry, instead of questioning it, obsessing about it, dithering and freaking out, as I’d done for nearly my whole life.
I don’t remember exactly when recovery took hold, and went from being something I both fought and wanted, to being simply a way of life. A way of life that is, let me tell you, infinitely more peaceful, infinitely happier, and infinitely more free than life with an eating disorder. And I wouldn’t give up this life of freedom for the world.
What I know is this: I chose recovery. It was a conscious decision, and not an easy one. That’s the common denominator among people I know who have recovered: they chose recovery, and they worked like hell for it, and they didn’t give up. Recovery isn’t easy, at first. It takes time. It takes more work, sometimes, than you think you’re willing to do. But it is worth every hard day, every tear, every terrified moment. It’s worth it, because the trade-off is this: you let go of your eating disorder, and you get back your life.
There are a couple of things I had to keep in mind in early recovery. One was that I was going to recover, even though I didn’t feel “ready.” I realized I was never going to feel ready—I was just going to jump in and do it, ready or not, and I am deeply glad that I did. Another was that symptoms were not an option. Symptoms, as critically necessary and automatic as they feel, are ultimately a choice. You can choose to let the fallacy that you must use symptoms kill you, or you can choose not to use symptoms. Easier said than done? Of course. But it can be done.
I had to keep at the forefront of my mind the reasons I wanted to recover so badly, and the biggest one was this: I couldn’t believe in what I was doing anymore. I couldn’t justify committing my life to self-destruction, to appearance, to size, to weight, to food, to obsession, to self-harm. And that was what I had been doing for so long—dedicating all my strength, passion, energy, and intelligence to the pursuit of a warped and vanishing ideal. I just couldn’t believe in it anymore. As scared as I was to recover, to recover fully, to let go of every last symptom, to rid myself of the familiar and comforting compulsions, I wanted to know who I was without the demon of my eating disorder inhabiting my body and mind.
And it turned out that I was all right. It turned out it was all right with me to be human, to have hungers, to have needs, to take space. It turned out that I had a self, a voice, a whole range of values and beliefs and passions and goals beyond what I had allowed myself to see when I was sick. There was a person in there, under the thick ice of the illness, a person I found I could respect.
Recovery takes time, patience, enormous effort, and strength. We all have those things. It’s a matter of choosing to use them to save our own lives—to survive—but beyond that, to thrive. If you are still teetering on the brink of illness, I invite you to step firmly onto the solid ground of health. Walk back toward the world. Gather strength as you go. Listen to your own inner voice, not the voice of the eating disorder—as you recover, your voice will get clearer and louder, and eventually the voice of the eating disorder will recede. Give it time. Don’t give up. Love yourself absolutely. Take back your life.
The value of freedom cannot be overestimated. It’s there for the taking. Find your way toward it, and set yourself free.
”
”
Marya Hornbacher
“
He’s an immortal from Brazil,” Chris said. “His mortal lover, whom he thought was completely trustworthy, videotaped them having sex—”
“Awesome!” Sheldon interjected with a grin.
Everyone looked at him.
“What? I like porn.”
Still they stared.
He frowned. “I have to give up booze, parties, and porn? Can’t a Second have any vices?”
Chris sighed. “Anyway. She videotaped them having sex and intended to auction it off to news outlets once it had been authenticated by an expert who would swear the glowing eyes, fangs, and . . . ah . . . unusual speed and other things demonstrated were not special effects produced by a post-production house.”
“Maybe they were,” Sheldon suggested somberly. “Maybe she was out to discredit him. I think we should all watch it and—”
“The tape has been destroyed,” Seth cut in.
“Damn.” Sheldon slumped down in his seat.
Chris met Richart’s gaze. “Anytime you want me to get rid of him . . .”
Richart shook his head. “He amuses me.
”
”
Dianne Duvall (Darkness Rises (Immortal Guardians, #4))
“
MR. BONES KNEW THAT WILLY WASN'T LONG FOR THIS WORLD. The cough had been inside him for over six months, and by now there wasn't a chance in hell that he would ever get rid of it. Slowly and inexorably, without once taking a turn for the better, the thing had assumed a life of its own, advancing from a faint, phlegm-filled rattle in the lungs on February third to the wheezy sputum-jigs and gobby convulsions of high summer. All that was bad enough, but in the past two weeks a new tonality had crept into the bronchial music - something tight and flinty and percussive - and the attacks came now so often as to be almost constant. Every time one of them started, Mr. Bones half expected Willy's body to explode from the rockets of pressure bursting agaisnt his rib cage. He figured that blood would be the next step and when that fatal moment finally occurred on Saturday afternoon, it was as if all the angels in heaven had opened their mouths and started to sing. Mr. Bones saw it happen with his own eyes, standing by the edge of the road between Washington and Baltimore as Willy hawked up a few miserable clots of red matter into his handkerchief, and right then and there he knew that every ounce of hope was gone. The smell of death had settled upon Willy G. Christmas, and as surely as the sun was a lamp in the clouds that went off and on everyday, the end was drawing near.
