Rhythm Heaven Quotes

Soar like an eagle beyond skies of heavens reach; as wings of dreams dance with winds of reality.

Where is heaven? you ask me, my child,-the sages tell us it is beyond the limits of birth and death, unswayed by the rhythm of day and night; it is not of the earth. But your poet knows that its eternal hunger is for time and space, and it strives evermore to be born in the fruitful dust. Heaven is fulfilled in your sweet body, my child, in your palpitating heart. The sea is beating its drums in joy, the flowers are a-tiptoe to kiss you. For heaven is born in you, in the arms of the mother- dust.

Are you kind enough, on your little planet, not to shut that rhythm down? Not to crush underfoot the singers of songs and tellers of tales and wearers of silk? Because it's monsters who do that. Who extinguish art. Who burn books. Who ban music. Who yell at anyone with ears to turn off that racket. Who cannot see outside themselves clearly enough to sing their truth to the heavens. Do you have enough goodness in your world to let the music play? Do you have soul?

The chanting grew louder, deep male voice pumping. She looked to the brothers, the tall, fierce men who were now part of her life. Wrath pivoted and put his arm around her. Together, they swayed to the rhythm that swelled, filling the air. The brothers were as one as they paid homage in their language, a single powerful entity. But then, in a high, keening call, one voice broke out, lifting above the others, shooting higher and higher. The sound of the tenor was so clear, so pure, it brought shivers to the skin, a yearning warmth to the chest. The sweet notes blew the ceiling off with their glory, turning the chamber into cathedral, the brothers into a tabernacle. Bringing the very heavens close enough to touch. It was Zsadist. His eys closed, his head back, his mouth wide open, he sang. The scarred one, the soulless one, had the voice of an angel.

Shortly afterwards it started raining, very innocently at first, but the sky was packed tight with cloud and gradually the drops grew bigger and heavier, until it was autumn’s dismal rain that was falling—rain that seemed to fill the entire world with its leaden beat, rain suggestive in its dreariness of everlasting waterfalls between the planets, rain that thatched the heavens with drabness and brooded oppressively over the whole countryside, like a disease, strong in the power of its flat, unvarying monotony, its smothering heaviness, its cold, unrelenting cruelty. Smoothly, smoothly it fell, over the whole shire, over the fallen marsh grass, over the troubled lake, the iron-grey gravel flats, the sombre mountain above the croft, smudging out every prospect. And the heavy, hopeless, interminable beat wormed its way into every crevice in the house, lay like a pad of cotton wool over the ears, and embraced everything, both near and far, in its compass, like an unromantic story from life itself that has no rhythm and no crescendo, no climax, but which is nevertheless overwhelming in its scope, terrifying in its significance. And at the bottom of this unfathomed ocean of teeming rain sat the little house and its one neurotic woman.

God is a sound frequency, and we can all tune in if we just listen. Some find The Rhythm through different melodies, but it's all music.

Scientists say every action initiates an equal and opposite reaction. I say that's just the start. I say every action initiates a most unequal and upredictable chain reaction, that every filament of living becomes part of a larger weave, while remaining identifiable. That every line of latitude requires several stripes of longitude to obtain meaning. That every universe is part of a bigger heaven, a heaven of rhythm and geometry, where a heartbeat is the apex of a triangle.

I saw the Light,saw the myriad spirits flying loose up the Tunnel towards the celestial blaze, the Tunnel perfectly round and widening as they rose and for one blessed moment, one blessed tiny instant, the songs of Heaven resounded down the tunnel as if its curves were not made of wind but of something solid that could echo these ethereal songs, and their organized rhythm, their heartbreaking beauty piercing the catastrophic suffering of this place-Lestat

It is our expression that the flux between that which isn't and that which won't be, or the state that is commonly and absurdly called "existence," is a rhythm of heavens and hells: that the damned won't stay damned; that salvation only precedes perdition. The inference is that some day our accursed tatterdemalions will be sleek angels. Then the sub-inference is that some later day, back they'll go whence they came.

The gods have meant that I should dance, and by the gods, I will dance!!! For in some mystic hour I shall move to the unheard rhythms of the cosmic orchestra of heaven, and you will know the language of my wordless poems, and will come to me... for that is why I dance." "Los dioses me destinaron a bailar, ¡y por los dioses bailaré! Pues en alguna hora mística me moveré a los ritmos ináuditos de la orquesta cósmica del cielo, y conocerás el lenguaje de mis poemas sin palabras, y vendrás a mí... pues por éso es que bailo.

Are you kind enough, on your little planet, not to shut that rhythm down? Not to crush underfoot the singers of songs and tellers of tales and wearers of silk? Because it’s monsters who do that. Who extinguish art. Who burn books. Who ban music. Who yell at anyone with ears to turn off that racket. Who cannot see outside themselves clearly enough to sing their truth to the heavens. Do you have enough goodness in your world to let the music play? Do you have soul?

The sleeping pills in her pillowcase, the dark blank in her blanket, her purse lips purple; she disappears, she disappears. Her fears cuddle warm beside, to tears that went dry in the beat of her heart's drum. The strum, strum, stern in her veins, she breaks free finally floating to her lost rhythm of peace.

As the native drum kept rhythm with the nighttime symphony of the African bush, the cry of a hyrax (a small, furry animal that sounded a lot scarier than it looked) pierced the night. A hyena howled. A warthog ran through our camp. What was he running from? Sitting in front of my tent, I tried to figure everything out. I wouldn’t have called what I did prayer but maybe wonder.    Night after night, I’d listened to the rush of a river or watched my own personal light show as lightning spider-webbed across the heavens, danced in the distance, and serenaded me with a muffled growl. Until a crash—so loud it seemed to break the sky—caused me to twitch as a shiver ran up my spine.    “You know how it is when you feel someone staring at you from across the room?” I said to Truth. “You turn to meet the gaze. It was like that, but I saw no one. I just felt a comforting presence as we sat together in silence.”    “You think it was God?” she asked.    “Yeah, but I called him Fred. Not so overwhelming, more personal.” 

Her steel blue eyes captivated him at first glance and along with the alluring scent of jasmine surrounding her presence, he lost all sense of time and rhythm, and barely remembered the ensuing conversation. Thinking he had died and gone to heaven, the only thing that stuck in his memory, as they found themselves pressed urgently against the wall of her hotel room, was her name; Ginny.

In Islam, and especially among the Sufi Orders, siyahat or 'errance' - the action or rhythm of walking - was used as a technique for dissolving the attachments of the world and allowing men to lose themselves in God. The aim of a dervish was to become a 'dead man walking': one whose body stays alive on the earth yet whose soul is already in Heaven. A Sufi manual, the Kashf-al-Mahjub, says that, toward the end of his tourney, the dervish becomes the Way not the wayfarer, i.e. a place over which something is passing, not a traveller following his own free will...it was quite similar to an Aboriginal concept, 'Many men afterwards become country, in that place, Ancestors.' By spending his whole life walking and singing his Ancestor's Songline, a man eventually became the track, the Ancestor and the song. The Wayless Way, where the Sons of God lose themselves and, at the same time, find themselves.

And I would let him go and let him return. Over and over again, until there were no spaces between him going and returning and the rhythm of our coming together and separating made a music all its own that would fill through my days of waiting.

He was right. I would only eke out a living as a singer. The limited success I had, which Bailey recognized, stemmed from the fact that I didn't love singing. My voice was fair and interesting; my ear was not great, or even good, but my rhythm was reliable. Still, I could never become a great singer, since I would not sacrifice for it. To become wondrously successful and to sustain that success in any profession, one must be willing to relinquish many pleasures and be ready to postpone gratification. I didn't care enough for my own singing to make other people appreciate it.

Shalom is the Hebrew word for “peace.” For rhythm. For everything lining up exactly how it was meant to line up. Shalom is happening in those moments when you are at the dinner table for hours with good friends, good food, and good wine. Shalom is when you hear or see something and can’t quite explain it, but you know it’s calling and stirring something deep inside of you. Shalom is a sunset, that sense of exhaustion yet satisfaction from a hard day’s work, creating art that is bigger than itself. Shalom is enemies being reconciled by love. Shalom is when you are dancing to the rhythm of God’s voice.

Every second, every minute, every hour our bodies breathe in the manna of Heaven. Our bodies resonate with the love and power of creative cosmic rhythms dancing through every cell in our beautiful beingness. Heaven is the heart of our atomic structure. Only with realisation of God manna within can the external cosmic energy fuse and ignite eternal bliss. Manna from Heaven.

My mouth crashes onto hers, and as our bodies sway in time to the music, our tongues dance to a rhythm that’s all their own. Spencer tastes of liquor and spearmint gum. She smells like heaven.

What matter, if thou comest from the Heavens or Hell, O Beauty, frightful ghoul, ingenuous and obscure! So long thine eyes, thy smile, to me the way can tell Towards that Infinite I love, but never saw. From God or Satan? Angel, Mermaid, Proserpine? What matter if thou makest – blithe, voluptuous sprite – With rhythms, perfumes, visions – O mine only queen! – The universe less hideous and the hours less trite.

I feel your tension. Your instincts are screaming for you to fight. As you should. Do it, pet. Try with everything you have. But don’t you dare make a fucking sound.” The permission sent my adrenaline soaring even more. He was right. I wanted to flee. To back out and run far away, regardless that the resistance from his arms made my pulse explode in a heavenly rhythm. My shoulders tried thrashing as I ground the balls of my feet and jerked to the side as hard as I could. The setting and sense of helplessness gave me strength I wasn’t aware I had. The primal need to escape became my only focus and it was genuine. My brain was sending danger signals, clashing with the arousal making my skin tingle. I threw every ounce of myself forward, feeling his body stay connected to mine. Small grunts left my mouth and his hand came back to slap over my lips while he gripped around my waist tightly. I was lifted so easily from the ground that my eyes widened, even as my legs kicked back against him.

In our brief life, so many roads, so many miracles and blessings and glories, but also so many curses and denials, grief and contempt, continuous waves on the planetary seas that come and go, and they crawl us into the vast heavens, n that quiet rhythm universe listen to your heart beat.

Are you a Genesis 1 Christian or a Genesis 3 Christian? Do you start your story with shalom or with sin? Shalom is the Hebrew word for “peace.” For rhythm. For everything lining up exactly how it was meant to line up. Shalom is happening in those moments when you are at the dinner table for hours with good friends, good food, and good wine. Shalom is when you hear or see something and can’t quite explain it, but you know it’s calling and stirring something deep inside of you. Shalom is a sunset, that sense of exhaustion yet satisfaction from a hard day’s work, creating art that is bigger than itself. Shalom is enemies being reconciled by love.

They call each other ‘E.’ Elvis picks wildflowers near the river and brings them to Emily. She explains half-rhymes to him. In heaven Emily wears her hair long, sports Levis and western blouses with rhinestones. Elvis is lean again, wears baggy trousers and T-shirts, a letterman’s jacket from Tupelo High. They take long walks and often hold hands. She prefers they remain just friends. Forever. Emily’s poems now contain naugahyde, Cadillacs, Electricity, jets, TV, Little Richard and Richard Nixon. The rock-a-billy rhythm makes her smile. Elvis likes himself with style. This afternoon he will play guitar and sing “I Taste A Liquor Never Brewed” to the tune of “Love Me Tender.” Emily will clap and harmonize. Alone in their cabins later, they’ll listen to the river and nap. They will not think of Amherst or Las Vegas. They know why God made them roommates. It’s because America was their hometown. It’s because God is a thing without feathers. It’s because God wears blue suede shoes.

The arc of my dream, the curve of my desires, the hand on my wound. You move forward, shifting and fragile, in the sinuous possible interlacings. The regular and intangible arrow come from heaven guides me through it. It bends, curves, swells. Bounces, stops, restarts to the rhythm of my sighs. I follow it with my eyes as I follow your heart.

Theo often walked barefoot. He loved the cold ooze of the marsh at his toes. He felt the knowingness of the wild grass against his foot pads. Beneath his growing body, toiling the deep soil, the earthworms wriggled, ruled by the thrum-ming of consciousness reserved especially for their species. The rhythms shot straight to his own body. When he walked barefoot with Shadow, he felt the connection between him, his dog, and the heaven beneath his feet. He felt the connection not only with his dog but with all dogs.

