Rewind It Back Quotes

We've searched our database for all the quotes and captions related to Rewind It Back. Here they are! All 100 of them:

1. I’m lonely so I do lonely things 2. Loving you was like going to war; I never came back the same. 3. You hate women, just like your father and his father, so it runs in your blood. 4. I was wandering the derelict car park of your heart looking for a ride home. 5. You’re a ghost town I’m too patriotic to leave. 6. I stay because you’re the beginning of the dream I want to remember. 7. I didn’t call him back because he likes his girls voiceless. 8. It’s not that he wants to be a liar; it’s just that he doesn’t know the truth. 9. I couldn’t love you, you were a small war. 10. We covered the smell of loss with jokes. 11. I didn’t want to fail at love like our parents. 12. You made the nomad in me build a house and stay. 13. I’m not a dog. 14. We were trying to prove our blood wrong. 15. I was still lonely so I did even lonelier things. 16. Yes, I’m insecure, but so was my mother and her mother. 17. No, he loves me he just makes me cry a lot. 18. He knows all of my secrets and still wants to kiss me. 19. You were too cruel to love for a long time. 20. It just didn’t work out. 21. My dad walked out one afternoon and never came back. 22. I can’t sleep because I can still taste him in my mouth. 23. I cut him out at the root, he was my favorite tree, rotting, threatening the foundations of my home. 24. The women in my family die waiting. 25. Because I didn’t want to die waiting for you. 26. I had to leave, I felt lonely when he held me. 27. You’re the song I rewind until I know all the words and I feel sick. 28. He sent me a text that said “I love you so bad.” 29. His heart wasn’t as beautiful as his smile 30. We emotionally manipulated one another until we thought it was love. 31. Forgive me, I was lonely so I chose you. 32. I’m a lover without a lover. 33. I’m lovely and lonely. 34. I belong deeply to myself .
Warsan Shire
When you are done listening to all thirteen sides – because there are thirteen sides to every story – rewind the tapes, put them back in the box, and pass them on to whoever follows your little tale. And you, lucky number thirteen, you can take the tapes straight to hell. Depending on your religion, maybe I’ll see you there.
Jay Asher (Thirteen Reasons Why)
Some things in life only happen once, the memories of them lasting forever. They're moments that alter you, turning you into a person you never thought you'd become, but someone you were always destined to be. There's no magical rewind button in life, no take backs or do-over's to fix things you wish you could change.
J.M. Darhower (Sempre (Sempre, #1))
Let me tell you what you feel like when you know you are ready to die. You sleep a lot, and when you wake up the very first thought in your head is that you wish you could go back to bed. You go entire days without eating, because food is a commodity that keeps you here. You read the same page a hundred times. You rewind your life like a videocassette and see the things that make you weep, things that make you pause, but nothing that makes you want to play it forward. You forget to comb your hair, to shower, to dress. And then one day, when you make the decision that you have enough energy left in you to do this one, last, monumental thing, there comes a peace. Suddenly you are counting moments as you haven’t for months. Suddenly you have a secret that makes you smile, that makes people say you look wonderful, although you feel like a shell-brittle and capable of cracking into a thousand pieces.
Jodi Picoult (Keeping Faith)
The whole night had been a mistake. It's not going to let me rewind. Or unmake the mistakes I've made.Or the promises I've mad. Or have her back. Or have me back.
Gayle Forman (Where She Went (If I Stay, #2))
If she could rewind the timeline, untwist it and roll it back the other way like a ball of wool, she’d see the knots in the yarn, the warning signs. Looking at it backward it was obvious all along.
Lisa Jewell (Then She Was Gone)
I pick a song when something cool or important happens so I can remember it. Then when I want to relive a moment, I rewind it back and start the song from the beginning.” 
Liz Tomforde (Rewind It Back (Windy City, #5))
Here’s to the 10 characters, 5 couples, 3 teams, 2 sets of siblings, and 1 amazing friend group that changed my life. This one is dedicated to you, the readers. Thank you for hanging out in Chicago with me.
