Revelation Scary Quotes

Good grief," Alec muttered. "Be afraid," Katie quoted. "Be very afraid." Alec squinted at her. "That sounds familiar. Revelations?" "David Cronenberg. It's a long, scary story." "I like scary stories.

Pointing out how modern-day institutionalized racism prevents blacks from getting jobs and paints them as angry, scary, and a menace to society by the police until proven otherwise is not me reveling in victimhood. It’s acknowledging the current environment as the first step in attempting to change it.

The first change is a realization that I am no longer alone. Even when I'm lying in the dark by myself, I now sense other beings hovering near me. It isn't just me living in this house, but unfinished love and my dejection and anger and dead Paulie, and their miraculous presence feels as real as my fingernails digging into my hand. The second change is that I'm not more obsessed with cooking, like the Roman gourmets and their cherished chefs, who wanted to put all things wonderful or special or new or majestic or strange or scary-looking on the table. The cooks back then knew only how to bake or boil, but I understand how a few drops of pomegranate juice can transform a dish. The third change is that with these first two revelations, my sense of taste has become ever more sensitive and sharp, my imagination richer. When I got my ears pierced and walked into the street in the middle of winter, I become one large ear. All sensation and pain were concentrated in my ears. It's that same feeling. Everything about me disappears and I'm only a pink tongue. This is the time to grow into a truly good chef.

I stopped typing and started having a conversation about the blog post with my boyfriend. He said he’d liked the part where the narrator had explained that, while she was disturbed by the revelation that the Internet writer had a girlfriend – because that meant he wasn’t the pure ethical person she’d perceived him to be via reading his literary criticism (which, !) –she was flattered and aroused that he was overcoming his principles in order to be with her. Keith said, “It’s like he can do no wrong. I thought that was nice.” I surprised myself by turning to him and shouting. “It’s a SLAVE MENTALITY. IT’S A SLAVE MENTALITY!!!” I tried to explain what I meant. I talked about how Ellen Willis had a theory that women didn’t know what their true sexuality was like, because they’d been conditioned to develop fantasies that enable them to act in a way that conforms to what men want from them, or what they think men want from them. And I thought about how Eileen Myles described the difference between having sex with men and having sex with women, how having sex with men was more about forcing yourself into what their idea of what sex was supposed to be. I told him that in my experience men do not often become suddenly charmed or intrigued by aspects of women that they have also perceived as off-putting or scary. Men, heterosexual men, don’t tend to make excuses for women and find reasons to admire them despite and even slightly because of their faults, unless their faults are cute little hole-in-the-stocking faults. Whereas women, heterosexual women, are capable of finding being ignored, being alternately worshiped and insulted, not to mention male pattern baldness, not just tolerable but erotic.

Enchantment frightens us for good reason. Whether it's enchantment of the ordinary kind or the magical kind, it may very well change us, and we may not be able to return to our old selves, to our old certainties and our easy understandings. Magical people seem to fear that less than the rest of us. They want to be enchanted and are quite willing to be changed forever as they go deeper and deeper into realms beyond everyday understanding. Most of us wouldn't mind a little more magic ourselves, if we could slip in and out of it. We too want to leave the brab realities of work-a-day life, experience the transcendent, to revel in endless possibility. But most of us have lost any belief in good magic. All that's left is a vague sence that evil is afoot and ready to draw nearer. The only magic most of us believe in is the scary stuff.

Every choice we make is a vote for the world we want to create. Every product we consume supports and reinforces the networks that are embedded within it, whether positive or negative. If we buy healthy, fair trade, eco-friendly goods and services, we are creating sustainable networks and structures that are in harmony with the ecology of the Earth. If we buy drugs and junk food, we are bankrolling those supply chains and all the ill-health and addictions that go with them. We create and recreate our world with every little action, every choice we make. Rather than finding this idea scary or overwhelming, let’s embrace how empowered that makes us. When we make healthy choices, we have the feel-good factor of knowing we are bringing forth the world we want for ourselves and our children; we are manifesting good health and a sustainable society with every little transaction we make.

I received everything I wanted when I hadn’t wanted anything. Why? Because I didn’t need anything. I was content in my space. Relying on myself. Reveling in me. Not curious of who I wanted to be. Being content is almost scary. It feels robotic at times. It’s standing in front of a mirror and being okay with what you see. That’s scary to some people. That used to be scary to me.

I would light myself on fire and revel in the burn if I knew it would please him. It’s a scary feeling but one that I embrace, because he is my king and I am his queen and together we will rule the world.

The dynamics of the city. His mother had been scared of cities. It had been part of his education. She had told him cities are dangerous places. They’re full of tough, scary guys. He was a tough boy himself but he had walked around as a teenager ready and willing to believe her. And he had seen that she was right. People on city streets were fearful and furtive and defensive. They kept their distance and crossed to the opposite sidewalk to avoid coming near him. They made it so obvious he became convinced the scary guys were always right behind him, at his shoulder. Then he suddenly realized no, I’m the scary guy. They’re scared of me. It was a revelation. He saw himself reflected in store windows and understood how it could happen. He had stopped growing at fifteen when he was already six feet five and two hundred and twenty pounds. A giant. Like most teenagers in those days he was dressed like a bum. The caution his mother had drummed into him was showing up in his face as a blank-eyed, impassive stare. They’re scared of me. It amused him and he smiled and then people stayed even farther away. From that point onward he knew cities were just the same as every other place, and for every city person he needed to be scared of there were nine hundred and ninety-nine others a lot more scared of him. He used the knowledge like a tactic, and the calm confidence it put in his walk and his gaze redoubled the effect he had on people. The dynamics of the city.