Timeless Days without rhythm Without bottom or top In the arms of my lover Time seems to stop. Days become months Which flow into years Love’s hourglass measures Just two kinds of tears. The first kind is cheery, It sweetens the cheek; The other burns bleary It’s black and it’s bleak. This Sunday or Friday, I’m not quite sure when, I’m going to turn thirty, Or twenty, or ten? It’ll be my love’s birthday Or was it just mine? I doesn’t much matter There’s plenty of wine. Should she go to heaven, I dread to know when, I’ll count every second Till we meet again.

We lunged for each other at the same time and collided, crazy with need and starving for a taste. Warnings and alarms wailed in my mind, but I shut them down. Screw it. I wanted him. He found my mouth. The thrust of his tongue against mine made my head spin. He tasted like heaven. I kissed him back, nipping, licking, melting against him. It felt so good . . . His lips traced a fiery line from my mouth to the corner of my jaw and down my neck. My whole body sang in warm liquid triumph. His voice was a ragged whisper in my ear. “Only if you want to . . . Say no, and I’ll stop.” “No,” I whispered to see if he would do it. Curran pulled back. His eyes were pure need, raw and barely under control. He swallowed. “Okay.” It was the most erotic thing I had ever seen. I reached for him and slid my hand up his chest, feeling the taut muscle. He caught my hand and kissed my palm gently. Heated, tightly controlled want shone in his eyes. I pulled my fingers free, pushed from the wall, and kissed his throat just under the jaw. This was bliss. There was no hope for me. He growled, closing his eyes. “What are you doing?” “Pulling on Death’s whiskers,” I murmured, letting my tongue play over his skin, rough with stubble. He smelled divine, clean and male. My hands slid up his biceps. His muscles tensed under the light pressure of my fingers. He was trying very, very hard to stand still and I almost laughed. All those times when he’d called me “baby” . . . Revenge was sweet. “Is that a yes or a no?” he asked. I slid against him and nipped his bottom lip. “I’ll take it as a yes.” The steel muscles of his arms flexed under my hands. He grabbed me, hoisted me up onto him, and kissed me, thrusting into my mouth with his tongue in a hot, slick rhythm, greedy and eager. I threw my arms around his neck. His right hand grasped my hair, his left cupped my butt and pushed me closer against him, his erection a hard, hot length across my lap. Finally— “Let me in,” Derek growled at the door. Go away. The guard said something. Curran’s hand found my breast and caressed the nipple, sending an electric shock through my skin, threatening to melt me . . . “Yes,” Derek snarled. “I’m a member of the damn team. Ask them.” “Curran,” I whispered. “Curran!” He snarled and kept going. The door swung open. I hit him on the back of the neck. He submerged. Help. I’ve drowned the Beast Lord.

Buddha Under the Bodhi Tree Under the bodhi tree I sat Untangling the intangible. Bees nested in my hair, Apian swarms of nature ~ I too swarmed In my mind Taking the rhythm of their dance To be a sign of Divine Honey. Under the bodhi tree I sat Where each new second Eradicated its past In this brief mystery of time. I took the cricket's call To be a sign of Divine Eternity. Under the bodhi tree I sat Thinking the unthinkable Raindrops fell to quench the thirst Of insects and plants My compassion rose To quench the thirst of heaven I took the rain To be a sign of Divine Love ~ and was finally at peace with Myself and God.

The Devil One evening after my brother disciple and I had walked thirty miles in the mountains, we stopped to rest two miles beyond Kedarnath. I was very tired and soon fell asleep, but my sleep was restless because of my extreme fatigue. It was cold and I did not have a blanket to wrap around me, so I put my hands around my neck to keep warm. I rarely dream. I had dreamt only three or four times in my life, and all of my dreams had come true. That night I dreamt that the devil was choking my throat with strong hands. I felt as though I were suffocating. When my brother disciple saw my breath rhythm change and realized that I was experiencing considerable discomfort, he came to me and woke me up. I said, “Somebody was choking my throat!” Then he told me that my own hands were choking my throat. That which you call the devil is part of you. The myth of the devil and of evil is imposed on us by our ignorance. The human mind is a great wonder and magician. It can assume the form of both a devil and a divine being any time it wishes. It can be a great enemy or a great friend, creating either hell or heaven for us. There are many tendencies hidden in the unconscious mind which must be uncovered, faced, and transcended before one intends to tread the path of enlightenment.

The rain is coming down here, but ever so slightly . . . Picture if you will from the heavens above, the tears of a thousand angels falling to the trees below. Causing the leaves to be so heavily burdened down by the weight of their early morning prayers for all of those who are in need on this day ~ Then close your eyes and allow yourself to be absorbed into the sound & rhythm caused by each drop. Not merely being just a monotonic pattern of sorts, but that of a well evolved symphony within itself! Almost as if it's been carefully orchestrated to heighten our senses, so that if we could just to allow ourselves just this once, maybe then will we be able to give earnest heed to what is being spoken.

Damn, he was gorgeous. Ethan felt his orgasm building inside him. His hips lost their rhythm, and his thrusts became short and hard, his muscles straining and the sweat dripping down the side of his face as he chased after his release. It slammed into him, and Ethan folded himself over Calvin, slipping his arms under Calvin’s shoulders and taking hold of him. He brought Calvin down hard against him as he thrust in, Calvin’s sharp cry sending Ethan over the edge. He gasped as he came inside Calvin, thrusting deep a couple of more times before slowing down. His muscles relaxed, and a heavenly haze washed over him as he gently pulled out. He collapsed onto his side as he tried to catch his breath. Calvin

I sense my own place in the rhythm of the seasons, from seed time to harvest, the falling leaves and the stillness of winter. Some tasks are, perhaps, uniquely mine, not shared by other dwellers of the field and the forest. I can cherish the fragile beauty of the first trillium against the dark moss, and I can mourn its passing. I can know the truth of nature and serve its good, as a faithful steward. I can be still before the mystery of the holy, the vastness of the starry heavens and the grandeur of the moral law. That task may be uniquely mine. Yet even the bee, pollinating the cucumber blossoms, has its own humble, unique task. Though distinct in my own way, I yet belong, deeply, within the harmony of nature. There is no experiential given more primordial than that.

Never will the world be conscious of how much it owes to them, nor above all of what they have suffered in order to bestow their gifts on it. We enjoy fine music, beautiful pictures, a thousand exquisite things, but we do not know what they cost those who wrought them in sleeplessness, tears, spasmodic laughter, rashes, asthma, epilepsy a terror of death which is worse than any of these, and which you perhaps have felt... Heaven only knows what the disease was of which you thought you had detected the symptoms. And you were not mistaken; they were there. Neurosis has an absolute genius for malingering. There is no illness which it cannot counterfeit perfectly. It will produce life-like imitations of the dilatations of dyspepsia, the sicknesses of pregnancy, the broken rhythm of the cardiac, the feverishness of the consumptive. If it is capable of deceiving the doctor how should it fail to deceive the patient? No, no; you mustn’t think I’m making fun of your sufferings. I should not undertake to heal them unless I understood them thoroughly. And, well, they say there’s no good confession unless it’s mutual. I have told you that without nervous trouble there can be no great artist. What is more,"..."there can be no great scientist either. I will go further, and say that, unless he himself is subject to nervous trouble, he is not, I won’t say a good doctor, but I do say the right doctor to treat nervous troubles. In nervous pathology a doctor who doesn’t say too many foolish things is a patient half-cured, just as a critic is a poet who has stopped writing verse and a policeman a burglar who has retired from practice.

Finally, some people tell me that they avoid science fiction because it’s depressing. This is quite understandable if they happened to hit a streak of post-holocaust cautionary tales or a bunch of trendies trying to outwhine each other, or overdosed on sleaze-metal-punk-virtual-noir Capitalist Realism. But the accusation often, I think, reflects some timidity or gloom in the reader’s own mind: a distrust of change, a distrust of the imagination. A lot of people really do get scared and depressed if they have to think about anything they’re not perfectly familiar with; they’re afraid of losing control. If it isn’t about things they know all about already they won’t read it, if it’s a different color they hate it, if it isn’t McDonald’s they won’t eat at it. They don’t want to know that the world existed before they were, is bigger than they are, and will go on without them. They do not like history. They do not like science fiction. May they eat at McDonald’s and be happy in Heaven." Pro: "But what I like in and about science fiction includes these particular virtues: vitality, largeness, and exactness of imagination; playfulness, variety, and strength of metaphor; freedom from conventional literary expectations and mannerism; moral seriousness; wit; pizzazz; and beauty. Let me ride a moment on that last word. The beauty of a story may be intellectual, like the beauty of a mathematical proof or a crystalline structure; it may be aesthetic, the beauty of a well-made work; it may be human, emotional, moral; it is likely to be all three. Yet science fiction critics and reviewers still often treat the story as if it were a mere exposition of ideas, as if the intellectual “message” were all. This reductionism does a serious disservice to the sophisticated and powerful techniques and experiments of much contemporary science fiction. The writers are using language as postmodernists; the critics are decades behind, not even discussing the language, deaf to the implications of sounds, rhythms, recurrences, patterns—as if text were a mere vehicle for ideas, a kind of gelatin coating for the medicine. This is naive. And it totally misses what I love best in the best science fiction, its beauty." "I am certainly not going to talk about the beauty of my own stories. How about if I leave that to the critics and reviewers, and I talk about the ideas? Not the messages, though. There are no messages in these stories. They are not fortune cookies. They are stories.

HEART ACTION Think about when you are silent about God's activity in your life. Look for a chance this week to speak out about God's goodness. Giving and gratitude go together like humor and laughter, like having one's back rubbed and the sigh that follows, like a blowing wind and the murmur of wind chimes. Gratitude keeps alive the rhythm ofgrace given andgrace grateful, a lively lilt that lightens a heavy world. LEWIS B. SMEDES Our Father who is in heaven, hallowed be Your name. Your kingdom come. Your will be done, on earth as it is in heaven. Give us this day our daily bread. And forgive us our debts, as we also have forgiven our debtors. And do not lead us into temptation, but deliver us from evil. For Yours is the kingdom and the power and the glory forever. Amen. -MATTHEW 6:9-13 The "Lord's Prayer" is a model for our prayers. It begins with adoration of God (verse 9), acknowledges subjection to His will (verse 10), asks of Him (verses 11-13), and ends with an offering of praise (verse 13). The fatherhood of God toward His children is the basis for Jesus' frequent teaching about prayer. "Your Father knows what you need," Jesus told His disciples, "before you ask Him" (Matthew 6:8). Jesus presents a pattern that the church has followed throughout the

claque, aka canned laughter It’s becoming increasingly clear that there’s nothing new under the sun (a heavenly body, by the way, that some Indian ascetics stare at till they go blind). I knew that some things had a history—the Constitution, rhythm and blues, Canada—but it’s the odd little things that surprise me with their storied past. This first struck me when I was reading about anesthetics and I learned that, in the early 1840s, it became fashionable to hold parties where guests would inhale nitrous oxide out of bladders. In other words, Whip-it parties! We held the exact same kind of parties in high school. We’d buy fourteen cans of Reddi-Wip and suck on them till we had successfully obliterated a couple of million neurons and face-planted on my friend Andy’s couch. And we thought we were so cutting edge. And now, I learn about claque, which is essentially a highbrow French word for canned laughter. Canned laughter was invented long before Lucille Ball stuffed chocolates in her face or Ralph Kramden threatened his wife with extreme violence. It goes back to the 4th century B.C., when Greek playwrights hired bands of helpers to laugh at their comedies in order to influence the judges. The Romans also stacked the audience, but they were apparently more interested in applause than chuckles: Nero—emperor and wannabe musician—employed a group of five thousand knights and soldiers to accompany him on his concert tours. But the golden age of canned laughter came in 19th-century France. Almost every theater in France was forced to hire a band called a claque—from claquer, “to clap.” The influential claque leaders, called the chefs de claque, got a monthly payment from the actors. And the brilliant innovation they came up with was specialization. Each claque member had his or her own important job to perform: There were the rieurs, who laughed loudly during comedies. There were the bisseurs, who shouted for encores. There were the commissaires, who would elbow their neighbors and say, “This is the good part.” And my favorite of all, the pleureuses, women who were paid good francs to weep at the sad parts of tragedies. I love this idea. I’m not sure why the networks never thought of canned crying. You’d be watching an ER episode, and a softball player would come in with a bat splinter through his forehead, and you’d hear a little whimper in the background, turning into a wave of sobs. Julie already has trouble keeping her cheeks dry, seeing as she cried during the Joe Millionaire finale. If they added canned crying, she’d be a mess.