Liz Tomforde (Rewind It Back (Windy City, #5))
You know, nothing ever goes back exactly the way it was. Things just expand and contract. Like the universe, like breathing. But you'll never fill your lungs up with the same air twice. Sometimes, it would be cool if you could pause and rewind and do over. But I think anyone would get tired of that after one or two times.
Andrew Smith
Spoken or unspoken, I’ve always loved you.
Liz Tomforde (Rewind It Back (Windy City, #5))
The paint is drying, and time is dying. The pain is crying, lying on my back, trying to get back the time, to brushstrokes too fast, wet went dry and love went dull; now I live in a portrait I never painted.
Anthony Liccione
And that was that. You don't get to rewind your life like a tape and splice it back together, pretending it never knotted and tore, when it did and you know it did.
Silvia Moreno-Garcia (Signal to Noise)
A huge smile spread across Jen's face."Ahh that was a good one." She turned back to the crowed and yelled again."Rewind. We're going to party like it's 2009, New Year’s Eve. If you're curious as to how awesome a party that was, please see me, Jacque or Sally. Sally's version will be much more accurate, and also free of any important inappropriate details." Before she could say anything else, a large hand wrapped around the microphone and pulled it from Jen's grasp. Decebel handed it to Jacque as he growled at his mate and pulled her away.All the while Jen was telling him exactly how much she didn't appreciate him getting all up in her kool aide. She finished by telling him that, once again, she was going to shove her foot where an ‘Exit Only’ sign should be.
Quinn Loftis (Beyond the Veil (The Grey Wolves, #5))
Friends are the family you choose, and I’ve got to say, I’ve got the best family a guy could ask for.
Liz Tomforde (Rewind It Back (Windy City #5))
I wanted to go back to a time before all the sacrifices had been made. Before I had experienced so much pain. But making things right could not mean rewinding the clock. Even Kronos hadn't had that much power over time. I suspected that wasn't what Jason Grace would want, either. When he'd told me to remember being human, he'd meant building on pain and tragedy, overcoming it, learning from it. That was something gods never did. We just complained. To be human is to move forward, to adapt, to believe in your ability to make things better. That is the only way to make the pain and sacrifice mean something.
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
At the end of my dream, Eve put the apple back on the branch. The tree went back into the ground. It became a sapling, which became a seed.
Jonathan Safran Foer
I’ll speak for all ten of us when I say, there’s nowhere else we’d rather be.  
Liz Tomforde (Rewind It Back (Windy City, #5))
I just want to be around her. Everything quiets when she’s around.
Liz Tomforde (Rewind It Back (Windy City #5))
The hardest mysteries to solve are the ones you come to near the end, because there isn't enough evidence, not enough to unravel, unless somehow you can go all the way back to the beginning - rewind and replay everything.
James Patterson (Cross Country (Alex Cross, #14))
When the fairy tale ends, there's only one way back... rewind
Tali Alexander (Love in Rewind (Love in Rewind, #1))
Once upon a time we’d been an almost perfect family. I wish we could rewind, go back to live in those years forever.
Emily X.R. Pan (The Astonishing Color of After)
Are you sure that’s not just a first-love thing?” “No, baby. It’s a last-love thing.
Liz Tomforde (Rewind It Back (Windy City #5))
You sure look good in my shirt for not being mine.”  “Get fucked, DeLuca.” I smile as I open the door. “Would love to. You just let me know when and where, Hart.” 
Liz Tomforde (Rewind It Back (Windy City, #5))
Yeah, well you’re not his, so tell him to keep his hands to himself too.”  Her eyes drop to my mouth. “I’m not yours either.”  We’ll see.
Liz Tomforde (Rewind It Back (Windy City, #5))
You want to arrest the clocks, stop everything for half a second, give yourself a chance to do it over again, rewind the life, uncrash the car, run it backward, have her lifted miraculously back into the windshield, unshatter the glass, go about your day umtouched, some old, lost sweet tasting time.
