“
Whenever my environment had failed to support or nourish me, I had clutched at books...
”
”
Richard Wright (Black Boy)
“
The artist must bow to the monster of his own imagination.
”
”
Richard Wright
“
I would hurl words into this darkness and wait for an echo, and if an echo sounded, no matter how faintly, I would send other words to tell, to march, to fight, to create a sense of the hunger for life that gnaws in us all.
”
”
Richard Wright (Black Boy)
“
Men can starve from a lack of self-realization as much as they can from a lack of bread.
”
”
Richard Wright (Native Son)
“
Violence is a personal necessity for the oppressed...It is not a strategy consciously devised. It is the deep, instinctive expression of a human being denied individuality.
”
”
Richard Wright (Native Son)
“
Reading was like a drug, a dope. The novels created moods in which I lived for days.
”
”
Richard Wright (Black Boy)
“
They hate because they fear, and they fear because they feel that the deepest feelings of their lives are being assaulted and outraged. And they do not know why; they are powerless pawns in a blind play of social forces.
”
”
Richard Wright (Native Son)
“
All literature is protest.
”
”
Richard Wright
“
Love grows from stable relationships, shared experience, loyalty, devotion, trust.
”
”
Richard Wright
“
I didn't know I was really alive in this world until I felt things hard enough to kill for 'em...
”
”
Richard Wright (Native Son)
“
I did not know if the story was factually true or not, but it was emotionally true [...].
”
”
Richard Wright (Black Boy)
“
It was not a matter of believing or disbelieving what I read, but of feeling something new, of being affected by something that made the look of the world different.
”
”
Richard Wright (Black Boy)
“
I was leaving the South
to fling myself into the unknown . . .
I was taking a part of the South
to transplant in alien soil,
to see if it could grow differently,
if it could drink of new and cool rains,
bend in strange winds,
respond to the warmth of other suns
and, perhaps, to bloom
”
”
Richard Wright
“
I was not leaving the south to forget the south, but so that some day I might understand it
”
”
Richard Wright (Black Boy)
“
If a man confessed anything on his death bed, it was the truth; for no man could stare death in the face and lie.
”
”
Richard Wright
“
I knew that I lived in a country in which the aspirations of black people were limited, marked-off. Yet I felt that I had to go somewhere and do something to redeem my being alive.
”
”
Richard Wright (Black Boy)
“
The white folks like for us to be religious, then they can do what they want to with us.
”
”
Richard Wright (Native Son)
“
Our too-young and too-new America, lusty because it is lonely, aggressive because it is afraid, insists upon seeing the world in terms of good and bad, the holy and the evil, the high and the low, the white and the black; our America is frightened of fact, of history, of processes, of necessity. It hugs the easy way of damning those whom it cannot understand, of excluding those who look different, and it salves its conscience with a self-draped cloak of righteousness
”
”
Richard Wright (Black Boy)
“
If you possess enough courage to speak out what you are, you will find you are not alone.
”
”
Richard Wright (Black Boy)
“
Make up your mind, Snail! You are half inside your house, And halfway out!
”
”
Richard Wright
“
Literature is a struggle over the nature of reality.
”
”
Richard Wright (Native Son)
“
Hunger has always been more or less at my elbow when I played, but now I began to wake up at night to find hunger standing at my bedside, staring at my gauntly.
”
”
Richard Wright (Black Boy)
“
Goddamnit, look! We live here and they live there. We black and they white. They got things and we ain't. They do things and we can't. It's just like livin' in jail.
”
”
Richard Wright (Native Son)
“
Pity can purge us of hostility and arouse feelings of identification with the characters, but it can also be a consoling reassurance which leads us to believe that we have understood, and that, in pitying, we have even done something to right a wrong.
”
”
Richard Wright (Native Son)
“
But the color of a Negro's skin makes him easily recognizable, makes him suspect, converts him into a defenseless target
”
”
Richard Wright (Black Boy)
“
Ought one to surrender to authority even if one believed that that authority was wrong? If the answer was yes, then I knew that I would always be wrong, because I could never do it. Then how could one live in a world in which one's mind and perceptions meant nothing and authority and tradition meant everything? There were no answers.
”
”
Richard Wright (Black Boy)
“
Wherever I found religion in my life I found strife, the attempt of one individual or group to rule another in the name of God. The naked will to power seemed always to walk in the wake of a hymn.
”
”
Richard Wright (Black Boy)
“
there are times when life's ends are so raveled that reason and sense cry out that we stop and gather them together again before we can proceed
”
”
Richard Wright
“
Anything seemed possible, likely, feasible, because I wanted everything to be possible... Because I had no power to make things happen outside of me in the objective world, I made things happen within. Because my environment was bare and bleak, I endowed it with unlimited potentialities, redeemed it for the sake of my own hungry and cloudy yearning.
”
”
Richard Wright (Cliffs Notes on Wright's Black Boy)
“
You asked me questions nobody ever asked me before. You knew that I was a murderer two times over, but you treated me like a man...
”
”
Richard Wright (Native Son)
“
He had lived and acted on the assumption that he was alone, and now he saw that he had not been. What he had done made others suffer. No matter how much he would long for them to forget him, they would not be able to. His family was a part of him, not only in blood, but in spirit.
”
”
Richard Wright (Native Son)
“
Every movement of his body is an unconscious protest. Every desire, every dream, no matter how intimate or personal, is a plot or a conspiracy. Every hope is a plan for insurrection. Every glance of the eye is a threat. His very existence is a crime against the state!
”
”
Richard Wright (Native Son)
“
... a knowledge of how to live was a knowledge of how to die.
”
”
Richard Wright (Native Son)
“
My days and nights were one long, quiet, continuously contained dream of teror, tension, and anxiety. I wondered how long I could bear it.
”
”
Richard Wright (Black Boy)
“
It made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.
”
”
Richard Wright (Black Boy)
“
So he held toward them an attitude of iron reserve; he lived with them, but behind a wall, a curtain. And toward himself he was even more exacting.
”
”
Richard Wright (Native Son)
“
You can't make me do nothing but die!
”
”
Richard Wright (Native Son)
“
The thing to do was to act just like others acted, live like they lived, and while they were not looking, do what you wanted.
”
”
Richard Wright
“
..when I tried to talk to him I realized that, though ties of blood made us kin, though I could see a shadow of my face in his face, though there was an echo of my voice in his voice, we were forever strangers, speaking a different language, living on vastly distant planes of reality
”
”
Richard Wright (Black Boy)
“
Their constant outward-looking, their mania for radios, cars, and a thousand other trinkets made them dream and fix their eyes upon the trash of life, made it impossible for them to learn a language which could have taught them to speak of what was in their or others' hearts. The words of their souls were the syllables of popular songs.
”
”
Richard Wright (Black Boy)
“
Did you ever feel happy in church?" "Naw. I didn’t want to. Nobody but poor folks get happy in church." "But you are poor, Bigger."
Again Bigger’s eyes lit with a bitter and feverish pride. "I ain’t that poor.
”
”
Richard Wright (Native Son)
“
I listened, vaguely knowing now that I had committed some awful wrong that I could not undo, that I had uttered words I could not recall even though I ached to nullify them, kill them, turn back time to the moment before I had talked so that I could have another chance to save myself.
”
”
Richard Wright (Black Boy)
“
...it was no longer a matter of whether I would steal or lie or murder; it was a simple, urgent matter of public pride, a matter of how much I had in common with other people.
”
”
Richard Wright (Black Boy)
“
A man will seek to express his relation to the stars; but when a man's consciousness has been riveted upon obtaining a loaf of bread, that loaf of bread is as important as the stars.
”
”
Richard Wright (Black Boy)
“
Is not life exactly what it ought to be, in a certain sense? Isn't it only the naive who find all of this baffling? If you've a notion of what man's heart is, wouldn't you say that maybe the whole effort of man on earth to build a civilization is simply man's frantic and frightened attempt to hide himself from himself?