Sin matters, and forgiveness of sins matters, but they matter because sin, flowing from idolatry, corrupts, distorts, and disables the image-bearing vocation, which is much more than simply “getting ready for heaven.” An overconcentration on “sin” and how God deals with it means that we see things only with regard to “works,” even if we confess that we have no “works” of our own and that we have to rely on Jesus to supply them for us. (Equally, an underemphasis on “sin” and how God deals with it is an attempt to claim some kind of victory without seeing the heart of the problem.) The biblical vision of what it means to be human, the “royal priesthood” vocation, is more multidimensional than either of the regular alternatives. To reflect the divine image means standing between heaven and earth, even in the present time, adoring the Creator and bringing his purposes into reality on earth, ahead of the time when God completes the task and makes all things new. The “royal priesthood” is the company of rescued humans who, being part of “earth,” worship the God of heaven and are thereby equipped, with the breath of heaven in their renewed lungs, to work for his kingdom on earth. The revolution of the cross sets us free to be in-between people, caught up in the rhythm of worship and mission.

I find love inexplicable. The sight of a couple always surprises me, their inevitable slow rhythm, their insistent groping, their indistinguishable food, their way of taking hold of each other with hands and eyes at the same time, their way of blurring at the edges. I can’t understand why one hand has to clasp another and never let it go in order to give someone else’s heart a face. How do people who love each other do it? How can they stand it? What is it that makes them forget they were born alone and will die separate? I’ve read many books, and I’ve concluded that love’s an accommodation, certainly not a mystery. It seems to me that the feelings love elicits in other people are, well, pretty much the same as the ones death elicits in me: the sensation that every life is precarious and absolute, the rapid heartbeat, the distress before an unresponsive body. Death — when I received it, when I gave it — is for me the only mystery. All the rest is nothing but rituals, habits, and dubious bonding. To tell the truth, love is a heavenly beast that scares the hell out of me. I watch it devour people, two by two; it fascinates them with the lure of eternity, shuts them up in a sort of cocoon, lifts them up to heaven, and then drops their carcasses back to earth like peels. Have you seen what becomes of people when they split up? They’re scratches on a closed door.

God, Jane, you’re exactly as I imagined. Only better.” “You’re exactly…as I imagined,” she said in a strained tone. “Only bigger.” That got his attention. He drew back to stare at her. “Are you all right?” She forced a smile. “Now I’m rethinking the seduction.” He brushed a kiss to her forehead. “Let’s see what I can do about that.” He grabbed her beneath her thighs. “Hook your legs around mine if you can.” When she did, the pressure eased some, and she let out a breath. “Better?” he rasped. She nodded. Covering her breast with his hand, he kneaded it gently as he pushed farther into her below. “It will feel even better if you can relax.” Relax? Might as well ask a tree to ignore the ax biting into it. “I’ll try,” she murmured. She forced herself to concentrate on other things than his very thick thing--like how he was touching her, how he was fondling her…how amazing it felt to be joined so intimately to the man she’d been waiting nearly half her life for. Then it got easier. She actually seemed to adjust to his size. And when he slid his hand down from her breast to stroke that special spot between her legs that sent her flying, it was most effective. She wasn’t quite flying, exactly, but she was definitely leaping a bit. A giggle escaped her at that thought, and he bit out, “Something strike you as funny, sweeting?” “I never guessed that…this would feel…so odd.” “You’ll get used to it.” The hint of a future for them melted her even more than his hand down there. And that’s when he began to move, sliding out and then back in. Heavens. That was intriguing. Rather nice, actually. The more he did it, the better it felt. Then he removed his hand so he could better grip her hips, and he plunged harder into her. Oh, now that was quite…oh my. Very, very nice. His gaze burned into her as he drove deep. “Less odd now?” he managed. “Definitely…less odd.” She kissed the taut line of his jaw. “Quite…enjoyable, in fact.” He grunted and buried his face in her hair the way he was burying his…thing inside her, and it was deliciously sinful. Now she really was flying, up toward the sun. As if he realized it, he dug his hands into her hips and thrust fiercely, repeatedly, and she met his rhythm with a pushing of her own that sent her soaring. “Dom…oh, Dom…oh my…” “Jane,” he rasped as his strokes grew frenzied. “It’s always…been you. Only you.” “Only you,” she echoed. She’d been fooling herself about Edwin. There had only ever been one man in her heart. And as he drove himself deep inside her, he sent her vaulting into the sun. When he followed her into the bliss, she clutched him close to her chest and prayed that he would let her inside his heart as deeply as she’d let him into hers. That she wasn’t making a mistake by taking up with him again. Because it was too late to go back now. This time, he had her for better or worse.

When he finally pulled his mouth from hers an eternity later, their breaths were coming in mingled gasps. Feeling almost bereft, Elizabeth surfaced slightly from the sensual Eden where he had sent her, and forced her heavy eyelids to open so that she could look at him. Stretched out beside her on the sofa, he was leaning over her, his tanned face hard and dark with passion, his amber eyes smoldering. Lifting his hand, he tenderly brushed a golden lock of hair off her cheek, and he tried to smile, but his breathing was as ragged as hers. Unaware of the effort he was making to keep their passion under control, Elizabeth let her gaze drop to his finely chiseled mouth, and she watched him draw an unsteady breath. “Don’t,” he warned her in a husky, tender voice, “look at my mouth unless you want it on yours again.” Too naïve to know how to hide her feelings, Elizabeth lifted her green eyes to his, and her longing for his kiss was in their soft depths. Ian drew a steadying breath, and yielded to temptation again, gently telling her how to show him what she wanted. “Put your hand around my neck,” he whispered tenderly. Her long fingers lifted to his nape, and he lowered his mouth to hers, so close their breaths mingled. Understanding finally dawned, and Elizabeth put firmer pressure on his nape. And even though she was braced for it, the shock of his parted lips on hers again was wild, indescribable sweetness. This time it was Elizabeth who touched her tongue to his lips, and when she felt him shudder, instinct told her she was doing something right. I told him the same thing, and he jerked his mouth from hers. “Don’t do this, Elizabeth,” he warned. In answer, she tightened her hand at his nape and at the same time turned into his arms. His mouth came down hard on hers, but instead of struggling, her body arched against him and she drew his tongue into her mouth. Against her breasts, she felt his heart slam into his ribs, and he began kissing her with unleashed passion, his tongue tangling with hers, then plunging and slowly retreating in some wildly exciting, forbidden rhythm that made the blood roar in Elizabeth’s ears. His hand slid up her side to her breast, covering it possessively, and Elizabeth jumped in shocked protest. “Don’t,” he whispered against her lips. “God, don’t. Not yet…” Stunned into stillness by the harsh need in his voice, Elizabeth gazed up into his face as he lifted his head, his eyes moving restlessly over the bodice of her dress. Despite his protest, his hand was still, and in her befuddled senses, she finally realized he was honoring his promise to stop whenever she asked him to stop. Helpless to stop or encourage him, she looked at the masculine fingers, still and tanned against her white shirt, then she dragged her eyes to his. Heat was beating behind them, and with a silent moan, Elizabeth curled her hand behind his head and turned into his body.

Rider's head snapped up at the sound of gravel crunching under Willow's boots. The sight of the girl in boy's garb birthed an oath. Beneath her cotton shirt, her breasts bounced freely with each step. And within the tight mannish pants, her hips swung in an unconscious rhythm, clearly proclaiming her all woman. Hell, she might as well be naked! His body's reaction was immediate. Cursing his lack of control, he turned sideways, facing her horse, and pretended to adjust the saddle straps. Willow took Sugar's reins and waited for Rider to move aside. He didn't budge an inch. Instead, he tipped his hat back on his head, revealing undisguised disapproval. "Is that the way you always dress?" he bit out. Willow stiffened, immediately defensive. Criticizing herself was one thing; putting up with Sinclair's disdain was another! "If you were expecting a dress, you're crazy!" she snapped. "It would be suicide in this country." "Haven't you ever heard of riding skirts?" "Yes. I'm not as dumb as you seem to think. But fancy riding skirts cost money I don't have. 'Sides, pants are a hell of a lot more useful on the ranch than some damn riding skirt! Now, if you're done jawing about my clothes, I'd like to get a move on before dark." "Somebody ought to wash that barnyard mouth of yours,woman." Willow rested her hand on her gun. "You can try, if you dare." As if I'd draw on a woman, Rider cursed silently, stepping out of her way. As she hoisted herself into the saddle, he was perversely captivated by the way the faded demin stretched over her round bottom. He imagined her long slender legs wrapped around him and how her perfect heart-shaped buttocks would fill his hands and...Oh,hell, what was he doing standing here, gaping like some callow youth? Maybe the girl was right.Maybe he was crazy. One moment he was giving the little witch hell for wearing men's pants; the next he was ogling her in them. He started to turn away, then reached out and gave her booted ankle an angry jerk. "Now what?" Icy turquoise eyes met his, dark and searing. "Do you have any idea what you look like in that get-up? No self-respecting lady would dress like that. It's an open invitation to a man. And if you think that gun you're wearing is going to protect you, you're badly mistaken." Willow gritted her teeth in mounting ire. "So what's it to you, Sinclair? You ain't my pa and you ain't my brother. Hell,my clothes cover me just as good as yours cover you!" She slapped his hand from her ankle, jerked Sugar around, and spurred the mare into a brisk gallop. Before the fine red dust settled, Rider was on his horse, racing after her. Dammit, she's right.Why should I care how she dresses? Heaven knows it certainly has no bearing on my mission. No, agreed a little voice in his head, but it sure is distacting as hell! He'd always prided himself on his cool control; it had saved his backside more than once. But staying in any kind of control around Willow Vaughn was like trying to tame a whimsical March wind-impossible!

Say you want me.” His mouth moved over her throat, closed over her aching breast. Every strong pull sent an answering rush of liquid heat. “You know I do.” She pressed him to her, wound a leg around his. She could barely breathe with her need, clawing at him to get closer, to crawl inside the shelter of his body, his mind, to feel his body in hers, taking possession as he was meant to, to feel his mouth at her breast, dragging her further into his world. “All of it,” he said hoarsely, his fingers probing the nest of tiny curls, stroking, caressing. “Mate with me my way.” She moved in a kind of anguish against his hand. “Yes, Mikhail.” She was frantic for release, frantic to relieve him. She was consumed with the same red haze, not separating love from lust or hunger from need. She was on fire, hurting, aching, body and mind, even her soul in torment, not knowing where his wild, uninhibited emotions left off and hers began. Mikhail lifted her easily with his enormous strength, slid her slowly, erotically down his clenching belly until she was pressed against the broad head of his raging erection. Her heat seared him, beckoned. Raven’s arms slid around his neck, her legs around his hips, opening for him. Slowly he lowered her body over his, impaled her on the thick length of fire so that she surrounded him with such a moist, tight sheath he shuddered, somewhere beyond mere pleasure, a kind of erotic heaven and hell. Her nails dug into his shoulders. “Stop, Mikhail. You’re too big this way.” Alarm spread across her face. “Relax, little one. We belong together, our bodies were made for one another.” He slid in farther, began to move in a long, slow rhythm, his hands caressing, soothing. He shifted his shoulders so that he could see her face, his body claiming hers with deep, sure, possessive strokes. Without conscious thought, the words formed in his mind. Te avio päläfertiilam--You are my lifemate.