Colum McCann (Let the Great World Spin)
I watched Zanders strip the façade he wore for so long to allow the flight attendant on his team’s plane to see the real him.  I watched Stevie learn to love herself the way the arrogant hockey player who followed her everywhere loves her. The way we all do. I watched Indy come out of a relationship she wasn’t meant for and learn to be loved in a new, quieter way. I watched Ryan allow someone into his home and his heart after shutting everyone else out for so long, only for the brightest ray of sunshine to move in and light every dark space she could touch. I watched Kai learn to ask for help, only for that help to come in the form of a firecracker pastry chef who taught him how to have fun again. I watched Miller stop running and grow deeper roots than she ever thought she could by falling in love with a single dad and his little boy.  I watched Kennedy learn how to love and be loved thanks to her husband who refused to go a day without showering her with it. I watched Isaiah persist in showing his wife exactly who he was behind the smile, all while keeping his heart open for the only woman he wanted to have it.   
Liz Tomforde (Rewind It Back (Windy City, #5))
And so now, having been born, I'm going to rewind the film, so that my pink blanket flies off, my crib scoots across the floor as my umbilical cord reattaches, and I cry out as I'm sucked back between my mother's legs. She gets really fat again. Then back some more as a spoon stops swinging and a thermometer goes back into its velvet case. Sputnik chases its rocket trail back to the launching pad and polio stalks the land. There's a quick shot of my father as a twenty-year-old clarinetist, playing an Artie Shaw number into the phone, and then he's in church, age eight, being scandalized by the price of candles; and next my grandfather is untaping his first U.S. dollar bill over a cash register in 1931. Then we're out of America completely; we're in the middle of the ocean, the sound track sounding funny in reverse. A steamship appears, and up on a deck a lifeboat is curiously rocking; but then the boat docks, stern first, and we're up on dry land again, where the film unspools, back at the beginning...
Jeffrey Eugenides (Middlesex)
If you could use that rewind button, would you? turn things back the way they used to be?
Winna Efendi (Melbourne: Rewind)
Lose him.
Liz Tomforde (Rewind It Back (Windy City, #5))
Hallie, the irony of hiring you to design the house is that you're the person I bought it for.
Liz Tomforde (Rewind It Back (Windy City, #5))
She has been my favorite person since I was twelve, and fifteen years later, that hasn’t changed.
Liz Tomforde (Rewind It Back (Windy City, #5))
You’ve had me hooked since the day you became the girl next door.
Liz Tomforde (Rewind It Back (Windy City, #5))
Because I’m going to kiss you and when we listen to next year’s playlist, I want this song to be on there so we can rewind it back however many times we want to and remember this.
Liz Tomforde (Rewind It Back (Windy City #5))
I rewind it back and start the song from the beginning.” 
Liz Tomforde (Rewind It Back (Windy City, #5))
Whoever said that the past isn’t dead had it backward. It’s the future that’s already dead, already played out. This whole night has been a mistake. It’s not going to let me rewind. Or unmake the mistakes I’ve made. Or the promises I’ve made. Or have her back. Or have me back.
Gayle Forman (Where She Went (If I Stay, #2))
I listen to the clock striking out each determined tick. If only I could rewind, go back in time and ask my mother every question about every tiny thing. How crucial those little fragments are now; how great their absence. I should have saved them up, gathering them like drops of water in a desert. I'd always counted on having an oasis.
Emily X.R. Pan (The Astonishing Color of After)
His attention moves back to my mouth, once again asking the question, “You single, Hal?”  I finally give him the long-awaited answer, nodding to tell him yes.  “Good.” He takes a slow predatorial step towards me, tone sharp and leaving no room for question. “Because we aren’t fucking friends.”  With that declaration, he grips the side of my neck and slams his mouth onto mine. 
Liz Tomforde (Rewind It Back (Windy City, #5))
If only I could rewind, go back in time and ask my mother every question about every tiny thing. How crucial those little fragments are now; how great their absence. I should have saved them up, gathered them like drops of water in a desert. I’d always counted on having an oasis.