What was a poor dog to do? Mr. Bones had been with Willy since his earliest days as a pup, and by now it was next to impossible to imagine a world that did not have his master in it. Every thought, every memory, every particle of the earth and air was saturated with Willy's presence. Habits die hard, and no doubt there's some truth to the adage about old dogs and new tricks, but it was more than just love or devotion that caused Mr. Bones to dread what was coming. It was pure ontological terror. Substract Willy from the world, and the odds were that the world itself would cease to exist.
”
”
Paul Auster (Timbuktu)
“
...peel an orange. Do it lovingly--it perfect quarters like little boats...Nothing is more likely to become garbage than orange rind; but for as long as anyone looks at it in delight, it stands a million triumphant miles from the trash heap. That, you know, is why the world exists at all. it remains outside the cosmic garbage can of nothingness, not because it is such a solemn necessity that nobody can get rid of it, but because it is the orange peel hung on God's chandelier, the wishbone in His kitchen closet. He likes it; therefore, it stays. The whole marvelous collection of stones, skins, feathers, and string exists because at least one lover has never quite taken His eye off it, because the Dominus vivificans has His delight with the sons of men.
”
”
Robert Farrar Capon (The Supper of the Lamb: A Culinary Reflection (Modern Library Food))
“
Ruby?” His hair was pale silver in this light, curled and tangled in its usual way. I couldn’t hide from him. I had never been able to.
“Mike came and got me,” he said, taking a careful step toward me. His hands were out in front of him, as if trying to coax a wild animal into letting him approach. “What are you doing out here? What’s going on?”
“Please just go,” I begged. “I need to be alone.”
He kept coming straight at me.
“Please,” I shouted, “go away!”
“I’m not going anywhere until you tell me what’s going on!” Liam said. He got a better look at me and swallowed, his Adam’s apple bobbing. “Where were you this morning? Did something happen? Chubs told me you’ve been gone all day, and now you’re out here like…this…did he do something to you?”
I looked away. “Nothing I didn’t ask for.”
Liam’s only response was to move back a few paces back. Giving me space.
“I don’t believe you for a second,” he said, calmly. “Not one damn second. If you want to get rid of me, you’re going to have to try harder than that.”
“I don’t want you here.”
He shook his head. “Doesn’t mean I’m leaving you here alone. You can take all the time you want, as long as you need, but you and me? We’re having this out tonight. Right now.” Liam pulled his black sweater over his head and threw it toward me. “Put it on, or you’ll catch a cold.”
I caught it with one hand and pressed it to my chest. It was still warm.
He began to pace, his hands on his hips. “Is it me? Is it that you can’t talk to me about it? Do you want me to get Chubs?”
I couldn’t bring myself to answer.
“Ruby, you’re scaring the hell out of me.”
“Good.” I balled up his sweater and threw it into the darkness as hard as I could.
He blew out a shaky sigh, bracing a hand against the nearest tree. “Good? What’s good about it?”
I hadn’t really understood what Clancy had been trying to tell me that night, not until right then, when Liam looked up and his eyes met mine. The trickle of blood in my ears turned into a roar. I squeezed my eyes shut, digging the heels of my palms against my forehead.
“I can’t do this anymore,” I cried. “Why won’t you just leave me alone?”
“Because you would never leave me.”
His feet shuffled through the underbrush as he took a few steps closer. The air around me heated, taking on a charge I recognized. I gritted my teeth, furious with him for coming so close when he knew I couldn’t handle it. When he knew I could hurt him.
His hands came up to pull mine away from my face, but I wasn’t about to let him be gentle. I shoved him back, throwing my full weight into it. Liam stumbled.
“Ruby—”
I pushed him again and again, harder each time, because it was the only way I could tell him what I was desperate to say. I saw bursts of his glossy memories. I saw all of his brilliant dreams. It wasn’t until I knocked his back into a tree that I realized I was crying. Up this close, I saw a new cut under his left eye and the bruise forming around it.
Liam’s lips parted. His hands were no longer out in front of him, but hovering over my hips. “Ruby…”
I closed what little distance was left between us, one hand sliding through his soft hair, the other gathering the back of his shirt into my fist. When my lips finally pressed against his, I felt something coil deep inside of me. There was nothing outside of him, not even the grating of cicadas, not even the gray-bodied trees. My heart thundered in my chest. More, more, more—a steady beat. His body relaxed under my hands, shuddering at my touch. Breathing him in wasn’t enough, I wanted to inhale him. The leather, the smoke, the sweetness. I felt his fingers counting up my bare ribs. Liam shifted his legs around mine to draw me closer.
I was off-balance on my toes; the world swaying dangerously under me as his lips traveled to my cheek, to my jaw, to where my pulse throbbed in my neck. He seemed so sure of himself, like he had already plotted out this course.
”
”
Alexandra Bracken (The Darkest Minds (The Darkest Minds, #1))
“
Back in the general office, she had to listen to Jenny and Annie banging on about how good-looking Matthew's son was and how he had obviously got all the good genes. "Matthew's first wife must have been very beautiful," Jenny was saying, looking over at Helen for a reaction.
Helen had cleaned herself up in the ladies on the way up, and now she was mascara free but still red-eyed, so she kept her headdown and pretended she couldn't hear. No such luck she would get away with that though...