His back tightened, then he began to move deeply, surely, possessively. She moaned and lifted herself to meet him as the glorious rhythm reigned. She was so ready, the friction quickly pushed her over the edge. Without warning, her body convulsed on a sunbright peak. For a small eternity, rapture blasted her, turned the air around her incandescent with pleasure. She tasted the salt of her tears on her lips. Aftershocks still quivered through her. Tenderly, she ran her hands down his lean hips to knead his firm buttocks. Part of her clung to the ecstasy even as the blaze subsided to a gentle glow. The physical delight hadn't faded. If anything, it was sharper, deeper, more profound. Matured through suffering and loss and deprivation. She expected him to finish but he wasn't satisfied yet. Implacably, he tilted her hips and continued to ravish her. Shocked, she realized he hadn't found release in that shivering culmination. She'd been too lost in her own pleasure to register his responses. Before her last climax subsided, another more shattering crises ripped through her. She raised her hand to her mouth and bit down hard to muffle a scream. Uncontrollable ecstasy gripped her in claws of flame. It was as though the dragons on the doors had breathed their fire into her lover. Still he didn't relent. Almost roughly, he reached down to stroke the swollen folds between her legs and this time she did scream. She arched up to kiss him using teeth and tongue. Her touch held no tenderness. Although in her heart, she felt an endless lake of tenderness for this man she loved so dearly. Another wave hit her and she shuddered, blind with the violent onslaught of sensation. Time itself was suspended as she lost herself in ultimate pleasure. Matthew groaned from deep in his throat as he at last gave himself up. While liquid heat spilled into her womb, she clutched his shaking body. Slowly, inevitably, she made the dazzling descent from heaven. She closed her eyes and let pleasure ebb through velvety, electric darkness. He lay on top of her, heavy, beloved, welcome.

Railways, by days and by night. The flowers in the cuttings with their sooty blossoms, the birds on the wires with their sooty voices, they are their friends and long remember them. And we also stand still, with astonished eyes, when-already from the far distant distance- there's the cry of promise. And we stand, with hair streaming, when it's there like thunder and as though it had rolled round heaven knows what worlds. And we're still standing, with sooty cheeks, when-already from the far distant distance-it cries. Cries, far, far away. Cries. Really it was nothing. Or everything. Like us. And they beat, beyond the windows of prisons, sweet dangerous, promising rhythms. You are all ears then, poor prisoner, all hearing, for the clattering, oncoming trains in the night and their cry and their whistle shiver the soft dark of your cell with pain and desire. Or they crash bellowing over the bed, when at night you're harboring fever. And your veins, the moon-blue, vibrate and take up the song, the song of the freight trains: Under way-under way-under way- And your ear's an abyss, that swallows the world. Under way. But ever and again you are spat out at stations, abandoned to farewell and departure. And the stations raise up their pale signboards like brows beside your dark road. And they have names, those furrowed-brown signs, names, which are the world: bed, they mean, hunger and women. Ulla or Carola. And frozen feet and tears. And they mean tobacco, the stations, or lipstick or schnapps. Or God or bread. And the pale brows of the stations, the signboards, have names, that mean: women. You are yourself a railway track, rusty, stained, silver, shiny, beautiful and uncertain. And you are divided into sections and bound between stations. And they have signboards whereon is written women, or murder, or moon. And then that is the world. You are a railway- rumbled over, cried over- you are the track- on you everything happens and makes you rust blind and silver bright. You are human, your brain giraffe-lonely somewhere above on your endless neck. And no one quite knows your heart.

She squirmed with delight, making him groan. Her wriggling must test him. Some devil made her move again. "Jesus, Grace," he gritted out. "You try my limits." "I hope so," she purred. He felt so wonderful inside her. As if he supplied part of her that she only realized now she'd lacked. She bent her knees and tilted her hips so he went deeper. She ran her hands down the tense muscles of his back. He flexed under her touch. "That felt good," she said breathlessly. "Do it again." "If I start, I won't stop." his voice was rough. "Start." She shifted again and felt him shudder. "Grace," he grated out. He withdrew, then plunged into her. Her nails sank into his back and her womb clenched in welcome. With deliberate slowness, he set the familiar rhythm. Except none of this was familiar. Every time he settled in her body, he forged an emotional connection that nothing could sever. On and on he went. Possession. Release. Possession. Release. Every thrust another link in the chain that bound her to him. Eventually his inhuman control fractured and he drove into her faster, more wildly. With every thrust, her excitement built. It echoed how she'd felt when he kissed her between the legs. That had been wonderful, astounding.But this was more powerful. Because he was with her. He pounded into her as though he meant to crush her. She didn't care. She never wanted this spiraling feeling to end. The storm swirled her higher and higher. Ecstasy poised her on a knife edge. She cried out and rose to meet him. He changed the angle of his penetration and went even deeper. The pleasure edged close to pain. She tensed as he pressed hard inside her. Then her womb opened and she took all of him. Her inner muscles convulsed into spasms of delight and she screamed. Violent rapture flung her against the doors of heaven itself. She was lost in a hot, dark world where nothing existed except Matthew. All she could do was hold him and prayed she survived. Through the tempest that blasted her, he reached his climax. He groaned and convulsed in her arms. For this moment, he was unequivocally hers and she reveled in the possession.

Even as the feminine principle was venerated for its fertile, life-giving properties, there are also many examples of Goddesses who embodied the entire life process: birth, life, death, and regeneration. This is important because it can be tempting to romanticise the Goddess as a sort of angelic Fairy Godmother or abundant Good Mother. The feminine principle is more complex and more powerful than that. There are many stories from mythology that tell of the different faces of the Goddess. One such myth tells of the ancient Sumerian goddess who “outweighed, overshadowed, and outlasted them all . . .Inanna, Queen of Heaven.”[xxvi] This story originated in ancient Mesopotamia, five or six thousand years ago. In the myth, Inanna, who rules as queen over the upper world (birth and life), decides to visit Ereshkigal, queen of the Underworld (death and transformation). As Inanna descends into her sister’s realm, she is stripped of all the symbols of her upper world sovereignty, so that she comes before Ereshkigal naked and bowed low. Her enforced stay in the Underworld and the return after three days predates the Christian story by thousands of years. It is one of the first stories of ritual descent from the realm of life to the realm of death and the return to life after a time of incubation in the Underworld. This is also the theme of most ancient initiation rituals like the Orphic mysteries, the Eleusinian mysteries, and of much of the Egyptian sacred teachings. At the time when the story of Inanna’s journey first appeared, the increasingly male dominated Sumerian culture was separating from earlier matrilineal forms. Before the descent myth, another story tells how Inanna, in order to rule, had to take power from the God, Enki, assuming his symbols of sovereignty as her own. Ereshkigal, queen of the Underworld, represents the archaic feminine, the dark mysteries of the older religion which had been sent underground. The descent story can, therefore, be understood as Inanna balancing her heroic victories in the upper (masculine) world by reconnecting with the rhythms and cycles of the under (feminine) world. Based on clinical experience, one analyst called this a “pattern of a woman’s passage from cultural adaptation to an encounter with her essential nature”.

Twas the night before Christmas and in SICU All the patients were stirring, the nurses were, too. Some Levophed hung from an IMED with care In hopes that a blood pressure soon would be there. One patient was resting all snug in his bed While visions—from Versed—danced in his head. I, in my scrubs, with flowsheet in hand, Had just settled down to chart the care plan. Then from room 17 there arose such a clatter We sprang from the station to see what was the matter. Away to the bedside we flew like a flash, Saved the man from falling, with restraints from the stash. “Do you know where you are?” one nurse asked while tying; “Of course! I’m in France in a jail, and I’m dying!” Then what to my wondering eyes should appear? But a heart rate of 50, the alarm in my ear. The patient’s face paled, his skin became slick And he said in a moment, “I’m going to be sick!” Someone found the Inapsine and injected a port, Then ran for a basin, as if it were sport. His heart rhythm quieted back to a sinus, We soothed him and calmed him with old-fashioned kindness. And then in a twinkling we hear from room 11 First a plea for assistance, then a swearing to heaven. As I drew in my breath and was turning around, Through the unit I hurried to respond to the sound. “This one’s having chest pain,” the nurse said and then She gave her some nitro, then morphine and when She showed not relief from IV analgesia Her breathing was failing: time to call anesthesia. “Page Dr. Wilson, or May, or Banoub! Get Dr. Epperson! She ought to be tubed!” While the unit clerk paged them, the monitor showed V-tach and low pressure with no pulse: “Call a code!” More rapid than eagles, the code team they came. The leader took charge and he called drugs by name: “Now epi! Now lido! Some bicarb and mag! You shock and you chart it! You push med! You bag!” And so to the crash cart, the nurses we flew With a handful of meds, and some dopamine, too! From the head of the bed, the doc gave his call: “Resume CPR!” So we worked one and all. Then Doc said no more, but went straight to his work, Intubated the patient, then turned with a jerk. While placing his fingers aside of her nose, And giving a nod, hooked the vent to the hose. The team placed an art-line and a right triple-lumen. And when they were through, she scarcely looked human: When the patient was stable, the doc gave a whistle. A progress note added as he wrote his epistle. But I heard him exclaim ere he strode out of sight, “Merry Christmas to all! But no more codes for tonight!” Jamie L. Beeley Submitted by Nell Britton

He bent to kiss her stomach, so low that his chin brushed the triangle of curls. The tip of his tongue touched her skin, painting a delicate pattern. Her hips undulated, trying in vain to coax him lower, her entire body begging, Please down there down there. She felt as helpless as a jointed doll. Different parts of her were quivering, tensing, trembling, while her insides closed frantically on emptiness. He changed their positions with a quiet grunt of discomfort, until they were both lying on their sides, his head toward her feet. She felt him pull her top leg up and across, and then he relaxed with what sounded like a purr. As she felt him breathing between her thighs, she moaned, panted, licked her dry lips, wanting to say his name but afraid she might scream it. She tensed at the touch of his fingers, stroking lightly across the wet entrance of her body. All her consciousness focused on what he was doing, the fingertip that dipped very slightly into the pulsing cove. A teasing finger slid all the way inside and began to thrust in the slowest, gentlest rhythm possible, while her intimate muscles clenched and squeezed at the invasion, and her belly writhed. His breath rushed against the hard, tender bud of her clitoris in feathery tickles. It was heaven. It was torture. She wanted to kill him. He was the meanest, wickedest man who'd ever lived, the devil himself, and she would have told him so if she'd had the breath to spare. He added another finger, and a deep glow began at her core. The feeling spread through every limb and swept upward, until it burned in her face and throat, even at the lobes of her ears. It was beneath her arms, between her toes, at the backs of her knees, a radiant heat that kept climbing. His fingers curved gently inside and held her like that, and then, finally, she felt his mouth at her sex, his tongue stroking in catlike laps. It sent her into a climax unlike anything she'd ever felt, pure ecstasy without a precise beginning or end, a long open spasm that went on and on. A new surge of wetness emerged when his fingers finally withdrew. His tongue was strong and eager as he hunted for the taste of her, making her writhe. Her head came to rest close to his groin, her cheek brushing the satiny skin of his aroused flesh. Languidly she rubbed her parted lips along the rigid length, making him jolt as if he'd received an electric shock. Encouraged by his response, she took hold of the shaft with one hand and drew her tongue along it. When she reached the tip, she fastened her lips over the silkiness and salt taste, and sucked lightly. He groaned between her thighs. With his fingers, he spread her furrow wider, and nibbled at the taut, full center, flicked at it. She moaned, vibrating around the head of his shaft.