Emily X.R. Pan (The Astonishing Color of After)
You don’t get to rewind your life like a tape and splice it back together, pretending it never knotted and tore, when it did and you know it did.
Silvia Moreno-Garcia (Signal to Noise)
I’ve heard the claim that you don’t know what you’ve got until you’ve lost it, but I knew what I had. It made losing us that much more unbearable.
Liz Tomforde (Rewind It Back (Windy City #5))
She’s everything I’ve ever wanted, everything I’ve been looking for.
Liz Tomforde (Rewind It Back (Windy City, #5))
Because we aren’t fucking friends.” 
Liz Tomforde (Rewind It Back (Windy City, #5))
How rare to find someone who understands and appreciates you for exactly who you are at each phase of your life.
Liz Tomforde (Rewind It Back (Windy City #5))
I want to rewind all of it, Hallie.
Liz Tomforde (Rewind It Back (Windy City, #5))
Yeah, Hal. I still know you. And you still know me. Better than anyone.
Liz Tomforde (Rewind It Back (Windy City, #5))
I’ve never forgotten this girl, not even for a second, and it’s about time she knows that.
Liz Tomforde (Rewind It Back (Windy City, #5))
I love you, Hallie Hart. Spoken or unspoken, I’ve always loved you.
Liz Tomforde (Rewind It Back (Windy City, #5))
Rio, playing for Boston is your childhood dream. 'You're my childhood dream.
Liz Tomforde (Rewind It Back (Windy City, #5))
There's this nagging part of me that's questioning whether the homesickness I've felt for years now has been for Boston or if it's actually been for her.
Liz Tomforde (Rewind It Back (Windy City, #5))
I, too, like to read. Once a month, I go to the local branch. For myself, I pick a novel and, for Bruno, with his cataracts, a book on tape. At first Bruno was doubtful. “What am I supposed to do with this?” he said, looking at the box set of “Anna Karenina” as if I’d handed him an enema. And yet. A day or two later I was going about my business when a voice from above bellowed, ALL HAPPY FAMILIES RESEMBLE ONE ANOTHER, nearly giving me a conniption. After that, he listened to whatever I’d brought him at top volume and then returned it to me without comment. One afternoon, I came back from the library with Ulysses. For a month straight he listened. He had a habit of pressing the stop button and rewinding when he hadn’t fully grasped something. INELUCTABLE MODALITY OF THE VISIBLE: AT LEAST THAT. Pause, rewind. INELUCTABLE MODALITY OF THE. Pause, rewind. INELUCTABLE MODALITY. Pause. INELUCT.
Nicole Krauss
I spent years complaining about being the single one of the group, the odd man out. But even though I was the last one, how lucky am I that I got a front-row seat to watch each of my best friends fall in love?
Liz Tomforde (Rewind It Back (Windy City, #5))
That thing I’ve been looking for since I moved to Chicago? That connection? That one person some search their entire lives to find? I had already found her when I was twelve years old.  At least, I thought I had.  I know what I’m looking for because I had it once, and now the only girl I’ve ever loved is moving into the house next to mine. Again.
Liz Tomforde (Rewind It Back (Windy City, #5))
Rewind! Do over! Take it back!
Tiffanie DeBartolo (God Shaped Hole)
If you could use that rewind button, would you? turn things back the way used to be?
Winna Efendi
Well, you can’t.” I swallow hard. “And neither can I. You were supposed to teach me how to be a man, Dad, and I truly hate the things I learned from you.
Liz Tomforde (Rewind It Back (Windy City, #5))
Hope is a dangerous thing, and I learned to stop hoping a while ago.
Liz Tomforde (Rewind It Back (Windy City, #5))
Six years.” My eyes shoot to his.  “I’ve only ever been with you.
Liz Tomforde (Rewind It Back (Windy City, #5))
You’re everything to me, Hallie. I’ve been addicted to you since I was a kid, and clearly nothing has changed. I don’t want to be without you again.” 
