Retro Car Quotes

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Because people like stuff. New stuff, even newer stuff. Stuff to replace old stuff with and old stuff that is so old it becomes retro stuff and starts being used instead of new stuff. Let me tell you, it's fun stuff. Sometimes we have to get rid of stuff to make room for new stuff. And then we start to miss the old stuff so much that we have to build new stuff that pretends to be the old stuff. Like when we put TV screens on the treadmills at the gym and then play videos of trees on them so that we feel like we're running through the forest. Yes, I know what you're thinking. Why don't you just go running into the forest to begin with? and it's completely ok to wonder that. You don't know any better. But you see, we had to cut down the trees in the forest in order to build a highway so we could drive our cars to the gym. And yes, I can already see what you're thinking: Why did you have to cut down the trees? But hey, what did you want us to do? They were standing in the middle of the highway. It's complicated stuff to explain.
Fredrik Backman (Things My Son Needs to Know About the World)
Whose idea was it to replace the chrome knobs and push buttons on car radios with 'touch screens'?
Mark S. Bacon (Death in Nostalgia City)
to underscore the agreeably retro nature of the driving experience in Australia, I began to discover that radio stations in country towns specialize in songs from yesteryear. I don’t mean songs from the sixties and seventies, but much earlier. This may be the last country in the world where you can turn on a car radio and stand a more than passing chance of hearing Peggy Lee
Bill Bryson (In a Sunburned Country)
they felt like they were informed. It was a fine line--too much information led to more interrogation and too little information leads to major snooping. Thrace believed that I had developed the rare ability to express something while revealing nothing. However, I couldn’t shake the feeling that a sorcerer with laughing hazel eyes might have the ability to see beyond all my fine lines. I smiled at that whimsical thought as I finished my pot roast and parental interrogation.   Chapter 2: Mortal Combat   I woke up groggy because I set my alarm for a half hour earlier than usual to get ready to work out. I don’t know why I did that. Ok. I might know why I did that, but 6:00am was too early for rational thought. I kept my outfit simple with black yoga pants and a retro Offspring tee. It was much more difficult to get my thick auburn hair to calm down after a night of restless sleep. Luckily, I didn’t get any zits overnight which would have been just my luck. After some leave-in conditioner and some shine spray, I hoped my hair no longer looked like a bird’s nest. I headed downstairs just in time to see my dad coming from the kitchen with his coffee, my Mt. Dew, and Zone bar. Hello, my name is Calliope, and I am an addict. My drug is caffeine. I like my caffeine cold usually in the fountain pop variety—Mt. Dew in the morning and Diet Dr. Pepper in the afternoon. I like the ice and carbonation, but in the morning on the way to work out, I’ll take what I can get. I thanked my dad for my version of breakfast as we walked to the car. He only grunted his reply. We slid into the white Taurus and headed to the YMCA. I actually started to get nervous, as we got closer. We were at the Y before I was mentally prepared. I sighed and lumbered out of the car. As we walked in and headed toward opposite locker rooms, dad announced, “Meet you back here in an hour, Calli.
Stacey Rychener (Intrigue (Night Muse #1))
When we got there, Calista and Loga were getting out of Calista's car, and it was like, Whoa, because they were wearing all torn-up clothes. They were walking normal but they looked like they'd been burned up and hit with stuff. I ran over to them. I was going, 'Holy shit! Are you okay? What happened?' and Violet, too, she was going, "Hey--are you okay?' They stood there and looked at us, then looked at each other, like 'Ohmigod! Someone is a poopiehead! 'Yuh,' said Loga. 'It's Riot Gear. It's retro. It's beat up to look like one of the big twentieth-century riots. It's been big since earlier this week.' I was like, 'Oh.' Violet was like, 'Sorry.' 'No wrong,' said Calista, flipping her hair. When we went inside, Marty and Quendy were also wearing Riot Gear. Everyone was going Hi! Hey! Hey! Hi! Unit! What's doing? 'Hey!' said Loga to Quendy, pointing, 'Kent State collection, right? Great skirt!
M.T. Anderson (Feed)
According to Buckmaster, the two were very taken at the time with Kraftwerk’s recently released Radio-Activity. This album caught Kraftwerk at a transitional phase of their career, channelling free-form experimentalism towards more tightly controlled, robotic rhythms that are like the sonic equivalent of a Mondrian painting. Radio-Activity is a clear influence on Low, with its mix of pop hooks, unsettling sound effects, retro-modernism; its introspection and emotional flatness. The theremin-sounding synths of “Always Crashing in the Same Car” and the electronic interludes on “A New Career in a New Town” in particular have a RadioActivity feel to them.
Hugo Wilcken (Low)
While the vision he had shown in building Trump Tower remained, the discipline he had summoned to get the skyscraper built evaporated. Emboldened by easy money and a laudatory press, Donald went on a massive and ill-considered shopping spree. Among the projects he juggled was a promising expanse on the West Side on the same turf where Zeckendorf wanted to erect Atomic City, and Donald gave the development-in-waiting an equally retro, Jetsons-like label: Television City. As Donald wheelied along, fine-tuning his performance as the business world’s answer to Evel Knievel, the media lavished whopping reams of attention on him. For the most part, reporters didn’t cover Donald’s ventures because what he did was smart. They covered Donald’s doings because what he did was fun to watch. Whether any of them recognized that what they were watching was a slow-motion car crash didn’t matter. It was the ’80s.
Timothy L. O'Brien (TrumpNation: The Art of Being the Donald)
Today’s hipsters would probably find riding a carousel ironic and retro. These words were not in my 16-year-old vocabulary.