I love it when you can’t control yourself,” she whispered. “I love having you at my mercy. You have no idea…how much I enjoy seeing Dom the Almighty brought low.” He barely registered her words. What she was doing felt so good. So bloody damned good. If she stroked him much more… “I want to be inside you.” He gripped her wrist. “Please, Jane…” Her sensuous smile faltered. “You’ve never said ‘please’ to me before. Not in your whole life.” “Really?” Had he only ever issued orders? If so, no wonder she’d refused him last night. Perhaps it was time to show her she didn’t have to seduce him to gain control. That he could give up his control freely…to her, at least. “Then let me say it now. Please, Jane, make love to me. If you don’t mind.” She stared at him. “I…I don’t know what you mean.” He nodded to his cock, which looked downright ecstatic over the idea. “Get up on your knees and fit me inside you.” Realizing he’d just issued yet another order, he added, “Please. If you want.” Jane got that sultry look on her face again. Like the little seductress she was rapidly showing herself to be, she rose up and then came down on him. By degrees. Very slow degrees. He had trouble breathing. “Am I hurting you?” Her smile broadened as she shimmied down another inch. “Not really.” Stifling a curse, he clutched her arms. “You just…enjoy torturing me.” “Absolutely,” she said and moved his hands to cover her breasts. He was more than happy to oblige her unspoken request, happy to thumb her nipples and watch as her lovely mouth fell open and a moan of pure pleasure escaped her. His cock swelled, and he thrust up involuntarily. “Please…” he said hoarsely. “Please, Jane…” With a choked laugh, she sheathed herself on him. Then her eyes went wide. “Oh, that feels amazing.” “It would feel more amazing if you…would move,” he rasped, though the mere sensation of being buried inside her was making him insane. When she arched an eyebrow, he added, “Please.” “I could get to like this,” she said teasingly. “The begging.” But even as he groaned, she began to move, like the sensual creature that she was. His sweetheart undulated atop him, her head thrown back and her eyes sliding closed, and for the first time in his life, he was happy to give himself up to someone else’s control. To relish her pleasure, which was also his pleasure. Somehow he’d stumbled into paradise, ruled by his own personal angel. His own personal siren. “You like having me…in your power, do you?” he said. “Yes, oh, yes.” Her eyes brightened as she rode him, harder, faster. “Say it again.” “What?” He could hardly think for watching her take him. For being inside her so deeply he fancied he could feel her heart, her very soul. “Please.” Her face was flushed, rapt. “Say…’please’ again.” “Please.” Why had he never thought to say it before? This was all he’d ever wanted--to have the enthralling, intoxicating Jane in his arms, in his life. Forever. A “please” from time to time was little enough to give for that. “Please, my wanton angel.” He clutched her close, his rhythm quickening. “Please…be mine. Please…marry me.” His release approached like a carriage thundering toward the heavens. Toward paradise. And as the blood roared in his ears, he plunged his cock deeply and emptied himself inside her, crying, “Please…Jane…love me!” “I do.” With a hoarse cry of her own, she strained against him and found her own release, milking his cock with the force of it. “I do, my darling…I do.

I don’t…believe you,” she lied, her blood running wild through her veins. His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers. This was not what she’d set out to get from him. But oh, the joy of it. The heat of it. His mouth covered hers, seeking, coaxing. Without breaking the kiss, he pushed her back against the wall, and she grabbed for his shoulders, his surprisingly broad and muscular shoulders. As he sent her plummeting into unfamiliar territory, she held on for dear life. Time rewound to when they were in her uncle’s garden, sneaking a moment alone. But this time there was no hesitation, no fear of being caught. Glorying in that, she slid her hands about his neck to bring him closer. He groaned, and his kiss turned intimate. He used lips and tongue, delving inside her mouth in a tender exploration that stunned her. Enchanted her. Confused her. Something both sweet and alien pooled in her belly, a kind of yearning she’d never felt with Edwin. With any man but Dom. As if he sensed it, he pulled back to look at her, his eyes searching hers, full of surprise. “My God, Jane,” he said hoarsely, turning her name into a prayer. Or a curse? She had no time to figure out which before he clasped her head to hold her for another darkly ravishing kiss. Only this one was greedier, needier. His mouth consumed hers with all the boldness of Viking raiders of yore. His tongue drove repeatedly inside in a rhythm that made her feel all trembly and hot, and his thumbs caressed her throat, rousing the pulse there. Thank heaven there was a wall to hold her up, or she was quite sure she would dissolve into a puddle at his feet. Because after all these years apart, he was riding roughshod over her life again. And she was letting him. How could she not? His scent of leather and bergamot engulfed her, made her dizzy with the pleasure of it. He roused urges she’d never known she had, sparked fires in places she’d thought were frozen. Then his hands swept down her possessively as if to memorize her body…or mark it as belonging to him. Belonging to him. Oh, Lord! She shoved him away. How could she have fallen for his kisses after what he’d done? How could she have let him slip that far under her guard? Never again, curse him! Never! For a moment, he looked as stunned by what had flared between them as she. Then he reached for her, and she slipped from between him and the wall, panic rising in her chest. “You do not have the right to kiss me anymore,” she hissed. “I’m engaged, for pity’s sake!” As soon as her words registered, his eyes went cold. “It certainly took you long enough to remember it.” She gaped at him. “You have the audacity to…to…” She stabbed his shoulder with one finger. “You have no business criticizing me! You threw me away years ago, and now you want to just…just take me up again, as if nothing ever happened between us?” A shadow crossed his face. “I did not throw you away. You jilted me, remember?” That was the last straw. “Right. I jilted you.” Turning on her heel, she stalked back toward the road. “Just keep telling yourself that, since you’re obviously determined to believe your own fiction.” “Fiction?” He hurried after her. “What are you talking about?” “Oh, why can’t you just admit what you really did and be done with it?” Grabbing her by the arm, he forced her to stop just short of the street. He stared into her face, and she could see when awareness dawned in his eyes. “Good God. You know the truth. You know what really happened in the library that night.” “That you manufactured that dalliance between you and Nancy to force me into jilting you?” She snatched her arm free. “Yes, I know.” Then she strode out of the alley, leaving him to stew in his own juices.

If you’d convinced Nancy to marry you, you might not have had to go off to be a Bow Street runner. You could have had an easier life, a better life in high society than you could have had with me if you’d married me. Without being able to access my fortune, I could only have dragged you down.” “You don’t really believe that I wanted to marry her for her money,” he gritted out. “It’s either that or assume that you fell madly in love with her in the few weeks we were apart.” They were nearly to the inn now, so she added a plaintive note to her voice. “Or perhaps it was her you wanted all along. You knew my uncle would never accept a second son as a husband for his rich heiress of a daughter, so you courted me to get close to her. Nancy was always so beautiful, so--” “Enough!” Without warning, he dragged her into one of the many alleyways that crisscrossed York. This one was deeply shadowed, the houses leaning into each other overhead, and as he pulled her around to face him, the brilliance of his eyes shone starkly in the dim light. “I never cared one whit about Nancy.” She tamped down her triumph--he hadn’t admitted the whole truth yet. “It certainly didn’t look that way to me. It looked like you had already forgotten me, forgotten what we meant to each--” “The hell I had.” He shoved his face close to hers. “I never forgot you for one day, one hour, one moment. It was you--always you. Everything I did was for you, damn it. No one else.” The passionate profession threw her off course. Dom had never been the sort to say such sweet things. But the fervent look in his eyes roused memories of how he used to look at her. And his hands gripping her arms, his body angling in closer, were so painfully familiar... “I don’t…believe you,” she lied, her blood running wild through her veins. His gleaming gaze impaled her. “Then believe this.” And suddenly his mouth was on hers. This was not what she’d set out to get from him. But oh, the joy of it. The heat of it. His mouth covered hers, seeking, coaxing. Without breaking the kiss, he pushed her back against the wall, and she grabbed for his shoulders, his surprisingly broad and muscular shoulders. As he sent her plummeting into unfamiliar territory, she held on for dear life. Time rewound to when they were in her uncle’s garden, sneaking a moment alone. But this time there was no hesitation, no fear of being caught. Glorying in that, she slid her hands about his neck to bring him closer. He groaned, and his kiss turned intimate. He used lips and tongue, delving inside her mouth in a tender exploration that stunned her. Enchanted her. Confused her. Something both sweet and alien pooled in her belly, a kind of yearning she’d never felt with Edwin. With any man but Dom. As if he sensed it, he pulled back to look at her, his eyes searching hers, full of surprise. “My God, Jane,” he said hoarsely, turning her name into a prayer. Or a curse? She had no time to figure out which before he clasped her head to hold her for another darkly ravishing kiss. Only this one was greedier, needier. His mouth consumed hers with all the boldness of Viking raiders of yore. His tongue drove repeatedly inside in a rhythm that made her feel all trembly and hot, and his thumbs caressed her throat, rousing the pulse there. Thank heaven there was a wall to hold her up, or she was quite sure she would dissolve into a puddle at his feet. Because after all these years apart, he was riding roughshod over her life again. And she was letting him. How could she not? His scent of leather and bergamot engulfed her, made her dizzy with the pleasure of it. He roused urges she’d never known she had, sparked fires in places she’d thought were frozen. Then his hands swept down her possessively as if to memorize her body…or mark it as belonging to him. Belonging to him.

~ Bring forth your Light of Grace and dance to the rhythm of your own song ~

We moaned together as the rhythm my hips created pulled us both to what we knew was heaven.

67. Give It Away! I’m going to trust that if you are smart enough to build a successful life then you should be smart enough to understand that giving money is as much about the spirit as it is about the actual amounts. (And remember: one thing is for certain, giving money doesn’t get us to Heaven. Heaven is a gift that was bought for us at a price greater than any of us can afford. But giving money away is a definite by-product of having received that gift!) When we receive something amazing, our instinct is to want to give something in gratitude. It is how we work - so follow those natural rhythms. Regardless of how you decide to give and how much, just ensure that giving part of your earnings to those in real need becomes a joyful part of your life. Give to friends who do amazing jobs but who earn very little, give to charities that move you, give to those the world overlooks, give as your heart tells you - and learn to listen to it. And by all means live a great life yourself along the way - why not? You have worked hard for it, paid your taxes and you deserve it. The main thing to remember, though, is to keep giving lots of money away as well. If you do, then, in return, it will do many things for you…

There is a rhythm throughout the universe. The pulsation throbs within every heart, during each moment of ecstasy, in every birth contraction. The rhythm exists in the pull of the ocean tide, around the weight of each raindrop, woven into every cocoon. The sequence, the progression, is what we call time. Our time of influence affects the expansion of the universe. Heaven is eager to learn how we will add to the growth of eternal existence. God is ready to respond as you take part in creation. The rhythm never ends, it only strengthens and expands. This life force is you. You are the mystery. You are the journey. You are exquisite. You are here. Now, it’s your time.

Clara played badly, with no sense of rhythm and mistaking half the notes, but to me her serenade was liquid heaven.

I tugged her body against mine, tits pressing to me and damn near making me groan with longing before she slid her hands up my chest as we began to dance with one another. My body fell into a rhythm with hers so naturally that I swear even my heart was pounding to the tune. Her chest brushed mine, fingers skimming up my neck as my hand fell to the round curve of her ass and I tugged her closer. My gaze was on her mouth as the heat between us built in time with the movements of our bodies and our breaths mingled in the small space left dividing us. But just as I was starting to give serious consideration to an absolutely terrible idea, she turned in my arms, her ass pushing back into my crotch as she hooked one arm around the back of my neck. A real growl escaped me then as she ground herself against me, making my cock swell and my thoughts scatter as I lost all sense of everything other than this fucking girl in my arms as we danced together. I was vaguely aware of Seth dancing with Gwen beside us, but I couldn't tear my eyes from this perfect temptation in my arms. It was hotter than any sex I could ever remember having and neither of us had removed so much as a single item of clothing. Roxy kept dancing with her hand clasped around the back of my neck, the arch of her spine giving me a view down her shirt which I was having a damn hard time tearing my attention from. The fabric shifted and slipped across her skin, offering me the barest glimpse of her hardened nipples with every thump of the music and I licked my lips with the desire to suck on them. My dick was definitely letting itself be known as she continued to grind herself against me and as much as I was enjoying that friction, I really needed to make some effort to control myself. I grasped her hip and turned her around, the beast in me purring as she instantly looped her arms around my neck to draw me closer. I didn't even know how many songs had played while we'd been dancing and I didn't care because I knew it wasn't enough. Not nearly enough. My gaze met hers and the fire in her was enough to set me alight too as she tilted her chin up and bit down on that full bottom lip. My attention was instantly hooked on her mouth, our bodies still moving together in this hot, endless friction which was begging for some relief. My resolve was snapping, all the reasons I had to pull away falling from my mind like flakes of snow trying to land on an inferno and I found myself leaning in, devouring the distance that parted us like I wanted to devour this beautiful creature in my arms. I tightened my grip on her waist, letting her feel the throbbing press of my dick driving into her and making it more than clear what I wanted to spend the rest of the night doing to her. I didn't care if she was a Vega, a princess, the architect of my fall from power, none of that mattered. Because all there was in that moment was her and me and the press of the heavens above us driving us together like we might burn up in the fire which blazed between us if we didn't just dive into it now. (Darius POV)

It's hard to move them close to God and others when you don't know who they really are. Our efforts to understand them through questions or conversation show that we are not just out to control their behavior but out to find them, just as our heavenly father came to find us.

