Retreat To Move Forward Quotes

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You move forward. You face up to your challenges. You don't retreat. You're young, and sometimes you'll wish you could. But don't.
Ellyn Bache (The Art of Saying Goodbye)
A glacier will frequently move forward one foot while retreating three feet... Which reminds me a lot of myself!
Charles M. Schulz (The Complete Peanuts, Vol. 13: 1975-1976)
Purple is such a twisted, complex color - it conveys the passion of red, the sadness of blue, the depravity of black. Purple is neither happy nor sad. It is pain and despair but longing, too - fiery desire, beaten and bruised but struggling onward, determined to overcome, to move forward rather than retreat.
James Patterson (Invisible (Invisible, #1))
Abandon your fear, move forward and never stop. Retreat and you will age. Hesitate and you will die.
Tite Kubo
At the beginning of a campaign it is important to consider whether or not to move forward; but when one has taken the offensive it is necessary to maintain it to the last extremity. However skilfully effected a retreat may be, it always lessens the morale of an army, since in losing the chances of success, they are remitted to the enemy. A retreat, moreover, costs much more in men and materials than the bloodiest engagements, with this difference, also, that in a battle the enemy loses practically as much as you do; while in a retreat you lose and he does not.
Napoléon Bonaparte
Like I said, when I get pissed I say a lotta shit I don't mean and what I said about you I didn't mean," he repeated, beginning to look as impatient as he sounded. "And like I said, you're old enough to learn you shouldn't do that," I repeated too, probably also looking impatient. "That isn't me," he replied. "Well, then, this obviously is eating you and that's your consequence because I have feelings and you walked all over them and you can't order me to shake it off so you can feel better. It's there, burned in my brain and I can't just forget it because you tell me to. So you have to live with that. You can't and want me gone, say it now because I'm beginning to like Betty and I met Shambles and Sunny and I'm having dinner with them tomorrow night and I'd rather not make ties when I'm going to need to hit the road because my boss is going to get rid of me." "Shambles and Sunny?" he asked. "Shambles and Sunny," I answered but didn't share more. "Now, can we just move on and do our best to work together and all other times avoid each other or do you want me to go?" He moved forward an inch and I again fought the urge to retreat. "Forgiveness is divine," he said softly and I'd never heard him talk soft. He had a very nice voice but when it went soft, it was beautiful. This also sucked. (BTW, in the beginning a lot of things sucked! :D) I mean Lauren uses this word 'sucks'. "I'm not divine," I returned. "I'm also not Ace and I'm not Babe. I'm Lauren. You don't like my name, don't call me anything at all. Now can I clean the danged table?" I had my head tipped back to look him in the eye but I could tell he was expending effort to hold his whole body still. Then he said in that soft voice, "I'm sorry, Ace." "Me too," I replied instantly being clear I didn't accept his apology...
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
What remains uncertain, rather, is whether this gain in evidence and (we might as well say it) splendor is due to the slow retreat of the sky, which as it moves away, sinks deeper and deeper into darkness, or whether on the contrary, it is the moon that is coming forward, collecting the previously scattered light and depriving the sky of it, concentrating it all in the round mouth of its funnel.
Italo Calvino (Mr Palomar)
Purple is such a twisted, complex color—it conveys the passion of red, the sadness of blue, the depravity of black. Purple is neither happy nor sad. It is pain and despair but longing, too—fiery desire, beaten and bruised but struggling onward, determined to overcome, to move forward rather than retreat.
James Patterson (Invisible)
It was she made me acquainted with love. She went by the peaceful name of Ruth I think, but I can't say for certain. Perhaps the name was Edith. She had a hole between her legs, oh not the bunghole I had always imagined, but a slit, and in this I put, or rather she put, my so-called virile member, not without difficulty, and I toiled and moiled until I discharged or gave up trying or was begged by her to stop. A mug's game in my opinion and tiring on top of that, in the long run. But I lent myself to it with a good enough grace, knowing it was love, for she had told me so. She bent over the couch, because of her rheumatism, and in I went from behind. It was the only position she could bear, because of her lumbago. It seemed all right to me, for I had seen dogs, and I was astonished when she confided that you could go about it differently. I wonder what she meant exactly. Perhaps after all she put me in her rectum. A matter of complete indifference to me, I needn't tell you. But is it true love, in the rectum? That's what bothers me sometimes. Have I never known true love, after all? She too was an eminently flat woman and she moved with short stiff steps, leaning on an ebony stick. Perhaps she too was a man, yet another of them. But in that case surely our testicles would have collided, while we writhed. Perhaps she held hers tight in her hand, on purpose to avoid it. She favoured voluminous tempestuous shifts and petticoats and other undergarments whose names I forget. They welled up all frothing and swishing and then, congress achieved, broke over us in slow cascades. And all I could see was her taut yellow nape which every now and then I set my teeth in, forgetting I had none, such is the power of instinct. We met in a rubbish dump, unlike any other, and yet they are all alike, rubbish dumps. I don't know what she was doing there. I was limply poking about in the garbage saying probably, for at that age I must still have been capable of general ideas, This is life. She had no time to lose, I had nothing to lose, I would have made love with a goat, to know what love was. She had a dainty flat, no, not dainty, it made you want to lie down in a corner and never get up again. I liked it. It was full of dainty furniture, under our desperate strokes the couch moved forward on its castors, the whole place fell about our ears, it was pandemonium. Our commerce was not without tenderness, with trembling hands she cut my toe-nails and I rubbed her rump with winter cream. This idyll was of short duration. Poor Edith, I hastened her end perhaps. Anyway it was she who started it, in the rubbish dump, when she laid her hand upon my fly. More precisely, I was bent double over a heap of muck, in the hope of finding something to disgust me for ever with eating, when she, undertaking me from behind, thrust her stick between my legs and began to titillate my privates. She gave me money after each session, to me who would have consented to know love, and probe it to the bottom, without charge. But she was an idealist. I would have preferred it seems to me an orifice less arid and roomy, that would have given me a higher opinion of love it seems to me. However. Twixt finger and thumb tis heaven in comparison. But love is no doubt above such contingencies. And not when you are comfortable, but when your frantic member casts about for a rubbing-place, and the unction of a little mucous membrane, and meeting with none does not beat in retreat, but retains its tumefaction, it is then no doubt that true love comes to pass, and wings away, high above the tight fit and the loose.
Samuel Beckett (Molloy / Malone Dies / The Unnamable)
I’ve lived with guilt for all these years from walkin’ away from the girl I loved more than anything. I’ve struggled with forgiving myself. I’ve fought every damn day to prove that I’m better for you!” He moves forward, forcing me to retreat. “I’ve given you every part of me, Presley.” His chest heaves as tears form in his own eyes. “Me! Only me! I’ve kept all your secrets! I’ve stood by your side. Held you when you’ve cried over everything that Todd put you through!