”
”
Richard Wright
“
How could one find out about life when one was about to die?
”
”
Richard Wright (Native Son)
“
The southern whites would rather have had Negroes who stole, work for them than Negroes who knew, however dimly, the worth of their own humanity. Hence, whites placed a premium upon black deceit; they encouraged irresponsibility; and their rewards were bestowed upon us blacks in the degree that we could make them feel safe and superior.
”
”
Richard Wright (Black Boy)
“
Held at bay by the hate of others, preoccupied with his own feelings, he was continuously at war with reality.
”
”
Richard Wright (Black Boy)
“
Every man, it seems, interprets the world in the light of his habits and desires
”
”
Richard Wright (The Outsider)
“
Literature is a struggle over the nature of reality.
--Richard Wright to William Faulkner
”
”
Richard Wright
“
It would have been impossible for me to have told anyone what I derived from these novels, for it was nothing less than than a sense of life itself. All my life had shaped me for the realism, the maturalism of the modern novel, and I could not read enough of them.
”
”
Richard Wright (Black Boy)
“
I could endure the hunger. I had learned to live with hate. But to feel that there was feeling denied me, that the very breath of life itself was beyond my reach, that more than anything else hurt, wounded me. I had a new hunger.
”
”
Richard Wright
“
...I wish I could be an example to you..."
I knew that I had conquered him, had rid myself of him mentally and emotionally; but I wanted to be sure.
"You are not an example to me; you could never be," I spat at him. "You're a warning.
”
”
Richard Wright (Black Boy)
“
...the impulse to dream had been slowly beaten out of me by experience.
”
”
Richard Wright (Black Boy)
“
I was persisting in reading my present environment in the light of my old one.
”
”
Richard Wright (Black Boy)
“
It had been only through books-at best, no more than vicarious cultural transfusions-that I had managaed to keep myself alive in a negatively vital way. Whenever my environment had failed to support or nourish me, I had clutched at books...
”
”
Richard Wright (Cliffs Notes on Wright's Black Boy)
“
The world of most men is given to them by their culture..
”
”
Richard Wright (The Outsider)
“
would send other words to tell, to march, to fight, to create a sense of the hunger of life that gnaws in us all, to keep alive in our hearts a sense of the inexpressibly human
”
”
Richard Wright (Black Boy)
“
And if Poe were alive, he would not have to invent horror; horror would invent him.
”
”
Richard Wright (Bigger Thomas (Major Literary Characters))
“
At the age of twelve I had an attitude toward life that was to endure, that was to make me seek those areas of living that would keep it alive, that was to make me skeptical of everything while seeking everything, tolerant of all and yet critical. The spirit I had caught gave me insight into the suffering of others, made me gravitate toward those whose feelings were like my own, made me sit for hours while others told me of their lives, made me strangely tender and cruel, violent and peaceful.
”
”
Richard Wright
“
They lived on the surface of their days; their smiles were surface smiles, and their tears were surface tears. Negroes lived a truer and deeper life than they, but I wished that Negroes, too, could live as thoughtlessly, serenely as they.
”
”
Richard Wright (Black Boy)
“
In all my life— though surrounded by many people— I had not had a single satisfying, sustained relationship with another human being and, not having had any, I did not miss it. I made no demands whatever upon others.
”
”
Richard Wright (Black Boy)
“
The artist and the politician stand at opposite poles. The artist enhances life by his prolonged concentration upon it, while the politician emphasizes the impersonal aspect of life by his attempts to fit men into groups.
”
”
Richard Wright (Black Boy)
“
Public peace is the act of public trust; it is the faith that all are secure and will remain secure.
”
”
Richard Wright (Native Son)
“
You look like an accident going somewhere to happen
”
”
Richard Wright (The Outsider)
“
....I wondered if there had been a more corroding and devastating attack upon the personalities of men than the idea of racial discrimination.
”
”
Richard Wright
“
Having been thrust out of the world because of my race, I had accepted my destiny by not being curious about what shaped it
”
”
Richard Wright (Uncle Tom's Children)
“
I had tasted what to me was life, and I would have more of it, somehow, someway.
”
”
Richard Wright (Black Boy)
“
If you posses enough courage to speak out what you are, you will find that you are not alone.
”
”
Richard Wright
“
They felt that it was much easier and safer to rob their own people, for they knew that white policemen never really searched diligently for Negroes who committed crimes against other Negroes.
”
”
Richard Wright (Native Son)
“
Toward no one in the world did he feel any fear now, for he knew that fear was useless; and toward no one in the world did he feel any hate now, for he knew that hate would not help him. Though
”
”
Richard Wright (Native Son)
“
Едно усмихнато момче
стои сред падащия сняг,
простира длани,
докато побелеят.
”
”
Richard Wright (Американски негърски поети)
“
I was seized by doubt. Should I have come here? But going back was impossible. I had fled a known terror, and perhaps I could cope with this unknown terror that lay ahead.
”
”
Richard Wright (Black Boy)
“
In many instances Christianity provides Communism with its justification. Communism is paying the unpaid bills of the Christian church.
”
”
Richard Wright (Black Power: The Color Curtain / Black Power / White Man, Listen!)
“
The white man's God is just like the white man. He thinks he is the only God, just like the white man thinks he is the only man.
”
”
Richard Wright
“
If the stars twinkled more than usual on any given night, it meant that the angels in heaven were happy and were flitting across the doors of heaven; and since stars were merely holes ventilating heaven, the twinkling came from the angels flitting past the holes that admitted air into the holy home of God.
”
”
Richard Wright (Black Boy)
“
In me was shaping a yearning for a kind of consciousness, a mode of being that the way of life about me had said could not be, must not be, and upon which the penalty of death had been placed. Somewhere in the dead of the southern night my life had switched onto the wrong track and without my knowing it, the locomotive of my heart was rushing down a dangerously steep slope, heading for a collision, heedless of the warning red lights that blinked all about me, the sirens and the bells and the screams that filled the air.
”
”
Richard Wright (Black Boy)
“
Knowing almost nothing about books or serious magazines, intellectually he is a creature of the movie house, where he is an easy prey to fantasies concocted by Hollywood for the gullible. He
”
”
Richard Wright (Native Son)
“
They argued about the weather, sports, sex, war, race, politics, and religion; neither of them knew the subjects they debated, but it seemed that the less they knew the better the could argue.
”
”
Richard Wright (Black Boy)
“
If only ten or twenty Negroes had been put into slavery, we would call it injustice, but there were hundreds of thousands of them throughout the country. If this state of affairs had lasted for two or three years, we could say that it was unjust; but it lasted for more than two hundred years. Injustice which lasts for three long centuries and which exists among millions of people over thousands of square miles of territory, is injustice no longer; it is an accomplished fact of life.
”
”
Richard Wright (Native Son)
“
But rape was not what one did to women. Rape was what one felt when one's back was against the wall and one had to strike out, whether one wanted to or not, to keep the pack from killing one. He committed rape every time he looked into a white face. He was a long, taut piece of rubber which a thousand white hands had stretched to the snapping point, and when he snapped it was rape. But it was rape when he cried out in hate deep in his heart as he felt the strain of living day by day. That, too, was rape.
”
”
Richard Wright (Native Son)
“
he had lived within the narrow grooves of habit so long that he had learned to see in his dark world without the aid of eyes,
”
”
Richard Wright (The Man Who Lived Underground)
“
He had been defeated by that which he had sought to destroy.
”
”
Richard Wright (The Outsider)
“
...to see was not to control, that self-understanding was far short of self-mastery. He was afraid of himself.
”
”
Richard Wright (The Outsider)
“
Men are inventing ideas every day to justify for themselves and others their actions and needs.