61. Man’s Death in Woman Woman is the generous and welcoming valley of soft mountains where man willingly comes from the hardness of the world to be overcome. She is warm promise and roundness of full earth and moon to which even the wisdom of heaven is left speechless. She is the presence of primal beginning from which man arises. Birth and life struggle him away but desire and death enchant him back. A man’s death in woman is his birth again. She is confirmation of the small and great rhythms of blood and generations to which he keeps returning for comfort and release.

Our solar system, in turn, is just one tiny corner of the Milky Way galaxy, that thick band of stars visible in the darkest night skies stretching far over our heads. We’re about 25,000 light-years away from the center of the rotating galaxy, which astronomers estimate contains somewhere between 100 and 400 billion stars—and at least that number of planets—and stretches across some 87,400 light-years. What we see in our skies from Earth is the equivalent of staring at the side of the Milky Way stretching off before us, as if we’re looking at the edge of a plate or a Frisbee. It is spiral-shaped, like an enormous spinning pinwheel, first mentioned, as far as we know, by the Persian astronomer Abd al-Rahman al-Sufi in AD 964, recorded in his The Book of the Fixed Stars. In 1610, Galileo was the first astronomer to piece together, using a telescope, that the Milky Way visible in our skies was a collection of faint stars; a century later, Immanuel Kant surmised that it was a rotating body of stars, and over the next two hundred years, astronomers came to begin to grasp how enormous the universe truly is. Now we understand that our Milky Way is about 2.5 million light-years from the next closest galaxy, known as Andromeda. Together, these two massive galaxies—and all the stuff in between them, including a number of so-called dwarf galaxies and satellite galaxies, as well as a third large galaxy known as Triangulum—make up what astronomers call the “Local Group,” which is one corner of a larger cosmic structure known as a “supercluster.”II For most of the last fifty years, our particular galactic neighborhood was believed to be part of the “Virgo Supercluster,” a gathering of about one hundred galaxies, but in 2014 a team of astronomers led by Hawaii’s R. Brent Tully realized we were more connected to our neighbors than anyone had realized; they redrew the boundaries of the galactic map after realizing that our supercluster was far more vast and in fact consisted of what had been four separate superclusters that all moved in the same gravitational rhythm. They dubbed the new supercluster “Laniakea,” Hawaiian for “immense heaven,” and we now believe it encompasses about one hundred thousand other galaxies that astronomers define as “nearby,” despite the fact that they stretch across more than 520 million light-years of outer space. Laniakea, in turn, is now understood to be part of the Pisces-Cetus Supercluster Complex, an enormous structure of about sixty superclusters that together stretch across a billion light-years. The Pisces-Cetus Supercluster Complex is what’s known as a “galaxy filament,” the largest structures known to exist in our universe, in which NASA now estimates there are about 200 billion galaxies stretching across 46 billion light-years.III (Each of those galaxies is estimated to have perhaps 100 million stars—although the largest, known as supergiants, can contain 100 trillion.)

Prayer shaped their consciousness, so that they became ever more aware that the Kingdom of Heaven is a constant and present reality, hidden within the veil of everyday life.

The universe functions like a clock: To everything— There is a season— And a time to every purpose under heaven A time to be born, a time to die A time to plant, a time to reap A time to kill, a time to heal A time to laugh, a time to weep A time to build up, a time to break down A time to dance, a time to mourn A time to cast away stones A time to gather stones together These rhythms are not set by us. We are all participating in a larger creative act we are not conducting. We are being conducted. The artist is on a cosmic timetable, just like all of nature.

¡Zape! (Shoo!) Go away, go away, espíritu maligno (bad spirit)!” they sang. “Go back to where you came from!” The festive musical celebration combined the prayers and songs with expressive dancing to the rhythm of percussion and string instruments, which accompanied the child’s ascent into heaven, where she would become an angel. Women, men and children ate, drank, prayed, sang and danced. They also played games like la gallina ciega (the blind chicken) where children tried to escape the touch of a blindfolded child who would walk around trying to feel for them. Whoever she touched was disqualified from the game. The baquiné lasted throughout the night. In a time when so many children perished to disease, this was a way for the child’s loved ones to say good-bye and endure the painful loss. But when all were gone, the crude reality set in. Manuel will never forget the image of those poor parents, devastated, sitting alone right next to the altar where their child lay dead, weeping desperately at her loss. He prayed for Ana’s soul. He prayed for those parents. And he prayed that he would never have to suffer the agony of losing a child.

The fourth cure for heedlessness is the recitation of the Qur’an. Reciting it with tadabbur (reflection) awakens the heart. However, plain recitation is beneficial as well. Learned Muslims have recommended that a person recite one–thirtieth of the Qur’an (juz) every day. If this is difficult, then reciting Sura Yāsīn (36) after the dawn prayer, Sura al-Wāqiʿah (56) after the sunset prayer, and Sura al-Mulk (68) after the evening prayer greatly benefit the soul. (New Muslims should strive with their utmost to learn how to read the original Arabic text of the Qur’an. Meanwhile, one is advised to listen to the well-known Qur’an reciters on audio devices or read a good English translation until one is able to read the Arabic. It is important for one to be regularly engaged with the Book of God.) The actual sounds of the language of the Qur’an—the breathtaking rhythms and words—are a medicine. From the perspective of energy dynamics, every substance has a resonance at a specific wavelength. A medicine resonates in order to cure the disease. So, too, do the sounds of recitation of the Qur’an: “O humankind, there has come to you from your Lord counsel and healing for what is in the breasts, and a guidance and a mercy to the believers” (QUR’AN , 10:57). When one recites the Qur’an, one moves his or her tongue pronouncing revealed words of the Lord of the heavens and the earth. And these words have a powerful and unique sound. People are often amazed at the sound of the Qur’an when they hear it for the first time. The beauty of the Qur’an is in its meanings as well as the sound of its recitation. These are the four cures that Imam Mawlūd offers for heedlessness. God warns the Prophet from conforming to those whose hearts are in the state of heedlessness (QUR’AN , 18:28). God increases the heedlessness of people who turn away from the truth.

We have come to be danced not the pretty dance not the pretty pretty, pick me, pick me dance but the claw our way back into the belly of the sacred, sensual animal dance the unhinged, unplugged, cat is out of its box dance the holding the precious moment in the palms of our hands and feet dance We have come to be danced not the jiffy booby, shake your booty for him dance but the wring the sadness from our skin dance the blow the chip off our shoulder dance the slap the apology from our posture dance We have come to be danced not the monkey see, monkey do dance one, two dance like you one two three, dance like me dance but the grave robber, tomb stalker tearing scabs & scars open dance the rub the rhythm raw against our souls dance WE have come to be danced not the nice invisible, self conscious shuffle but the matted hair flying, voodoo mama shaman shakin’ ancient bones dance the strip us from our casings, return our wings sharpen our claws & tongues dance the shed dead cells and slip into the luminous skin of love dance We have come to be danced not the hold our breath and wallow in the shallow end of the floor dance but the meeting of the trinity: the body, breath & beat dance the shout hallelujah from the top of our thighs dance the mother may I? yes you may take 10 giant leaps dance the Olly Olly Oxen Free Free Free dance the everyone can come to our heaven dance We have come to be danced where the kingdom’s collide in the cathedral of flesh to burn back into the light to unravel, to play, to fly, to pray to root in skin sanctuary We have come to be danced WE HAVE COME

Montreal November 1704 Temperature 34 degrees Tannhahorens did not look at Mercy. The tip of his knife advanced and the Frenchman backed away from it. He was a very strong man, possibly stronger than Tannhahorens. But behind Tannhahorens were twenty heavily armed braves. The Frenchman kept backing and Tannhahorens kept pressing. No sailor dared move a muscle, not outnumbered as they were. The Sauk let out a hideous wailing war cry. Mercy shuddered with the memory of other war cries. Even more terrified, all the French took another step back--and three of them fell into the St. Lawrence River. The Sauk burst into wild laughter. The voyageurs hooted and booed. The sailors threw ropes to their floundering comrades, because only Indians knew how to swim. Tannhahorens took Mercy’s hand and led her to one of the pirogues, and the Sauk paddled close, hanging on to the edge of the dock so that Mercy could climb in. Mercy could not look at the Sauk. She had shamed Tannhahorens in front of them. Mercy climbed in and Tannhahorens stepped in after her, and the men paddled slowly upstream to Tannhahorens’s canoe. The other pirogue stayed at the wharf, where those Sauk continued to stand, their weapons shining. Eventually the French began to load the ship again. “Daughter,” said Tannhahorens, “the sailors are not good men.” She nodded. He bent until he could look directly into her eyes, something Indians did not care for as a rule. “Daughter.” She flushed scarlet. On her white cheeks, guilt would always be revealed. “The cross protects,” said Tannhahorens. “Or so the French fathers claim. Perhaps it does. But better protection is to stay out of danger.” Did Tannhahorens think she had gotten lost? Did he believe that she had ended up on the wharf by accident? That she was waving the cross around for protection? Or was he, in the way of Indians, allowing that to be the circumstance because it was easier? When he had thanked the Sauk sufficiently and they had agreed to tell Otter that Mercy had gone home with her father, Tannhahorens paddled back to Kahnawake. His long strong arms bent into the current. Her family had not trusted her after all. Tannhahorens must have been following her. Or, in the way of a real father, he had not trusted Montreal. Either way, she was defeated. There was no escape. If there is no escape, and if there is also no ransom, what is there for me? thought Mercy. I don’t want to be alone. A single star in a black and terrible night. How can I endure the name Alone Star? “Why do you call me Munnonock?” she asked. She wanted desperately to go home and end this ugly day. Home. It was still a word of warmth and comfort. Still a word of safety and love. The homes she had known misted and blended and she did not really know if it was Nistenha in the longhouse or Stepmama in Deerfield or her mother in heaven whose home she wanted. “You are brave, daughter,” said Tannhahorens without looking at her, without breaking his rhythm, “and can stand alone. You shine with courage, and so shone every night of your march. You are our hope for sons and daughters to come. On you much depends.

