“
Well, my dear, take heart. Some day, I will kiss you and you will like it. But not now, so I beg you not to be too impatient.
”
”
Margaret Mitchell (Gone with the Wind)
“
Dear Scarlett! You aren't helpless. Anyone as selfish and determined as you are is never helpless. God help the Yankees if they should get you." -Rhett Butler
”
”
Margaret Mitchell (Gone with the Wind)
“
Never pass up new experiences [Scarlett], They enrich the mind." - Rhett Butler
”
”
Margaret Mitchell (Gone with the Wind)
“
Scarlett, always save something to fear—even as you save something to love.
”
”
Margaret Mitchell (Gone with the Wind)
“
I bare my soul and you are suspicious! No, Scarlett, this is a bona fide honorable declaration. I admit that it's not in the best of taste, coming at this time, but I have a very good excuse for my lack of breeding. I'm going away tomorrow for a long time and I fear that if I wait till I return you'll have married some one else with a little money. So I thought, why not me and my money? Really, Scarlett, I can't go all my life waiting to catch you between husbands.
”
”
Margaret Mitchell (Gone with the Wind)
“
There are many different types of kisses. There’s a passionate kiss of farewell—like the kind Rhett gave Scarlett when he went off to war. The kiss of I-can’t-really-be-with-you-but-I-want-to-be—like with Superman and Lois Lane. There’s the first kiss—one that is gentle and hesitant, warm and vulnerable. And then there’s the kiss of possession—which was how Ren kissed me now.
It went beyond passion, beyond desire. His kiss was full of longing, need, and love, like all those other kisses. But, it was also filled with promises and pledges, some of which seemed sweet and tender while others seemed dangerous and exciting. He was taking me over. Staking a claim.
He seized me as boldly as the tiger captured his prey. There was no escape. And I didn’t want to. I would have happily died in his clutches. I was his. And he made sure I knew it. My heart burst with a thousand beautiful blooms, all tiger lilies. And I knew with a certainty more powerful than anything I’d ever felt before that we belonged together.
”
”
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
“
You know, Scarlett, Rhett didn't give a damn, and frankly, I don't either.
”
”
Myra McEntire (Hourglass (Hourglass, #1))
“
I'm not asking you to forgive me. I'll never understand or forgive myself. And if a bullet gets me, so help me, I'll laugh at myself for being an idiot. There's one thing I do know... and that is that I love you, Scarlett. In spite of you and me and the whole silly world going to pieces around us, I love you. Because we're alike. Bad lots, both of us. Selfish and shrewd. But able to look things in the eyes as we call them by their right names.
”
”
Margaret Mitchell (Gone with the Wind)
“
[Yankees] are pretty much like southerners except with worse manners, of course, and terrible accents.
”
”
Margaret Mitchell (Gone with the Wind)
“
Take my handkerchief, Scarlett. Never, at any crisis of your life, have I known
you to have a handkerchief.
”
”
Margaret Mitchell
“
Then you've made the only choice. But there's a penalty attached, as there is to most things you want. It's loneliness.
”
”
Margaret Mitchell
“
Yes, as Rhett had prophesied, marriage could be a lot of fun. Not only was it fun but she was learning many things. That was odd in itself, because Scarlett had thought life could teach her no more. Now she felt like a child, every day on the brink of a new discovery.
”
”
Margaret Mitchell (Gone with the Wind)
“
I love you, Scarlett, because we are so much alike, renegades, both of us, dear, and selfish rascals. Neither of us cares a rap if the whole world goes to pot, so long as we are safe and comfortable.
”
”
Margaret Mitchell
“
Talking to Rhett was comparable only to one thing, the feeling of ease and comfort afforded by a pair of old slippers after dancing in a pair too tight.
”
”
Margaret Mitchell (Gone with the Wind)
Margaret Mitchell (Gone with the Wind)
“
A new baby! Why, Scarlett, this is a surprise!” he laughed, leaning down to push the blanket away from Ella Lorena's small ugly face." - Rhett Butler
”
”
Margaret Mitchell (Gone With the Wind)
“
You learn to forgive (the South) for its narrow mind and growing pains because it has a huge heart. You forgive the stifling summers because the spring is lush and pastel sprinkled, because winter is merciful and brief, because corn bread and sweet tea and fried chicken are every bit as vital to a Sunday as getting dressed up for church, and because any southerner worth their salt says please and thank you. It's soft air and summer vines, pine woods and fat homegrown tomatoes. It's pulling the fruit right off a peach tree and letting the juice run down your chin. It's a closeted and profound appreciation for our neighbors in Alabama who bear the brunt of the Bubba jokes. The South gets in your blood and nose and skin bone-deep. I am less a part of the South than it is part of me. It's a romantic notion, being overcome by geography. But we are all a little starry-eyed down here. We're Rhett Butler and Scarlett O'Hara and Rosa Parks all at once.