”
”
Richard Wright (The Outsider)
“
Dewdrop joins dewdrop
Till a petal holds a pool
Reflecting its rose.
”
”
Richard Wright (Haiku: The Last Poems of an American Icon)
“
While his mother sank in his eyes into the embodiment of passivity and victimization, he found it almost impossible to forge warm ties with other human beings.
”
”
Richard Wright (Native Son)
“
There isn't any Negro problem; there is only a white problem.
”
”
Richard Wright
“
In a movie he could dream without effort; all he had to do was lean back in a seat and keep his eyes open.
”
”
Richard Wright (Native Son)
“
They wouldn’t let me live and I killed. Maybe it ain’t fair to kill, and I reckon I really didn’t want to kill.
”
”
Richard Wright (Native Son)
“
How can law contradict the lives of millions of people and hope to be administered successfully? Do we believe in magic?
”
”
Richard Wright (Native Son)
“
How constantly and overwhelmingly the advertisements, radios, newspapers and movies play upon us! But in thinking of them remember that to many they are tokens of mockery.
”
”
Richard Wright (Native Son)
“
Slowly he lifted his hands in the darkness and held them in mid-air, the fingers spread weakly open. If he reached out with his hands, and if his hands were electric wires, and if his heart were a battery giving life and fire to those hands, and if he reached out with his hands and touched other people, reached out through these stone walls and felt other hands connected with other hearts -- if he did that, would there be a reply, a shock?
”
”
Richard Wright (Native Son)
“
These conditions reflected the failures of modern civilization—the death of genuine spiritual values and traditions, the harsh ness of economic greed and exploitation, the avarice for glittering material goods that, in a culture of consumerism, ultimately possessed the possessor.
”
”
Richard Wright (Native Son)
“
I had written a book of short stories which was published under the title of "Uncle Tom's Children". When the review of that book began to appear, I realized that I had made an awful naive mistake. I found that I had written a book which even bankers' daughters could read and weep over and feel good about. I swore to myself that if I ever wrote another book, no one would weep over it; that it would be so hard and deep that they would have to face it without the consolation of tears.
”
”
Richard Wright (Bigger Thomas (Major Literary Characters))
“
With ever watchful eyes and bearing scars, visible and invisible, I headed North, full of a hazy notion that life could be lived with dignity, that the personalities of others should not be violated, that men should be able to confront other men without fear or shame, and that if men were lucky in their living on earth they might win some redeeming meaning for the having struggled and suffered here beneath the stars.
”
”
Richard Wright (Black Boy)
“
Tôi nóng lòng học để đọc tiểu thuyết và tôi dày vò mẹ tôi để mẹ giải thích cho tôi nghĩa mọi từ xa lạ tôi gặp, không phải vì từ ngữ có một giá trị tự thân, mà vì rằng đây là chìa khóa của một thế giới thần tiên và cấm đoán.
”
”
Richard Wright (Black Boy)
“
An organic wish to cease to be, to stop living, seized him. Either he was too weak, or the world was too strong; he did not know which. Over and over he had tried to create a world to live in, and over and over he had failed.
”
”
Richard Wright (Native Son)
“
If you think I’m telling tall tales, get chummy with some white cop who works in a Black Belt district and ask him for the lowdown. When
”
”
Richard Wright (Native Son)
“
There was a hunger for power reaching out of the senses of man and trying to say something in the symbols of action.
”
”
Richard Wright (The Outsider)
“
absolute power is corrupting
”
”
Richard Wright (The Outsider)
“
I wanted to try to build a bridge of words between me and that world outside, that world which was so distant and elusive that it seemed unreal.
”
”
Richard Wright (American Hunger)
“
How soon will someone speak the word the resentful millions will understand: the word to be, to act, to live?
”
”
Richard Wright (Native Son)
“
Sweep away the clouds
And let a dome of blue sky
Give this sea a name!
”
”
Richard Wright (Haiku: The Last Poems of an American Icon)
“
Over spring mountains
A star ends the paragraph
Of a thunderstorm.
”
”
Richard Wright (Haiku: The Last Poems of an American Icon)
“
George Washington Cable in the nineteenth century and, in Wright’s own time, William Faulkner.
”
”
Richard Wright (Native Son)
“
Could words be weapons?
”
”
Richard Wright (Black Boy)
“
It was fear that had made him fight Gus in the poolroom. If he had felt certain of himself and of Gus, he would not have fought.
”
”
Richard Wright (Native Son)
“
But a vague hunger would come over me for books, books that opened up new avenues of feeling and seeing...
”
”
Richard Wright (Black Boy)
“
Hate yearned to destroy and sought to forget, but love could not. Love strove creatively towards days that had yet to come.
”
”
Richard Wright (The Outsider)
“
Pale yellow sunshine fell through high windows and slashed the air.
”
”
Richard Wright (Native Son)
“
Every decent man in America ought to swoon with joy for the opportunity to crush with his heel the woolly head of this black lizard, to keep him from scuttling on his belly farther over the earth and spitting forth his venom of death!
”
”
Richard Wright (Native Son)
“
And one morning while in the woods I stumbled
suddenly upon the thing,
Stumbled upon it in a grassy clearing guarded by scaly
oaks and elms
And the sooty details of the scene rose, thrusting
themselves between the world and me....
”
”
Richard Wright (Between The World And Me)
“
It would have been impossible for me to have told anyone what I derived from these novels, for it was nothing less than a sense of life itself. [...] It had been only through books - at best, no more than vicarious cultural transfusions - that I had managed to keep myself alive in a negatively vital way. Whenever my environment had failed to support or nourish me, I had clutched at books; consequently, my belief in books had risen more out of a sense of desperation than from any abiding conviction of their ultimate value.
”
”
Richard Wright
“
Then, first of all, let us admit that there is no such thing as objectivity, no such objective fact as objectivity. Objectivity is a fabricated concept, a synthetic intellectual construction...
”
”
Richard Wright (White Man, Listen!)
“
It’s because others have said you were bad and they made you live in bad conditions. When a man hears that over and over and looks about him and sees that his life is bad, he begins to doubt his own mind.
”
”
Richard Wright (Native Son)
“
the civilization which had given birth to Bigger contained no spiritual sustenance, had created no culture which could hold and claim his allegiance and faith, had sensitized him and had left him stranded,
”
”
Richard Wright (Native Son)
“
In the old days we were concerned with mobs, with thousands of men running amuck in the streets. The mob has conquered completely. When the mob has grown so vast that you cannot see it, then it is everywhere.
”
”
Richard Wright (The Outsider)
“
Outside of time and space, he looked down upon the earth and saw that each fleeting day was a day of dying, that men died slowly with each passing moment as much as they did in war, that human grief and sorrow were utterly insufficient to this vast, dreary spectacle.
”
”
Richard Wright (The Man Who Lived Underground)
“
As long as he could remember, he had never been responsible to anyone. The moment a situation became so that it exacted something of him, he rebelled. That was the way he lived; he passed his days trying to defeat or gratify powerful impulses in a world he feared. Outside
”
”
Richard Wright (Native Son)
“
At the age of twelve, before I had had one full year of formal schooling, I had a conception of life that no experience would ever erase, a predilection for what was real that no argument could ever gainsay, a sense of the world that was mine and mine alone, a notion as to what life meant that no education could ever alter, a conviction that the meaning of living came only when one was struggling to wring a meaning out of meaningless suffering.
”
”
Richard Wright (Black Boy)
“
The cross the preacher had told him about was bloody, not flaming; meek, not militant. It had made him feel awe and wonder, not fear and panic. It had made him want to kneel and cry, but this cross made him want to curse and kill.