Corinne Michaels (Say You'll Stay (The Hennington Brothers, #1))
Would they retreat or move forward? Could they do this thing they were on the verge of doing? Did they have it in them to make a wrong decision just because it felt right?
Emily Giffin (Heart of the Matter)
Dear New Orleans, What a big, beautiful mess you are. A giant flashing yellow light—proceed with caution, but proceed. Not overly ambitious, you have a strong identity, and don’t look outside yourself for intrigue, evolution, or monikers of progress. Proud of who you are, you know your flavor, it’s your very own, and if people want to come taste it, you welcome them without solicitation. Your hours trickle by, Tuesdays and Saturdays more similar than anywhere else. Your seasons slide into one another. You’re the Big Easy…home of the shortest hangover on the planet, where a libation greets you on a Monday morning with the same smile as it did on Saturday night. Home of the front porch, not the back. This engineering feat provides so much of your sense of community and fellowship as you relax facing the street and your neighbors across it. Rather than retreating into the seclusion of the backyard, you engage with the goings-on of the world around you, on your front porch. Private properties hospitably trespass on each other and lend across borders where a 9:00 A.M. alarm clock is church bells, sirens, and a slow-moving eight-buck-an-hour carpenter nailing a windowpane two doors down. You don’t sweat details or misdemeanors, and since everybody’s getting away with something anyway, the rest just wanna be on the winning side. And if you can swing the swindle, good for you, because you love to gamble and rules are made to be broken, so don’t preach about them, abide. Peddlin worship and litigation, where else do the dead rest eye to eye with the livin? You’re a right-brain city. Don’t show up wearing your morals on your sleeve ’less you wanna get your arm burned. The humidity suppresses most reason so if you’re crossing a one-way street, it’s best to look both ways. Mother Nature rules, the natural law capital “Q” Queen reigns supreme, a science to the animals, an overbearing and inconsiderate bitch to us bipeds. But you forgive her, and quickly, cus you know any disdain with her wrath will reap more: bad luck, voodoo, karma. So you roll with it, meander rather, slowly forward, takin it all in stride, never sweating the details. Your art is in your overgrowth. Mother Nature wears the crown around here, her royalty rules, and unlike in England, she has both influence and power. You don’t use vacuum cleaners, no, you use brooms and rakes to manicure. Where it falls is where it lays, the swerve around the pothole, the duck beneath the branch, the poverty and the murder rate, all of it, just how it is and how it turned out. Like a gumbo, your medley’s in the mix. —June 7, 2013, New Orleans, La.
Matthew McConaughey (Greenlights)
Four hours later Liv wakes in a box room with an Arsenal duet cover and a head that thumps so hard she has to reach up a hand to check she isn't being assaulted. She blinks, stares blearily at the little Japanese cartoon creatures on the wall opposite and lets her mind slowly bring together the pieces of information from the previous night. Stolen bag...she closes her eyes. Oh, no. Strange bed...she has no keys. Oh, God she has no keys. And no money. She attempts to move, and pain slices through her head so that she almost yelps. And then she remembers the man. Pete? Paul? She sees herself walking through deserted streets in the early hours. And then she sees herself lurching forward to kiss him, his own polite retreat. "You are delicious..." "Oh, no," she says softly, then puts her hands over her eyes. "Oh, I didn't..." She sits up and moves to the side of the bed, noticing a small yellow plastic car near his right foot. Then, when she hears the sound of a door opening, the shower starting up next door, Liv grabs her shoes and her jacket and lets herself out of the flat into the cacophonous daylight.
Jojo Moyes (The Girl You Left Behind)
Our bodies are living ecosystems, and like the cycles of nature, we also ebb and flow, go backward and forward, contract and expand, and move through necessary phases of growth, death, and restoration. Contrary to what we might want to believe, healing is not a linear process but an ongoing spiral into subterranean spaces of darkness where we confront the unknown. Where we rest, regenerate, and eventually expand outward into bloom. We might resist the dark spaces inside us but the truth is, most of our healing and growth happens underground and under our skin. We need dark, protected spaces to let the most tender parts of ourselves form. Rest and retreat are just as necessary as the warmth and illumination of light.
Vanessa Chakour (Awakening Artemis: Deepening Intimacy with the Living Earth and Reclaiming Our Wild Nature)
The cross-section of a helicopter blade, according to Sarah, is more or less the same as the wing of an aeroplane. Its shape creates a pressure differential in the air passing over its upper and lower surfaces, producing a consequent lift. It differs from an aeroplane wing, however, in that when a helicopter moves forward, air starts passing over the blade that’s coming forward faster than it passes over the blade that’s going backwards. This produces unequal lift on the two sides of the helicopter, and the faster it goes, the more unequal the lift becomes. Eventually the ‘retreating’ blade stops producing any lift at all, and the helicopter flips on to its back and drops out of the sky. This, according to Sarah, was a negative aspect.
Hugh Laurie (The Gun Seller)
If we can't get rid of our fears and so many of them lay inside of us these fears tend to color how we view the world. We shift from feeling fear because of some threat, to a having a fearful attitude towards life itself....We exaggerate the dangers and our vulnerability. We instantly focus on the adversity that is always possible. We instantly focus on the adversity that is always possible. We are generally unaware of this phenomenon because we accept it as normal. In times of prosperity, we have the luxury of fretting over things. But in times of trouble, this fearful attitude becomes particularly pernicious. Such moments are when we need to solve problems, deal with reality, and move forward, but fear is a call to retreat and retrench.
Robert Greene (The 50th Law)
The thing I remember most vividly from that weekend is a small thing. We were walking, you and he and Julia and I, down that little path lined with birches that led to the lookout. (Back then it was a narrow throughway, do you remember that? It was only later that it became dense with trees.) I was with him, and you and Julia were behind us. You were talking about, oh, I don’t know—insects? Wildflowers? You two always found something to discuss, you both loved being outdoors, both loved animals: I loved this about both of you, even though I couldn’t understand it. And then you touched his shoulder and moved in front of him and knelt and retied one of his shoelaces that had come undone, and then fell back in step with Julia. It was so fluid, a little gesture: a step forward, a fold onto bended knee, a retreat back toward her side. It was nothing to you, you didn’t even think about it; you never even paused in your conversation. You were always watching him (but you all were), you took care of him in a dozen small ways, I saw all of this over those few days—but I doubt you would remember this particular incident. But while you were doing it, he looked at me, and the look on his face—I still cannot describe it, other than in that moment, I felt something crumble inside me, like a tower of damp sand built too high: for him, and for you, and for me as well. And in his face, I knew my own would be echoed. The impossibility of finding someone to do such a thing for another person, so unthinkingly, so gracefully! When I looked at him, I understood, for the first time since Jacob died, what people meant when they said someone was heartbreaking, that something could break your heart. I had always thought it mawkish, but in that moment I realized that it might have been mawkish, but it was also true. And that, I suppose, was when I knew.
