Resolution Funny Quotes

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We love being mentally strong, but we hate situations that allow us to put our mental strength to good use.
Mokokoma Mokhonoana
I don’t care,” he replied resolutely. “I’m not punching Bambi in the face.
Catherine Doyle (Vendetta (Blood for Blood, #1))
No guest rooms.” I shake my head resolutely. “I want to be in a room room. A lived-in room.
Lauren Oliver (Before I Fall)
This will not do,' he said to himself. 'If I go on like this I shall become a crazy fool. This must stop! I promised the doctor I would not take tea. Faith, he was pretty right! My nerves must have been getting in a queer state. Funny I did not notice it. I never felt better in my life. However it is all right now, and I shall not be such a fool again.' Then he mixed himself a good stiff glass of brandy and water and resolutely sat down to his work.
Bram Stoker (The Judge's House)
Apparently, we're all in the frame," I heard Harry murmur somewhere behind me. And I whirled back to him. Innate, irrational anger surged. Then stopped, dead - as I suddenly took in Handsome, Robert and Doc. They were all staring at me. They were concentrating, all resolute, all a tad furrow-browed… upon my face. Self-consciousness burgeoned. I gingerly fingered my and lips and my chin, "Am I drooling?" "Your arse is hanging out," said Harry, not looking up from the forensics he was scanning. And so it was. Handsome, Robert and Doc averted their eyes as I, wishing I'd merely been dribbling, grabbed the back flaps of my breezy hospital gown, fully placed my back against the wall. Then, thinking better of it, dived hurriedly, carefully, back into bed. If Chinese Lady'd been here, she could've, would've, told me. I missed her already.
Morana Blue (Gatsby's Smile)
A good reputation is sign of success".
Stephen Rayment
It's a queer thing is a man's soul. It is the whole of him. Which means it is the unknown him, as well as the known. It seems to me just funny, professors and Benjamins fixing the functions of the soul. Why, the soul of man is a vast forest, and all Benjamin intended was a neat back garden. And we've all got to fit into his kitchen garden scheme of things. Hail Columbia ! The soul of man is a dark forest. The Hercynian Wood that scared the Romans so, and out of which came the white- skinned hordes of the next civilization. Who knows what will come out of the soul of man? The soul of man is a dark vast forest, with wild life in it. Think of Benjamin fencing it off! Oh, but Benjamin fenced a little tract that he called the soul of man, and proceeded to get it into cultivation. Providence, forsooth! And they think that bit of barbed wire is going to keep us in pound for ever? More fools they. ... Man is a moral animal. All right. I am a moral animal. And I'm going to remain such. I'm not going to be turned into a virtuous little automaton as Benjamin would have me. 'This is good, that is bad. Turn the little handle and let the good tap flow,' saith Benjamin, and all America with him. 'But first of all extirpate those savages who are always turning on the bad tap.' I am a moral animal. But I am not a moral machine. I don't work with a little set of handles or levers. The Temperance- silence-order- resolution-frugality-industry-sincerity - justice- moderation-cleanliness-tranquillity-chastity-humility keyboard is not going to get me going. I'm really not just an automatic piano with a moral Benjamin getting tunes out of me. Here's my creed, against Benjamin's. This is what I believe: 'That I am I.' ' That my soul is a dark forest.' 'That my known self will never be more than a little clearing in the forest.' 'Thatgods, strange gods, come forth f rom the forest into the clearing of my known self, and then go back.' ' That I must have the courage to let them come and go.' ' That I will never let mankind put anything over me, but that I will try always to recognize and submit to the gods in me and the gods in other men and women.' There is my creed. He who runs may read. He who prefers to crawl, or to go by gasoline, can call it rot.