”
”
Richard Wright
“
Rather, I plead with you to see a mode of life in our midst, a mode of life stunted and distorted, but possessing its own laws and claims, an existence of men growing out of the soil prepared by the collective but blind will of a hundred million people. I beg you to recognize human life draped in a form and guise alien to ours, but springing from a soil plowed and sown by our own hands. I ask you to recognize laws and processes flowing from such a condition, understand them, seek to change them. If we do none of these, then we should not pretend horror or surprise when thwarted life expresses itself in fear and hate and crime.
”
”
Richard Wright (Native Son)
“
Hence, there is no such thing as an absolute objectivity of attitude. The most rigorously determined attitude of objectivity is, at best, relative. We are human; we are the slaves of our assumptions, of time and circumstance; we are the victims of our passions and illusions; and the most our critics can ask of us is this: Have you taken your passions, your illusions, your time, and your circumstance into account?
”
”
Richard Wright (White Man, Listen!)
“
My mother's suffering grew into a symbol in my mind, gathering to itself all the poverty, the ignorance, the helplessness; the painful, baffling, hunger-ridden days and hours; the restless moving, the futile seeking, the uncertainty, the fear, the dread; the meaningless pain and the endless suffering. Her life set the emotional tone of my life, colored the men and women I was to meet in the future, conditioned my relation to events that had not yet happened, determined my attitude to situations and circumstances I had yet to face. A somberness of spirit that I was never to lose settled over me during the slow years of my mother's unrelieved suffering, a somberness that was to make me stand apart and look upon excessive joy with suspicion, that was to make me keep forever on the move, as though to escape a nameless fate seeking to overtake me.
At the age of twelve, before I had one year of formal schooling, I had a conception of life that no experience would ever erase, a predilection for what was real that no argument could ever gainsay, a sense of the world that was mine and mine alone, a notion as to what life meant that no education could ever alter, a conviction that the meaning of living came only when one was struggling to wring a meaning out of meaningless suffering.
At the age of twelve I had an attitude toward life that was to endure, that was to make me seek those areas of living that would keep it alive, that was to make me skeptical of everything while seeking everything, tolerant of all and yet critical. The spirit I had caught gave me insight into the sufferings of others, made me gravitate toward those whose feelings were like my own, made me sit for hours while others told me of their lives, made me strangely tender and cruel, violent and peaceful.
It made me want to drive coldly to the heart of every question and it open to the core of suffering I knew I would find there. It made me love burrowing into psychology, into realistic and naturalistic fiction and art, into those whirlpools of politics that had the power to claim the whole of men's souls. It directed my loyalties to the side of men in rebellion; it made me love talk that sought answers to questions that could help nobody, that could only keep alive in me that enthralling sense of wonder and awe in the face of the drama of human feeling which is hidden by the external drama of life.
”
”
Richard Wright (Black Boy (American Hunger))
“
In shaking hands I was doing something that I was to do countless times in the years to come: acting in conformity with what others expected of me even though, by the very nature and form of life, I did not and could not share their spirit.
”
”
Richard Wright (Black Boy)
“
We cannot shake off three hundred years of fear
in three hours.
”
”
Richard Wright (12 Million Black Voices)
“
He did not like me and I did not like him, though I tried harder than he to conceal my dislike.
”
”
Richard Wright (Black Boy)
“
The most valued pleasure of the people I knew was a car, the most cherished experience a bottle of whisky, the most sought-after prize somebody else’s wife.
”
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Richard Wright (Black Boy)
“
Yes, the whites were as miserable as their black victims, I thought. If this country can't find its way to a human path, if it can't inform conduct with a deep sense of life, then all of us, black as well as white, are doing down the same drain...
”
”
Richard Wright (Black Boy)
“
Humnnn,” he grunted, then laughed. “A dog bite can’t hurt a nigger.” “It’s swelling and it hurts,” I said. “If it bothers you, let me know,” he said. “But I never saw a dog yet that could really hurt a nigger.” He turned and walked away and the black boys gathered to watch his tall form disappear down the aisles of wet bricks. “Sonofabitch!” “He’ll get his someday!” “Boy, their hearts are hard!” “Lawd, a white man’ll do anything!
”
”
Richard Wright (Black Boy)
“
He looked round the street and saw a sign on a building: THIS PROPERTY IS MANAGED BY THE SOUTH SIDE REAL ESTATE COMPANY. He had heard that Mr. Dalton owned the South Side Real Estate Company, and the South Side Real Estate Company owned the house in which he lived. He paid eight dollars a week for one rat-infested room.
”
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Richard Wright (Native Son)
“
Cross felt that at the heart of all political movements the concept of the basic inequality of man was enthroned and practiced, and the skill of politicians consisted in how cleverly they hid this elementary truth and gained votes by pretending the contrary
”
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Richard Wright (The Outsider)
“
He was not concerned with whether these acts were right or wrong; they simply appealed to him as possible avenues of escape. He felt that some day there would be a black man who would whip the black people into a tight band and together they would act and end fear
”
”
Richard Wright (Native Son)
“
This Court should not sit to fix punishment for this boy; it should sit to ponder why there are not more like him! And there are, Your Honor. If it were not for the backwaters of religion, gambling and sex draining off their energies into channels harmful to them and profitable to us, more of them would be here today. Be assured!
”
”
Richard Wright (Native Son)
“
The more closely the author thinks of why he wrote, the more he comes to regard his imagination as a kind of self-generating cement which glued his facts together, and his emotions as a kind of dark and obscure designer of those facts. Reluctantly, he comes to the conclusion that to account for his book is to account for his life.
”
”
Richard Wright
“
If I should say that he is a victim of injustice, then I would be asking by implication for sympathy; and if one insists upon looking at this boy as a victim of injustice, he will be swamped by a feeling of guilt so strong as to be indistinguishable from hate. Of all things, men do not like to feel that they are guilty of wrong, and if you make them feel guilt, they will try desperately to justify it on any grounds; but, failing that, and seeing no immediate solution that will set things right without too much cost to their lives and property, they will kill that which evoked in them, the condemning sense of guilt. And this is true of all men- whether they be white or black -it is a peculiar and powerful, but common need.
”
”
Richard Wright (Native Son)
“
Contrite words cannot now stop profound processes which white men set in motion on this earth some four hundred years ago; four hundred years is a long time…time enough for habits, reactions, to be converted into culture, tradition, into a raison d’être for millions….
”
”
Richard Wright (Black Power: The Color Curtain / Black Power / White Man, Listen!)
“
While listening to the vivid language of the sermons I was pulled toward emotional belief, but as soon as I went out of the church and saw the bright sunshine and felt the throbbing life of the people in the streets I knew that none of it was true and that nothing would happen.
”
”
Richard Wright (Black Boy)
“
I went to work, but the mood of the book would not die; it lingered, coloring everything I saw, heard, did. I now felt that I knew what the white man were feeling. Merely because I had read a book that had spoken of how they lived and thought, I identified myself with that book.
”
”
Richard Wright (Black Boy)
“
Whether he’ll follow some gaudy, hysterical leader who’ll promise rashly to fill the void in him, or whether he’ll come to an understanding with the millions of his kindred fellow workers under trade-union or revolutionary guidance depends upon the future drift of events in America. But,
”
”
Richard Wright (Native Son)
“
quiet. But when no one was looking I would slip into Ella’s room and steal a book and take it back of the barn and try to read it. Usually I could not decipher enough words to make the story have meaning. I burned to learn to read novels and I tortured my mother into telling me the meaning of every strange word I saw, not because the word itself had any value, but because it was the gateway to a forbidden and enchanting land. One
”
”
Richard Wright (Black Boy)
“
When men of wealth urge the use and show of force, quick death, swift revenge, then it is to protect a little spot of private security against the resentful millions from whom they have filched it, the resentful millions in whose militant hearts the dream and hope of security still lives.
”
”
Richard Wright (Native Son)
“
There are times, Your Honor, when reality bears features of such an impellingly moral complexion that it is impossible to follow the hewn path of expediency. There are times when life’s ends are so raveled that reason and sense cry out that we stop and gather them together again before we can proceed.