Jacqueline Marino (Car Bombs To Cookie Tables: The Youngstown Anthology)
Instead, the thing that had captured my attention was this big metal column topped by…absolutely nothing. It was doing this in the parking lot of what I had to figure was the main supplier of off-campus food: a retro-fifties fast-food joint. Maybe it’s supposed to be some kind of art, I thought as I stared at the column. I was living in the big city now, after all. Public art happened. Not only that, it didn’t have to make sense. In fact, having it not make sense was probably a requirement. “They took it down for repairs,” a voice beside my suddenly said. I’m kind of embarrassed to admit this, but the truth is, I jumped about a mile. I’d been so mesmerized by the sight of that column extending upward into space, supporting empty air, that I’d totally lost track of all my soon-to-be-fellow students rushing by me. To this day, I can’t quite explain the fascination. But I’ve promised to tell you the 100 percent truth, which means I’ve got to include even the parts which make me appear less than impressive. “Huh?” Yes, all right, I know. Nowhere even near the list of incredibly clever replies. “They took it down for repairs,” the voice said again. “Took it down,” I echoed. By this time, I knew I was well on my way to breaking my own blending-in rule, big time. Sounding like a total idiot can generally be considered a foolproof method of getting yourself noticed. “The car that’s usually up there.” The guy--it was a guy; I’d calmed down enough to realize that--said. I snuck a quick glance at him out of the corner of my eye. First fleeting impression: tall and blond. The kind of muscular-yet-lanky build I’ve always been a sucker for. Faded jeans. Letterman jacket with just about every sport there was represented on it. Gotcha! I thought. BMOC. Big Man on Campus. This made me feel a little better for a couple of reasons. The first was that it showed my skills hadn’t abandoned me completely after all. I could still identify the players pretty much on sight. The second was that in my vast, though admittedly from-a-distance, experience of them, BMOCs have short attention spans for anyone less BOC than they are. Disconcerting and intense as it was at the moment, I could nevertheless take comfort in the fact that this guy’s unexpected and unnatural interest in me was also unlikely to last very long. “An old Chevy, I think,” he was going on now. “It’s supposed to be back soon, though. Not really the same without it, is it?” He actually sounded genuinely mournful. I was surprised to find myself battling back a quick, involuntary smile. He did seem to be more interesting than your average, run-of-the-mill BMOC. I had to give him that. Get a grip, O’Connor, I chastised myself. “Absolutely not,” I said, giving my head a semi-vigorous nod. That ought to move him along, I thought. You may not be aware of this fact, but agreeing with people is often an excellent way of getting them to forget all about you. After basking in the glow of agreement, most people are then perfectly content to go about their business, remembering only the fact that someone agreed and allowing the identity of the person who did the actual agreeing to fade into the background. This technique almost always works. In fact, I’d never known it not to. There was a moment of silence. A silence in which I could feel the BMOC’s eyes upon me. I kept my own eyes fixed on the top of the carless column. But the longer the silence went on, the more strained it became. At least it did on my side. This guy was simply not abiding by the rules. He was supposed to have basked and moved on by now.
Cameron Dokey (How Not to Spend Your Senior Year (Simon Romantic Comedies))
Catty and Vanessa were vamping it up on the corner of Fairfax and Beverly, in bell-bottoms with exaggerated lacy bells that they must have pulled from Catty's mother's closet. Vanessa gave them the peace sign. "Feeling' groovy." She winked. She had gorgeous skin, movie-star blue eyes, and flawless blond hair. She was wearing a headband and blue-tinted glasses. Catty was forever getting Vanessa into trouble, but they remained best friends. "Love and peace," Catty greeted them. Catty was stylish in an artsy sort of way. Right now, she wore a hand-knit cap with pom-pom ties that hung down to her waist, and her puddle-jumping Doc Martens were so wrong with the bell-bottoms that they looked totally right. Her curly brown hair poked from beneath the fuchsia cap and her brown eyes were framed by granny glasses, probably another steal from her mother. "You like our retro look?" Vanessa giggled at all the cars honking at them.
Lynne Ewing (Into the Cold Fire (Daughters of the Moon, #2))
En fait, la lecture est la meilleure ennemie de la réussite. Le malentendu est total : les enfants qui aiment vraiment lire deviennent des barjots, j'en suis la parfaite illustration. Quand j'étais enfant, rien d'autre ne m'intéressait, ni l'école, ni la musique, ni les promenades, ni les vacances. Résultat : je suis asociale et incapable de « travailler en équipe ». La vraie passion pour la lecture rend-elle inapte au service des biens ? Allez, j'exagère un peu, souvent les enfants qui aiment vraiment lire deviennent juste des supplétifs de l'intelligence, des intermittents de la culture, des grouillots d'édition, des bibliothécaires ou des pigistes mal payés et mal considérés. De toute manière, ce sont des gens surinstruits par rapport à tous les boulots disponibles sur le marché. Pour ces éternels aigris, toute réunion d'entreprise est une torture, « boucler un projet » une corvée assommante, un entretien d'évaluation avec un manager le choc de deux mondes. Ces déclassés sont nombreux, mais voués à l'extinction, car les jeunes lisent de moins en moins, surtout ceux issus de formations « prestigieuses », grandes écoles ou autres. Allons, l'élite de la nation n'a que faire des livres et de la culture, vade retro, Satana.
Corinne Maier (No Kid: Quarante raisons de ne pas avoir d'enfant)