"He was asking about you," Jenny shouted over. "Wanted to know which one was the slut that his dad had gone off with."
"Of course he was," Helen said sarcastically, knowing that Leo would never stoop that low.
”
”
Jane Fallon (Getting Rid of Matthew)
“
How many ills, how many infirmities, does man owe to his excesses, his ambition – in a word, to the indulgence of his various passions! He who should live soberly in all respects, who should never run into excesses of any kind, who should be always simple in his tastes, modest in his desires, would escape a large proportion of the tribulations of human life. It is the same with regard to spirit-life, the sufferings of which are always the consequence of the manner in which a spirit has lived upon the earth. In that life undoubtedly he will no longer suffer from gout or rheumatism; but his wrong-doing down here will cause him to experience other sufferings no less painful. We have seen that those sufferings are the result of the links which exist between a spirit and matter; that the more completely he is freed from the influence of matter – in other words, the more dematerialized he is – the fewer are the painful sensations experienced by him. It depends, therefore, on each of us to free ourselves from the influence of matter by our action in this present life. Man possesses free-will, and, consequently, the power of electing to do or not to do. Let him conquer his animal passions; let him rid himself of hatred, envy, jealousy, pride; let him throw off the yoke of selfishness; let him purify his soul by cultivating noble sentiments; let him do good; let him attach to the things of this world only the degree of importance which they deserve – and he will, even under his present corporeal envelope, have effected his purification, and achieved his deliverance from the influence of matter, which will cease for him on his quitting that envelope. For such a one the remembrance of physical sufferings endured by him in the life he has quitted has nothing painful, and produces no disagreeable impression, because they affected his body only, and left no trace in his soul. He is happy to be relieved from them; and the calmness of a good conscience exempts him from all moral suffering.
”
”
Allan Kardec (The Spirits' Book (Cosimo Classics Sacred Texts))
“
Dump the toxic people out of your life. Get them gone. Kick them to the curb. Stop maintaining relationships with people that make you feel guilty about things that you like, that make you feel shitty about yourself, that put you down, that don’t fucking support you, that are mean. You just get those people and shove them out of your life. Delete them off of Facebook, break it down easily. Just kind of fizzle out with the contact. Let it be like almost as if it might be growing apart. Just get rid of those people, because instead of just maintaining these “relationships” with people for the sake of just being polite or civil, you can be civil without having people that you can’t stand in your life and you’ll be so much happier. You need to stop maintaining relationships with toxic people because it’s just not good for you and it’s not worth any of your time.
”
”
Rachel Whitehurst
“
She had signed her own death-warrant. He kept telling himself over and over that he was not to blame, she had brought it on herself. He had never seen the man. He knew there was one. He had known for six weeks now. Little things had told him. One day he came home and there was a cigar-butt in an ashtray, still moist at one end, still warm at the other. There were gasoline-drippings on the asphalt in front of their house, and they didn't own a car. And it wouldn't be a delivery-vehicle, because the drippings showed it had stood there a long time, an hour or more. And once he had actually glimpsed it, just rounding the far corner as he got off the bus two blocks down the other way. A second-hand Ford. She was often very flustered when he came home, hardly seemed to know what she was doing or saying at all.
He pretended not to see any of these things; he was that type of man, Stapp, he didn't bring his hates or grudges out into the open where they had a chance to heal. He nursed them in the darkness of his mind. That's a dangerous kind of a man.
If he had been honest with himself, he would have had to admit that this mysterious afternoon caller was just the excuse he gave himself, that he'd daydreamed of getting rid of her long before there was any reason to, that there had been something in him for years past now urging Kill, kill, kill. Maybe ever since that time he'd been treated at the hospital for a concussion.
("Three O'Clock")
”
”
Cornell Woolrich (The Cornell Woolrich Omnibus: Rear Window and Other Stories / I Married a Dead Man / Waltz into Darkness)
“
By what twisted sophistication of argument do you harry people with violence off your land and then think yourself entitled to make high-minded stipulations as to where they may go now you are rid of them and how they may provide for their future welfare? I am an Englishman who loves England, but do you suppose that it too is not a racist country? Do you know of any country whose recent history is not blackened by prejudice and hate against somebody? So what empowers racists in their own right to sniff out racism in others? Only from a world from which Jews believe they have nothing to fear will they consent to learn lessons in humanity. Until then, the Jewish state’s offer of safety to Jews the world over yes, Jews first – while it might not be equitable cannot sanely be constructed as racist. I can understand why a Palestinian might say it feels racist to him, though he too inherits a history of disdain for people of other persuasions to himself, but not you, madam, since you present yourself as a bleeding-heart, conscience-pricked representative of the very Gentile world from which Jews, through no fault of their own, have been fleeing for centuries...