”
”
Amanda Kyle Williams
“
That’s easy. Gone With the Wind. Although I could slap Scarlett silly for most of the movie. I mean, who would ever choose Ashley over Rhett?
”
”
Samantha Young (Hero (Hero, #1))
“
But if you knew that, why on earth did you marry her?" Rosemary asked.
"Why?" Rhett's mouth twisted in a smile.
"Because she was so full of fire and so recklessly, stubbornly brave.Because she was such a child beneath all her pretenses.Because she was unlike any woman I had ever known. She fascinated
me,infuriated me, drove me mad. I loved her as consumingly as she loved him. From the day I first laid eyes on her. It was a kind of disease."
There was a weight of sorrow in his voice. He bowed his head into his two hands and laughed shakily. His voice was muffled and blurred by his fingers. "What a grotesque practical joke life is. Now Ashley Wilkes is a free man and would marry Scarlett on a moment's notice, and I want to be rid of her. Naturally that makes her determined to have me. She wants only what she cannot have."
Rhett raised his head. "I'm afraid," he said quietly, "afraid that it will all begin again. I know that she's heartless and completely selfish, that she's like a child who cries for a toy and then breaks it once she has it. But there are moments when she tilts her head at a certain angle, or she smiles that gleeful smile, or she suddenly looks lost-and I come close to forgetting what I know.
”
”
Alexandra Ripley (Scarlett)
“
Here, take my handkerchief. Never, at any crisis of your life, have I known you to have a handkerchief.
”
”
Margaret Mitchell (Gone with the Wind)
“
Would it please you if I said your eyes were twin goldfish bowls filled to the brim with the clearest green water and that when the fish swim to the top, as they are doing now, you are devilishly charming?
”
”
Margaret Mitchell
“
Oh, Scarlett, you are so young you wring my heart.
”
”
Margaret Mitchell (Gone with the Wind)
“
Rhett glanced over his shoulder as if there had been a sound. His eyes met hers, and surprise stiffened his lithe body. For a long immeasurable moment the two of them looked at each other while the space between them widened. Then blandness smoothed Rhett's face as he touched two fingers to his hat brim in salute. Scarlett lifted her hand.
”
”
Alexandra Ripley (Scarlett)
“
The dismal fact is that self-respect has nothing to do with the approval of others — who are, after all, deceived easily enough; has nothing to do with reputation, which, as Rhett Butler told Scarlett O’Hara, is something people with courage can do without.
To do without self-respect, on the other hand, is to be an unwilling audience of one to an interminable documentary that deals with one’s failings, both real and imagined, with fresh footage spliced in for every screening. There’s the glass you broke in anger, there’s the hurt on X’s face; watch now, this next scene, the night Y came back from Houston, see how you muff this one. To live without self-respect is to lie awake some night, beyond the reach of warm milk, the Phenobarbital, and the sleeping hand on the coverlet, counting up the sins of commissions and omission, the trusts betrayed, the promises subtly broken, the gifts irrevocably wasted through sloth or cowardice, or carelessness. However long we postpone it, we eventually lie down alone in that notoriously uncomfortable bed, the one we make ourselves. Whether or not we sleep in it depends, of course, on whether or not we respect ourselves.
”
”
Joan Didion
“
Indeed? Well, I shall bring you presents so long as it pleases me and so long as I see things that will enhance your charms. I shall bring you dark-green watered silk for a frock to match the bonnet. And I warn you that I am not kind. I am tempting you with bonnets and bangles and leading you into a pit. Always remember I never do anything without reason and I never give anything without expecting something in return. I always get paid.
”
”
Margaret Mitchell (Gone with the Wind)
“
Patriotic'? Dear, dear me!" Scarlett covered her mouth in mock astonishment. "I didn't know that was 'patriotism.' I believe what you intended has ruder names, though no well-bred Georgia lady would admit to knowing them.
”
”
Donald McCaig (Rhett Butler's People)
“
think my father came to believe long ago what Rhett Butler told Scarlett: reputation is something people with character can do without. Character and character
”
”
Sally Mann (Hold Still: A Memoir with Photographs (LITTLE, BROWN A))
“
You know, Scarlett, Rhett didn't give a damn, and frankly, I don't either. - Emerson
”
”
Myra McEntire (Hourglass (Hourglass, #1))
“
It seems we've been at cross purposes, doesn't it? But it's no use now. As long as there was Bonnie, there was a chance that we might be happy. I liked to think that Bonnie was you, a little girl again, before the war, and poverty had done things to you. She was so like you, and I could pet her, and spoil her, as I wanted to spoil you. But when she went, she took everything.