How did you learn to ballroom dance? That’s quite an accomplishment for a boy your age.” “My mom taught me.” He glanced at her. The anger had faded from his eyes. “I’m pretty good.” “I’m not surprised.” She liked the way he’d perked up. It was good to see his confidence emerging. Too bad he couldn’t showcase his talent for tomorrow’s audience. She was certain it would be beneficial. “Is there anything else you could do for the show? What other talents do you have?” Max shrugged. “Nothing, really.” His feet shuffled under the table. “’Cept being a goalie and building boat models, but I can’t do those for a talent show.” “Is there some other kind of dance you could do?” “It’s too late to come up with a new dance. The show’s tomorrow. Besides, it’s for a parent and their child.” His eyes pulled down at the corners, and he ducked his head. “I wish I could help, but I don’t know how to ballroom dance. I guess it wouldn’t be the same without your mom anyway.” His head lifted. Hope sparkled in his eyes. “You could learn.” “Oh, I—I think it would take longer than a day, Max.” Meridith laughed uneasily. “Especially for me.” His head and shoulders seemed to sink. “I guess you’re right. I only know how to lead, and I don’t know how to teach it.” “I know how.” Jake appeared in the doorway, filling it with his broad shoulders and tall frame. “Didn’t mean to eavesdrop.” “He could teach you!” Max’s eyes widened. He looked back and forth between Jake and Meridith. “Oh,” Meridith said, “We couldn’t ask—” “I’m offering,” Jake said. “I can be here bright and early tomorrow morning.” Max’s dimple hollowed his cheek. “No, I—you don’t understand, the show’s tomorrow night, and I’m a bad dancer.” Jake leaned against the doorframe, crossed his arms. “You said you wanted to help.” “Well, I do, but I don’t see how—you know how to ballroom dance?” The notion suddenly struck her as unlikely. “I can do more than swing a hammer.” “I didn’t mean—” “So you’ll do it?” Max bounced on the chair. She hadn’t seen him this excited since she’d arrived. She looked at Jake. At his wide shoulders, thick arms, sturdy calloused hands. She remembered the look in his eyes just minutes ago and imagined herself trapped in the confines of his embrace for as long as it took her to learn the dance. Which would be about, oh, a few years. “And why would you do this?” It wasn’t as if he owed her anything. Unless he was punching the time clock on the lessons. “Let’s just say I was picked on a time or two myself.” Max rubbed his hands together. “Toby and Travis, eat your heart out!” “Now, hold on. We already missed dress rehearsals. I don’t know if Mrs. Wilcox will let us slip in last minute.” “Call her,” Jake said. He had all the answers, didn’t he? She spared him a scowl as she slid past on her way to the phone. “Hi, Mrs. Wilcox? This is Meridith Ward again.” She looked over her shoulder. Max waited, Jake standing behind him, thumbs hooked in his jeans pockets, looking all smug. “I was wondering. If Max can get a replacement for the dance, could he still participate?” Please say no. “I know he’s missing dress rehearsals and—” “That would be no problem whatsoever.” Mrs. Wilcox sounded delighted. “We’d fit him in and be glad to have him. Have you found him another partner?” “Uh, looks like we have.” She thanked Mrs. Wilcox and hung up, then turned to face a hopeful Max. “What did she say?” he asked. Meridith swallowed hard. “She said they could work you back into the schedule.” She cast Jake a plea. “But I don’t know if I can do this. I wasn’t kidding, I have no rhythm whatsoever.” “Look at the kid. You can’t say no to that.” Max was grinning from ear to ear. It was Meridith’s shoulders that slunk now. Heaven help her. She winced and forced the words. “All right. I’ll do it.” Max let out a whoop and threw his arms around her.

LEAVE OUTCOMES UP TO ME. Follow Me wherever I lead, without worrying about how it will all turn out. Think of your life as an adventure, with Me as your Guide and Companion. Live in the now, concentrating on staying in step with Me. When our path leads to a cliff, be willing to climb it with My help. When we come to a resting place, take time to be refreshed in My Presence. Enjoy the rhythm of life lived close to Me. You already know the ultimate destination of your journey: your entrance into heaven. So keep your focus on the path just before you, leaving outcomes up to Me. JOHN 10:4; PSALM 27:13–14; EXODUS 15:13

During the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country, and at length found myself, as the shades of evening drew on, within view of the melancholy House of Usher. This one sentence could well serve as a crash course in how to create atmosphere. First the bare wires of where and when are suggested (a country road; an autumn day in a time period when men still road on horseback to reach their destinations). Then lights and sound are added: the scene is dark and shadowy; a palpable silence reigns. It’s not a peaceful quiet, the kind that might soothe a tired traveler. Rather, it’s a disturbing silence described only in terms of what it lacks : “soundless.” Other details add to the foreboding: clouds hanging low; a lone rider. And beneath it all a subliminal music plays. I imagine an oboe or a cello, its tones mournfully forlorn. Soon it’s joined by a chorus of deep vowels whose tones are split by harsh consonants and stopped rhythms striking like gongs foretelling doom: dull, dark, soundless, day. Each phrase of the description, like each step of the rider’s horse, draws us deeper toward the gloom that awaits us. Nothing

When the three-week period was up, we sensed the prayer should not stop, so we continued to pray and fast for 24 hours a day, seven days a week. I would pray for four to seven hours each day, crying out to God to have mercy on our nation. This rhythm of prayer and fasting ended up going on for several years, with members taking shifts all through the day and night. God heard our cries. After five years of war, our country was given religious freedom. Out of a population of approximately six million, an estimated 150,000 people, mostly civilians, had been killed. Some 1.5 million had been displaced internally, driven from their homes, and had escaped into neighboring countries as refugees.

I grew up in a church culture where it was all about 'having Jesus in your heart.' Churches were interested in getting Jesus into hearts and populating heaven with people who have Jesus in their hearts. There wasn’t a lot of emphasis on the Jesus life through the rest of my anatomy and into everyday life. The Jesus life was disembodied. It was this version of the Jesus story that allowed a gross system like apartheid to form in my home country, South Africa. We accepted Jesus into our hearts and worshiped him on Sunday, but during the rest of the week we used our bodies and the rest of our complex lives in ways that oppressed other people. We segregated Jesus from the raw material of our everyday life.

So this was passion, these intense sensations centered below her belly that made her feel boneless as satin and…and hot as… Faith, she couldn’t think what. Her knees were open and her bosom bare, and she just wanted more. More. More heat, more stroking, more… A keening began low in her throat that matched the building intensity between her legs. His fingers inside her fell into a provocative, rushing rhythm that was like…like… “That’s it, my lovely Jane,” Dom whispered against her breast. “Give yourself to the dance.” Ah, yes, like dancing. Only better. Because the music rising inside her came from her pounding heart and beating blood, from Dom’s devilish playing upon her privates, from the crescendo…of her own…quickening…gasps… Someone screamed. Her, apparently, for Dom uttered an oath seconds before he swallowed her cry with his kiss. And just like that, she vaulted out of the dance into heaven. Her body shook and her hand gripped his neck hard enough to leave marks, and it was marvelous. Every inch of her felt alive, from bones to flesh to skin. She wanted to shout, but Dom’s mouth wouldn’t leave hers. His tongue slid silkily in and out, slowing, softening, bringing her down from wherever it was she’d been. After a while, his kiss gentled to a tender sweetness that made her ache in a different way. In her heart. Her stupid, foolish heart. Regretfully, she drew her lips from his, and he let her, though his gaze didn’t leave her face. He drew up her bodice, pulled down her skirts, and lifted her until she was sitting straight up on his lap. His thing felt like a rod of iron beneath her bottom, but he made no move to have her touch it again. Which was good because at the moment, she could only sit there, limp and panting. He briefly kissed her forehead. “That, sweeting, is passion,” he said in a throttled voice. She nodded. It was all she could manage. “And if you wish to leave this room an innocent, you’d best go without delay.” That startled her. But she was grateful for the warning. Because now that their encounter was done, and she was returning to reality, she realized how mad this was. If she still meant to marry Edwin… No, she couldn’t think about that. Not right now, when she had Dom’s taste in her mouth and his scent engulfing her senses. Blushing, she rose from his lap and straightened her clothes, sure that if she came across anyone in the halls, they would guess at once what she’d been doing. Thank heaven the servants had probably already retired to their quarters. She would die if any of them saw her and guessed she’d been playing the wanton. “Dom…” she began, not sure what to say. Thank you? That was lovely? When may we do it again? Not that. If they ever did this again, she wouldn’t rest until he made her his. And she still wasn’t sure she wanted that. “It’s all right, Jane,” he said tightly, as if he could read the conflict inside her. “Get some sleep. We’ll talk tomorrow.” She bobbed her head and fled.

February 11 The Dance of Grace Who is wise and understanding among you? Let him show it by his good life, by deeds done in the humility that comes from wisdom.—James 3:13 Ladies, this week I came upon the following definition of humility as used in James 3:13: an inwrought grace of soul. Humility. Grace of soul. Stop for a moment; turn those words over in your mind a little. Isn’t grace of soul the perfect descriptor of that friend of yours who is steeped in humility? Is she not wise? Does she not say the right thing, do the very thing you need at the very moment you need it? Oh how elusive, humility. Yet grace describes it so well. Ah, but how to describe grace? I see grace not as a single entity, but as a compilation of the Spirit’s fruit. If you imagine a ballerina pirouetting, a vision of swirling chiffon, it is not the step you admire but the whole dance. Love, joy, peace—yes; patience, gentleness, goodness, kindness—for sure; carefully choreographed by the Spirit onto the soul. Inwrought. Then manifest wisely, in humility. Make no mistake; grace of soul does not come easily. The Spirit gently prods away, as life throws itself at us. Our souls would lack spiritual substance, left to their own devices. Neither is the life of a ballerina softness and fluff. Her muscles have to be firmed by years of training, before her routine can become a part of her being. I ask you ladies, does the ballerina train for years to recline on her couch? No. No. Absolutely not. Her mind twirls en pointe. Her muscles ooze ballet. So too soul grace, once inwrought. It cannot be contained, but dances out. The humble are not even aware of the rhythm they are in. Of course, grace is never a polished ballet until heaven. While on this earth, the best I can do is get in the rhythm of the Spirit and let grace dance the dance of life like the ballerina she is.

Practically, major musings will be centred on and then reflected in your heart, which you will grasp to get a heavenly light with many gravitational potentials. You will find all the pastimes in their rhythm and tune in the absence of any unformed and minor freaks of vigorous energy. It is a mythological consolidation that is descried as very tender and full of providential, supernal and sanctified impressions. Its resignation is impossible; it is important and a comfort zone for admissible lifemanship. This is not a living depiction created from an imaginary world; it is an inside reliance on the elevation of absolute complacent and encouragement. This encompasses empyreal orgasm without undeceased delusion, and it is an engraving entity being sacred world and penetrated feck in ethereal balanceness. 

The number that governs the whole is seven; in the scheme of seven days it permeates the whole in a way that cannot be overlooked. This is the number of a phase of the moon, and thus we are told throughout this account that the rhythm of our heavenly neighbor also sounds the rhythm of our human life.

In the Bible this thought goes still further. It lets us know that the rhythm of the heavenly bodies is, more profoundly, a way of expressing the rhythm of the heart and the rhythm of God’s love, which manifests itself there.

Did you hear the sound of thunder coming from a clear blue sky? I think it's glory. Fields of wheat gold and glistening standing tall at ten feet high. I know it's glory. Angel bands now fill the Heavens as their wings drip healing oil. I see HIS glory. There is victory above us as HIS rhythm floods our souls. I feel HIS glory. Glory comes like morning dew. Glory falls afresh and new. Glory is assigned to you. I think...I know...I see...I feel..It's real.... The glory of the LORD! MD©️

Sensory overload is a legit thing. Everything on me is strung tight, just waiting to break. The more he moves over me, the tighter the strings get. My nails dig into his shoulders as he continues to watch the myriad of expressions I must be giving him as he unravels me thrust by thrust. Then it hits. It hits hard. Those strings break, and euphoria crackles across my body like a bomb that detonates in my core and explodes outward. It rolls across me, curling my toes, flashing behind my eyelids that shut at some point, and licks across my skin like hot, incredible flames. When I cry out and thrash beneath him wildly, his rhythm changes, becoming more urgent. I hold on as he drags out my orgasm in a way I didn’t know was possible, and then he grunts, his hips jerking against me as he finds his own little version of heaven. At least I hope he feels this good.

With a deep breath, I extend my arms, beginning with an adagio, syncing with the melody of the flowers. When I find comfort in the rhythm, I dip into a cambré, sweeping my body into a whirlpool as I rise. I hesitate as plumes of color emerge from the ground, encompassing me in a veil of fuchsia, amber, and gold. The colors gather me, and I move with them like the language of fire--- hot, quick steps, languid and elegant. The forest begins to change, and my eyes widen. When I began my bourrée steps, foxgloves sprout like lace-crafted trumpets, marrying the sound of blooming hibiscuses, rattling like tambourines. With every step I take, more flowers grow, kissing the earth with their velvet lips. I almost swear I hear the ground sing back, harmonizing with the forest's song. I guess the angel was right. With a glimmer of confidence, I burst into a grand jeté, and golden hummingbirds mimic me, tracing my every move as I dive into a piqué manège. Damien's eyes glisten, and it fills my spirit.With every chassé, the forest unravels in color. Fireflies come to life and kiss my cheeks, circling my body in a lattice as I pirouette. New colors rise from the ground--- topaz, lazuli, and chartreuse--- dancing with me like my own ensemble, I transition into my fouettés, leaning into an arabesque, as if to touch the rising moon. I lose all sense of self, leaping into the air. My body transcends into a wind-like creature, moving wildly with mild grace. New life sprouts, as if this world belongs to me and not the angels. Tiny stars emerge in a trail behind my feet, and I climb them like stairs. Damien smiles. I reach for his hand and lift him onto the steps. His hands wrap around my waist, and together we spin higher into the sky. My grip around his shoulders tenses as we rise closer and closer to the Heavens. I can feel Luna radiating over me. I'm in command. Here, I'm free. I wish I could hold on to this moment forever.