”
”
Howard Jacobson (The Finkler Question)
“
Oh my God, Greg, you’re so weird. I love that about you, that you’re so weird.” Remember what I said before? About how girls like Madison are like elephants wandering around in the undergrowth, sometimes accidentally stomping chipmunks to death and not even noticing? This is what I was talking about. Because, honestly, the rational part of me knew for a rock-solid fact that I would never, ever get with Madison Hartner. But that was just the rational part of me. There’s always a stupid irrational part of you, too, and you can’t get rid of it. You can never completely kill off that tiny absurd spark of hope that this girl—against all odds, although she could date any guy at school, not to mention guys at college, and even though you look like the Oatmeal Monster and are a compulsive eater and suffer from constant congestion and say so many stupid things per day that it seems like a Stupid Things company is paying you to do it—this girl might like you. And so when that girl says, “You’re so weird, I love that about you,” it might feel good, it might actually feel amazing, but that’s just the weird chemical process that happens in your brain as you are being stomped to death by an elephant.
”
”
Jesse Andrews (Me and Earl and the Dying Girl)
“
Operating from the idea that a relationship (or anything else) will somehow complete you, save you, or make your life magically take off is a surefire way to keep yourself unhappy and unhitched.
Ironically, quite the opposite is true. What you really need to understand is that nothing outside of you can ever produce a lasting sense of completeness, security, or success. There’s no man, relationship, job, amount of money, house, car, or anything else that can produce an ongoing sense of happiness, satisfaction, security, and fulfillment in you.
Some women get confused by the word save. In this context, what it refers to is the mistaken idea that a relationship will rid you of feelings of emptiness, loneliness, insecurity, or fear that are inherent to every human being. That finding someone to be with will somehow “save” you from yourself. We all need to wake up and recognize that those feelings are a natural part of the human experience. They’re not meaningful. They only confirm the fact that we are alive and have a pulse. The real question is, what will you invest in: your insecurity or your irresistibility? The choice is yours.
Once you get that you are complete and whole right now, it’s like flipping a switch that will make you more attractive, authentic, and relaxed in any dating situation—instantly. All of the desperate, needy, and clingy vibes that drive men insane will vanish because you’ve stopped trying to use a relationship to fix yourself. The fact is, you are totally capable of experiencing happiness, satisfaction, and fulfillment right now. All you have to do is start living your life like you count. Like you matter. Like what you do in each moment makes a difference in the world. Because it really does.
That means stop putting off your dreams, waiting for someday, or delaying taking action on those things you know you want for yourself because somewhere deep inside you’re hoping that Prince Charming will come along to make it all better. You know what I’m talking about. The tendency to hold back from investing in your career, your health, your home, your finances, or your family because you’re single and you figure those things will all get handled once you land “the one.”
Psst. Here’s a secret: holding back in your life is what’s keeping him away.
Don’t wait until you find someone. You are someone.
”
”
Marie Forleo (Make Every Man Want You: How to Be So Irresistible You'll Barely Keep from Dating Yourself!)
“
If others were to look attentively into themselves as I do, they would find themselves, as I do, full of emptiness and tomfoolery. I cannot rid myself of them without getting rid of myself. We are all steeped in them, each as much as the other; but those who realize this get off, as I know, a little more cheaply.
That commonly approved practice of looking elsewhere than at our own self has served our affairs well! Our self is an object full of dissatisfaction: we can see nothing there but wretchedness and vanity. So as not to dishearten us, Nature has very conveniently cast the action of our sight outwards. We are swept on downstream, but to struggle back towards our self against the current is a painful movement; thus does the sea, when driven against itself, swirl back in confusion. Everyone says: 'Look at the motions of the heavens, look at society, at this man's quarrel, that man's pulse, this other man's will and testament' - in other words always look upwards or downwards or sideways, or before or behind you. That commandment given us in ancient times by that god at Delphi was contrary to all expectation: 'Look back into your self; get to know your self; hold on to your self.' Bring back to your self your mind and your will which are being squandered elsewhere; you are draining and frittering your self away. Consolidate your self; rein your self back. They are cheating you, distracting you, robbing you of your self.
Can you not see that this world of ours keeps its gave bent ever inwards and its eyes ever open to contemplate itself? It is always vanity in your case, within and without, but a vanity which is less, the less it extends.
Except you alone, O Man, said that god, each creature first studies its own self, and, according to its needs, has limits to its labours and desires. Not one is as empty and needy as you, who embrace the universe: you are the seeker with no knowledge, the judge with no jurisdiction and, when all is done, the jester of the farce.
”
”
Michel de Montaigne (Essays)
“
The Chinese ideograph for forbearance is a heart with a sword dangling over it, another instance of language's brilliant way of showing us something surprising and important fossilized inside the meaning of a word. Vulnerability is built into our hearts, which can be sliced open at any moment by some sudden shift in the arrangements, some pain, some horror, some hurt. We all know and instinctively fear this, so we protect our hearts by covering them against exposure. But this doesn't work. Covering the heart binds and suffocates it until, like a wound that has been kept dressed for too long, the heart starts to fester and becomes fetid. Eventually, without air, the heart is all but killed off, and there's no feeling, no experiencing at all.
To practice forbearance is to appreciate and celebrate the heart's vulnerability, and to see that the slicing or piercing of the heart does not require defense; that the heart's vulnerability is a good thing, because wounds can make us more peaceful and more real—if, that is, we are willing to hang on to the leopard of our fear, the serpent of our grief, the boar of our shame without running away or being hurled off. Forbearance is simply holding on steadfastly with whatever it is that unexpectedly arises: not doing anything; not fixing anything (because doing and fixing can be a way to cover up the heart, to leap over the hurt and pain by occupying ourselves with schemes and plans to get rid of it.) Just holding on for hear life. Holding on with what comes is what makes life dear.