”
”
Margaret Mitchell (Gone with the Wind)
“
You see, sister, little Miss Scarlett has no idea who she is. Her chraming tricks attract men who are unworthy of her. "Rhett's voice dropped to a whisper. "Hindoos believe we have had lives before this. Is it true? He raised a mocking eyebrow. Perhaps Scarlett and I were star-crossed lovers; perhaps we died in each other's arms...
”
”
Donald McCaig (Rhett Butler's People)
“
(Scarlett) Go on! Go on now! I want you to hurry. I don't want to ever see you again. I hope a cannon ball lands right on you. I hope it blows you to a million pieces. I--
(Rhett) Never mind the rest. I follow your general idea. When I'm dead on the altar of my country, I hope your conscience hurts you.
”
”
Margaret Mitchell (Gone with the Wind)
“
Rhett, do you really--is it to protect me that you--"
"Yes, my dear, it is my much advertised chivalry that makes me protect you." The mocking light began to dance in his black eyes and all signs of earnestness fled from his face. "And why? Because of my deep love for you, Mrs. Kennedy. Yes, I have silently hungered and thirsted for you and worshipped you from afar; but being an honorable man, like Mr. Ashley Wilkes, I have concealed it from you. You are, alas, Frank's wife and honor has forbidden my telling this to you. But even as Mr. Wilkes' honor cracks occasionally, so mine is cracking now and I reveal my secret passion and my--"
"Oh, for God's sake, hush!" interrupted Scarlett, annoyed as usual when he made her look like a conceited fool, and not caring to have Ashley and his honor become the subject of further conversation. "What was the other thing you wanted to tell me?"
"What! You change the subject when I am baring a loving but lacerated heart?
”
”
Margaret Mitchell (Gone with the Wind)
“
Oh, Rhett, why do there have to be wars? It would have been so much better for the Yankees to pay for the darkies—or even for us to give them the darkies free of charge than to have this happen.” “It isn’t the darkies, Scarlett. They’re just the excuse. There’ll always be wars because men love wars. Women don’t, but men do—yea, passing the love of women.
”
”
Margaret Mitchell (Gone With the Wind)
“
The first time I read Gone with the Wind and Rhett walked out on Scarlett, I was fifteen and thought all that unrequited love was wildly romantic. The second time I read it, last summer, I thought she was silly and he was a selfish pig.
”
”
Jodi Picoult (Between the Lines)
“
I reached our building only to find a wide-eyed Southern belle wearing a Civil Way-era dress blocking the front door. A silk parasol and a full hoopskirt completed her ensemble. I wore something like it to a costume party once, but hers was an original. Frustration was back, and now it was in my way.
In the form of freaking Scarlatt O'Hara.
Sighing, I stuck my hand through her stomach to turn the knob, meeting no resistance. I rolled my eyes as she gasped, fluttered her eyelashes, and disappeared in a puff of air.
"You know, Scarlett, Rhett didn't give a dang, and frankly, I don't either.
”
”
Myra McEntire (Hourglass (Hourglass, #1))
“
Rhett trapped her wrists in a circle of his fingers. “I love you, you abusive wench.” His expression hardened. “And I’ll kill that bastard Fenton if he tries to take you from me.
”
”
Alexandra Ripley (Scarlett: The Sequel to Margaret Mitchell's Gone with the Wind)
“
Would it please you if I said your eyes were twin gold-fish bowls filled to the brim with the clearest green water and that when the fish swim to the top, as they are doing now, you are devilishly charming?
”
”
Margaret Mitchell
“
Rhett was watching the race through field glasses. Even ten feet away she could smell the whiskey on him. He was rocking on his feet. Drunk? Not Rhett. He could always hold his liquor. Had Bart’s disaster upset him that much?
”
”
Alexandra Ripley (Scarlett: The Sequel to Margaret Mitchell's Gone with the Wind)
“
You are pretty healthy, and maybe there isn't any hell after all."
"Oh, but there is Rhett! You know there is!"
"I know there is but it's right here on earth. Not after we die. There's nothing after we die, Scarlett. You are having your hell now.
”
”
Margaret Mitchell (Gone with the Wind)
“
Why?” Rhett’s mouth twisted in a smile. “Because she was so full of fire and so recklessly, stubbornly brave. Because she was such a child beneath all her pretenses. Because she was unlike any woman I had ever known. She fascinated me, infuriated me, drove me mad. I loved her as consumingly as she loved him. From the day I first laid eyes on her. It was a kind of disease.
”
”
Alexandra Ripley (Scarlett: The Sequel to Margaret Mitchell's Gone with the Wind)
“
- Não sei se interprete as suas palavras como um galanteio, se não - replicou Scarlett, indecisa.
- Não se trata de nenhum galanteio - explicou ele. - Quando é que perderá essa mania de imaginar galanteios em todas as palavras que os homens lhe dirigem?
- Só depois de morta - respondeu ela.
E sorriu, pensando que encontraria sempre homens que lhe dirigissem piropos, mesmo que Rhett nunca o fizesse.