”
”
Richard Wright (Native Son)
“
But if you accuse a man of something that he did not do, his behavior will be utterly unpredictable. It has the power of upsetting his entire way of life, coloring his feelings about people for a lifetime, and sowing the seeds of distrust so deep that they will grow and bear fruit for years afterwards.
”
”
Richard Wright (The Man Who Lived Underground)
“
(Whenever I thought of the essential bleakness of black life in America, I knew that Negroes had never been allowed to catch the full spirit of Western civilization, that they lived somehow in it but not of it. And when I brooded upon the cultural barrenness of black life, I wondered if clean, positive tenderness, love, honor, loyalty, and the capacity to remember were native with man.
”
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Richard Wright (Black Boy)
“
It is part of the price the Negro pays for his position in this society that, as Richard Wright points out, he is almost always acting. A Negro learns to gauge precisely what reaction the alien person facing him desires, and he produces it with disarming artlessness. The friends I had, growing up and going to work, grew more bitter every day; and, conversely, they learned to hide this bitterness and to fit into the pattern Gentile and Jew alike had fixed for them.
”
”
James Baldwin (Notes of a Native Son)
“
I feel that for white America to understand the significance of the problem of the Negro will take a bigger and tougher America than any we have yet known. I feel that America's past is too shallow, her national character too superficially optimistic, her very morality too suffused with color hate for her to accomplish so vast and complex a task. Culturally the Negro represents a paradox: Though he is an organic part of the nation, he is excluded by the ride and direction of American culture. Frankly, it is felt to be right to exclude him, and it if felt to be wrong to admit him freely. Therefore if, within the confines of its present culture, the nation ever seeks to purge itself of its color hate, it will find itself at war with itself, convulsed by a spasm of emotional and moral confusion. If the nation ever finds itself examining its real relation to the Negro, it will find itself doing infinitely more than that; for the anti-Negro attitude of whites represents but a tiny part - though a symbolically significant one - of the moral attitude of the nation. Our too-young and too-new America, lusty because it is lonely, aggressive because it is afraid, insists upon seeing the world in terms of good and bad, the holy and the evil, the high and the low, the white and the black; our America is frightened of fact, of history, of processes, of necessity. It hugs the easy way of damning those whom it cannot understand, of excluding those who look different, and it salves its conscience with a self-draped cloak of righteousness. Am I damning my native land? No; for I, too, share these faults of character! And I really do not think that America, adolescent and cocksure, a stranger to suffering and travail, an enemy of passion and sacrifice, is ready to probe into its most fundamental beliefs.
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Richard Wright (Black Boy)
“
I felt that without a common bond uniting men, without a continuous current of shared thought and feeling circulating through the social system, like blood coursing through the body, there could be no living worthy of being called human.
”
”
Richard Wright (American Hunger)
“
In my utopia, human solidarity would be seen not as a fact to be recognised by clearing away "prejudice" or burrowing down to previously hidden depths but, rather, as a goal to be achieved. It is to be achieved not by inquiry but by imagination, the imaginative ability to see strange people as fellow sufferers. Solidarity is not discovered by reflection but created. It is created by increasing our sensitivity to the particular details of the pain and humiliation of other, unfamiliar sorts of people. Such increased sensitivity makes it more difficult to marginalise people different from ourselves by thinking, "They do not feel as 'we' would," or "There must always be suffering, so why not let 'them' suffer?"
This process of coming to see other human beings as "one of us" rather than as "them" is a matter of detailed description of what unfamiliar people are like and of redescription of what we ourselves are like. This is a task not for theory but for genres such as ethnography, the journalist's report, the comic book, the docudrama, and, especially, the novel. Fiction like that of Dickens, Olive Schreiner, or Richard Wright give us the details about kinds of suffering being endured by people to whom we had previously not attended. Fiction like that of Choderlos de Laclos, Henry James, or Nabokov gives us the details about what sorts of cruelty we ourselves are capable of, and thereby lets us redescribe ourselves. That is why the novel, the movie, and the TV program have, gradually but steadily, replaced the sermon and the treatise as the principal vehicles of moral change and progress.
”
”
Richard Rorty (Contingency, Irony, and Solidarity)
“
One of the greatest ironies of the twentieth century is that when communication has reached its zenith, when the human voice can encircle the globe in a matter of seconds, when man can project the image of his face thousands of miles, it is almost impossible to know with any degree of accuracy the truth of a political situation only a hundred miles distant! Propaganda jams the media of communication.
”
”
Richard Wright (Black Power: The Color Curtain / Black Power / White Man, Listen!)
“
Richard Wright and his Negro intellectual colleagues never realized the plain truth that no one in the United States understood the revolutionary potential of the Negro better than the Negro's white radical allies. They understood it instinctively, and revolutionary theory had little to do with it. What Wright could not see was that what the Negro's allies feared most of all was that this sleeping, dream-walking black giant might wake up and direct the revolution all by himself, relegating his white allies to a humiliating second-class status. The negro's allies were not about to tell the Negro anything that might place him on the path to greater power and independence in the revolutionary movement than they themselves had. The rules of the power game meant that unless the American Negro taught himself the profound implications of his own revolutionary significance in America, it would never be taught to him by anybody else. Unless the Negro intellectuals understood that in pursuit of this self-understanding, they would have to make their own rules, by and for themselves, nationalism would forever remain--as it was for Wright-- "a bewildering and vexing question.
”
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Harold Cruse
“
If you've a notion of what man's heart is, wouldn't you say that maybe the whole effort of man on earth to build a civilization is simply man's frantic and frightened attempt to hide himself from himself? That there is a part of man that man wants to reject? That man wants to keep from knowing what he is? That he wants to protect himself from seeing that he is something awful? And that this 'awful' part of himself might not be as awful as he thinks, but he finds it too strange and he does not know what to do with it? We talk about what to do with the atom bomb...But man's heart, his spirit is the deadliest thing in creation. Are not all cultures and civilizations just screens which men have used to divide themselves, to put between that part of themselves which they are afraid of and that part of themselves which they wish, in their deep timidity, to try to preserve? Are not all of man's efforts at order an attempt to still man's fear of himself?
”
”
Richard Wright (The Outsider)
“
From far beyond the horizons that bound this bleak plantation there had come to me through my living the knowledge that my father was a black peasant who had gone to the city seeking life, but who had failed in the city; a black peasant whose life had been hopelessly snarled in the city, and who had at last fled the city—that same city which had lifted me in its burning arms and borne me toward alien and undreamed of shores of knowing.
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”
Richard Wright (Black Boy)
“
Not only had he lived where they told him to live, not only had he done what they told him to do, not only had he done these things until he had killed to be quit of them ; but even after obeying, after killing, they still ruled him. He was their property, heart and soul, body and blood ; what they did claimed every atom of him, sleeping and waking...
”
”
Richard Wright (Native Son)
“
You're trying to believe in yourself. And every time you try to find a way to live, your own mind stands in the way. You know why that is? It's because others have said you were bad and they made you live in bad conditions. When a man hears that over and over and looks about him and sees that his life is bad, he begins to doubt his own mind. His feelings drag him forward and his mind, full of what others say about him, tells him to go back
”
”
Richard Wright (Native Son)
“
(If I were a member of the class that rules, I would post men in all the neighborhoods of the nation, not to spy upon or club rebellious workers, not to break strikes or disrupt unions; but to ferret out those who no longer respond to the system in which they live. I would make it known that the real danger does not stem from those who seek to grab their share of wealth through force, or from those who try to defend their property through violence, for both of these groups, by their affirmative acts, support the values of the system in which they live. The millions that I would fear are those who do not dream of the prizes that the nation holds forth, for it is in them, though they may not know it, that a revolution has taken place and is biding its time to translate itself into a new and strange way of life.)