...Simply holding on this way may sound passive. Forbearance has a bad reputation in our culture, whose conventional wisdom tells us that we ought to solve problems, fix what's broken, grab what we want, speak out, shake things up, make things happen. And should none of this work out, then we are told we ought to move on, take a new tack, start something else. But this line of thinking only makes sense when we are attempting to gain external satisfaction. It doesn't take into account internal well-being; nor does it engage the deeper questions of who you really are and what makes you truly happy, questions that no one can ignore for long... Insofar as forbearance helps us to embrace transformative energy and allow its magic to work on us... forbearance isn't passive at all. It's a powerfully active spiritual force, (67-70).
”
”
Norman Fischer (Sailing Home: Using the Wisdom of Homer's Odyssey to Navigate Life's Perils and Pitfalls)
“
if consumer demand should increase for the goods or services of any private business, the private firm is delighted; it woos and welcomes the new business and expands its operations eagerly to fill the new orders. Government, in contrast, generally meets this situation by sourly urging or even ordering consumers to “buy” less, and allows shortages to develop, along with deterioration in the quality of its service. Thus, the increased consumer use of government streets in the cities is met by aggravated traffic congestion and by continuing denunciations and threats against people who drive their own cars. The New York City administration, for example, is continually threatening to outlaw the use of private cars in Manhattan, where congestion has been most troublesome. It is only government, of course, that would ever think of bludgeoning consumers in this way; it is only government that has the audacity to “solve” traffic congestion by forcing private cars (or trucks or taxis or whatever) off the road. According to this principle, of course, the “ideal” solution to traffic congestion is simply to outlaw all vehicles! But this sort of attitude toward the consumer is not confined to traffic on the streets. New York City, for example, has suffered periodically from a water “shortage.” Here is a situation where, for many years, the city government has had a compulsory monopoly of the supply of water to its citizens. Failing to supply enough water, and failing to price that water in such a way as to clear the market, to equate supply and demand (which private enterprise does automatically), New York’s response to water shortages has always been to blame not itself, but the consumer, whose sin has been to use “too much” water. The city administration could only react by outlawing the sprinkling of lawns, restricting use of water, and demanding that people drink less water. In this way, government transfers its own failings to the scapegoat user, who is threatened and bludgeoned instead of being served well and efficiently. There has been similar response by government to the ever-accelerating crime problem in New York City. Instead of providing efficient police protection, the city’s reaction has been to force the innocent citizen to stay out of crime-prone areas. Thus, after Central Park in Manhattan became a notorious center for muggings and other crime in the night hours, New York City’s “solution” to the problem was to impose a curfew, banning use of the park in those hours. In short, if an innocent citizen wants to stay in Central Park at night, it is he who is arrested for disobeying the curfew; it is, of course, easier to arrest him than to rid the park of crime. In short, while the long-held motto of private enterprise is that “the customer is always right,” the implicit maxim of government operation is that the customer is always to be blamed.
”
”
Murray N. Rothbard (For a New Liberty: The Libertarian Manifesto (LvMI))
“
The Brits call this sort of thing Functional Neurological Symptoms, or FNS, the psychiatrists call it conversion disorder, and almost everyone else just calls it hysteria. There are three generally acknowledged, albeit uncodified, strategies for dealing with it. The Irish strategy is the most emphatic, and is epitomized by Matt O’Keefe, with whom I rounded a few years back on a stint in Ireland. “What are you going to do?” I asked him about a young woman with pseudoseizures. “What am I going to do?” he said. “I’ll tell you what I’m goin’ to do. I’m going to get her, and her family, and her husband, and the children, and even the feckin’ dog in a room, and tell ’em that they’re wasting my feckin’ time. I want ’em all to hear it so that there is enough feckin’ shame and guilt there that it’ll keep her the feck away from me. It might not cure her, but so what? As long as I get rid of them.” This approach has its adherents even on these shores. It is an approach that Elliott aspires to, as he often tells me, but can never quite marshal the umbrage, the nerve, or a sufficiently convincing accent, to pull off. The English strategy is less caustic, and can best be summarized by a popular slogan of World War II vintage currently enjoying a revival: “Keep Calm and Carry On.” It is dry, not overly explanatory, not psychological, and does not blame the patient: “Yes, you have something,” it says. “This is what it is [insert technical term here], but we will not be expending our time or a psychiatrist’s time on it. You will have to deal with it.” Predictably, the American strategy holds no one accountable, involves a brain-centered euphemistic explanation coupled with some touchy-feely stuff, and ends with a recommendation for a therapeutic program that, very often, the patient will ignore. In its abdication of responsibility, motivated by the fear of a lawsuit, it closely mirrors the beginning of the end of a doomed relationship: “It’s not you, it’s … no wait, it’s not me, either. It just is what it is.” Not surprisingly, estimates of recurrence of symptoms range from a half to two-thirds of all cases, making this one of the most common conditions that a neurologist will face, again and again.