- Presunção e água benta cada qual toma a que quer - comentou Rhett. - Graças a Deus, tem ao menos uma virtude: a de ser sincera.
”
”
Margaret Mitchell (Gone with the Wind: Part 1 of 2)
“
During that year Scarlett had been so busy, had experienced such changes in her life, that she'd been able to block out the pain he had caused her. Now it tore her heart, and with the pain was a deep fear of Rhett's unpredictable power. She transformed them into rage. Rage was strengthening.
”
”
Alexandra Ripley (Scarlett)
“
Put me down and I’ll show you,” said Scarlett. Rhett lowered her to her feet. His big hands closed on her shoulders, and he pulled her to him impatiently, then kissed her, briefly, firmly, and let her go. “I’d hate to be shot without getting what I came for,” he said. She could hear the laughter in his voice. “Now, Scarlett, get us out of here.
”
”
Alexandra Ripley (Scarlett: The Sequel to Margaret Mitchell's Gone with the Wind)
“
Good Lord!” [Rhett] cried impatiently. “Don’t you ever think of anything
but money?”
“No,” [Scarlett] replied frankly, turning hard green eyes upon him. “And
if you’d been through what I have, you wouldn’t either. I’ve found out
that money is the most important thing in the world and, as God is my
witness, I don’t ever intend to be without it again.
”
”
Margaret Mitchell (Gone with the Wind)
“
I felt like Scarlett O’Hara after she was kissed by Rhett Butler, confused and anxious and swoony and wanting it to happen again.
”
”
Penny Reid (Attraction (Elements of Chemistry, #1; Hypothesis, #1.1))
“
With the introduction of Scarlett O’Hara and Rhett Butler, Miss Mitchell managed to create the two most famous lovers in the English-speaking world since Romeo and Juliet. Scarlett springs alive in the first sentence of the book and holds the narrative center for over a thousand pages. She is a fabulous, pixilated, one-of-a-kind creation, and she does not utter a dull line in the entire book.
”
”
Margaret Mitchell (Gone with the Wind)
“
—¿Saben cual es mi historia de amor favorita? —Interrumpió la Señora Bobot. —Gone with the wind. Ahora es si que es una historia de amor.
—Pero esa tampoco tiene un final feliz, —dije. —Rhett Bulter deja a Scarlett O’Hara.
—Ella estaba mejor sin él, —dijo Realm. —Era un idiota.
—No, no lo era, —dijo la Señora Bobot. —Scarlett estaba demasiado ciega para ver que Rhett era perfecto para ella.
—Bella y Edward tuvieron un final feliz, —dije.
El Reverendo frunció el ceño. —No me es familiar esa historia.
—Bella acaba siendo una mama adolescente no muerta. Si eso te parece un final feliz tienes problemas, —dijo Realm.
”
”
Suzanne Selfors (Mad Love)
“
My beloved,” she whispered, “my love.” Rhett bowed once again. The ship was moving away from the dock. He put his hat on and turned away. His thumb tilted the hat to the back of his head. Don’t go, cried Scarlett’s heart. Rhett glanced over his shoulder as if there had been a sound. His eyes met hers, and surprise stiffened his lithe body. For a long, immeasurable moment the two of them looked at each other while the space between them widened. Then blandness smoothed Rhett’s face as he touched two fingers to his hat brim in salute. Scarlett lifted her hand. He was still standing there on the dock when the ship turned into the channel to the sea. When Scarlett could see him no longer, she sank numbly into a deck chair.
”
”
Alexandra Ripley (Scarlett: The Sequel to Margaret Mitchell's Gone with the Wind)
“
Scarlett laughed aloud without knowing it. It was a child’s laughter, free and unconsidered, expressing pure joyful surprise. “Oh, look!” she said. “Oh, look!” She was so enraptured that she was unaware of Rhett’s eyes watching her, instead of the horses.
”
”
Alexandra Ripley (Scarlett: The Sequel to Margaret Mitchell's Gone with the Wind)
“
Rhett:Frankly,my dear I don’t give a damn
Scarlett O'Hara: I'll think about that tomorrow. Tomorrow is another day
Scarlett O'Hara: Marriage, fun? Fiddle-dee-dee. Fun for men you mean
Rhett Butler: I can't go all my life waiting to catch you between husbands.
Scarlett O'Hara: As God is my witness they're are not going to lick me. I'm going to live through this and when its all over, I'll never be hungry again. No, nor any of my folk. If I have to lie, steal, cheat, or kill, as God is my witness I'll never be hungry again.
”
”
Margaret Mitchell (Gone with the Wind)
“
As to why I have made no further advances,’ he pursued blandly, as though she had not signified that the conversation was at an end, ‘I am waiting for you to grow up a little more. You see, it wouldn’t be much fun for me to kiss you now and I’m quite selfish about my pleasures. I never fancied kissing children.