Hanya Yanagihara (A Little Life)
Hermione!” She stirred, then sat up quickly, pushing her hair out of her face. “What’s wrong? Harry? Are you all right?” “It’s okay, everything’s fine. More than fine. I’m great. There’s someone here.” “What do you mean? Who--?” She saw Ron, who stood there holding the sword and dripping onto the threadbare carpet. Harry backed into a shadowy corner, slipped off Ron’s rucksack, and attempted to blend in with the canvas. Hermione slid out of her bunk and moved like a sleepwalker toward Ron, her eyes upon his pale face. She stopped right in front of him, her lips slightly parted, her eyes wide. Ron gave a weak, hopeful smile and half raised his arms. Hermione launched herself forward and started punching every inch of him that she could reach. “Ouch--ow--gerroff! What the--? Hermione--OW!” “You--complete--arse--Ronald--Weasley!” She punctuated every word with a blow: Ron backed away, shielding his head as Hermione advanced. “You--crawl--back--here--after--weeks--and--weeks--oh, where’s my wand?” She looked as though ready to wrestle it out of Harry’s hands and he reacted instinctively. “Protego!” The invisible shield erupted between Ron and Hermione: The force of it knocked her backward onto the floor. Spitting hair out of her mouth, she leapt up again. “Hermione!” said Harry. “Calm--” “I will not calm down!” she screamed. Never before had he seen her lose control like this; she looked quite demented. “Give me back my wand! Give it back to me!” “Hermione, will you please--” “Don’t you tell me what to do, Harry Potter!” she screeched. “Don’t you dare! Give it back now! And YOU!” She was pointing at Ron in dire accusation: It was like a malediction, and Harry could not blame Ron for retreating several steps. “I came running after you! I called you! I begged you to come back!” “I know,” Ron said, “Hermione, I’m sorry, I’m really--” “Oh, you’re sorry!” She laughed, a high-pitched, out-of-control sound; Ron looked at Harry for help, but Harry merely grimaced his helplessness. “You come back after weeks--weeks--and you think it’s all going to be all right if you just say sorry?” “Well, what else can I say?” Ron shouted, and Harry was glad that Ron was fighting back. “Oh, I don’t know!” yelled Hermione with awful sarcasm. “Rack your brains, Ron, that should only take a couple of seconds--” “Hermione,” interjected Harry, who considered this a low blow, “he just saved my--” “I don’t care!” she screamed. “I don’t care what he’s done! Weeks and weeks, we could have been dead for all he knew--” “I knew you weren’t dead!” bellowed Ron, drowning her voice for the first time, and approaching as close as he could with the Shield Charm between them. “Harry’s all over the Prophet, all over the radio, they’re looking for you everywhere, all these rumors and mental stories, I knew I’d hear straight off if you were dead, you don’t know what it’s been like--” “What it’s been like for you?” Her voice was now so shrill only bats would be able to hear it soon, but she had reached a level of indignation that rendered her temporarily speechless, and Ron seized his opportunity. “I wanted to come back the minute I’d Disapparated, but I walked straight into a gang of Snatchers, Hermione, and I couldn’t go anywhere!” “A gang of what?” asked Harry, as Hermione threw herself down into a chair with her arms and legs crossed so tightly it seemed unlikely that she would unravel them for several years.
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
Every July, when Eli was growing up, his mother would close the cabin and move the family to the Sun Dance. Eli would help the other men set up the tepee, and then he and Norma and Camelot would run with the kids in the camp. They would ride horses and chase each other across the prairies, their freedom interrupted only by the ceremonies. Best of all, Eli liked the men’s dancing. The women would dance for four days, and then there would be a day of rest and the men would begin. Each afternoon, toward evening, the men would dance, and just before the sun set, one of the dancers would pick up a rifle and lead the other men to the edge of the camp, where the children waited. Eli and the rest of the children would stand in a pack and wave pieces of scrap paper at the dancers as the men attacked and fell back, surged forward and retreated, until finally, after several of these mock forays, the lead dancer would breach the fortress of children and fire the rifle, and all the children would fall down in a heap, laughing, full of fear and pleasure, the pieces of paper scattering across the land. Then the dancers would gather up the food that was piled around the flagpole—bread, macaroni, canned soup, sardines, coffee—and pass it out to the people. Later, after the camp settled in, Eli and Norma and Camelot would lie on their backs and watch the stars as they appeared among the tepee poles through the opening in the top of the tent. And each morning, because the sun returned and the people remembered, it would begin again.
Thomas King (Green Grass, Running Water)
The thing I remember most vividly from that weekend is a small thing. We were walking, you and he and Julia and I, down that little path lined with birches that led to the lookout. (Back then it was a narrow throughway, do you remember that? It was only later that it became dense with trees.) I was with him, and you and Julia were behind us. You were talking about, oh, I don’t know—insects? Wildflowers? You two always found something to discuss, you both loved being outdoors, both loved animals: I loved this about both of you, even though I couldn’t understand it. And then you touched his shoulder and moved in front of him and knelt and retied one of his shoelaces that had come undone, and then fell back in step with Julia. It was so fluid, a little gesture: a step forward, a fold onto bended knee, a retreat back toward her side. It was nothing to you, you didn’t even think about it; you never even paused in your conversation. You were always watching him (but you all were), you took care of him in a dozen small ways, I saw all of this over those few days—but I doubt you would remember this particular incident. But while you were doing it, he looked at me, and the look on his face—I still cannot describe it, other than in that moment, I felt something crumble inside me, like a tower of damp sand built too high: for him, and for you, and for me as well. And in his face, I knew my own would be echoed. The impossibility of finding someone to do such a thing for another person, so unthinkingly, so gracefully! When I looked at him, I understood, for the first time since Jacob died, what people meant when they said someone was heartbreaking, that something could break your heart. I had always thought it mawkish, but in that moment I realized that it might have been mawkish, but it was also true. And that, I suppose, was when I knew.
Hanya Yanagihara (A Little Life)
And all the while everyone who uses his brain knows that Socialism, as a world-system and wholeheartedly applied, is a way out. It would at least ensure our getting enough to eat even if it deprived us of everything else. Indeed, from one point of view, Socialism is such elementary common sense that I am sometimes amazed that it has not established itself already. The world is a raft sailing through space with, potentially, plenty of provisions for everybody; the idea that we must all cooperate and see to it that everyone does his fair share of the work and gets his fair share of the provisions seems so blatantly obvious that one would say that no one could possibly fail to accept it unless he had some corrupt motive for clinging to the present system. Yet the fact that we have got to face is that Socialism is not establishing itself. Instead of going forward, the cause of Socialism is visibly going back. At this moment Socialists almost everywhere are in retreat before the onslaught of Fascism, and events are moving at terrible speed. As I write this the Spanish Fascist forces are bombarding Madrid, and it is quite likely that before the book is printed we shall have another Fascist country to add to the list, not to mention a Fascist control of the Mediterranean which may have the effect of delivering British foreign policy into the hands of Mussolini. I do not, however, want here to discuss the wider political issues. What I am concerned with is the fact that Socialism is losing ground exactly where it ought to be gaining it. With so much in its favour—for every empty belly is an argument for Socialism—the idea of Socialism is less widely accepted than it was ten years ago. The average thinking person nowadays is not merely not a Socialist, he is actively hostile to Socialism. This must be due chiefly to mistaken methods of propaganda. It means that Socialism, in the form of which it is now presented to us, has about it something inherently distasteful—something that drives away the very people who ought to be nocking to its support.