”
”
Allan H. Ropper
“
I have a proposition for you,” she said, trying for a businesslike tone. “A very sensible one. You see—” She paused to clear her throat. “I’ve been thinking about your problem.”
“What problem?” Cam played lightly with the folds of her skirts, watching her face alertly.
“Your good-luck curse. I know how to get rid of it. You should marry into a family with very, very bad luck. A family with expensive problems. And then you won’t have to be embarrassed about having so much money, because it will flow out nearly as fast as it comes in.”
“Very sensible.” Cam took her shaking hand in his, pressed it between his warm palms. And touched his foot to her rapidly tapping one. “Hummingbird,” he whispered, “you don’t have to be nervous with me.”
Gathering her courage, Amelia blurted out, “I want your ring. I want never to take it off again. I want to be your romni forever”— she paused with a quick, abashed smile—“ whatever that is.”
“My bride. My wife.”
Amelia froze in a moment of throat-clenching delight as she felt him slide the gold ring onto her finger, easing it to the base. “When we were with Leo, tonight,” she said scratchily, “I knew exactly how he felt about losing Laura. He told me once that I couldn’t understand unless I had loved someone that way. He was right. And tonight, as I watched you with him … I knew what I would think at the very last moment of my life.”
His thumb smoothed over the tender surface of her knuckle. “Yes, love?”
“I would think,” she continued, “‘ Oh, if I could have just one more day with Cam. I would fit a lifetime into those few hours.’”
“Not necessary,” he assured her gently. “Statistically speaking, we’ll have at least ten, fifteen thousand days to spend together.”
“I don’t want to be apart from you for even one of them.”
Cam cupped her small, serious face in his hands, his thumbs skimming the trace of tears beneath her eyes. His gaze caressed her. “Are we to live in sin, love, or will you finally agree to marry me?”
“Yes. Yes. I’ll marry you. Although … I still can’t promise to obey you.”
Cam laughed quietly. “We’ll manage around that. If you’ll at least promise to love me.”
Amelia gripped his wrists, his pulse steady and strong beneath her fingertips. “Oh, I do love you, you’re—”
“I love you, too.”
“— my fate. You’re everything I—” She would have said more, if he had not pulled her head to his, kissing her with hard, thrilling pressure.
”
”
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
“
Swift came to the table and bowed politely. “My lady,” he said to Lillian, “what a pleasure it is to see you again. May I offer my renewed congratulations on your marriage to Lord Westcliff, and…” He hesitated, for although Lillian was obviously pregnant, it would be impolite to refer to her condition. “…you are looking quite well,” he finished.
“I’m the size of a barn,” Lillian said flatly, puncturing his attempt at diplomacy.
Swift’s mouth firmed as if he was fighting to suppress a grin. “Not at all,” he said mildly, and glanced at Annabelle and Evie.
They all waited for Lillian to make the introductions.
Lillian complied grudgingly. “This is Mr. Swift,” she muttered, waving her hand in his direction. “Mrs. Simon Hunt and Lady St. Vincent.”
Swift bent deftly over Annabelle’s hand. He would have done the same for Evie except she was holding the baby.
Isabelle’s grunts and whimpers were escalating and would soon become a full-out wail unless something was done about it.
“That is my daughter Isabelle,” Annabelle said apologetically. “She’s teething.”
That should get rid of him quickly, Daisy thought. Men were terrified of crying babies.
“Ah.” Swift reached into his coat and rummaged through a rattling collection of articles. What on earth did he have in there? She watched as he pulled out his pen-knife, a bit of fishing line and a clean white handkerchief.
“Mr. Swift, what are you doing?” Evie asked with a quizzical smile.
“Improvising something.” He spooned some crushed ice into the center of the handkerchief, gathered the fabric tightly around it, and tied it off with fishing line. After replacing the knife in his pocket, he reached for the baby without one trace of self-consciusness.
Wide-eyed, Evie surrendered the infant. The four women watched in astonishment as Swift took Isabelle against his shoulder with practiced ease. He gave the baby the ice-filled handkerchief, which she proceeded to gnaw madly even as she continued to cry.
Seeming oblivious to the fascinated stares of everyone in the room, Swift wandered to the window and murmured softly to the baby. It appeared he was telling her a story of some kind. After a minute or two the child quieted.
When Swift returned to the table Isabelle was half-drowsing and sighing, her mouth clamped firmly on the makeshift ice pouch.
“Oh, Mr. Swift,” Annabelle said gratefully, taking the baby back in her arms, “how clever of you! Thank you.”
“What were you saying to her?” Lillian demanded.
He glanced at her and replied blandly, “I thought I would distract her long enough for the ice to numb her gums. So I gave her a detailed explanation of the Buttonwood agreement of 1792.”
Daisy spoke to him for the first time. “What was that?”
Swift glanced at her then, his face smooth and polite, and for a second Daisy half-believed that she had dreamed the events of that morning. But her skin and nerves still retained the sensation of him, the hard imprint of his body.
“The Buttonwood agreement led to the formation of the New York Stock and Exchange Board,” Swift said. “I thought I was quite informative, but it seemed Miss Isabelle lost interest when I started on the fee-structuring compromise.”