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Richard Wright (Black Boy)
“
I knew that he was using the Negro vote to control the city hall; in turn, he was engaged in vast political deals of which the Negro voters, political innocents, had no notion. With my pencil I wrote in a determined scrawl across the face of the ballots: I Protest This Fraud
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”
Richard Wright (Black Boy)
“
The day Native Son appeared, American culture was changed forever,” Howe declared. “It made impossible a repetition of the old lies [and] brought out into the open, as no one ever had before, the hatred, fear and violence that have crippled and may yet destroy our culture.” A
”
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Richard Wright (Native Son)
“
I felt that it was unfair that my lack of a few pounds of flesh should deprive me of a chance at a good job but I had long ago emotionally rejected the world in which I lived and my reaction was: Well, this is the system by which people want the world to run whether it helps them or not. To me, my losing was only another manifestation of that queer, material way of American living that computed everything in terms of the concrete: weight, color, race, fur coats, radios, electric refrigerators, cars, money ... It seemed that I simply could not fit into a materialistic life.
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Richard Wright (Black Boy)
“
Maybe man is nothing in particular,' Cross said gropingly. 'Maybe that's the terror of it. Man may be just anything at all. And maybe man deep down suspects this, really knows this, kind of dreams that it is true; but at the same time he does not want really to know it? May not human life on this earth be a kind of frozen fear of man at what he could possibly be? And every move he makes might not these moves be just to hide this awful fact? To twist it into something which he feels would make him rest and breathe a little easier? What man is is perhaps too much to be borne by man...
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”
Richard Wright (The Outsider)
“
Not to know the end of the tale filled me with a sense of emptiness, loss. I hungered for the sharp, frightening, breathtaking, almost painful excitement that the story had given me, and I vowed that as soon as I was old enough I would buy all the novels there were and read them to feed that thirst for violence that was in me, for intrigue, for plotting, for secrecy, for bloody murders. So profoundly responsive a chord had the tale struck in me that the threats of my mother and grandmother had no effect whatsoever. They read my insistence as mere obstinacy, as foolishness, something that would quickly pass; and they had no notion how desperately serious the tale had made me. They could not have known that Ella's whispered story of deception and murder had been the first experience in my life that had elicited from me a total emotional response. No words or punishment could have possibly made me doubt. I had tasted what to me was life, and I would have more of it, somehow, someway.
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Richard Wright
“
Those Garveyites I knew could never understand why I liked them but would never follow them, and I pitied them too much to tell them that they could never achieve their goal, that Africa was owned by the imperial powers of Europe, that their lives were alien to the mores of the natives of Africa, that they were people of the West and would for ever be so until they either merged with the West or perished.
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Richard Wright (Black Boy)
“
I had once tried to write, had once reveled in feeling, had let m crude imagination roam, but the impulse to dream had been slowly beaten out of me by experience. Now it surged up again and i hungered for books, new ways of looking and seeing. It was not a matter of believing or disbelieving what I read, but of feeling something new, of being affected by something that made the look of the world different.
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Richard Wright (Black Boy)
“
One walks along a street and strays unknowingly from one's path; one then looks up and suddenly for those familiar landmarks of orientation, and, seeing none, one feels lost. Panic drapes the look of the world in a strangeness, and the more one stares blankly at the world, the stranger it looks, the more hideously frightening it seems. There is then born in one a wild, hot wish to project out upon the alien world the world that one is seeking. This wish is a hunger for power, to be in command of one's self.
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Richard Wright (The Outsider)
“
in a boy like Bigger, young, unschooled, whose subjective life was clothed in the tattered rags of American “culture,” this primitive fear and ecstasy were naked, exposed, unprotected by religion or a framework of government or a scheme of society whose final faiths would gain his love and trust; unprotected by trade or profession, faith or belief; opened to every trivial blast of daily or hourly circumstance. There
”
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Richard Wright (Native Son)
“
the city in the late nineteenth and the early twentieth centuries in America could be an alluring place; but it also often was, for persons without brains or money or simply good luck, a crucible in which the superficial elements of personality and civilization were quickly burned away, to reveal the animal underneath. As
”
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Richard Wright (Native Son)
“
If this state of affairs had lasted for two or three years, we could say that it was unjust; but it lasted for more than two hundred years. Injustice which lasts for three long centuries and which exists among millions of people over thousands of square miles of territory, is injustice no longer; it is an accomplished fact of life.
”
”
Richard Wright (Native Son)
“
I would write:
"The soft melting hunk of butter trickled in gold down the stringy grooves of the split yam."
Or:
"The child's clumsy fingers fumbled in sleep, feeling vainly for the wish of its dream."
"The old man huddled in the dark doorway, his bony face lit by the burning yellow in the windows of distant skycrapers."
My purpose was to capture a physical state or movement that carried a strong subjective impression, an accomplishment which seemed supremely worth struggling for. If I could fasten the mind of the reader upon words so firmly that he would forget words and be conscious only of his response, I felt that I would be in sight of knowing how to write narrative.
”
”
Richard Wright (Black Boy)
“
What was this sense of guilt so seemingly innate, so easy to come by, to think, to feel, so verily physical? It seemed that when one felt this guilt one was but retracing in one’s living a faint pattern designed long before; it seemed that one was trying to remember a gigantic shock that had left an impression upon one’s body which one could not forget, but which had been almost forgotten by the conscious mind, creating in one a state of external anxiety.
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Richard Wright (The Man Who Lived Underground)
“
I forged more notes and my trips to the library became frequent. Reading grew into a passion. My first serious novel was Sinclair Lewis’s Main Street. It made me see my boss, Mr. Gerald, and identify him as an American type. I would smile when I saw him lugging his golf bags into the office. I had always felt a vast distance separating me from the boss, and now I felt closer to him, though still distant. I felt now that I knew him, that I could feel the very limits of his narrow life. And this had happened because I had read a novel about a mythical man called George F. Babbitt.
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Richard Wright (Black Boy)
“
I looked at him and did not answer; there flashed through my mind a quick, running picture of all the squalid hovels in which I had lived and it made me feel more than ever a stranger as I stood before him. How could I have told him that I had learned to curse before I had learned to read? How could I have told him that I had been a drunkard at the age of six?
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Richard Wright
“
I want so badly to help you realize, Elizabeth Anne, how difficult and puzzling and full of wonder it all is: some day I will tell you how I learned to watch the shifting light of autumn days or smelled the earth through snow in March; how one winter morning God vanished from my life and how one summer evening I sat in a Ferris wheel, looking down on a man that hurt me badly; I will tell you how I once travelled to Rome and saw all the soldiers in that city of dead poets; I will tell you how I met your father outside a movie house in Toronto, and how you came to be. Perhaps that is where I will begin. On a winter afternoon when we turn the lights on early, or perhaps a summer day of leaves and sky, I will begin by conjugating the elemental verb. I am. You are. It is.
”
”
Richard B. Wright (Clara Callan)
“
He lay still, his bloodshot eyes staring blankly before him, and drifted into dreams of his problems, compulsively living out dialogues, summing up emotional scenes with his mother, Dot, and his friends. Repeatedly he chided himself to go to sleep, but it did no good, for he was hungry for these waking visions that depicted his dilemmas, yet he knew that such brooding did not help; in fact he was wasting his waning strength, for into these unreal dramas he was putting the whole of his ardent being. The long hours dragged on.