D.H. Lawrence (Studies in Classic American Literature)
Do you like my brother?" And there goes Dan's confidence. He keeps his eyes resolutely on the field. "Uh... yes? I mean... I think everyone likes your brother, don't they?" She leans over and gives him a little hip check. "No, you know what I mean. Do you /like/ him?" Dan just states out at the horses, hoping that one of them will do something, anything, to distract this girl from her question. But the horses just keep grazing and Tat continues. "'Cause he likes you. I mean, he likes Jeff, too, but... you can like two people at once, right?" "Uh... yes? I think you can like two people at once." "Yeah. I know it's none of my business or whatever, but... I just wanted to make sure you know... if you like him, that's cool with me. I mean, I like Jeff too, but... you know." Dan has a brief moment of wanting to shake her. No, he /doesn't/ know. Is everything really so clear to everyone but him? Is he just adding extra complications where they don't need to be? Then he remembers that he's talking to a fifteen-year-old girl. Maybe she shouldn't be the arbiter of what's simple or complicated. He realizes that she's still waiting for a response from him. "Okay, well... thanks for letting me know." "Are you guys going to, like... date?" "Sweet Jesus, Tat, I don't know!" Possibly that's a bit of an overreaction, but she looks more amused than upset. "All right, all right...." She gets a mischievous look in her eyes.
Kate Sherwood (Dark Horse (Dark Horse, #1))
But there were no battles. There were only skirmishes of vague resolution. And EVIL did not wear one face but many, and all of them were vacuous and more often than not the chin was slicked with drool. In fact, he was being forced to the conclusion that there was no EVIL in the world at all but only evil—or perhaps (evil). At moments like this he suspected that Hitler had been nothing but a harried bureaucrat and Satan himself a mental defective with a rudimentary sense of humor—the kind that finds feeding firecrackers wrapped in bread to seagulls unutterably funny.
Stephen King
And in the past, Archie wondered, was it just that fewer people cheated? Were they more honest, and did they leave their front doors open, did they leave their kids with the neighbors, pay social calls, run up tabs with the butcher? The funny thing about getting old in a country is people always want to hear that from you. They want to hear it really was once a green and pleasant land. They need it. Archie wondered if his daughter needed it. She was looking at him funny. Her mouth downturned, her eyes almost pleading. But what could he tell her? New Years come and go, but no amount of resolutions seem to change the fact that there are bad blokes. There were always plenty of bad blokes.
Zadie Smith (White Teeth)
Her messages remain resolutely static. She sends Harper one, just to make sure it isn’t her signal: [knock knock] But he replies quickly: [no]
Addison Lane (Blackpines: The Magpie Witch: The North Star in Eclipse)
He was a river to her sandstone resolution. He flowed and she eroded.
K. Lyn Smith (The Artist’s Redemption (Something Wonderful, #2))
And this is the critical point: in a media world where what people shout overshadows what they actually do, the backlash sometimes appears to be the only dissenter out there, the only movement that has a place for the uncool and the funny-looking and the pious, for all the stock buffoons that our mainstream culture glories in lampooning. In this sense the backlash is becoming a perpetual alter-ego to the culture industry, a feature of American life as permanent and as strange as Hollywood itself. Even as it rejects the broader commercial culture, though, the backlash also mimics it. Conservatism provides its followers with a parallel universe, furnished with all the same attractive pseudospiritual goods as the mainstream: authenticity, rebellion, the nobility of victimhood, even individuality. But the most important similarity between backlash and mainstream commercial culture is that both refuse to think about capitalism critically. Indeed, conservative populism’s total erasure of the economic could only happen in a culture like ours where material politics have already been muted and where the economic has largely been replaced by those aforementioned pseudospiritual fulfillments. This is the basic lie of the backlash, the manipulative strategy that makes the whole senseless parade possible. In all of its rejecting and nay-saying, it resolutely refuses to consider that the assaults on its values, the insults, and the Hollywood sneers are all products of capitalism as surely as are McDonald’s hamburgers and Boeing 737s.
Thomas Frank (What's the Matter With Kansas?: How Conservatives Won the Heart of America)
Today is the very busy day of the year as I am working really hard to create some rules for the new year, not for the reason that I follow, just because I love breaking rules!
Atlas Gondal