Rhymes Competition Quotes

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An Incoherent Strategy When a company’s value curve looks like a bowl of spaghetti—a zigzag with no rhyme or reason, where the offering can be described as “low-high-low-low-high-low-high”—it signals that the company doesn’t have a coherent strategy. Its strategy is likely based on independent substrategies. These may individually make sense and keep the business running and everyone busy, but collectively they do little to distinguish the company from the best competitor or to provide a clear strategic vision. This is often a reflection of an organization with divisional or functional silos.
W. Chan Kim (Blue Ocean Strategy: How To Create Uncontested Market Space And Make The Competition Irrelevant)
From birth to death and further on As we were born and introduced into this world, We had a gift hard to express by word And somewhere in our continuous road, It kind of lost it sense and turned. There was that time we sure remember, When everything was now and 'till forever Children with no worries and no regrets, The only goal was making a few friends. But later on everything has changed, By minds that had it all arranged To bring the people into stress, Into creating their own mess. We have been slaved by our own mind, Turned into something out of our kind Slowly faded away from the present time, Forced to believe in lies, in fights and crime. They made it clearly a fight of the ego, A never ending war that won't just go They made it a competitive game, To seek selfish materialistic fame. They turned us one against eachother, Man against man, brother against brother Dividing us by religion and skin color, Making us fight to death over a dollar. Making us lose ourselves in sadly thoughts, Wasting our days by living in the past Depressed and haunted by the memories, And yet still hoping to fly in our dreams. Some of us tried learning how to dance, Step after step, giving our soul a new chance Some of us left our ego vanish into sounds, Thus being aware of our natural bounce. Some tried expressing in their rhymes, The voice of a generation which never dies They reached eternity through poetry Leaving the teachings that shall fulfill the prophecy Others have found their way through spirituality, Becoming conscious of the human duality Seeking the spiritual enlightenment, Of escaping an ego-oriented fighting Science, philosophy, religion, Try to explain the human origin. Maybe changes are yet to come, And it shall be better for some Death's for the spirit not an end, But a relieving of the embodiment So I believe that furthermore, We'll understand the power of our soul But leaving behind all we know, And all that we might not yet know It all resumes to that certain truth, That we all seek to once conclude.
Virgil Kalyana Mittata Iordache
I can't understand how people can have grown up in the eighties, amidst all this competitive spirit, gangster battles, hiphop - and still pretend that artists are 'colleagues' that should be bloody nice to each other. I mean that's like the 60's, not the 80's. I grew up with the idea of putting a cap in the ass of bad rhyming niggers. So that's what i did. And they all started frontin me, copycats and dinosaurs, but they have nothing on me. To me, the house generation of the 90's is excused - I never pick fights with these ecstasy heads. I just wanna bury all the dinosaurs that don't get ill.
Martijn Benders
Two things that weren’t even on the agenda survived every upheaval that followed. General Akhtar remained a general until the time he died, and all God’s names were slowly deleted from the national memory as if a wind had swept the land and blown them away. Innocuous, intimate names: Persian Khuda which had always been handy for ghazal poets as it rhymed with most of the operative verbs; Rab, which poor people invoked in their hour of distress; Maula, which Sufis shouted in their hashish sessions. Allah had given Himself ninety-nine names. His people had improvised many more. But all these names slowly started to disappear: from official stationery, from Friday sermons, from newspaper editorials, from mothers’ prayers, from greeting cards, from official memos, from the lips of television quiz-show hosts, from children’s storybooks, from lovers’ songs, from court orders, from telephone operators’ greetings, from habeas corpus applications, from inter-school debating competitions, from road inauguration speeches, from memorial services, from cricket players’ curses; even from beggars’ begging pleas.
Mohammed Hanif (A Case of Exploding Mangoes)
Two things that weren’t even on the agenda survived every upheaval that followed. General Akhtar remained a general until the time he died, and all God’s names were slowly deleted from the national memory as if a wind had swept the land and blown them away. Innocuous, intimate names: Persian Khuda which had always been handy for ghazal poets as it rhymed with most of the operative verbs; Rab, which poor people invoked in their hour of distress; Maula, which Sufis shouted in their hashish sessions. Allah had given Himself ninety-nine names. His people had improvised many more. But all these names slowly started to disappear: from official stationery, from Friday sermons, from newspaper editorials, from mothers’ prayers, from greeting cards, from official memos, from the lips of television quiz-show hosts, from children’s storybooks, from lovers’ songs, from court orders, from telephone operators’ greetings, from habeas corpus applications, from inter-school debating competitions, from road inauguration speeches, from memorial services, from cricket players’ curses; even from beggars’ begging pleas. In the name of God, God was exiled from the land and replaced by the one and only Allah who, General Zia convinced himself, spoke only through him. But today, eleven years later, Allah was sending him signs that all pointed to a place so dark, so final, that General Zia wished he could muster up some doubts about the Book. He knew if you didn’t have Jonah’s optimism, the belly of the whale was your final resting place.