George Orwell (The Road to Wigan Pier)
Whether or not we personally do impact some ultimate evolution beyond ourselves, we can definitely influence what happens today. To choose to waste a day, or a lifetime, is opposed to the essential spirit of life, expressed, sacrificed for, and upheld through every perceivable interaction in nature. It’s also opposed to every human expression of spirit throughout history. We know to live up to our potential, to fulfill the trust of creation by moving forward, even if we don’t believe it or feel like it or know why.
Darrell Calkins
Nick made himself release his grip on the timber. He swung free for one terrifying moment. He felt Sayer’s grip tighten to a crushing vise and a mighty tug upward as the runner hauled him just far enough to balance his weight on top of the crackling wood. “Move forward,” Sayer muttered, retaining his hold on Nick’s arm, and together they maneuvered away from the perilous fall. When they had both retreated from the beam and found the safety of some relatively sound planking, they collapsed side by side, gasping violently. “Damn,” Sayer rasped when he had sufficient breath to speak, “you’re a heavy bastard, Sydney.” Disoriented, his body racked with pain, Nick tried to make himself comprehend that he was still alive. He drew his sleeve over his sweat-soaked brow and found that his arm was cramping and shaking, the abused muscles going berserk. Sayer sat up and regarded him with clear anxiety. “It looks like you’ve strained some muscles. And your hand looks like it’s been pushed through a sieve.” But he was alive. It was too miraculous to believe. Nick had gotten a reprieve he didn’t deserve, and by all that was holy, he was going to take advantage of it. As he thought of Lottie, he was seized with dark longing. “Sayer,” he managed to say hoarsely, “I’ve just decided something.” “Oh?” “From now on, you’ll have to find your own fucking way around Fleet Ditch.” -Sayer & Nick
Lisa Kleypas (Worth Any Price (Bow Street Runners, #3))
You’re a pirate?” Obviously. Still, hard to believe. He pressed forward, forcing on her a series of blows meant to test her strength and will. She parried and blocked his every move with an aptitude that amazed. “Aye. A pirate, and captain of the Sea Sprite,” she boasted, a wry smile upon her full lips. Indeed, she appeared very much a pirate in her men’s garb—a threadbare, brown suit with overly long sleeves she’d had to roll up. Her ebony hair had been pulled back in a queue and was half hidden beneath a rumpled tricorn. Also, like her men, was her look of desperation and the grim cast to her countenance that bespoke of a hard existence. “We offered you quarter,” she said as she evaded his thrust with ease. “Why didn’t you surrender? You had to know we outnumbered you.” He didn’t answer. In all honesty, he’d thought they could defeat the pirates, if not with cannon fire, then with skill. After hearing of all the pirate attacks of late, they’d hired on additional hands, men who could fight. If it hadn’t been for the damn illness… “It’s not too late. You can save what’s left of your crew. Surrender now, Captain Glanville, and we’ll see that your men are ransomed back.” A wicked gleam brightened her eyes as if victory would soon be hers. He should do as she asked. It would be the sensible thing, but pride kept him from saying the words. Not yet. He still had another opponent to defeat, and so far she hadn’t been an easy one to overcome. Despite his steady attack, she kept her muscles relaxed, her balance sure. Her attention followed his movements no matter how small, adjusting her stance, looking for weaknesses. “How do you know I’m Captain Glanville?” When work was at hand, he didn’t dress any differently than his men. “I know much about you.” Stepping clear of two men battling to their left, she blocked his sword with her own and lunged with her dagger. He jumped from the blade, avoiding injury by the barest inch. This one relied on speed and accuracy rather than power. Smart woman. “What do you want from us?” he asked, launching an attack of his own, this time with so much force and speed, she had no choice but to retreat until her back came up against the railing. “We only just left London four days ago. Our cargo is mainly iron and ale.” Her gaze sharpened even as her expression became strained. His assault was wearing her down. “I want the Ruby Cross.” How the hell did she know he had the cross? And did she believe he’d simply hand it over? Hand over a priceless antiquity of the Knights Templar? Absurd. He swung his sword all the harder. The clang of steel rang through the air. Her reactions slowed, and her arms trembled. He made a final cut, putting all his strength behind the blow, and knocked her sword from her hand. Triumph surged through his veins. She attempted to slash out with her dagger. He grabbed her arm before her blade could reach him and hauled her close, their faces nose to nose. “You’ll never take the cross from me,” he vowed as he towered over her, his grip strong. The point of a sword touched his back. Thomas tensed, he swore beneath his breath, self-disgust heavy in his chest. The distraction of this one woman had sealed his fate. Bloody hell.
Tamara Hughes (His Pirate Seductress (Love on the High Seas, #3))
Irena heard a faint cry – a strange mournful sound, like a mewling cat, muffled and hitching. A shadow moved along the wall – a woman wrapped in brown and gray rags like condensed smoke – holding a swaddled infant in the crook of her elbow. The woman stooped to pick up a small rock and heaved it over the wall, then retreated to crouch in the shadows. A moment later the same rock arched back over the wall from the Aryan side, and the woman stood up with intent, holding her bundle close to her chest and face. Even at this distance, Irena heard the woman suck two deep breaths, bend forward, swing her baby in both her arms, three times, and then with blazing purpose hurl it up in an arc that barely cleared the jagged glass atop the wall. No sound came back from the other side. The woman collapsed against the wall, her hands stroking the bricks, the two inches that separated her from her baby. She slunk away in the shadow of the wall.
Jack Mayer (Life in a Jar: The Irena Sendler Project)
I'll bet you think my favorite color is red, don't you? Well, close. It's purple. Purple is such a twisted, complex color--it conveys the passion of red, the sadness of blue, the depravity of black. Purple is neither happy nor sad. It is pain and despair but longing, too--fiery desire, beaten and bruised but struggling onward, determined to overcome, to move forward rather than retreat.