”
”
Margaret Mitchell (Gone with the Wind)
“
He’s a really astonishing fellow, has friends everywhere. Did you know he was on safari with the Viceroy once? Some maharajah fellow was host. I must say I’m surprised he got so drunk. I don’t remember him even keeping up with me. He took me to my hotel last night, put me to bed and all that. Was in fine fettle, a strong arm to lean on. I was counting on him, actually, to get me through the day. But when I came downstairs this morning, the porter fellow told me Rhett had ordered coffee and a newspaper while he waited for me, then suddenly bolted without even paying. I went in the bar to wait for him—Scarlett, what is it? I can’t fathom you today. What are you crying for?
”
”
Alexandra Ripley (Scarlett: The Sequel to Margaret Mitchell's Gone with the Wind)
“
I once read a very funny piece called “The Essential Gone with the Wind” that went something like this: “ ‘A war?’ laughed Scarlett. ‘Oh, fiddle-de-dee!’ “Boom! Ashley went to war! Atlanta burned! Rhett walked in and then walked out! “ ‘Fiddle-de-dee,’ said Scarlett through her tears, ‘I will think about it tomorrow, for tomorrow is another day.’ ” I
”
”
Stephen King (Nightmares and Dreamscapes)
“
Rhett: 'Do you still want me to go to hell?'
Scarlett: 'Well, not as often as I used to.'
Rhett: 'Do it whenever you like, if it makes you happy.'
Scarlett: 'It doesn't make me especially happy,' said Scarlett and, bending, she kissed him carelessly. His dark eyes flickered quickly over her face, hunting for something in her eyes which he did not find, and he laughed shortly.
”
”
Margaret Mitchell (Gone with the Wind (Express Classics))
“
When Scarlett was seeing Rhett to the door, she asked indignantly: “If it were you, wouldn’t you enlist with the Yankees to keep from dying in that place and then desert?” “Of course,” said Rhett, his teeth showing beneath his mustache. “Then why didn’t Ashley do it?” “He’s a gentleman,” said Rhett, and Scarlett wondered how it was possible to convey such cynicism and contempt in that one honorable word.
”
”
Margaret Mitchell (Gone with the Wind)
“
These women, so swift to kindness, so tender to the sorrowing, so untiring in times of stress, could be as implacable as furies to any renegade who broke one small law of their unwritten code. This code was simple. Reverence for the Confederacy, honor to the veterans, loyalty to old forms, pride in poverty, open hands to friends and undying hatred to Yankees. Between them, Scarlett and Rhett had outraged every tenet of this code.
”
”
Margaret Mitchell (Gone with the Wind)
“
Hello, Rhett,” she said. His head snapped, and she saw his dark eyes. They held nothing for her, nothing but anger. “Why hello, Countess.” His eyes raked her from her kidskin boots to her egret-plumed hat. “You are certainly looking—expensive.” He turned abruptly towards John Morland. “You should have warned me, Bart, so I could stay in the bar. Let me by.” And he sent Morland staggering as he pushed out of the box on the side away from Scarlett.
”
”
Alexandra Ripley (Scarlett: The Sequel to Margaret Mitchell's Gone with the Wind)
“
Today was my forty-fifth birthday. Impending old age and a problem marriage were staring me in the face. Not a good place to be. I figured that right now, I had two choices — crawl out of the pit, or wallow and die. To wallow or not to wallow? That was the question. Look at Scarlett O’Hara. Did she cry and whine when Rhett walked out the door not giving a damn? Well, okay, she did. But not for long, I’ll bet. Not Scarlett. Same story here, baby, same story here.
”
”
Karen Cantwell (Take the Monkeys and Run (Barbara Marr Murder Mystery, #1))
“
Cat!” Rhett shook her. “Stop that. The cat’s not important. Where are the stables, Scarlett? We need horses.” “Oh, you fool,” said Scarlett. Her strained voice was heavy with loving pity. “You don’t know what you’re saying. Let me go. I’ve got to find Cat—Katie O’Hara, called Cat. She’s your daughter.” Rhett’s hands closed painfully on Scarlett’s arms. “What the devil are you talking about?” He looked down into her face, but he couldn’t make out her expression in the darkness. “Answer me, Scarlett,” he demanded, and he shook her. “Let go of me, damn you! There’s no time for explanations now. Cat must be here someplace, but it’s dark, and she’s all alone. Let go, Rhett, and ask your questions later. All that isn’t important now.” Scarlett tried to break free, but he was too strong. “It’s important to me.” His voice was rough with urgency. “All right, all right. It happened when we went sailing and the storm came. You remember. I found out I was pregnant in Savannah, but you hadn’t come for me, and I was angry, so I didn’t tell you right away. How was I to know you would be married to Anne before you could hear about the baby?” “Oh, dear God,” Rhett groaned, and he released Scarlett. “Where is she?” he said. “We’ve got to find her.” “We
”
”
Alexandra Ripley (Scarlett: The Sequel to Margaret Mitchell's Gone with the Wind)
“
They are like Pa’s eyes,” thought Scarlett, “Irish blue eyes and she’s just like him in every way.” And, as she thought of Gerald, the memory for which she had been fumbling came to her swiftly, came with the heart stopping clarity of summer lightning, throwing, for an instant, a whole countryside into unnatural brightness. She could hear an Irish voice singing, hear the hard rapid pounding of hooves coming up the pasture hill at Tara, hear a reckless voice, so like the voice of her child: “Ellen! Watch me take this one!” “No!” she cried. “No! Oh, Bonnie, stop!” Even as she leaned from the window there was a fearful sound of splintering wood, a hoarse cry from Rhett, a mêlée of blue velvet and flying hooves on the ground. Then Mr. Butler scrambled to his feet and trotted off with an empty saddle.