“I see,” Daisy said. “You bored the poor baby to sleep.”
“You should hear my account of the imbalance of market forces leading to the crash of ’37,” Swift said. “I’ve been told it’s better than laudanum.
”
”
Lisa Kleypas (Scandal in Spring (Wallflowers, #4))
“
I shoot up out of my chair. “It’s Bree. Hide the board!”
Everyone hops out of their chairs and starts scrambling around and bumping into each other like a classic cartoon. We hear the door shut behind her, and the whiteboard is still standing in the middle of the kitchen like a lit-up marquee. I hiss at Jamal, “Get rid of it!”
His eyes are wide orbs, head whipping around in all directions. “Where? In the utensil drawer? Up my shirt?! There’s nowhere! That thing is huge!”
“LADY IN THE HOUSE!” Bree shouts from the entryway. The sound of her tennis shoes getting kicked off echoes around the room, and my heart races up my throat.
Her name is pasted all over that whiteboard along with phrases like “first kiss—keep it light” and “entwined hand-holding” and “dirty talk about her hair”.
Yeah…I’m not sure about that last one, but we’ll see. Basically, it’s all laid out there—the most incriminating board in the world. If Bree sees this thing, it’s all over for me.
“Erase it!” Price whispers frantically.
“No, we didn’t write it down anywhere else! We’ll lose all the ideas.”
I can hear Bree’s footsteps getting closer. “Nathan? Are you home?”
“Uh—yeah! In the kitchen.”
Jamal tosses me a look like I’m an idiot for announcing our location, but what am I supposed to do? Stand very still and pretend we’re not all huddled in here having a Baby-Sitter’s Club re-enactment? She would find us, and that would look even worse after keeping quiet.
“Just flip it over!” I tell anyone who’s not running in a circle chasing his tail.
As Lawrence flips the whiteboard, Price tells us all to act natural. So of course, the second Bree rounds the corner, I hop up on the table, Jamal rests his elbow on the wall and leans his head on his hand, and Lawrence just plops down on the floor and pretends to stretch. Derek can’t decide what to do so he’s caught mid-circle. We all have fake smiles plastered on. Our acting is shit.
Bree freezes, blinking at the sight of each of us not acting at all natural. “Whatcha guys doing?”
Her hair is a cute messy bun of curls on the top of her head and she’s wearing her favorite joggers with one of my old LA Sharks hoodies, which she stole from my closet a long time ago. It swallows her whole, but since she just came from the studio, I know there is a tight leotard under it. I can barely find her in all that material, and yet she’s still the sexiest woman I’ve ever seen. Just her presence in this room feels like finally getting hooked up to oxygen after days of not being able to breathe deeply.
We all respond to Bree’s question at the same time but with different answers. It’s highly suspicious and likely what makes her eyes dart to the whiteboard. Sweat gathers on my spine.
“What’s with the whiteboard?” she asks, taking a step toward it.
I hop off the table and get in her path. “Huh? Oh, it’s…nothing.”
She laughs and tries to look around me. I pretend to stretch so she can’t see. “It doesn’t look like nothing. What? Are you guys drawing boobies on that board or something? You look so guilty.”
“Ah—you caught us! Lots of illustrated boobs drawn on that board. You don’t want to see it.”
She pauses, a fading smile hovering on her lips, and her eyes look up to meet mine. “For real—what’s going on? Why can’t I see it?” She doesn’t believe my boob explanation. I guess we should take that as a compliment?
My eyes catch over Bree’s shoulder as Price puts himself out of her line of sight and begins miming the action of getting his phone out and taking a picture of the whiteboard. This little show is directed at Derek, who is standing somewhere behind me.
Bree sees me watching Price and whips her head around to catch him. He freezes—hands extended looking like he’s holding an imaginary camera. He then transforms that into a forearm stretch. “So tight after our workout today.”
Her eyes narrow.
”
”
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))
“
Normally, Bentner would have beamed approvingly at the pretty portrait the girls made, but this morning, as he put out butter and jam, he had grim news to impart and a confession to make. As he swept the cover off the scones he gave his news and made his confession.
“We had a guest last night,” he told Elizabeth. “I slammed the door on him.”
“Who was it?”
“A Mr. Ian Thornton.”
Elizabeth stifled a horrified chuckle at the image that called to mind, but before she could comment Bentner said fiercely, “I regretted my actions afterward! I should have invited him inside, offered him refreshment, and slipped some of that purgative powder into his drink. He’d have had a bellyache that lasted a month!”
“Bentner,” Alex sputtered, “you are a treasure!”
“Do not encourage him in these fantasies,” Elizabeth warned wryly. “Bentner is so addicted to mystery novels that he occasionally forgets that what one does in a novel cannot always be done in real life. He actually did a similar thing to my uncle last year.”
“Yes, and he didn’t return for six months,” Bentner told Alex proudly.
“And when he does come,” Elizabeth reminded him with a frown to sound severe, “he refuses to eat or drink anything.”