James Patterson (Invisible (Invisible, #1))
Historical periods are often defined by single phrases which seem to capture the mood or the political climate of a nation at a particular point in time. In America today we are dangerously on the verge of entering a period when social problems are ignored and allowed to fester until they emerge at some future time in such a diseased condition that the social order is threatened with a general breakdown. We have been through a period of difficult change, and people are tired. They do not want to be reminded that there are still problems, most grievously that problem which Gunnar Myrdal called "the American dilemma." Whites are retreating, becoming hostile and fearful, blacks are becoming enraged, and liberals are confused and discontented. And the federal government, the principal agency through which we can find a way out of our racial agony, is in the hands of men who lack progressive intention. "Benign neglect," a phrase borrowed from the past, seems to define the present. Neglect of problems that are difficult to solve, avoidance of realities that are unpleasant to confront--Mr. Moynihan's phrase speaks to our society's weaknesses, its capacity for self-delusion and apathy. We have not entirely reached this point yet. There is still time to reverse our direction, to move forward. To fail to seize this opportunity today may make it impossible for us to do so in the future. Perhaps the lack of vision evinced by Mr. Moynihan can shock us into a recognition of how far we must still go to achieve the evasive yet splendid goal of racial justice.
Bayard Rustin (Down the Line: The Collected Writings of Bayard Rustin)
My dad had a saying when Claude and I couldn’t decide what to do about something,” Emmeline added. “He said sometimes we need to retreat, spend time with God before we can move forward. You need to meet with God, Seb. Don’t forget God.
Jan Thompson (His Wake-Up Call (Seaside Chapel #2))
We are each more responsible for the state of the world than we believe, or would feel comfortable believing. Without careful attention, culture itself tilts toward corruption. Tyranny grows slowly, and asks us to retreat in comparatively tiny steps. But each retreat increases the possibility of the next retreat. Each betrayal of conscience, each act of silence (despite the resentment we feel when silenced), and each rationalization weakens resistance and increases the probability of the next restrictive move forward. This is particularly the case when those pushing forward delight in the power they have now acquired—and such people are always to be found. Better to stand forward, awake, when the costs are relatively low—and, perhaps, when the potential rewards have not yet vanished. Better to stand forward before the ability to do so has been irretrievably compromised. Unfortunately, people often act in spite of their conscience—even if they know it—and hell tends to arrive step by step, one betrayal after another. And it should be remembered that it is rare for people to stand up against what they know to be wrong even when the consequences for doing so are comparatively slight. And this is something to deeply consider, if you are concerned with leading a moral and careful life: if you do not object when the transgressions against your conscience are minor, why presume that you will not willfully participate when the transgressions get truly out of hand?
Jordan B. Peterson (Beyond Order: 12 More Rules for Life)
Tyranny grows slowly, and asks us to retreat in comparatively tiny steps. But each retreat increases the possibility of the next retreat. Each betrayal of conscience, each act of silence (despite the resentment we feel when silenced), and each rationalization weakens resistance and increases the probability of the next restrictive move forward.
Jordan B. Peterson (Beyond Order: 12 More Rules for Life)
It is essential to continue to take that next small step forward, no matter how small it is. With each step, each decision, you build momentum and it becomes easier to continue moving forward and harder to retreat
Dan Brodsky-Chenfeld (Above All Else)
But remember, once the decision is made, there can be no retreat. You have to keep moving forward no matter what happens. Don’t look back; attack and adapt.
Darrin Donnelly (Victory Favors the Fearless: How to Defeat the 7 Fears That Hold You Back (Sports for the Soul Book 5))
In other words, if we cease moving forward in life, we tend to regress to more immature, or what Jung called infantile, modes of adaption. And this regression in the response to the conflict, is what generates the various symptoms of the neurosis – be it the pervasive anxiety, phobias, compulsive behaviours, depression, apathy, or obsessive and intrusive thoughts. But as uncomfortable as such symptoms may be, they serve an important purpose by alerting us to the fact that we are descending down a dangerous life path. For while we regress psychologically, our physical maturation does not cease and a glance in the mirror forever reminds us that we are not keeping pace with the seasons of life and the inexorable march of time. The longer we exist in this conflicted state, the less adapted we feel, and a vicious cycle takes over whereby “retreat from life leads to regression, and regression heightens resistance to life.” Carl Jung, The Theory of Psychoanalysis
Academy of Ideas
I kept my leash on her magic intact as she slowly relaxed in my arms and released a juddering sob. She pressed her face to my chest and my heart leapt a little as she leaned into me like I was someone who could protect her. Once she relaxed completely, the flood of magic stopped pouring from her and I pulled my own power back, releasing her hand. Her hand shot out and caught my arm, her fingers gripping my bicep as I tried to pull away. “Don’t leave me,” she begged and I cleared my throat as I looked down at her. Her eyes were still closed and she was pretty much unconscious. I very much doubted she had any idea who was holding her. If she did she would likely be telling me to get the hell off of her. But she asked me not to leave and I found that I didn’t want to. Besides, she’d only had that nightmare because of what me and Max had done to her in that swimming pool. So maybe I owed her my help with this if that’s what she wanted. “I won’t,” I replied as I shifted her against my chest and scooped her into my arms. I stood and headed for the exit. The Orb was absolutely filled with ice and flowers and I guessed that the faculty wouldn’t be overly impressed when they had to come and clean it up tomorrow so I couldn’t just leave her here to get caught. Besides, she’d be easy prey for a Nymph in this state too and even with the extra security in place after the attack we couldn’t be sure one wouldn’t slip past the defences. I hadn’t spent the last few weeks trailing her around campus to protect her from them just to quit now and leave her vulnerable. If the Nymphs managed to get hold of a power like hers it could be disastrous. And that was the only reason I’d admit to for getting her out of here. The way my heart was beating as I held her close had nothing to do with it. Her friends had been forced to retreat all the way to the door by the onslaught of magic but they moved forward as they saw she was alright. “I can take her now,” the boy said firmly. I eyed his scrawny arms and raised an eyebrow at him in disbelief. There was no way in hell he’d be able to carry her any distance. “Not necessary,” I replied dismissively. “I’ll take her back to our House. You’re not even from Ignis anyway so why don’t you trot along home?” I made a move to pass them but Sofia stepped into my way, squaring her shoulders as she prepared to argue with me. I vaguely knew her from around the House and seeing her with the Vegas but her power was practically irrelevant to me so I’d never paid her much attention. She was also barely over five foot tall which meant I was looking down on her by over a foot and a half but she still didn’t back down. “Thank you for your help but Tory wouldn’t want you to be holding her like that,” she said firmly. “Diego and I will manage to-” “I said I’m taking her back to the House,” I replied flatly. “Diego and you can try to stop me if you think you can.” I snorted dismissively and tried to sidestep her. She shifted right back into my way and her skin began to glow a glittery pale pink as her Order tried to push its way from her skin with her anger. She had pretty big balls for a low powered Pegasus, I’d give her that. “What is it you think I’m going to do to her?” I asked. “I’m not a goddamn monster.” Sofia scowled at me like she didn't agree with that statement and I released a breath of frustration before pushing past her anyway. (Darius)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