Mohammed Hanif (A Case of Exploding Mangoes)
Dear KDP Author, Just ahead of World War II, there was a radical invention that shook the foundations of book publishing. It was the paperback book. This was a time when movie tickets cost 10 or 20 cents, and books cost $2.50. The new paperback cost 25 cents – it was ten times cheaper. Readers loved the paperback and millions of copies were sold in just the first year. With it being so inexpensive and with so many more people able to afford to buy and read books, you would think the literary establishment of the day would have celebrated the invention of the paperback, yes? Nope. Instead, they dug in and circled the wagons. They believed low cost paperbacks would destroy literary culture and harm the industry (not to mention their own bank accounts). Many bookstores refused to stock them, and the early paperback publishers had to use unconventional methods of distribution – places like newsstands and drugstores. The famous author George Orwell came out publicly and said about the new paperback format, if “publishers had any sense, they would combine against them and suppress them.” Yes, George Orwell was suggesting collusion. Well… history doesn’t repeat itself, but it does rhyme. Fast forward to today, and it’s the e-book’s turn to be opposed by the literary establishment. Amazon and Hachette – a big US publisher and part of a $10 billion media conglomerate – are in the middle of a business dispute about e-books. We want lower e-book prices. Hachette does not. Many e-books are being released at $14.99 and even $19.99. That is unjustifiably high for an e-book. With an e-book, there’s no printing, no over-printing, no need to forecast, no returns, no lost sales due to out of stock, no warehousing costs, no transportation costs, and there is no secondary market – e-books cannot be resold as used books. E-books can and should be less expensive. Perhaps channeling Orwell’s decades old suggestion, Hachette has already been caught illegally colluding with its competitors to raise e-book prices. So far those parties have paid $166 million in penalties and restitution. Colluding with its competitors to raise prices wasn’t only illegal, it was also highly disrespectful to Hachette’s readers. The fact is many established incumbents in the industry have taken the position that lower e-book prices will “devalue books” and hurt “Arts and Letters.” They’re wrong. Just as paperbacks did not destroy book culture despite being ten times cheaper, neither will e-books. On the contrary, paperbacks ended up rejuvenating the book industry and making it stronger. The same will happen with e-books. Many inside the echo-chamber of the industry often draw the box too small. They think books only compete against books. But in reality, books compete against mobile games, television, movies, Facebook, blogs, free news sites and more. If we want a healthy reading culture, we have to work hard to be sure books actually are competitive against these other media types, and a big part of that is working hard to make books less expensive. Moreover, e-books are highly price elastic. This means that when the price goes down, customers buy much more. We've quantified the price elasticity of e-books from repeated measurements across many titles. For every copy an e-book would sell at $14.99, it would sell 1.74 copies if priced at $9.99. So, for example, if customers would buy 100,000 copies of a particular e-book at $14.99, then customers would buy 174,000 copies of that same e-book at $9.99. Total revenue at $14.99 would be $1,499,000. Total revenue at $9.99 is $1,738,000. The important thing to note here is that the lower price is good for all parties involved: the customer is paying 33% less and the author is getting a royalty check 16% larger and being read by an audience that’s 74% larger. The pie is simply bigger.
Amazon Kdp
Try Evan,” he suggests. “Apart from numbers and heaven, which gets old very quickly, there’s practically nothing.” “Numbers? Oh! Eleven…seven…” I furrow my brow. “Devon,” Kelly calls over. “That’s a county in England.” “Leaven,” I add. “You do it to bread.” Evan’s expression is comical, his blue eyes stretched as wide as they’ll go as he plucks a string and, in a singsong nursery-rhyme voice, intones: “From the age of seven to eleven Before he tragically went to heaven Evan leavened bread in Devon.” He throws his hands wide. “See? Not much to work with.” “At least you don’t have rude stuff that rhymes with you,” Kelly says gloomily. “They called me Smelly Jelly Belly at school for years.” “And Kendra isn’t that great either. It sort of sounds like bend-ya,” Kendra adds. I can’t help smiling that Kendra and Kelly are competitive in everything, even down to whose name rhymes with worse stuff. “Kendra,” Evan sings, playing a chord, “I would never bend ya, or lend ya or send ya… Oh, the words I can engender thinking about Kendra…” “‘Engender’!” Kelly exclaims. “That’s really good!” I pull myself out of the pool and walk over to a lounger, picking up a towel and wrapping it around myself; I sit on one side of Evan, Kelly on the other. Even cool-as-a-cucumber Kendra has sat up to watch Evan playing his guitar. “What about Paige?” I ask, looking over at his sister, the only one uninterested in her brother’s talent. She’s got a moisturizing pack on her hair--her head is wrapped in the special leopard-skin towel she uses when she’s doing a hair treatment--pink headphones on her ears, and a magazine in her hands as she reclines on her lounger. “Paige goes into a rage when you tell her she’s not yet legal drinking age--” Evan sings immediately, and Paige, who must have been listening after all, promptly throws her magazine at his head. He ducks easily, and it flies past and lands on the tiles.
Lauren Henderson (Kissing in Italian (Flirting in Italian, #2))