”
”
Richard Wright (The Outsider)
“
was emotionally true because I had already grown to feel that there existed men against whom I was powerless, men who could violate my life at will. I resolved that I would emulate the black woman if I were ever faced with a white mob; I would conceal a weapon, pretend that I had been crushed by the wrong done to one of my loved ones; then, just when they thought I had accepted their cruelty as the law of my life, I would let go with my gun and kill as many of them as possible before they killed me. The story of the woman’s deception gave form and meaning to confused defensive feelings that had long been sleeping in me. My imaginings, of course, had no objective
”
”
Richard Wright (Black Boy)
“
(The essence of the irony of the plight of the Negro in America, to me, is that he is doomed to live in isolation while those who condemn him seek the basest goals of any people on the face of the earth. Perhaps it would be possible for the Negro to become reconciled to his plight if he could be made to believe that his sufferings were for some remote, high, sacrificial end; but sharing the culture that condemns him, and seeing that a lust for trash is what blinds the nation to his claims, is what sets storms to rolling in his soul.)
”
”
Richard Wright
“
Why was it considered wrong to ask questions? Was I right when I resisted punishment? It was inconceivable to me that one should surrender to what seemed wrong, and most of the people I had met seemed wrong. Ought one to surrender to authority even if one believed that that authority was wrong? If the answer was yes, then I knew that I would always be wrong, because I could never do it. Then how could one live in a world in which one’s mind and perceptions meant nothing and authority and tradition meant everything? There were no answers.
”
”
Richard Wright (Black Boy)
“
shaking hands I was doing something that I was to do countless times in the years to come: acting in conformity with what others expected of me even though, by the very nature and form of my life, I did not and could not share their spirit. (After I had outlived the shocks of childhood, after the habit of reflection had been born in me, I used to mull over the strange absence of real kindness in Negroes, how unstable was our tenderness, how lacking in genuine passion we were, how void of great hope, how timid our joy, how bare our traditions, how hollow our memories, how lacking we were in those intangible sentiments that bind man to man, and how shallow was even our despair.
”
”
Richard Wright (Black Boy)
“
My imaginings, of course, had no objective value whatever. My spontaneous fantasies lived in my mind because I felt completely helpless in the face of this threat that might come upon me at any time, and because there did not exist to my knowledge any possible course of action which could have saved me if I had ever been confronted with a white mob. My fantasies were a moral bulwark that enabled me to feel I was keeping my emotional integrity whole, a support that enabled my personality to limp through days lived under the threat of violence. These fantasies were
”
”
Richard Wright (Black Boy)
“
I didn’t want to kill!” Bigger shouted. “But what I killed for, I am! It must’ve been pretty deep in me to make me kill! I must have felt it awful hard to murder….What I killed for must’ve been good!” Bigger’s voice was full of frenzied anguish. “It must have been good! When a man kills, it’s for something….I didn’t know I was really alive in this world until I felt things hard enough to kill for ‘em….It’s the truth, Mr. Max. I can say it now, ‘cause I’m going to die. I know what I’m saying real good and I know how it sounds. But I’m all right. I feel all right when I look at it that way. (429)
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”
Richard Wright (Native Son)
“
At twenty-one, Richard Wright was not the world-famous author he would eventually be. But poor and black, he decided he would read and no one could stop him. Did he storm the library and make a scene? No, not in the Jim Crow South he didn’t. Instead, he forged a note that said, “Dear Madam: Will you please let this nigger boy have some books by HL Mencken?” (because no one would write that about themselves, right?), and checked them out with a stolen library card, pretending they were for someone else. With the stakes this high, you better be willing to bend the rules or do something desperate or crazy. To thumb your nose at the authorities and say: What? This is not a bridge. I don’t know what you’re talking about. Or, in some cases, giving the middle finger to the people trying to hold you down and blowing right through their evil, disgusting rules. Pragmatism is not so much realism as flexibility.
”
”
Ryan Holiday (The Obstacle Is the Way: The Timeless Art of Turning Trials into Triumph)
“
The hostility of the whites had become so deeply implanted in my mind and feelings that it had lost direct connection with the daily environment in which I lived; and my reactions to this hostility fed upon itself, grew or diminished according to the news that reached me about the whites, according to what I aspired or hoped for. Tension would set in at the mere mention of whites and a vast complex of emotions, involving the whole of my personality, would be aroused. It was as though I was continuously reacting to the threat of some natural force whose hostile behavior could not be predicted. I had never in my life been abused by whites, but I had already become as conditioned to their existence as though I had been the victim of a thousand lynchings. I lived
”
”
Richard Wright (Black Boy)
“
America, I knew that Negroes had never been allowed to catch the full spirit of Western civilization, that they lived somehow in it but not of it. And when I brooded upon the cultural barrenness of black life, I wondered if clean, positive tenderness, love, honor, loyalty, and the capacity to remember were native with man. I asked myself if these human qualities were not fostered, won, struggled and suffered for, preserved in ritual from one generation to another.) Granny
”
”
Richard Wright (Black Boy)
“
Naw. But I just can’t get used to it,” Bigger said. “I swear to God I can’t. I know I oughtn’t think about it, but I can’t help it. Every time I think about it I feel like somebody’s poking a red-hot iron down my throat. Goddammit, look! We live here and they live there. We black and they white. They got things and we ain’t. They do things and we can’t. It’s just like living in jail. Half the time I feel like I’m on the outside of the world peeping in through a knothole in the fence….
”
”
Richard Wright (Native Son)
“
I knew what was wrong with me, but I could not correct it. The words and actions of
white people were baffling signs to me. I was living in a culture and not a civilization and I
could learn how that culture worked only by living with it. Misreading the reactions of whites
around me made me say and do the wrong things. In my dealing with whites I was conscious
only of what was happening at a given moment. I had to keep remembering what others took
for granted; I had to think out what others felt.
”
”
Richard Wright (Black Boy)
“
As he stumbled along a high bright object caught his eyes; he looked up. Atop a building across the street, above the heads of the people, loomed a flaming cross. At once he knew that it had something to do with him. But why should they burn a cross? As he gazed at it he remembered the sweating face of the black preacher in his cell that morning talking intensely and solemnly of Jesus, of there being a cross for him, a cross for everyone, and of how the lowly Jesus had carried the cross, paving the way, showing how to die, how to love and live eternal. But he had never seen a cross burning like that one upon the roof. Were white people wanting him to love Jesus, too?
”
”
Richard Wright (Native Son)
“
My purpose was to capture a physical state or movement that carried a strong subjective impression, an accomplishment which seemed supremely worth struggling for. If I could fasten the mind of the reader upon words so firmly that he would forget words and be conscious only of his response, I felt that I would be in sight of knowing how to write narrative. I strove to master words, to make them disappear, to make them important by making them new, to make them melt into a rising spiral of emotional stimuli, each greater than the other, each feeding and reinforcing the other, and all ending in an emotional climax that would drench the reader with a sense of a new world. That was the single aim of my living.
”
”
Richard Wright (Black Boy)
“
I would make it known that the real danger does not stem from those who seek to grab their share of wealth through force, or from those who try to defend their property through violence, for both of these groups, by their affirmative acts, support the values of the system in which they live. The millions that i would fear are those who do not dream of the prizes that the nation holds forth, for it is in them, though they may not know it, that a revolution has taken place and is biding its time to translate itself into a new and strange way of life.
”
”
Richard Wright (Black Boy)
“
I knew what was wrong with me, but I could not correct it. The words and actions of
white people were baffling signs to me. I was living in a culture and not a civilization and I
could learn how that culture worked only by living with it. Misreading the reactions of whites
around me made me say and do the wrong things. In my dealing with whites I was conscious of the entirety of my relations with them, and they were conscious
only of what was happening at a given moment. I had to keep remembering what others took
for granted; I had to think out what others felt.
”
”
Richard Wright (Black Boy)
“
I have found that to tell the truth is the hardest thing on earth. Harder than fighting in a war, harder than taking part in a revolution.
“If you try it, you will find that at times sweat will break upon you. You will find that even if you succeed in discounting the attitudes of others to you and your life, you must wrestle with yourself most of all. Fight with yourself. Because there will surge up in you a strong desire to alter facts, to dress up your feelings.