It helps to remind yourself of what you're good at and where you excel so when you have to engage in something that is hard for you, it doesn't become overwhelming. Tell yourself, I'm good here. I'm great there. This sucks, but it will be over in twenty minutes. Maybe it's twenty miles or twenty days or twenty weeks, but it doesn't matter. Every experience on earth is finite. It will end someday, and that makes it doable, but the outcome hinges on those crucial seconds you must win! There are consequences to this shit. Quitting on a dream stays with you. It can color how you see yourself and the decisions you make going forward. Several men have taken their own lives after quitting SEAL training. Others marry the first person who comes around because they are so desperate for validation. Of course, the reverse is also true. If you can withstand the suffering, take a knee, and make a conscious One-second Decision in a critical juncture, you will learn perseverance and gain strength by winning the moment. You will know what it takes and how it feels to overcome all that loud doubt, and that will stay with you too. It will become a powerful skill you can use again and again to find success, no matter what scenario you're in or where life takes you. It's not always the wrong move to quit. Even in battle, sometimes we must retreat. You might not be ready for whatever it is you've taken on. Perhaps your preparation wasn't as thorough as you'd thought. Maybe other priorities in life need your attention. It happens, but make sure that it is a conscious decision you're making, not a reaction. Never quit when your pain and insecurity are at their peak. If you must retreat, quit when it's easy, not when it's hard. Control your thought process and get through the most difficult test first. That way, if you do bow out, you'll know it wasn't a reaction based on reason and had time to devise your plan B. p91
David Goggins (Never Finished)
I want you too.” Her words are no more than a whisper “I want you. And Jadi,” she admits, and there’s a raw vulnerability in those simple words that I don’t understand. “I shouldn’t, should I? Want you both, I mean? Like that?” I roll to my side to stare at her in disbelief. With how close I am to her, the move has my face coming dangerously close to her own. “You want me?” “Why?” I ask. But I already know the answer. Because no one knows where Astarte’s arrow will strike, but when she aims, she strikes true. Because the gods are cruel and love to toy with their half-mortal children even more than they love to play with the mortals. Because Adrienne’s fate is somehow woven with mine and Jadi’s. Jadi told me that, he told me, and –fool that I am – I ignored him. “I’m sorry,” I say, trying to soften my voice. To curb the mocking, defensive bite in my words. “I just don’t see how you could. Not after how I’ve treated you.” Adrienne gives me a lopsided grin, then reaches over to lightly pat my shoulder. “You not that bad.” Her smile falls, expression growing serious. “I don’t know how explain it. I just feel… it feels…” she trails off, brow furrowing in frustration. She tucks her hands under her chin, and without thinking about it, I grasp them in my own. “I know.” The words come out in a low rumble. “I know. You don’t have to explain.” Because I feel it too. The pull towards her. It’s more than a physical attraction. More than desire – though that is certainly part of it. And now that I’m looking at her, with her mouth close to my own and her hands in mine and the heat of her body mixing with my own beneath the blankets. It feels right, and there’s no room for hesitation. Only action. I lean forward, slowly enough that she has time to object, my eyes never leaving her own. My nose brushes against hers for a brief moment, and then she’s pushing forward, her lips pressing against mine with a raw urgency that has fire racing through my veins and lust clouding my vision. It’s too much. Too much. I pull back, angling my body over hers, keeping my weight on my elbows as I cup her face in one hand, my thumb stroking the underside of her jaw, fingers tangling in her loose hair. I stare down at her – at her dilated pupils and sleep-mussed hair. At her parted lips and the delicate line of her throat. I can see her pulse thundering beneath the skin, and the rosy flush spreading down her neck. She’s so delicate. I’m torn between wanting to worship her and devour her. Carefully, I brush my mouth against hers, then trace the shape of her lips with my teeth and tongue. My hands tremble where they grip her face, keeping her from chasing my teasing kisses. It’s almost embarrassing, the way I’m quaking like an autumn leaf above her. She lets out a frustrated whimper, and I deepen the kiss, swallowing up the sound as I tangle my tongue with her own. When her own kisses become more insistent, I pull back, waiting for her to retreat before delving forward again. “Good,” I murmur, my thumb stroking her pulse point when she relaxes beneath me. “There’s no rush.” I’m speaking more to myself than to her. Because more than anything, I want to feel myself buried deep inside her. I want to push the fabric between us aside and feel her wet and clenching around me. I want to bury my head between her thighs and taste her, to turn those faint whimpers into wild, throaty cries. But now isn’t the time for that. I kiss her again, slowly this time. Deep. Controlled. I need to be controlled. Take this slow. Her thighs part, long limbs twining with mine, the heels of her feet pressing against the backs of my legs. Pulling me towards her, until my cock is pressed against her core and I can practically feel the heat of her, even with our clothes between us. She rocks against me, her faint mewling cry swallowed up by my mouth, and it’s like something in me snaps. Something primal and hungry and dark. Something that’s only come out with Jadi.
Elisha Kemp (Burn the Stars (Dying Gods, #2))
The very concept that dragons can recall their previous lives is so hard for humans to grasp. I should so dearly love to listen to whatever you wished to tell me, and to make a complete record of all you recall. Such conversations alone would make a journey worthwhile! Oh, please, say that you will!” A taut quiet followed her words. “Alise,” Sedric said warningly, “I think you should come away from the railing.” But she clung there, even though she, too, could feel the wave of uneasiness that swept through the ship. The smoothness went out of the sailing; the deck under her feet shifted subtly. Surely it was her imagination that the wind flowed more chill than it had? Paragon spoke into the roaring silence. “I choose not to remember,” he said. Alise felt as if his words broke a spell. Sound and life came suddenly back to the world. It included the sudden thud of feet on the deck behind her. A woman’s voice said, without preamble, “I fear you’re upsetting my ship. I’ll have to ask you to leave the foredeck.” “She’s not upsetting me, Althea,” Paragon interjected as Alise turned to see the captain’s wife advancing on her. Alise had met her when they embarked and had spoken with her several times, but still did not feel at ease with her. She was a small woman who wore her hair in a long black pigtail down her back. She dressed in sailor’s garb; it was well tailored and of quality fabric, but for all that, she was a woman in trousers and a jacket. Less feminine garb Alise could not imagine, and yet the very inappropriateness of it seemed to emphasize her female form. Her eyes were very dark, and right now they sparked with either anger or fear. Alise retreated a step and put her hand on Sedric’s arm. For his part, he turned his body so that he stood almost between them and said, “I’m sure the lady meant no harm. The ship asked us to come up and speak with him.” “That I did,” Paragon confirmed. He twisted to look over his shoulder at all of them. “No harm done, Althea, I assure you. We were speaking of dragons, and quite naturally, she asked me what I recalled of being one. I told her that I chose to recall nothing at all.” “Oh, Ship,” the woman said, and Alise felt as if she had disappeared. Althea Trell did not even glance at her as she moved forward to take Alise’s place at the bow. She leaned on the railing and stared far ahead up the river as if sharing the ship’s thoughts. “Par’gon!” A child’s voice piped up suddenly behind them. Alise turned to watch a small boy of three or four clambering onto the raised foredeck. He was bare armed and bare legged and baked dark by the sun. He scampered forward, dropped to his hands and knees, and thrust his head out under the ship’s railing. Alise gasped, expecting him to pitch overboard at any moment. Instead he demanded the ship’s attention with a strident, “Par’gon? You awright?” His babyish voice was full of concern. The ship swung his head around to stare at the child. His mouth puckered oddly and then suddenly he smiled, an expression that transformed his face. “I’m fine.” “Catch me!” the boy commanded, and before his mother could even turn to him, he launched himself into the figurehead’s waiting hands. “Fly me!” the imp commanded the ship. “Fly me like a dragon!” And without a word, the ship obeyed him. He cupped the child in his two immense hands and lifted him high and forward. The boy leaned fearlessly against the ship’s laced fingers and spread his small arms wide as if they were wings. The figurehead gently wove his hands through the air, swaying the youngster from left to right. A squeal of glee drifted back to them. Abruptly the charge of tension in the air vanished. Alise wondered if Paragon even recalled they were there. “Let’s leave them shall we?” Althea suggested quietly. “Is it safe for the child?” Sedric objected in horror. “It’s the safest place the boy can possibly be,” Althea replied with certainty. “And for the ship, it’s the best place, too.