Liz Tomforde (Rewind It Back (Windy City, #5))
Honey,” Indy coos. “I saw the way she looked at you the night she helped watch the kids. She already has. It sounds like the only person who hasn’t forgiven you is you.
Liz Tomforde (Rewind It Back (Windy City, #5))
I’ve always been attracted to Rio DeLuca, and it pisses me off that nothing has changed.
Liz Tomforde (Rewind It Back (Windy City #5))
This man has no shame, acting like a love-sick idiot on the ice with twenty thousand fans watching him.
Liz Tomforde (Rewind It Back (Windy City, #5))
Rio: Needy is literally my number one personality trait.
Liz Tomforde (Rewind It Back (Windy City #5))
Six years ago, even after things fell apart between us, I bought this house for her.
Liz Tomforde (Rewind It Back (Windy City, #5))
My perfect fucking girl. She’s always been my perfect girl. 
Liz Tomforde (Rewind It Back (Windy City, #5))
Hallie can pretend to be unaffected by me, by us, by our history, but she’s still wearing my shirt when she gets back to work and looks damn good in it.
Liz Tomforde (Rewind It Back (Windy City, #5))
Stop trying to be cute right now.” “I’m not trying. It just comes naturally to me.
Liz Tomforde (Rewind It Back (Windy City #5))
No one else draws their hearts like this, so every time I see one, I know it’s you. That’s why I like them so much.
Liz Tomforde (Rewind It Back (Windy City #5))
Essentially, what this project is, is the opportunity to design the house I’ve always dreamed of us sharing.
Liz Tomforde (Rewind It Back (Windy City, #5))
We are rare. What we have is rare and I’m going to spend the rest of my life protecting it.  
Liz Tomforde (Rewind It Back (Windy City, #5))
And besides, you’ve got plenty of other people wearing your jersey in here.” I hold eye contact. “Kind of only care about one.
Liz Tomforde (Rewind It Back (Windy City, #5))
Yes, Hallie Hart, you are my girlfriend. Though, you should know, there’s a good chance I’ll be changing both that title and that last name one day.” 
Liz Tomforde (Rewind It Back (Windy City, #5))
How lucky am I to have been loved by you for fifteen years now?
Liz Tomforde (Rewind It Back (Windy City, #5))
For years, I’ve taken this fucking boombox everywhere with me. Held on to it, like if I could keep rewinding and replaying these moments we had, then maybe it wasn’t over.
Liz Tomforde (Rewind It Back (Windy City #5))
Hey, Rook?” He looks my way, so stupidly excited. “Yeah?” “Sit the fuck down.” “Yep.
Liz Tomforde (Rewind It Back (Windy City, #5))
I’d rewind and relive every goddamn moment.
Liz Tomforde (Rewind It Back (Windy City, #5))
Friends are the family you choose,
Liz Tomforde (Rewind It Back (Windy City, #5))
Then it’s the ten of us. How it was always supposed to be.
Liz Tomforde (Rewind It Back (Windy City #5))
Because you can only get older, you can't rewind time and go backward. You can try, but one day you’ll look back and wish you were twelve again and nothing bad had ever happened to you.
Emily Tudor (The Road Not Taken (Hart Sisters #1))
He’s quiet for a long moment before he says, “But you’re not just a part of my life. You’re the center of it. So, if something isn’t fitting around us, that piece needs to change, not you.
Liz Tomforde (Rewind It Back (Windy City, #5))
Taking a deep breath, I inhale his scent, finally coming to when I wrap my arms around his waist and hold on. I grip his flannel shirt in my fists, bury my face against his chest, and close my eyes. “Hallie, baby,” he whispers. “I’ve got you.”  He has literally no idea what’s going on, but still he holds me, one hand slipping into my hair, palm cupping my head as he keeps me hidden against his chest, like he’s some kind of shield that could protect me. Maybe he could.