Relationships happen in the margins. When there is no margin. It impossible to welcome others in to our lives. But how do we change this? Perhaps the two greatest helps our, first, affect of alignment rather than addition. In other words, don’t try to add more activities to your schedule but instead look at ways in which you can align your daily rhythms with the rhythms of life of those around you. And second be prepared to prune the activity branches. If you are serious about cream margin in your life, there’ll be times that something will need to be cut off. Furthermore we must be reminded that it is OK to say no.

You speak the language of the stars What should I say, that you won't know? You see my Soul, my Heart - by far You are the closest, you're my own. What would you have me do, I ask? Get off your knees. Arise, arise! Throw all away, the chain, the mask, Become full spectrum in the skies. Lose your head, your careful pride, Lose your steps to holy rhythms Lose your need to choose a side This and that and why - forgiven. There's no "Why" when music plays, Oh sweet heavens! Where 've you been? Close your eyes, my lover says, Look within, within, within!

Over the past few years, I'd been so busy with Dark Castle that I'd never truly gotten into cooking or baking shows. I reconsidered them now. Watching Lucian move about the kitchen, all firm confidence and loose-limbed grace, was pure porn for me. Heaven help me, but the way his ropy forearms moved as he briskly whipped up egg whites or heavy cream----because the man never used a blender for these things----would get me so hot and bothered I'd have to press my thighs together under the cover of the battered farm table. And when he kneaded dough? Sweet baby Jesus. He did this little grunt every time he thrust the heels of his hands over the springy mass. A deep rumbling grunt as his whole taut body rocked toward the countertop. And then there were was the pullback, when he'd breathe in, those wide shoulders of his rolling in a steady rhythm. Grunt. Thrust. Breathe. Pull. It was a wonder I didn't orgasm on the spot watching him.

Despite Medusa’s fearsome appearance, she herself does not personify evil or demonic forces. According to Miriam Robbins Dexter, Medusa is a manifestation of the Neolithic serpent/bird Goddess of life, death, and regeneration. Jane Harrison explains that the ancient Goddess wore the Gorgon mask to warn the uninitiated away from her rites, most likely mysteries of the great cosmic cycles of heaven and earth. Patricia Monaghan sees the snakelike rays streaming out from Medusa’s countenance as a sign of a solar Goddess, while Joan Marler, citing her connection with Hecate, identifies Medusa more with the moon than the sun; either way, Medusa is a heavenly deity ruling over the powers of the cosmos and the rhythms of time.

People are constantly asking me, “What is my soul’s purpose?” The easy answer is to love unconditionally. The energy that we call “love” is what the world of Spirit is made of; it’s the natural rhythm of the Universe. If every soul was evolved to the point where we all loved unconditionally, we would have “heaven on Earth.” But we’re a long way from that, aren’t we? Ego, pride, and judgment manifest themselves in racism, nationalism, sexism, and homophobia. “Us versus them” is a much more comfortable notion for us than “We are all the same.

In Hikari’s arms, I forget what I am and where I am from. The idea of home no longer has gravity. I have flown off my orbit, chosen to follow meteors with no aim but to roam. I am not afraid of what constitutes life or mere existence. I watch and yet I smile, hug, kiss, run, speak, sing, shout, swim, play, create, and love all the same. This place—this exact spot where land and sea meet—is where the world was born. It is where time ceases, disease festers, and death dies. Because the world was built for kids who dreamt of life and were raptured by loss. It is theirs, and it is mine. It is ours to claim, and it is ours to reap. In this place, freedom takes us by the hand, and we dance to its rhythm in coarse, cool sand and wild, welcoming waters. In the book of our lives, upon a single page dedicated to its creation, we name it Heaven.

You are as free as the wind that blows wildly across the plains of envy. Releasing you of all the chains that trap you with the pain, that can be… Released… by tuning into Universal pulse and synchronicity of the soul… in ways that only you can know. Embrace your natural rhythm that vibrates both you and the heavens together – renewing your spirit. You are the energy whose positive force echoes ‘cross the cosmos. This imprints your powerful inner being among the stars that receive them. All you have to do is realize… You are magnificent!

I learned to cross the threshold of my studio with reverence, as though I were entering a shrine set apart for me to become co-creator with the Universal Thinker of all things. "I do not say as I enter my studio, ‘I am a sculptor, I ought to be able to do that thing.’ Instead of that I say, ‘I am an interpreter who can think that thing within me which is worthy of being done.’ When I get that feeling, that rhythm, that meter, that measure which comes to me as an inspiration, then I know that I can produce it, and nobody under Heaven can tell me that I cannot produce it.

I now realize that when you truly accept bass as (essentially) an emanation of God (at gut level), as the 'ground' of existence, let alone music, you make a friend of impermanence, everything vibrates, moves, is in a state of flux, therefore the fear of losing what you have, or of not getting what (you think) you want, diminishes. You will truly ride the rhythm. You will reside in the resonance of Om. To you the open 'E' string becomes spiritually vehicular. You can ride the sonic boom to heaven.

Through joy and sorrow, all I have is these beats that holds these broken pieces which is my heart, and these rhythm which binds my sanity to which is true when I am lost in this abyss which is my reality. A world of formless forms, which I can never wake up from, sleeping with both eyes open and yet not seeing which is before me as the dust shrouds my vision, I beg for rescue while I lift my face to the heavens whose direction I've forgotten, caged in the illusion laid by my predecessors while my fate was buried beneath its foundations.

DO NOT LET YOUR LIFE BE LIKE A SHOOTING STAR, WHICH LIGHTS UP THE SKY FOR ONLY A BRIEF MOMENT. LET YOUR LIFE BE LIKE THE SUN, WHICH ALWAYS BURNS BRIGHTLY IN THE HEAVENS, BRINGING LIGHT AND WARMTH TO ALL THOSE ON EARTH. LET YOUR LIGHT SHINE!

Chimes at the Edge of Hearing (2011) Chimes in the heavens sound so fine, Whither does it go; how it chimes the time. Tumultuous river of colored tinselly sounds, Their music brasses forth, it has no bounds. Tinkle clackle tinke koo, How infinite the melody with notes so few. Chimes clanging silent at the edge of hearing, Does it not sound so jingly and endearing? Klankle ping chinkle cree, Quite the sound of discordant harmony. Pakkle kikkle ringly kat, Chimes echo out; they drift cackling back. A cacophony of clingles, pims and tinkle-ets, Chimes shinkle loud at the crescendo of their octets. Pakickle tamtankle jjingling kites, They fly into darkness on the clatter of midnight. Chimes symphonic at the coming black storm, Upon the shrieks their shimmering rrrings are born. Sounds and silences; the glistening chimes adorn, Haunting images of sounds so distant and forlorned. Cymbal they together; the sound of crackly glass, They remind of the times and rattles of the past. Metals on metals trinklelink clapping down the time, Their clittering rhythms broke, raw and refined. Concerto of jangles jinkles and dings, See their sound, how pleasant they dream. Off they go, winds klickle on smooth breeze, And chinkle and pinkle through my melodic tree. dlaurent

What happens when The Heavens are Silent? When you have prayed and waited and fasted and wept When your spirit confirms you have been heard but there remains no answer When there is no word, there is no voice

It is no accident that the heavenly body universally associated with witchcraft is the moon, whose shape changes continually, although her rhythm is constant • It is no accident that the element universally associated with witchcraft is water, whose tides are ruled by the moon; water appears, disappears, changes shape, shifts continually, but remains rhythmically constant • It is no accident that the human gender most associated with witchcraft is the female one: the female body, like lunar phases and ocean tides, changes continually, often to the despair of the individual woman herself, although the rhythms also possess consistency if we let ourselves feel them.

The glory of Christ is actually blaring from the pages of the Bible. God is not only not giving you the silent treatment, he is practically yelling. The problem is not with his voice but with our ears. The more and harder we listen, however, the more of heaven’s glorious music we will hear, and thus the more of heaven’s glory we will see. And then our soul finds the rhythm of heaven.

Love does not have wings Love is to fly the sky You have a heart that is swollen with your fine breath Balloon 해당업체들에서는 각각 해당 장,단점이 존재하기 때문에 무엇이 어디가 좋고 옳고 그렇다고 판단하기는 조금 곤란하지 않나 싶습니다. 카톡【AKR331】텔레【RDH705】라인【SPR331】위커【SPR705】 저희는 2015년도 부터 지금 2018년도 까지 온라인상 (구글)에서 만 4년간 판매를 해온업체입니다. 이때까지 단 한번의 가품으로 스캔들 난적도 없을뿐더러, 사고율 0% 재구매율 1등 추천율 1등 합리적인 패키지 가격으로 믿음과 신뢰가 두터운 업체 입니다. 24시간언제든지 연락주세요 Love is not good Love is a laugh If you just stay with it This mamma seems to have a world Shorey Jay) Love is not as many times in your life as the number of letters. The more we think of ourselves now, More mysterious and magical encounters If I had not been there before then I wonder if I had met you before Sometimes it feels like there 's someone in heaven who' I do not need to listen to sad songs anymore. I'll give you a sunny morning instead of sleeping and a rainy night. And those flowers, I love your beauty, what do you like? When asked, the rainbow in the sky is not the color of a beautiful one. It's beautiful itself, just like you Love does not have wings Love is to fly the sky You have a heart that is swollen with your fine breath Balloon 아이스,아이스 구입,아이스 구매,아이스 판매,아이스 가격,아이스 구매방법,아이스 구입방법,아이스 성분,아이스지속시간,아이스 증상,아이스 후기,아이스 처방전,아이스 구매처,아이스 구입처,아이스 판매처,아이스 팝니다,아이스 파는곳,아이스 효과,아이스 효능,아이스 삽니다,아이스 사는곳,아이스 구매사이트,아이스 판매사이트,아이스 인터넷구입,아이스 인터넷판매,아이스 복용법,아이스 사용법,아이스 사용방법,아이스 부작용,아이스 치사량,아이스 처방전,아이스 내성,아이스이뭔가요,아이스가 뭐에요,아이스 섭취방법,아이스 구입하기,아이스 용량,아이스정품판매처,아이스정품구매처,아이스정품구입처,정품아이스 Love is not good Love is a laugh If you just stay with it This mamma seems to have a world Lettuce) Love is when you first hold my hand, Love is the thrill of the moment when the phone rings, I can not answer my question about why you laugh Love is like a tear of my heart Love is living in a dream, flying in the sky with you Knowing that giving is happier now, not in writing, but in the heart Endless excitement and happy waiting Many stories of crying and laughing under his name You are another name for love This melody and rhythm is for you love song You do not have to say love Love is to read the mind One smile on your smile Heart Love is not sad Love is the flow of tears I want to give you more everything I have. Name of chest pain

A godly man adheres to the protocol of the heavens—a divine code deeply ingrained in his spirit. His steps align with godly rhythms, and his heart beats in sync with destiny.

When faced with a raging storm, his devotion is directed towards his God. He is a prayerful man who knows how to wait on the Lord. He stands unwavering at all, He is anchored by hope. Many look at him and marvel at his resolve. Consistency is a compass that points him to the true north. Through life's thunderstorms and joys, he continues to journey forth. His knees may bend, but his spirit stands tall. His approach to life is the rhythm that sustains him through it all, as prayer enables him to hear Heaven's call.