Robin Hobb (The Dragon Keeper (Rain Wild Chronicles, #1))
The battle raged, the blood, gore and the stench of death of hundreds of the fallen, of both Saxons and Vikings permeated the air around her. With Every move Her chest guard dug painfully into her side from a gouge from a broad sword. Her helm obscured her peripheral vision as it had been her brothers, and sat awkwardly on her head due to its size. No time to catch her breath as the huge Saxon assaulted her, her shield fending off the vicious blows of his claymore. Being nearly half his size, she needed to be nimble and smart, a swift upper cut to his jaw with her shield caught him off balance, followed by a slice from her modified broad sword. The Saxon fell to his knees, allowing just enough decrease in stature for Brynhild to finish him off with a jab to the neck, arterial spray covered her face and chest. No time to rest, the next Saxon was upon her, hacking forcefully at her shield she was sure it would splinter. It took all her strength to maintain her footing. His attack was merciless, forcing her to careen backwards, steel crashed against steel in a maddened melee. She feinted left, then put all her velocity in shouldering him in his midsection, momentum taking him swiftly to the blood sodden ground. In the distance a call to retreat was heard from the Saxon Lord, the battle broke, the Viking horde was victorious, Brynhild slumped down a nearby tree, too exhausted and weak to move her last conscious thought was to wonder who the strong Shield-maiden was that gently picked her up and carried her forward. The next thing she knew, she was in a magnificent Hall, filled with raucous laughter and the scent of roasted boar. The sound of sword play was also heard from a nearby doorway. Warriors sat with horns filled with mead, in earnest discourse of the battles they had fought. A clearing of a throat brought her eyes to the great table at the head of the hall, there stood a heavily muscled bearded, one-eyed Man, the hall was moved to silence as the great man strode toward her. “Welcome to Valhalla Brynhild,” he clapped a hand on her shoulder “You have fought bravely, Please take your place among the warriors and enjoy the feast.” Shouts of Skal! filled the hall. Happiness assailed her, resurrected, to one day fight again for Odin in the twilight of the Gods, The Battle of Ragnarök.
Shelly MacDougall Tremblay
Yeah? What if I went a little higher?” he asks, slowly trailing fingers up the inside of her thigh. “I bet that would feel good, too.” She giggles, then closes her knees together. “I’m ticklish.” He runs his hand higher under her dress, his fingers disappearing. “I think she enjoys being tickled, don’t you, Bones?” His hand meets her panties as he brushes his fingers against her clit, and she tosses her head back against the couch, her breasts pushing out of the top. My other hand molds to her breast, lifting it slightly before allowing it to drop before me. Her lips part, and a soft moan leaves her. God, her lips are so fucking perfect. Nox is staring at her mouth too, as his hand moves between her thighs, attempting to pull her panties to the side. She swats at the hand, and he retreats. “I should tie you up for that.” “You should,” he retorts with a smirk, leaning forward and pulling a pair of cuffs out from behind his back pocket. Fucker has cuffs on him. Of course he does. “Do what you want with me. Take me. Use me,” he says, reiterating her earlier words as he places his wrists in front of her, taunting her. “Fuck me in front of your little boyfriend over here. Show him what you’ve been missin’. What that masked fuck is denying you.
Jescie Hall (That Sik Luv)
awkward televised hug from the new president of the United States. My curtain call worked. Until it didn’t. Still speaking in his usual stream-of-consciousness and free-association cadence, the president moved his eyes again, sweeping from left to right, toward me and my protective curtain. This time, I was not so lucky. The small eyes with the white shadows stopped on me. “Jim!” Trump exclaimed. The president called me forward. “He’s more famous than me.” Awesome. My wife Patrice has known me since I was nineteen. In the endless TV coverage of what felt to me like a thousand-yard walk across the Blue Room, back at our home she was watching TV and pointing at the screen: “That’s Jim’s ‘oh shit’ face.” Yes, it was. My inner voice was screaming: “How could he think this is a good idea? Isn’t he supposed to be the master of television? This is a complete disaster. And there is no fricking way I’m going to hug him.” The FBI and its director are not on anyone’s political team. The entire nightmare of the Clinton email investigation had been about protecting the integrity and independence of the FBI and the Department of Justice, about safeguarding the reservoir of trust and credibility. That Trump would appear to publicly thank me on his second day in office was a threat to the reservoir. Near the end of my thousand-yard walk, I extended my right hand to President Trump. This was going to be a handshake, nothing more. The president gripped my hand. Then he pulled it forward and down. There it was. He was going for the hug on national TV. I tightened the right side of my body, calling on years of side planks and dumbbell rows. He was not going to get a hug without being a whole lot stronger than he looked. He wasn’t. I thwarted the hug, but I got something worse in exchange. The president leaned in and put his mouth near my right ear. “I’m really looking forward to working with you,” he said. Unfortunately, because of the vantage point of the TV cameras, what many in the world, including my children, thought they saw was a kiss. The whole world “saw” Donald Trump kiss the man who some believed got him elected. Surely this couldn’t get any worse. President Trump made a motion as if to invite me to stand with him and the vice president and Joe Clancy. Backing away, I waved it off with a smile. “I’m not worthy,” my expression tried to say. “I’m not suicidal,” my inner voice said. Defeated and depressed, I retreated back to the far side of the room. The press was excused, and the police chiefs and directors started lining up for pictures with the president. They were very quiet. I made like I was getting in the back of the line and slipped out the side door, through the Green Room, into the hall, and down the stairs. On the way, I heard someone say the score from the Packers-Falcons game. Perfect. It is possible that I was reading too much into the usual Trump theatrics, but the episode left me worried. It was no surprise that President Trump behaved in a manner that was completely different from his predecessors—I couldn’t imagine Barack Obama or George W. Bush asking someone to come onstage like a contestant on The Price Is Right. What was distressing was what Trump symbolically seemed to be asking leaders of the law enforcement and national security agencies to do—to come forward and kiss the great man’s ring. To show their deference and loyalty. It was tremendously important that these leaders not do that—or be seen to even look like they were doing that. Trump either didn’t know that or didn’t care, though I’d spend the next several weeks quite memorably, and disastrously, trying to make this point to him and his staff.