Liz Tomforde (Rewind It Back (Windy City, #5))
You have every right to hate me, Hal. You have every right to believe that I forgot about you, but I didn’t. Not one day went by that I didn’t think of you. You were everywhere. In the music I listened to. In the house I live in. I tried to compare every single person I met to you, but there was no comparison. And I will spend the rest of my life regretting leaving you behind all those years ago.
Liz Tomforde (Rewind It Back (Windy City, #5))
Rio has always been good to his friends, has always had this innate way of loving and taking care of those important to him. One of his best characteristics is making those around him comfortable and welcomed,
Liz Tomforde (Rewind It Back (Windy City, #5))
For a moment, I let myself remember how overwhelming it felt to be near her. She used to steal all my thoughts. She used to occupy my entire existence." "I’ve spent six years subconsciously comparing every date to her. Comparing their laugh to hers. Their kindness to hers. Their confidence to hers. Their taste in music to hers.
Liz Tomforde (Rewind It Back (Windy City, #5))
wish you could see inside my head, Hal. You’d see the picture I’ve got painted of our future, and every part of it revolves around you, okay?” With his knuckle, he urges my chin up so I look at him. “It’s you and me. I promise.
Liz Tomforde (Rewind It Back (Windy City, #5))
Love fell into our hands. We were neighbors turned friends who eventually fell in love. But this time, it feels like we earned it. We get to be in love because we worked for it. We decided to forgive and understand one another.
Liz Tomforde (Rewind It Back (Windy City, #5))
Ariel!” Taylor supplies as she and Max join the other two on the couch.   “Absolutely not, Tay.” Rio’s brows are pinched. “Spoiler alert, but she gives up her voice because she thought some random dude was hot. We’re strong independent women here. The only princess movies we’re going to watch are the ones where they realize they don’t need a man.
Liz Tomforde (Rewind It Back (Windy City, #5))
I tap my chest. “Regardless of the years we spent apart, you’re still in here.” She’s trying to hold back her smile, which seems like a good sign. “Are you sure that’s not just a first-love thing?”  “No, baby. It’s a last-love thing.” 
Liz Tomforde (Rewind It Back (Windy City, #5))
That story makes me want to go home and see Isaiah.” Kennedy leans her head on her sister-in-law’s shoulder. “Then ask him why he only pursued me for three years before we got married when he should’ve started thinking about me at the age of twelve.
Liz Tomforde (Rewind It Back (Windy City, #5))
The only justice is love. Just let it go. You don't have to explain. This is not about being right. There is something true inside the song you can't stop listening to. You don't feel at home anywhere, but you feel at home when Aaron sings that song. Someone calling you a criminal does not make you a criminal, just as someone calling you a hero does not make you a hero. Nobody gets to name you. Find your identity in the one true place. If someone gives you something, and then takes it back - that's okay. If someone says something or sees something, and then they don't - that's okay. Do not be like some broken lawyer making the same argument over and over again, always reaching for rewind. Guilt and regret, those are awful places. You know that. So don't live there. Do not despair. Do not be afraid. Grace is the interesting thing. Hope. And God must be a pretty big fan of today, because you keep waking up to it. You have made known your request for a hundred different yesterdays, but the sun keeps rising on this thing that has never been known. Yesterday is dead and over. Wrapped in grace. You are still alive, and today is the most interesting day. Today is the best place to live. These things deserve your attention: your family, your friends, the people you will meet today, the strangers with their stories. They say 'We are all in this together.' It is absolutely true.
Jamie Tworkowski (If You Feel Too Much: Thoughts on Things Found and Lost and Hoped For)
Some things in life only happen once, the memories of them lasting forever. They’re moments that alter you, turning you into a person you never thought you’d become, but someone you were always destined to be. There’s no magical rewind button in life, no take backs or do-over’s to fix things you wish you could change.
J.M. Darhower (Redemption (Sempre, #2))
I’m lactose intolerant.” Her face morphs into confusion at my sudden change in subject. “What?”   “Dairy.” I take another bite of my steak. “It fucks me right up. Sometimes I take a pill beforehand and sometimes I just raw-dog it and deal with the consequences.” “Did you just say you raw-dog it when referring to your dairy intake?