”
”
Margaret Mitchell (Gone with the Wind)
“
Believe me, my parents are not going to wind up as a 'happily ever after." "Maybe not. But even if they don't, that doesn't mean it wasn't worth it for them. "How do you figure?" "Do you ever go back and reread books that you really love?" "Yes." This was probably so much of an understatement that it was actually a lie. "And you know what happens, right? Even in the tragedies. Look, Romeo and Juliet manage a double suicide, Beth dies and Laurie marries Amy, Rhett leaves Scarlett ..." "You read really girly books." He paused to roll his eyes at me. "I was trying to use examples you would know." "Sure." "The point is that we already know id doesn't work out, but we reread them anyway, because the good stuff that comes before the ending is worth it." This took me aback. It was a compelling argument- one I'd never considered. "Also!" Max shook his fingers as if giving a lecture. "In books, sometimes the foreshadowing is so obvious that you know what's going to happen. But knowing what happnes isn't the same as knowing how it happens. Getting there is the best part.
”
”
Emery Lord (The Start of Me and You (The Start of Me and You, #1))
“
Cat!” Rhett shook her. “Stop that. The cat’s not important. Where are the stables, Scarlett? We need horses.” “Oh, you fool,” said Scarlett. Her strained voice was heavy with loving pity. “You don’t know what you’re saying. Let me go. I’ve got to find Cat—Katie O’Hara, called Cat. She’s your daughter.” Rhett’s hands closed painfully on Scarlett’s arms. “What the devil are you talking about?” He looked down into her face, but he couldn’t make out her expression in the darkness. “Answer me, Scarlett,” he demanded, and he shook her. “Let go of me, damn you! There’s no time for explanations now. Cat must be here someplace, but it’s dark, and she’s all alone. Let go, Rhett, and ask your questions later. All that isn’t important now.” Scarlett tried to break free, but he was too strong. “It’s important to me.” His voice was rough with urgency. “All right, all right. It happened when we went sailing and the storm came. You remember. I found out I was pregnant in Savannah, but you hadn’t come for me, and I was angry, so I didn’t tell you right away. How was I to know you would be married to Anne before you could hear about the baby?” “Oh, dear God,” Rhett groaned, and he released Scarlett. “Where is she?” he said. “We’ve got to find her.
”
”
Alexandra Ripley (Scarlett: The Sequel to Margaret Mitchell's Gone with the Wind)
“
Everyone knew there had never been a cowardly Confederate soldier and they found this statement peculiarly irritating. He always referred to the soldiers as “our brave boys” or “our heroes in gray” and did it in such a way as to convey the utmost in insult. When daring young ladies, hoping for a flirtation, thanked him for being one of the heroes who fought for them, he bowed and declared that such was not the case, for he would do the same thing for Yankee women if the same amount of money were involved. Since Scarlett’s first meeting with him in Atlanta on the night of the bazaar, he had talked with her in this manner, but now there was a thinly veiled note of mockery in his conversations with everyone. When praised for his services to the Confederacy, he unfailingly replied that blockading was a business with him. If he could make as much money out of government contracts, he would say, picking out with his eyes those who had government contracts, then he would certainly abandon the hazards of blockading and take to selling shoddy cloth, sanded sugar, spoiled flour and rotten leather to the Confederacy. Most of his remarks were unanswerable, which made them all the worse. There had already been minor scandals about those holding government contracts. Letters from men at the front complained constantly of shoes that wore out in a week, gunpowder that would not ignite, harness that snapped at any strain, meat that was rotten and flour that was full of weevils. Atlanta people tried to think that the men who sold such stuff to the government must be contract holders from Alabama or Virginia or Tennessee, and not Georgians. For did not the Georgia contract holders include men from the very best families? Were they not the first to contribute to hospital funds and to the aid of soldiers’ orphans? Were they not the first to cheer at “Dixie” and the most rampant seekers, in oratory at least, for Yankee blood? The full tide of fury against those profiteering on government contracts had not yet risen, and Rhett’s words were taken merely as evidence of his own bad breeding. He not only affronted the town with insinuations of venality on the part of men in high places and slurs on the courage of the men in the field, but he took pleasure in tricking the dignified citizenry into embarrassing situations. He could no more resist pricking the conceits, the hypocrisies and the flamboyant patriotism of those about him than a small boy can resist putting a pin into a balloon. He neatly deflated the pompous and exposed the ignorant and the bigoted, and he did it in such subtle ways, drawing his victims out by his seemingly courteous interest, that they never were quite certain what had happened until they stood exposed as windy, high flown and slightly ridiculous.