“Which is why he never stays long,” Bentner countered, undaunted. As was his habit whenever his mistress’s future was being discussed, as it was now, Bentner hung about to make suggestions as they occurred to him. Since Elizabeth had always seemed to appreciate his advice and assistance, he found nothing odd about a butler sitting down at the table and contributing to the conversation when the only guest was someone he’d known since she was a girl.
“It’s that odious Belhaven we have to rid you of first,” Alexandra said, returning to their earlier conversation. “He hung about last night, glowering at anyone who might have approached you.” She shuddered. “And the way he ogles you. It’s revolting. It’s worse than that; he’s almost frightening.”
Bentner heard that, and his elderly eyes grew thoughtful as he recalled something he’d read about in one of his novels. “As a solution it is a trifle extreme,” he said, “but as a last resort it could work.”
Two pairs of eyes turned to him with interest, and he continued, “I read it in The Nefarious Gentleman. We would have Aaron abduct this Belhaven in our carriage and bring him straightaway to the docks, where we’ll sell him to the press gangs.”
Shaking her head in amused affection, Elizabeth said, “I daresay he wouldn’t just meekly go along with Aaron.”
“And I don’t think,” Alex added, her smiling gaze meeting Elizabeth’s, “a press gang would take him. They’re not that desperate.”
“There’s always black magic,” Bentner continued. “In Deathly Endeavors there was a perpetrator of ancient rites who cast an evil spell. We would require some rats’ tails, as I recall, and tongues of-“
“No,” Elizabeth said with finality.
“-lizards,” Bentner finished determinedly.
“Absolutely not,” his mistress returned.
“And fresh toad old, but procuring that might be tricky. The novel didn’t say how to tell fresh from-“
“Bentner!” Elizabeth exclaimed, laughing. “You’ll cast us all into a swoon if you don’t desist at once.”
When Bentner had padded away to seek privacy for further contemplation of solutions, Elizabeth looked at Alex. “Rats’ tails and lizards’ tongues,” she said, chuckling. “No wonder Bentner insists on having a lighted candle in his room all night.”
“He must be afraid to close his eyes after reading such things,” Alex agreed.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
It was the first time that I entered the house on the lake. I had often begged the “trap-door lover,” as we used to call Erik in my country, to open its mysterious doors to me. He always refused. I made very many attempts, but in vain, to obtain admittance. Watch him as I might, after I first learned that he had taken up his permanent abode at the Opera, the darkness was always too thick to enable me to see how he worked the door in the wall on the lake. One day, when I thought myself alone, I stepped into the boat and rowed toward that part of the wall through which I had seen Erik disappear. It was then that I came into contact with the siren who guarded the approach and whose charm was very nearly fatal to me.
I had no sooner put off from the bank than the silence amid which I floated on the water was disturbed by a sort of whispered singing that hovered all around me. It was half breath, half music; it rose softly from the waters of the lake; and I was surrounded by it through I knew not what artifice. It followed me, moved with me and was so soft that it did not alarm me. On the contrary, in my longing to approach the source of that sweet and enticing harmony, I leaned out of my little boat over the water, for there was no doubt in my mind that the singing came from the water itself. By this time, I was alone in the boat in the middle of the lake; the voice—for it was now distinctly a voice—was beside me, on the water. I leaned over, leaned still farther. The lake was perfectly calm, and a moonbeam that passed through the air hole in the Rue Scribe showed me absolutely nothing on its surface, which was smooth and black as ink. I shook my ears to get rid of a possible humming; but I soon had to accept the fact that there was no humming in the ears so harmonious as the singing whisper that followed and now attracted me.
Had I been inclined to superstition, I should have certainly thought that I had to do with some siren whose business it was to confound the traveler who should venture on the waters of the house on the lake. Fortunately, I come from a country where we are too fond of fantastic things not to know them through and through; and I had no doubt but that I was face to face with some new invention of Erik’s. But this invention was so perfect that, as I leaned out of the boat, I was impelled less by a desire to discover its trick than to enjoy its charm; and I leaned out, leaned out until I almost overturned the boat.
Suddenly, two monstrous arms issued from the bosom of the waters and seized me by the neck, dragging me down to the depths with irresistible force. I should certainly have been lost, if I had not had time to give a cry by which Erik knew me. For it was he; and, instead of drowning me, as was certainly his first intention, he swam with me and laid me gently on the bank:
“How imprudent you are!” he said, as he stood before me, dripping with water. “Why try to enter my house? I never invited you! I don’t want you there, nor anybody! Did you save my life only to make it unbearable to me? However great the service you rendered him, Erik may end by forgetting it; and you know that nothing can restrain Erik, not even Erik himself.”
He spoke, but I had now no other wish than to know what I already called the trick of the siren. He satisfied my curiosity, for Erik, who is a real monster—I have seen him at work in Persia, alas—is also, in certain respects, a regular child, vain and self-conceited, and there is nothing he loves so much, after astonishing people, as to prove all the really miraculous ingenuity of his mind.
He laughed and showed me a long reed.
“It’s the silliest trick you ever saw,” he said, “but it’s very useful for breathing and singing in the water. I learned it from the Tonkin pirates, who are able to remain hidden for hours in the beds of the rivers.
”
”
Gaston Leroux (The Phantom of the Opera)