Liz Tomforde (Rewind It Back (Windy City, #5))
The guy you were with tonight.” I slowly shift back to face her. “Who was he?” The set in her jaw is evident even from here. “Not your job to worry about.”  Nodding, I turn back to my house, hands casually tucked in my pockets as I continue to walk. With my back to her, I make sure my words are loud enough for her to hear them. “Lose him.
Liz Tomforde (Rewind It Back (Windy City, #5))
Because it’s always been us.” With his knuckle, he tilts my chin up so I look at him. “Even when I thought I didn’t want it to be, I knew it was us. I sat there getting this permanently inked onto my skin, trying to convince myself I was only getting it as a reminder that love existed when the whole fucking time, I knew it only existed with you.
Liz Tomforde (Rewind It Back (Windy City, #5))
Sliding Doors and Run Lola Run (1998)—These two movies, neither of which is technically science fiction, were released in the same year. We see the idea of timelines branching from a single point which lead to different outcomes. In the example of Sliding Doors, a separate timeline branches off of the first timeline and then exists in parallel for some time, overlapping the main timeline, before merging back in. In Run Lola Run, on the other hand, we see Lola trying to rescue her boyfriend Manni by rewinding what happened and making different choices multiple times. We see visually what running our Core Loop might look like in a real-world, high-stress situation.
Rizwan Virk (The Simulated Multiverse: An MIT Computer Scientist Explores Parallel Universes, The Simulation Hypothesis, Quantum Computing and the Mandela Effect)
To an outsider, this might seem odd, him having a coffee bar when he doesn’t drink caffeine or having dairy milk in his fridge when he’s lactose intolerant. But the thing is, Rio has always been good to his friends, has always had this innate way of loving and taking care of those important to him. One of his best characteristics is making those around him comfortable and welcomed, so a fully stocked coffee station for friends who are visiting makes perfect sense to me.
Liz Tomforde (Rewind It Back (Windy City, #5))
The other night when I said I hoped that one day you’d let me fall in love with you again, what I meant to say was that I hope to earn the chance to fall in love with you again. And that’s not going to happen if I’m too busy regretting the past. So, yes. I made the biggest mistake of my life, and it’s probably going to take some time to fully forgive myself for it, but I don’t want to waste that time without you.” With both hands, I cup her jaw, sliding my fingers into her hair. “It’s always been you, Hallie, and I think we both know it.” 
Liz Tomforde (Rewind It Back (Windy City, #5))
Recall Aesop’s fable of the fox and the grapes. After trying in vain to reach the grapes, the fox gives up and wanders away, muttering, “They were probably sour anyway.” The fox’s change of heart is a perfect example of a common strategy we instinctively use to reduce dissonance. When we experience a conflict between our beliefs and our actions, we can’t rewind time and take back what we’ve already done, so we adjust our beliefs to bring them in line with our actions. If the story had gone differently, and the fox had managed to get the grapes, only to discover they were sour, he would have told himself that he liked sour grapes in order to avoid feeling that his effort had been a waste.
Sheena Iyengar (The Art of Choosing)
You remember the dialogue you had with yourself, you can quote the emotion word for word, as if you’re still there, as if it matters that you can map in detail the geographies of regret. It starts with a hope and ends with a turn of the stomach: a cringe at the excuses you make for your heart, a momentary forever you remember on alternate days over coffee and novels that hit too close to home. You cry because you know the point at which you could have turned back but didn’t, could have taken time by the throat and resisted, could have ignored the phone, answered that message, said no, said yes, said nothing, smiled - whatever it is that you didn’t do. But by the time that moment ends, it is over and you are in too deep, wondering why there exists no rewind button for the soul, no second chance for the petty player, no backup plan for those who risk everything on nothing, all at once.