”
”
Margaret Mitchell (Gone with the Wind)
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Maybe I am a rogue, but I won't be a rogue forever, Rhett. But during these past years -- and even now -- what else could I have done? How else could I have acted? I've felt that I was trying to row a heavily loaded boat in a storm. I've had so much trouble just
trying to keep afloat that I couldn't be bothered about things that didn't matter, things I could part with easily and not miss, like good manners and -- well, things like that. I've been too afraid my boat would be swamped and so I've dumped overboard the things that seemed least important."
"Pride and honor and truth and virtue and kindliness," he enumerated silkily. "You are right, Scarlett. They aren't important when a boat is sinking. But look around you at your friends. Either they are bringing their boats ashore safely with cargoes intact or they are content to go down with all flags flying."
"They are a passel of fools," she said shortly. "There's a time for all things. When I've got plenty of money, I'll be nice as you please, too. Butter won't melt in my mouth. I can afford to be then."
"You can afford to be -- but you won't. It's hard to salvage jettisoned cargo and, if it is retrieved, it's usually irreparably damaged. And I fear that when you can afford to fish up the honor and virtue and kindness you've thrown overboard, you'll find they
have suffered a sea change and not, I fear, into something rich and strange. . . .
”
”
Margaret Mitchell (Gone with the Wind)
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It’s my turn next, and I realize then that I never turned in the name of my escort--because I hadn’t planned on being here. I glance around wildly for Ryder, but he’s nowhere to be seen, swallowed up by the sea of people in cocktail dresses and suits.
Crap. I thought he realized that escorting me on court was part of the deal, once I’d agreed to go. I guess he’d figured it’d be easier on me, what with the whole Patrick thing, if I was alone onstage. But I don’t want to be alone. I want Ryder with me. By my side, supporting me.
Always.
I finally spot him in the crowd--it’s not too hard, since he’s a head taller than pretty much everyone else--and our eyes meet. My stomach drops to my feet--you know, that feeling you get on a roller coaster right after you crest that first hill and start plummeting toward the ground.
Oh my God, this can’t be happening. I’ve fallen in love with Ryder Marsden, the boy I’m supposed to hate. And it has nothing to do with his confession, his declaration that he loves me. Sure, it might have forced me to examine my feelings faster than I would have on my own, but it was there all along, taking root, growing, blossoming.
Heck, it’s a full-blown garden at this point.
“Our senior maid is Miss Jemma Cafferty!” comes the principal’s voice. “Jemma is a varsity cheerleader, a member of the Wheelettes social sorority, the French Honor Club, the National Honor Society, and the Peer Mentors. She’s escorted tonight by…ahem, sorry. I’m afraid there’s no escort, so we’ll just--”
“Ryder Marsden,” I call out as I make my way across the stage. “I’m escorted by Ryder Marsden.”
The collective gasp that follows my announcement is like something out of the movies. I swear, it’s just like that scene in Gone with the Wind where Rhett offers one hundred and fifty dollars in gold to dance with Scarlett, and she walks through the scandalized bystanders to take her place beside Rhett for the Virginia reel.
Only it’s the reverse. I’m standing here doing the scandalizing, and Ryder’s doing the walking.
“Apparently, Jemma’s escort is Ryder Marsden,” the principal ad-libs into the microphone, looking a little frazzled. “Ryder is…um…the starting quarterback for the varsity football team, and, um…in the National Honor Society and…” She trails off helplessly.
“A Peer Mentor,” he adds helpfully as he steps up beside me and takes my hand. The smile he flashes in my direction as Mrs. Crawford places the tiara on my head is dazzling--way more so than the tiara itself. My knees go a little weak, and I clutch him tightly as I wobble on my four-inch heels.
But here’s the thing: If the crowd is whispering about me, I don’t hear it. I’m aware only of Ryder beside me, my hand resting in the crook of his arm as he leads me to our spot on the stage beside the junior maid and her escort, where we wait for Morgan to be crowned queen.