James Comey (A Higher Loyalty: Truth, Lies, and Leadership)
However, before long, you find it has always happened that the low tide returns. The ocean of grace seemed to recede; the Church was driven back by either persecution or internal decay. Instead of winning against the wickedness of the world, the wickedness of the world overcame her. Where righteousness flowed like the waves of the sea, there was the black mud and muck of the filthiness of mankind. The Church was in mourning. She was like the Israelites in captivity when they sat down and wept by the rivers of Babylon as they remembered their former glory and wept over their present emptiness. It has always been this way for the Church. She advances, retreats, stands still for a while, and then moves forward once more, only to fall back again. The entire history of the Church has been a story of marches forward and then quick retreats.
Charles Haddon Spurgeon (Peace and Purpose in Trial and Suffering)
Just when I thought to move forward And accept where I’m in life Just when I thought to forget what’s gone And appreciate what still remains Just when I was about to take the first step towards you, You retreated in a shell of silence, rupturing and axing The root sheath of our nuptial sapling
T. Shree (You'll Always Be Enough)
Keir will not die. Leave us." I was of half a mind to scream out, to attract attention. But what would they think of a Warprize cowering before him? I grit my teeth. Iften opened his arms, as if making a peaceful gesture. "It is you that should leave. Ride out now, return to your people. All will be as it was." His voice was smooth and sure, as if offering the friendliest of advice. "No need to place yourself in jeopardy. No need to face attacks, such as in your own marketplace. No need to face the Elders or the warrior-priests." His face changed, and I had to stop myself from taking a step back. "Go, Xyian. Prepare your people for the army that will come in the spring, to ravage—" Something broke the fear inside me. With swift steps, I moved toward him, my fist raised in anger, swearing at the top of my lungs. "I curse you, bracnect. May the skies deny you breath!" Iften's eyes went wide, and his breath caught. His hand went to his sword hilt. I glared at him, took another step forward and shook my fist in his face. "May the earth sink below your feet." There was a gasp from outside, I wasn't sure who, but I didn't let it stop me. "May the fire deny you heat, and the very waters of the land dry in your hand." Iften didn't draw his sword. His face went pale and he stepped back quickly, stumbling out into the meeting room, heading for the main exit. As he retreated through the flap, I followed right behind. "May the very elements reject you and all that you are!" Marcus and Joden were outside, their eyes wide as plates. Others within hearing distance turned horrified faces toward us. I just kept my eyes on Iften, and took another step to jab my finger into his chest. "May your balls rot like fruit in the sun, and your manhood wither at the root!" I spit in the earth in front of Iften's toe. Without another word, I stomped back into the tent. By the time Marcus and Joden stepped into the tent, I was sitting calmly by Keir, wiping his chest down with water that I had added herbs to. Marcus spoke first, softly. "Warprize? How did you know such a curse?" "She overheard it?" Joden said. "How? When? None would say it in her presence without my knowledge. And none have cursed so in this army that I have heard word of." I responded calmly. "I didn't know it. I made it up. He was standing there, prating about the elements and bragging about what he was going to do and I just got so very angry." "A strong curse, Warprize." Marcus's voice carried a note of pride. "I don't care, so long as he stays away from me and Keir." Joden's tone was dry. "No fear of that, Lara.
Elizabeth Vaughan (Warsworn (Chronicles of the Warlands, #2))
As Goblin rushes forward to reconnoiter, Mustard approaches him with a large fear-grin and tries to embrace him for reassurance. Goblin moves forward quickly to a vantage spot to peer across the valley, and Mustard now emulates him. As Goblin (alpha), Satan (number two), and Evered (number three) scan the valley, they break off several times to look at one another quickly. After nearly 60 seconds Goblin suddenly makes his decision, and begins to vocalize and display. The entire group, which includes adolescents Freud and Beethoven, immediately follows suit, and the result is the usual one: both groups vocalize and display ferociously, then slowly retreat into their home ranges.
Christopher Boehm (Hierarchy in the Forest: The Evolution of Egalitarian Behavior)
Yung Pueblo, the modern poet and philosopher, is a beacon of personal growth, healing, and self-awareness. His words, steeped in wisdom, resonate with people seeking peace, transformation, and a deeper connection with themselves. Let's look at some of Yung Pueblo's quotes and break them down in a way that adds value to your life. Each quote is followed by an easy-to-understand explainer, using metaphors to help you understand his message's depth. These explanations are guideposts, showing how to apply his insights to your journey. ## Yung Pueblo Quotes on Healing **"True healing is the willingness to treat yourself with kindness."** Healing is like tending to a garden. You can't rush it, and you can't force it. As you carefully water plants and pull weeds, you must approach yourself with patience and compassion. Only by treating yourself kindly will you create an environment where healing can flourish. **"The more you heal, the less you push away what's uncomfortable."** Healing isn't about avoiding discomfort—it's about embracing it. Think of it like building a muscle. Every stretch and strain makes you stronger. As you heal, you grow more capable of sitting with discomfort, knowing that it's part of the process, not a thing to run from. **"Healing happens when you are ready to let go of what is hurting you."** Letting go is like releasing a heavy anchor holding your ship in place. You can't sail forward until you free yourself from the weight of old wounds. Healing begins when you untie yourself from the past and allow yourself to move freely into the future. ## Yung Pueblo Quotes About Self-Love **"You must love yourself so deeply that your energy and presence become a gift to the world."** Imagine your heart as well. The more you fill it with love for yourself, the more you have to share with others. Self-love isn't selfish—the overflow enriches everything and everyone around you. By loving yourself deeply, you become a gift to those you meet. **"Self-love is creating space in your life to take care of yourself."** Self-love is like building a sanctuary in your daily life. You need to create space, even negligible, to retreat and recharge. It's not about indulgence; it's about recognizing that taking care of yourself is essential to thriving in a busy, chaotic world. **"Self-love is accepting that you are a constantly evolving work of art."** You are like a canvas, always in progress. Some days, the strokes are bold; others, they're gentle. Self-love means accepting that your life is a masterpiece in progress—you are never finished, and that's where the beauty lies. Embrace each phase and layer, and know it all adds to something magnificent.
Yung Pueblo Quotes: Wisdom on Healing, Self-Love, and Inner Growth