Tania De Rozario (Tender Delirium)
I watched Zanders strip the façade he wore for so long to allow the flight attendant on his team’s plane to see the real him. I watched Stevie learn to love herself the way the arrogant hockey player who followed her everywhere loves her. The way we all do. I watched Indy come out of a relationship she wasn’t meant for and learn to be loved in a new, quieter way. I watched Ryan allow someone into his home and his heart after shutting everyone else out for so long, only for the brightest ray of sunshine to move in and light every dark space she could touch. I watched Kai learn to ask for help, only for that help to come in the form of a firecracker pastry chef who taught him how to have fun again. I watched Miller stop running and grow deeper roots than she ever thought she could by falling in love with a single dad and his little boy. I watched Kennedy learn how to love and be loved thanks to her husband who refused to go a day without showering her with it. I watched Isaiah persist in showing his wife exactly who he was behind the smile, all while keeping his heart open for the only woman he wanted to have it. I watched Hallie, with so much goddamn pride, as her heart softened again. She forgave me while also continuing to stand up for herself along the way. And I . . . well, I found love because it was always out there, waiting for me, even when I questioned its existence. In fact, I found it right next door—where it had always been.
Liz Tomforde (Rewind It Back (Windy City #5))
some older people who need to sit down, Barb. We can’t put chairs out. I don’t want them to get too comfy or we’ll never get rid of them.’ ‘Oh, you’re being ridiculous.’ Henry is thinking that this is a fine time to call him ridiculous. He never wanted the stupid vigil. In bed last night they had another spit-whispered row about it. We could have it at the front of the house, Barbara had said when the vicar called by. Henry had quite explicitly said he would not support anything churchy – anything that would feel like a memorial service. But the vicar had said the idea of a vigil was exactly the opposite. That the community would like to show that they have not given up. That they continue to support the family. To pray for Anna’s safe return. Barbara was delighted and it was all agreed. A small event at the house. People would walk from the village, or park on the industrial estate and walk up the drive. ‘This was your idea, Barbara.’ ‘The vicar’s, actually. People just want to show support. That is what this is about.’ ‘This is ghoulish, Barb. That’s what this is.’ He moves the tractor across the yard again, depositing two more bales of straw alongside the others. ‘There. That should be enough.’ Henry looks across at his wife and is struck by the familiar contradiction. Wondering how on earth they got here. Not just since Anna disappeared, but across the twenty-two years of their marriage. He wonders if all marriages end up like this. Or if he is simply a bad man. For as Barbara sweeps her hair behind her ear and tilts up her chin, Henry can still see the full lips, perfect teeth and high cheekbones that once made him feel so very differently. It’s a pendulum that still confuses him, makes him wish he could rewind. To go back to the Young Farmers’ ball, when she smelled so divine and everything seemed so easy and hopeful. And he is wishing, yes, that he could go back and have another run. Make a better job of it. All of it. Then he closes his eyes. The echo again of Anna’s voice next to him in the car. You disgust me, Dad. He wants the voice to stop. To be quiet. Wants to rewind yet again. To when Anna was little and loved him, collected posies on Primrose Lane. To when he was her hero and she wanted to race him back to the house for tea. Barbara is now looking across the yard to the brazier. ‘You’re going to light a fire, Henry?’ ‘It will be cold. Yes.’ ‘Thank you. I’m doing soup in mugs, too.’ A pause then. ‘You really think this is a mistake, Henry? I didn’t realise it would upset you quite so much. I’m sorry.’ ‘It’s OK, Barbara. Let’s just make the best of it now.’ He slams the tractor into reverse and moves it out of the yard and back into its position inside the barn. There, in the semi-darkness, his heartbeat finally begins to settle and he sits very still on the tractor, needing the quiet, the stillness. It was their reserve position, to have the vigil under cover in this barn, if the weather was bad. But it has been a fine day. Cold but with a clear, bright sky, so they will stay out of doors. Yes. Henry rather hopes the cold will drive everyone home sooner, soup or no soup. And now he thinks he will sit here for a while longer, actually. Yes. It’s nice here alone in the barn. He finds
Teresa Driscoll (I Am Watching You)