Oh, there’ll be hell to pay tomorrow. I have no idea what we’re going to tell our parents. Right now I don’t even care. Just like Scarlett O’Hara, I’m going to enjoy myself tonight and worry about the rest later.
After all, tomorrow is another…Well, you know how the saying goes.
”
”
Kristi Cook (Magnolia (Magnolia Branch, #1))
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And so, with a slow sweep of the arm that remained forever etched in my memory, he took out a match, lit it, and tossed it onto the pile of books. With a quiet huff...ff...ff the flames rippled over the pages, catching first the old books with the brown paper whose smell I loved so much. I vividly remember how Danko's Burning Heart was engulfed in flames that then licked at Luce's skirt who, desperately trying to protect herself from the fire in pages of Romain Rolland's book, held Pierre tightly to her breast. I watched as the fire spread to the intertwined lovers Pierre and Natasha, Heathcliff and Cathrine Earnshaw, Scarlett O'Hara and Rhett Butler, Elizabeth and Mr. Darcy, abelard and Heloise, Tristan and Isolde, Salaman and Absal, Vis and Ramin, Vamegh and Azra, Zohreh and Manuchehr, shirin and Farhad, Leyli and Majnun, Arthur and Gemma, the Rose and the Little Prince, before they had the chance to smell or kiss each other again, or whisper. "I love you" one last time.
”
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Shokoofeh Azar (The Enlightenment of the Greengage Tree)
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self-respect has nothing to do with the approval of others—who are, after all, deceived easily enough; has nothing to do with reputation, which, as Rhett Butler told Scarlett O’Hara, is something people with courage can do without.
”
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Joan Didion (Slouching Towards Bethlehem: Essays)
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How unfortunate for you, Scarlett. You always seem to be in love with another woman's husband.
”
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Alexandra Ripley (Scarlett)
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I'd like to be kissed the way that Rhett Butler, in fact, kissed Scarlett O'Hara while Atlanta burned. I'd like to be held the way that Heathcliff held Catherine on the moors. I'd like a passion so explosive it could burn down Thornfield Hall. I'd like a man to look at me with the whole world in his eyes and know exactly what to do with the rest of him to please me. - Ave Maria Mulligan, Big Stone Gap
”
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Adriana Trigiani (Big Stone Gap (Big Stone Gap, #1))
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Rhett shrugged. “Sorry, fellas. You know my boners happen at the worst of times. Just something our sexy little mate will have to get used to.” He had always had a problem with his raging erections popping up at random times, and now that his mate was finally under his roof, he was prepared for that pesky little problem to grow further.
”
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Lola Newmar (Loving Scarlett (Scarlett Rose and the 7 Longhorns #1))
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He picked her up. Picked her up and carried her, as if she were Scarlett O’Hara and he were Rhett Butler, if Rhett had been the kind of guy to go down on Scarlett in a doorway. Which, let’s be honest, he probably was.
”
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Ruthie Knox (Flirting with Disaster (Camelot, #3))
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She picked a sorrel mare with four white socks named Scarlett. Levi wasn’t about to ride his favorite stallion, Rhett—Tamara would read too much into that—so he saddled Ashley, the one gelding in the stables, instead. “You
”
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Tiffany Reisz (The Bourbon Thief)
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Alex leaned over and treated me to a Rhett Butler kiss, slow and deep but not too sweet. He once told Scarlett something to the effect of how badly she needed kissing, and by someone who knew what he was doing. Alex knew what he was doing. By the time he finished proving it, I was breathless. I rested my head on his shoulder, basking in his warmth and filling my lungs with his scent. "What was that for?"
"That was to show you how glad I am that we got out of that mess in one piece and that we're here together." He extracted his arm from around my shoulders and sat back. "Now let's talk about your crazy stunt."
Damn it, Rhett did that, too. He'd kiss Scarlett silly, then lecture her.
”
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Suzanne Johnson (Pirate's Alley (Sentinels of New Orleans, #4))
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Harold Rome traveled with us, starting in the lowest of jobs as a specialist in revue. This is music without story or character. But by the 1950s, Rome had abandoned revue, and in Fanny in particular he exploited the musical scene—writing, in effect, partway to opera. Now, in Gone With the Wind, Rome expanded into an intricate interlacing of speech and song—aided, I imagine, by the instincts of Joe Layton. Naturally, he would know enough to delay Rhett Butler’s entrance till the Atlanta ball, have him defiantly escort the black-clad Scarlett onto the floor, and let him rip into an establishing song, “Two of a Kind.” This better suited Presnell’s sexy scooping up to high notes than Roberts’ more limited instrument, but the climax really comes when the orchestra takes over as Rhett sweeps Scarlett around the stage and the good folk of Atlanta go off like astonished firecrackers.
”
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Ethan Mordden (One More Kiss: The Broadway Musical in the 1970s (The History of the Broadway Musical Book 6))