“You’ll find that there are many things you don’t want to admit about yourself and others.
“As your record shapes itself, an awed wonder haunts you. And yet there is no more exciting an adventure than trying to be honest in this way. The clean, strong feeling that sweeps you when you’ve done it makes you know that.
”
”
Richard Wright
“
If I were a member of the class that rules, I would post men in all the neighborhoods of the nation, not to spy upon or club rebellious workers, not to break strikes or disrupt unions, but to ferret out those who no longer respond to the system in which they live. I would make it known that the real danger does not stem from those who seek to grab their share of wealth through force, or from those who try to defend their property through violence, for both of these groups, by their affirmative acts, support the values of the system in which they live. The millions that I would fear are those who do not dream of the prizes that the nation holds forth, for it is in them, though they may not know it, that a revolution has taken place and is biding its time to translate itself into a new and strange way of life.
”
”
Richard Wright (Black Boy)
“
And, under and above it all, there was the fear of death before which he was naked and without defense; he had to go forward and meet his end like any other living thing upon the earth. And regulating his attitude toward death was the fact that he was black, unequal, and despised. Passively, he hungered for another orbit between two poles that would let him live again; for a new mode of life that would catch him up with the tension of hate and love. There would have to hover above him, like the stars in a full sky, a vast configuration of images and symbols whose magic and power could lift him up and make him live so intensely that the dread of being black and unequal would be forgotten; that even death would not matter, that it would be a victory. This would have to happen before he could look them in the face again: a new pride and a new humility would have to be born in him, a humility springing from a new identification with some part of the world in which he lived, and this identification forming the basis for a new hope that would function in him as pride and dignity.
”
”
Richard Wright (Native Son)
“
My mother’s suffering grew into a symbol in my mind, gathering to itself all the poverty, the ignorance, the helplessness; the painful, baffling, hunger-ridden days and hours; the restless moving, the futile seeking, the uncertainty, the fear, the dread; the meaningless pain and the endless suffering. Her life set the emotional tone of my life, colored the men and women I was to meet in the future, conditioned my relation to events that had not yet happened, determined my attitude to situations and circumstances I had yet to face. A somberness of spirit that I was never to lose settled over me during the slow years of my mother’s unrelieved suffering, a somberness that was to make me stand apart and look upon excessive joy with suspicion, that was to make me self-conscious, that was to make me keep forever on the move, as though to escape a nameless fate seeking to overtake me.
”
”
Richard Wright (Black Boy)
“
A dread of white people now came to live permanently in my feelings and imagination. As the war drew to a close, racial conflict flared over the entire South, and though I did not witness any of it, I could not have been more thoroughly affected by it if I had participated directly in every clash. The war itself had been unreal to me, but I had grown able to respond emotionally to every hint, whisper, word, inflection, news, gossip, and rumor regarding conflicts between the races. Nothing challenged the totality of my personality so much as this pressure of hate and threat that stemmed from the invisible whites. I would stand for hours on the doorsteps of neighbors’ houses listening to their talk, learning how a white woman had slapped a black woman, how a white man had killed a black man. It filled me with awe, wonder, and fear, and I asked ceaseless questions. One evening I heard a tale that rendered
”
”
Richard Wright (Black Boy)
“
I killed ’em ’cause I was scared and mad. But I been scared and mad all my life and after I killed that first woman, I wasn’t scared no more for a little while.” “What were you afraid of?” “Everything,” he breathed and buried his face in his hands. “Did you ever hope for anything, Bigger?” “What for? I couldn’t get it. I’m black,” he mumbled. “Didn’t you ever want to be happy?” “Yeah; I guess so,” he said, straightening. “How did you think you could be happy?” “I don’t know. I wanted to do things. But everything I wanted to do I couldn’t. I wanted to do what the white boys in school did. Some of ’em went to college. Some of’em went to the army. But I couldn’t go.” “But still, you wanted to be happy?” “Yeah; sure. Everybody wants to be happy, I reckon.” “Did you think you ever would be?” “I don’t know. I just went to bed at night and got up in the morning. I just lived from day to day. I thought maybe I would be.
”
”
Richard Wright (Native Son)
“
Nigger, you sure ought to be glad it was us you talked to that way. You’re a lucky bastard, ’cause if you’d said that to some other white man, you might’ve been a dead nigger now.” I was learning rapidly how to watch white people, to observe their every move, every fleeting expression, how to interpret what was said and what left unsaid. Late one Saturday night I made some deliveries in a white neighborhood. I was pedaling my bicycle back to the store as fast as I could when a police car, swerving toward me, jammed me into the curbing. “Get down, nigger, and put up your hands!” they ordered. I did. They climbed out of the car, guns drawn, faces set, and advanced slowly. “Keep still!” they ordered. I reached my hands higher. They searched my pockets and packages. They seemed dissatisfied when they could find nothing incriminating. Finally, one of them said: “Boy, tell your boss not to send you out in white neighborhoods at this time of
”
”
Richard Wright (Black Boy)
“
Never had I felt so much the slave as when I scoured those stone steps each afternoon. Working against time, I would wet five steps, sprinkle soap powder, then a white doctor or a nurse would come and, instead of avoiding the soppy steps, walk on them and track the dirty water onto the steps that I had already cleaned. To obviate this, I cleaned but two steps at a time, a distance over which a ten-year-old child could step. But it did no good. The white people still plopped their feet down into the dirty water and muddled the other clean steps. If I ever really hotly hated unthinking whites, it was then. Not once during my entire stay at the institute did a single white person show enough courtesy to avoid a wet step.
”
”
Richard Wright (Black Boy)
“
He wanted suddenly to stand up and shout, telling them that he had killed a rich white girl, a girl whose family was known to all of them. Yes; if he did that a look of startled horror would come over their faces. But, no. He would not do that, even though the satisfaction would be keen. He was so greatly outnumbered that he would be arrested, tried, and executed. He wanted the keen thrill of startling them, but felt that the cost was too great. He wished that he had the power to say what he had done without fear of being arrested; he wished that he could be an idea in their minds; that his black face and the image of smothering Mary and cutting off her head and burning her could hover before their eyes as a terrible picture of reality which they could see and feel and yet not destroy. He was not satisfied with the way things stood now; he was a man who had come in sight of a goal, then had won it, and in winning it had seen just within his grasp another goal, higher, greater. He had learned to shout and had shouted and no ear had heard him (114).
”
”
Richard Wright (Native Son)
“
There were more violent quarrels in our deeply religious home than in the home of a gangster, a burglar, or a prostitute, a fact which I used to hint gently go Granny and which did my cause no good. Granny bore the standard for God, but she was always fighting. The peace that passes understanding never dwelt with us. I, too, fought; but I fought because I felt I had to keep from being crushed, to fend off continuous attack. But Granny and Aunt Addie quarreled and fought not only with me, but with each other over minor points of religious doctrine, or over some imagined infraction of what they chose to call their moral code. Wherever I found religion in my life I found strife, the attempt of one individual or group to rule another in the name of God. The naked will to power seemed always to walk in the wake of a hymn.
”
”
Richard Wright (Black Boy)
“
My mother's suffering grew into as symbol in my mind, gathering to itself all the poverty, the ignorance, the helplessness; the painful, baffling, hunger-ridden days and hours; the restless moving, the futile seeking, the uncertainty, the fear, the dread; the meaningless pain and the endless suffering. Her life set the emotional tone of my life, colored the men and women I was to meet in the future, conditioned my relation to events that had not yet happened, determined my attitude to situations and circumstances I had yet to face. A somberness of spirit that I was never to lose settled over me during the slow years of my mother's unrelieved suffering, a somberness that was to make me stand apart and look upon excessive joy with suspicion, that was to make me self-conscious, that was to make me keep forever on the move, as though to escape a nameless fate seeking to overtake me.
”
”
Richard Wright (Black Boy)